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Mosaic: An Interdisciplinary Critical Journal
KAREN BRYCEFUNT
In 1903, Daniel Paul Schreber, a presiding appellate court judge who had been an
inmate of a government mental institution for nine years, accomplished the unpre
cedented: he wrote his way out of the asylum. The major evidence he produced i
his defense was his autobiography. Since then, he has had many readers; among the
more illustrious were Freud and Jung, who approached Schreber's Memoirs as if
were a case history and used it to articulate their emerging differences. My purpos
in the following essay is to explore the multiple ramifications of this use of an
autobiographical—i.e., literary—document in the formation of psychological
theory.
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Mosaic 2014
0027/1276-87/010097-19 $01.50 © Mosaic
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Freud and Jung functioned as readers, not psychoanalysts. The Memoirs are in
narrative form; Schreber as author tells his story, yet Freud and Jung accepted the
Memoirs as "history" and proceeded to psychoanalyze.
Unlike a psychiatric case history where a reader encounters the patient through
the sole mediation of the analyst, with Schreber's Memoirs as with most auto
biographies, the narrator, author and major character are conflated.2 Like any
author, Schreber mediates and controls all elements of the narrative, including his
relations with psychiatrists, his transference objects. When one focuses not on
Schreber as an author but as a character in an ongoing narrative written by Freud
and Jung, however, there is no psychoanalytic relation. Schreber's transferences
obviously cannot extend to Freud or Jung, yet that is exactly what a reader would
reasonably expect from a case history.
What is lost in large part by this particular shift from autobiography to case
history is precisely a consciousness on the part of the psychoanalyst of the trans
ference relation. For when Freud writes a "case history" of Schreber, two basic
structural positions are changed from the standard psychiatric case history: the
narrator, i.e. Freud, is not the attending psychiatrist (who could comment on the
transferences and counter-transferences thus involved) and the major subject of
the text, i.e., Schreber, is depended upon for all "historical evidence." Yet here,
despite surface disclaimers, Freud' s implication is that he can function as a psycho
analyst in reference to Schreber. His role, however, is structurally more akin to a
biographer, whose sole sources of reference are the written documentation of
his subject.
As was suggested, autobiographies conflate author, narrator and primary char
acter. In a case history that conflation also occurs, and therefore one would think
that case history would qualify as a form of autobiography, but there is one
important proviso: namely, the psychiatrist, who functions as author and narrator,
is only a secondary character. He or she is never the explicit primary subject. So in
a generic sense, a standard case history can be seen as a specific variant of auto
biography, with the narrator assuming the role of secondary character. Freud's text
is essentially a form of biography, where the author is distanced from the primary
subject of the text. As with all biographies, however, the biographer's distance can
always be challenged, since biographies are notoriously prone to projections on the
part of the author. In the case of Freud's and Jung's treatments of Schreber, this
situation is no exception.
Clearly, from Schreber's authorial position, Freud and Jung were merely two
anonymous readers. Nonetheless, from the perspective of the readers themselves,
projections, transferences, counter-transferences and identifications with Schreber
and the characters of his text were not only possible but all too often insufficiently
conscious. In other words, it was both the standard literary relation between author
and readers, and between biographers and their subjects. However, and this is part
of my current interest in the Freud/Jung correspondence, in the informal setting of
the letters, Freud in particular allowed himself a degree of self-analysis which he
censored from his published version of the Schreber case.
The question in part is one of categorizing both Schreber's Memoirs and Freud's
case history, for they both bridge several genres. Each genre—autobiography,
biography and case history—is marked by an internal tension between its histor
icity and its fictionality. James Hillman makes a useful distinction, following E.M.
Forster (86), between "story" and "plot," in which latter category Hillman places
Freud's case histories. Hillman cites Forster's Aspects of the Novel.
