Studiomaster Pro Audio PDF

STUDIOMASTER
PRO AUDIO
CONTENTS STUDIOMASTER
PRO AUDIO
MIXING CONSOLES
C3/C3X 4
FUSION+ 6
162BPX 8
122BP 10
C5X 11
C4TX 12
MCX 14
POWERED MIXING CONSOLES

POWERHOUSE 1000X 16
POWERHOUSE 1000TX 18
AMPLIFICATION
DX400 21
AX SERIES 22
SX SERIES 24
CX SERIES 26
PROCESSORS
VMS 28
SRQ SERIES 30
VTX2 32
AC SERIES 33
SPEAKER CABINETS
VPX SERIES 34
VSX SERIES 36
LX SERIES 48
GX SERIES 40
JX SERIES 42
PAS/PS 44
CTR SERIES 46
STUDIO MONITOR SPEAKERS

M SERIES 47
MONITOR SPEAKERS
PAX/PX 10+ 48
PAX/PX 12+ 50
6.5" LINE ARRAY SPEAKERS

A6 SERIES 52
T he Studiomaster name has spanned over

three decades providing musicians and
sound engineers the tools they need for a
PORTABLE PA SYSTEMS
RUNABOUT & WALKABOUT
STAGESOUND
54
56
professional performance. Above are just a few INSTALLATIONS
of the innovative products the company has DAX208 58
produced over the years, always striving for
technical excellence and value for money. Join MICROPHONES & ACCESSORIES
us as we enter the companies fourth decade SAI2 59
WRM SERIES 60
as Studiomaster pushes the boundaries of KM SERIES 61
technology to bring you the latest in exciting audio SPEAKER STANDS 62
products. MICROPHONE STANDS 63
3
www.studiomaster.com
RACK
COMPACT PA SYSTEMS KARAOKE DUO/SOLO ACTS
SMALL INSTALLATIONS HOUSES OF WORSHIP
MIXERS
"A smaller unit that still has all the
professional features you need"
C3 C3X C3
C3X
• 12 inputs: 4 mic and 4 stereo

S
- giving you the flexibility you need whatever
RE
your application
• 2 auxilliary sends
ATU
- to hear what you're doing and add external effects

• Balanced inputs and outputs
- interface with professional equipment to get the
FE
C o m p re h e n s i v e D S P Combination XLR and 3 band EQ on mic

very best quality controls featuring the jack socket inputs - easy channels for superior
famous Studiomaster to connect all your gear control of your sound
'Vocal' effect (C3X only)
The C3 range of mixers comprises band design, used on C3, provides you with of choosing the best effect, dramatically enhancing a
SPECIFICATION C3 / C3X
two models both offering you a total maximum control across that crucial vocal vocalist's performance. Three 'Vocal' settings are available Maximum Gain Input to Output
of 12 inputs in a compact 1u 19" rack range. on the C3X, along with 'room' and 'plate' reverbs. The Mic Inputs 55dB
mountable package. The C3X model delay mode is fully variable giving you an echo of between Line Inputs 40dB
Stereo Inputs 24dB
also includes the Studiomaster custom Four stereo inputs offer a selection of jack 10ms and 720ms, along with a 'regen' range of 0 to
EQ Lo Mid Hi Cut/Boost
DSP effects processor. A smaller unit and RCA/phono inputs making them perfect 90%, so you control how long it takes to die away. Mic Input 60Hz 2.5kHz 12kHz ±15dB
that still has all the professional features for most playback formats(CD, MD etc) and Stereo Input 60Hz - 12kHz ±15dB
you need for quality sound. electronic instruments(keyboards, drum The DSP can be turned on and off using the convenient Frequency Response
any Input 22Hz - 40kHz ± 0.5dB
machines etc). Each input has an individual front panel switch or with a foot switch, connected to the
Distortion
The four balanced combination XLR and jack level control and the shared two band EQ socket on the rear panel. THD @ 1kHz 0.008% @ typical settings
inputs allow you to connect your microphones gives extra dimension. Noise
or line level equipment. For added flexibility All inputs have access to a pair of pre and post fader Residual -93dBu
3 Mic Inputs with typical settings -82dBu
two inputs are on the front and two on the The DSP used in the C3X gives you the latest auxiliary sends. The 'pre' send is ideal for creating Dynamic range >105dBu
rear panel. All mic pre-amps feature our generation of crystal clear, quality delays, a monitor mix which can feed stage monitors or Metering Peak Reading 4 segment 2 colour LED bargraphs
studio grade design, making them ideal even reverbs and effects. Studiomaster has used headphones. The 'post' send feeds the DSP effects DSP
Reverb mode - 3 Vocal, 1 ADT, 2 Reverb, 2 Plate
if you want to use quality condenser mics, as DSP technology for many years and during processor on the C3X, and an external effect device for (C3X only)
Delay mode - Variable between 10ms to 720ms
Regen - Variable between 0% to 90%
phantom power is available. that time developed a unique blend of delay even more flexibility. Output Levels Normal Maximum Impedance
and reverb effects which have proved to L/R Output XLR +4dBu +23dBu 100 ohms
Studiomaster EQ designs are famous for be a highly popular choice of many artists. The stereo output features LED metering, so you can L/R RCA Phono -2dBu +17dBu 100 ohms
AUX -2dBu +23dBu <10 ohms
their smooth and natural response. The three The result, 'Vocal', takes the difficulty out see exactly what's going on, master level control and MON +4dBu +23dBu <10 ohms
balanced XLR and RCA/phono connectors.is short. Using Power Requirements Voltage Selector
C3 Rear Panel
the optional MXS1 stand positions the mixer at the ideal C3 230V range ±10% ~50/60Hz 52mA Max
height for easy access to all controls. 115V range ±10% ~50/60Hz 104mA Max
C3X 230V range ±10% ~50/60Hz 70mA Max
115V range ±10% ~50/60Hz 140mA Max
482mm (19") x 44mm (1.75") x 265mm (10.5")
Size (W x H x D)
including rack ears
Weight C3 3.6kg(7.9lb) / 4.6kg(10.1lb)
STUDIOMASTER C3X Rear Panel (net/shipping) C3X 3.7kg(8.1lb) / 4.7kg(10.3lb)
PRO AUDIO
4 5
DUO/SOLO ACTS ENTERTAINMENT
CONSOLE
FUSION+ "Studiomaster, always first with

new innovations, have produced
the world's first entertainment
console"
CLUB AND VENUE INSTALLATION
S
• The first entertainment console
RE
- no need for two mixers - Fusion+ has it all!

• 3 mic and 4 music channels
ATU
- the right inputs for all your gear

• Internally modular construction
- you'll get years of reliable performance
FE
Professional Mic inputs Easy to use DSP - Video switch -

quickly get great effects route two video players
from your Fusion into a single TV monitor
Your Total Entertainment Console. The indicators make it easy for you to see your SPECIFICATION FUSION+
complete mixer for Karaoke, clubs, output and CUE signal levels at a glance Input Gain Min Max Max to Output
solo performers, duos and sound and there's a comprehensive booth output Mic 10dB 55dB 60dB
installations. control with a cunning MIC CUT switch - to Line 0dB 45dB 50dB
Stereo 0dB 10dB 10dB
DJS
stop feedback in your DJ booth.

EQ LF Mid HF Cut/Boost dB/Octave
PA and DJ mixers are designed for specific Mic/Line 60Hz 250-6kHz 12kHz ±15dB 6
applications and tend to be completely The smooth, long life 45mm VCA cross Stereo 45Hz 1kHz 12kHz +10/-36dB 12
different to each other. Features like high fader is assignable from any of the four Mic/Line High Pass Filter 80Hz 18dB/Octave
quality mic channels with comprehensive stereo channels and you can replace it Noise
KARAOKE
EQ are never seen with assignable cross quickly and easily, vital if you need to keep FUSION+ Rear Panel Mic EIN -128dBu
faders and multiple CD inputs... until now! working. The taper controls vary the cross - All the inputs and outputs you could possibly need. Signal to noise ratio >85dB (unweighted) with typical control settings
Dynamic range >105dB
fade points to suit the way you work... and
Frequency Response
Studiomaster, always first with new your approach to mixing. 20Hz - 20kHz ± 0.5dB
innovations, have now added an RIAA (phono) magnetic cartridge equalization accurate to ±0.3dB
effects DSP to produce the world's first In typical Studiomaster fashion, the effects Distortion
professional entertainment console, the DSP only offers the effects you really need, THD @ 1kHz 0.0035% Stereo line input to L-R output @ nominal
Fusion+. allowing you to get a great mix quickly and level
230V range ±10% ~50/60Hz
easily. Power Requirements
115V range ±10% ~50/60Hz
Voltage Selector
The Fusion+ offers three mic channels with
482mm (19") x 266mm (10.5") x 114mm (4.5")
combination XLR/jack inputs, three band The build quality of the Fusion+ is Size (W x H x D)
When racked the unit occuies 6 rack spaces
EQ with sweep mid, 80Hz high pass filters exceptional with every control securely Weight (net/shipping) 6kg (13.2lb) / 8kg (17.6lb)
and 60mm faders give you everything you f i x e d t o t h e f ro n t p a n e l a n d a l l t h e
need for pro quality sound. The four stereo connectors screwed directly to the chassis.
inputs have three band EQ with a steep The main outputs are on professional
-36dB cut (perfect for all your DJ tricks), XLRs for connecting to compact powered
assignable cross fader, MPX switches for speakers or large club installations.
STUDIOMASTER Karaoke discs. Three individual LED level
PRO AUDIO
6 7
16 CHANNEL
CLUB AND VENUE INSTALLATION SMALL BANDS
KEYBOARD MIXER LIVE RECORDING
RACK MIXER
162BPX "the effects unit has been

designed to give you fast
access to great sounds"
S
• 16 channels, 28 inputs
RE
- plenty of flexibility, options and inputs to suit

you and your acts
ATU
• 6 space rack mounting

- compact, reliable and secure
• Internally modular
FE
- solid construction ensuring long life 12 of the best high quality All connectors are on the 4 combination mic/stereo
effects rear panel out of the way channels - put simply...
you can plug more in!
Designed as a one stop solution to the main mix output and to the MON The 162BPX is housed in a steel, 6 space rack mounting SPECIFICATION 162BPX
for professional installations, the auxiliary output, so your performers can chassis with all controls, including the power switch, on Input Gain Min Max Max to Output
162BPX has proven to be perfect for also hear the effects! the front panel and all input/output connections securely Mic (to L/R) 12dB 60dB 48dB
Line (to L/R) -8dB 40dB 48dB
applications where a high quality, positioned on the rear panel - out of harms way! Individual Stereo (to L/R) 0dB 12dB 12dB
compact and reliable mixer is The 16 channels are made up of twelve circuit boards are used throughout and all controls are EQ Lo Mid Hi
essential. mic/line and four combination mic/stereo actually bolted to the front panel making the 162BPX a Mic Channels 60Hz 250-6kHz 12kHz
line inputs. This gives you the flexibility to tough, reliable and easy to service mixer. Stereo Channels 45Hz - 12kHz
Noise
The 162BPX is a 16 channel rack mount connect 16 mics and 4 stereo devices Mic EIN -128dBu
mixer with balanced mic/line inputs, simultaneously. Phantom power (+48V) is Signal to noise ratio >85dB (unweighted) with typical control settings
custom DSP and all connections on the available on all mic XLR inputs so you can 162BPX Rear Panel -
Dynamic range >105dB
Frequency Response
rear panel. The solid build and reassuring use condenser mics with confidence. All the inputs and outputs you could possibly need.
20Hz - 20kHz ± 0.5dB
feel of the controls, leaves you in no Reverb Mode -3 Vocal, 1ADT, 2 Reverb
DSP
doubt that you are dealing with a serious, A stereo auxiliary input with level control Delay Mode -6 settings between 100ms and 720ms
professional workhorse. The 162BPX allows you to connect an additional Metering Peak Reading 12 segment 3 colour LED bargraphs
boasts a total of 28 inputs, regulated outboard effects processor. Recording and Maximum Input Level At Max Gain At Min Gain
Mic -38dBu +10dBu
internal power supply and takes up just 6 playback connections are on RCA phono Line -21dBu +28dBu
spaces in a 19" rack. with individual level controls so you can Stereo Line +10dBu +22dBu
easily match signals going to and from Aux Input +16dBu +22dBu
Output Level Nominal Maximum Impedance
T h e e ff e c t s m o d u l e i n t h e 1 6 2 B P X recording equipment. Mono Insert +4dBu +22dBu <22 ohms
offers you six reverb effects and six pre- Aux Sends 1/2 - +22dBu 100 ohms
set delays. The effects are three 'Vocal' The mic/line channels feature three band L/R Outputs +4dBu +28dBu 75 ohms
L/R Insert -2dBu +22dBu <22 ohms
sounds, and ADT effects and two reverbs EQ with sweep mid. The mid can be Phones - +22dBu 33 ohms
while the delays range from 120ms to adjusted to get the best out of whatever Power Requirements 230V range ±10% ~50/60Hz
720ms. As always with Studiomaster you have connected. Mic/stereo channels Voltage Selector 115V range ±10% ~50/60Hz
products, these stunning effects have been feature a two band EQ. You'll also benefit Size (W x H x D)
482mm (19") x 120mm (4.8") x 266mm (10.5")
When racked, the unit occuies 6 rack spaces (6U)
designed to give you fast access to great from two auxiliary sends (one pre, one post
Weight (net/shipping) 7kg (15.4lb) / 8.2kg (18.1lb)
STUDIOMASTER sounds. The effects output can be routed fader), pan, PFL switch and 60mm fader.
PRO AUDIO
8 9
COMPACT
SOLO & DUO ACTS

