To Marina and Mario André

Concerto for 2 Trumpets in C Antonio Vivaldi

q = 120 Transc. Rodrigo Miranda
  
Soprano Cornet       
             
mf

1st Soloist  
      
mf
         
2nd Soloist   
      
          
mf

 
Solo Cornet 
       
mf

         
1st Cornet
 
mf

  
  
        
2nd Cornet

         

mf
 
Flugel
   

 
mf

1st Horn             


mf
 
2nd Horn
             

mf
       
   

1st Baritone
mf
           
2nd Baritone
 

mf

           
1st Trombone

mf
           
2nd Trombone  
             
mf



Euphonium

mf

Bb Bass     
        

mf
 
Eb Bass
           
mf  
Percussion
  

 

 
(optional)
mf
2

  
4

Sop. Cnt.     
      
1st Soloist    
p

2nd Soloist 
 
       
p
     
              
Solo Cnt. 
     
p

              
1st Cnt.

p

   
   
2nd Cnt.

            
Flug.
         
 
p

1st Hn.            
 
     

p
   
2nd Hn.
     
   
                


1st Bar.
p
     
2nd Bar.
 
   
                


1st Tbn.
p

     
2nd Tbn.  
            
       

Euph.

p
 
            
 p      
Bb Bass

    
Eb Bass
                  
p

Perc.        

p
 3

 
7
                
Sop. Cnt.      
        
 
1st Soloist    

        
2nd Soloist       

                  
       

Solo Cnt.

          
1st Cnt.       

             
   
2nd Cnt.

                  
Flug.
        
           
1st Hn.        
 
            
2nd Hn.
  

         
       

1st Bar.
   
               

2nd Bar.

                
1st Tbn.

     

 
2nd Tbn.                     
                  
    

Euph.
   
Bb Bass                       
              
Eb Bass
         

Perc.                     
  
4

   
10

Sop. Cnt.      

         
1st Soloist    
p
          
2nd Soloist 
     
p

Solo Cnt.          

p
   
1st Cnt.                
p

      
        p
2nd Cnt.

   
      
Flug.
           

     
p
 
       
 
    
 
1st Hn.
p
    
2nd Hn.
          
   
p

1st Bar.

           
p

2nd Bar.               

p

            
 

1st Tbn.
p

2nd Tbn.               

        
p

Euph.

       
p

      
        p
Bb Bass

      
Eb Bass
          
p

Perc.                
  
p
 5

       
13

Sop. Cnt.     
mp

1st Soloist    

2nd Soloist    
      
Solo Cnt.         
      
mp

1st Cnt.         

mp

      
  
2nd Cnt.


mp
     
Flug.
           
        
mp

            
   
1st Hn.


mp

       
2nd Hn.
        
mp

          


   
1st Bar.


 
mp

    

2nd Bar.
  
    
mp

   
  


1st Tbn.
mp

2nd Tbn.             
   
mp

          


Euph.
mp

    


Bb Bass


mp

  
Eb Bass
  
            
mp

Perc.     
mp
6

        
16

Sop. Cnt.      

1st Soloist          


  
p

2nd Soloist    

       
p
  
Solo Cnt. 

      
1st Cnt.     

      
    
2nd Cnt.

          
Flug.

 
              
   
1st Hn.


2nd Hn.
                  

    
  
1st Bar.

      
2nd Bar.     

          


1st Tbn.

         
2nd Tbn.         

      


Euph.
p

Bb Bass       

 One
 
Eb Bass
                               
                       
p

Perc.    
 7

 
19

Sop. Cnt.    

                          

1st Soloist  

                
2nd Soloist      

Solo Cnt.    

1st Cnt.    

2nd Cnt.    

  
Flug.

 
1st Hn.    
   
2nd Hn.


1st Bar.

   

  
2nd Bar.


1st Tbn.

   

2nd Tbn.    


        
   
Euph.

Bb Bass    
      
Eb Bass
      

Perc.    
8

 
22

Sop. Cnt.   
                   
