80
Sostenuto
Nedda (laughing mockingly)
Ah! ah!
Ha, ha!
Quan-ta po-e - si-
‘you talk like a po- et!
Non ri - der, Ned-da!
Do not laugh, Ned-da!
affrelt.
att os 7
vaal-Po-ste- ri - al
Go to your tay ~ ern!
cee
=
<=
Cantabile sostenuto (@- 16)
ben che dif - for-me, con-tor - to son i- 0; che de-sto sol-
know I am ug- ly, deformed and un-gain-ly, That hor-ror and loath - ing a-
ssoasscher-noe lor - ror.
lone =
so-gnovun de- si -
dream, al -tho' vain -
Poco pitt mosso
lor che sde-gno -
now, when you pass
fe.
-to
ing
sai tu che plan -
notthat my weep -
|
ss084
in - spire,
81
~pu - rekal pen-sie - ro
have I a heart, and
rit
o
ly,
eun
To
pal - pi- toil cor!
have my de -sire!
a
fT
rit col canto
pas- si diac - can-
Proud and dis - dain
- to, non
ful, Know’st
—_
mi
my
spre-meil do - lor!
sor - row would prove,
=
"it
rit motto82
Tempol accel.un poco — >
ché, mio mal-gra - do, su - b}-toho Tin-can -
‘spite of my-self, thine en - chant-ment so pain
F
a
ee (approaching hes)
r mar
vin - to Ya - mor! vin - fo Ta-mor!_—_ ont
con-querd my love!_—___ con-querd — my love! An!
a
col canto
Nedda (oreaking in) > butating into Laughter)
che ma- mi? Abfablah!ah!ablah!
Youlove me! Hathalhathathatha!
rneals.
lasciami,la.- seiami or dir-ti...
Letmethenbid__me I may tell thee_.
colla parte
anos83
Sostenuto assai (¢ = 6)
con elegansa
Hai tem - - pos ri - dir - me-lo
There's time, if you like, once more
schersoso con elegansa
“Ya; se bra - mi! Stas-se-ra!
methis eve - ning! This evening,
sospeso
Fee atta parte
marcato
Fa - cen- -do le smor - fie cola, co -
when you will be act - ing thefool, up
ae eo
snoas84
lay sul-la see - ral
Hai tem-po!
there on theplat - form! Tonio
Well,wait then!
Non ti - der,Nedda!
‘No, laughnot,Nedda!
Fa - cen - - do le smor - fie
Till you shall be act - ing.
a
co -
- the
Non sai tu che pian - to mispremeil do-lo - ref
Knowst not that my weep - ing my sor- rowdeth provel.
Ablak! abt ah!
fool! Ha! ha! ha! ha!
Non ori - Non vi-der!
Nay, do _not Stop laughing!
a hing
haot
$e Ee spenn
sso24Per o-
Just now
Su - _ di-to ho Tincan vin-to lamor!
En - chantment so pain con-queredmylove!
; 2 Set
(aughing)
z
‘Tal pe-na_ti puoi ri-spar-
Hal ha! Apain you had bet-terput
implorin,
(sadly)
Nedda!
Nedda!
Ned-cal
Ned-dal
col canto
Mosso,
wt,
voglio dir - te-lo, &
that I would tell it you, "tis
=
No,
No, is
Mosso (d = 100)
ruvidamente | >
sons86
che vo-glio dir = te- lo,
that I would tell it you!
e ma
And you — shall
a tempo
tou=
LS.
Nedda
(with studied insolence)
sa- ra - il
shall take — you!
precipitate
te, ma-stro To-nio! La schie~na og - gi
me,Mas-ter — To-nio, back must itch for
tone88
ou-na ti - ra
Or elseyour ears
rec - chi 6 mne-ces - sa - riaalvo - stroar- dor?!
pull - ing, to coolyour ar - dordown a_—ibit!
Toni.
33 Sho S533
omy
er la cro - ¢edi Di-
By the cross of theSaviour!
bef - fi?! Scia-gu - ra-ta!
mock me! Wretch-ed creature!