12 CHANNEL MIXING
CLUB AND VENUE INSTALLATION SMALL BANDS
KEYBOARD MIXER LIVE RECORDING
RACK MIXER CONSOLES
C5X
122BP
SMALL BANDS
The 122BP is a 10 channel, 12 input playback socket provides connection for The C5X compact mixing console
mixer that fits a 19” rack occupying 3 mp3 and other devices with the twin 10 range offer a versatile and cost SPECIFICATION C5X
rack spaces. It has a 2 band equaliser, segment bargraphs giving visual indication effective solution. Gain Minimum Maximum Range
Mic 0dB 50dB 50dB
dual auxiliary sends (one pre-fader, one of the main output signal levels. Global 48V Line -15dB 35dB 50dB
post-fader) and pan control on each phantom power is available and the main Professional features such as 3-band swept Stereo Mic 0dB 40dB 40dB
channel. The 8 mic channels have stereo outputs use balanced XLR sockets. EQ, 4 auxiliaries, high quality onboard DSP, Stereo Line -20dB 20dB 40dB
INSTALLATION & RENTAL COMPANIES

EQ +-15dB
balanced XLR mic and jack socket line The headphone socket and volume control 4 subgroups and USB2.0 connections.
Mic Channels Hi 12kHz, Mid 800-8kHz, Lo 80Hz
inputs and the 2 stereo channels use are conveniently mounted on the front panel. A 9-band graphic EQ on the output and Stereo Channels Hi 12kHz, Hi Mid 3kHz, Lo Mid 500Hz, Lo
balanced XLR output connections make Hi Pass Filter 80Hz
balanced jack inputs. A stereo record/
these comprehensive and feature packed 75Hz@18dB/oct
mixing consoles suitable for many different Frequency Response 10-40kHz -3dB
Distortion 0.001%
applications.
Noise 20-20kHz
Faders down -96dB
Faders nominal -76dB
8 Mic channels routed -70dB
Attenuation
Mute Switches 80dB
Channel Faders 80dB
Output Faders 94dB
Features Routing Switches 85dB
122BP Rear Panel • 3 band with swept mid EQ on mic channels Signal levels Nominal Maximum Impedence
• 4 band EQ on stereo channels Channel Insert 0dBu +22dB 75 ohms
Mix Insert 0dBu +22dB 100 ohms
• 9 band graphic equaliser
SPECIFICATION 122BP • 4 auxiliary sends (aux1/2 switchable
Main Mix Jack output 0dBu +22dB 100 ohms
Main Mix XLR Bal +6dBu +28dB 150 ohms
Gain: input to output Minimum Maximum
Mic 0dB 45dB
pre/post) Record Output 0dBu +22dB 1k ohms
Line -17dB 28dB • High quality DSP effects processor Aux Sends 0dBu +22dB 150 ohms
Mono Output 0dBu +22dB 100 ohms
Stereo Channel -15dB 28dB • 4 independently routable subgroups
Effects DSP
Aux return / 0dB • 2 stereo aux returns Type 24bit sampling, 100 programs
Tape input / 6dB
• All channels, subgroups and output Muting Front panel and foot switch socket*
EQ +-15dB LF HF
Mic 60Hz 12kHz
feature 60mm faders Effect Groups Vocal, Small Room, Large Hall, Plate, Echo,
Echo & Reverb, Guitar Chorus, Guitar
Stereo 60Hz 12kHz • Balanced XLR output Tremolo, Flange & Reverb, Rotary Speaker
Frequency Response 10Hz – 35kHz -1dB • USB2.0 output for direct recording ability Connections
Distortion (Mic to L-R output) 0.055% • +48V phantom power available on all Inputs Balanced XLR & Jack, unbalanced Phono
Residual -100dB
mic channels Outputs Balanced XLR & Jack, unbalanced Phono
• Rackmountable model C5X-8R Power requirements 100-240V ~ 50/60Hz, 30Watts

Faders at 0dB -86dB
• Robust internal power supply Fuse T1.6AL 20x5mm
3 channels at typical settings -82dB Size (W x H x D) mm
Output levels and impendence Nominal Maximum Impedence C5X-8 430 x 445 x 105
Left-Right balanced +4dBu +25dBu 150R C5X-8R 482 x 445 x 105
Aux1/Aux2 balanced +4dBu +25dBu 150R C5X-12 535 x 445 x 105
Monitor balanced +4dBu +25dBu 150R C5X-16 645 x 445 x 105
Tape -2dBu +20dB 1kHz Weight (net/shipping)
Connections C5X-8 5.5kg/8.7kg
inputs Balanced XLR & Jack, unbalanced RCA phono C5X-8R 5.5kg/8.7kg
Outputs Balanced XLR, unbalanced RCA phono C5X-12 7,2kg/10kg
STUDIOMASTER Power requirements 90-240V 50/60Hz ~ 35W max

C5X-8 Rear Panel C5X-16 8.8kg/10.5kg
*Only use a momentary type footswitch
PRO AUDIO Size (W x H x D) 482mm (19”) x 133mm (5.25”) x 165mm (6.5”)
10 Weight (net/shipping) 3.8kg (8.4lb) / 4.9kg (10.8lb)

11
INSTALLATION & RENTAL COMPANIES MIXERS
C4TX
C4TX-8
C4TX-8R
SMALL BANDS
A full featured range of mixers ideally The flexibility of the C4TX extends even
partnered with a pair of active speakers (VPX further with the stereo input channels
range for example) for a portable sound including a mic input – so if you need
system or the small footprint would make a more mics or more stereo inputs, you’re
good choice for installations. covered.
Twin DSP effects, 3 auxiliary sends, stereo The range consists an 8 channel rack
sub group and a choice of four models, mounting model and 8, 12 & 16 channel
features you would expect on more desk top models all with goose neck lamp
expensive mixers. socket, 60mm travel smooth faders and Two on board high quality
SOLO & DUO ACTS
digital effects
effects on/off footswitch sockets. C4TX-8R Rear Panel
Internally modular construction means the
C4TX can be serviced and give you far
longer useful life than lower cost, single
board designs. Specification
Full monitoring facilities, stereo 9 band Hi pass filter (mic channels only) 80Hz, 18dB/oct
graphic equaliser and 3 band mic channel Mic channel equalisation – 3 band ±15dB HF: 12kHz Mid: 200-5kHz LF: 60Hz
EQ (with mid sweep) help you easily create Stereo channel equalisation – 4 band ±15dB HI: 12kHz Hi Mid: 5kHz Lo Mid: 300Hz Lo: 50Hz
Output equalisation – 9 band ±12dB 63, 125, 250, 500, 1kHz, 2, 4, 8, 16.
a good sound for your audience without
Auxiliary 1 assignment Aux 1 (post fader) or DSP 1 (post fader)
distortion! Auxiliary 2 assignment Aux 2 (pre fader) or DSP 2 (post fader)
Mon assignment Post fader or Pre fader
Channel assignment MIX (L&R) and Group L&R)
+48V phantom power Selectable on each channel
Frequency response ±1dB 20-20kHz
THD 0.01%
Models Available: Connections: Inputs XLR and Jack on input channels
C4TX-8R 8 channel: 6 mic, 2 stereo+mic, rack mount only Connections: Outputs XLR main outputs, Jack sockets auxiliaries etc.
Power requirements 115V model, 230V model, 50/60Hz
C4TX-8 8 channel: 6 mic, 2 stereo+mic, desk top
C4TX-12 12 channel: 8 mic, 4 stereo+mic, desk top
STUDIOMASTER C4TX-16 16 channel: 12 mic, 4 stereo+mic, desk top
PRO AUDIO
12 13
MEDIUM
INSTALLS FORMAT
MIXER SERIES
MCX MCX24
HOUSE OF WORSHIP
High quality wheeled fightcase

MCX24, MCX32 & MCX48 only
MONITOR MIXER
EP8 External Power Supply

MCX24, MCX32 & MCX48 only
• Five sizes 12 to 48 channels

• 4 band EQ with 2 sweep mids
FEATURES
• MCX24, MCX32 & MCX48 feature high quality wheeled flightcase EP8 Front Panel EP8 Rear Panel
SPECIFICATION MCX12 MCX14 MCX24 MCX32 MCX48

Channels 12 14 24 32 48
Mic Inputs 12 14 24 32 48
Stereo Inputs 2 2 4 4 4
Rack Mounting √ X X X X
PA RENTAL/HIRE
Gain (to Left – Right outputs) Min Max

Mic 10dB 60dB
Line -10dB 40dB
Stereo Line -∞ 12dB
Equivalent input noise

Mic channel
PA to Stage mode at the 4 sub groups 6 s e l e c t a b l e p re - p o s t -128dB
Stereo channel -101dB
touch of a button Auxiliaries
Frequency response
(input to output)
Mic channel
The MCX range of mixers have created three inputs per stereo channel illustrating Stereo channel
10-60kHz +0,-0.5dB
10-60kHz +0,-0.5dB
a new level in price performance for the the flexibility of the MCX range. Equalisation (±15dB) Mic channels Stereo channels
discerning sound engineer, installer and HI 12kHz 12kHz
band. The rugged steel chassis houses the The group and main mix section combines HI MID 500-15kHz 2.5kHz
LO MID 35-1kHz 350Hz
individual circuit boards using only nutted individual LED meters, balanced outputs and LO 60Hz 50Hz
controls for security and long service life. mute facilities but can also be switched into
HI pass filter (mic channels only) 18dB/oct @ 80Hz
The four band EQ offers responsive control STAGE MODE. This handy feature swaps
Distortion
and mic channels include two frequency the group & mix faders with the auxiliary Mic channel 0.012% @ 40dB gain
sweep controls, normally reserved for send rotary controls effectively producing Stereo channel 0.006% @ 0dB gain
much larger format consoles. 6 Auxiliary a stage monitor mixer. This feature alone Power requirements
sends (all selectable pre or post fader) makes the MCX range the ideal choice for MCX12 and MCX14 100-250V AC 50/60Hz internal supply
MCX24, MCX32 and MCX48
provide ample feeds to external effects, rental / hire companies. 230V range: 220-240V AC 50/60Hz 120W EP8 external power supply
115V range: 110-120V AC 50/60Hz 120W EP8 external power supply
monitors or zones and the 100mm faders
Size (W x H x D) Weight Net/Gross
give smooth accurate level adjustment. There are five models available: 12, 14, 24, MCX12 523mm(20.6") x 183mm(7.2") x 583mm(23") 13/15kg(28.7/33.1lbs)
The stereo channels also include a mic 32 & 48 channel frame sizes with the three MCX14 591mm(23.3") x 183mm(7.2") x 583mm(23") 15/17kg(33.1/37.5lbs)
input which can be used simultaneously larger models including an external power MCX24 895mm(35.2") x 183mm(7.2") x 583mm(23") 28/67kg(61.7/147.7lbs)
STUDIOMASTER MCX32 1102mm(43.4") x 183mm(7.2") x 583mm(23") 33/80kg(72.8/176.4lbs)
with the stereo inputs. This gives a total of supply.
PRO AUDIO MCX48 1520mm(59.8") x 183mm(7.2") x 583mm(23") 45/87kg(99.2/191.8lbs)
14 *EP8 external power supply occupies 2 rack spaces

15
LIGHTWEIGHT
POWERED
MIXERS
POWERHOUSE 1000X SERIES
PH1000X-10R
PA RENTAL/HIRE
PH1000X-10/14/18
• 1000 Watts of audio power available

• Four models with 10 to 18 channels FEATURES PH1000X-10 Rear Panel
BANDS
SPECIFICATION PH1000X-10R PH1000X-10 PH1000X-14 PH1000X-18

Channels 10 10 14 18
Mic Channels 10 8 12 16
Stereo Channels X 2 2 2
Rack Mounting √ X X X
Input Gain Min Max
DUO/SOLO ACTS
Mic channels 20dB 60dB

Mic EIN 127dB
Equalisation (±15dB) HF MID LF
Mic channels 12kHz 500-5kHz 60Hz
32 Preset effects Stereo graphic equaliser 3 band EQ with MID sweeps Stereo channels 12kHz 2.5kHz 60Hz
Graphic frequencies (+-12dB) 63, 125, 250, 500, 1k, 2k, 4k, 8k, 16kHz
The Powerhouse range started back sub group. A handy light socket accepts HI pass filter 18dB/oct @ 80Hz
in 1988 and instantly redefined what a a standard 12V goose neck lamp and a On board effect processor 24 bit , 32 preset effects
Freqency response input to output, 50% power, 4ohms
powered mixer should be capable of. selectable 9 band graphic equaliser provides 20 – 20kHz ±1dB
Since then many thousands are still in daily tone adjustment on the main mix outputs. Rated amplifier output power per Into 4 ohm load 500W
use providing musicians around the world The switch mode power supply weighs half channel @1% distortion Into 8 ohm load 300W
with reliable portable sound systems. Now, a conventional design but maintains stable Connection
two decades later, the Powerhouse 1000X power under all operation conditions. The Speaker outputs 2 x 4 pole industry standard sockets
has arrived. Featuring four models from 10 Powerhouse 1000X-10R is rack mounting Power requirements 230V Model: 220-240V AC 50/60Hz
to 18 channels, quality DSP effects and 500 only featuring 10 mic/line channels. The Size
Width (max) 483mm(19") 484mm(19") 590mm(23.2") 696mm(27.4")
Watts per channel of audio power. Each 1000X-10, 14 and 18 include two stereo Height 150mm(5.9") 150mm(5.9") 150mm(5.9") 150mm(5.9")
channel sports three band equalisation (with channels.
STUDIOMASTER mid sweep on mic channels) 60mm smooth
Depth
Weight
410mm(16.1") 410mm(16.1") 410mm(16.1") 410mm(16.1")
PRO AUDIO operation faders and routing to a stereo

15.5kg(34.2lbs) 15.5kg(34.2lbs) 16kg(35.3lbs) 16.5kg(36.4lbs)
16 17
POWERED
MIXERS
INSTALLATION & RENTAL COMPANIES
POWERHOUSE 1000TX SERIES
1000TX-8 Front Panel
Two on board high

quality digital effects
FEATURES
SMALL BANDS
1000TX-8 Rear Panel
1000 Watts of audio power Models Available:

