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(PE) Ruth St.

Denis and Ted Shawn


– other modern dance pioneers.
MODERN DANCE
- they founded the Denishawn School of Dancing and
- may have started as a rejection of classical ballet
Related Arts in 1915 in Los Angeles.
techniques, but it is now a recognizable art form that
stands on its own. Ruth St. Denis (1980 – 1968)
- it focuses on expression rather than following a rigid  raised on a small farm in new jersey
set of postures or technical positions that ballet dancers  trained by her mother
are trained in.  training in random areas (ie. Broad way)
- its movements are considered freeform and fluid, and  danced in minor roles
are often inspired by other dance styles – like African  married her pupil Ted Shawn
dance, ballet, and folk dance.
Ted Shawn (1891 – 1972)
History of Modern Dance  October 21, 1891 in Kansas City, Missouri
- By the end of the nineteenth century, modern dance  known as “The Father of American Dance”
emerged as a new performing art that rebelled against  dances of the Ages
the tight structure of traditional ballet.  started the Denishawn Dance School in Los
- In the mid-twentieth century, modern dance became a Angeles
popular form of dance that would spawn other styles of  Broadway
modern movement such as lyrical dance and
contemporary dance, as well as birth legacy of Martha Graham, Charles Weidman, and Doris
legendary performers – like Alvin Ailey, Katherine Humphrey
Dunham, and Twyla Tharp. - trained in the Denishawn School
- Today, dance schools around the world offer modern - they took the techniques and turned them into today’s
dance classes to people of all ages. American modern dance.

Isadora Duncan and Loei Fuller Charles Weidman (1901 – 1975)