"The king died and then the queen died," is a story. "The king died and then the
queen died of grief," is a plot.... If it is in a story we say "and then?" If it is in a
plot we ask "why?" (130)
April 22,1910, Freud to Jung: [Freud speaks of] the wonderful Schreber, who
ought to have been made a professor of psychiatry and director of a mental
hospital. (187 F)4
September 29, 1910, Jung to F
much you appreciate the greatn
of the "basic language." (213 J)
October 1, 1910, Freud to Jung: I share your enthusiasm for Schreber; it is a kind
of revelation. (214 F)
October31, 1910, Freud to Jung: First an analysis of our dear and ingenious
friend Schreber. (218 F)
March 19, 1911, Jung to Freud: Only now that I have the galleys can I enjoy your
Schreber. It is not only uproariously funny, but brilliantly written as well If I
were an altruist I would now be saying how glad I am that you have taken Schreber
under your wing and shown psychiatry what treasures are heaped up there. (243 J)
As one looks at the letters in further detail, it becomes clear that perhaps the
major interest for both of them, at least initially, was Schreber's use of language.
They were impressed with his "delusional utterances." Freud included an extended
discussion of Schreber's definitional structure in his case history (2Iff.) and he
devoted considerable space to what Schreber may have meant by such crucial terms
as "the state of bliss," "the order of things," "the rays of God," "basic (root)
language," "nerves of voluptuousness," "soul-murder" and "miracle" (as a verb).
Freud argued that by analysis of Schreber's language one could construct the mean
ing and mechanisms of his illness. This was quite an innovative posture at a time
when schizophrenic language was generally ignored. He used the analogy to dream
interpretation: that in the details of fantasy formation lie the elements of psychical
construction in condensed form (38).
Manfred is Byron's dramatic poem that Schreber mentions in his Memoirs. None
of the analyses of the case, including Freud's, directly implies that Schreber may
have had an incestuous relationship, even on a fantasy level, with his sister. How
ever, the later biographical research done by both Morton Schatzman (12-13) and
Robert White (59) indicate that he was particularly close to a younger sister, per
haps closer to her than to other members of his family or to his wife.
October 31, 1910 [continued]: The castration complex is only too evident. Don't
forget that Schreber's father was a doctor. As such, he performed miracles, he
miracled. In other words, the delightful characterization of God—that he knows
how to deal only with corpses and has no idea of living people—and the absurd
miracles that are performed on him (Schreber) are a bitter satire on his father's
medical art. In other words the same use of absurdity as in dreams. The enormous
significance of homosexuality for paranoia is confirmed by the central emascu
lation fantasy. (218 F)
good things in it, and it contains the boldest thrust at psychiatry since your
Dementia Praecox. 1 am unable to judge its objective worth as was possible with
earlier papers, because in working on it 1 have had to fight off complexes within
myself (Fliess). (225 F; emphasis mine)
March 19,1911, Jung to Freud: [continuation of the letter cited above, where
Jung gives his first reactions to Freud's galleys of the case]—For more than a year
now, amid unspeakable difficulties, I have been analysing a Dementia praecox
case, which has yielded very strange fruits; I am trying to make them compre
hensible to myself by a parallel investigation of incestuous fantasy in relation to
"creative fantasy." (243 J)
June 12, 1911, Jung to Freud: It seems th
costs to bring to light the inner world produ
in paranoics appears in distorted form as
November 14, 1911, Jung to Freud: That passage in your Schreber analysis where
you ran into the libido problem (loss of libido = loss of reality) is one of the points
where our mental paths cross. (282 J; emphasis mine)
December 11, 1911, Jung to Freud: As for the libido problem, I must confess your
remark in the Schreber analysis.. .has set up booming reverberations. This
remark, or rather the doubt expressed therein, has resuscitated all the difficulties
that have beset me throughout the years in my attempt to apply the libido theory to
Dementia praecox. The loss of the reality function in Dementia praecox cannot be
reduced to repression of libido (defined as sexual hunger). Not by me at any rate.
Your doubt shows me that in your eyes as well the problem cannot be solved in this
way. I have now put together all the thoughts on the libido concept that have come
to me over the years, and devoted a chapter to them in my second part [Collected
Works V, part II, chapt. 2].... You must let my interpretation work on you as a
whole to feel its full impact. Mere fragments are barely intelligible.
