Professional Documents
Culture Documents
低音大提琴教學大綱
Syllabus for String Bass
Scales and arpeggios
Grade Pieces Studies
(must be played from memory)
No. 68, 70, 71, 78, 79. G Major scale + arp. (1 octave)
Lament to the Moon, Gavotte, Ballad *For scales: separate bows and slurred
Peruvian
1. String Builder Bk. 2: No.14, 18 Yorke Studies for Double F Major scale + arp. (1 octave)
2. Time Pieces for Double Bass Book 1: Bass Vol.1: Bb Major scale + arp. (1 octave)
Minuetto, Andante cantabile, Ballad I, No. 33, 45 A Minor scale + arp. (1 octave)
Galoppe, Lazybones
Elementary 2
3. Double Bass Solo 1: No. 11, 7
[2 quavers to a bow]
1. Time pieces for Double Bass Book 1: Yorke Studies for Double D Major and Minor scales + arp.(1
Bass Vol. 1: octave)
Menuet de Poitou (omitting DC), Air
No. 97, 99 E Major and Minor scales + arp. (1
and Chaconne, Melody, Solfeggio No.3
octave)
2. Double Bass solo I: No. 15, 17 Chromatic scales:
3. Festival Performance Solos- String Starting on A (1 octave, separate bow
Intermediate 1 Bass: Mummers only)
1. Time pieces for Double Bass Book 2: Bottesini Method for A Major scale + arp. (a 12th)
Double Bass Part 1: G Major and Minor scales + arp.(a 12th)
Gigue, Allegro from Concerto grosso,
No. 4
Hunting Song, