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XI 1366 Revisited
Author(s): Rosalia Hatzilambrou
Source: Zeitschrift für Papyrologie und Epigraphik , 2015, Bd. 194 (2015), pp. 80-90
Published by: Dr. Rudolf Habelt GmbH
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Zeitschrift für Papyrologie und Epigraphik
P. Ghent inv. 51 (M-P3 2502, TM nr. 61290, LDAB id 2432)2 was originally published in 1915 by Gren-
fell and Hunt as P. Oxy . XI 1366 entitled 'Fragment of an Attic orator'; since then the papyrus has been
considered to preserve a text of Attic forensic oratory. In what follows I am arguing that P. Oxy. XI 1366
preserves a fragment of a 1ieÀixr|, which involves the two most celebrated Cynics of the fourth century B.C.
and which could be the product of a famous rhetorician of the imperial period.
The scribe marks the beginning of a section by ekthesis, enlargement of the first letter (lines 1
5) and mpaypoccpoc (above line 5).10 Diairesis is marked on initial v (line 22). Elision is effected but
marked in line 9 and perhaps line 8. A possible blank at the end of line 19 (after c) may indicate the end of
a sentence. Itacistic spelling (yeiv-) occurs in line 14 and probably line 18 (tuc0- instead of 7teic0-).
Contentwise, Grenfell and Hunt believed that the fragment involves an unidentifiable Antisthenes, ei
as the perpetrator or the victim of a case of murder by poisoning (see lines 2, 4, 6-7, 12 and 17).
such circumstances do not correspond with any of the known speeches by Attic orators involving i
viduals whose name ended in -oyevrļc: these are the two Kaxôc Â0T1voyévoDC speeches by Hypereides
V and or. deperd. I Fr. 1, ed. Jensen),11 three (or four, see below) speeches by Lysias, namely îlepi t
AioyévoDC KÀíipoD (or. deperd. XXXVIII Frr. 85-88, ed. Carey), Flpòc Aioyévr|v vnkp jnicGcocecoc o
or npòc Aioyévrjv vnkp Apxecxpáxoi) nepi ^copiou (or. deperd. XXXIX Frr. 89-94, ed. Carey)12 and I
rXat)Kcova 7tepì toC AiKaioyévow KÀripoD (or. deperd. XXXIII and XXXIV,13 Frr. 71-74, ed. Carey)
one by Isaeus, entitled Ilepi xoC AncaioyévoDC KĀiļpoi) (Is. V, ed. Thalheim), which is preserved entire
Central, however, to Grenfell and Hunt's understanding of this fragment is the differentiation of the ti
from the larger body of text, that is the speech concerning Antisthenes. On this assumption, they suggest
that the title might belong to the speech previously written in the roll which could be identified with one
of the aforementioned speeches written by Hypereides or Lysias. In the ensuing years scholarship14
not seriously questioned the conclusions of the first editors on this fragment. It is worth mentioning that
Turner-Parsons (1987: 14, n. 70), Bastianini (1995: 27) and Capasso (1998: 71, n. 79) listed the papyr
among the ones which have the title marked in a blank space, an aypacpov, before the first column, which
suggests that they assume that the title refers forwards. In fact, evidence does suggest that titles written
large aypa<poc which occupy the space of a column are relevant to the text that follows them.15 Additiona
ly, Whitehead (2000: 474) expressed his doubts that the papyrus preserves a speech by Hypereides, on
grounds that the particular dikasts' address, co avôpec Ā0iļvaīoi in lines 5-6, is not attested in the ex
works of Hypereides. Finally, Carey in his 2007 OCT edition of Lysias included the text of the papy
among Lysias' aTiÓKpDcpa (number A5), that is fragments attributed to Lysias by scholars, and he offered
some suggestions for supplementing the text. This, then, is where scholarly work stands regarding P. Oxy
XI 1366.
I am pretty much convinced that the papyrus under study preserves the title, the imoOecic and the first lines
of a [lekh rļ, more specifically a historical forensic declamation, where a historical figure was represented
as standing trial for some charge, and the declamation consists of its defence or accusation speech.16 This
declamation falls well into the first category of historical declamation, according to Russell's division,
which includes "fabricated events, usually trials or proposals for legislation, which never actually occurred
10 On the various forms of the mpaypoccpoc in the papyri see Barbis Lupi (1994: 414-417).
1 1 See also Whitehead (2000: 265-266).
12 In fact, scholarship now accepts that the titles npòc Aioyévrjv ímèp ļiicOcocecoc o'ikod and npòc Aioyévr|v ùrcep
ÂpxECTpœuoD Tcspì xcopíoD refer to the same speech, see Carey (2007: 358-359).
13 There were possibly two speeches (a and ß) by that name, see Carey (2007: 351, Fr. 71).
14 See Körte (1924: 160), Bartolini (1977: 35), Lama (1991: 78), Whitehead (2000: 474), Caroli (2007: 285-287).
15 See Caroli (2007: 53-57).
16 The relevant references in the rhetorical handbooks of the second to fifth centuries are assembled by Kohl (1915). For
an account of actual texts of historical declamations that have survived on papyrus, the earliest of them Ptolemaic in date, see
for instance Mertens-Pack3 between numbers 2495-2559, and Jander (1913: 23-40). Later examples include elaborate speech-
es of Aelius Aristides, Libanius and Choricius. On Greek declamation Russell (1983) is still the standard work. See also Swain
(1996: 91-96), Berry-Heath (1997: 393-420). On the educational use of the declamation, 'the crowning achievement of the
student of rhetoric' [Cribiore (2001: 223)], see Cribiore (2001: 220-244, esp. 231-238).
as subjects for declamation.28 Antisthenes was one of the most faithful disciples of Socrates, present at his
master's execution.29 After all, he was named Antisthenes Socraticus, while his own disciple, Diogene
was dubbed by Plato CcoKpcxxric juaivójLievoc ('mad Socrates').30 So, both Antisthenes and Diogenes w
located within the great philosophical tradition founded by Socrates. Finally, Diogenes was connected w
Alexander, the King, not only in the fourth Kingship oration by Dio Chrysostom; and Diogenes' (supposed)
encounter with Alexander at the Isthmus also became legendary. It is reported by Cicero, Arrian, Plutarch,
Diogenes Laertius and others,31 where Alexander is said to have been enormously impressed by Diogen
genius, proverbially expressed as "ri jllt| A^é^avSpoc fļjLLTļv, Aioyévr|c âv fļjLiTļv".
The setting of the declamation preserved in P. Oxy. 1366 is probably one of the Athenian courts where
homicide cases were tried in fourth-century Athens,32 namely the Delphinion, the Palladion or the Ar
pagos. There is nothing in the written record to suggest that such a trial actually occurred. However,
declaimer could have drawn inspiration for the composition of his speech from accounts which link the ill
and about to die Antisthenes with his disciple, Diogenes, such as the one attested in Diogenes Laertius
18-19 (Caizzi Fr. 142), which reports that Antisthenes
èxekemr'CE 8è àppcocTÍa* Öt£ Kal Aioyévr1C riciœv Ttpòc aúxòv ecprļ, "'ir'xi xpria cpíXoi);"
KOCÍ 7tOT£ 7tap' OCÒTÒV ^l(p(8lOV £%CDV £ÍCT1^0£. TOO) Ô' riítÓVTOC, "líc CXV a7T0À,t)C£l£ 1I£ TOOV
7tóvcov;" Ô£Í^ac tò ^icpíôiov, £911 "toCto"* Kai öc, "xœv rcóvcov, rircov, oí) tou Çrjv." £§ók£i yap
Ttcoc jLiataxK(ÓT£pov cpép£iv TTļv vócov ')7cò cpiXoÇcoíac.33
('he died of disease just as Diogenes, who had come in, inquired of him, "Have you need of a
friend?"
Once too Diogenes, when he came to him, brought a dagger. And when Antisthenes cried
out, "Who will release me from these pains?" replied, "This," showing him the dagger. "I said",
quoth the other, "from my pains, not from life." It was thought that he showed some weakness
in bearing his malady through love of life.')34
Diogenes, then, is attested to have been present when Antisthenes died and perhaps he was the sole w
ness to his death.35 On a second occasion, Diogenes is reported to have volunteered to help Antisthen
and release him from his pains by offering him a dagger as means of suicide, which Antisthenes rejec
because of love of life. This was considered an exceptional attitude for a Cynic, who was expected to t
minate his own life when it became a burden for him because of illness or old age.36
The meeting between the ill Antisthenes and Diogenes is also quoted by Julian the Emperor in th
fourth century in his treatise Eie tovc amióróioDC Kwac ('To the Uneducated Cynics') 181a-b (Caiz-
zi Fr. 143). In this account Diogenes asks Antisthenes if he needs the aid of a friend (ri (pitan) %pf|í¡
')7io')pyíac), while he was handing to him a dagger.
28 See for instance Kohl (1915: nos. 175-184 on Socrates, and nos. 329-349 on Alexander). In addition, Alexander appears
in declamations which focus on Demosthenes' career, see for instance Kohl (1915: nos. 318-322) and Maggiorini (20
passim).
