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Selected and edited by Sally Adams

Contents

Beethoven Allegro molto írom Sonata in D 2

von Preussen Allegro ma non troppo from Sonata in F 4
Gluck The dance of the blessed spirits 6
Loeillet Largo and Allemande from Sonata in G minor B

Handel AIlegro from Sonata in F major, HWV 369 10

Hampton Yer dinner's in the dog 11

Abreu Tico tico 12

Runswick Blue six 14

Arrieu First movement from Sonatine 16

Fauré Sicilienne 18

Kóhler Study No, 1 20

Harris Fabulous íable and Amorous arpeggios 22
Harris Study No. 44'Rumba' 23
Harris Frisky fingers and Athletic adventure' 24
-]
Track : Tuning note A

O 2010 by Faber Music Ltd

This edition íirst pub|ished in 2010
B|oomsbury |,ouse74-77 Great Russe|l Street london WC] B 3DA
Music processed by Jackie Leigh
Design by Okvik Design
Printed in England by Caligraving Ltd
A|| rights reserved

|SBN]0:0 571 53073-7

EAN] 3: 978-0 571 -53073-]

FABER_ tr \íLSIC
 LlsT A (ABRSM 2004_07)

Allegro molto ítom Sonata in

plnlonnlrct Éá]
D \7
nccomrmluln {S
from 'Concert Repertoire for Flute'
Keep the Atlegro moltoíeel throughout, and concentrate on the interaction with the accompaniment.
Always play the opening theme strongly whenever it reappears. Ludwig van Beethoven (1770-1827)

Allegro molto ): c.I44

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 L|ST A (ABRSM 2008-13)

Allegro ma non ttoppo írom Sonata in F ffi)

plnronnllct
\=/
ncconnmlnrlt (iS

This piece is íull oí elegant determination. Keep the tempo steady and avoid the tendency to rush
through the demisemiquavers.

Anna Amelia von Preussen (1723-1787)

Allegro ma non troppo ): t20 3

O 2010 by Faber Music Ltd

433

7-- j}
->z+)
,r1
JJJ

,DCyesC.

-
 LIST A (ABRSM 2004_07)

The dance oí the blessed spirits PIBíOBilAIGt { l6l]

IGGOilPlllllilllll ť|\.§rl
7 |]l

This piece will only sound truly convincing when you play from the depths of your heart and soul,
Give careíul consideration to breathing beíore you begin.

C.W. von Gluck (1714-1787)

Andante ]: SS

---\ ,Ť-.

----\

-_

poco rit. a tempo

FINE
-

attacca il Lento

Lento J: 80

p eSpreSS.

@ 2010 by Faber Music Ltd

 --

,----._-)_

-P

Il
Andante D.C. al Fine Il Ending to be used whenthe Lento
is played as a separate piece
 LlsT A (ABRSM 2008_13)

Largo and Allemande írom Sonata in G minor

,rrro**o*r'@
1=\
ACC01,1PAlll1,1tlll l'UJi}

G minor is a very poweríul and expressive key; no wonder Mozart was drawn to it. Aim
Íor

the most sumptuous and vibrant sound you can, and maintain this through both movements.

l Largo
Jean-Baptiste Loeillet (1 688-1 750)

Largo ) :16

,!f
t

ptrronnnlct
@
lccoltnmlntlt {*
llAllemande

@ 2010 by Faber Music Ltd

 p-

3] |z.
10 LlST A (Trinity Guildhall 2007-11)

Allegro ítom Sonata in F maior, HWU 369 rtnronmnlcl

ncconrmlnrn
€}
{ltr]}

A witty and sparkling Allegro. Keep the articulation light, particularly ai the start, and don't PlaY through the rests,
Make sure that your fingerwork is neat and íluent on the semiquavers.
George Frideric Handel (1 685-1759)
Allegro J: t16

,!f
b

O 2010 by Faber Music LiC

 11
LIST B (Trinity Guildhall Jazz2007,11)

Yer dinner's in the dog P

rtntonnnlc:
ncconlnrlnm (.-EJ

from 'Groove Lab

quavers.
Keep up the light energy through the improvisation. Use soít articulation on the tongued
Andy Hampton (b.1958)
Livety and with energy: swing

l1_

m,p dolce e cantabile

rc Coda
§

gorÉ|§ťK

(piano)

L
D.S.X al$ CoDA
56 poi al Coda
12 L|ST B (ABRSM 2004-07)

Tico tico @
rrnlonl,tnlot

lccomrnltntn ffi}
from 'Play Latin'
This piece can tie ygu up in knots ií you think about it too hard! Keep a lazy feelto the tonguing
but at the same time never drop the energy of the tempo,
Zequinha Abreu (1 880-1 935)
arr, Gout
Samba ): c.92

CreSC.