(287 J; emphases mine)
The passage Jung is questioning in Freud's case history concludes: "It therefore
appears to me far more probable that the paranoic's altered relation to the world is
to be explained entirely or in the main by the loss of his libidinal interest" (75).
This is a return in a theoretical setting of Freud's conclusion that the "exciting
cause" of Schreber's illness was an "outburst of homosexual libido" directed
toward his psychiatrist, Flechsig. Freud assumed that Schreber experienced a basic
frustration of libido in this regard and that it was Schreber's literal homosexual
impulse and its frustration that "produced the conflict which gave rise to the patho
logical phenomena" (43). Jung was asking whether loss of libidinal interest in the
real world (and this could mean reference to the assumed object-choice of
Schreber's psychiatrist, Flechsig, or possible alternative object-choices such as his
wife, mother, father, sister or others) necessarily results in the loss of reality and
the construction of a paranoid fantasy system. Freud's equation was "Loss of libido
= loss of reality" (282 J), whereas Jung's resolution was a broadening of the
concept of libido. Freud ultimately rejected Jung's theoretical solution—or as
Freud would have it, compromise—as a basic undermining of Freud's sexual
assumptions. His formal response was published in 1914, in the essay "On
Narcissism: An Introduction." Personally, however, Freud insisted to Jung that the
question need not imply conflict:
June 13,1912, Freud to Jung: Dear friend: About the libido question, we shall
see. The nature of the change you have made is not quite clear to me and I know
nothing of its motivation. Once I am better informed, I shall surely be able to
switch to objectivity, precisely because I am well aware of my bias. Even if we
cannot come to terms immediately, there is no reason to suppose that this scien
tific difference will detract from our personal relations. I can recall profounder
differences between us at the beginning of our relationship. (319 F)
life" would be a reversal of the direction of libido inward to questions, for instance,
of religion, esthetics or music. With the occurrence of a crisis, the transition from
the first to the second stage can cause major psychological difficulties. This, of
course, was evident with Schreber, who at fifty-one and at the onset of his first
major illness, had just been promoted to presiding appellate court judge. It was a
job which he felt incapable of handling and in addition he was facing the reality that
he was unlikely to have children (White 59-60).
Freud's interpretation of Schreber's developmental crisis was that it caused a
primary regression to infantile narcissism with its inherent homosexuality and that
Schreber's narcissism was the causal factor in the creation of his delusional struc
ture. White (55-73), Macalpine and Hunter (328-71) hypothesized that the
regression was to a pre-Oedipal situation and involved birth fantasies on Schreber's
part. Freud located the regression, as did Jacques Lacan, in the Oedipal situation.
Jung, on the other hand, sought to explain Schreber's change without the concept
of regression at all.
Jung did retain, nonetheless, Freud's concept of bisexuality in his later theories,
with its distinct applicability to Schreber. Bisexuality is defined as follows by
Laplanche and Pontalis: "Notion introduced into psychoanalysis by Freud, under
the influence of Wilhelm Fliess, according to which every human being is endowed
constitutionally with both masculine and feminine dispositions; these can be
identified in the conflicts which the subject experiences in assuming his own
sex" (52).
Again, there is an inexplicit entry of Freud's relation to Fliess in the details of the
Schreber case, that is the notion of bisexuality. Much of the difficulty that emerged
between Freud and Fliess was over the origin, or if you will, ownership, of the
notion of bisexuality. The recently released complete correspondence between
Freud and Fliess shows how important the concept was in their relationship:
Such a co-authorship, however, was not to occur. Both Ernest Jones (204-06)
and Freud's recent biographer Paul Roazen (93-94) have documented the convo
luted history of the notion of bisexuality. Freud had apparently discussed the con
cept of bisexuality with a patient, Herman Swoboda, who in turn talked about it
with another friend, Otto Weininger. Weininger proceeded, in 1903, to write a
successful book on the subject. That same year, Weininger committed suicide.
Fliess accused Freud of squandering and stealing his important concept. The
matter was taken to court by Swoboda who sued Fliess for the accusation. In short,
bisexuality became for Freud a concept that he might well have desired to repress.
