United Architects of the Philippines - Center for Career Development
THEORY OF ARCHITECTURE
Module 3 (Part I)
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MASTERS OF
ARCHITECTURE
Le a
MARCUS VITRUVIUS POLLIO
SEEN HERE PRESENTING THE TEN BOOKS OF ARCHITECTURE
BEFORE THE ROMAN EMPEROR AUGUSTUS CAESAR, WHOM THE
WORK HAS BEEN DEDICATED.
+ Bom c. 80-70 BC, died after c. 15 BC and considered as a Roman
writer, architect and engineer active in the 1st century BC.
+ He is best known as the author of the multi-volume work De
Architectura libre decem ("On Architecture"). It is known today as the
“Ten Books of Architecture”
+ Vitruvius served as a ballista (artilleryman), the third class of arms in
the military offices and most likely he served as chief of the ballista
(senior officer of artillery) in charge of doctores ballistarum (artillery
experts) and fibratores who actually operated the machines.
+ Believed to be the first architect and engineer the world has known
by name.
+ Frontinus in his written work, De Aquaeductu, was the first to mention
his name as “Vitruvius, the Architect” in the first century.
+ The Basilica de Fano_ built in 19 BC in a place known as Fanum
Fortunae in Italy is the only known project Vitruvius has made
according to his writings but has completely disappeared. A basilica is
a public building converted by the Early Christians into what we now
called Cathedrals.United Architects of the Philippines ~ Center for Career Development
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Vitruvius is famous for declaring that a structure must exhibit the three
qualities of firmitas, utilitas, venustas — that is, it must be solid,
useful, beautiful.
According to Vitruvius, “Architecture is an imitation of nature”
He said theat the Greeks in perfecting their art of building has
invented the architectural orders: Doric, lonic and Corinthian that
gave them a sense of proportion, culminating in understanding the
proportions of the greatest work of art: the human body.
This brought Vitruvius in defining his Vitruvian Man, which was later
drawn by Leonardo da Vinei where in his sketch, the human body
was inscribed in the circle and the square. These forms are
considered as the fundamental geometric pattems of the cosmic
order.
Books Vill, [X and X form the basis of much of what we know about
Roman technology including dewatering equipments, surveying
instruments, central heating, pipes standards, hoists, cranes and
pulleys, sundials and water clocks, and the use of an aeolipile (the first
Steam engine) as an experiment to demonstrate the nature of
atmospheric air movements (wind).
His description and studies made of the aqueduct was so
comprehensive that even up to now, some of them are existing like the
ones in Segovia, Spain and Pont du Gard in France.
He discovered the discrepancy between the intake and supply of
water caused _by illegal pipes inserted into the channels to divert
the water.
Vitruvius is well known and often cited as one of the earliest surviving
sources to have advised that Jead should not be used to conduct
drinking water, recommending clay pipes or masonry channels. This
came after observing the laborer illnesses in lead foundry shops.
Vitruvius gave us the famous story about Archimedes and his
detection of adulterated gold in a royal crown that caused him to cry
the famous term, Eureka!
_His book De Architectura was rediscovered in 1414 by the Florentine
humanist Poggio Bracciolini.United Architects of the Philippines — Center for Career Development
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+ Leon Battista Alberti (1404-1472) holds the honour of making
Vitruvius work widely known in his seminal treatise on architecture De
re Aedificatoria (ca. 1450).
+ The first known edition of Vitruvius work was in Rome by Fra
jovani —_Sulpitius in 1486.
+ The proportions of the (male) human body as described in Vitruvius :
41.) A palm is the width of four fingers
2.) A footis the width of four palms
3.) A cubits the width of six palms
4.) A pace is four cubits
5.) Aman’s height is four cubits (and thus 24 palms)
6.) The length of a man’s outspread arms (arm span) is equal to his height
7.) The distance from the hairline to the bottom of the chin is one-tenth of a
man's height
8.) The distance from the top of the head to the bottom of the chin is one-
eighth of a man's height.
9.) The distance from the bottom of the neck to the hairline is one-sixth of a
man's height.
10.) The maximum width of the shoulders is a quarter of a man’s height (one
cubit),
11.) The distance from the middle of the chest to the top of the head is a
quarter of a man’s height (one cubit).
42.) The distance from the elbow to the tip of the hand is a quarter of a man's
height (one cubit).
13.) The distance from the elbow to the armpit is one-eighth of a man’s height
(half a cubity
44.) The length of the hand is one-tenth of a man’s height.
15.) The distance from the bottom of the chin to the nose is one-third of the
length of the head.
16.) The distance from the hairline to the eyebrows is one-third of the length
of the face.
17.) The length of the ear is one-third of the length of the face,
18.) The length of a man's foot is one-sixth of his height.United Architects of the Philippines — Center for Career Development
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THE PANTHEON, ROME
The interior of the Pantheon (from an 18th-century painting by Panini). The
Pantheon was built long after Vitruvius death but its excellent state of
preservation to this day makes it of great importance to those interested in
Vitruvian Architecture.
THE VITRUVIAN MAN (The Canon of Proportions)
+ It is a world-renowned drawing created by Leonardo da Vinei circa
1487.
+ Itis stored in the Gallerie dell’Accademia in Venice, Italy.
+ The drawing is based on the correlations of ideal human proportions
with geometry described by the ancient Roman architect Vitruvius
in Book Ill of his treatise De Architectura
+ Vitruvius described the human figure as being the principal source of
proportion among the Classical orders of architecture.
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Charles-Edouard Jeanneret (Le Corbusier)
(October 6, 1887 — August 27, 1965)
He was born as Charles-Edouard Jeanneret-Gris in La Chaux-de-
Fonds, Switzerland just 3 miles across the border with France.
He became a French citizen in 1930 and would later be known as an
architect, designer, urbanist, writer and painter, and famous for
being one of the pioneers of what now is called Modern Architecture.
He was a pioneer in studies of modem high design and was dedicated
to providing better living conditions for the residents of crowded cities.
Le Corbusier adopted his pseudonym in the 1920s, allegedly deriving
it in part from his maternal grandfather's name "Lecorbésier’ following
his belief also that a person could reinvent himself by adopting a single
name to identify oneself. Besides it was in vogue during that time
among artists and many other fields especially in Paris.
He studied at the La-Chaux-de-Fonds Art School under Charles
L'Eplattenier, who had studied in Budapest and Paris. His architecture
teacher in the Art School was the architect René Chapallaz, who had a
large influence on Le Corbusier's earliest houses.
In 1908, he studied architecture in Vienna with Josef Hoffmann.
Between October 1910 and March 1911, he worked near Berlin for the
renowned architect Peter Behrens,
Early on in his career, and now fluent in German, he might have met
Ludwig Mies van der Rohe and Walter Gropius.
Both of these experiences would prove influential in his later career.United Architects of the Philippines ~ Center for Career Development
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After his travels around Europe, and especially visiting the Parthenon,
he wrote Vers une Architecture , meaning, “Towards an Architecture”
(1923)
Le Corbusier taught at his old school in La-Chaux-de-Fonds during
World War!
In four years of teaching, he worked on theoretical architectural
studies using modem techniques, the result of wwhich was his project
forthe "Dom-ino" House (1914-1915).
By this time, he would start his own his own architectural practice with
his cousin, Pierre Jeanneret (1896-1967), @ partnership that would
last until the 50s, with an interruption in the WWII years, due to Le
Corbusier's ambivalent position towards the Vichy regime. Early on his
career, he built nothing but occupy himself concentrating on Purist
theory and painting.
In 1918, Le Corbusier met the Cubist painter Amédée Ozenfant, in
whom he recognised a kindred spirit. The two began a period of
collaboration. Rejecting Cubism as irrational and "romantic," the duo
jointly published their manifesto, Aprés le Cubisme and established a
new artistic movement, Purism. They established the Purist journal
L'Esprit nouveau
He was good friends with the Cubist artist Femand Léger.
His theoretical studies led him and his cousin to design single family
houses that are spare in and out. Among these was the Maison
“Citrohan”, a pun on the name of the French Citroén automaker, for
the modem industrial methods and materials they advocated using for
the house.
His project, Immeubles Villas (1922) called for large blocks of cell-like
individual apartments stacked one on top of the other, with plans that
included a living room, bedrooms and kitchen, as well as a garden
terrace. A solution to the growing slums of Paris.
In 1922, he presented his scheme “Ville Contemporaine”
(Contemporary City) for three million inhabitants. The centerpiece of
this plan was the group of sixty-story, cruciform skyscrapers; steel
‘framed office buildings encased in huge curtain walls of glass.
His dictum, "Architecture or Revolution’," developed in his articles in
this journal, became his rallying cry for the book Vers Une Architecture.United Architects of the Philippines ~ Center for Career Development
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In the 1930s, Le Corbusier expanded and reformulated his ideas on
urbanism, eventually publishing them in “La Ville Radieuse” (The
Radiant City) of 1935. The difference of this withcontemporary city is is
its abandonment of the class-based stratification of the former. Now,
housing is assigned according to family size, not economic position.
After World War Il, Le Corbusier attempted to realize his urban
planning schemes on a small scale by constructing a series of "unités”
or housing block units around France and the most famous of these
was the Unité d'Habitation of Marseilles (1946-1952).
On a grand scale his ideas on urbanism presented itself in the
construction of the Union Territory Chandigarh, the new capital for the
Indian states of Punjab and Haryana and the first planned city in India.
Le Corbusier designed many administration buildings including a
courthouse, parliament building and a university. He also designed the
general layout of the city dividing it into sectors. His plans were a
development from the plan of Albert Mayer.
Against his doctor's orders, on August 27, 1965, Le Corbusier went for
a swim in the Roquebrune-Cap-Martin, France. He drowned due to
heart failure.
Villa Savoye (1923-1931) epitomizes his five points of modem
architecture
1.) Pilotis - reinforced concrete stilts that lifted the bulk of the structure
off the ground,
2.) Free Facade - meaning non-supporting walls that could be
designed as the architect wished, and,
3.) Open Floor Plan - meaning that the floor space was free to be
configured into. rooms without concem for
supporting walls.
4) Uninterrupted Views — meaning houses should have unhampered
visual contact with its surrounding views.
5.) Roof Garden - meaning to compensate for the green area
consumed by the building and replacing it on the roof. A ramp rising
from ground level to the third floor roof terrace allows for an
architectural promenade through the structure.
Introduced the Modufor system for the scale of architectural
proportion as a continuation of the Vitruvian principles who used the
proportions of the human body to improve the appearance and function
of architecture.
Other basis for ModulorUnited Architects of the Philippines — Center for Career Development
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1.) Golden Ratio
2.) Human Measurements
3.) Fibonacci Numbers
4.) Double Unit
+ Villa Stein (1927), Garches, France exemplified the Modulor system's
application. The villa’s rectangular ground plan, elevation, and inner
structure closely approximate golden rectangles.
+ Harmony and proportion are rhythms apparent to the eye and clear in
their relations with one another. And these rhythms are at the very root
of human activities. They resound in Man by an organic
inevitability, the same fine inevitability which causes the tracing
out of the Golden Section by children, old men, savages, and the
leamed.” (Design Philosophy)
* In furniture design, he said , “Chairs are architecture, sofas are
bourgeois."
+ In 1928, Le Corbusier and Perriand began to put the expectations for
furniture Le Corbusier outlined in his 1925 book L’Art Décoratif
aujourd'hui into practice resulting into the creation of the Le
Corbusier chair, which are chrome-plated tubular steel chairs.
+ He was a founding member of the Congrés international
d’Architecture Moderne (CIAM)
+ Notable Projects
1905: Villa Fallet, La Chaux-de-Fonds, Switzerland
1908: Stotzer House, 6, Chemin de Pouillerel, la Chaux-de-Fonds, Switzerland.
1912: Villa Jeanneret-Perret, La Chaux-de-Fonds
1916: Villa Schwob, La Chaux-de-Fonds
1922: Villa Besnus (Ker-Ka-Ré), Vaucresson, Paris, France
1922: Ozenfant House and Studio, Vaucresson, Paris. (much altered.)
1923: Villa La Roche/Villa Jeanneret, Paris
1924: Pavillon de L'Esprit Nouveau, Paris (destroyed)
1924: Quartiers Modemes Fruges, Pessac, France
1925: Villa Jeanneret, Paris
1926: Villa Cook, Boulogne-sur-Seine, France
1926: Villa Temisien, 5, Allee des Pins, Boulogne-sur-Seine, Paris. ( Block of
apartments buitt over the house)
1927: Villa Stein, Garches, Paris.
1927: Pleinex House, 24, Bis Boulevard Massena, Paris 13e.
1927: Villas at Weissenhof Estate, Stuttgart, Germany
1928: Villa Savoye, Polssy-sur-Seine France
1929: Cité du Refuge, Armée du Salut, Paris, France
1930: Pavillon Suisse, Cité Universitaire, Paris
1930: Maison Errazuriz, ChileUnited Architects of the Philippines - Center for Career Development
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1930: Las Nubes, house of Uruguayan novelist Enrique Amorim (Salto, Uruguay)
1931: Palace of the Soviets, Moscow, USSR (project)
1931: Immeuble Clarté , Geneva, Switzertand
1933: Tsentrosoyuz, Moscow, USSR
1936: Palace of Ministry of National Education and Public Health, Rio de Janeiro (as
a consultant to Lucio Costa, Oscar Niemeyer and others)
1938: The "Cartesian" Sky-scraper(project)
1945: Usine Claude et Duval, Saint-Dié-des-Vosges, France
1947~1952: Unité d'Habitation, Marseille, France
1948: Curutchet House, La Plata, Argentina
1949-1952: United Nations Headquarters, New York City (Consultant)
1950-1954: Chapelle Notre Dame du Haut, Ronchamp, France
1951: Cabanon de Vacances, Roquebrune-Cap-Martin
1951: Maisons Jaoul, Neuilly-sur-Seine, France
1951: Mill Owners’ Association Building, Villa Sarabhai and Villa Schodan,
Ahmedabad, India
1952: Unité d Habitation of Nantes-Rezé, Nantes, France
1952-1959: Buildings in Chandigarh, India
1952: Palace of Justice (Chandigarh)
1952: Museum and Gallery of Art (Chandigarh)
1953: Secretariat Building (Chandigarh)
1953: Governor's Palace (Chandigarh)
1955: Palace of Assembly (Chandigarh)
1956: Shodan House
1959: Goverment College of Art (GCA) and the Chandigarh College of
Architecture(CCA) (Chandigarh)
1956: Museum at Ahmedabad, Ahmedabad, india
1956: Saddam Hussein Gymnasium, Baghdad, Iraq
41957: Unité Habitation of Briey en Forét, France
1957: National Museum of Westem Art, Tokyo
41957: Maison du Brésil, Cité Universitaire, Paris
4957-1960: Sainte Marie de La Tourette, near Lyon, France (with lannis Xenakis)
1957: Unité Habitation of Berlin-Chanlottenburg, Flatowallee 16, Berlin
41957: Unité d'Habitation of Meaux, France
1958: Philips Pavilion, Brussels, Belgium (with lannis Xenakis) (destroyed) at the
1958 World —_Expositon
1961: Center for Electronic Calculus, Olivetti, Milan, Italy
1961: Carpenter Center for the Visual Arts, Harvard University, Cambridge,
Massachusetts, United States
41963: House of Man, Zurich, Switzerland
1964-1969: Firminy-Vert
1964: Unité Habitation of Firminy, France
1966: Stadium Firminy-Vert
1965: Maison de la culture de Firminy-Vert
1969: Church of Saint-Pierre, Firminy, France (built posthumously and completed
under José Oubrerie's guidance in 2006)
1967: Heidi Weber Museum (Centre Le Corbusier), Zurich, Switzerland
Major Publications :
1918: Aprés le Cubisme (After Cubism), with Amédée OzentantUnited Architects of the Philippines ~ Center for Career Development
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1923: Vers une Architecture (Towards an Architecture) (frequently mistranslated as
“Towards @ New Architecture")
1925: Urbanisme (Urbanism)
1925: La Peinture Moderne (Modern Painting). with Amédée Ozentant
1925: L’Art décoratif d‘aujourcthui (The Decorative Arts of Today)
1931: Premier clavier de couleurs (First Color Keyboard)
1935: Aircraft
1935: La Ville Radieuse (The Radiant City)
1942: Charte d’Athénes (Athens Charter)
1943: Entretien avec les étuaiants des écoles darchitecture (A Conversation with
Architecture Students)
1945: Les Trios éstablishments Humains (The Three Human Establishments)
1948: Le Modulor (The Modulor)
1953: Le Poeme de Angle Droit (The Poem of the Right Angle)
1955: Le Modulor 2 (The Modufor 2)
1959: Deuxiéme olavier de couleurs (Second Colour Keyboard)
1966: Le Voyage d'Orient (The Voyage to the East)
Famous Quotes
"You employ stone, wood, and concrete, and with these materials you build
houses and palaces: that is construction. Ingenuity is at work. But suddenly
you touch my heart, you do me good. | am happy and ! say: ‘This is beautiful.
That is Architecture. Art enters in..." (Vers une architecture, 1923)
“Architecture is the masterly, correct, and mi ‘ent play of masses
brought together in light:
"Space and light and order. Those are the things that men need just as much
as they need bread or a place to sleep.”
