Henry "Harry" Steeger formed a publishing company in 1930 during the Great Depression after realizing people wanted escapist fiction to forget their troubles. He invented over 300 pulp magazines which were successful. In the late 1930s, to avoid lowering pay rates below one cent per word, Steeger created a fictional subsidiary company called Fictioneers with a separate phone number and address near his actual office. Many staff worked for both companies and it was difficult to maintain the separation deception. Science fiction writer Frederik Pohl was specifically hired to edit Fictioneers magazines Astonishing Stories and Super Science Stories.
Henry "Harry" Steeger formed a publishing company in 1930 during the Great Depression after realizing people wanted escapist fiction to forget their troubles. He invented over 300 pulp magazines which were successful. In the late 1930s, to avoid lowering pay rates below one cent per word, Steeger created a fictional subsidiary company called Fictioneers with a separate phone number and address near his actual office. Many staff worked for both companies and it was difficult to maintain the separation deception. Science fiction writer Frederik Pohl was specifically hired to edit Fictioneers magazines Astonishing Stories and Super Science Stories.
Henry "Harry" Steeger formed a publishing company in 1930 during the Great Depression after realizing people wanted escapist fiction to forget their troubles. He invented over 300 pulp magazines which were successful. In the late 1930s, to avoid lowering pay rates below one cent per word, Steeger created a fictional subsidiary company called Fictioneers with a separate phone number and address near his actual office. Many staff worked for both companies and it was difficult to maintain the separation deception. Science fiction writer Frederik Pohl was specifically hired to edit Fictioneers magazines Astonishing Stories and Super Science Stories.
Henry "Harry" Steeger.[3] It was the time of the Great
Depression, and Steeger had just read The Hound of the Baskervilles. Steeger realized that people wanted escapist fiction, allowing them to forget the difficulties of daily life. Steeger wrote "I realised that a great deal of money could be made with that kind of material. It was not long before I was at it, inventing one pulp magazine after another, until my firm had originated over 300 of them." In the late 1930s Steeger was under pressure to lower his rate of pay to below one cent a word, which he felt was the minimum decent rate he could offer. He didn't want to have Popular pay less than one cent per word, so a new company, Fictioneers, was started; it was essentially a fictional company, with an address (205 East 42nd St) that corresponded to the rear entrance of Popular's offices at 210 East 43rd St. It was given a separate phone number, and the switchboard girl was instructed to put calls through to staff working on Fictioneers titles only if the calls came to the Fictioneers number. Many staff were working on magazines for both companies at the same time, which made it difficult to maintain the pretense of separation. Science fiction writer Frederik Pohl, on the other hand, was hired specifically to edit two Fictioneers titles: Astonishing Stories and Super Science Stories.[4] The company was formed in 1930 by Henry "Harry" Steeger.[3] It was the time of the Great Depression, and Steeger had just read The Hound of the Baskervilles. Steeger realized that people wanted escapist fiction, allowing them to forget the difficulties of daily life. Steeger wrote "I realised that a great deal of money could be made with that kind of material. It was not long before I was at it, inventing one pulp magazine after another, until my firm had originated over 300 of them." In the late 1930s Steeger was under pressure to lower his rate of pay to below one cent a word, which he felt was the minimum decent rate he could offer. He didn't want to have Popular pay less than one cent per word, so a new company, Fictioneers, was started; it was essentially a fictional company, with an address (205 East 42nd St) that corresponded to the rear entrance of Popular's offices at 210 East 43rd St. It was given a separate phone number, and the switchboard girl was instructed to put calls through to staff working on Fictioneers titles only if the calls came to the Fictioneers number. Many staff were working on magazines for both companies at the same time, which made it difficult to maintain the pretense of separation. Science fiction writer Frederik Pohl, on the other hand, was hired specifically to edit two Fictioneers titles: Astonishing Stories and Super Science Stories.[4] The company was formed in 1930 by Henry "Harry" Steeger.[3] It was the time of the Great Depression, and Steeger had just read The Hound of the Baskervilles. Steeger realized that people wanted escapist fiction, allowing them to forget the difficulties of daily life. Steeger wrote "I realised that a great deal of money could be made with that kind of material. It was not long before I was at it, inventing one pulp magazine after another, until my firm had originated over 300 of them." In the late 1930s Steeger was under pressure to lower his rate of pay to below one cent a word, which he felt was the minimum decent rate he could offer. He didn't want to have Popular pay less than one cent per word, so a new company, Fictioneers, was started; it was essentially a fictional company, with an address (205 East 42nd St) that corresponded to the rear entrance of Popular's offices at 210 East 43rd St. It was given a separate phone number, and the switchboard girl was instructed to put calls through to staff working on Fictioneers titles only if the calls came to the Fictioneers number. Many staff were working on magazines for both companies at the same time, which made it difficult to maintain the pretense of separation. Science fiction writer Frederik Pohl, on the other hand, was hired specifically to edit two Fictioneers titles: Astonishing Stories and Super Science Stories.[4] The company was formed in 1930 by Henry "Harry" Steeger.[3] It was the time of the Great Depression, and Steeger had just read The Hound of the Baskervilles. Steeger realized that people wanted escapist fiction, allowing them to forget the difficulties of daily life. Steeger wrote "I realised that a great deal of money could be made with that kind of material. It was not long before I was at it, inventing one pulp magazine after another, until my firm had originated over 300 of them." In the late 1930s Steeger was under pressure to lower his rate of pay to below one cent a word, which he felt was the minimum decent rate he could offer. He didn't want to have Popular pay less than one cent per word, so a new company, Fictioneers, was started; it was essentially a fictional company, with an address (205 East 42nd St) that corresponded to the rear entrance of Popular's offices at 210 East 43rd St. It was given a separate phone number, and the switchboard girl was instructed to put calls through to staff working on Fictioneers titles only if the calls came to the Fictioneers number. Many staff were working on magazines for both companies at the same time, which made it difficult to maintain the pretense of separation. Science fiction writer Frederik Pohl, on the other hand, was hired specifically to edit two Fictioneers titles: Astonishing Stories and Super Science Stories.[4] The company was formed in 1930 by Henry "Harry" Steeger.[3] It was the time of the Great Depression, and Steeger had just read The Hound of the Baskervilles. Steeger realized that people wanted escapist fiction, allowing them to forget the difficulties of daily life. Steeger wrote "I realised that a great deal of money could be made with that kind of material. It was not long before I was at it, inventing one pulp magazine after another, until my firm had originated over 300 of them." In the late 1930s Steeger was under pressure to lower his rate of pay to below one cent a word, which he felt was the minimum decent rate he could offer. He didn't want to have Popular pay less than one cent per word, so a new company, Fictioneers, was started; it was essentially a fictional company, with an address (205 East 42nd St) that corresponded to the rear entrance of Popular's offices at 210 East 43rd St. It was given a separate phone number, and the switchboard girl was instructed to put calls through to staff working on Fictioneers titles only if the calls came to the Fictioneers number. Many staff were working on magazines for both companies at the same time, which made it difficult to maintain the pretense of separation. Science fiction writer Frederik Pohl, on the other hand, was hired specifically to edit two Fictioneers titles: Astonishing Stories and Super Science Stories.[4]