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“The Reign of Pure Quantity and the Parody of Quality” – Patrick Laude
while being aware of its limited character, an awareness that alone may
guard one from becoming enmeshed in its spiralling “logic.” It is within
such a context that, in order to highlight the anomalous character of
the modern world, Guénon sets out a vision of history characterized
by fundamental fractures that mark an increasing materialization of
mankind’s perception of the world, but also a material hardening of the
crust of the world itself, as expressed in “the purely material character
(of the modern world) that makes of it a veritable monstrosity.”2 Thus,
the subjective and objective facets of the cosmic and historical downfall
are inseparable, since reality is ultimately one, or since what is “within”
reflects what is “outside,” and conversely. For example, the development
of the scientistic outlook goes hand in hand with a modification of
the texture of terrestrial reality, and translates into a thicker “sealing”
of the walls separating the material from higher, psychic and spiritual,
degrees of reality. This is but one example of the onto-cosmogonic law
according to which manifestation entails greater and greater separation,
fragmentation and objectification.
Given the definiteness and cogency of most of Guénon’s critical
analyses, one question that may be raised is that of their epistemologi-
cal foundations. Whereas the description of the current symptoms of
the spiritual malady of the modern world and the analysis of its causes
pertain to an interpretation of modern trends and phenomena in
light of traditional principles, the status of the “prophetic” aspects of
Guénon’s critique of the modern world is more difficult to determine
since its appears to involve a measure of speculation that is only partly
relatable to observation. By and large, the readings of the “signs of the
times” that are at work in Guénon’s work may be deemed to combine
traditional data pertaining to eschatology, such as drawn from scriptural
and traditional sources, and intellectual speculations based on a medita-
tion of the internal “logic” and likely consequences of past and current
developments.As for the traditional components of Guénon’s meditation,
they are usually far from being explicit; in fact, they are most often
allusive, if not utterly unstated. Thus, the substance of the argument is
grounded on the application of principles and observations to prospec-
tive development while traditional references remain mainly illustrative
or symbolic. The “prophetism” that has been sometimes attributed to
2
Ibid., p.16.
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Patrick Laude – “The Reign of Pure Quantity and the Parody of Quality”
tion of reality to that plane. This is why the anti-tradition, or rather the
anti-traditional outlook, obstructs, or even prevents—to the extent that
it is possible—any manifestation or action of the vertical axis on the
horizontal surface.This obviously results in the “hardening” of both the
microcosm and the macrocosm in a way that impedes both spiritual
and infra-spiritual realities to “pierce” through them. It is only with what
Guénon refers to as the “counter-tradition” that we are confronted with
a veritable “subversion”—in the etymological sense of subvertere, to
turn from beneath—that affects the vertical axis itself, and constitutes
a sort of reversal of its poles. This makes it plain why, in Guénon’s
assessment of the final stages of the current cycle, the dissolving
power of “counter-tradition” is more nefariously acute and destructive
than is the solidification of “anti-tradition.” It is in this context that the
parody of quality appears as a cardinal characteristic of modernity and
“post-modernity.”
If there is a domain in which this misleading return to an apparent
precedence of quality is to be observed, it must be that which touches
upon the qualitative dimension of human existence par excellence
that is the realm of spirituality. Indeed, the neo-spiritualist tendencies
critiqued by Guénon in his early work on theosophism and spiritism
heralded a cycle of dissolution during which parodies of spirituality
have become more and more prominent as an ostensible, and delusory,
antidote to materialism. However, a closer examination reveals that these
new forms of spirituality, already scrutinized and discarded by Guénon
in some of his early works, are both more subtle forms of disguised
materialism, and parodies of traditional spiritual disciplines and modes
of consciousness. Thus, Guénon has provided us with a critique of
“contemporary intuitionism” that highlights the infra-rational aspect
of its philosophical manifestations, such as Henry Bergson’s “intuition
of duration” and élan vital, by contrast with the supra-rational status
of the Intellect. In his critique of contemporary intuitionism, Guénon
insists on the fact that the latter’s emphasis on feeling does not take us
closer to a genuinely spiritual perspective, since feeling relates to physio-
psychological conditioning rather than to intelligence. In other words,
by contrast with Frithjof Schuon who has tended to consider sentiment,
within a spiritual and moral context, in its dimension of prolongation of
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8
Martin Lings, What is Sufism?, University of California Press, 1975, p.15.