It had been a shared enthusiasm with Fliess and now it had become central to their
estrangement. In writing the Schreber case, Freud's omission of bisexuality was
complete; he gave absolutely no credence to Schreber's evident bisexuality. Ironic
ally, it was Jung who in his later writings took up the idea once more.
Jung hypothesized that part of the developmental change that occurs between the
"first and second halves of life" is the attempt by the psyche to integrate its contra
sexual tendencies—the repressed feminine in the man and the repressed masculine
in the woman, the anima and animus. When one applies Fliess and Freud's concept
of bisexuality with Jung's derivative theory of contrasexual integration in the
second half of life to a central element of Schreber's fantasy system—his desire to
be transformed into a woman and have children—one can interpret the fantasy as
a psychological attempt to bring to consciousness what had previously been
repressed, his unconscious femininity.
Several details of Schreber's fantasies and Freud's private interpretations to Jung
are important in this connection. Schreber, according to Freud (23-24), divided
God into the "anterior" (representing the female and breasts) and the "posterior"
(representing the male and buttocks). Freud, in other words, had indicated to Jung
in detail how God, for Schreber, was inherently both male and female. Schreber's
hallucination, in other words, was of a bisexual God, despite the fact that Freud did
not explicitly use that adjective. Both masculine and feminine aspects of God were
represented by Schreber as having destructive and benevolent dispositions. In the
later stages of his fantasy, Schreber desired sexual union with God, when God was
at the time in his masculine aspect. Schreber hallucinated emasculation in order to
achieve that union with the masculine God.
Another associated detail of the hallucination was Schreber's belief that he had
"nerves of voluptuousness" all over his body. The contemporary incarnation of this
notion is Norman O. Brown's concept of "polymorphous perversity": "The aboli
tion of repression would abolish the unnatural concentrations of libido in certain
particular bodily organs—concentrations engineered by the negativity of the mor
bid death instinct, and constituting the bodily base of the neurotic character dis
orders in the human ego The human body would become polymorphously
perverse, delighting in that full life of all the body which it now fears" (308).
Schreber, according to Freud, "calls for a medical examination, in order to
establish the fact that his whole body has nerves of voluptuousness dispersed over it
from head to foot, a state of things which is only to be found, in his opinion, in the
female body, whereas, in the male, to the best of hi s knowledge, nerves ofvoluptu
ousness exist only in the sexual organs and their immediate vicinity" (33).
Again, Freud avoided any hint that Schreber might be bisexual and this came
from someone who less than ten years before had stressed the concept's uni
versality. It might appear that this was not in fact inconsistent with his private
revelations to Ferenczi and Jung regarding how writing the Schreber case had
helped him to "overcome Fliess" and that with the Schreber case he had reversed
what he now thought was a mistaken direction away from sexuality to bisexuality.
Freud did not, however, subsequently repudiate his allegiance to the notion of
bisexuality, despite his estrangement from Fliess and the complications regarding
the manner in which the idea reached the public through his patient Swoboda and
Swoboda's friend, Weininger.
Freud had written to Jung: "First the father complex: Obviously Flechsig-father
God-sun form a series" (218 F), implying an Oedipal transference. Jung inter
preted Schreber's transformation fantasy on a symbolic level as his desire to
experience his female tendencies. Schreber, in his position as judge, had lived
in an imbalanced masculine perspective which ultimately overcame him to the
extent that he then exaggerated his repressed tendencies in his delusional fantasy
structure.
Both Freud and Jung placed the imagery in Schreber's hallucinatory system
within their respective theoretical structures. The difference between them centers
on the function of metaphor in psychological constructions. Metaphor can be con
cretized as Freud did when he interpreted Schreber as literally desiring emascu
lation. Or it can be shifted to a purely symbolic level as Jung did, severing
Schreber's imagery from its bodily implications. Yet a third alternative is to situate
the discussion on a metalevel and say that the defining quality of what may be
termed illness or psychosis is precisely the inability to distinguish between literal
ized and symbolic metaphor.
The question of metaphor is implicit to contemporary discussions of Schreber.
Following R.D. Laing and Gregory Bateson, Morton Schatzman literalizes
Schreber's metaphorical system. Schatzman proposes an internal logic to
Schreber's fantasies within his family situation. As I mentioned, Schreber's father,
Daniel Gottlieb Moritz Schreber (1808-61) was one of Germany's leading writers
on child-rearing in the mid-nineteenth century. He advocated excessively repress
ive treatment of children, which included explicit threats of castration to prevent
masturbation and the use of torturous devices to prevent it. Schatzman also pre
sents evidence that Schreber's psychiatrist, Flechsig, literally advocated castration
as a "cure." In 1884 Flechsig wrote, "I think there are justifiable grounds to use
castration as a successful treatment against neurosis and psychosis" (qtd. in
Schatzman 101). Flechsig purportedly had at least three patients castrated at the
clinic where Schreber spent the initial part of his illness.
selves; they are now only one component in the series which provides a means of
articulating theoretical difference. Claiming to follow Freud, Lacan questions the
linguistic consequences of a Subject experiencing gaps in his or her mode of sig
nification. Claiming opposition to Freud, Deleuze and Guattari attack the appro
priateness of interpretations which assume Oedipal repetitions. Challenging the
very notion of internal referentiality, Schatzman denies any purely self-referential
Subject.
The issue finally becomes not whether Schreber was psychotic in the sense I
have discussed—as evidencing a "primal disturbance in his libidinal relation to
reality"—but rather given the disturbance or the lack of adjustment to reality, how
is one to interpret it? The issue is one of reading, of interpretation. The interpretive
question becomes whether the delusional system and its accompanying illness
were necessary for Schreber. Freud's answer was categorically affirmative: "The
delusional formation, which we take to be the pathological product, is in reality an
attempt at recovery, a process of reconstruction" (71). Jung concurred; the
Memoirs described a necessary adaptive strategy: "Closer study of Schreber's or
any similar case will show that these patients are consumed by a desire to create a
new world-system, or what we call a Weltanschauung, often of the most bizarre
kind. Their aim is obviously to create a system that will enable them to assimilate
unknown psychic phenomena and so adapt themselves to their own world. This is
purely subjective at first, but it is a necessary transition stage on the way to adapt
ing the personality to the world in general" ("On Psychological Understand
ing" 189).
As I have shown, Freud interrogated the apparent causes of Schreber's psycho
sis, while Jung sought to explain the nature of the libido empowering Schreber's
construction of an internal linguistic system. Freud and Jung formed an interpretive
community of two and, in the interest of friendship, they attempted not to
acknowledge the differences in their interpretations of the Memoirs. Eventually,
those differences became severe. Schreber's text occasioned a remarkable series of
transformations. What began as an autobiography for Schreber and a judicial
means to free himself from the asylum, became for Freud and Jung a pivotal psy
choanalytic case history and a major setting of a tumultuous, and in turn historic
ally critical, ending to a deep friendship.
NOTES
1/ Aside from Schreber's own Memoirs and the commentary by Macalpine and Hunter, biographical
material may be found in Niederland and Schatzman.
2/ Both Bruss and Lang emphasize the autobiographical conflation of author, narrator and protagonist.
Lang argues that such prominent autobiographical theorists as Spengemann and Olney (Metaphors),
as well as most of the authors included by Olney in Autobiography, do not sufficiently take into
account the distinguishing feature of autobiography as involving that conflation.
3/ Freud made a similar gesture in 1905, when he titled the Dora case, "Fragment of an Analysis of a
Case of Hysteria." Rose details the numerous ways in which the case was a "fragment." See also
Marcus 56-91.
51 This letter to Ferenczi was originally published by Ernest Jones and subsequently by Max Schur,
the first two people given full access to Freud's correspondence. Schur briefly notes the link between
Schreber, Fliess and Jung within the context of the ongoing and acknowledged intertwining of
Freud's self-analysis and his written theoretical work. The current citation is to Masson's edition of
Freud's correspondence with Fliess. Masson, however, does not refer to the correlation between the
Schreber case, Freud, and Fliess which I am discussing here.
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