Powerhouse 1000TX-8R 8 channel: 6 mic, 2 stereo+mic, rack mount only
SOLO & DUO ACTS
Powerhouse 1000TX-8 8 channel: 6 mic, 2 stereo+mic, desk top

Powerhouse 1000TX-12 12 channel: 8 mic, 4 stereo+mic, desk top
The latest range to join the Powerhouse more mics or more stereo inputs, you’re 16 channel: 12 mic, 4 stereo+mic, desk top
Powerhouse 1000TX-16
series raising the standard, yet again, of covered.
professional powered mixers. Twin DSP
effects, 3 auxiliary sends, stereo sub group The range consists an 8 channel rack
and a choice of four models, features mounting model and 8, 12 & 16 channel Specification
normally found on more expensive mixers. desk top models all with goose neck lamp Hi pass filter (mic channels only) 80Hz, 18dB/oct
But this is just the start. Internally modular socket, 60mm travel smooth faders and Mic channel equalisation – 3 band ±15dB HF: 12kHz Mid: 200-5kHz LF: 60Hz
Stereo channel equalisation – 4 band ±15dB HI: 12kHz Hi Mid: 5kHz Lo Mid: 300Hz Lo: 50Hz
construction means the 1000TX can be effects on/off foot switch sockets.
Output equalisation – 9 band ±12dB 63, 125, 250, 500, 1kHz, 2, 4, 8, 16.
serviced and give you far longer useful life Auxiliary 1 assignment Aux 1 (post fader) or DSP 1 (post fader)
than lower cost, single board designs. 500 Auxiliary 2 assignment Aux 2 (pre fader) or DSP 2 (post fader)
Watts per channel, stereo 9 band graphic Mon assignment Post fader or Pre fader
equaliser and 3 band mic channel EQ (with Channel assignment MIX (L&R) and Group L&R)
mid sweep) help you easily create a good +48V phantom power Selectable on each channel
Power output, per channel 500W @ 4ohm, 250W @ 8ohm
sound for your audience without distortion!
Frequency response ±1dB 20-20kHz
The flexibility of the 1000TX extends even THD 0.01%
further with the stereo input channels Connections: Outputs Industry standard 4 pole
STUDIOMASTER including a mic input – so if you need Power requirements 115V model, 230V model, 50/60Hz
PRO AUDIO
18 19
1U RACK
TAKE A WALK
IT IS BETTER TO
STUDIO MONITORING
AMPLIFIER
DX400
MOBILE SOUND SYSTEMS
• Small size-1 rack space
• Multiple inputs- XLR, Jack, Phono
• Switchable limiter
FEATURES
The DX400 is a robust, one rack space Signal status employs SIG and CLIP leds
amplifier suitable for the smaller PA and volume is controlled by individual level
system and studio monitoring. controls. Its small size and low weight
make it a great full range amplifier that will
The steel enclosure houses the reliable bi- sound good on live or monitoring duties.
polar amplifiers that are cooled by twin
variable speed fans. Signal inputs are
via xlr, jack and RCA phono connectors
whilst the outputs have binding posts
and industry standard 4 pole connectors.
INSTALLATIONS
DX400 Rear Panel
Specification DX400
Output power per channel @ 4 ohms 200W RMS
Output power per channel @ 8 ohms 120W RMS
Input sensitivity XLR & Jack: 0dBu, RCA: +6dBu
Input impedance 10k ohm balanced, 20k ohm unbalanced
Frequency response +0,-1dB 5Hz-20kHz
Voltage Gain 31dB
Distortion @ 1kHz 0.01%
Signal to noise ratio 95dB
Damping factor @ 8 ohms 150
Cooling Twin variable speed fans, air flow from rear to front panel
Protection D.C., shot/open circuit, thermal
Status LEDs Power, Signal, Peak
Connection: Inputs XLR, TRS Jack, RCA phono
Connection: Outputs 4 pole connectors and binding posts
Power requirements 230V range +/-10% 50/60Hz
110V range +/-10% 50/60Hz
DISCOVER STUDIOMASTER Power consumption @1/3 power pink noise 2.5A @230V, 5A @ 115V
PORTABLE PA SYSTEMS Size (W x H x D)

Weight (net/shipping)
482(19.8”)x44(1.75”)x375mm(14.8”)
10.2kg(22.4lb)/13.1kg(28.8lb)
STUDIOMASTER FROM PAGE 55
PRO AUDIO
20 21
PROFESSIONAL
CLUBS & BARS STAGE MONITOR SYSTEMS
INSTALLATIONS MOBILE SOUND SYSTEMS POWER
AMPLIFIERS
"what has always set Studiomaster amps apart
is the exceptional sound, quality and reliability"
S
RE
• Compact up to 2900 watts in 2 rack spaces

- save money on racks and flight cases
ATU
• 35Hz Hi Pass filters

- save power and help keep your bass tight
FE
Level controls and status Flexible 2 way crossover Twin variable speed fans-
AX
LEDs - set the volume - no need for outboard work as hard as they need
and see what's going on crossovers to, quiet and longer lasting
PA RENTAL/HIRE
There are three models in the AX series channel can be assigned to the high, or modes of operation: stereo, paralleled input
SPECIFICATION AX1500 AX2500 AX3500
of amplifiers, all offering you professional low, frequency signal. The output from each and bridged mono. Whatever mode you Output Power (RMS watts per channel)
quality and high power in a compact crossover is also available on 1/4” jack choose, you can use them with or without Both Ch. 8 ohms 270 450 710
2-rack space package. As well as Hi sockets to connect more amplifiers. the crossover. Switchable 35Hz Hi Pass Both Ch. 4 ohms
Both Ch. 2 ohms
450
575
750
990
1100
1450
Pass filters, stereo crossovers and twin filters and clip limiters are available on each Bridged 8 ohms 900 1500 2200
cooling fans, their biggest asset is their For good reliability, amplifiers need to be kept channel. Bridged 4 ohms 1150 1980 2900
Input Sensitivity 0dBu 0dBu 0dBu
sound. For three decades, Studiomaster cool. Most manufactures make do with a Ref: Rated Power 4 ohms 0.775V 0.775V 0.775V
has been building superb amplifiers. single fan to reduce costs. The AX has twin Each channel has its own level control and Distortion (THD)
0.01% 0.01% 0.02%
What has always set them apart from continuously variable speed fans to provide three status LEDs for monitoring the output 1kHz @ rated pwer (1 channel driven)
Frequency Response
others is their exceptional sound quality. maximum cooling, low noise operation of your amplifier. An LED lights if you’ve 20Hz - 20kHz +0 / -0/5dB +0 / -0/5dB +0 / -0/5dB
The AX continues this tradition... you can and extended fan life. Fresh air is sucked in selected the bridged mono mode. Internally, Signal to Noise Ratio (unweighted)
100dB 100dB 100dB
concentrate on the performance, with no through the back of the amp and the warm the amplifiers are separate modules, Ref: Rated Power 4 ohms
need to worry about the amps! air is blown out through the front - keeping comprising circuit PCB and heatsink, each Input Filter
3rd order (18dB/oct)
35Hz 35Hz 35Hz
your amp racks cool! with independent DC and thermal overload Crossover Selectable 100 / 150Hz. 3rd order filter
The AX amplifiers are perfect for stereo protection. The power supply features a Cooling Continuously variable speed Twin Fans, back to front airflow
or bridged mono application and with the The input connectors are balanced massive high-current toroid transformer to Amplifier Protection
Full short circuit, open circuit, thermal, ultrasonic and RF protection.
All units are stable into mismatched or reactive loads
onboard two way crossover, will suit virtually combination jack/XLR and to make it easy for ensure you get more power and keep hum
AB+H(2) AB+H(3)
any application. The crossover frequency you to link to additional amps, there’s a male and noise to a minimum. Output Circuit Type AB
2 step supply voltage 3 step supply voltage
can be set at either 100Hz or 150Hz. Each XLR as well. The amplifiers all have three Power Requirements 230V ±10% 50/60Hz
The black, textured finished chassis features Power Consumption
4.6A 7A 8.2A
@ 230V 1/3 Power Pink Noise
double thickness front rack ears, plenty of
Connection
ventilation and rear rack fixing for greater Inputs Combination XLR and Jack soket, Male XLR link socket
security in transit. The 2mm aluminium trim Outputs 4 pole industry standard sockets
482mm (19") x 89mm(3.5") x 394mm(15.5")
panel makes it easy for you see the status Size (W x H x D) (When racked each unit occupies 2U)
LEDs and level controls. (Depth = rack mounting to rear rack ears)
Weight
Net 16kg(35.2lb) 19.4kg(42.68lb) 21.8kg(47.96lb)
STUDIOMASTER AX Rear Panel
Shipping 20kg(44lb) 23kg(50.6lb) 26kg(57.2lb)
PRO AUDIO
22 23
PROFESSIONAL
SWITCH MODE
INSTALLATIONS MOBILE SOUND SYSTEMS POWER
AMPLIFIERS
• Light weight
•Up to 3400 Watts in 2 rack spaces
•High efficiency class H amplifier design
FEATURES
SX Rear Panel
SX
SPECIFICATION SX2500 SX3500 SX4500

Output Power (RMS watts per channel)
PA RENTAL/HIRE
Both Ch. 8 ohms 450 580 1100

Both Ch. 4 ohms 800 1000 1800
Bridged 8 ohms 1600 2000 3600
Status LEDs Individual level controls Stylish handles for easy racking Input Sensitivity (Rated power 4 ohms) 0 dBu 0 dBu 0 dBu
Distortion (1kHz rated power 4 ohms) 0.03% 0.03% 0.03%
Frequency Response (+0, -1dB) 10Hz-31kHz 10Hz-31kHz 10Hz-45kHz
Switchable Hi Pass filter (12dB/oct) 30Hz 30Hz Not fitted
The SX range are rugged yet light pole connectors with binding posts giving Signal to Noise Ratio (unweighted) 95dB 95dB 100dB
weight amplifiers capable of producing total flexibility. Front panel status LEDs Crosstalk (ref 1kHz) 80dB 80dB 80dB
Damping Factor 250 250 250
quality sound at all power levels. provide visual indication of signal levels
Input Impedance 10k Unbal 20k Bal 10k Unbal 20k Bal 10k Unbal 20k Bal
There are three models in the range, (SIG, -20, -10 and PEAK), BRIDGED mode Voltage Gain 37dB 38dB 40dB
all occupy only 2 rack spaces and and POWER. Cooling: twin speed, venting front to rear 1 x 80mm 1 x 80mm 4 x 80mm
are forced cooled via a thermally Amplifier Protection Short, open circuit, thermal, RF.
controlled fan. The two large level controls aid precise Load Protection Power up/down muting.
volume setting and the durable black Circuit topology Class AB with Class H 2step high efficiency output
There are 3 modes of operation finished steel cabinet can handle life on Input mode Parallel, Stereo, Bridged
Input ground lift Yes Yes No
available stereo, mono or bridged and the road. With the highest powered model 30Hz Hi Pass Filter Switchable Switchable N/A
the input sensitivity can be trimmed by (SX4500) weighing only 16.4kg the SX Clip Limiter Fixed Fixed Switchable
+-3dB for system matching. The inputs range price/performance ratio is the only Connection
Inputs Combination XLR/jack socket, male XLR link
use combined XLR and jack socket choice!
Outputs 4 pole socket & 4 pole socket & 4 pole socket
combination connectors with a separate 4mm binding posts 4mm binding posts N/A
link socket to feed additional amplifiers. Power requirements50/60Hz~ :
The outputs use industry standard four 230V Euro model: 220-240V 220-240V 95-264V
115V US/Canada model: 110-127V 110-127V 95-264V
Power Consumption
230V 1/8 power pink noise 3.4A 4.7A 8.7A
230V 1/3 power pink noise 6.9A 7.9A 14.9A
Power factor correction No No Yes
Size (W x H x D) 483mm x 89mm x 435mm (19” x 3.5 x 17.2)
Unit occupies 2U, Depth = rack mount to rear rack ears
Weight
Net 12.8kg (28lb) 13.4kg (29.5lb) 16.4kg (36lb)
STUDIOMASTER Shipping 17.4kg (38lb) 18kg (40lb) 20kg (44lb)
PRO AUDIO
24 25
CINEMA
POWER
INSTALLATIONS MOBILE SOUND SYSTEMS
AMPLIFIERS
CX
PA RENTAL/HIRE
The CX amplifiers are Studiomasters levels and the variable speed fans keep the
first range dedicated to cinema CX cool under all conditions. The CX500
sound systems. The range consists supplies 250W per channel at 8ohms,
of two stereo amplifiers and a powerful the CX650 supplies 320W per channel at CX640 Rear Panel
6 channel surround sound amplifier. All 8ohms and the CX1650 has five channels
are rack mounting, heavy duty designs of 250W at 8ohms and a 400W at 4ohms
for great sound and reliability. There is an dedicated base channel.
onboard mp3 player with USB socket
allowing playback of digital music files The CX1650 has in addition two band EQ
whilst the two mic inputs, via jack sockets and reverb/delay effects.
with individual level controls, accept
dynamic microphones.
CX1650 5.1 Rear Panel
Multi segment bargraphs monitor each
channel giving a visual indication of power
SPECIFICATION CX500 CX640 CX1650