– In the late 1800s and early 1900s, they popularized  July 22, 1901
the dance form as a new style of artistry and  Choreographer, modern dancer, and teacher.
entertainment with their lyrical, emotional  got a scholarship to Denishawn at age of 19
performances.  started the Humphrey – Weidman company
 formed the Theatre Dance Company
Loei Fuller (1862 – 1928)
 showed the relationship between music and
 child actress, burlesque dancer
movement through his dancing
 developed her own natural movement and
improvisation. Martha Graham (1894 – 1990)
 the first modern dancer  Born in Allegheny
 Innovative Lightning and costume – use of  First dance instruction at the cumnock school in
lightning and light weight, rippling cloth (“A LA
creature of light”)  attended summer session at the Denishawn
school in 1916
Isadora Duncan (1878 – 1927)
 Founded Martha Graham dance company
 founded many dance schools all over the world
(United States, Germany, and France) What classifies as Modern Dance?
 “Mother of Modern Dance” 1.) Freeform and improvisational
 Created her own philosophy of dance - Modern dance is often described as fluid and freeform,
 natural movement as connection between alternating between long, languid movements, and
emotion and movement jerky ones that show the contraction an expansion of
 simple steps (walks, skips, jumps, runs) the body.
- Some dancers create their own unique moves for WHAT IS THE DIFFERENCE BETWEEN MODERN DANCE
routines or even use improvisation during their AND CONTEMPORARY DANCE?
performances.
Modern Dance
2.) It’s emotional - Some of the early names are Loei Fuller, Isadora
- Modern dance expresses the emotion that the music Duncan from the US, Rudolf Laban, Kurt Joos in Europe,
evokes in the dances. often with political references, bare feet and
- dancers essentially perform their feelings to music, uncorseted bodies.
conveying a raw or impassioned display. - Later, Martha Graham, Alwin Nikolai, Jose Limon,
Lester Horton, Katherine Dunham, Alvin Ailey are the
3.) It rejects convention
names from the US who created different styles of
- rather than striving for the weightlessness and grace of
modern dance from the broad categories of dramatic,
ballet, modern dancers use their body weight to propel
theatrical, to references of African heritage.
themselves across the floor, often falling, tumbling, or
rolling to express rhythm. MUSIC
- the good thing about the music in modern and
CONTEMPORARY DANCE
contemporary dance is, there’s no single form bounded
- started to develop around the 1960s and was more
to a certain type of music.
based on ballet technique in the legs with more modern
- no specific songs.
upper body and torso work.
- most choreographers choose songs with deep
- developed during the mid-twentieth century and has
messages that is possible to be interpreted by the
since grown to become one of the dominant genres for
choreographer, or, instrumental song in which dancing
formally trained dancers throughout the world, with
technique will be used to put language on that song
particularly in the U.S and Europe.
expressively.
- Originally informed by and borrowing from classical,
modern, and jazz styles, it has come to incorporate Modern and contemporary dances are few
elements from many styles of dance. dances that also adore silence. Some dancers
- stresses versatility and improvisation, unlike the strict, were able to perform in silent manner and
structured nature of ballet. surroundings.
- focuses on floorwork, using gravity to pull them down
Important Principle in Dancing Modern and
to the floor.
Contemporary:
- often dance in bare feet.
You must choose a music that is relevant to
Isadora Duncan, Martha Graham, and Merce your choreography.
Cunningham
Benefits of Modern and Contemporary Dance
– pioneers of contemporary dance.
1.) Health
- they believed that dancers should have freedom of
– Modern and contemporary involves bodily and mind
movement, allowing their bodies to freely express their
coordination in order to perform efficiently.
innermost feelings.
2.) Physical Benefits
Merce Cunningham (April 16, 1919, Centralia,
– it helps build muscle strength while increasing
Washington – July 26, 2009, New York)
flexibility due to lifting and bending movements.
– Father of Contemporary Dance
- Send of balance and improvement in agility is to lifting
- American modern dancer and choreographer who
and bending movements.
developed new forms of abstract dance movement.
- Sense of balance and improvement in agility is also
- he was invited by Martha Graham to join her group
developed.
- Performers learn to be aware of the correct body
position and posture.
3.) Mental Benefits Basic types of Hip-Hop and street dance
- Dancing help you coordinate your mind with your body 1.) Breakdancing or breaking
movement which refers to “neuromuscular  incorporates intricate body movements,
coordination” coordination, style, and aesthetics.
- it also relieves stress with the influence of relaxing,  the people who perform this style of dance are
soothing, and dramatic music used in modern and known as b-boys or b-girls. They are sometimes
contemporary dancing. called breakers.
- creative thinking can be also nurtured
2.) Locking
- it also enhances the mood of any individual who
participates in dancing  first made in 1970 by funk dancers in various
- activates self-expression clubs, with one of the best dancers being Don
Cambell
4.) Emotional Benefits
- In dancing, feelings and emotions play a vital role in Don Cambell – who supposedly invented the ‘lock’
making an opportunity to express with the that the whole locking dance is now named after.
accompaniment of the music that is relevant to your  known to be relatively comic and lively.
emotions.  a style of funk dance, which is today also
- it enables participants to connect with their feelings associated with hip hop.
and focus on their minds with the creative environment the name is based on the concept of locking
that dancing has. movements, which basically means freezing
from a fast movement and “locking” in a certain
position, holding that position for a short while
HIP-HOP and then continuing at the same speed as
- not just a form of dance; it is a culture-a way of life. before.
History: 3.) Popping
 It refers to dance styles, mainly to street dance  adapted out of the earlier Boogaloo cultural
styles using hiphop music, or that have evolved movement in Oakland, California.
as a part of the hip hop culture. Quickly contracting and relaxing muscles to
cause a jerk or can be a sudden stop in the
Consists of four main elements:
dancer’s body, referred to as a pose, pop or a
1.) B-boying (breaking)
hit. This is done continuously to the rhythm of a
 The first and original dance associated with hip
song in combination with various movements
hop .
and poses.
 More commonly known as breakdance
 Appeared in New York City during the early 4.) Boogaloo
1960s and truly became a cornerstone (or  a freestyle
element) of hip hop as a culture.  can incorporate illusions, restriction of muscles,
stops, robot and/or wiggling.
2.) Dj-ing
Improvisational street dance movement of
3.) Graffiti art soulful steps and robotic movements which
make up the foundation of popping dance and
4.) Mc-ing (rapping)
turfing.
Evolved from three underground dance styles:
5.) Krumping
1.) B-boying
 a street dance
2.) Locking  popularized in the United States
 characterized by free, expressive, exaggerated,
3.) Popping
and highly energetic movement.
 the youths who started Krump saw the dance as
a way for them to escape gang life
 “to express raw emotions in a powerful but  The often-complex routines that street dancing
non-violent way.” requires may be hard to grasp in the early
stages of your training.
6.) Lyrical Hip Hop
 Dancing along or as part of a group, you will
 You use different force to express different
soon find that concentration and spatial
emotions.
awareness come to you more naturally.
 When they are near each other there is more
tension on the dancers because they rely on
each other.

STREET DANCE
 to describe dances that developed outside of
the studio setting and in social space like
streets, clubs and parks.

The original street dance includes:


 Breaking
 Popping
 Locking

Examples:
 Breakdancing
 Hip-hop dances

Fitness Benefits:
1.) Improving Stamina
 Street dancing demands a range of energetic
body movements.
 It is important that a little effort goes a long way
and regular workouts will greatly improve your
body’s stamina over time.

2.) More flexible hands, feet and joints


 street dancing moves may require the
participant’s hands to support their body
weight, as well as the feet and leg joints.
 regular street dancing will strengthen these
areas over time and greatly improve their
flexibility.

3.) Boosting mental self-confidence


 Once you master the basics of street dancing,
and start to learn some tricks, your mental self-
confidence will improve tenfold.
 Your body will feel healthier and happier and so
will your mind.

4.) Developing concentration and spatial awareness

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