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  • St. ThomasC

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    Hinohimechan
    10 views2 pages
    This musical composition is scored for piano and guitar. It consists of melodic motifs played across various registers by both instruments. The piece explores different rhythmic variations and combinations of the piano and guitar.

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    This musical composition is scored for piano and guitar. It consists of melodic motifs played across various registers by both instruments. The piece explores different rhythmic variations and combinations of the piano and guitar.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    10 views2 pages

    St. ThomasC

    Uploaded by

    Hinohimechan
    This musical composition is scored for piano and guitar. It consists of melodic motifs played across various registers by both instruments. The piece explores different rhythmic variations and combinations of the piano and guitar.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    St.

    Thomas
    ~Piano, guitarra~ Sonny Rollins

           
     
                             
     

                         
           
    11

          

                                     
    20


          
     
                   
                   
      
    25

               
      
                       
    31

                  
    3 3

                   
              
    36

     
    3 3

                        
                      
    41


        
                    
            
    47


     
    3

           
                           
    55

            3
                  
               


    60
                    
      
          
             
       
    65
    3

     3              
           
        
    70

      
    3

                         
                   
    77

                        
                     

    82

     3

                
       
                          
    87

        
      
         
    92

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