Power Output @8ohms 250W x 2 320W x 2 250W x 5, 400W (4ohms) x1
Freqency response +0-1dB 20-20kHz 25-25kHz 25-25kHz
Features THD 0.5% 0.5% 0.5%
• Switch mode power supplies to give stable operation in demanding situations Damping factor >300 >300 >300
• High quality Class-H amplifier modules Signal to Noise ratio (A weighted) 88dB 88dB 88dB
• Professional speaker connectors Input impedance 47kohm 47kohm 47kohm
Input sensitivity – Mic 2mV 2mV 2mV
• Built-in USB port with MP3 playback facilities Input sensitivity - Line 300mV 300mV 300mV
• Compact 1U / 2U designs Power requirement 230V AC 50/60Hz 230V AC 50/60Hz 230V AC 50/60Hz
Size (WxHxD) 483 x 44 x 300mm 483 x 44 x 300mm 483 x 88 x 405mm
Weight 5.8kg (12.8lb) 5.8kg (12.8lb) 21.5kg (47.4lb)
STUDIOMASTER
PRO AUDIO
26 27
DUO/SOLO ACTS VOCAL
MANAGEMENT
SYSTEM
V ocal sound in the live environment is arguably the most
important factor of any performance but one often
neglected in terms of technical facilities. In the recording
VMS studio there will be any number of signal processors and

effects geared to enhancing the singer's voice to produce
the best possible recording. On the stadium touring circuit
the sound companies will also employ similar tools to
support the singer. At the more modest end of the industry,
a singer will have a microphone, mixer, amplifier and
speakers. Adequate maybe but using these alone is a far
"Compression is an indispensable
tool in studios but often missing in
cry from the polished performance found on albums and live performances"
heard in large concerts - until now!
CLUB & VENUE INSTALLATION
S
• All new mic pre
RE
- will capture every detail of your voice with

distortion free clarity
ATU
• A faster Noise Gate

- Lets your voice through but eliminates background noises
• Seven band Graphic Equaliser
- provides you with subtle tonal adjustment right across the
FE
Fixed optical Compressor Six stunning effects - to Six position voice gets
vocal range - takes the headache out compliment your voice you to the right gain
of dynamics processing setting - fast
The VMS turns off the mic when not in mic handling noise and phantom power is control you need to enhance and 'sweeten' your voice.
use, evens out the volume of your voice available for those high quality condenser mics. SPECIFICATION VMS
DJS
Mic Amp Input Gain

(reducing the loud but increasing the soft The digital signal processor (DSP) is the result of decades Gain switch selectable 0dB 10dB 16dB 22dB 28dB 34dB
parts), adds world class vocal effects and The noise gate turns off the mic when you are of effects processor experience and contains six studio CMRR Microphone Input 86dB @ 1kHz
a set of intuitive tone controls. Until now not actually singing so your PA won't pick up quality sounds developed just for vocal. Each effect has Mic EIN -126dBu @ 34dB
you would have needed a rack full of signal the bass player talking to the drummer! its own button, so easy to change and the foot switch Frequency Response Gain -0.5dB(20Hz-20kHz)
processing equipment that requires expert The compressor controls the volume level of socket on the rear panel gives you the facility to turn off Noise (20Hz-20kHz)
KARAOKE
setting up to achieve the results the VMS your voice, producing a smoother, balanced the effects between songs. Signal to noise ratio 88dB (+4dBu output, bypass selected)
Gate Characteristics
will give you. delivery. Compression is an indispensable tool Threshold variable: -60dBu to -20dBu
in studios but often missing in live performances Totally unique, the VMS is neatly packed into a 1u rack Filter -3dB @ 150Hz & 10kHz
The mic preamp is our new low noise design due mainly to the complexity of such devices. mount (or free standing) package making it very portable. Attack/ Release 2.5ms/100ms
Compressor Characteristics Dynamics Factory set
featuring a 6 position gain switch simply marked In the VMS however, the optical compressor is The internal power supply means no wall adaptors Distorition <0.2%
LOUD & SOFT - just select the position that tuned for the best vocal dynamic control without to lose or forget. All input & output connectors are Gain reduction leds Illuminate @ 5dB, 10dB, 15dB, 20dB gain reduction
suits your voice. compromising your sound. professional balanced XLR and jack and there is also a Gain make up 13dB
Distorition
The seven band graphic equaliser with its handy headphone socket on the front panel. THD @ 1kHz <0.002% (bypass selected)
An 18dB/oct filter reduces stage rumble and carefully chosen frequencies, gives all the tonal Metering VU averaging response characteristic: 0 VU = 0dB output
So, although simple to use, the VMS is packed with state Graphic Equaliser
of the art audio signal processing electronics, to enhance Gain ± 9dB @ 125Hz, 250Hz, 500Hz, 1kHz, 2kHz, 4kHz, 8kHz
Response Q = 1.4
your vocal talent.
Headphone Output 400mW/Ch into 150 ohm load. For 32 to 400 ohm output
Input/Output Levels Maximum Impedance
Microphone Input +22dBu 2k5 ohms
VMS Rear Panel - Ultra low noise internal power supply and professional NEUTRIK XLR connectors
Line Input (20dB pad) +42dBu 25k ohms
Output (balanced) +28dBu 200 ohms (mic) / 150 ohms (line)
Output (unbalanced) +22dBu 100 ohms (mic) / 75 ohms (line)
Connection
Input Conbination balanced XLR and Jack socket
Output Balanced XLR and TRS Jack socket
Power Requirements 230V range ±10% ~50/60Hz 70mA Max
Voltage Selector 115V range ±10% ~50/60Hz 140mA Max
Size (W x H x D) 482mm(19") x 44mm(1.75") 1U x 265mm(10.5") including rack ears
STUDIOMASTER Weight (net / shipping) 3.7kg(8.1lb) / 4.7kg(10.3lb)
PRO AUDIO
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PA RENTAL/HIRE GRAPHIC
EQUALISERS
30 25Hz-16kHz
2 x 15 band
2/3 octave
60 25Hz-20kHz
2 x 30 band
1/3 octave
HOUSE OF WORSHIP
60L 25Hz-20kHz
2 x 30 band
1/3 octave
Graphic equalisers are an essential Next is the two rack space SRQ62 with
tool in live sound and the SRQ range 2x30 bands of frequency adjustment
STAGE MONITORS
provides the quality & features sound spaced at 1/3 octaves. In addition to
SRQ
engineers demand. the facilities on the SBQ30 there is a

switchable 40Hz high pass filter.
The range consists of 3 models all
with balanced XLR and screw terminal Finally, the top of the range SBQ62L.
connectors. Longer 45mm travel frequency faders for SPECIFICATION SRQ30 SRQ60 SRQ60L
when accurate adjustment is required. 2/3 octave ISO frequencies: 25, 40, 1/3 octave ISO frequencies: 1/3 octave ISO frequencies:
63, 100, 160, 250, 400, 630, 1k, 1.6k, 20, 25, 31.5, 40, 50, 63, 80, 100, 125, 20, 25, 31.5, 40, 50, 63, 80, 100, 125,
The smallest of the range is the SRQ30. 11 segment two colour bargraphs give Centre frequencies 2.5k, 4k, 6.3k, 10k, 16k 160, 200, 250, 315, 400, 500,630, 160, 200, 250, 315, 400, 500,630,
This is a one rack space 2x15 band a visual indication of the output level and 800, 1k, 1.25k, 1.6k, 2k, 2.5k, 3.15k, 800, 1k, 1.25k, 1.6k, 2k, 2.5k, 3.15k,
4k, 5k, 6.3k, 8k, 10k, 12.5k,16k, 20k 4k, 5k, 6.3k, 8k, 10k, 12.5k,16k, 20k
graphic with frequencies spaced at a fully adjustable hi pass filter sweeps
Frequency response 10-55kHz
2/3 octaves. The input trim adjusts the between 12 and 285Hz. Freqency cut/boost 12dB
overall signal level with signal & clip LEDs Distortion 0.004%
providing visual indication of signal levels. Signal to Noise Ration 98dB
The cut and boost range is switchable from Gain cut/boost selectable 15dB/6dB
6dB to 15dB and a bypass switch gives a Input trim range infinity to +6dB
INSTALLATIONS
quick active/bypass comparison. Maximum input level +23dBu balanced, +20dBu unbalanced
SRQ Rear Panel Maximum output level +23dBu balanced, +20dBu unbalanced
Input impendence 20k ohms balanced, 10k ohm unbalanced
30 Output impendence
Hi Pass Filter SRQ62L
<150 ohms
12-285Hz @ 12dB/octave
Hi Pass Filter SRQ62 40Hz @ 12dB/octave
Metering SRQ62L 11 segment 2 colour bargraph
62
Meter calibration SRQ62L -18 to +9dB, clip illuminates @ +18dBu
Connections
Input Balanced 3pin XLR, 3 pole jack & Phoenix screw terminal
Output Balanced 3pin XLR, 3 pole jack & Phoenix screw terminal
Power Requirements 90-240V ~ 50/60Hz
Power consumption 10W 14W 17W
Fuse 20x5mm 250V T1.6AL T1.6AL T1.6AL
62L Fader travel

Size
25mm 25mm 45mm
Width (max) 482mm (19") 482mm (19") 482mm (19")

Height 44mm(1.7") 88mm(3.5") 132mm(5.25")
Depth 186mm(7.4") 186mm (7.4") 186mm (7.4")
Weight
STUDIOMASTER Net
Shipping
2.5kg(5.5lb)
3.5kg (7.7lb)
3.5kg(7.7lb)
4.5kg (9.9lb)
4.5kg(9.9lb)
5.5kg (12.1lb)
PRO AUDIO
30 31
VACUUM DIGITAL
HOME STUDIO RECORDING AUDIO
TOURING PA SYSTEMS
TUBE PROCESSORS
COMPRESSOR
AC
VTX2
INSTALLATIONS
LIVE SOUND
FEATURES • Warm tube sound

• Full function dual compressor
• Clear illuminated meters
• Up to 8 in & 8 outputs
• Precision crossover
• 10 user memories
FEATURES
• Balanced inputs and outputs
The VTX2 is a two channel dynamics a variable threshold peak limiter and a stereo The AC series consists of three models a choice of Butterworth, Bessel, Linkwitz-Riley
processor with five functions - couple or dual mono mode of operation is all featuring the same digital control but filters. Housed in a single rack space cabinet,
compressor, limiter, expander, gate and available. different input and output configurations. the parameters can be controlled from the
peak limiter. It features superb sonic The four round, retro illuminated meters and 24bit/48kHz conversion preserves audio front panel of via USB to a computer using the
accuracy, clear easy to use controls all large chrome controls reflect the build quality of quality and all settings can be saved in the software supplied.
in a 2 rack space enclosure. the VTX2 as do the multitude of classic toggle 10 user memories. Each delay, compressor,
switches. A hard wired bypass switch provides crossover parameter is fully adjustable with
To add warmth to the sound a 12AX7 A/B comparison or power fail back up.
tube (valve) is incorporated, regulated by
the warm/cold control with the harmonic Connections to the VTX2 is via balanced XLR
level displayed on a dedicated meter. Both and jack sockets and operating levels can
attack and release time is variable or can be be switched between +4dBu and -10dBV.
switched to auto mode to aid setting up. The front panel of via USB to a computer using the
compressor ‘knee’ can be changed from software supplied.
hard to soft (interactive) depending on the
application. The output signal benefits from
VTX2 Rear Panel AC Series Rear Panel
SPECIFICATION VTX2
Output make up gain ±20dB Models Available:
Residual Noise (active) -80dBu Models Inputs Outputs
Frequency Response 30Hz – 20kHz +0, -1db 3 balanced XLR 6 balanced XLR
AC36
Typical Distortion 0.5%
AC48 4 balanced XLR 8 balanced XLR
Operating Level +4dBu or -10dBV, selectable
AC88 8 phoenix screw terminals 8 phoenix screw terminals
Maximum Input Signal +22dBu
Maximum Output Signal +22dBu
Connections Specification
Inputs & outputs Balanced XLR & TRS jack sockets AD/DA 24 bit, 48kHz
Side chain send & return Unbalanced TRS jack socket DSP processor 32 bit
Power Requirements 100 – 240V A.C. 50/60Hz Hi/Lo pass filter slopes -6, -12, -18, -24, -36, -48dB
Size(W x H x D) 483mm (19”) x 2U 89mm (3.5”) x 260mm (10.2”) Frequency response 20-20kHz
STUDIOMASTER Weight 6kg (13.2lbs)
User memories 10 user, 1 factory
PRO AUDIO
32 33
DUO/SOLO ACTS ACTIVE
INJECTION
MOULDED
"Easy to carry and easy to use, the VPX
VPX15
speakers will transform your sound"
VPX15 sub
Integral carry handles &

Controls on VPX12 & 15 - to
make life easy for you
DJS
KARAOKE
2 way stereo crossover on