1st Soloist   
             
2nd Soloist     

Solo Cnt.   

1st Cnt.   

2nd Cnt.   

 
Flug.

 
1st Hn.   
  
2nd Hn.


1st Bar.

  

 
2nd Bar.


1st Tbn.

  

2nd Tbn.   

     
Euph.    

Bb Bass   
    
Eb Bass
     
Perc.   
 9

 
24

Sop. Cnt.   
   
1st Soloist 
    
2nd Soloist   


Solo Cnt.   

1st Cnt.   

2nd Cnt.   

 
Flug.

 
1st Hn.   
  
2nd Hn.


1st Bar.

  

 
2nd Bar.


1st Tbn.

  

2nd Tbn.   


     

Euph.

Bb Bass   
    
Eb Bass
   

Perc.   
10

  
26

Sop. Cnt.    

       mf

  
 
1st Soloist 
 
2nd Soloist            

Solo Cnt.    

mf

1st Cnt.    
mf

   

2nd Cnt.


mf

  
Flug.

 
mf

1st Hn.      

mf

  
2nd Hn.
  
mf

1st Bar.

    
mf

   
2nd Bar.


mf

1st Tbn.

   
mf

    
2nd Tbn. 
mf

     
  
Euph.
mf

   

Bb Bass


mf

 
Tutti
Eb Bass
       
   
mf

Perc.    
mp
 11

       
     
28

Sop. Cnt.  

1st Soloist    

2nd Soloist    
     

     
Solo Cnt. 
     
     
1st Cnt.  

      
     
2nd Cnt.

           
Flug.

                     
 
1st Hn. 
   
2nd Hn.
                   


                

1st Bar.

           
2nd Bar.
 
      

     
1st Tbn. 

     
2nd Tbn.                  

                 


Euph.

Bb Bass                


Eb Bass
                
            
Perc.    
12

  
31

Sop. Cnt.      

              
1st Soloist      

       
mp

      
2nd Soloist 
 
mp
   
Solo Cnt. 
     
1st Cnt. 

      

2nd Cnt.

Flug.       

    
1st Hn.     

      
2nd Hn.
 

       

1st Bar.

     
2nd Bar.

      
1st Tbn. 

   
2nd Tbn.     

         
    
Euph.
mp

Bb Bass         
  
   
One - Optional
Eb Bass         
 mp

Perc.       
 13

 
34

Sop. Cnt.   

    

1st Soloist   

      

2nd Soloist 

Solo Cnt.   

1st Cnt.   

2nd Cnt.   

 
Flug.

 
1st Hn.   
  
2nd Hn.


1st Bar.

  

 
2nd Bar.


1st Tbn.

  

2nd Tbn.   

       

Euph.
      

Bb Bass   
 
           
 
Eb Bass


Perc.   
14

 
36

      
Sop. Cnt.

                     
mf

1st Soloist    
mf
 
2nd Soloist            
mf

     
Solo Cnt.  
mf

     
1st Cnt.  
mf

     
 
2nd Cnt.
mf

    
Flug.
 
mf
    
1st Hn.     
mf
     
2nd Hn.
  
mf

1st Bar.

     
mf

    
2nd Bar.

 
mf

    
1st Tbn.

 
mf

    
2nd Tbn.
mf


                

Euph.
 mf


Bb Bass      
mf
 Tutti
                

Eb Bass

mf

Perc.    
 15

 
39

Sop. Cnt.    

1st Soloist    

2nd Soloist    

Solo Cnt.                         

p

1st Cnt.                         

p

  
2nd Cnt.
          
                  
p

Flug.
           
p
  
1st Hn.              
p
  
2nd Hn.
            
p

         
1st Bar.
  p   
  
2nd Bar.
         p   

             
1st Tbn. 
p
     
2nd Tbn.         
p
     
                   

Euph.
p

        
Bb Bass
  p     
  
Eb Bass
             
  p

   
  
 
Perc.

mf
16

   
42

Sop. Cnt.     

