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  • Chant Opus A No in G Minor Alkan

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    This document is a musical score for "Chant in G Minor" from Charles-Valentin Alkan's Premier Recueil de Chants Opus 38a No. 6. It is written for solo piano and notated using traditional musical notation with symbols indicating notes, rhythms, dynamics, and other musical markings over three pages of staff lines. The piece is in a minor key and marked "Andante" for a walking tempo. Phrasing and expression markings guide the performer throughout the romantic-style chant composition.

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    Chant_Opus_a_No__in_G_Minor__Alkan

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    This document is a musical score for "Chant in G Minor" from Charles-Valentin Alkan's Premier Recueil de Chants Opus 38a No. 6. It is written for solo piano and notated using traditional musical notation with symbols indicating notes, rhythms, dynamics, and other musical markings over three pages of staff lines. The piece is in a minor key and marked "Andante" for a walking tempo. Phrasing and expression markings guide the performer throughout the romantic-style chant composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    9 views3 pages

    Chant Opus A No in G Minor Alkan

    Uploaded by

    Mark
    This document is a musical score for "Chant in G Minor" from Charles-Valentin Alkan's Premier Recueil de Chants Opus 38a No. 6. It is written for solo piano and notated using traditional musical notation with symbols indicating notes, rhythms, dynamics, and other musical markings over three pages of staff lines. The piece is in a minor key and marked "Andante" for a walking tempo. Phrasing and expression markings guide the performer throughout the romantic-style chant composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Chant

    in G Minor
    from Premier Recueil de Chants
    Opus 38a No. 6
    « Barcarolle »
    Charles-Valentin Alkan
    (1813–1888)

            
    
         
    

              
    Andante

                


           

                
               
                   
    Piano
     ten.

      

     
           
    sempre

     
                
    

         
          
      
          
    5

         
                     
                     
           


              
             
             
    amabilmente


    10

     
       

                                   
     

      
          
       

                               
    Majeur

         
    con anima


    15

          
     
                                        
    cresc.

            

      


                       

         
         
    21


    dolce

     
                 

       
                    

         
      
               

        
                

    2

           

    26

      
                         
                   
    cresc.

         

        
               
       
    ♭

       
    ♭ ♭ ♭

             
     

    31

          
             
      

       
    

            

    ♭
          
             
       
    ♭ ♭

           
    35




    

           
      
        
     

        
          

     
    

     
                          
    ♭

         
              
    38


        

             
      
    sempre

          
    

             

        
    sempre

            
         
    

        
     
    

      
     
              
     
    
    42

            

                   
                          
       

         
    3

             
      

      
       
      
    
    47

     dolce
          
     
      
     
      
     
     
            
     
    poco cresc.

            


     
        
    ten.

                           
          
    52


            
          
     

                
      

                       

                   
                
    56

    
     

       
          
    rall. e smorz.

                                        
     


         

           
    62

    

    
     
         
       
      
     

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