29 See PL Phd. 59b.
30 See Ael. V. H. XIV 33 and D. L. VI 54.
31 See D. L. VI 38, 60, 68, and Giannantoni (1983: 422-426).
32 Since Antisthenes died in Athens, cf. Eudoc. Violar. XCVI p. 56 (Caizzi Fr. 141): 7iepi AvxicGevoDC. èxeXeÚTrice 5e
A0r|vr|civ eßöo(iTiKovTo{)Tr|c yevó^evoc.
33 Goulet-Cazé (1992: 3967) points that "cette anecdote circulait dans les collections d'apophthegmes" and wonders
whether "elle est antérieure à Diogene Laërce ou ce dernier est responsable de sa presence".
34 All translations are from the Loeb edition, unless otherwise stated.
35 As Antisthenes had accompanied Socrates into his last hours, see PL Phd. 59b.
36 Diogenes himself committed suicide by self-asphyxiation according to one account, reported by Diogenes Laertius in
VI 76-77. Other Cynics are said to have followed his example, see Navia (2001) 22-23.
The Text
col. i col. ii
avxicGev [
9apļLiaKo[
Kaieai)xc)[
vaxoDKp[
37 Cf. Schol. in Lucian. Par. 57 (Caizzi Fr. 144): mT(X7ipr|c0évx(xc <papļi(XKcp coc CcoKpomļc, KcxT(X7Epr|c0£VTac to ccojia
we 'HpaK^eixoc ó 'E<pécioc, (p0ivr|cavxac cbc ĀvīicGevrļc.
38 Cf. also Suda ei340 s.l. ei (pitan) xpf|Ceic ')7co')pyiac.
39 ôdcocvockAtitov is in all probability the outcome of textual corruption and should be restored to ÔDcaváÀ,ri7tTov, attested
in the aforementioned text of Julian. ôdcocvoíkAtitov has escaped notice, for it is also employed in medical texts with the mean-
ing 'hard to restore to one's senses (literally of hysterics)', see LSJ s.v.
40 Translation from http://www.stoa.org/sol-entries/aZ2723.
41 I would rather correct it to oúôév; it could have been misread by Boissonade.
42 Translated by R. Hatzilambrou.
43 At any rate as the Cynic par excellence Diogenes would not have feared exile or death, especially after the death of
his mentor. Actually, Dio Chrysostom in VIII 4, states that imi ôè àrcéBavev ó Āvxic0evrļc, cbc xéòv áXXam oúôeva fyyeixo
CDVoucíac a^iov, (lexeßri eie Kópiv0ov ('After Antisthenes' death he [Diogenes] moved to Corinth, since he considered none
of the others worth associating with').
5 Kaivov|ie[
vaioi(pi^[
cpavx[
À,0TIKCX[
ey(oyoi)[
10 KaiKax [
118VOD[
Kaici)Kc>[
]oyevoDC ļj,erļ8r|[
Kaiyeiv[
15 TOVuauT [
ÔIKT1V[
Tioc0av[
T17TIC0[
1I8VOC [
20 [ ]jiaxco[
[ ]KCO8E[
i)|iivo[
'lĆkew[
V0DC7C[
25 vrļcxiv[
TODCļl[
Ôp8C [
K0C1IV[
(piÀoc[
30 TOlTCöf
col. i col. ii
ÄVTIC08V
cpap|iaKc>[v
Kai 80CDTC>[ 0a-]
VOCTOD Kp[(v8
ļLievoc [
20 [ ]ļaocxco[
[T1]kco 8e[
')JLUV o[
V0DC7C[
25 vīļc xiv[
TOUC ļLl[ 0CV-]
Spec [
kocjiv[
cpiAoc[
30 toi tco[
col. i
col. ii
thus Avtic0£vc>[dc or Avxic0£vç[i would be supplied respectively. If Avxic0£vç[i is the correct reading, th
')7có08cic could be reconstructed exempli gratia as follows:
The collocation rcpocayyeAAeiv èauxóv is attested in the majority of the 'mo0£c£ic of such de
mations. Cf. also Suda tc2583: TtpocayyéAAev ó 8è èawòv rcpocayyéÀÀei (àvxí xov jiir|vt>£i) èauxòv a
0avaxou.
3-4 aíxíac 0a]váxou. For the attestation of the collocation in the ')7to0£c£ic of declamations cf. R
VIII 182.20, 185.20-21, 370.23 (ed. Walz).
4 Kp[iv£C0ai à^ioî is considered a better supplement than Kp[iv£xai. Kpiv£C0ai is the commone
finite verb in the imoOéceic of forensic declamations; for instance, it is employed in about one fourth of
i)7io0éc£ic listed by Kohl (1915). à^iow is often employed in the ')7io0éc£ic of declamations, cf. Sopa
RG VIII 306.25, 308.13, 309.12, 309.16-17, 312.6, 313.25, 315.20, 316.16, 317.13, 317.24-25, 320.23, 336.
