Student Name: William Kufahl Mentor Name: Lyle Wickham
Description of Project: The acquisition and painting of fantasy miniatures, typically in 28mm or 32mm scale. All students must keep a detailed time log to be completed as the student goes through the exit project process. As well as describing what he/she did, the student should include statements regarding successes and failures, frustrations, and victories. In other words, the log should record not just time and work done, but emotions and reactions as well. Please record time in decimals and round to the nearest quarter hour. Note about time: for this time log, I am choosing to neglect any time spent waiting on something. Due to the nature of the project, I will have to wait for various reasons – prints to finish, paint to dry, etc. As such, I feel the need to separate the waiting from the rest of the project. Therefore, any time recorded on this log corresponds to time I spent in activity, not while waiting (or in rest). PROJECT EXECUTION TIME LOG Use this form to record all time spent on project execution. Please put your personal thoughts/descriptions in italics.
Date Number of Detailed Description of Project Execution
(mm/dd/yy) Hours (should include personal thoughts, experiences, emotions, etc.) My first experience with the SLA 3D printer, the Elegoo Mars 2. In this time, I set up the printer, performing multiple tasks like leveling, establishing initial settings, and getting ready for the first print. Personally, I found this incredibly taxing. The process of initial leveling was extremely finicky, to put it scientifically. It was advertised as being simple – 3/14/22 3.25 and it was – but the level of fine precision and a close eye that was required felt almost absurd. Thankfully, however, this should be the only time I have to do this. In terms of getting ready for the first print, which involved downloading and learning the ChiTuBox 1.9 software, it proved quite satisfying. It was very mathematical in nature, and required a certain skill that, while quickly learned, proved a sense of accomplishment. The day after setting the first print, the immediate goal, right in the morning, was to check the results. Unfortunately, it was a catastrophic failure – the print not only failed, but didn’t attach to the build plate at all. What followed was a tedious procedure involving the draining of resin that, when touched, reacted quite intensely with my skin. Thankfully, I had some disposable gloves around (from Mom), which remedied the issue. Waking up to 3/15/22 .5 a failed print was… less than enjoyable. I had personally spent over 400 dollars for my 3D printer, and so having immediate failure, while somewhat expected, proved disheartening. Immediately after this, I would spend my own time at school and home to do personal research regarding the issue, in an effort to solve it later. But not tonight, as I have some personal matters. More time has passed than I anticipated, due to life catching up with me temporarily (editing William here: this was barely anything compared to the rest of the year). I did some personal research on trying to remedy my previous issue, and discovered a few techniques. First, I can utilize a spray-on dry lubricant, covering the FEP sheet with a nonstick layer (however thin). Secondly, it is recommended to take 90 grit sandpaper and sand the build plate, then take 120 grit and sand some more. Following a few YouTube 3/20/22 2 videos and articles, I sanded the build plate, as well as changed some settings on ChiTuBox, getting ready for the next print. At this time, I also took a bit of a break from the computer in order to outline a few creative ideas regarding the hopefully successful print. Today proved very informative. During my research escapade, I came upon numerous other articles and sites regarding SLA printers, which should hopefully prove helpful in the future. It also opened my eyes to the potential of SLA printing, which was both exciting and incredibly motivating. PROJECT EXECUTION TIME LOG Use this form to record all time spent on project execution. Please put your personal thoughts/descriptions in italics.
Date Number of Detailed Description of Project Execution
(mm/dd/yy) Hours (should include personal thoughts, experiences, emotions, etc.) After waking up, I went downstairs to check the print… and it was a success! Kind of. A print had succeeded, but had a few issues: 1) it was larger than anticipated, 2) the details weren’t super crisp on the print (but still noticeable), and 3) removing the supports would prove a monumental task. The tips of the supports were incredibly large, and the number of supports was excessive; additionally, I had never done clean up work before, which 3/21/22 1 proved to be an entirely different beast when it came to resin. This process proved incredibly frustrating. Part of the idea of purchasing a 3D printer was to be able to get high-detail items far cheaper than I could purchase using normal methods. But this goal would prove useless if my clean-up skills didn’t improve. Eventually, I gave up on removing supports, vowing instead to do some more personal research at how to best remove supports and get crisper details from models. Today, the entirety of my free time was dedicated to 3D printing: learning the in-and-outs, getting more prints started, cleaning up some prints, and more. In the morning, I prepared a print, which would include two miniatures of smaller stature than the first. This took about an hour, since I placed all the supports myself, experimented with resin settings, and actually started the print itself. After about six hours, bringing me into the evening, the print was finished… and came out phenomenally. In the print, I had successfully created two models, each depicting various forms and physicalities of a demon-skeleton thing. On the first, I tried a new method of removing supports – temporarily dipping the print into lukewarm water, which made the resin have an almost rubber-like flexibility and then promptly ripping off the supports, similar to ripping off a band-aid. At least, according to the articles I had read. Fortunately, it worked phenomenally. There were still a few rough bits here and there, but nothing that fine sanding couldn’t fix. Therefore, I did the same with the second model. This is where I reached new territory. I had never 3/23/22 5 actually had to yet clean or cure a model and didn’t have any special machines to do it for me. So I had to take a small tupperware filled with 95% isopropyl alcohol and clean the miniatures in it using a soft-bristled toothbrush. It was remarkably similar to giving my dogs a bath, just on a much smaller scale. Afterwards, I assembled the models, attaching base to mini, then put them upon a windowsill, in order for them to cure. After waiting about 3 minutes, as recommended, I grabbed them again, and then promptly tripped. The two miniatures fell upon the carpet, which I hoped would be enough to save them. It wasn’t. Like two structures of glass, they shattered into innumerable little pieces, so small you couldn’t see them within the carpet – but you could step on them. This day was a mixture of joy, glee, and disappointment. I learned a lot, and discovered a number of very useful techniques. When the models were, well, together, they looked phenomenal! I could see incredibly minute details, like those of a chain or blade-etching. But, of course, the small trip proved catastrophic, and showed to me the incredible fragility of resin. This medium is going to prove more frustrating than I anticipated. Today, I focused on recreating the previously successful print (as described above), hopefully without the destruction of my miniatures. I got the files ready, plugged it into 4/02/22 .5 the printer, and pressed go. Hopefully, this print goes just like the last. That way, I have just one more instance of consistency, which is what I need to be able to make minis. I’m hopeful, but nervous for the morning. This morning, I spent my time looking at the new print. Thankfully, it came out exactly like the last one! I did the exact same procedure, using the water bath method to peel off supports, the alcohol bath method to clean it, and the windowsill method to cure it; unlike 4/03/22 1 previously, however, I didn’t trip. The models looked great. Having established a procedure, the difficulty of the process was greatly diminished, although I was nowhere near proficient at it. Of course, not having my models break also proved motivating – and pleasing. PROJECT EXECUTION TIME LOG Use this form to record all time spent on project execution. Please put your personal thoughts/descriptions in italics.
Date Number of Detailed Description of Project Execution
(mm/dd/yy) Hours (should include personal thoughts, experiences, emotions, etc.) For today, I wanted to tackle the process of printing a larger miniature. To begin with, I prepared two files – one for the base of the miniature, which was, itself, larger than anything else I printed, and the second for a few pieces of the miniature: arms, head, shield, etc. The latter half of the day was spent waiting for the prints to finish and for clean-up. It is that second part that proved interesting. I encountered a new problem with printing, which I have nicknamed “pooling”. In essence, whenever printing a large miniature, it is expected that you hollow the miniature out. If you don’t, you will, most importantly, use an excess amount of resin, and risk the possibility of the miniature itself 4/11/22 3 becoming too heavy and falling off the build plate. What I didn’t realize, however, was that by hollowing the miniature, I needed to then put more holes in it, so that extra resin that got stuck inside the hollowed print could escape. But… I didn’t put enough holes in it. As such, it took almost two hours for the print to drain itself, and that was before any other cleanup. But, after cleanup, it looks good! Overall, today was pretty good. I learnt a few things, like how to avoid pooling, but the problem was easy to solve – it just required extra time spent waiting. Thankfully, this model was one of the better ones to make this mistake on. Other models would have proved much more troublesome. So today was good! I’m excited for the future. Today was interesting. It has been too long, in my opinion, since I messed with the printer. Today, I tried to print some more, as well as prepare the painting of a few models. This involved the priming of models, the purchasing of paints, and more. I prepared a few more parts for the larger model I’m working on printing, as well as started the overall print. Afterwards, I worked on priming models, experimenting with my wet palette, and more. Once finished, I just waited for the print to finish. Once finished, I went to do the process that is increasingly more normal for me. The print, however, had completely 4/29/22 2.25 failed. Instead of a detailed arm, spear, and pair of legs, I was met with the silhouette of the lower layers, a thinly cured layer of seemingly amorphous resin. It was completely different than anything else I have seen happen before. This felt like a massive setback for me. Of course, I got some actual painting stuff done, but after the print failure, even that felt inconsequential. Every failure feels like a stab in the heart, as if proving my personal foolishness and failure. Like it was money wasted upon something useless, instead of saving for college or other much more responsible acts. Today, I spent some time finding bits of inspiration in the form of YouTube videos, graffiti, drawings, book covers, and even landscapes. I eventually settled on some graffiti and a landscape full of lilacs as inspiration, which seems like an odd mix. The rest of the day was spent working to troubleshoot the printer, get a test print up and running, and crossing my fingers for the best. Overall, today was pretty productive. Finding artistic inspiration was a nice relief, a break from the constant experiment of completely new 5/1/22 1.5 things that this Exit Project has thrown at me. Troubleshooting was far less relieving, and even proved frustrating. The math, science, and technology that goes into SLA printers was almost overwhelming, and the sheer number of factors that could lead to the same print results felt like a massive ocean that, somehow, always leads to the exact same river, irregardless of weather or tide. Even things like temperature, noise, and ambient light could impact the quality of the print – including the silhouette failure I had experienced. It was demotivating, for sure. PROJECT EXECUTION TIME LOG Use this form to record all time spent on project execution. Please put your personal thoughts/descriptions in italics.
Date Number of Detailed Description of Project Execution
(mm/dd/yy) Hours (should include personal thoughts, experiences, emotions, etc.) It has been a substantial amount of time since I properly worked on this Exit Project. Admittedly, I worked on troubleshooting the printer for the entirety of the summer, ultimately leading to nothing. A number of personal circumstances also arrived, which deflected my attention elsewhere. Today, I once again worked on troubleshooting the printer, like I have been periodically. This usually includes the preparation of a print for it, like always, to just fail. But, today, something new came up. During my inspection, I noticed a few oddities. Firstly, the printer’s screen looks damaged. Not cracked or crushed, but merely slightly fractured. On initial inspection, however, it doesn’t look consequential. The second thing, however, came when I opened up the printer to take a look at the motherboard. While looking at the motherboard, a tiny little… bit, of some kind, rolled out from underneath the printer. To me, with my experience in computer 8/9/22 3.25 construction and science, it almost looked like a GPU, or some kind of graphics card. That’s when it dawned on me… the wiring itself was messed up. This resulted in me diving into the deep end, honestly. All the difficulties and negative circumstances from the summer had caught up to me, and this was the straw that broke the camel’s back. So, after a mental breakdown, I did some more research, specifically about the mechanical wiring of a SLA printer. Eventually, after far too much brain exploding, I figured out how to fix the issue, but it likely involved a call with the manufacturer, ordering a new mono-LCD screen and a new GPU (put simply). Shipping, however, was extremely long. A month, at the least, since the parts were exported primarily from Japan and China and the company was out-of-stock. So I made an executive decision to, in essence, give up on the dream of printing all my miniatures. I could figure that out on my own time. For now, I needed to paint the minis I have now, acquire new minis, and work on painting those. Like before, far too much time had passed since my last proper time working on the project. I had done vaguely similar things, but nothing explicitly related to the plan I proposed in my initial proposal, so I didn’t feel the need to record it. Today, I went to Goblin Games, a local gaming store, and bought a bunch of paints, all matching colors I initially envisioned originally when I outlined my inspiration for the miniatures. Additionally, I bought a pack of Deathrattle Skeletons from Games Workshop (as part of their wargame, Warhammer: Age of Sigmar). Once I returned home, I started work on building the models. Unlike the minis I had 3D printed, these miniatures were assembled into tiny, miniscule parts that required individual glue and assembly. They were incredibly 11/21/22 3 small and thin, which meant that gluing, while seemingly simple, required more precision and coordination than I thought I possessed. But, after a few hours, I managed to successfully assemble, clean, and prime a number of skeletons, as well as sand and scratch off moldlines. Today was interesting. Personally, it was incredibly difficult. On my last proper day of work, I decided to stop the process of 3D printing in order to just acquire models and start painting more consistently. But today made it real. While that seems excessively dramatic, it was incredibly disheartening. For the time being – at the least – it feels as if I had thrown over $400 dollars in savings down the drain. I felt like a fool… and had far too much glue, plastic, and various other shavings on my hands. PROJECT EXECUTION TIME LOG Use this form to record all time spent on project execution. Please put your personal thoughts/descriptions in italics.
