Ah,

mio cor, schernito sei

Aría Alcinu úr óperunni Alcina HWV 34

        
Georg Friedrich Händel

  
Riccardo Broschi

                       
                      
       
  
Andante stretto.  = 80

       
                       
        
 cresc.

                   
  
                                        
               
7


                                       
     
 sempre cresc.

   
           

14
Baritón a piacere I.0 Tempo

             
 
                    
        
Ah! mio cor, scher ni to se i.

     
           
    

          
             
(cresc.)

 
0
I. Tempo

  
rit. assai e col canto

  



   
            


22

      Stel
     
                    
                 
le, De i, Nu me d'a mo re!

          
                        
       
 

        
       
             

28

                        
                
tra di to re, t'a mo tan to, puoi lasc iar mi so la in pian to?

              
 



                            
         

     
            
  
34

    
       
       
                 
      
Oh De i! puoi la sciar mi, oh De i, per chè?

  
 


 
                           

  

          
                 



 
40


  
                         

t'a mo tan to puo i la sci armi so la, so la, so la in

                     

     

  
                               
      
 

 
       
           

47

     

                                       
pian to, puoi la sciar mi, oh De i, per chè?

               
   
     
   
         
      


        
        

54


      
                                      
Ah mio co re, scher ni to se i. Stel le,

        
  cresc.    
                         
   


  

        
              

 
 
61

                    
                                 
De i, Nu me d'a mo re! tra di to re, t'a mo

                 
          
                      
    

2
            
                  
 
67

                  
                 
  
tan to, puoi lasc iar mi so la in pian to, oh De i, puo i la

        
  
     
    
  

                    


 
                       

73

     
   
                 
sciar mi so la, so la, so la in pian to, puoi la sciar mi, oh

              
  
                            
            
  

      
                          
     
80

      
                                
De i, per chè? per chè? per chè? puoi la sciarmi so la in pian to, oh

        

    
  
               
        


       

              
 largamente rit.

 
87

     
              
      
De i! puoi la sciarmi, oh De i, per chè?

            
                  

     
                          
        
 largamente, col canto 

  
 

    
    
                  
         
riten. assai e 

    
96

 
         
       
    
 
3