“The house is a machine for living in." (Vers une architecture, 1923)
“itis a question of building which is at the root of the social unrest of today:
architecture or revolution.” (Vers une architecture, 1923)
"Modern life demands, and is waiting for, a new kind of plan, both for the
house and the city." (Vers une Architecture, 1923)
“The 1s" are a lie.” (Vers une Architecture, 1923)
NOTABLE WORKS :
‘The Open Hand Monument, Chandigarh,
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Le Corbusler Paviton, Zurich, Switzerland
* i)
FRANK LLOYD WRIGHT
(1867-1959)
+ Frank Lloyd Wright, born in 1867, was one of the most original and influential
American architects of the 20th century,
+ He designed about 800 buildings, during his career and many of those are
houses.
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+ Frank Lloyd Wright was familiar with the plains of the Midwest resulting in the
development of a concept of openness and use of organic materials which is
called the ‘Prairie style’
architecture. He believed that “Buildings should fit into its natural
surroundings.”
+ Lloyd Wright designed the Guggenheim Museum in New York, built to house
‘a collection of abstract art and opened shortly after his death in 1959, itis stil
recognized as one of the most interesting examples of modem architecture,
The Volute, Guggenheim Museum ‘Guggeniteim interior showing the wide,
Multi deck creulatory hallways. .
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‘Wingspread, Racine, Wisconsin, USA
FLW told the owners that, “every little girl needed a balcony
to be serenaded at.”
Price Office Building, Bartiesille, Oklahoma, USA
‘The only skyscraper designed by FLW and was actually bult. The building was originally designed for
New York oy but was shelved due to the stack market crash in 1929, The bulding was buit in 1952
Pes
2s
Frank Lloyd Wright's Logo a red square vith his inials “FLLW" on it. In letterheads and
‘other documents, the red square appears on slightly bigger beige fet.
House £033, Chicago, Ilinols, USA Johnson Wax Building, Racine, Wisconsin
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(Other view ofthe school -—Interlor_ ews of the school showing one of theatellers (studio) and
the lecture hall,
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[After the Great Tokyo earthquake of
It follows the Maya Revival style of Architecture, 1923
‘an influence beckoned from ancient cures in ‘The imperial Hotel was shown stillintact
and
‘Meso:America. The plan was derived from the standing amidst powerful earthquake that
hotels log forming the letter °H". fattened Tokyo in 1923. The burning edifice
fom the right sides the Kangyo Bank
Original design of the imperial Hote, Tokyo, The ote’ orginal lobby 2sit sts now in
the
Japan ‘Meiji Mura Museum after the hotel was
demo-
‘The orignal design ofthe hotel was done in lished to give way for new developments in
1890 by Archt. Yruru Watababe which was Tokyo.
Accidentally burned down.
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Antonio Gaudi y Cornet
(June 25, 1852 — June 10, 1926)
Spanis Architect known to be the best representative of “Catalan Architectural
Modernism.
His works expressed firmly his individual style and are mostly found in the
Catalonian capital, Barcelona that includes his magnum opus, ‘La
‘Sagrada Familia’.
He introduced the craft, Trencadis — an art form made of waste ceramic
pieces applied as surface treatment.
Modernisme/Modernista — the design style sweeping Spain and most of
Europe at the tum of the 19” century. Gaudi deviated from the pack by
transcending his
creation through influences from nature without losing modem influenc
es, though some cfitics refer to his works as Neo-Modern Baroque.
eee
eh :
Meig (pe shale
‘Gaul ancestral Home, Riudoms Early works indude a lampost at Plaza Real in Barcelona and a
Gove display cabinet
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ra ie
Cemetery Gateway, 1875
‘Quayside Building, 1876 Fuente parala Plaza de Barcelona
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Hk
{a Baslea y Temple Explator de a Sagrada Familia, Barcelona, Spain. Model and sketch.
Benjamin Henry Boneval Latrobe
(May 1, 1764 - September 3, 1820)
+ He was bom on May 1, 1764 at theFulneck Moravian Settlement,
near Pudsey in West Yorkshire, England from an aristocratic parents.
+ He was a British-bom American neoclassical architect best known for his
design of the United States Capitol.
+ He also designed the Baltimore Basilica, the first Roman Catholic
Cathedral in the United States.
+ Latrobe was one of the first formally-trained, professional architects in the
United States, drawing influences from his travels in Italy, as well as British
and French Neoclassical architects such as Claude Nicolas. Ledoux.
+ He entered apprenticeship under John Smeaton, an engineer known for
designing Eddystone Lighthouse. Then in 1787 or 1788, he worked as an
apprentice with neoclassical architect S.P. Cockerell, serving for a brief time
before leaving to practice the profession on his own.
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+ Latrobe came to the United States in 1796, initially settling in Virginia where
he worked on the State Penitentiary in Richmond.
+ Latrobe then relocated to Philadelphia where he established his practice. In
1803 working on projects in Washington DC for the next 14 years.
+ He spent the latter years of his life in New Orleans and died there on
‘September 3, 1820 from yellow fever.
+ He has been called the "Father of American Architecture"
+ Latrobe is credited with professionalizing architecture in America, and his
building designs influenced the United States until the Civil War.
Latrobe Gate, Washington Navy Yard
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‘aslica ofthe National Shrine of the Pope Vila, Kensington, Kentucky
“Assumption ofthe Virgin Mary,
‘Baltimore, Maryland
United States of America Capitol Inglewood, Charlotte, North Carolina, USA
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Adolf Franz Karl Viktor Maria Loos
(10 December 1870 — 23 August 1933)
Born in 1870 in Bruen (Bmo), Moravia, to an ethnically German family.
He completed technical school in Liberec, Czech Republic, which is now
called the Technical University Liberec.
Further studies at Dresden Technical University before moving to Vienna.
He contracted syphilis in the brothels of Vienna, and by age 21 he was sterile
and in 1893 his mother disowned him
‘Austro-Hungarian architect who was very influential in European Modem
architecture.
In his essay, Ornament and Crime, he repudiated the florid style of
the Vienna Secession, the Austrian version of Art Nouveau. In this and
many other essays he contributed to the elaboration of a body of theory and
criticism of Modemism in architecture.
Famous quote, "Omamentis crime’.
After staying with an uncle in Philadelphia, USA, he returned to Vienna in
1896. This time a man of taste and refinement, thus, he quickly established
himself as the preferred architect of Vienna's cultured bourgeoisie.
He pioneered the ‘Raumplan'—the theory which considered ordering and
size of interior spaces based on function.
Even if he abhors decoration, he believed that “the i distinetion_in
using ornaments is not between complicated and simple, but between
‘organic’ and superfluous decoration.” The same reason why one can find
‘that some of his works has omaments.
In his lifetime, he married thrice to women of substance in Vienna only to
have all of them ending in divorce due to scandals,
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He also designed for Knize of Vienna, a men’s fashion haberdashery.
He had cancer before and had vital organs removed and spent the rest of his,
life eating ham and cream only. In 1933, he died poor.
NOTABLE WORKS
1899 Café Museum, Vienna
1907 Field Christian Cross, Radesinska Svratka, Czech Republic
1908 American Bar (formerly called the Kartner Bar), Vienna
1910 Steiner House, Vienna
1910 Goldman & Salatsch Building, a mixed-use building overlooking
Michaelerplatz, Vienna (known colloquially as the "Looshaus")
1913 Scheu House, Vienna
1916 Sugar mill, Hrugovany u Bma, Czech Republic
1917 House for sugar mill owner, Hrugovany u Bma, Czech Republic
1922 Rufer House, Vienna
1925 Maison Tzara, house and studio for Tristan Tzara, one of the founders
of Dadaism, in Montmartre, Paris, France
1926 Villa Moller, Vienna
1927 House (not built) in Paris for the American entertainer Josephine Baker
1928 Villa Miller, Prague, Czech Republic
1929 Khuner Villa, Kreuzberg, Austria
1932 Villa Winternitz, Na Cihlaice 10, Praha 5, Czech Republic
1928-1933 many residential interiors in Pilsen, Czech Repul
00s villa
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Josephine Baker House, Paris, France
(never butt)
Erich Mendelsohn
(21 March 1887 — 15 September 1953)
+ He was born in Allenstein, East Prussia, a Jewish German architect, known
for his expressionist architecture in the 1920s, as well as for developing a
dynamic functionalism in his projects for department stores and cinemas.
+ First, he attended a humanist Gymnasium in Allenstein and continued with
‘commercial training in Berlin
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He studied national economics at the University of Munich in 1906 and in
1908, he began studying architecture at the Technical University of Berlin and
stayed for 2 years.
Later he transferred to the Technical University of Munich, where in 1912 he
graduated cum laude.
His influence includes Theodor Fischer, an architect whose own work fell
between neo-
classical and Jugendstil, and he also made contact with members of Der Blau
eReiter and
Die Briicke, two groups of expressionist artists.
He worked as an independent architect in Munich between 1912-1914.
He served in the warfront of the First World War and upon his retum from the
war, he settled his practice in Berlin.
His previous projects, the Einsteinturm (Einstein Tower) and the hat factory
in Luckenwalde established his reputation.
In 1924, along with Ludwig Mies van der Rohe and Walter Gropius, he was
one of the founders of the progressive architectural group known as Der
Ring.
His practice prospered and his later projects, the Mossehaus newspaper
offices and Universum cinema were also highly influential on art deco
and Streamline Moderne.
‘With the rise of anti-semitism in Germany and himself being of Jewish origin,
he fied to England in 1933, leaving behind his fortune and a lucrative pra
In England he began a business partnership with Serge Chermayeff, which
continued until the end of 1936.
His association with Chaim Weizmann, who later becom is the single reason
why he influenced the Jerusalem International Style characterized by having
all facades fashioned in limestone.
In 1938, having already dissolved his London office, he took British
citizenship, shortening his English forename to “Eric”
At the start of WW II, he stayed in the USA and lectured at the University of
California in Berkeley. it is where he stayed and undertook several projects
‘mostly for the Jewish communtiy until his death in 1953.
Notable Projects :
Work Hall of the Herrmann hat factory, Luckenwaide (1919-1920)
Einsteinturm (solar observatory on the Telegraphenberg) in Potsdam,
1917 or 1920- 1921
Steinberg Hat factory, Herrmann & Co, Luckenwalde (1921-1923)
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Mossehaus, Berlin (1921-1923)
‘Schocken department store, Nuremberg (1925-1926)
Red Flag Textile Factory, Leningrad, 1926.
Extension and conversion of Cohen & Epstein department
Store, Duisburg (1925-1927)
‘Schocken department store, Stuttgart (1925-1928)
Exhibition pavilion for the Rudolf Mosse publishing house at
the Pressa in Cologne (1928)
‘Woga-Komplex and Universum-Kino (cinema), Berlin (1925-1931)
‘Schocken department store, Chemnitz (1927-1930),
Columbushaus, Potsdamer Platz, Berlin (1928-1932
Jewish youth center, Essen (1930-1933)
‘The De La Warr Pavilion, Bexhill-on-Sea, Sussex, England (1934). In
collaboration with Serge Chermayeff.
Cohen House, Chelsea, London (1934-
1936). In collaboration with Serge Chermayeff.
Weizmann House, Weizmann Institute Campus, Rehovot near Tel
Aviv (1935-1936)
‘A cluster of three buildings on the Weizmann Institute campus,
presently housing high-resolution NMR, biological MRI, and
the Kimmel Center for Archeology, respectively.
Hebrew University, Jerusalem (1934-1940)
‘Synagogue B'Nal Amoona, now Center of Creative Arts, University
City, Missouri (1946-1950)
Maimonides Hospital, San Francisco (1946-1950)
Park Synagogue, Cleveland Heights, Ohio (1947-1951)
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Einsteinturm, Potsdam
lckenwalde Hat Factory, inteslor and Exterior views
Red Flag Factory, Leningrad, Russia De a Warr Pavilion, Bexhil-on-Sea, Sussex,
England
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Germany
Petersdorff Department Store, Breslau,United Architects of the Philippines ~ Center for Career Development
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Ludwig Mies van der Rohe
(March 27, 1886 — August 17, 1969)
He was a German architect and is is commonly referred to and addressed by
his sumame; Mies.
He called his buildings “skin and bones" architecture.
He sought a rational approach that would guide the oreative process of
architectural design.
in the
He is often associated with the aphorisms “Less is more” and "God is
details’
First worked worked in his father's stone-carving shop and at several local
design firms before he moved to Berlin.
Later he worked at the office of interior designer Bruno Paul
He began his architectural career by apprenticing at the studio of Peter
Behrens from 1908 to 1912 working alongside Walter Gropius and Le
Corbusier
After works done at the Embassy of the German Empire in Saint
Petersburg under Behrens, many quickly recognized his talents and getting
independent commissions, despite his lack of a formal college-level
education,
Ludwig Mies renamed himself as part of his rapid transformation from a
tradesman's son to an architect working with Berlin's cultural elite, adding
“van der" and his mother's sumame "Rohe".
He Is influenced in part by the 19” century Prussian Neo-Classical
architect Karl 2h Schinkel
He was also one of the founders of the architectural association Der Ring,
He joined the avant-garde Bauhaus design school as their director of
architecture, adopting and developing their functionalist application of simple
geometric forms in the design of useful objects.
2818M Building, Chicago. Lakeshore Brive, Chicago
Chicago
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In his works, the design theories of Adolf Loos found resonance with Mies,
particularly the ideas of “eradication of the superficial and unnecessary,
feplacing elaborate applied ornament with the straightforward display of
materials and forms.”
He also left Germany with much reservation in 1937 due to Nazi political
pressure and went to the USA where he was offered the Directorship of,
the Armour Institute of Technology, later renamed, ilinois Institute of
Technology.
Here he introduced a new kind of education and atfitude later known
as Second School of Chicago, which became very influential in the
following decades in North America and Europe.
He designed some buildings o-campus that included the Alumni Hall, the
Chapel, and his masterpiece the S.R. Crown Hall, built as the home of IT's
School of Architecture. Crown Hall is widely regarded as Mies’ finest work,
the definition of Miesian architecture.
His other important work is the Farnsworth House,
‘Museum of Fine Arts, Houston, Texas ‘Crown Hall, IT Campus, Chicago, Minos
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German Pavilion, Sarcelona Exposition, Barcelona, Spain. The conic Barcelona ChairUnited Architects of the Philippines - Center for Career Development
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Marquette las skyscraper, an example of “Tugendaht Howse, Brno, Czech Republic, 1930
“sin and bones architecture”
Gottlieb Eliel Saarinen
(August 20, 1873 - July 1, 1950)
+ He was a Finnish architect who became famous for his art nouveau buildings
in the early years of the 20th century.
arUnited Architects of the Philippines ~ Center for Career Development
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Eliel Saarinen was educated in Helsinki at the Helsinki University of
Technology.
From 1896 to 1905 he worked as a partner with Herman Gesellius and Armas
Lindgren at the firm Geselius, Lindgren, and Saarinen. His first
major work with the firm, the Finnish Pavilion at the World's Fair.
His hybrid design style composed of Finnish wooden architecture,
British Gothic Revival, and the Jugendstil, was christened the
Finnish National Romanticism and culminated in the design of the Helsinki
Central Railway Station
In April 1913 he received the first place award in an intemational competition
for his plan of Reval, Estonia
He also designed the Finnish markka banknotes introduced in 1922.
Eliel Saarinen moved to the United States in 1923 after his noted competition
entry for the Tribune Tower in Chicago, Illinois.
In 1924 he became a visiting professor at the University of Michigan.
He design the campus of Cranbrook Educational Community, intended as an
‘American equivalent to the Bauhaus. Saarinen taught there and became
president of the Cranbrook Academy of Art in 1932.
His son, Eero (1910-1964), became one of the most important American
architects of the mid-20th century, as one of the leaders of the international
‘stule.
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‘National Museum of Finland Cranbrook Tower and Quadrangle (Christ Church Lutheran
Holink, Finland Cranbrook Academy, Bloomfields, ‘Michigan, USA
‘Michigan, USA
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First Christian Church ‘Marble Palace, Helsinki, Finland \Lahti Town Hall, Lahti,
Finland
Columbus, Ohio, USA
id Mie
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Pier Luigi Nervi
(June 21, 1891 — January 9, 1979)
Nervi was bom in Sondrio, Italy.
He was an Italian engineer and has studied at the University of Bologna and
qualified in 1913
He taught as a professor of engineering at Rome University from 1946-64
and is widely known both as an engineer and an architect.
‘Nervi is also noted for his innovative use of reinforced concrete.
From 1961-1962 Nervi was the Norton professor at Harvard University.
Nervi also stressed that “intuition should be used _as_much
asmathematics in design, especially with thin shelled structures,
He borrowed from both Roman and Renaissance architecture while applying
ribbing and vaulting to improve strength and eliminate columns and
combining simple geometry and prefabrication to innovate design solutions.
Pier Luigi Nervi was educated and practised as a ingegnere edile (translated
as "building engineer’)
In Italy, at the time (and to a lesser degree also today), a building engineer
might also be considered an architect,
Notable Works :
1.) Stadio Artemio Franchi, Florence (1931)
2.) Exhibition Building, Turin, Italy (1949),
3.) UNESCO Headquarters, Paris (1950) (collaborating with Marcel
Breuer and Berard Zehrfuss)
4.) The Pirelli Tower, Milan (1950) (collaborating with Gio Ponti)
5.) Palazzo dello sport EUR (now PalaL ottomatica), Rome (1956)
6.) Palazzetto dello Sport, Rome (1958)United Architects of the Philippines - Center for Career Development
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7,) Stadio Flaminio, Rome (1957)
8.) Palazzo del Lavoro, Turin (1961)
9.) Palazzetto dello sport, Turin (1961)
10.) George Washington Bridge Bus Station, New York City (1963)
11.) Tour de la Bourse, Montreal (1964) (collaborating with Luigi Moretti)
12.) Cathedral of Saint Mary of the Assumption, San Francisco, California (19
67) (collaborating with Pietro Belluschi)
13.) Paul VI Audience Hall, Vatican City (1971)
414.) Australian Embassy, Paris (1973) Consulting engineer
15.) Norfolk Scope, Norfolk, Virginia, USA (1971)
Palazzetto dello Sport, Rome, "Nortolk Scope, Norfolk, Virginia, St. Mary of the
‘Assumption
Italy usa San Francisco,
California, USA
“Tour dela Bourse, Montreal, CanadaUnited Architects of the Philippines — Center for Career Development
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Eero Saarinen
(August 20, 1910 - September 1, 1961)
His father whom he shared the same birthdate is Eliel Saarinen,
‘They migrated to the USA in 1923 at the age of thitteen.He grew up
in Bloomfield Hills, Michigan, where his father was a teacher at the Cranbrook
Academy of Art and he took courses in sculpture and fumiture design there.
He had a close relationship with fellow students Charles and Ray Eames, and
became good friends with.
He was a Finnish American architect_and industrial_designer of the 20th
century famous for varying his style according to the demands of the
project: simple, sweeping, arching structural curves or machine-like
rationalism.
In 1929, he studied sculpture at the Académie de la Grande Chaumiére in
Paris, France and afterwhich, he went on to study at the Yale School of
Architecture earning his degree in 1934.
During WW Il, he worked for the US Military doing bomb disassembly,
‘manuals and provide designs for the Situation Room in the White House. He
worked there fulltime till 1944,
After his father's death in 1950, Saarinen founded his own architect's office,
"Eero Saarinen and Associates"
While still working for his father, Saarinen first received critical recognition for
a chair designed together with Char 1es for the "Organic Design in
Home Fumishings" competition in 1840, for which they received first prize for
the "Tulip Chair’
Then in 1948 he took first prize in the competition for the design of
the Jefferson National Expansion Memorial, St. Louis, not completed until the
1960s. The compefition award was mistakenly sent to his father.
Many of his projects use catenary curves in their structural designs.United Architects of the Philippines ~ Center for Career Development
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+ Eero Saarinen was elected a Fellow of the American Institute of Architects in
1952. He is also a winner of the AIA Gold Medal.
+ Eero Saarinen died of a brain tumor in 1961 at the age of 51
+ NOTABLE WORKS
1.) The Law School at the University of Chicago, Chicago, illinois.
2) The Miller House, Columbus, Indiana.
3.) Gateway Arch, St. Louis, Missouri
4.) TWA Terminal at JFK Intemational Airport
5.) Washington Dulles international Airport
6.) Kresge Auditorium and MIT Chapel at MIT
7.) General Motors Technical Center, Warten, Michigan
8.) US Embassies in Osio and London
8.) Noyes House dormitory at Vassar College.
10.) IBM Pavilion, 1964-1965 New York World's Fair
11.) The "Tulip Chair’, popularized by its use on the original Star Trek
television series (1966-69).
12.) Crow Island School
Dulles international Airport, Chany, Noyes House
Expansion (Gateway Arch] Virginia, USA
in St. Louis, Missouri, USAUnited Architects of the Philippines ~ Center for Career Development
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"TWA Terminal JFK Airport, New Kresge Auditorium, MIT, USA US Embassy,
tendon,
‘York ity, New York, USA England
‘Svenska Theater
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Ingalls Hockey Rink, Yale University, ‘Schoo! of tw, University of Chicago, USA
New Haven, Connecticut, USA
(September 3, 1856 — April 14, 1924)
Louis Henri Sullivan was born in Boston, Massachusetts, USA.
In high school, Sullivan met Moses Woolson, whose teachings made a
lasting impression on him, and nurtured him until his death.
His early education was at the Massachusetts Insfitute of Technology and
later at Ecole des Beaux-Arts in Paris.
He worked first at the office of Frank Furness when he was 16 years old
when he was still at MIT.
The Depression of 1873 dried up much of Furness’s work, and he was forced
to let Sullivan go. At that point Sullivan moved on to Chicago in 1873
to take part in the building boom following the Great Chicago Fire of
1871. He worked for William LeBaron Jenney, the architect often
credited with erecting the first steel-frame building.
40United Architects of the Philippines — Center for Career Development
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‘Then he worked at the firm of Dankmar Adler becoming a partner at age 24.
Their asociation for 14 years is the most productive in his life as an Architect,
with more than 100 buildings , most are landmarks.
‘Their first important work was the Auditorium Building in Chicago (1889).
+ Their most important skyscraper is the 10-story steel-famed Wainwright
Building, St. Louis, Mo, (1890-91).
+ The young Frank Lloyd Wright spent six years as apprentice to Sullivan, who
‘would be a major influence on the younger architect.
+ He considered it obvious that building design should indicate a building's
functions and that, where the function does not change, the form should not
change; hence his influential dictum "Form follows function.”
+ He is known as the “Father of Skyscrapers’ and “Father of Modernism’.
+ He was an influential architect and critic of the Chicago School, and an
inspiration to the Chicago group of architects who have come to be known as
the Prairie School.
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Prudent Buen Wainwigh Biting Carson Pie Sot
Butane
Duffel, New York, USA St Lous sou, USA cticago, Minos USAUnited Architects of the Philippines ~ Center for Career Development
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‘Auditorium Building, Chicago, Gage Building, Chicago, (Chicago Stock Exchange
Building
Minos, USA Minos, USA ‘chicago tino, USAUnited Architects of the Philippines — Center for Career Development
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Johann Otto von Spreckelsen
(May 4, 1929—March 16, 1987)
He was bom in Viborg, Denmark and studied at the Viborg Katedralskole and
Royal Academy of Arts in Copenhagen.
He directed the creation of several modern churches in Denmark, Vangede
Kirke near Copenhagen (1974), Stavnsholt Kirke at the city of Farum (1981)
and the two Roman Catholic churches in Esbjerg and Hvidovre both
consecrated to Saint Nicholas.
His best known work however is the 100 meters high Grande Arche at La
Défense in Paris made of granite and carrara marble and inspired by the Arch
de Triomphe, which he won in an intemational design competition because
of its “purity’ and strength", according to then French President, Francois
Mitterand.
He relied heavily on simple geometrical figures, especially the quadrant,
which can be seen in his churches, in the interior decorations even of church
organs.
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‘Stavinshot,kicke Fram, Denmark Vangede-irke 2005, Copenhagen,
Denmark
Marcel Lajos Breuer
(@1 May 1902 - 1 July 1981)
+ He was born in Pecs, Hungary and known well fo his friends and associates
as Lajko, a Hungarian name.
+ One of the masters of Modernism, Breuer displayed interest in modular
construction and simple forms.
+ Early education was at the Bauhaus in Germany and later on in his life, was
appointed a teaching position prior to WW I
+ His initial practice was in Berlin doing residential and commercial projects.
+ Nazism in Germany forced him, like many intellectuals that time to exile in
London.
+ Breuer pioneered the design of tubular steel furniture with the famous
“Wassily Chair’ in 1925.
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+ In London, Breuer was employed by Jack Pritchard at the Isokon company;
one — of the earliest introducers of modern design in the United Kingdom,
+ Breuer eventually ended up in the United States and taught at Harvard's
Architecture School
+ His students include Philip Johnson, Paul Rudolph and LM.Pel who later
became well-known U.S. architects.
+ At the same time, Breuer worked with old friend and Bauhaus colleague
Walter Gropius, also at Harvard, on the design of several houses in the
Boston area and elsewhere. in 1941, they parted ways.
+ One time, Johnson called Breuer "a peasant mannerist.
+ His own practice after the war resulted in the design of the Geller House, the
first to employ Breuer's concept of the ‘binucfear house, with separate wings
for the bedrooms and for the living / dining / kitchen area, separated by an
entry hall, and with the distinctive ‘butterfly roof
Wassily Chair, 1925, ‘Whitey Museum of American Art, University of
Massachusetts
New York City, New York, USA Amherst CampusUnited Architects of the Philippines — Center for Career Development
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St John’ Abbey Church, St John's [UNESCO General Meadquarters, Pars, France
University
[Ariston Cub, Mar-de-Plata, Geller House, Long
(stand, New ‘Metuilen Beach House
Argentina York, USA, 1959 Montoloking, New
Jersey, USA
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‘Armstrong Rubber Co. HO, West HUD Office Building ‘Australian Embassy,
Paris France
Haven, Connecticut, USA Washington DC, USA
Frank House Fire sland Pines, New York, USA, 1958
47United Architects of the Philippines — Center for Career Development
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eee,
Waiter Adolph Georg Gropius
(May 18, 1883 — July 5, 1969)
+ Founder of the Bauhaus School in Germany. Formerly, this was called
Grand-Ducal Saxon School of Arts and Crafts in Weimar but its founder,
Henry van de Velde was asked to step down as Director because he is
Belgian,
+ Along with Ludwig Mies van der Rohe and Le Corbusier, he is widely
regarded as one of the pioneering masters of modem architecture.
+ Walter Gropius, lke his father and his great-uncle Martin Gropius before him,
became an Architect,
+ Gropius could not draw, and was dependent on collaborators and partner-
interpreters throughout his career.
+ In'schoot he hired an assistant to complete his homework for him.
+ In 1908 Gropius found employment with the firm of Peter Behrens, one of
the first members of the utilitarian school,
+ In 1910 together with fellow employee Adolf Meyer, they established a
practice in Bertin. Together they share credit for one of the seminal modemist
buildings created during this period: the Faguswerk in Alfeld-an-der-Leine,
Germany.
+ In 1913, Gropius published an article about "The Development of industrial
Buildings’ which included about a dozen photographs of factories and gi
elevators in North America.
+ In 1945, Gropius founded The Archi Collaborative (TAC) based in
‘Cambridge with a group of younger architects and would become one of the
most well-known and respected architectural firms in the world. TAC went
bankrupt in 1995,
+ Gropius and his Bauhaus protégé Marcel Breuer both moved to Cambridge,
Massachusetts to teach at the Harvard Graduate School of Design
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+ Gropius died in 1969 in Boston, Massachusetts, aged 86.
+ Today, he is remembered not only by his various buildings but also by the
district of Gropiusstaat in Bertin.
+ Notable Works
1.) 1922 competition entry for the Chicago Tribune Tower competition
2.) 1925-1932 Bauhaus School and Facuily, Housing, Dessau, Germany
3.) 1937 The Gropius House, Lincoln, Massachusetts, USA
4.) 1942-1944 Aluminum City Terrace housing project, New Kensington,
Pennsylvania, USA
5.) 19571960 University of Baghdad, Baghdad, Iraq
6.) 1958-1963 Pan Am Building (now the Metlife Building), New York, with
Pietro Belluschi ‘and project architects Emery Roth & Son:
7.) 1957 Interbau Apartment blocks, Hansaviertel, Bertin, Germany, with The
Architects’ Collaborative and Wils Ebert
8.) 1960 the Gropiusstadt building complex, Bertin, Germany
9) 1959-1961 Embassy of the United States, Athens, Greece (The
Architects’ Collaborative ‘and consulting architect Pericles A Sakellarios)
10.) 1968 Glass Cathedral, Thomas Glassworks, Amberg
11.) 1967- 69 Tower East Shaker Heights, Ohio, this was Gropius’ last major
Project.
12) 1910-1911 the Fagus Factory, Alfeld an der Leine, Germany
13.) 1914 Office and Factory Buildings at the Werkbund Exhibition, 1914,
Cologne, — Germany
14) 1921 Sommerfeld_House, Berlin, Germany designed for Adolf
Sommerfeld
‘Bauhaus, Weimar, Germany Gropius House, Lincaln, ‘Monument to the
‘March Dead
Massachusetts, USA
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Aluminura Cty Terrace Housing ‘Quad, University of Baghdad, aq US Embassy, Athens,
Greece
Project, New Kensington
Pennsylvania, USA
Shopping Area, Groplusstadt, Housing Blocks, Groplusstak,
Berlin, Germany Beri, GermanyUnited Architects of the Philippines — Center for Career Development
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Richard Joseph Neutra
(April 8, 1892 — Apri 16, 1970)
Neutra was bom in Vienna, Austria on April 8, 1892.
+ He studied under Adolf Loos at the Vienna University of Technology,
+ He was also influenced by Otto Wagner, and worked for a time in Germany
in the studio of Erich Mendeisohn,
+ He moved to the United States by 1923 and became a naturalized citizen in
1929. Neutra worked briefly for Frank Lloyd Wright.
+ He partnered with Rudolf Schindler, his university pal to work and live
communally in Califomia and shared a house with their wives and
practice. A close friendship that would sour later on because of ‘professional
rivalry.
+ He wrote his autobiography, Life and Shape.
+ Neutra coined the term biorealism, which means "the inherent and
inseparable relationship between man and nature.”
+ “Architects must have a razor-sharp sense of individuality.”
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‘Miler House, Palm Springs, eaufimann House, Palm Springs, ‘yclorama Building,
Gettyburg
California, USA, 1937 California, USA Pennsylvania, USA
(Desert Modernism Style)
‘Boomerang Chair
Lovell House, Califor * Von Sternberg House ‘Neutra House, Palos Altos,
Usa. Northridge, California, USA California, USAUnited Architects of the Philippines ~ Center for Career Development
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Hugo Alvar Henrik Aalto
(February 3, 1898 - May 11, 1976)
+ He studied architecture at the Helsinki University of Technology, graduating in
1921
+ Hewas a Finnish architect and designer. His work includes architecture,
furniture, textiles and glassware.
+ Aalto's early career runs in parallel with the rapid economic growth and
industrialization of Finland during the first half of the twentieth century.
+ The styles of his work, ranged from Nordic Classicism a - style that had
been a reaction to the previous dominant style of National Romanticism of
the early work, to a rational International Style Modemism during the
1930s to a more organic modemist style from the 1840s onwards.
+ Aalto University, a_new Finnish university (an amalgamation of Helsinki
University of Technology, Helsinki School of Economics and Talk)
established in 2010, is named after him.
Alvar Aalto is the eponym of the Alvar Aalto Medal, now considered one of
world architecture's most prestigious awards.
+ Famous Quotes
"God created paper for the purpose of drawing architecture on it. Everything
else is at least for me an abuse of paper.”
"We should work for simple, good, undecorated things, but things which are in
harmony with the human being and organically suited to the litle man in the
street.”
* Architecture is a concem for design as a Gesamtkunstwerk - a total work
of art.”
+ Notable Works
1921-1923: Bell tower of Kauhajarvi Church, Lapua, Finland
1926-1929: Defence Corps Building, Jyvaskyla, Finland
1927-1935: Municipal library, Viipuri, Finland (now Vyborg, Russia)
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1928-1929, 1930: Turun Sanomat newspaper offices, Turku, Finland
1928-1928: Paimio Sanatorium, Tuberculosis sanatorium and staff housing,
Paimio, Finland
1931: Central University Hospital, Zagreb, Croatia (former Yugoslavia)
1932: — Villa Tammekann, Tartu, Estonia
1984: Corso theatre, restaurant interior, Zurich, Switzerland
1937-1938: Villa Mairea, Noormarkku, Finland
1939: Finnish Pavilion, at the 1939 World's Fair
1947-1948: Baker House, Massachusetts Institute of Technology, Cambridge,
‘Massachusetts, USA
1949-1966: Helsinki University of Technology, Espoo, Finland
1952-1958: House of Culture, Helsinki, Finland
1953; The Experimental House, Muuratsalo, Finland,
1962-1971: Finlandia Hall, Helsinki, Finland
1965-1968: Nordic House, Reykjavik, Iceland
1959-1988: Essen opera house, Essen, Germany
Furniture and glassware
Tea cart
Amehair 400 with reindeer fur
Chairs
1932: Paimio Chair
1933: Three-legged stacking Stool 60
1939: Four-legged Stool E60
1935-6: Armchair 404 (alk/a/ Zebra Tank Chair)
41939: Armchair 406
|: Floor lamp A805
1959: Floor lamp A810
Vases
1936: Aalto Vase
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Auditorium, Vipuct Municipal Helsink University
\Vilpur, Finkand Helsing Finland
House of Culture, Helsinkt Firdandlia al, Helsink!,
Finland
‘Aalvar Alto Opera House, Bein, Germany
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oe
Peter Behrens
(14 April 1868 - 27 February 1940)
Behrens attended the Christianeum_ and studied painting in his native
Hamburg, as well as in Dusseldorf and Karlsruhe.
After his studies, he became one of the founders of a new wave formed in
Munich called Munich Secession.
After marriage to lily Kramer and upon settling in Munich, he worked first as a
painter, illustrator and book-binder in a sort of artisanal way as he, at that
time, was frequenting the bohemian circles and was interested in subjects
related to the reform of life-styles
He was a founder of modem objective industrial architecture and modern
industrial design in Germany and also the founder of the Vereinigten
Werkstatfen (United Workshops) in 1887.United Architects of the Philippines — Center for Career Development
United Architects of the Philippines - Center for Career
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His earliest works in Jugendstil are omament drawings like the delicate
sketch of butterfies alighting on lily pads framed by rushes, and in this design
his affinity with Japanese art is obvious.”
Jugendstil is the tendency to restrict every form to a two-dimensional plane,
reducing even the human figure to nothing but an ommament design
He taught and became a Director of Dusseldorf Kunstgewerbeschule , a
school for artists and artisans.
He was also a founding member of a group called Werkbung, a progressive
group with ideas of developing German artistic work and later they wanted to
raise the esthetical quality of manufactured products in Germany.
He achieved as a first German and also European citizen to create first
complex corporate identity, by connecting art and industry how we know it
today.
