The document discusses the avant-garde movement in literature in the 20th century. It describes avant-garde as associated with destroying traditional forms and canons, and lists futurism, expressionism, constructivism, dadaism, surrealism, imagism, abstractionism, and cubism as avant-garde stylistic movements. It also discusses how avant-garde connected rejection of realism with modernism, and how it featured a rebellious atmosphere, apocalyptic outlook, and experimentation with form. Finally, it outlines the different periods in the development of avant-garde in Europe and Ukraine.
The document discusses the avant-garde movement in literature in the 20th century. It describes avant-garde as associated with destroying traditional forms and canons, and lists futurism, expressionism, constructivism, dadaism, surrealism, imagism, abstractionism, and cubism as avant-garde stylistic movements. It also discusses how avant-garde connected rejection of realism with modernism, and how it featured a rebellious atmosphere, apocalyptic outlook, and experimentation with form. Finally, it outlines the different periods in the development of avant-garde in Europe and Ukraine.
The document discusses the avant-garde movement in literature in the 20th century. It describes avant-garde as associated with destroying traditional forms and canons, and lists futurism, expressionism, constructivism, dadaism, surrealism, imagism, abstractionism, and cubism as avant-garde stylistic movements. It also discusses how avant-garde connected rejection of realism with modernism, and how it featured a rebellious atmosphere, apocalyptic outlook, and experimentation with form. Finally, it outlines the different periods in the development of avant-garde in Europe and Ukraine.
Avant-garde is a direction in the literature of the 20th century associated with the
destruction of traditional forms and canons. Avant-garde stylistic movements
include futurism, expressionism, constructivism, dadaism, surrealism, imagism, abstractionism, cubism. Predecessors of avant-garde are the late Renaissance and romanticism. With the late Renaissance, the avant-garde brings together social and artistic utopianism, with romanticism - subjectivism, agnosticism, immersion in the irrational, dynamism, fragmentation, targeting the future, understanding intuition as the main creative source, a critical attitude to the rational worldview, opposition to the worldview of the Enlightenment. Avant-garde connects rejection of realism with modernism. Modernism is characterized by a selectively critical attitude towards traditions, avant-garde — in opposition to the past. In avant-garde, the components of Freudism and Marxism are more prominent than in modernism. Avant-garde is characterized by an atmosphere of rebellion, an apocalyptic outlook on the world, an experiment with form. Vanguardists created a new type of hero — a strong-willed, spiritually active person. They declared active masculinity, inheriting Nietzsche's superior attitude towards women as an "incomplete" man. Nietzsche believed that a woman is an imperfect being, capable of realizing herself only through childbirth. A sign of the avant-garde movement is the manifesto — it is a component of poetics and a document of the era. At the heart of the manifesto is the idea of spiritual freedom from traditions and social conditions. Vanguardists believe that only a free person can create a new era and a new language, they appeal to instinct, because it is a primal feeling, uncomplicated by civilizational and cultural taboos. Proponents of avant-garde defend the concept of an irrational, intuitive type of perception, call for the knowledge of hallucinations, dreams, choose the role of clowns, fools, and heretics. The majority of literary critics count avant-garde from 1909-1910, that is, from the appearance of the first futurist manifestos. To reduce the literary avant-garde to futurism: O. Ilnytskyi, S. Pavlychko, V. Morenets, O. Bobrynska. But avant-garde includes many other stylistic currents, among them - Dadaism, Surrealism, Imagism, Constructivism. Therefore, the problem of the lower chronological limit of the avant-garde remains debatable. The European avant-garde had three periods of development: early (before the First World War), mature (between the wars), neo-avant-garde (trans-avant-garde) — after the Second World War. The development of avant-garde in Ukraine was stopped by the rule of socialist realism, some of its features were restored in the 60s of the 20th century. In the 1980s, it acquired features of neo-avant-garde.