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ŠEKSPIR - PITANJA ZA USMENI ISPIT

1. HISTORY AND INDIVIDUAL CONSCIENCE IN SHASESPEARE’S HISTORY PLAYS

2. IMPLICIT CRITICISM OF WAR AND VIOLENCE IN SHAKESPEARE’S HISTORY PLAYS

3. SHAKESPEARE’S COMEDY AND THE VICTORY OF THE WORLD OF DESIRE

4. LOVE AND COMERCE IN SHAKESPEARE’S COMEDIES

5. SOCIAL RESPONSIBILITY, MORALS AND HAPPINESS IN SHAKESPEARE’S PROBLEM PLAYS

6. SHAKESPEAREAN TRAGEDY

7. SHAKESPEARE’S FOUR MAJOR TRAGEDIES

8. SHAKESPEARE’S TRAGIC PROTAGONISTS IN FOUR MAJOR TRAGEDIES

9. SHAKESPEARE’S TRAGIC PROTAGONISTS IN HISTORY PLAYS

10. SHAKESPEARE’S MALE HEROES IN ROMANCES

11. SHAKESPEARE’S MALE HEROES IN PROBLEM PLAYS

12. SHAKESPEARE’S HEROES IN ROMAN TRAGEDIES

13. LOVE, KNOWLEDGE AND POWER IN SHAKESPEARE’S ROMANCES

14. DRAMATIZATION OF EVIL IN SHAKESPEARE’S PLAYS

15. TREATMENT OF MADNESS IN SHAKESPEARE’S PLAYS

16. FEMALE CHARACTERS IN SHAKESPEARE’S COMEDIES

17. FEMALE CHARACTERS IN SHAKESPEARE’S MAJOR TRAGEDIES

18. FEMALE CHARACTERS IN SHAKESPEARE’S PROBLEM PLAYS

19. FEMALE CHARACTERS IN SHAKESPEARE’S ROMANCES

20. SELF-KNOWLEDGE IN SHAKESPEARE’S PLAYS


PITANJA ZA PISMENI ISPIT

1. INTERPRETATION OF SHAKESPEARE’S KING JOHN

2. INTERPRETATION OF SHAKESPEARE’S HENRY V

3. INTERPRETATION OF SHAKESPEARE’S TWELFTH NIGHT

4. INTERPRETATION OF SHAKESPEARE’S MERCHANT OF VENICE

5. INTERPRETATION OF SHAKESPEARE’S MEASURE FOR MEASURE

6. INTERPRETATION OF SHAKESPEARE’S HAMLET

7. INTERPRETATION OF SHAKESPEARE’S OTHELLO

8. INTERPRETATION OF SHAKESPEARE’S KING LEAR

9. INTERPRETATION OF SHAKESPEARE’S MACBETH

10. INTERPRETATION OF SHAKESPEARE’S ANTONY AND CLEOPATRA

11. INTERPRETATION OF SHAKESPEARE’S TEMPEST

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