Date Number of Detailed Description of Project Execution
(mm/dd/yy) Hours (should include personal thoughts, experiences, emotions, etc.) Today, I focused on painting a single miniature. Most of the time, people often paint miniatures in various “batches”, since this hobby originated from a love of wargames, which usually require upwards of 10 - 30 miniatures, if not more. As such, spending a substantial amount of time on every single mini isn’t just time consuming, but inefficient. For my purposes, however, where I want to refine my hand, taking time on an individual miniature, no matter how small, would prove more beneficial. Therefore, I spent today learning how to set up my wet palette, performing some basic experiments with my acrylic paints, such as mixing, blends, and more. After experimentation, I began my work on the mini itself. For now, the goal was just to lay down a basic foundation. I used a 12/01/22 2 single layer of paint, not worrying about highlights, gradients, or other more advanced techniques. I just wanted paint on mini, establishing a basic idea. While seemingly simple, for the inexperienced, this proved more difficult than anticipated. My hand was shaky, my lines and details rough, and I had to clean up and fix mistakes more often than not. But, eventually, it was looking good. So I called it a day. Today was very disheartening. When I decided upon this Exit Project, I assumed the greatest difficulty would be in learning and using advanced techniques, like layering, glazing, and highlighting. I did not think that the basic action of cleanly laying paint upon the miniature would prove difficult, and it made me nervous for the future of the project. Today, I focused on expanding upon the previous painted miniatures. At this point in time, after talking to Mr. V and my mentor, I decided that I would use multiple miniatures to represent the passing of time. So the first miniature would represent the first large time in painting, the second the second, the third the third, and so forth. For today, the focus was on applying a basic foundation, known as a basecoat, and then carefully applying a wash in select areas. Like previously, the basecoat proved remarkably difficult, though easier than the first. My hand had become ever so slightly steadier and, more importantly, I learned what I call “grounding”, in which I try to have as many points of contact between myself and other physical objects, especially the miniature, as possible. I then applied a wash… and completely over did it. The wash looked terrible, and was a complete failure. So I stripped the paint off the miniature, and started over. This time, I used grounding as 12/10/22 3.25 much as possible, as well as applied the wash more liberally, so that the color wouldn’t tint the miniature to the same extent as previously. The second attempt proved much more successful, though I still wasn’t perfectly content with how it looked. Today was, overall, pretty good. Although I definitely made mistakes, and completely overdid the wash the first time, I learned a lot today. The discovery of grounding was particularly influential, and, hopefully, would prove to be a useful technique in the future. I also discovered a unique feeling today, in which the painting process felt very graceful. It was almost like a conversation. I make a mistake, fix it up, decide against it, reverse it again, and so forth. It was like sparring someone – I make one move, they make one move, and we keep launching blows back and forth until we’ve entered an almost dance-like trance. Hitting that flow was extremely satisfying. PROJECT EXECUTION TIME LOG Use this form to record all time spent on project execution. Please put your personal thoughts/descriptions in italics.