1st Soloist    

2nd Soloist    

                  
Solo Cnt.        
  
        
1st Cnt.
     

      
   
2nd Cnt.

       
Flug.
         
     
                 
1st Hn. 
          
2nd Hn.

       
1st Bar.

  

 
2nd Bar.
        
            
1st Tbn.       

            

2nd Tbn.     

      
Euph.              

              
   
Bb Bass

  
Eb Bass
                 

Perc.                   

p
 17

   
45
 
Sop. Cnt.     

1st Soloist   

2nd Soloist   
   
Solo Cnt.     

             
1st Cnt.    

        
       
2nd Cnt.

             
Flug.
   
     
           
1st Hn.

        
2nd Hn.
        

1st Bar.

            
   

2nd Bar.
                
       
        

1st Tbn.

         
2nd Tbn.       
    
Euph.

   

Bb Bass                 


            
   
Eb Bass

               
Perc.    
18

                              
47

Sop. Cnt.    

1st Soloist    

2nd Soloist    
                             
Solo Cnt.   
         
                     

1st Cnt.


2nd Cnt. 
          
 

            
          
     
Flug.

     
1st Hn.          
 
2nd Hn.
             
             
1st Bar.  

   
2nd Bar.
         
             
1st Tbn.  

2nd Tbn.              

            
Euph.                     

         
Bb Bass
    


            

Eb Bass


Perc.             
  
p
 19

        
 

50

Sop. Cnt.         
mf

1st Soloist    

2nd Soloist    
      
 
       
Solo Cnt. 

            

 
mf

1st Cnt. 
mf

2nd Cnt.                    

            

 
mf

Flug.

mf
          
1st Hn.           

 
mf

          
2nd Hn.
        

mf
     

 
  

1st Bar.
mf

     
2nd Bar.
             
      

 
mf

  

1st Tbn.
mf

2nd Tbn.                  
 
mf
          
     

Euph.
 mf  

        

      
Bb Bass
mf
      
Eb Bass
          
mf
        
Perc.          
mf
20

       
53

Sop. Cnt.    
 
1st Soloist            

p

2nd Soloist          
     
p
  
Solo Cnt. 
       
1st Cnt.  

2nd Cnt.                
       
Flug.  

          
1st Hn.      

       
2nd Hn.
        
 
        
1st Bar. 

     
2nd Bar.
         
 
        
1st Tbn. 
   
2nd Tbn.            

       
           

Euph.
  
p

         
         
Bb Bass

     
One - Optional
 
Eb Bass
                
p

              
Perc.    
 21

 
56

Sop. Cnt.   
    
1st Soloist 
   
2nd Soloist     

Solo Cnt.   

1st Cnt.   

2nd Cnt.   

 
Flug.

 
1st Hn.   
  
2nd Hn.


1st Bar.

  

 
2nd Bar.


1st Tbn.

  

2nd Tbn.   

 

Euph.       
Bb Bass   
   
Eb Bass
     

Perc.   
22

 
58

Sop. Cnt.    

                

1st Soloist 
                
2nd Soloist 

Solo Cnt.    

1st Cnt.    

2nd Cnt.    

  
Flug.

 
1st Hn.    
   
2nd Hn.


1st Bar.

   

  
2nd Bar.


1st Tbn.

   

2nd Tbn.    

      
   

Euph.
       

Bb Bass    
  
Eb Bass
    

Perc.    
 23

 
61

Sop. Cnt.   
           
1st Soloist    
   
2nd Soloist        

Solo Cnt.   

1st Cnt.   

2nd Cnt.   

 
Flug.

 
1st Hn.   
  
2nd Hn.


1st Bar.

  

 
2nd Bar.


1st Tbn.

  

2nd Tbn.   

 
Euph.      