@ 199/ by Faber Music Ltd

 13

iffmarcato
14 L|ST B (ABRSM 2000-03 and Trinity Guildhall Jazz2007,11))
ltrmnnmcl {@J
Blue six AccOíttPAl{lilEilI
í-\
ie|,

from 'Unbeaten Tracks'

a Sense oÍ dialogue
This piece should sound as ií you are improvising eíÍortlessly; create
withthepianothroughout.FollowthearticulationcareÍully.
Daryl Runswick (b.1 946)

Bright swing ): l+4 (fr:ťjl

to Coda
§

O 1999 by Faber Music Ltd

 15

33 zi\

,!f

/--..-\*_
--2' ^ -'\

D.C. al +
poi al C oda
CoDA
16 LlsT B (ABRSM 2008-13)

First mouement ítom sonatine ptRronmnlct 6@:

ncconpmln:n ÉE
\,J"
)#

This gem of a movement requires you to touch on many moods throughout. Keep the lone cantabile,
even through the íaster passages. Add in some dynamics of your own,

Allegretto moderato ) : 96 Claude Arrieu (1 903-1 990

poco piů lento

p espressivo

@ Amphion Editions
G Ricordi & Co (London) Ltd
A|| rights reserved
 17

cresc. poco a poco

rit. poco
1B L|ST B (ABRSM 2004-07 and Trinity Guildhall 2007-11)

sicilienne PlRtÍl§1,1AllCí

AcGÍlilPA1llilEllT

Maintain a gentle flow through the gorgeous arc-shaped phrases. Legato allthe way| Let the high notes
sing thoughtíully through the middle section and experiment with diÍÍerent tone colours.

Gabriel Fauré (1 845-1924)

Andantino (Allegretto molto moderato; J : SO

p dolce

_-

pp leggiero
p

-PP

{-p

ú-p

dolce

@ 2010 by Faber Mus]c Ltd

 dolcissimo

pp

P>pp
dolce

pp Sempre
 LIST c (ABRSM 2008-13)

Study l{0.
rs:-
1 PtntllR1,1AllGt q4'

This study is like a mini operatic aria. Create a song-like feel and a sense oÍ narrative,

Ernest Kóhler (1 849-1 907)

Allegro _.
/-> í-...-\

ryp-
clolce

-
,-> i

-
--_---_--

a tempo
allargando

,!f llw -

@ 2010 by Faber Music Ltd

 21

nW _- p,

|ž;\j\

,!f ,!f
-p -p

,!Í

,-
JF- ,!f
-p

sempre cresc.
 LlST C (Trinity Guildhall 2007-11)

Fabulous íable ptrlgnt'tnlct {€}

from 'lmprove Your Scales! Grades 4-5'

Aim to produce your warmest and most resonant tone. Be precise about length of rests but don't
cut the value of the preceeding notes. Use crescendos and diminuendos to shape ph rases.
Pa ul Hanis
Andante con moto
i\

ngf cresc.

@ 2000 by Faber N/usic Ltd

LlST C (Trinity Guildhal| 2007-11)

Amotous aípeggios rtnlonmmrl @

from 'lmprove Your Scales! Grades 4-5'
Maintain a sense of movement here and don't allow long notes to sound static.
Listen careíully to intonation - intervals should be internalised prior to performance.
Paul Harris
Larghetto

ryf sonore
--

O 2000 by Faber Mus]c Ltd

 LIST C (ABRSM 2004-07 and Trinity Guildhall 2007-11)

Study J{0. 44 'Rumba' ptníOnilAilct

1{-\

€,'
from '76 Graded Studies for Flute'
A very lively piece that requires a continual sense oí rhythmic drive. lmprovise in a3+3+2
grouping to get the feel of the shape. Make the dynamic markings really vivid.
Paul Harris
Allegro vigoroso ): t5Z

,f poro cantabile

--

O 1994 by Faber Music Lid

 LlST C (Trinity Guildhall 2007-11)

Ftisky íingets rrnlonr,rnlct t@J

from 'lmprove Your Scales! Grades 4-5'

Work out the phrase lengths as this is essential in shaping the piece, Though in a minor key,

the piece has a sardonic wit - which ingredients will help you to achieve this?
Paul Hanis
Allegro spiritoso

@ 2000 by Faber Music Ltd

LlST C (Trinity Guildhall 2007-11)

Athletic aduentuíe pmronmnlcl

@
from 'lmprove YOur Scales! Grades 4-5'
This needs a lively rhythmic approach and colouríul accentuation (but make a clear distinction between
the one accented note and those marked with a line). Add in exira cresc, and dim.
Paul Harris

senza rall.

O 2000 by Faber Muslc Ltd