In 1907, AEG (Allgemeine Elektrizitats-Gesellschatt) retained Behrens as
artistic consultant. He designed the entire corporate identity (logotype,
product design, publicity, etc.) and for that he is considered the first
industrial designer in history.
Peter Behrens was never an employee for AEG, but worked in the capacity of
artistic consultant.
In 1910, Behrens designed the AEG Turbine Factory. From 1907 to 1912, he
had students and assistants, and among them were Ludwig Mies van der
Rohe, Le Corbusier, Adolf Meyer, Jean Kramer and Walter Gropius (later to
become the first director of the Bauhaus.
He said, “Our age has been seized by a haste that leaves no time for
absorption in details.” When we race at high speed through the metropolis,
we can no longer see the details of buildings. Just as the images of the city
seen from an express train passing by at high speed can only have an impact
through their sithouettes, individual buildings can no longer speak for
themselves. Such a way of seeing has already become a habit for us.
He also taught at the Akademie der Bildenden Kiinste in Vienna as he rem
ied head of the Department of Architecture at the Prussian Academy of
Fine Arts in Berlin.
In 1926, Behrens was commissioned by the Englishman Wenman Joseph
Bassett-Lowke to design him a family home in Northampton, UK. The house,
named ‘New Ways’ is often regarded as the first modernist house in
Britain.
Behrens became associated with Hitler's urbanistic dreams for Berlin with the
commission for the new head quarters of the AEG on Albert Speer's famous
planned north-south axis. However, his selection was rejected by the
Powerful Alfred Rosenberg, but Speer’s decision was supported by Hitler who
admired Behrens's Saint Petersbura Embassy. The vast AEG Complex was,
never built as war ensued. Behrens died in 1940 at the Bristoi Hotel in Berlin.
3?United Architects of the Philippines - Center for Career Development
United Architects of the Philippines - Center for Career
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+ He is attributed as the pioneer in the concept of the creation of corporate
i
Louis Isadore Kahn bom ttze-Leib Schmuilowsky,
(February 20, 1901 or 1902 - March 17, 1974)
+ He was bom to a poor Jewish Family in an island in Estonia, then part of the
Russian Empire.
+ As a young boy émigré in the US, he would draw using carbonized twigs of
trees made into a charcoal, but he is persevering.
+ Trained in a rigorous Beaux-Arts tradition — a type of leaming with great
emphasis on drawing, at the University of Pennsyivania.
+ After getting his degree in Architecture in 1924, Kahn worked as senior
draftsman in the office of City Architect John Molitor. In this capacity, he
worked on the design forthe 1926 Sesquicentennial Exposition.
+ One year after, he toured Europe and upon return to the US in 1929, Kahn
worked in the offices of Paul Philiope Cret, his former studio critic at the
University of Pennsylvania, and in the offices of Zantzinger, Borie and Medary
in PhitadelphiaUnited Architects of the Philippines ~ Center for Career Development
United Architects of the Philippines - Center for Career
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In 1932, Kahn and Dominique Beminger founded the Architectural
Research Group, espousing among others, populist-social agenda and new
aesthetics of the European avant-gardes.
As he was practicing, he taught at Yale School of Architecture from 1947 to
1957. From 1957 until his death, he was a professor of architecture atthe
School of Design at the University of Pennsylvania. Also, he is a Professor of
Atchitecture and Planning at MIT and a visiting lecturer at Princeton
University until 1967.
Kahn's style tends to be monumental and monolithic; his heavy buildings
do not hide their weight, their materials, or the way they are assembled and
are considered as monumental beyond modemism.
Awards
1.) Fellow, American Institute of Architects (1953)
2) Frank P, Brown Medal (1964)
3.) Member, National Institute of Arts and Letters (1964)
4.) Member, of the American Academy of Arts and Sciences (1968)
5.) AIGA Gold Medal for Design Excellence (1968)
His project, Jatiyo Sangshad Bhaban (National Assembly Building) in
Dhaka, Bangladesh is perhaps the most important masterpiece designed by
Louis Kahn. it and considered as one of the twentieth century's greatest
architectural monuments, and is without question Kahn's magnum opus.
1974, Kahn died of a heart attack in a men's restroom in Pennsylvania
Station_in New York and he went unidentified for three days because he had
crossed out the home address on his passport. He had just returned from a
work trip to Bangladesh, and despite his long career, he was deeply in debt
when he died.
His son by his third wife, Nathaniel Kahn, released an Oscar-nominated
biographical documentary about his father, titled My Architect: A Son's
Joumey.
Notable Works :
1,)Yale University Art Gallery, New Haven, Connecticut,(1951-1953
2.) Richards Medical Research Laboratories, University of
Pennsylvania, Philadelphia, Pennsylvania, (1957-1965
3.) The Salk institute, La Jolla, California, (1959-1968),
4.) First Unitarian Church, Rochester, New York (1959-1969
5.) Jatiyo Sangshad Bhaban (National Assembly Building) in Dhaka,
Bangladesh (1962-1974)
6.) Kimbell Art Museum, Fort Worth, Texas, (1967-1972
7.) Yale Center for British Art, Yale University, New Haven,
Connecticut, (1969-1974)
8.) Franklin D. Roosevelt Four Freedoms Park, Roosevelt Island,
New York, (1972— 1974), unbuiltUnited Architects of the Philippines ~ Center for Career Development
United Architects of the Philippines - Center for Career
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lan Charles Athfield
(born 15 July 1940)
He was born in Christchurch, New Zealand and graduated from the University
of Auckland in 1963 with a Diploma of Architecture.
That same year he joined Structon Group Architects, and he became a
partner in 1965.
tn 1968 he was a principal partner in setting up Athfield Architects with tan
Dickson and Graeme John Boucher (Manson).
In 1966 Athfield started work on his first major project, Athfield House, for his
family and a studio. Located in Khandaliah, Wellington, this distinctive group
of structures stands out amongst neighbouring conventional suburban
houses.
His early projects were constructed with a broad palette of materials
including corrugated iron, plaster, stainless steel and fibre glass as a
reaction to much of the bland “Modem” architecture of the period. Athfield
built in a deliberately veriacular style using features harking back to colonial
buildings - finials, steeply pitched roofs, timber weatherboards, verandahs
and double hung windows
He is partly influenced by the geometric massing of the Japanese
Metabolists.
Athfield combined all disparate elements into a highly eclectic and personal
style,United Architects of the Philippines - Center for Career Development
United Architects of the Philippines - Center for Career
Development
His works in early 70's are characterized by developing a distinctive and
highly personal design approach based on the repetition of small scale
elements and complex massing,
He is critcized by designing what detractors are saying ‘cartoon houses’ as
they were charm and not practicality
Athfield believed, however, that “In a house, you should get a surprise
every time you turn a corner and look up.”
Athfield's practice expanded during the 1980s from mainly residential work to
a wider variety of community and commercial buildings that includes best
known projects like Telecom Towers, Civic Square and Wellington
Library, Jade Stadium in Christchurch and work on the design of the Bangkok
rapid transport system.
(Waitakere library and UNITEC
‘Auckland, New Zealand
élCenter for Career Development
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Development
‘Adam Art Gallery ‘Aslington Flats,
Center, Aucdand, Wellington, New Zealand New Zealand
New Zealand
Richard Buckminster Fuller
(uly 12, 1895 ~ July 1, 1983)
+ He was born Richard Buckminster “Bucky” Fuller was an American
engineer, systems theorist, author, designer, inventor, futurist and member
of Mensa Intemational, the high IQ society.
+ Fuller published more than 30 books, inventing and popularizing terms such
as "Spaceship Earth", ephemeralization, and synergetics. He also developed
‘numerous inventions, mainly architectural designs, the best known of which is
the Geodesic dome.
+ The carbon molecules known as fullerenes were later named by scientists
for their resemblance to geodesic spheres invented by Fuller.
Fuller attended Milton Academy in Massachusetts, and after that began studyi
ng t Harvard. He was expelled from Harvard twice: first for spending all hisUnited Architects of the Philippines ~ Center for Career Development
United Architects of the Philippines - Center for Career
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money partying with a vaudeville troupe, and then, after having been
readmitted, for his “irresponsibility and lack of interest.”
It was to be many years before he received a Sc.D. from Bates
College in Lewiston, Maine.
Fuller taught at Black Mountain College in North Carolina during the summers
of 1948 and 1949, serving as its Summer Institute director in 1949, and with
the support of a group of professors and students, he began reinventing a
project that would make him famous: the geodesic dome.
Although the geodesic dome had been created some 30 years earlier by
Dr.Walther Baversfeld, Fuller was awarded United States patents. He is
credited for popularizing this type of structure.
One of his early models was first constructed in 1945 at Bennington
College in Vermont, where he frequently lectured.
