I

Can't Stop Loving You

Jazz Piano Solo


Arranged by: Andrew Gregg

   
 


     

               
      
= 120

        
3

 

3 3

          
   
   
 3 3 3


       

 

       
                
4

            


        
 
    
       
      

  
 
 
       
         
= light and staccato



        
8

         
variate 2nd time

  

                

          

      

 
                    
         
14

           
1.

  
   
       
3

      

   
     
       
                
       
 
  


     
19 2.


5

 
       
 
       
5

 
    
              
2

               


            



23 3


        
      

         
      
          
              
              
    
27


 
           
         

      
    
     
    
                        

31

     
  
3 3

 
3 3 3

   

   
  

   
  
                 

            
      
34

 
   
 
          
   


     


   
  

      
    
    

                          
               
39 1.
3

 
     
  


      
        

         
    
  

                  improvised solo
    
           



2.
45
5


     


 
3 3
5

   
  
 3

       

48

  
 
     
 
  
           
                                   
           
  
            

56 1. 2.

  
 
   
  
       
       
 


           

             
       
   

  
     
    
                    
       
3

     

64

         
 
       
   

     
         
       

     

      2.        
  
 
         
           
1.



70
5

    
     


   
3 3 5

   
    