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Virginia Woolf.
Virginia Woolf
1. Life (1882-1941)
Her father Leslie Stephen
was an eminent Victorian
man of letters.
She grew up in a literary
and intellectual
atmosphere with free
access to her father’s library
1. Life (1882-1941)
Suicide
Virginia Woolf.
2. Literary career
2. Literary career
Evolution of her style in her main novels
•
The Voyage Out (1915)
Traditional
•
Night and Day (1917) narratives
•
Jacob’s room (1922) Narrative experimentation with the
novel
•
Mrs. Dalloway (1925)
A more completely developed
“stream-of-consciousness
•
To the Lighthouse (1927) technique”
2. Literary career
A feminist writer the themes of androgyny, women and writing
3. A modernist novelist
•
Main aim to give voice to the complex
inner world of feeling and memory.
•
The human personality a continuous
shift of impressions and emotions.
•
Narrator disappearance of the
omniscient narrator.
•
Point of view shifted inside the
characters’ minds through flashbacks,
associations of ideas, momentary Vanessa Bell, Mrs St John Hutchinson, 1915,
Tate Gallery, London
impressions presented as a continuous flux.
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Virginia Woolf
4. Woolf vs Joyce
Woolf’s stream of Joyce’s stream of
consciousness consciousness
4. Woolf vs Joyce
Moments of being Epiphanies
•
Follows the protagonist through a
very small area of London, from the
morning to the night of the day on
which she gives a large formal party.
•
Clarissa Dalloway’s party is the
climax of the novel and unifies the
Cover for the first edition of Mrs. narrative by gathering all the people
Dalloway, London, Hogarth Press,
1925. she thinks about during the day.
•
Had a possessive father, refused
Vanessa Redgrave as Mrs. Dalloway in Marleen Gorris’s
1997 film adaptation Peter Walsh, a man who would force
her to share everything.
•
Her life appears to be an effort towards
order and peace, an attempt to
overcome her weakness and sense of
Vanessa Redgrave as Mrs. Dalloway in Marleen
Gorris’s 1997 film adaptation failure.
•
When the war broke out,
enlisted for patriotic reasons.
•
Suffers from headaches and
insomnia.
•
A beautiful woman and loving wife,
constantly provides support to the
other characters in the novel.
•
As a mother, her main objective is to
preserve her son James’s sense of
hope and wonder in relation to the
lighthouse. Vanessa Bell, Virginia Woolf at Asheham, ca.
1910, National Portrait Gallery, London.
•
She realizes that the beauty of
this world is ephemeral and
should be protected.
•
She has the ability to bring
together different things into a
whole.
•
A painter who fears her work
will end up in attics or under a
couch.
•
Rejects the conventional
image of the woman
represented by Mrs Ramsay.
Duncan Grant, Vanessa Bell painting,
1915, National Galleries of Scotland.
•
Her portrait of Mrs. Ramsay
embodies her doubts: at the
beginning of the novel she cannot
make sense of the shapes and
colours that she tries to
reproduce.
§
Mrs Ramsay does not want
her children to become adults.
§
The house falls into decay.
§
Death unexpectedly ends life.
§
Minta loses her brooch on the
beach.
§
The family loses some of its
members.
The lighthouse
•
a positive symbol linked to light,
comfort, hope and enthusiasm, a
reference point in a changing world.
•
the inaccessible destination leading
to frustration and threatening danger.
A scene from 2002’s The Hours, directed by
Stephen Daldry.
•
Her essay is constructed as a
partly-fictionalized narrative of
the steps that led her to adopt this
A contemporary edition of A Room thesis.
of One’s Own.
•
The narrator reflects on the different
educational experiences available to men
and women as well as on more material
differences in their lives.
•
The figure of Judith Shakespeare is
A contemporary edition of A Room
of One’s Own.
generated as an example of the tragic fate a
highly intelligent woman would have met.
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Virginia Woolf
•
Woolf closes the essay with an
exhortation to her audience of women to
take up the tradition that has been so
hardly bequeathed to them, and to
increase the endowment for their own
daughters.
A contemporary edition of A Room
of One’s Own.
q
Women’s position in
fiction and in real life.
q
Critique of patriarchal
society.
q
Struggle for women’s
rights.
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