During 1949, he erected his first geodesic dome building that could sustain
its own weight with no practical limits. It was 4.3 meters (14 ft) in diameter
and constructed of aluminum aircraft tubing and a vinyl-plastic skin, in the
form of an icosahedron.
Fuller taught at Washington University in St. Louis and at Southern Illinois
University Carbondale. Beginning as an assistant professor, he gained full
professorship during 1968, in the School of Art and Design.
In the 1930s, Fuller designed and built prototypes of what he hoped would be
a safer, aerodynamic car, which he called the Dymaxion - said to be
a syllabic abbreviation of dynamic maximum tension, or possibly of dynamic
‘maximum ion.
The Montreal losphere, 1967. Geodesle Domes, Eden Project Space
Frames Sketches
oeUnited Architects of the Philippines ~ Center for Career Development
United Architects of the Philippines - Center for Career
(US Pavilion, Nontreal Expo 67 Proposed Triton
JOHN C. PORTMAN, JR.
Bom December 4, 1924
* Born on December 4, 1924 in Walhalla, South Carolina
+ He is an American’ architect and real estate developer widely known for
popularizing hotels and office buildings with multi-storied interior atriums.
+ ‘Agraduate of the Georgia institute of Technology in 1950.
+ Portman is a Fellow of the American Institute of Architects
+ Important Works
Hyatt Regency O'Hare, Rosemont, 1969
BlueCross BlueShield Building, Chattanooga, 1971
Embarcadero Center, San FranciscoUnited Architects of the Philippines ~ Center for Career Development
United Architects of the Philippines - Center for Career
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‘One Embarcadero Center (formerly the Security Pacific
1973
Tower), 1971
Two Embarcadero Center, 1974
Three Embarcadero Center (formerly the Levi Strauss Building), 1977
Four Embarcadero Center, 1982
Hyatt Regency San Francisco (also known as Five Embarcadero Center),
Embarcadero West, 1989
Le Méridien San Francisco (formerly the Park Hyatt San Francisco), 1988
‘The Mall at Peachtree Center, Atlanta, 1973
The Tower (formerly the Block 82 Tower, Bank One Tower, Team Bank,
Texas American Bank, and Fort Worth National Bank Building), Fort
Worth, 1960-1974
Westin Peachtree Plaza Hotel, Atlanta, 1976
Westin Bonaventure Hotel, Los Angeles, 1974-1976
Renaissance Center, Detroit
Detroit Marriott at the Renaissance Center, 1973-1977
Renaissance Center Tower 100, 1973-1977
Renaissance Center Tower 200, 1973-1977
Renaissance Center Tower 300, 1973-1977
Renaissance Center Tower 400, 1973-1977
Renaissance Center Tower 500, 1979-1981
Renaissance Center Tower 600, 1979-1981
The Regent Singapore (formerly the Pavilion InterContinental Hote),
Singapore, 1982
Peachtree Center Athletic Club, Atlanta, 1985
Atlanta Marriott Marquis, 1985
Marina Square, Singapore
Marina Square Shopping Centre, 1985
Mandarin Oriental Singapore, 1985
Marina Mandarin Singapore, 1985
Pan Pacific Singapore Hotel, 1986
Cottage 428, Sea Island, 1985
New York Marriott Marquis, New York City, 1982-1985
Northpark Town Center, Sandy Springs
Northpark 400, 1986
Northpark 500, 1989
Northpark 600, 1998,
JW Marriott San Francisco Union Square (formerly the Pan Pacific San
Francisco and Portman Hotel), 1987
‘American Cancer Society Center (formerly the Inforum Technology Center),
Atlanta, 1989
Riverwood 100 (formerly the Bamett Bank Building), Vinings, 1989
‘Shanghai Centre, Shanghai, China, 1990
Shanghai Centre West Apartment (also known as the Exhibition Centre
North Apartment 1)
‘Shanghai Centre Apartments 2 (also known as the Shanghai East Apartment)
The Portman Ritz-Carlton, Shanghai (formerly the Shanghai
Centre Main Tower and Shangri-La Hotel)
‘SunTrust Plaza (formerly One Peachtree Center), Atlanta, 1992
Cap Square (short for Capital Square), Kuala Lumpur, Malaysia
Menara Multi Purpose (also known as the Capital Square Tower 1), 1994United Architects of the Philippines ~ Center for Career Development
United Architects of the Philippines - Center for Career
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Capital Square Condominiums, 2007
Bank of Communications, Shanghai, China, 2000
Shi Liu Pu Building (also known’ as the Bank of Telecommunications),
Shanghai, China, 2000
Bund Center, Shanghai, China, 2002
Bund Center (also known as the Shanghai Golden Beach Tower)
‘The Westin Bund Center, Shanghai
Westin Residences
Westin Warsaw Hotel, Warsaw, Poland, 2001-2003
The Westin Charlotte, Charlotte, 2003
Tomorrow Square (contains the JW Marriott Hotel Shanghai at Tomorrow
Square), Shanghai, China, 1997-2003,
Taj Wellington Mews Luxury Residences, Mumbai, India, 2004
‘Schaumburg Hotel & Convention Center, Schaumburg, 2006
ICON, San Diego, 2004-2007
Beijing Yintai Centre (also known as the Silvertie Cente, Beijing, China,
2002-2007
Beijing Yintai Centre Tower 4
Beijing Yintai Centre Tower 2
Beijing Yintai Centre Tower 3
Hilton San Diego Bayfront (also known as the Hilton San Diego Convention
Center Hotel and Campbell Shipyard Hilton), San Diego, 2006-2008
R. Howard Dobbs University Center, Emory University, 1986
George W. Woodruff Physical Education Center, Emory University, 1983
Awards /Honors:
1.) 1978 Medal for Innovations in Hotel Design - National American Institute of
Architects
2.) 1980 Silver Medal Award for Innovative Design - Atlanta Chapter, American
Institute of Architects,
3.) 1984 Urban Land Institute Award for Excellence - for Embarcadero Center
4.) On May 16, 2011, the Atianta City Council voted to rename Harris Street in
Downtown Atlanta as John Portman Boulevard.
gS
gSUnited Architects of the Philippines ~ Center for Career Development
United Architects of the Philippines - Center for Career
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Rennaisance Center
‘San Francisco, California,
USA
Detroit, lincis, USA
ay Park at, Hyderabad,
Ingia
Charles Alexander Jencks
(Bom 21 June 1939)
He first received his BA in English Literature at Harvard University in 1961,
later gaining an MA in architecture from the Graduate School of
1965.
Design in
He took his studies even further and received his PhD in Architectural
History from University College, London in 1970.United Architects of the Philippines ~ Center for Career Development
United Architects of the Philippines - Center for Career
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Jencks who was bom in Baltimore, Maryland, USA is an American
architectural theorist, landscape architect and designer.
He pioneered in the new concept of landscape garden design known as
Cosmic Garden - a garden based on natural and scientific
processes whose goal is to celebrate nature, but incorporating
elements from the modem sciences into the design into contemporary setting.
This is realized with the project, Garden ofCosmic Speculation built in
1988 dedicated to his late wife, Maggie Keswick.
Jencks is synonymous with his writings of Postmodernism in architecture as
he published his thought on Post-modemism in the Language of Post-
Modern Architecture.
He said that, “Post modern architecture focuses on forms derived from
the mind, body, and nature.”
His latest book the /eanic Building examines the trend setting and celebrity
culture. Jencks discusses why buildings are being designed this way.
Critical Modernism - Where is Post Modernism going? is the latest book
by Charles Jencks where argues that Post modernism is another critical
reaction to Modernism that comes from within Modernism itself.
He has appeared on television programmes in the USA and UK and written
two feature films for the BBC (on Le Corbusier and on Frank Lloyd Wright
and Michael Graves)
Notable Works
1.) Symbolic Fumiture, exhibition Aram Designs London 1985.
2.) Garagia Rotunda, Truro, MA 1976-77.
3.) The Elemental House (with Buzz Yudell), Los Angeles.
4.) The Thematic House (with Terry Farrell), London, 1979-84.
5.) Landform in Edinburgh for The Scottish Gallery of Modem Art.
6.) Matt Ridley, Center for Life, Newcastle, May 2000.
7.) Designs for Black Hole Landscape, IUCAA, Pune, India, 2002.
68United Architects of the Philippines ~ Center for Career Development
United Architects of the Philippines - Center for Career
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Dividing Cats,
care Center,
2005,
Rall Garden and bridges of Scottish Worthves, Portrack, 2003-2006United Architects of the Philippines - Center for Career Development
United Architects of the Philippines - Center for Career
Development
. Ss
‘Moundette, Garden and Laneform Ueda, Gallery of Maggie Cancer Care Center,
Scotland
Sculpture, Maggie Contre, ‘Modern Art, Edinburgh, Exterior views
Glasgow, Scotland 2002-2003 ‘Scotland, 1998-2002
‘Maggi Cancer Care Center, Scotland Interior views
Prepared By :
Archt. Ted Villamor G. Inocencio, FUAP