1

FANTASIA 1.
Georg Philipp Telemann

  
Edited by Gaspar Hoyos

 
  
Vivace

 

                      
     
3

   
            
    
(senza rallentando)

  
5

       
       
     
8

    
 
       
     
  
10

     
   
         
       
13

               

            
16

                               
  
19

                         
         
21

     
                
         
24

(senza rallentando)
 
         
  
2

 
     
27

  
3 3 3 3

                               
3 3 3 3
 adagio allegro   adagio allegro 


29

3 3


3 3

        


              
 adagio  adagio allegro

 

31

3 3 3 3


                        
adagio allegro  adagio

        
     
33

    
                       
adagio

  
 
35

        37        
Allegro

              
(Passepied)

                 
            
41

   
         
     
    
   
46


                     
      
52

     1.

 
      
      
57 2.
       
3 Allegro

         
     
(Suggested ornamented version*)

     


           
                               


   
                               
   
3 3

  

          
     
      

       


                        
      
 FANTASIA 1.
Georg Philipp Telemann

  
    
Vivace

                      
     
3

            
       
  
5

    
        
   
8

        
       
      
10

    
          
          

13

        
        
        
16

  
    
  
19

         
         

      
21

              
   
       
24
         
2

      
27

                    
3 3
ad:all:  ad:all: 3 3

        
3 3 3 3


29

 
3  3

           
3 3

   
ad:all:

     
 ad:

   
31

3 3

       
3  3


ad:all:

                   
 ad:

   
  
33

     
                     
ad:

   
35

            
           
Allegro

  
37

     
                     
  
41

   
  
                     

46

                    
     
 
52

    

           
      
57 1 2.