VPX15sub - all the flexibility
• Portable, self contained active speaker systems
S
you need
- plug-and-play PA solutions
RE
• VPX10, 12 & 15 with mic/line inputs and 3 band EQ
- everything you need
ATU
• You can use free standing or on poles
- your VPX system will really perform
PORTABLE SOUND SYSTEMS
VPX12
FE
• Cast chassis speakers
- premium quality and superior sound 2 way bi-amplified design -
Great performance and sound
VPX
If you're looking for a portable, active with premium quality cast aluminium chassis The VPX range is not only simple but flexible.
speaker system, you have every reason bass speakers and a high frequency unit which For example, the ideal set up would use a pair of SPECIFICATION VPX10 VPX12 VPX15 VPX15sub
to be very demanding. The speakers is integrated into the moulded 60x90 degree VPX12s and a pair of VPX15subs. If a smaller PA Output Power
(music) 250W 300W 400W 600W
you're looking for have to be tough, horn flare to ensure you enjoy smooth high is all you need, just use the VPX12s on their own
Frequency response 60Hz-15kHz 45Hz-18kHz 40Hz-18kHz 39Hz-110Hz
affordable and sound good. This is frequencies. as a compact system and leave the subs at home. Maximum SPL 120dB 121dB 122dB 126dB
where the Studiomaster VPX range The VPX15 is a good all-rounder combining value Crossover frequency 2.5kHz 2.5kHz 2.5kHz 100Hz
comes in. This attractive range of The VPX 15 sub can provide you with a with performance, flexibility and convenience. HF Amplifier
moulded cabinets, consisting of three maximum 600Watts of thunderous bass power (music) 50W 50W 100W -
LF Amplifier
models packed with features, has been and is an ideal partner for the VPX12 or 15. driver 200W 250W 300W 600W
designed to give you the results you Inside the rear panel are two 100Hz crossovers VPX15 Rear Low frequency
demand. Easy to carry and easy to use, that will accept a mono or stereo signal from driver 10" Cast Chassis 12" Cast Chassis 15" Cast Chassis 15" Cast Chassis
Compression
the VPX speakers will transform your you mixer. If you use driver 1.35" diaphragm 1.75" diaphragm 1.75" diaphragm -
sound. stereo, it will mix the Nominal despersion
bass frequencies to (horizontal) 90 degrees 90 degrees 90 degrees -
The VPX10, VPX12 and VPX15 boast mono (sound is non Nominal despersion
(vertical) 60 degrees 60 degrees 60 degrees -
separate amplifiers. This means that each d i re c t i o n a l a t l o w Connection
amplifier can be designed to match the frequencies) while Inputs (Excluding sub) Balanced XLR, male XLR link socket
Inputs VPS 15sub only Balanced XLR, male XLR link socket, filtered High Pass male XLR
speaker it's driving. Why waste amplifier allowing the high
Power Requirements
power on low frequencies. You'll get better frequencies through, Voltage Selector 230V range ± 10% ~50/60Hz 115V range ± 10% ~50/60Hz
control, better sound and you don't have to in stereo, to you mid/ HIGH EQ ±15dB @12.5Hz ±15dB @12.5Hz ±15dB @12.5Hz -
MID EQ ±12dB @2.5Hz ±12dB @2.5Hz ±12dB @2.5Hz -
carry around an amplifier you don't need. high speakers. So LOW EQ ±15dB @60Hz ±15dB @60Hz ±15dB @60Hz -
you can use a single Size
The input connector is a balanced 3 pin XLR VPX15 sub with a Width (max) 310mm(12.2") 330mm(13") 365mm(14.4") 570mm(22.4")
Height 530mm(20.9") 630mm(24.8") 720mm(28.3") 630mm(24.8")
and it's switchable for mic and line use so pair of VPX12 & 15 Depth 345mm(13.6") 410mm(16.1") 495mm(19.5") 515mm(20.3")
you can use it with more or less any input. cabinets and still get a Weight
Net 17kg (37.4lb) 20kg (44lb) 25kg (55lb) 32kg (70.4lb)
The three band EQ gives you the control you great sound. Shipping 21kg (46.2lb) 25kg (55lb) 30kg (66lb) 38kg (83.6lb)
need when you're using the VPX as an all in
one PA system. If you want to use your VPX
with an external mixer, the on-board gain and
level controls allow signal matching without
STUDIOMASTER any compromises. The VPX range is fitted VPX10 Rear Panel
PRO AUDIO
34 35
DUO/SOLO ACTS PA S S I V E
INJECTION
MOULDED
VSX15
VSX15 sub
DJS
KARAOKE
S
RE
• You can use free standing or on polesplug-and-your
- VPX system will really perform
ATU
• Cast chassis speakers
- premium quality and superior sound
VSX12
FE
Integral carry handles on
VSX10, VSX12, VSX15 &
VSX
VSX15sub -to make life

The VSX range of loudspeakers have easy for you
been designed as a high performance, SPECIFICATION VSX10 VSX12 VSX15 VSX15sub
light weight sound reinforcement Power Handling - program 400W 500W 500W 600W
solution. There are four models in the Frequency Response 50Hz - 18kHz 45Hz - 18kHz 40Hz - 20kHz 39Hz - 125Hz
range 10”, 12” & 15” 2-way full range and Sensitivity 1W/1m 95dB 96dB 97dB 100dB
Crossover Frequency 2.7kHz 2.5kHz 2.3kHz 250Hz Low Pass Filter*
a dedicated 15” sub bass. They can be
Low Frequency Driver 10" Cast Chassis 12" Cast Chassis 15" Cast Chassis 15" Cast Chassis
used as individual cabinets in a basic HF Driver 1.35" diaphragm 1.75" diaphragm 1.75" diaphragm -
PA format or in multiples for larger, full Nominal dispersion (H x V) 90 x 60 degree 90 x 60 degree 90 x 60 degree -
range systems. Connection (parallel wired)
The stylish moulded cabinet is easy to move 2 x 4 pole industry standard sockets and 1 x jack socket
Size
using the integral handle and the side angles Width (max) 310mm(12.2") 330mm(13") 365mm(14.4") 570mm(22.4")
have been chosen for the ideal incline for use Height 530mm(20.9") 630mm(24.8") 720mm(28.3") 630mm(24.8") 2 way design - Great
as a stage monitor. Depth 345mm(13.6") 410mm(16.1") 495mm(19.5") 515mm(20.3") performance and sound
Weight
The VSX range is built using premium cast Net 14kg (30.8lb) 17kg (37.4lb) 21kg (46.2lb) 28kg (61.6lb)
Shipping 19kg (41.8lb) 22kg (48.4lb) 26kg (57.2lb) 33kg (72.6lb)
aluminium chassis speakers and the high
frequency units are integrated into the
moulded 60x90 degree horn flare to ensure
smooth high frequency delivery.
Each of the 2-way cabinets contain a

moulded 35mm stand socket and use
industry standard speaker connectors. The
sub bass has a 35mm socket moulded into
the top of the cabinet to allow mounting of a
pole & mid top cabinet.
VPX12 Rear
STUDIOMASTER
PRO AUDIO
36 37
PROFESSIONAL
BANDS
TRAPEZOIDAL Tough steel grilles -
protect your investment
"The LX15/18 subs are fitted with heavy

duty, cast chassis speakers to cope with
a massive 800 Watts of program power"
HOUSES OF WORSHIP
LX212
Flush side handles -

LX15 LX18 sub easy to lift carry
LX12 LX15 sub
LX212C
• Nine models
ES
- you choose the system thats right for you!
• LX12/15 feature trapezoidal enclosures
R
- great on their own or in a cluster
ATU
• 35mm mounting sockets
- use on a stand or pole Heavy duty speakers -
PA RENTAL/HIRE
the kind of thunderous
FE
bass you're looking for
• Durable m.d.f. cabinets
- hard wearing & natural acoustic qualities
With the LX range of compact speaker mounted in the top of the cabinet giving a sturdy
systems, you get a combination of high base for pole mounting the mid/top LX12 or 15. SPECIFICATION LX12 LX15 LX15sub LX18sub
LX
1x12"+HF 1x15"+HF 1x15" 1x18"

performance and versatility making All cabinets are made from m.d.f. providing Power handing - program 400W 500W 1400W 1400W
them ideal for virtually any performe. The a solid hard wearing enclosure with natural Nominal Impedance 8 ohms 8 ohms 8 ohms 8 ohms
high power drivers have been carefully acoustic qualities. A scratch resistant, dark Frequency Response 50Hz-20kHz 40Hz-20kHz 40Hz-125Hz 37Hz-125Hz
Sensitivity 1W/1m 95dB 96dB 98dB 100dB
selected for high SPLs and sonic textured, paint helps keep the cabinets in great
Internal crossover frequency 2.2kHz 2.2kHz 150Hz Low Pass Filter* 150Hz Low Pass Filter*
accuracy (or loud and clear if you prefer). condition while an acoustically transparent, steel Recommended crossover frequency - - - -
The range offers you outstanding value grille protects your speakers. Each cabinet is Low frequency driver 12" Cast Chassis 15" Cast Chassis 15" Cast Chassis 18" Cast Chassis
for money and a sound to be proud of. fitted with a pair of industry standard, 4 pole HF Driver 1" throat horn flare & titanium diaphragm - -
speaker connectors, for reliable long term Nominal dispersion (H/V) 90 x 60 degree 90 x 60 degree - -
CLUB & PUB INSTALLATIONS
35mm Pole Socket √ √ √ √

The range centres on the LX12 and LX15. operation. Comfortable flush side handles make
Connection (parallel wired) 2 x 4 pole industry standard sockets
These are two way, full range, ultra compact lifting and carrying easy. Size
systems that deliver impressive power and Width (max) 418mm(15.5") 504mm(19.8") 504mm(19.8") 560mm(22.0")
Height 614mm(24.2") 758mm(29.8") 594mm(23.4") 658mm(25.9")
clarity. Cast aluminium speaker chassis have Using your LX12/15 cabinets with a pair of LX15 Depth 375mm(14.8") 483mm(19.0") 602mm(23.7") 662mm(26.1")
been chosen for their low distortion sound or 18 subs, produces a great full range system Weight
and light weight. The 1" throat horn flare that begs to be powered by Studiomaster Net 19kg(41.8lb) 23kg(50.6lb) 40kg(88lb) 48kg(105.6lb)
Shipping 20.5kg(45.1lb) 25kg(55lb) 42kg(92.4lb) 51kg(112.2lb)
gives you smooth 90 degree horizontal and AX amplifiers. As the AX range has built in
40 degree vertical dispersion of the high crossovers, your system doesn't need any
frequencies. On their own, they make an ideal additional processors, saving you space and SPECIFICATION LX212C LX212 LX215 LX215sub LX218sub
2x12"+HF 2x12"+HF 2x15"+HF 2x15" 2x18"
small PA system. Add LX15 or LX18 subs and money. Power handing - program 800W 800W 900W 2800W 2800W
the results are truly awesome. Nominal Impedance 4 ohms 4 ohms 4 ohms 4 ohms 4 ohms
Frequency Response 45Hz-20kHz 45Hz-20kHz 40Hz-20kHz 40Hz-125Hz 37Hz-125Hz
The LX15 and 18 subs can each handle Sensitivity 1W/1m 98dB 98dB 99dB 101dB 103dB
Internal crossover frequency 1.8kHz 2.2kHz 2kHz - -
a massive 800 Watts AES power. They Recommended crossover frequency 150Hz - - 100Hz 100Hz
are internally braced to minimise cabinet Low frequency driver 2x12" Cast Chassis 2x12" Cast Chassis 2x12" Cast Chassis 2x15" Cast Chassis 2x18" Cast Chassis
resonance keeping the bass frequencies HF Driver 1" throat horn flare & titanium diaphragm - -
low and tight. A 35mm "top hat" socket is Nominal dispersion (H/V) 90 x 60 degree 90 x 60 degree 90 x 60 degree - -
35mm Pole Socket √ X X X X
Connection (parallel wired) 2 x 4 pole industry standard sockets
Size
Width (max) 634mm(25.0") 440mm(17.3") 524mm(20.6") 948mm(36.0") 1036mm(40.8")
Height 578mm(22.8") 475mm(38.4") 1186mm(46.7") 554mm(21.8") 624mm(24.6")
Depth 410mm(16.1") 423mm(16.7") 512mm(20.2") 664mm(26.1") 694mm(27.3")
Weight
STUDIOMASTER Net
Shipping
25kg(55lb)
27.5kg(60.5lb)
30kg(66lb)
32.5kg(71.5lb)
35kg(77lb)
38kg(83.6lb)
59kg(129.8lb)
62kg(136.4lb)
65kg(143lb)
68.5kg(150.7lb)
PRO AUDIO
38 39
ACTIVE &
PA S S I V E
DUO/SOLO ACTS
Heavy duty speaker components
LOW COST
GX15A / GX15
GX12A / GX12
GX10A / GX10
GX12MA / GX12M GX15MA / GX15M

Flexible MIC and LINE inputs
BANDS
S
• Low cost , full range speaker system
RE
- ideal for the musician on a budget
• LX12/15 feature trapezoidal enclosures
ATU
- your next PA system is here!
STAGE MONITORS
• Comprehensive on board mixer

