The document provides tips for photography and video composition and lighting. It discusses the rule of thirds for framing subjects, leaving headroom when framing faces, and not cutting subjects at joints. Other tips include providing looking and walking space, leveling frames, emphasizing the foreground subject against the background, being conscious of composition during video, and using different lighting sources and directions like front, back, side, top, and under lighting.
The document provides tips for photography and video composition and lighting. It discusses the rule of thirds for framing subjects, leaving headroom when framing faces, and not cutting subjects at joints. Other tips include providing looking and walking space, leveling frames, emphasizing the foreground subject against the background, being conscious of composition during video, and using different lighting sources and directions like front, back, side, top, and under lighting.
The document provides tips for photography and video composition and lighting. It discusses the rule of thirds for framing subjects, leaving headroom when framing faces, and not cutting subjects at joints. Other tips include providing looking and walking space, leveling frames, emphasizing the foreground subject against the background, being conscious of composition during video, and using different lighting sources and directions like front, back, side, top, and under lighting.
The Rule of Thirds A basic principle in picture composition is the rule of thirds. Imagine that a rectangular frame is divided by horizontal and vertical lines into thirds. The more important elements in the frame are placed on the four points where the horizontal and vertical lines intersect. Framing the Body and Headroom When framing a person or a face, we usually put a little space on top of the head. This is called headroom. Without headroom, it seems like the top part of the person’s head is cut off. Meanwhile, too much headroom makes the composition uninteresting, as if a head without a neck is left floating at the bottom of the frame. When framing a person’s body, make sure that the frame does not cut the person at the joints, or it might seem like he/she does not have arms or legs. Looking Space Put adequate space in the direction where your subject is looking. Walking Space Put more in the direction towards where your subject is moving. Levelving If you are shooting spaces with a lot of horizontal areas (such as landscapes) or objects with strong vertical lines (such as buildings and skyscrapers), make sure that the frame is leveled. Or else, the object will look like it is about to slide down or fall. Background-Foreground Relationship Composition involves emphasizing important details and leaving our unimportant ones. One effective way to achieve this is by taking note of the relationship between the foreground (objects nearest to the camera), middle ground, and background (objects and areas farthest from the camera). Your foreground and background should not be of the same color. Your background should not be too cluttered to avoid overwhelming your subject in the foreground. Reframing Be conscious of your composition even when your subject is moving. Video Controls The digital video camera has several features for manipulating images. Exposure and brightness Digital still and video cameras have an auto exposure function. Another exposure tool that most digital cameras have is the back light compensation control. This is particularly useful in instances when your subject is standing in front of a bright area, say a sunny window. Focus The auto focus function is sufficient for the most shooting conditions. White Balance Different kinds of light give off different colors. Lighting Light creates images. Without enough light, the most that will come out of your camera are muddy pools of black. Natural Light Source The sun is the best light source you can get. If you plan to shoot with natural light, it is best to shoot around 8 a.m. or 3 p.m. During noon, the sun is too high up, casting harsh shadows on faces. You can use a reflector to direct sunlight at your subject’s face to lessen this problem. Reflectors are usually smooth and silvered. Artificial Light Source The most accessible artificial light source is the regular household incandescent bulb. Example of video shooting lighting: Bulb Ring Light Led Light Lump Candle Directionality The direction of your light source determines how your subject would appear on screen. The front light has light hitting your target from the direction of the camera. Back light comes from behind and outlines the subject and sets it apart from the background. Full side light produces shadows that are clear across the frame. Top light shines light down directly from above the subject. Underlighting has a light source from below the subject and casts shadows upward.