Bb Bass   
  
Eb Bass
       

Perc.   
24

 
63

Sop. Cnt.      
mp
       
1st Soloist      

mp

          
2nd Soloist     
mp
 
    
Solo Cnt. 
mp
 
    
1st Cnt.
mp


   
   
2nd Cnt.

 
mp
   
Flug.
 mp

   
1st Hn.     
mp

2nd Hn.

     
mp

1st Bar.

       
mp

    
2nd Bar.
 mp


     
1st Tbn.
mp

    
2nd Tbn.  
mp

          


  
Euph.
mp

   
   
Bb Bass
mp
   
Tutti
Eb Bass
             
mp

Perc.      
 25

 
66

Sop. Cnt.    
    
1st Soloist                 
    
2nd Soloist                 
    
Solo Cnt.                 
    
1st Cnt.                 

  
2nd Cnt.                   
    
          
Flug.
     
                   
1st Hn.    
     
2nd Hn.
               
           
1st Bar.    

  
2nd Bar.
           
      
1st Tbn.         
  
2nd Tbn.            
    
Euph.           

Bb Bass               

  
Eb Bass
            

Perc.          

26

     
69

Sop. Cnt.     
        
1st Soloist   

        
2nd Soloist   

       

Solo Cnt.

     



1st Cnt.

2nd Cnt.              

     
Flug.
 
             
1st Hn.  
           
2nd Hn.
  
           
 

1st Bar.

           

2nd Bar.

               


1st Tbn.

               
2nd Tbn. 
               


Euph.

Bb Bass                 
    
Eb Bass
             
               
Perc.   
 27

   
71

Sop. Cnt.       

         
1st Soloist    

          
2nd Soloist 
     
Solo Cnt.          
   
 
p

1st Cnt.          

p

      
        
2nd Cnt.

   
Flug.
               
    
p

1st Hn.             

        
   
2nd Hn.
    
            
1st Bar.

  

              
2nd Bar.

        
1st Tbn.

      

              
2nd Tbn. 
             
Euph.

       
p

      
        
Bb Bass

      
Eb Bass
          
            
Perc.           
 
28

    
74

Sop. Cnt.     
                   
mf

1st Soloist  

                   
mp mf

2nd Soloist  
  
mp mf

Solo Cnt.            

  
mf

1st Cnt.            

mf

     
2nd Cnt.
 
  
mf

   
Flug.
           
   
mf

1st Hn.      


mf

     
2nd Hn.

mf

1st Bar.

    
mf

        
2nd Bar.

mf

1st Tbn.

         
mf

2nd Tbn.          
mf

Euph.

            
mf

   

Bb Bass


mf

   
Eb Bass
 
mf 

  
 

Perc. 
mf
 29

  
 
77

Sop. Cnt.     
    
1st Soloist 
   
2nd Soloist  
    
Solo Cnt.   
    
1st Cnt.   

   
2nd Cnt.
    
      
Flug.
 
  
1st Hn.       

   
2nd Hn.
    

    

1st Bar.

   
2nd Bar.
       

        
1st Tbn.
  

    
2nd Tbn.       

    

Euph.

Bb Bass     
  
Eb Bass
   

   

Perc.
30

    
rit.
  
79

Sop. Cnt.    

        
1st Soloist 

       
2nd Soloist  
       
Solo Cnt.  
     
1st Cnt.    

       
 
2nd Cnt.

        
Flug.

       
1st Hn.    

     
2nd Hn.
    

   
 
1st Bar.

    
2nd Bar.
           

    
         

 
1st Tbn.

   
2nd Tbn.             

   
   

Euph.

Bb Bass     

 
Eb Bass
    
  
Perc.   

 

 


 To Marina and Mario André

Soprano Cornet Concerto for 2 Trumpets in C Antonio Vivaldi


q = 120 Transc. Rodrigo Miranda
     
    
mf

       

8

    

       
   
11

   
mp

     
    
16

        
mf

        

       
28

   
38
              
      
mf

      

46

              
 
49
                    
        
mf
53
        
 
   
mp

       

69

    


         
72

  
mf
2 Soprano Cornet

   
rit.
  