- use a microphone with MP3/CD players simultaneously
FE
Ideal monitor angle
The GX range sets a new standard in A line output facility has a level control and
loudspeaker performance, portability balanced XLR & jack connectors. This is ideal SPECIFICATION GX10A GX12A GX15A GX12MA GX15MA
and cost. The range comprises 10 for linking to additional active cabinets or Active Models 2 Way 10" 2 Way 12" 2 Way 15" 12" Monitor 15" Monitor
Output Power Program 70W 140W 170W 140W 170W
models, 5 active (powered) and 5 connecting to a recording device.
GX
With Extension Speaker 100W 200W 250W 200W 250W

passive (unpowered). Both types feature Profile Trapezoidal Trapezoidal Trapezoidal 30° Wedge 32° Wedge
10”, 12” & 15” full range cabinets and The three band EQ comprises HI, MID and LO Frequency response 80Hz-18kHz 60Hz-18kHz 40Hz-18kHz 60Hz-18kHz 40Hz-18kHz
Maximum SPL 120dB 124dB 126dB 124dB 126dB
a 12” & 15” stage monitor. The strong controls Crossover frequency 4kHz 4kHz 3kHz 4kHz 3kHz
trapezoidal shaped wooden cabinets are Low frequency driver 10" Steel Chassis 12" Steel Chassis 15" Steel Chassis 12" Steel Chassis 15" Steel Chassis
black carpet covered to give a stylish, Finally the master level control lets you set the High frequency driver piezo piezo 1.35" driver piezo 1.35" driver
Nominal dispersion (H x V) 90 x 60 degree 90 x 60 degree 90 x 60 degree 90 x 60 degree 90 x 60 degree
durable finish while keeping weight to a volume of the GX with a PEAK led showing HIGH EQ (±15dB) 10kHz 10kHz 10kHz 10kHz 10kHz
minimum. All full range cabinets contain when signals are getting too hot! MID EQ (±12dB) 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz
a 35mm speaker pole socket for stand An unusual feature of the active GX range is the LOW EQ (±15dB) 100Hz 100Hz 100Hz 100Hz 100Hz
Connectors
mounting and all models have tough ability to power an extra passive GX cabinet. MIC Input Balanced XLR + Jack
slotted handles, making transportation This doubles the flexibility of the system letting LINE Input Balanced XLR, Unbalanced RCA Phono
Extension speaker Output 1 x 4 pole industry stand sockets
easy. you scale your PA to the venue size or adding
35mm Pole Socket √ √ √ √ X
additional speakers as and when funds are Voltage Selection 230V Range: ±10% ~50/60Hz 115V Range: ±10% ~50/60Hz
The passive cabinets have a pair of industry available increasing overall power. Size
standard 4 pole speaker connectors for Width 350mm(13.8") 390mm(15.4") 470mm(18.5") 400mm(15.7") 680mm(26.8")
Height 520mm(20.5") 570mm(22.4") 710mm(28") 530mm(20.9") 470mm(18.5")
reliable operation and the flexibility to connect So, for example, your PA could start with just a Depth 260mm(10.2") 290mm(11.4") 350mm(13.8") 370mm(14.6") 350mm(13.8")
to additional cabinets. pair of GX15A active cabinets. When you start Weight
Net 13kg(28.6lb) 20kg(44lb) 26kg(57.2lb) 20kg(44lb) 26kg(57.2lb)
The active range (denoted by the ‘A’ suffix playing bigger gigs buy a pair of GX15 passive Shipping 14.5kg(31.9lb) 21.5kg(47.3lb) 28kg(61.6lb) 21.5kg(47.3lb) 28kg(61.6lb)
in the model name) use a reliable on board cabinets and power them from the GX15As.
bipolar amplifier matched to the custom SPECIFICATION GX10 GX12 GX15 GX12M GX15M
designed loudspeaker components producing Passive Models 2 Way 10" 2 Way 12" 2 Way 15" 12" Monitor 15" Monitor
Power Handling (program) 200W 400W 500W 400W 500W
high quality sound at all volume levels. The
Nominal Impedance 8 ohms 8 ohms 8 ohms 8 ohms 8 ohms
comprehensive preamplifier section caters for Profile Trapezoidal Trapezoidal Trapezoidal 30° Wedge 32° Wedge
just about any application: Frequency response 80Hz-18kHz 60Hz-18kHz 40Hz-18kHz 60Hz-18kHz 40Hz-18kHz
Maximum SPL 97dB 97dB 98dB 97dB 98dB
Crossover frequency 4kHz 4kHz 3kHz 4kHz 3kHz
Input one is microphone level with its own Low frequency driver 10" Steel Chassis 12" Steel Chassis 15" Steel Chassis 12" Steel Chassis 15" Steel Chassis
gain control and a choice of xlr or jack socket High frequency driver piezo piezo 1.35" driver piezo 1.35" driver
connectors. Nominal dispersion (H x V) 90 x 60 degree 90 x 60 degree 90 x 60 degree 90 x 60 degree 90 x 60 degree
35mm Pole Socket √ √ √ √ X
Connection (parallel wired) 2 x 4 pole industry stand sockets
Input two is for line level equipment (MP3/CD/ Size
keyboard, external mixer etc) with balanced Width (max) 350mm(13.8") 390mm(15.4") 470mm(18.5") 400mm(15.7") 680mm(26.8")
Height 520mm(20.5") 570mm(22.4") 710mm(28") 530mm(20.9") 470mm(18.5")
XLR & RCA phono connectors and a level
STUDIOMASTER control.
Depth
Weight
260mm(10.2") 290mm(11.4") 350mm(13.8") 370mm(14.6") 350mm(13.8")
PRO AUDIO GX Active Models Rear Panel Net 10kg(22lb) 16kg(35.2lb) 21kg(46.2lb) 16kg(35.2lb) 21kg(46.2lb)
40 41
Shipping 11.5kg(25.3lb) 17.5kg(38.5lb) 23kg(50.6lb) 17.5kg(38.5lb) 23kg(50.6lb)
PA RENTAL/HIRE ACTIVE &
PA S S I V E
SPEAKER JX215/JX215A
Quality Wooden Cabinets
JX212/JX212A
JX12/JX12A JX15/JX15A
JX10/JX10A
JX8/JX8A
JX18S/JX18SA
INSTALLS
FEATURES
can be rotated depending on cabinet orientation.
JX
The active cabinets use reliable bi-polar amplifier designs, 3 band EQ, and an 80Hz high pass filter (not on subs) to add clarity
for vocal only applications. The subs and twin speaker models also have fan assisted cooling for reliable long term operation.
The larger models in the range are the 2x12” & 2x15” with 800W amplifiers and built-in rear casters to make moving easy.
Each cabinet is finished in tough mark resistant paint with sturdy perforated steel grilles.
Passive Models JX8 JX10 JX12 JX15 JX212 JX215 JX18S

Active versions with 3 18” sub with built in 80/100Hz Pole or floor mount System type 2 way passive 2 way passive 2 way passive 2 way passive 2 way passive 2 way passive Sub bass
band EQ crossover and phase switch Cone size 8" 10" 12" 15" 2x12" 2x15" 1x18"
Frequency response 65-20kHz 55-20kHz 45-20kHz 40-20kHz 50-20kHz 40-20kHz 35-150Hz
Power RMS/PGM 150/300W 250/500W 300/600W 400/800W 600/1200W 800/1600W 700/1400W
The JX series is a premium range Crossover frequency 2.5kHz 2.5kHz 2.2kHz 2.1kHz 2.2kHz 2.1kHz 150Hz
of speakers for applications where Sensitivity 1w@1m 92dB 95dB 97dB 98dB 100dB 101dB 97dB
Maximum spl 117dB 122dB 125dB 127dB 131dB 133dB 128.5
professional quality sound is demanded
Connectors 2x4pole 2x4pole 2x4pole 2x4pole 2x4pole 2x4pole 2x4pole
and with 14 different models there will be Nominal impeadence 8ohm 8ohm 8ohm 8ohm 4ohm 4ohm 8ohm
a JX to suit your needs. 35mm Pole Mount Yes Yes Yes Yes No No Yes*
Dimensions WxHxD 300(11.4") x 340(13.4") x 390(15.4") x 424(16.7") x 405(15.9") x 450(17.7") x 568(22.4") x
514(20") x 578(22.7") x 660(26") x 740(29.1") x 989(38.9") x 1153(45.4") x 627(24.7") x
There are seven active and seven passive 330mm(13.9") 357mm(14.1") 409mm(16.1") 437mm(17.2") 445mm(17.5") 508mm(20") 710mm(28")
versions featuring high temperature voice Weight net 14kg(28.6lb) 16.5kg(39.6lb) 21kg(46.2lb) 31kg(68.2lb) 30kg(66lb) 45kg(99lb) 45kg(99lb)
coils and custom designed CD horns all

Active Models JX8A JX10A JX12A JX15A JX212A JX215A JX18SA
contributing to efficient, reliable sound System type 2 way active 2 way active 2 way active 2 way active 2 way active 2 way active Active Sub bass
output. Cone size 8" 10" 12" 15" 2x12" 2x15" 1x18"
Frequency response 65-20kHz 55-20kHz 45-20kHz 40-20kHz 45-20kHz 40-20kHz 35-100Hz
Power RMS 200+60W 300+60W 350+100W 400+100W 700+100W 750+100W 750W
All speakers feature Crossover frequency 3kHz 2.5kHz 1.8kHz 1.5kHz 1.5kHz 1.7kHz 1.5kHz
a new magnet Maximum spl 120dB 124dB 126dB 128dB 131dB 132dB 128dB
configuration greatly Input sensitivity 0dBu 0dBu 0dBu 0dBu 0dBu 0dBu 0dBu
reducing distortion at Connectors Male+Female XLR Male+Female XLR Male+Female XLR Male+Female XLR Male+Female XLR Male+F emale XLR Male+Female XLR
Power requirements 350W 450W 560W 600W 1250W 1450W 1150W
high power levels. The 35mm Pole Mount Yes Yes Yes Yes No No Yes*
constant directivity horn Dimensions WxHxD 300(11.4") x 340(13.4") x 390(15.4") x 424(16.7") x 405(15.9") x 450(17.7") x 568(22.4") x
has a 90x60 degree 514(20") x
330mm(13.9")
578(22.7") x
357mm(14.1")
660(26") x
409mm(16.1")
740(29.1") x
437mm(17.2")
989(38.9") x
445mm(17.5")
1153(45.4") x
508mm(20")
627(24.7") x
710mm(28")
dispersion pattern which Weight net 20.3kg(44.4lb) 23.6kg(52lb) 29.2kg(64.2lb) 36kg(79.2lb) 36kg(79.2lb) 52kg(114.4lb) 58.5kg(128.7lb)
STUDIOMASTER *= JX18S & JX18SA feature 35mm adapters in the top of the cabinet to allow an 8, 10 or 12” speaker to be mounted using a pole (not supplied).
PRO AUDIO JX10A Rear Panel JX212A Rear JX18SA Rear Panel
42 43
HOUSES OF WORSHIP ACTIVE &
PA S S I V E
SMALL SIZE
PAS8/PS8
PAS PS PAS6/PS6
"Ideal for schools, bars, clubs,
restaurants, churches - anywhere
you need a smaller sound system"
EQ and Jack inputs on rear
panel of PAS models
PC SOUND SYSTEM
Hard wearing, smart looking,

injection moulded cabinet
• Active and passive versions available
S
- you have the choice
RE
• Free standing or wall mounting -Brackets included
- giving you maximum flexibility
ATU
• Jack Input connectors
- quick reliable connections
FE
• 60/80 Watt amplifier in PAS models
- no speaker cables to worry about Wall mountable - supplied
BACKGROUND MUSIC IN BARS/RESTAURANT
with the mounting bruckets
Although Studiomaster are famous for The PAS6 and PAS8 internal amplifiers have
high-powered amplifier and speaker jack inputs suitable for mic and line levels, and SPECIFICATION PAS6 PAS8
systems, some of your applications may can supply 50 Watts of clear undistorted sound. Speaker 6' High Output Design 8' High Output Design
require smaller solutions. A useful tone control lets you emphasise high HF Unit High Frequency Tweeter High Frequency Tweeter
Finish Black Moulded Plastic Black Moulded Plastic
and low frequencies.
Power Output 1% THD 60W 80W
Hence the PAS range comprising 8" and 6"
Distortion (amp) 30W @ 8ohms - 0.01% 30W @ 8ohms - 0.01%
two way powered (active) and unpowered Setting up is easy. Just connect your speakers, Power Requirements 230V range ±10% ~50/60Hz
(passive) speakers. Ideal for schools, turn them on, set the volume and that's it! The Voltage Selector All models 115V range ±10% ~50/60Hz
bars, clubs, restaurants, churches - in fact distinctive blue LED behind the grille tells you at Connection
Input Balanced Jack, Jack Link (AUX) out
anywhere you need a clear, responsive and a glance the PAS is powered up and ready for Size
compact rig for vocals, keyboards / electronic use. A second, green LED mounted on the rear Width (max) 230mm (9.1") 280mm (11")
Height 360mm (14.2") 410mm (16.1")
instruments, background music or just to panel, is useful during installation, or for system Depth 220mm (8.7") 250mm (9.8")
beef up your PC sound, there's a PAS model fault finding, to confirm power is on. Weight
to suit you. Net 5kg (11lb) 6kg (13.2lb)
Shipping 6kg (13.2lb) 7kg (15.4lb)
Some applications may demand the minimum
The design of the cabinet is both stylish and of cabling or where power cables are not an SPECIFICATION PS6 PS8
functional. Integral feet are great for table or option - this is where the PS range come into Speaker 6' High Output Design 8' High Output Design
floor or just lay the cabinets on their sides. their own. The choice of terminal posts and jack HF Unit High Frequency Tweeter High Frequency Tweeter
How about wall mounting? Each PAS comes sockets make connection quick & easy. Finish Black Moulded Plastic Black Moulded Plastic
supplied with wall brackets so you have total Power 60W Max @ 8ohms 80W Max @ 8ohms
freedom to find your preferred mounting Connection

Input 4mm binding posts and 2 x jack sockets
position. Size
Width (max) 230mm (9.1") 280mm (11")
Height 360mm (14.2") 410mm (16.1")
If your sound system has to be unobtrusive, Depth 220mm (8.7") 250mm (9.8")
or needs focusing in one area, the PAS range Weight
is your ideal choice. The injection moulded Net 4kg (8.8lb) 5kg (11lb)
Shipping 5kg (11lb) 6kg (13.2lb)
cabinet is easy to keep clean and the
perforated steel grille protects all of the quality PAS6 Rear Panel
speaker components.
STUDIOMASTER
PRO AUDIO
44 45
I N S TA L L STUDIO
FOREGROUND/BACKGROUND MUSIC SYSTEMS MONITOR
HOME STUDIO
SPEAKERS SPEAKERS
M5B
M
M6B M8SA
M8B
COMPUTER BASED MUSIC PRODUCTION

CTR105T
CTR105
The M series is the latest development

The CTR compact speaker enclosures of studio monitors from Studiomaster
feature small size and quality full featuring three full range cabinets and
range sound. one low frequency sub.
CLUBS, RESTAURANTS, BARS
The moulded cabinets are available in T h e i r d e s i g n e n s u re s y o u c r i t i c a l

white or black in either 8ohm or 70/100V monitoring of your mixes, through expert
line versions. They are supplied with development from the speaker cones to
rugged cast wall brackets for ceiling or the baffle moulding, providing optimal M5B/M6B/M8B Rear Panel
wall mounting . Connection is via spring dispersion. The mdf internally braced
CTR
loaded terminals which saves time and cabinets are exceptionally ridged giving
makes installation easy. The 5” bass driver vibration free performance. The rubber
is coupled to the high frequency tweeter surround, sandwich constructed cones
through a tuned crossover network produce a smooth frequency response
resulting in a smooth full range sound. whilst the titanium diaphragm tweeter
is fluid cooled for long term reliability.
Both transducers are magnetically shielded All full range models are bi-amplified
making them ideal for use with computer with contour switches to help match
and video monitors or other magnetically room acoustics and the balanced input
sensitive equipment. The 100V line models provides noise free connection.
can be internally adjusted for 70V or 100V
use.
GAMING SYSTEMS
CONFERENCE/MEETING ROOM
M8SA Rear Panel
Specification CTR105 SPECIFICATION M5B M6B M8B M8SA