Date Number of Detailed Description of Project Execution
(mm/dd/yy) Hours (should include personal thoughts, experiences, emotions, etc.) Today, I started work on a new miniature. The plan was simple: apply a basecoat, a wash, then reapply the colors of the basecoat in select areas, which would begin the process of highlights, shadows, and layering. This time, the basecoat was even easier, and the new technique of grounding made the process far simpler. I could set myself up and then cover an entire area in one go, creating a much more even spread of color. I also discovered a new personal method to basecoat, in which I focus on the application of color versus coloring details. Before, I would start from the bottom up, meaning that I started with the base color of the greaves, then the skeleton legs, then the waist, and so forth. Today, I just chose a color – silver, for example, and painted all the details that would have silver on them. I repeated that with every color, which allowed for a more nuanced application of 12/29/22 2.75 color as well as being more efficient, since I didn’t need to clean the brush as often. After the basecoat, I applied two washes. Any single detail would only be given a single wash, but each detail had the option of one of two washes – a rust wash and a black wash. Once I finished the washes, I reapplied the basecoat in select sections, primarily those that face the sun. This made the target areas appear brighter, slightly replicating the effects of highlights and shadows. At first, the idea of shading and highlighting a 3D object felt… odd. I figured that the mini would, well, do it for me. But, after looking at some professional painters and doing some research, I learned that it is my job, as the artist, to accentuate the contours and shapes of the model by highlighting and shading it just like I would a drawing. Just, on a 3D shape. Today, as in the previous days of painting, I worked on a new miniature. This time, however, I applied a basecoat, a wash, another layer of paint, and then tried to do some more layering, in an effort to better highlight and shade the miniature. At this point, I have become much more proficient in better applying paint upon the mini. My hand was steadier, my confidence had grown, and my coats were more consistent. The new part, however, was the layering. Layering is the process of gradually applying increasingly 1/12/23 3.75 smaller layers of paint, typically from dark to light, in order to create a gradient that acts as shading on the model. Previously, I thought basecoating was hard. This proved even harder. Due to the nature of layering, I needed to have both an increasingly steady hand and a greater level of coordination in order to prevent making a mistake and, potentially, resetting all the progress I made on a part. It proved difficult, but rewarding. Eventually, I became somewhat happy with the model, though it still didn’t look anywhere close to the models I see online – but, compared to my past work, it was better. Today, as in previous days, I began work on a new miniature. I spent the vast majority of my free time, after finishing some homework, on miniature painting. Mostly accidentally, to be honest. I plugged into a podcast and got through two episodes before even realizing I had finished the first. The painting plan was as follows: basecoat, wash, reapply paint, wash again, then work on layering, glazing, and building up highlights. There were also a few goals for the paint job: prevent the mini from looking too satin, as washes seem to be causing, and achieving a crisp, clean look. The new technique I’m introducing is glazing, which is the process of applying semi-translucent paint, often thinned via water, in gradual layers in order to create an extremely smooth blend. Unfortunately, as I learned, 1/30/23 5.5 this process takes a lot of time – and I mean A LOT. But I was able to achieve a look I haven’t before, so it was extremely fascinating. Due to the nature of the process, it was also incredibly easy to fall into a rhythm of applying paint, looking at the layer, dipping the brush back in, and repeating the cycle. Today reminded me of why I liked the idea of this Exit Project. In many ways, it proved cathartic. In the advent of my parents’ divorce and other numerous personal circumstances, having some time to just paint a miniature with the intent of improving upon myself creatively was, well, rewarding. It felt good; and while the miniature actually didn’t get finished, what I did accomplish was looking the best it ever has. PROJECT EXECUTION TIME LOG Use this form to record all time spent on project execution. Please put your personal thoughts/descriptions in italics.
Date Number of Detailed Description of Project Execution
(mm/dd/yy) Hours (should include personal thoughts, experiences, emotions, etc.) Today, I worked on finishing the mini I had begun previously. The goal was simple: to continue the process of glazing and layering, especially on areas I hadn’t yet touched once, in order to get closer to a finished product. Already, this was the best mini yet, and I was hoping I could make it even better. I also wanted to try a new technique, called stippling. I had done this in drawing before, so the idea wasn’t new to me, but doing it with a paintbrush and on a miniature was very new. I wanted to try this on the cloth of the 2/10/23 4.25 miniature, in order to provide a certain level of texture, detail, and highlights in the exact same stroke. This process, like above, proved incredibly time consuming, although very rewarding. Stippling, in particular, was interesting. Unlike a pencil or bit of charcoal, which is my normal 2D medium, the paint brush has substantial give. This means that achieving incredibly tiny dots proved difficult, especially compared to the fine points that can be achieved with a pencil. But the result was more than worth it. Project Execution 47.75 These hours are when you are working on your project independently. Hours Total Hours 47.75 Training + Project Execution = Total Hours