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“The Reign of Pure Quantity and the Parody of Quality” – Patrick Laude
one hand, and the reduction of religion to form or psyche on the other
hand. It must be added that “formalism”, in the contemporary world,
is often given an ideological spin. In other words, it most often coales-
cences with a socio-political agenda that is in fact its primary source of
“inspiration” and dynamism. As for “psychologism”, it is to be equated
with tendencies similar to those highlighted earlier in the context of our
discussion of “spiritual materialism.” It is by and large akin to means of
enhancing and empowering the egoic self through physio-psychological
meditational practices borrowed from the technical treasury of tradi-
tional methods. Such trends are clearly representative of what Guénon
denounced as “the confusion of the psychic and the spiritual” which
he saw as consisting either in taking down the spiritual to the level of
the psychic, or in equating the two.The first motion appears within the
fold of religious traditions in the form of a reduction of the message
of these religions to the psychic level, whether it be along the line of
a reduction of religion to individual experience, moralism or ideology,
or a combination thereof. Thus, religion no longer entails a passing
beyond the individual sphere, but it actually crystallizes and hardens the
passions and limitations of individuals by identification with subjective
convictions, social and moral forms or ideological objectives. As for the
second aspect of the confusion of the psychic and the spiritual, which is
even more misleading and destructive than the first, it characterizes by
and large a modern context in which any internal phenomenon tends
to be labelled as “spiritual” by contrast with grossly material realities.
Guénon attributes this confusion to Cartesian dualism that folds away
the traditional ternary spirit-soul-body by turning into a lame binary of
mind and matter. Accordingly, the immense majority of contemporary
discourses, including religious discourses, utterly ignore or by-pass the
distinction between spirit and soul, or pneuma and psyche, a distinction
that is cardinal in all forms of traditional anthropology. Commenting
upon the latter, Guénon emphasizes that the spiritual realm entails
universality, and therefore transcends the psychic, which pertains to
the individual range of being. Neo-spiritualism, inasmuch as it remains
exclusively identified with psychic phenomena, involves a parody of
“spiritual quality” that parallels other such caricatures of principles. In
all cases, we see how a distorted notion of quality is reintroduced in the
worldview of post-modern societies in a way that entails an inversion
of the apex of metaphysical and spiritual quality.
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transcendence. The fact of its frequent affinity with, and ease to make
use of, technological, mediatic, and even commercial, means is indeed
symptomatic of its doing away with traditional modes of understanding
of the sacred and contemplative inwardness.
Besides the turning upside-down of quality of which the aforemen-
tioned phenomena have provided various sketches, the second major
tendency characterizing post-modern culture is a movement toward pure
quantity. In this connection, it is important to note that “reign of quan-
tity” and “solidification” are not synonyms.This is because solidification
implies at the very least space and continuous quantity, therefore some
qualitative elements, be they minimal. Beyond the realm of continuous
quantity, the motion toward pure quantity ultimately opens onto a “pul-
verization” of the world that corresponds to a second stage, one that is in
fact more acute, of the reign of quantity. It is what Guénon envisions as a
passage from “continuous quantity” to “discontinuous quantity.”The latter
is represented by “number”, taken here as a kind of inverted reflection
of Pythagorician, or metaphysical, numbers. First among all examples
of this orientation, the description of “digital” systems, or systèmes
numériques in French, epitomizes the role of discontinuous quantity,
since they are founded on the basic and exclusive distinction of 0 and
1.The digital world that nearly permeates our entire contemporary life
is therefore characterized by a reduction of every possible information
and data to a fundamental quantitative binary. By contrast with “analog”
systems which are continuous, the “digital” systems are discontinuous,
and provide indeed a model of discontinuous quantity. It is revealing, in
this respect, to note that 0 and 1 are the most fundamental metaphysi-
cal numbers, referring to pure non-determination and the principle of
determination, or what is called in Guénon’s terminology Non-Being
and Being. Symptomatically, Guénon had illustrated, in East and West,
the distinction between Eastern intellectuality and Western philosophy
through the example of Leibniz’s interpretation of the I Ching. Guénon
highlighted the way in which Leibniz reduces “essentially metaphysical
symbols” to “arithmetic interpretation” of an “altogether accessory and
subordinate level.”13 This is already, in a sense, a move toward pure
quantity. By associating the whole line of yang to 1 and the broken line
of yin to 0 Leibniz thought he had enlightened Chinese cosmology by
13
René Guénon, East and West, Sophia Perennis, Hillsdale, New York, 201, p.47.
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“The Reign of Pure Quantity and the Parody of Quality” – Patrick Laude
14
Ibid.
15
The Holy Qur’an, Surah 89 v. 6-8 Al-Fajr ‘The Dawn’
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