The

Flame of Paris
   
   
Sottotitolo

    
            
Compositore / arrangiatore

          
 = 120
      
  
 
Flutes

      
      
 
  
3

              
 
 
Oboes

  
               
3

 
           
Clarinets in B♭

         
                     
     

Bassoons

       
   
             
    
    
     
    
           
    
Horns in F

 
     
         
    
                   
      

Trombone

        
        
 = 120
  
        
        
Violins I


          
     
3

  
Violins II
3


                      
 

Violas

     
   
                  
   

Violoncellos

                   
      
 
Contrabasses
 
                     
2

             
     
4

Fl.


                       
     
        

Ob.

  
     
              
  
B♭ Cl.


         
       
Bsn.
        

         
          
      

 
          
F Hn.

       

      
   
       
      
  
Trb.

            
   
Vln. I         

                 
Vln. II        
  

                        
 
       
Vla.

                   
   
  

Vc.

       
               
Cb.
  
 1.  
3

   
 = 100
  
              
2.


2.

          

8


   
Fl.

       
3

             
     

     
Ob.

      
               
 

B♭ Cl.

    
           
Bsn.
          

               
   

  
   
F Hn.

         
          
  
   
Trb.
          
1. 
 = 100
    
             

1. 2.

        
Vln. I

         
           
3

     

Vln. II

          
3

        
  
    
Vla.

         
   
Vc.     

               
Cb.
   
        
                  
4

   
    
11

Fl.

           
                 

 
   
Ob.

      
                 
B♭ Cl.
     

     
Bsn.
 

     


     

F Hn.

     
 
     
Trb.

              
Vln. I     

        
                
Vln. II
 
           
                      
        
    
Vla.

     
Vc.    

                         
Cb.
          
          
5

     
                 
   
15

 
Fl.

                          
       
5

Ob. 

            
            
5

  
B♭ Cl.

         
Bsn.
       

    


    

F Hn.

    
 
 
Trb.

             
    
       
 
Vln. I

             
          
5

Vln. II 

                 
5

     
    
Vla.

  
    
Vc.             

   
   
Cb.
               
  = 120  
   
6

       
    
      
   
             
18

  

Fl.

        
               
        
  
Ob.

          
            
    
   
   
        
B♭ Cl.

      
                
Bsn.
          
        
             
             

   

          
         
   
F Hn.

           
   
        
                      
Trb.
               
 = 120
      
      
         

   
      
Vln. I

         
         
Vln. II    

          
               
 


Vla.

   
              
 
     
   
  
 
Vc.

            
                
 
Cb.
    
7

            
  
rit.

    
                 
 
  
22


Fl.

         
                    
           
  
  
Ob.

 
               
   
 
B♭ Cl.


                 
Bsn.
           
    
                
          
 
         
         
F Hn.



   
              
                
  rit.
Trb.

                    
   
      

           
Vln. I

            
Vln. II       

           
                 
   
Vla.

             
                 
 

Vc.

                     
      

Cb.
Flute The Flame of Paris
    Compositore / arrangiatore
  

Sottotitolo

 = 120          
           
   

  
              
3

 1. 
                           
              

5

 
       

 = 100
     
 
 
   
  
   
 
     
   
      
2.

        
9

                            
     
     
14

 = 120   
      
            
                                
     
18


         
           
         
 
23
Oboe The Flame of Paris


Sottotitolo

   
Compositore / arrangiatore

 = 120  
       
 = 120

           
     
      
      
3
  

 = 100
  
                                     
 = 100

           
1. 2.


5

                           
          
    
10

   
                              
 = 120
    
        
15


   
               
 
               
          

19

  

  
      
rit.

         

24
B♭ Clarinet The Flame of Paris

 = 120  
Sottotitolo
Compositore / arrangiatore

       

                          
   
       

 

 
 = 100
                 
                             
6 1. 2.


  

                            
  

         
12

 
      
 = 120
                     
           
17

           

    
         
rit.

    
22

    
 
Bassoons The Flame of Paris
Sottotitolo

       
Compositore / arrangiatore

                                  
 = 120
            
 

     1.       
             
 = 100
     
              
6
2.

   
     
                                
 = 120
            
  
18

       
        
 
rit.


24

   
Horn in F The Flame of Paris
Sottotitolo

   
Compositore / arrangiatore

   = 120   
                              
     
       

             
                            
         

       1.        2.        
 = 100
          
 = 120
 
6

  
  
   
                     
 


19      

                         
            
     


   
                   
             
    
   

25    
   
rit.

 


       
   

Trombone The Flame of Paris
Sottotitolo

      
Compositore / arrangiatore

 = 120   
 = 120
                              
            

     


 = 100
     1.        2.    
 = 100
               
 = 120
        
6

      

       
                                   
 
          
rit.

  
19


Violin I The Flame of Paris

      
Sottotitolo

        
     
Compositore / arrangiatore
 = 120
               
3




                          = 100
1. 2.

    
     
5

   
                  

      
10

    
 = 120 
    
    
                  
    
16

                
   
     
      
20

    
 
  
25
Violin II The Flame of Paris
Sottotitolo

          
Compositore / arrangiatore

        
 = 120
   
               
     
3

  
 = 100
       
                            
1. 2.

  
6

   
                            
    
 
11

       = 120
         
      
                    



17

    
                 
 
       
22
Viola The Flame of Paris
Sottotitolo
Compositore / arrangiatore

   
                            
  
 = 120
  


 = 100
                               
 
5


1. 2.

                            

   
 
 
 
 
  
10

                           
 
 = 120
     
15




                              
    
20

 


         
  
25
Violoncellos The Flame of Paris
Sottotitolo

    
Compositore / arrangiatore

 
 = 120
                        

 = 120
    
   


  
 = 100
            1.        2. 
 
 = 100
       
 
5

       
   
  
10

       
    
 
 
12

       
   
 
 
14

    
  
                      
 = 120
   
18

   

Contrabasses The Flame of Paris
Sottotitolo

 
Compositore / arrangiatore

                     

 = 120
         
 

                                 
 = 100

   
5


1. 2.

 
  
    
 
 
 
                           
11

        
                             
16  = 120

 

 
         
                    
  
rit.


21

 