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Songs of Innocence and of Experience is a collection of poems gathered together in 1794, when Blake
added to his previous volume of Songs of Innocence (1789) a series of other poems, offering a
complementary or completely opposite vision, the Songs of Experience.
Their themes illustrate the Romantic concern with nature, imagination, and freedom, as well as with
childhood as the “golden age” of man. Blake’s poems contain sometimes angry social commentary, the
disappointment of an artist with a world full of oppression, hypocrisy, materialism and greed.
Some of the poems in Songs of Innocence and of Experience are explicitly set in contrast. They may have
the same title, but the vision in them is different. Moreover, the poems in the “Innocence” section are
seldom “innocent” – there are ironies and paradoxes in them, which the more experienced reader can
identify, but of which the speaker doesn’t seem to be aware.
Every student is required to choose one instance of paired poems and write an analysis of 15‒ 20 lines,
pointing out the differences in the poet’s vision.
[For instance, if you choose to examine the contrast between “The Lamb” and “The Tyger,” you should start
from aspects of form and rhetoric (e.g. both poems ask a fundamental question – what is this question?) and
then try to discern the motifs and the themes (and try to see if and how that question is answered in each
poem). One possibility of interpreting the two poems is by starting from the idea that they are both about
creation and the nature of the creator.]
1
Holy Thursday Holy Thursday
‘Twas on a Holy Thursday, their innocent faces clean, Is this a holy thing to see,
The children walking two and two in red and blue and green. In a rich and fruitful land,
Gray headed beadles walked before with wands as white as snow, Babes reduced to misery,
Till into the high dome of Paul’s they like Thames’ waters flow. Fed with cold and usurous hand?
O, what a multitude they seemed these flowers of London town, Is that trembling cry a song?
Seated in companies they sit, with radiance all their own, Can it be a song of joy?
The hum of multitudes was there but multitudes of lambs, And so many children poor?
Thousands of little boys and girls raising their innocent hands. It is a land of poverty!
Now like a mighty wind they raise to heaven the voice of song, And their sun does never shine.
Or like harmonious thunderings the seats of heaven among; And their fields are bleak and bare.
Beneath them sit the aged men, wise guardians of the poor; And their ways are fill'd with thorns.
Then cherish pity, lest you drive an angel from your door. It is eternal winter there.
For where-e'er the sun does shine,
And where-e'er the rain does fall:
Babe can never hunger there,
Nor poverty the mind appall.
When the voices of children are heard on the green When the voices of children are heard on the green
And laughing is heard on the hill, And whisperings are in the dale,
My heart is at rest within my breast, The days of my youth rise fresh in my mind,
And every thing else is still. My face turns green and pale.
Then come home my children, the sun is gone down, Then come home my children, the sun is gone down,
And the dews of night arise; And the dews of night arise;
Come, come, leave off play, and let us away, Your spring and your day are wasted in play,
Till the morning appears in the skies. And your winter and night in disguise.
No, no, let us play, for it yet day,
And we cannot go to sleep;
Besides, in the sky, the little birds fly,
And the hills are all covered with sheep.
Well, well, go and play till the light fades away,
And then go home to bed.
The little ones leaped and shouted and laugh'd,
And all the hills ecchoed
When my mother died I was very young, A little black thing among the snow:
And my father sold me while yet my tongue Crying weep, weep, in notes of woe!
Could scarcely cry weep, weep, weep, weep. Where are thy father and mother? say?
So your chimneys I sweep and in soot I sleep. They are both gone up to church to pray.
There’s little Tom Dacre, who cried when his head Because I was happy upon the heath,
That curled like a lamb’s back, was shav'd, so I said: And smil'd among the winter’s snow,
Hush Tom, never mind it, for when your head's bare, They clothed me in the clothes of death,
You know that the soot cannot spoil your white hair. And taught me to sing the notes of woe.
And so he was quiet, and that very night, And because I am happy and dance and sing
As Tom was a-sleeping he had such a sight, They think they have done me no injury,
That thousands of sweepers, Dick, Joe Ned and Jack, And are gone to praise God and his Priest and King,
Were all of them lock'd up in coffins of black. Who make up a heaven of our misery.
And by came an Angel who had a bright key,
And he open'd the coffins and set them all free.
Then down a green plain leaping, laughing they run,
2
And wash in a river and shine in the Sun.
Then naked and white, all their bags left behind,
They rise upon clouds, and sport in the wind.
And the Angel told Tom if he'd be a good boy,
He'd have God for his father and never want joy.
And so Tom awoke and we rose in the dark,
And got with our bag and our brushes to work.
Though the morning was cold, Tom was happy and warm,
So if all do their duty, they need not fear harm.