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Piano

Extreme Make-Over
Metamorphoses on a Theme by Tchaikovsky
Johan de Meij

Andante cantabile ( = 60-63)


  
       

  
      
    

  
     
17 34

    
  
      

51 Poco piu mosso ( = 72) 58 Vivace ( = 156)


   
  
 
45

  
    

 
     3   3 

72

     
91


  
 
  
     
3

        
3

 

©
   
2 Extreme Make-Over

       
                
106

                 
102

  
      
                
    

   
  
        
     
107


    
                     
  

          


  
                
117

 
     
114

 
                 
  

      
   
      
       
120


              
        
    


              
   
       
 
125

                 
    
    
   
        
  
        
Extreme Make-Over 3

  
   
129 To Synthesizer


                  
 
132 Poco meno mosso ( = 138) 'Panflutes/Panpipes' program  
Use 'Bottles' or

         
         
 (sempre)
       
(only to substitude
tuned bpttle parts)

 
           
    

Back to Piano

       
139


             

Pesante ( = 72)

              
154

      
148

 
   
cresc. 3

     
3

      

3 3

  

  
156



                 
solo with timpani

                      
Alla maecia ( = 104)

4 Extreme Make-Over

     
162 174

              


           
   
   

              
    
176

               
    
 
     
190

       
181

 
 
      
 

              


        
194

     

     
             
202

         
199


    
      

           
Extreme Make-Over 5

          
            
208

 

          
cresc.

 
          
       

           
                          
214


   

                               
      
216

  
cresc.

           
     

                                 
218

  

                                
 
  

       
                                    
222

                             

     
6 Extreme Make-Over

             
227




        
    
        
   
Piu mosso ( = 156)
                
234

                
3
232 3 3 3 3
3 3

3

     


    
                  
236


      

                    
246

   

       

                       
254 Agitato
253


                        
   
Extreme Make-Over 7

                        
   
259

   
                        
   

          
    
263

          
    

     
           
              
268

     
                         

               
272

         
  
   

         
                   
278


277


   
                    
8 Extreme Make-Over

   
                      

279

                  
         

           
            
281

            
           

                         
        
283

3 3
3

                     
         
3 3 3

  

                            
     
286

3 3 3

     
                           
3
3
3

          
            
 
289

                         
 


Allargando poco a poco
Extreme Make-Over 9

                         
            
291 3


         
3

 
3

 
3

   
3 3 3

300Pomposo ( = 96)
                    
  

      
     

 3 
294


3 3 3

    

           
                   
 
302

3 3

       

   
           
          
                    
309

   
     


      
To Synthesizer Tuned bottle

             
314

   
    
 
Allegro non troppo ( = 108/112)
10 Extreme Make-Over

    
323

 
322

                 
           
  

    
327

           
                  
       

     




       
333

    
   
331

  
           
              
          
            

 
     
        
          
      
335

                           
            
  
 
       
   
   
 
     
 
 
     
338

  

                           


    

       
   
 
Extreme Make-Over 11

                             
  
341

 
 
                              
             

            


                      
345

                           
           
    
   
 
 
  

 
  
    
    

                     
   
348

   
    
                       
            
   
   
                    
                  
   
351

   
                           
        
   
          
               
           
355

          


                

        

     
12


Extreme Make-Over

 
361 369 Poco meno mosso

     
3


360


 3  
                    
   
3

   
 3    
          
Accel... al Tempo 1

 
371

3   
     

                       
        
 
Tempo 1 ( = 108/112)
         
   
                     
375



                
       
    

        

              
            
378

                


       
    

        
           
   
                      
381

                


       
    

        
              
Extreme Make-Over 13

            
384

       


         
       

 

 
 
      

              
                     
387



              
                           

           
       
sim

                  
390

              
                           

         



     
395

            
393

              
                           

           
   
                      
396

              
                           
              
14 Extreme Make-Over

            
399

              
                           
 403 L’istesso tempo ( = 112)
    
 
                 
            
402

 
    
               
                   

                       
           
406

      

     
                            
3
410 3 3


    

                               

      

414


3

    
5
Extreme Make-Over 15

            
419

               
418

    
3 3 3 3 3 3

3
 
    
3 3
3

                                       
    
422 3 3 3

 
3 3 3 3

     
     
3

                         
3

         
3 3 3 3
427

       

   
3

      
3
3

                              
431

 
3

3 3


3 3 3 3 3
3

                    
   
3 3 3 3 3

    
        
                       
                 
439
436

     
3

    
3 3 3 3 3 3 3 3

          
     
3 3

  3 3
16 Extreme Make-Over

                                            

441

3 3

     
3 3 3 3 3 3
3

                     
3 3 3 3

      
                             

446 3

          
3 3 3 3
3


                   
3 3 3 3

                                  
3

  
451


3 3

      
             
 
3

 
3


 
3

                      
457
455



 
                      
                 
3 3 3
3

 
                              
462

   
  
Extreme Make-Over 17

                    
         
3

 
3 3

   
466

    

                         
  
471

 
     
470

      

    
                                        
3
475 3

    

                3       
        
   
479

 
3

    


                                                       
483

    
5 3 3
3
18 Extreme Make-Over

         
                
  
3
487 3

 3 3 3

 
3 3 3 3

          
                   
3 3 3 3 3 3 3 3 3

   
                      
    
492


3

3 3


3 3
3

                            
3 3 3 3 3 3

     
               

  
                
496

       
                 
           

                          


501

3 3

            
               
                            
         
3 3

  
504

               
3

 
3

   
     
  
  
3

3
                                  
Extreme Make-Over 19


508

                                  
5


   
        
5

                    

511

   
3 3 3 3 3 3

        
               
3 3

3 3 3

                                           
3


514

                                             
3

        
       
                          
520

 
518

3 3 3 3


3

    
    
       
3

    
3 3

 
               3
                       
   
522 3


3 3 3 3 3 3

        
     

3

 
3

  
     3      3              
20 Extreme Make-Over

  
     
           
 
527

3 3
3 3

                            
                     
3 3

     
    
           
            
532 Striagendo.....

 
531

 
       
                           
        
             
                      
         
            

535

         
         
        


         

           
       
   
   
     
                  

542 Sempre affrettando...

 

      
       
         
      

       
                    
   
                    
546

      
3 3 3 3 3 3

            
 
         
3

 
3 3

  

3 3
3
        
Maestoso ( =104)
Extreme Make-Over 21

     
       
552

  
550

          
                 

                
        
553


  

      
        
     
    
555

   

                    3  
   
557 3 3
3


  
cresc.

     

   3    3    
          
  
Allarg...
559

3 3

        
         
3


33
                        
( =84)
22 Extreme Make-Over

          
561


      

    
        
Allarg...
564

  
             
3

            

   
566

  
           
      
3

  
      

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