78

     
 To Marina and Mario André

1st Soloist Concerto for 2 Trumpets in C Antonio Vivaldi

           

q = 120 Transc. Rodrigo Miranda

     

mf

  

   
5

    
p
9                 
  
p

             

18

    
p
21
                           
   

 
24


26
                          
  
mp
 
              
32


35
                      
  

   
       
38

     
mf p
56
 

2 1st Soloist

                              
58

                     
61

    

                  
64

                
mp

     
  
68

      

                     
72

 
mp mf

77
                   


79
    
rit.
   

 To Marina and Mario André

2nd Soloist Concerto for 2 Trumpets in C Antonio Vivaldi

  
q = 120 Transc. Rodrigo Miranda


 
                    
 
mf

     
5

     
p


           
9

 
p p

            

19

      
22
                            
    

       
25

                
28              
   
mp

 
35

      

   
    
38

        
mf p
57
                                  
  

      

    
60

  
2 2nd Soloist

      
63
 
    

mp
66
     
                 

      

     
70

   

                      
75

 
mp mf

                      
78 rit.

  
 To Marina and Mario André

Solo Cornet Concerto for 2 Trumpets in C Antonio Vivaldi

           

q = 120 Transc. Rodrigo Miranda

     
 
mf

    
5

                    


p

 
    
9

    
p
12
      
             
mp
16  
          
 
  
mf
28
                



38

                          
mf
41

                     

p

    
  
44

     


                              
47


              

50
        

mf
2 Solo Cornet
55       
              

mp


68

        

   
71
    
        
p
74
      
          
mf

      
rit.
 
78

   
 To Marina and Mario André

1st Cornet Concerto for 2 Trumpets in C Antonio Vivaldi

        

q = 120 Transc. Rodrigo Miranda

     
     
mf

     
5

                    
p

           

9

     
p
12
      
             
mp
16  
          
 
  
mf
28
                



38

                          
mf
41

                     

p


                                
44


47
         
                 

     
                  
50


mf
2 1st Cornet
55       
              

mp


68

        

   
71
    
        
p
74
      
          
mf

      
rit.
 
78

   
 To Marina and Mario André

2nd Cornet Concerto for 2 Trumpets in C Antonio Vivaldi


q = 120 Transc. Rodrigo Miranda

           
mf
     
8

    

       p
12 
 
              

mp
18

            
 
mf    
30 
  
         
 

mf
39 
   
             
p
45

       
       
49

                    
mf
53 
               
   
mp

 
66

                       
70 
             
        
2 2nd Cornet
76

        
 
mf

79 rit.

       
 
 To Marina and Mario André

Flugel Concerto for 2 Trumpets in C Antonio Vivaldi

   
q = 120 Transc. Rodrigo Miranda


 
                     

mf

    
5

                    


p

   
9

         
p
12
  
    

            
mp

       
 
 
16

     
mf

        
       
28

                  
38

       
mf
41

                           
p

                   
44

    


47
         
                      

     
                  
50


mf
2 Flugel
55       
              

mp

    
68

       

               

71

    
p
74
  
    
          
mf

    
rit.
  
78

    
 To Marina and Mario André

1st Horn Concerto for 2 Trumpets in C Antonio Vivaldi

q = 120 Transc. Rodrigo Miranda
          
     
       

mf p


6

                 



 
               
10

    p

       
13

          
mp
 
17
  
        
mf
29
                 
    

 
38

        
        
mf p
42
 
                    


46

                       
mf

     

51

                  

55

    
mp
2 1st Horn

     

69

 
     
73

     
mf

   
rit.
  
79

   
 To Marina and Mario André

2nd Horn Concerto for 2 Trumpets in C Antonio Vivaldi


q = 120 Transc. Rodrigo Miranda
  
                
mf


8

      

 p
12
 
             
mp
   
17
 
        
mf
29
    
                 
38
  
                 
mf p

   
44

                    


47

                 
mf
52
 
                     


65
        
                
mp


69

         

  