K P.
ts934fi-nac - Gi?
@ Athreat, eh?
Pe-da che puoi pa-gar - la ca-rall
Care-ful! youll pay for this, and dearly!
re ‘poco a poco
‘ a
F
ote
wim
ore
win
on
Op,
‘noi che Yadaachiamar Ca-nio? rit. molto
Come, or Til be cal-ling Ca-nio
towards her)
Non pri - mack'io ti
But not — till Ihave
A ALA
rit. molto col canto
; z hee ae
ate
f
jempo (drawing back)
Ba - da!
+ 3 Back there! Pe
ya - cil to - -~ sto sa- rai
kissed you! some day Til
a tempo
rh, -
ss93490
(pieks up the whip, and strikes Tonio in the face)
(ashing to eatoh her)
Nedda Poco meno
ta bi-le!
you our!
declamato
(screaming and drawing back)
Poco meno
>> pS pS
@ piacere
a S >%>
@ piacere
Ver-gin pia di mez-za - go- sto, Ned - da,
Bless-ed Vir gin of As - sump - tion, Ned- da,
fs
col canto
18094o
(goes off left, threatening)
giu - ro... tke ta pa - ghe-ra-i!
swear it, You shall By me for it!
a
Nodda (motiontess, watching himas he goes off)
A-spi - de! va! Ti sei eve - la- toor-
Seor-pi - on! Go At ast youve shown your
dim. G
col canto
' Poco pit @
ma-i.. To-nio lo sce-mo! Hai Ya - ni - mo
na-ture! —_To-nio the clown! The heart of you
sa = z
S
ben marcato il basso
quasi parlato
=
sie-comejl cor-po di-for-me.. lu-ri-do! ..
is just as crooked your bod
by
:92,
Duet Scene Jil. Silvio and Nedda, then Tonio.
Appassionato (¢= ss)
ys
x —— SSS et
: ne -
Sil-vio! che’impru-den-za!
Sil - vio} What fol-ly!
clive Cy onthe wall) (smiling)
8 = ——+ 2
Ab
o,
Appassionate (d= SCA
ne be: I _
=. [Sa 5= =———|
—— ie oH
c ——== =—_
PE == x x
Andantino (4 = 75)
Sa -pe-a chio non ri - schia-vo ml-la
I fan-cy its no great risk Im tak-ing!
a
Canioe Pep - pe da lun - gea la ta-ver-na, a la
Ca-nio spied from far with Pep-pe yon-der, ay, at the
Parcs
oe
—_
toe ,
te
2
1934" ea 3
Un poco pid mosso *
rita tempo
ver - na ho scor-to!
tav-ern 1 saw them!
Sa
Medda
Ean - co-raun po - co
With - in an ace, — tho}
- chiaa me no - ta qui ne ven-ni.
here, by a path-way 1 re-mem-bered!
fo-nio tim - bat - fe-vi! higobboe da te-
you came of mect-ing To- Afool,andyet 1
(laughing)
Oh! Tonio gob-bo!
Ha! He's the Fool,eb!
ss034o4
Allegro moderato come prima
mer - -Ta qui mel
fear Andjust now he
Silvio
dis - se... e nel be-stial de-li-rio suo, baci chie-
told me, And in a burst ofwildde-sire, hewant-ed
erese_molto
ar-dia cor
dared lay hands
asoneAdagio
Ma con la fru-sta
LP e legato
Butwith my whip here
95
declamato
fo - ga cal-
cur was dis <
Ta
the
im - mon-do
del cane
ar -dor
I calmed the
col canto
te.
#
Andaute amoroso(e = ss)
Slivio (approaching Nedda sadly and tenderly) s 4
= 3 = 7 ——_—-——
st = = =
E fra que-stan -
——
6 fae
And shall you live,
be
ine
ahey
Animando
> vrai?!
this?
aF_
vie
like
no
er
- ter
long
a
e as
eo
ores molto —~
(taxes her hand and leads Aer down stage)
o~
previpitato poi rit
’