System Type 2 way Frequency Response ±3dB 65-20kHz 50-20kHz 45-20kHz 45-500Hz
Cone size 5” LF power rms 50W 60W 90W 90W
Frequency response 100 -18kHz
HF Power rms 25W 30W 45W -
Power handling RMS/PGM 30/60W
Crossover frequency 5kHz Drivers LF 5" 6.5" 8" 8"
Sensitivity (1w@1m) 88dB Drivers HF ¾" dome 1" dome 1" dome -
Nominal Impedance 8 Crossover 2.2kHz 2.5kHz 2.7kHz 100Hz
70/100V LIne MODEL CTR105T
Input Sensitivity +4dBu +4dBu +4dBu +4dBu
Dimensions (WxHxD) 158(6.2”) x 231 (9.1”) x 135(5.3")
Connection XLR + 1/4" jack XLR + 1/4" jack XLR + 1/4" jack XLR + 1/4" jack
Weight net 3.2kg (7lb)
Power Requirements 230V models: 220 - 240V AC 50/60Hz
Colour Black or White 115V models: 110 - 127V AC 50/60Hz
Outdoor Use X Dimensions
Width 195 mm(7.7") 245 mm(9.6") 256 mm(10") 256 mm(10")
Height 260 mm(10.2") 327 mm(12.9") 410 mm(16.1") 410 mm(16.1")
Depth 155 mm(6.1") 310 mm(12.2") 364 mm(14.3") 364 mm(14.3")
STUDIOMASTER Weight
7kg(15.4lbs) 11kg(24.3lbs) 15kg(33.1lbs) 15kg(33.1lbs)
PRO AUDIO Net
Shipping 9kg(19.8lbs) 14kg(30.9lbs) 19kg(41.9lbs) 17kg(37.5lbs)
46 47
10"
REHEARSAL ROOMS S T A G E
M O N I TO R
SPEAKERS
PAX PX 10+ PAX10+
"The PAX10+ has a tightly focused sound

to help you get the sound you want!"
The clever design keeps the
sound close and focused
VOCAL MONITOR
Power and extension speaker

sockets on side panel - less
chance of damage
• Ultra compact
S
PX10+
- easy for you to carry and transport
RE
• 120 Watt internal amplifier
- all the power you need
ATU
• Simple to use
- plug in and turn up
FE
• Link facility Comfortable handle light
- run multiple PAX10+ monitors from one signal weight and compact -
it's your perfect monitor
You need a top class monitoring system, expensive in-ear monitors is a speaker system right in front of you, saving on space. This is invaluable
especially when you're playing live - you (known as stage or wedge monitors) designed in small venues, you can hear the sound just where you SPECIFICATION PAX10+
don't get a second chance! for the job. Until now, stage monitors tended to want it. The steel grille not only looks good, it can handle Speaker 10" Custom Design high output
be large and heavy (OK if you have a road crew the inevitable knocks that happen when you're on the HF Unit High Frequency Tweeter
Finish Black Carpet covering corner protectors, feet, scoop handle
Unlike when you're in the studio, headphones and a truck), and they can give poor sound road. The small size disguises the fact that the PAX10+
Power Output 80W @ 8ohms RMS
are not the answer and the only alternative to quality with limited volume. is packed with a high output custom 10" loudspeaker, @ 1% THD 120W @ 4ohms (with PX10+) RMS
tweeter and 80 Watt amplifier. Distortion (amp) 0.008% (50W @ 8 ohms)
The PAX10+ offers you a lightweight, Maximum SPL 114dB
affordable, and most importantly loud, stage Operation couldn't be simpler - you just plug in the signal Input Impedance 10k ohms balanced compatible
Input Sensitivity -10dBu
monitor system. from your mixer and turn up the volume. There is a link
Connection
socket so you can connect several PAX10+'s so the Input Balanced jack, jack link out
Using a normal PA speaker, wide sound whole band can hear. On its own the PAX10+ delivers 80 Output Jack external speaker socket
Power Requirements 230V Range ±10% 50/60Hz 3.15A Max
dispersion is welcomed... but on stage it can Watts of power, adding a PX10+ (a PAX10+ without an Voltage Selector 115V Range ±10% 50/60Hz 6.3A Max
cause problems. Sound can spill into other amplifier) increases the power to 120 Watts. Size(W x H x D) 470mm (18.5") x 300mm (11.8") x 365mm (14.4")
mics degrading the overall mix and make Weight (net/shipping) 13kg(28.6lb) / 15kg(33lb)
feedback problems harder to trace.
The PAX10+ has a narrow angle SPECIFICATION PX10+
of sound dispersion giving Speaker 10" Custom Design high output
the sound you want without HF Unit High Frequency Tweeter

Finish Black Carpet covering corner protectors, feet, scoop handle
blasting everyone on stage
Connection
or in the front row of the Input Balanced TRS Jack with Jack link socket
audience! Power Output 80W @ 8ohms MAX
Size(W x H x D) 470mm (18.5") x 300mm (11.8") x 365mm (14.4")
The tight 30-degree Weight (net/shipping) 10.5kg(23.1lb) / 12.5kg(27.5lb)
angle, and ultra compact

footprint, means the
STUDIOMASTER PAX10+ can be placed
PRO AUDIO
48 49
12"
REHEARSAL ROOMS S T A G E
M O N I TO R
SPEAKERS
PAX PX 12+ PAX12+

"every aspect from the cabinet to
the electronics, had to be designed
specifically for monitor applications so
you can hear what you need"
The clever design keeps the
sound close and focused
VOCAL MONITOR
Power and extension speaker

sockets on side panel - less
chance of damage
• 150Watt internal amplifier
S
PX12+ - powerful enough to be heard
RE
• Ideal cabinet angle
- speaker points at you and doesn't take up too much space
ATU
• Active notch filter
COMPACT PA
- helps you reduce feedback
FE
• Multi-function 3 band EQ notch filter & mic
- stage monitor, side fill or even a quality, compact PA system & line inputs on the front
panel - easy access
The PAX12+ marks Studiomaster entry currently available. It was clear that everything what's going on.
into high quality stage monitoring... about a stage monitor system, from the SPECIFICATION PAX12+
Speaker 12" Custom Design high output
powerful, clear sound and great features. cabinet to the electronics, had to be designed The EQ (or tone control) circuits were designed
HF Unit High Frequency Tweeter
specifically for the job. especially for the PAX12+. This gives you lots of control Finish Black Carpet covering corner protectors, feet, scoop handle
While researching powered monitors we and saves wasting the power of your amplifiers, Power Output 120W @ 8ohms RMS
asked what you liked and, more importantly, The result is the PAX12+, a product worthy reproducing the sounds you don't need. @ 1% THD 150W @ 4ohms (with PX12+) RMS
what you didn't like about the gear that's of the Studiomaster name and capable of Distortion (amp) 0.008% (50W @ 8ohms)
Maximum SPL 116dB
giving you the performance, the sound and The biggest problem with stage monitoring is
Input Impedance Mic 6k ohms balanced
confidence you need. feedback, however carefully you position the cabinets. Line 33k ohms balanced
To help solve this problem the PAX12+ is fitted with a Input Sensitivity Mic -30dBu
Line -10dBu
The cabinet is angled perfectly, so you can high quality, variable notch filter. This affects a narrow
Equalisation Hi 12dB@5kHz Q=2, Mid 15dB@1.5kHz Q=0.9, Lo 12dB@90Hz Q=3.6
really hear it! It also takes up less space on band of sound and you can adjust it to pick out just
Notch Filter -12dB @ 300Hz to 6kHz, Q=3.3, switchable with LED
stage, keeps the sound more focused and that the frequency that's feeding back. You can get your Connection
reduces the sound picked up by other mics. A monitors much louder before they feed back. Input Balanced XLR and jack, jack link out
Output Jack external speaker socket
strong steel grille keeps your speakers safe.
Power Requirements 230V Range ±10% 50/60Hz 4A Max
The hard wearing carpet covering and The PAX12+ has balanced XLR and jack input Voltage Selector 115V Range ±10% 50/60Hz 8A Max
robust corner pieces all help the connectors. The professional 3 pin XLR is ideal for Size (W x H x D) 553mm (21.8") x 380mm (15") x 450mm (17.7")
PAX12+ stand up to life on the microphones and makes it a very compact PA system Weight (net/shipping) 16kg(35.2lb) / 19kg(41.8lb)
road. for announcements or rehearsals. The jack input will

The two way speaker accept line level signals from sources such as a mixing SPECIFICATION PX12+
Speaker 12" Custom Design high output
system, using a custom console. This signal is also sent to the LINK jack so
HF Unit High Frequency Tweeter
designed 12" low you can connect to other PAX monitors. Finish Black Carpet covering corner protectors, feet, scoop handle
frequency driver, gives Connection
you a great sound even Input Jack speaker socket
at high volume levels Power Handling 100W @ 8ohms Max

Size (W x H x D) 553mm (21.8") x 380mm (15") x 450mm (17.7")
- the times when you
STUDIOMASTER really need to hear
Weight (net/shipping) 13.3kg(29.3lb) / 16.3kg(35.9lb)
PRO AUDIO
50 51
6.5"
LINE ARRAY
SPEAKERS
THEATRE
SPORTS VENUE
FEATURES • Floor standing or flown

• Self contained – no external processors
• Easy to use – plug&play
The A6 line array is an active, modular

system suitable for floor mounting or as
part of a flown column.
All cabinets are supplied
Each module consists of three parts: A6- with flying points with
212SA bass unit which also houses the angle adjustment on the
amplifiers and two A6-206-4 mid/high A6-206-4. The A6-212SA comprises 2 x 12” ultra low frequency
TOURING SHOW
frequency cabinets. transducers driven by a heavy duty 800W amplifier. Separate

A6
400W amplifiers supply each A6-206-4 maximising their output

and clarity.
A pre-set electronic crossover ensures the system performs

at optimal performance with all types of program material. All
amplifiers have dedicated level controls, bargraph displays &
limiters and signal connection is via male & female XLR.
A6-206-4 A6-206-4
Flying Points
The A6-206-4 is a mid/high frequency
cabinet fitted with 2 x 6.5” custom drivers
and a single 44mm throat compression
driver. An internal passive crossover is set
at 2kHz. A6-212SA A6-212SA Rear Panel
XLR sockets, bargraph displays and level controls
A6-206-4 Connections
Specification A6-206-4 mid/high frequency Specification A6-212SA bass

Frequency response (-10dB) 130Hz – 20kHz Frequency response (-10dB) 50Hz-600Hz
Sensitivity 99dB Driver 2 x 12”
Rated power RMS/Program 300W/600W Maximum spl 129dB
Impedance 4 ohms Amplifiers 1x800W RMS (bass), 2 x 400W RMS (mid/top)
Horizontal coverage (-6dB) 90 degrees Amplifier sensitivity 0dBu
Vertical coverage (-6dB) Depends on column size and declining angle Crossover frequency 200Hz
Crossover mid to high frequency 2kHz Dimensions (WxHxD) 600mm (23.6”)x430mm(17”)x664mm(26.2”)
Mid driver 2 x 6.5” Net Weight 57kg
HF driver 44mm compression
Max spl (@ 1 metre): 125dB
Dimensions (WxHxD) 600mm (23.6”)x216mm(8.5”)x445mm(17.6”)
Net Weight 20kg
A6-212SA Rear
STUDIOMASTER
PRO AUDIO
52 53
SOLO & DUO PERFORMERS PORTABLE
PA SYSTEM
RUNABOUT &
WALKABOUT
RUNABOUT
WALKABOUT
The need for compact, portable PA Both systems are contained in their
SINGERS & INSTRUMENTALISTS
s y s t e m s h a s n e v e r b e e n g r e a t e r. own carry case and include speaker