(ed. Walz); Liban. Deel. 9, 19, 20, 21, 31, 35, 45, 48, 50.
5-30 The declamation begins in line 5. The text preserved in our piece is expected to have accomm
dated the 7ipooiļniov, and, if this was not very extensive, also the 7ipó0£cic (if there was one) and part of
Kaxacxacic, that is "the narrative establishing the circumstances of the case, which was normally inse
after the prologue".55 Apart from the £K0£CIC and the Ttapaypacpoc which marks a major change of sect
there is no other sign visible on the papyrus to mark the beginning of a section. However, the beginning
a new section within the text of the declamation would perhaps not necessarily have been marked so.
5-6 I would supplement lines 5-6 as follows: raivòv 1iè[v o')8év ècxiv, co av5p£C Ā0rļ]vaīoi ('it
nothing strange, men of Athens'), cf. the beginning of Demosthenes' Exordium 29: np&xov |lI£v oúôév écx
raivóv, co avSp£C A0īļvaīoi, xoîc 8ó£aciv mp' ùjliîv £Íva( xivac oïxiv£C àvx£poí)civ, £7i£iôàv 7ipáxx£
0£Tļ. Kaivóc and Kaivóxaxa are attested in the prooimia of declamations, cf. Liban. Deci. 22 (icaivóxa
the first word) and 23 (' Demosthenis Apologia '), and also in Isocrates' Antidosis (Isocrates' 'Apologia')
avôp£C A0īļvaīoi is commoner in the texts of declamations than the plain A0rļvaīoi or âvôp£C A0rļ
(without the clitic particle). The address to the 'dikasts' often appears in the first sentence of a declamatio
6-7 (piA,[ . (píÀ,ov, <piÀ,ócocpov avôpa, (piÀocoípowxa, (piÀ,oco(píav, cpiÀoÇaríav could be supplied. Cf
line 29. 1 would tentatively suggest (piÀ,óco(pov xœv kdvikcov c')Kocpavx£Îv (cf. also line 12). CDKO(pavx£
26 Words beginning with cji- are not common in prose, thus the division xoùc ļi[ is more plausible.
In this case xoi>c ji[apx')pac could be an option.
26-27 The trace after the restored avôpec cannot belong to an a for Ā0rļvaīoi, but might be y, rļ, jli
or v.
28 KajLiv[. A form of mjiveiv is preferable. Handley (apud Carey) has suggested ôé]Ka jiv[ac or S
ļnv[a>v.
29 (piXoc[. Cf. my comments on 11. 6-7.
The Authorship
This declamation could be either a copy of an exemplary ércíSei^ic,56 or the draft of an original one. No
concrete conclusions can be drawn, given the little portion of the text preserved. No annotations or cor-
rections are extant on the piece, which would suggest that this is the draft of an original declamation. The
existence of the aypaipov with the title probably leads to the same conclusion. The hand is accomplished
and fast, which encourages me to consider the text as a copy of an exemplary imaginary speech. If this is
correct, one could entertain the thought that this might be the product of a famous rhetorician of the impe-
rial period. The candidates are many of course. Dio Chrysostom, the foremost Greek orator of the first cen-
56 On the performative aspect of declamation, especially of historical declamation, see for instance Schmitz (1997) and
Webb (2006).
tury A.D., would be a good option for the authorship of the text. Dio was particularly interested in Diogen
of Sinope, who features in some of his works,57 because Dio had adopted Diogenes as a role model in
wanderings.58 Dio's writings are represented in the papyri, for one papyrus assigned to the fourth centur
bearing works of Dio has already been published (M-P3 0341). However, although he is attested to ha
written 'sophistic' pieces in his earlier days, there is no testimony that he composed declamations.59 Aelius
Aristides in the second century, the best rhetorician of his time, compared to Demosthenes by his admire
could be another candidate for the authorship of the text. Aristides did write declamations, while texts on
five papyri (all of later date, assigned to the fifth, sixth and seventh centuries)60 have been identified so
preserving fragments of works of Aristides. There is also evidence that an enormous amount of Aristides'
work has been lost.61
Whoever its composer might be, P. Oxy. XI 1366, fragmentary though it is, preserves an interesting t
which documents the reception and exploitation of the classical heritage in the imperial period within the
rhetorical practice of the Second Sophistic.
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Rosalia Hatzilambrou,
University of Athens
rosahatz@phil.uoa.gr