Bass Tuba in C

Extreme Make-Over
Metamorphoses on a Theme by Tchaikovsky
Johan de Meij

Andante cantabile ( = 60-63)

  
       

  
      
17 34

51 Poco piu mosso ( = 72) 58 Vivace ( = 156)

   
  
 
45

    
 
72 91 106 117


Poco meno mosso ( = 138)
   
 
132
130

     


     
        
142

       
Pesante ( = 72)

    3 
molto. . . . Rit. . . . . 154

   
       
151
3

         



    
157

          
 
©
162 Alla maecia ( = 104)

2 Extreme Make-Over

      
Str. Bass

 
 
    




174

                
One player

  poco cresc.    

  
   
190

       
180

   

      
         
194

         



202

         

198

           


                  
  
          
207

         
cresc.

  
       
213

      
      

                      
      
215

            cresc.

      

218

                         
  
217


 Extreme Make-Over 3

  
                               
220



 
       
         
224

   

         
   
              
       
229 3 3 3 3 3 3


Piu mosso( = 156)

    One player 
234

     
               

 
            
241

      a2            

   
                                   
249

 
3 3 3 3 3 3

cresc.
      

254 Agitato

             
      
     
    

                                    
260

  
3 3 3 3 3

       
          

                                         
265 3
3 3 3 3

 
             
 4 Extreme Make-Over

  
                          

270

           
  


278

     
     
276

                   
  

               
280

        

sim

             
Allargando poco a poco

          
290

                   
3 3

 

 
                   
                          
293 3
3 3 3

Pomposo ( = 96)


300

          
            
         
     
3

    

          
    
                  
307

     
    

             
     
313

                  
         
Allegro non troppo ( = 108/112)
  

323 345
333
 375 Tempo 1 ( = 108/112)
  
Extreme Make-Over 5


361 369 Poco meno mosso

       
      
387

           
             


         

  

   

 

    

  

 
     
391

                                
395

               

                                     
                                   
399

403 L’istesso tempo ( = 112) 

          

      
                    

   
                                
408 3

                    
              
412 3 3

  

  
poco cresc.

 
419

  
                          
416 Str. Bass


5

  

6 Extreme Make-Over

               

422

                
3 3 3 3 3 3 3



     
431

             
429

     
3 3 3 3 3 3


439

       
     
435 + Tuba

   
3 3 3 3 3




       
441

   
3 3 3 3

     

    

   
446

    
3 3
3 3

  
           
450

  
3 3 3


457

            
     
455
3 3 3 3 3 3


              
461
3 3 3

 3     


471

    
     
467


3
3 3 3
 Extreme Make-Over 7

 
                     
3

     
487
3 3 3 3 3 3 3 3

  3      3    
496

   
                            
492
3 3 3 3

 
 
           
         
498

 

           
                 
510



             
520


         
518

 
   
                                     
                           
526 3 3 3 3 3 3

 
                  
532 Striagendo.....

           
                        
 
                                  
542 Sempre affrettando...

                    
537 3

   
             
sim

     
             

544

 
 
3 3 3

   
 552 Maestoso ( =104)
8 Extreme Make-Over

  
Ralt...molto...

                             

549

    
3 3 3

 

      
     
553

  
           
 
Allarg...


         
557

 
3

    
( =84) cresc.

 
561 Allarg...

        
  

        
565

     
  
