NIGRT'S
DARK
AGENTS
Ninja and
Ninjutsu in
Chris Elliott
and Richard
Edwards
He whose sable arms, Black ashi pur:
Dose, did the night resemble
Hamlet Iii
For the most part. introducing elements
of Japanese society into RPGs doesn’t
present too many problerns. It's fairly
‘asy to gat information fram libraries on
the samurai, and provided appropriate
allowances are made for the etfects of
thoJapanese cocial syztom, players and
referees can draw on European feudal
models for commoners, the priesthood,
magicians and thieves without going
too badly astray. The ninja, however, are
different. They have no real counterpart
inv European history, and despite their
continuing popularity as subjects for
books, films and television series, reli-
able information about them is nard to
‘come by. This is notreally surprising; all
feudal Japanese institutions were
obsessively secret, and the nature of
Rinjuteu moans it would be doubly 20,
‘This series of articles is desianed to ex
plain who the ninja were, how they oper
ated, and how they can be incorpardiad
into role-playing games.
‘The Art of Steatth
Some estimates pit Phe haginnings of
finjutsu as early 28 S0BC, and they are
recorded as having been hired 2s spiagg
by Prince Regent Shotoku Taishi iggig
6th century AD. Theirlast major yaiWas.
1m 1637, during the Shimbara yaiiegainst
Christian rebels on Ryugh ug thoro ic
00d reason to believe nMlmnia wore.
active in government silica
Taisho era, 1812 2zgmapereeen pth,
Showa era, wien Meso Rts
Still contingstgiBMy. Ninjutad ts there-
Tore proggiAPes old as Japanese his-
tory, buffthas not remained unchanged,
NIGHT'S DARK AGENTS
arfS#H!s helps to explain the conflicting
adugas of is origins. Like most
“Idpaglese institutions, ninjutsu seems to
inggflflome from Chinese influence on a
nap@tradition, with the resulting pro
UgEBBIng unigdely Japanese. Prince
Shei Taishinot gpiynived ninja, he
wah a kegrtsualaaftet of Buddhism,
intr 6Qpbac sboutilaiy years berore ne
canyon ME nese learning in
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