John Coltrane was an acclaimed American saxophonist, bandleader and composer,

becoming an iconic figure of jazz in the 20th century with albums like ‘Giant Steps,’ ‘My
Favorite Things’ and 'A Love Supreme.'1
Some of his most recognized songs are:

• Giant Steps (1959): This song is considered one of Coltrane’s masterpieces and
showcases his virtuosic technique and harmonic innovation. The song features a
complex chord progression that changes key rapidly and challenges the
improviser to navigate through different tonal centers. The song is also notable
for its fast tempo and rhythmic intensity.23
• My Favorite Things (1960): This song is a cover of a popular tune from the
musical The Sound of Music, but Coltrane transforms it into a modal jazz
masterpiece. The song features Coltrane playing soprano saxophone for the first
time on record, creating a distinctive sound that contrasts with his usual tenor
saxophone. The song also features a hypnotic vamp based on two chords that
allows Coltrane and his bandmates to explore various melodic and rhythmic
possibilities.23
• A Love Supreme (1964): This song is actually a four-part suite that comprises an
entire album of the same name. It is widely regarded as Coltrane’s magnum opus
and one of the greatest jazz albums of all time. The song reflects Coltrane’s
spiritual awakening and his gratitude to God for his musical gift. The song
features Coltrane reciting a poem that he wrote as part of his liner notes, as well
as playing some of his most expressive and passionate saxophone solos.23
• Naima (1959): This song is a beautiful ballad that Coltrane wrote for his first
wife, Juanita Naima Grubbs. The song showcases Coltrane’s lyrical and tender
side, as well as his mastery of melody and harmony. The song has a simple
structure that consists of three sections with different chord changes, but
Coltrane creates a rich and complex musical texture with his saxophone lines.23
• Impressions (1961): This song is based on the chord changes of Miles Davis’ “So
What”, which Coltrane played on Davis’ landmark album Kind of Blue (1959).
However, Coltrane adds his own twist to the modal framework by introducing
minor chords and altering the melody. The song features some of Coltrane’s
most fiery and adventurous saxophone solos, as well as impressive interplay
with his bandmates.23