Light weight, powerful, easy to set stands, microphone and all cables. Once
up but above all easy to use systems packed the Walkabout has a retractable
are compulsory. The Walkabout and handle and recessed casters making
Runabout have perfectly addressed light work when moving. The Runabout The Walkabout features a total of 300 Watts of clear audio power, 5 channel mixer (3x
these requirements in a functional yet packs down to brief case size with a mic/line, 1x mic/stereo and 1x stereo), 16 program DSP and 5 band graphic equaliser.
stylish package. comfortable handle and light enough to Sockets are also provided for you to record your performance.
make carrying a pleasure! Walkabout Control Panel
The Runabout, the smaller of the two

systems, packs 200 Watts of power and a 4
channel mixer (3x mic/line, 1x stereo) and 5
band graphic equaliser. Record sockets and
headphone output complete the feature set.
SPECIFICATION Walkabout
Input Sensitivity for Max Output (8Ω) Minimum Maximum
Channel 1-3
Mic -12dBu -48dBu
Line +20dBu -13dBu Packed Walkabout
Packed Runabout Channel 4/5
Runabout Control Panel Mic -12dBu -48dBu
Line +20dBu -12dBu
PUBLIC SPEAKING
Channel 6/7
SPECIFICATION Runabout RCA photo +3dBu -14dBu
Equalisation HI (12kHz), MID (2.5kHz), LO (80Hz) Equalisation HI (12kHz), LO (80Hz)
Graphic Equaliser 125Hz, 400Hz, 1kHz, 4kHz, 8kHz Graphic Equaliser 125Hz, 400Hz, 1kHz, 4kHz, 8kHz
Power 2 x 100W (Peak Music) Power 2 x 150W (Peak Music)
2 x 50W (RMS) 2 x 75W (RMS)
Cooling 1 x 40mm Fan Cooling 2 x 40mm Two Speed Fans
Speakers 2 way, 2 x 4" Bass, 1 x 90mm x 30mm HF Unit Speakers 2 way, 1 x 10" Bass, 1 x 150 x 50mm HF Unit
Connections Connections
Channels 1-2: XLR mic & TRS jack lin Channels 1-3: Combination XLR mic & TRS jack line
Channel 3: Jack mic & TRS jack line Channel 4/5: XLR mic and stereo line (2) TS jacks
Channel 4/5: Stereo line RCA phono Channel 6/7: Stereo line RCA phono
Record Output RCA phono Record Output RCA phono
Speaker Outputs TS jacks Speaker Outputs TS jacks
Speaker Input Single TS jack Speaker Input Single TS jack
Power Requirements 230V Range 50/60Hz Power Requirements 230V Range 50/60Hz
Voltage Selector 115V Range 50/60Hz Voltage Selector 115V Range 50/60Hz
STUDIOMASTER Size (W x H x D) 640mm(25.1") x 430mm(16.9") x 164mm(6.5") Size (W x H x D) 360mm(14.2") x 590mm(23.2") x 670mm(26.3")
PRO AUDIO Weight (net/shipping) 13kg(28.7lbs) / 16kg(35.3lbs) Weight (net/shipping) 28kg(61.7lbs) / 33kg(72.8lbs)
54 55
SOLO & DUO PERFORMERS PORTABLE
PA SYSTEM
STAGESOUND FEATURES
STAGESOUND 10 Mixer Front Panel
Two full range speakers

SINGERS & INSTRUMENTALISTS
STAGESOUND 10
The Stagesound range of easy to and quality DSP effects will give you great
use, high quality PA systems sets a results far bigger than the systems modest
new standard in easy to use portable dimensions!
sound. STAGESOUND 8 200W of Power STAGESOUND 10 240W of Power Detachable powered mixer
In addition to the main speakers a Monitor A total of 6 inputs, 2 mic/line and 2 stereo Includes all the features of the Stagesound
There is a choice of two models in the Output is also provided. This can be useful channels, give the flexibility to connect 8 but with more input channels and more
series comprising a powered mixer and a to supply an on stage monitor system for what you require. The mic channels can power. A total of 8 inputs, 4 mic/line and
pair of two way speakers. Portability of the the musicians, or used to feed a larger PA be routed to the DSP effects providing the 2 stereo, and an impressive output power
system is maximised by storing the mixer system in bigger venues. The powered professional touch to any vocal. The stereo of 120 Watts per channel. The full range
inside one speaker and cables in the other. mixer can be used while still stored in the inputs use jack and RCA phono connectors speakers feature 10” bass drivers.
The speakers can be floor /desk mounted, speaker, ideal when space is short. Using making them compatible with most playback
angled for monitor applications or the optional MXS1 stand positions the equipment. Two band EQ on all channels
mounted using the optional SPS3 stands. mixer at the ideal height for easy access to offer tonal balance and the Record Output
Professional mic channels, stereo inputs all controls. lets you record your set or meeting without
additional microphones. The amplifiers High quality DSP effects
supply 100 Watts per channel into the full
SPECIFICATION Stagesound 8 Stagesound 10
Max sensitivity
range (8” bass) speakers.
Mic 1-4 -33dBu -46dBu
Line 1-4 -10dBu -10dBu
Line input jack 5/6 -10dBu -10dBu
Line input phono 7/8 -10dB -10dB
Optional Accessories
MON output (nominal range) -6dBu to +2dBu -6dBu to +2dBu
Frequency response -3dB 100 Hz to 17kHz 100 Hz to 17kHz
PUBLIC SPEAKING
Mic input HF HF +-12dB @10kHz HF +-12dB @10kHz

Mic input LF LF +-12dB @ 100Hz LF +-12dB @ 100Hz
DSP effects 15 presets 15 presets
Power output 200W (peak music) 200W (peak music) Storage for cables
100W (RMS) 100W (RMS)
Cooling 40mm fan 40mm fan
Bass speakers 8” driver 10” driver
HF 1” throat compression driver 1” throat compression driver
Power requirements 230V +-10% 50/60Hz 0.7A 230V +-10% 50/60Hz 0.7A
115V +-10% 50/60Hz 1.4A 115V +-10% 50/60Hz 1.4A
Connection
Inputs Mic=XLR, Line=TRS jack, Line=RCA phono Mic=XLR, Line=TRS jack, Line=RCA phono
Outputs TS jack, speaker TS jack, speaker
Speaker cables (supplied) 10m(30’) 10m(30’)
Size (WxHxD) Cover 8SS
Speaker 446mm(17.6”) x 262mm(10.3”) x 296mm(11.7”) 509mm(20”) x 312mm(12.3) x 309mm(12.2) 2 x Speaker covers (Stagesound 8)
Mixer 316mm(12.5”) x 165mm(6.5”) x 87mm(3.5”) 340mm(13.4) x 165mm(6.5) x 87mm(3.5”)
Size(shipping) 750mm(29.5”) x 520mm(20.5”) x 420mm(16.6”) 825mm(32.5”) x 655mm(25.8”) x 436mm(17.2”)
LED signal level meter
Cover 10SS MXS1 SPS1
STUDIOMASTER Weight 2 x Speaker covers (Stagesound 10) Powered mixer stand (both models) Speaker stands (both models)
PRO AUDIO Speaker + mixer 12.8kg(28lb) 15.7kg(34.5lb)
Speaker + cables 11.7kg(26lb) 14.3(31.5lb)
56 Weight (shipping) 30.8kg(67.7lb) 39.4kg(86.7lb) 57
QUALITY & SOUND
PREMIUM
INSTALLATIONS DISTRIBUTION
M I X E R
DAX208
CLUB/PUBS
FEATURES • Configurable 2 in / 4 out or 1 in / 8 out

• Individual mute switches
• Bargraph and level control on each channel
The DAX208 is a 2 input / 4 output All inputs & outputs are on balanced XLR
distribution mixer housed in a single unit connectors and the internal power supply
rack mounting case. accepts 100 - 250V AC.
Each channel features a recessed level

control, 6 segment bargraph and illuminated
mute switch. Two modes of operation are
available, stereo input & 4 outputs or mono
input & 8 outputs. Signal levels can be
switched between +4dBu and -10dBV.
DAX208 Rear Panel
SPECIFICATION DAX208
Maximum Input Level +16dBu
Maximum Output Level +27dBu
Frequency Response 20Hz to 20kHz +0, -1dBu
Distortion 0.003%
Nominal Signal Level +4dBu / -10dBV
Signal to Noise Ratio 100dB DISCOVER STUDIOMASTER
Input Impendence 44k ohms BRAND NEW JX SERIES
Output Impendence 330 ohms
Power Requirements 100-250V 50/60Hz
ON PAGE 42
Size W x H x D 482mm (19") x 44mm (1.72") x 200mm (7.9")
STUDIOMASTER
PRO AUDIO
58 59
WIRELESS DYNAMIC
MICROPHONES MICROPHONES
KM92
KM
WRM
Single Handheld Wireless Microphone System
WRM
Dual Handheld Wireless Microphone System
KM52
If you’re looking for a high performance microphone, handy when using stage
microphone and don’t want to pay a monitors.
fortune, take a look at the KM range
of dynamic mics. The KM range of microphones is supplied
in a soft zipper bag, 5 metre professional
WRM
Quad Handheld Wireless Microphone System
They are rugged with the features XLR to XLR balanced cable and stand clip.
WRM
you need, designed to cope with

rough handling and most importantly,
they sound good. These dynamic
microphones have a cardioid response
meaning they pick up your voice loud
and clear but are much less sensitive
to other, unwanted sounds. This is
Studiomaster have had high quality affordable have high quality condenser microphones especially true from the rear of the
dynamic microphones in the range for and are quartz locked for interference
many years. We are now expanding our rejection and stability.
microphone range to include a series
of practical and high quality wireless
microphones. Offering single, dual and even
a compact four channel wireless microphone
kit. All models in the WRM series are UHF,
Soft Bag 5m XLR Cable Clip
Accessories included
SPECIFICATION KM52 KM92

Directional Characteristics Uni-directional Uni-directional
WRM1-R Rear Panel Frequency Response 60-15kHz 50-16kHz

Sensitivity -54dB ±3dB -54dB ±3dB
Impedance 500 ohms 600 ohms
On/off Switch Yes No
Construction Die-cast Zinc Alloy Die-cast Zinc Alloy
WRM2-R Rear Panel Finish Black Satin Dark Grey Satin
Cable XLR-XLR 5m (16ft) XLR-XLR 5m (16ft)
Accessories Soft bag/clip/cable Soft bag/clip/cable
Size (Length x Dia) 170mm(6.7") x 52mm (2.1") 168mm(6.6") x 52mm (2.1")
Weight (net) 278g (0.61lb) 273g (0,6lb)
STUDIOMASTER WRM4-R Rear Panel

PRO AUDIO
60 61
SPEAKER MICROPHONE
S TA N D S S TA N D S
SPS1 & SPS2
MPS1 & MPS2

SPS1 SPS2 MPS1 MPS2
Speaker Stand Crank-up Speaker Stand Mic Boom Stand Automatic Mic Boom Stand
Take away the strain of lifting You can raise or lower and it will stay
speakers on to stand poles. The locked in that position.
stand height can easily be adjusted
up or down using the integrated
crank - handle. The in built measure
(calibrated in metric or imperial) will
Either SPS1 or SPS2 comes as a pair, with quality carry bag. ensure repeatable maximum heights .
Specification SPS1 Specification SPS2 Specification MPS1 Specification MPS2

Height Range 1000 - 1800 mm Height Range 1520 - 2300 mm Height Range 1000 - 1760 mm Height Range 1000 - 1700 mm
Load Capacity 50kg Load Capacity 60kg Boom Length 530-910mm Boom Length 530 - 910 mm
Material Aluminum Material Steel Base Metal Material Steel with Reinforced NYLON
Weight (single) 9.5kg(20.8lb)
STUDIOMASTER Weight (single) 2.2kg(4.9lb) Weight 2kg(2.2lb)
PRO AUDIO
62 63
Y O U R
COMMENTS
NOTES
The information on the products contained

within is correct at the time of printing.
We would recommend that you check our
website, www.studiomaster.com for any
updates not contained in this publication.
The manufacturer reserves the right vary

specifications, including colour, with or
without notice and at such times in such
manner as they see fit.
All the pictures contained in this brochure

are the property of Studioking Ltd.
© Studioking Limited 2011

SMCA16082011
STUDIOMASTER
PRO AUDIO
64 65
www.STUDIOMASTER.com
Studioking Ltd Unit 1 Youngs Industrial Estate, Stanbridge Road,

Leighton Buzzard, Bedfordshire, LU7 4QB England
Tel: +44 (0)1525 217111 Fax: +44 (0)1525 378466 Email: enquiries@studiomaster.com

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STUDIOMASTER

POWERED MIXING CONSOLES

STUDIO MONITOR SPEAKERS

6.5" LINE ARRAY SPEAKERS

T he Studiomaster name has spanned over

• 12 inputs: 4 mic and 4 stereo

- to hear what you're doing and add external effects

C o m p re h e n s i v e D S P Combination XLR and 3 band EQ on mic

FUSION+ "Studiomaster, always first with

- no need for two mixers - Fusion+ has it all!

- the right inputs for all your gear

Professional Mic inputs Easy to use DSP - Video switch -

stop feedback in your DJ booth.

162BPX "the effects unit has been

- plenty of flexibility, options and inputs to suit

• 6 space rack mounting

SOLO & DUO ACTS

INSTALLATION & RENTAL COMPANIES

• Rackmountable model C5X-8R Power requirements 100-240V ~ 50/60Hz, 30Watts

STUDIOMASTER Power requirements 90-240V 50/60Hz ~ 35W max

10 Weight (net/shipping) 3.8kg (8.4lb) / 4.9kg (10.8lb)

High quality wheeled fightcase

EP8 External Power Supply

• Five sizes 12 to 48 channels

SPECIFICATION MCX12 MCX14 MCX24 MCX32 MCX48

Gain (to Left – Right outputs) Min Max

Equivalent input noise

14 *EP8 external power supply occupies 2 rack spaces

POWERHOUSE 1000X SERIES

• 1000 Watts of audio power available

SPECIFICATION PH1000X-10R PH1000X-10 PH1000X-14 PH1000X-18

Mic channels 20dB 60dB

PRO AUDIO operation faders and routing to a stereo

POWERHOUSE 1000TX SERIES

1000TX-8 Front Panel

Two on board high

1000TX-8 Rear Panel

1000 Watts of audio power Models Available:

Powerhouse 1000TX-8 8 channel: 6 mic, 2 stereo+mic, desk top

PORTABLE PA SYSTEMS Size (W x H x D)

• Compact up to 2900 watts in 2 rack spaces

• 35Hz Hi Pass filters

SPECIFICATION SX2500 SX3500 SX4500

Both Ch. 8 ohms 450 580 1100

SPECIFICATION CX500 CX640 CX1650

VMS studio there will be any number of signal processors and

- will capture every detail of your voice with

• A faster Noise Gate

Mic Amp Input Gain

engineers demand. the facilities on the SBQ30 there is a

62L Fader travel

Width (max) 482mm (19") 482mm (19") 482mm (19")

FEATURES • Warm tube sound

VTX2 Rear Panel AC Series Rear Panel

Integral carry handles &

2 way stereo crossover on

VSX15sub -to make life

Each of the 2-way cabinets contain a

"The LX15/18 subs are fitted with heavy

Flush side handles -

the kind of thunderous

1x12"+HF 1x15"+HF 1x15" 1x18"

35mm Pole Socket √ √ √ √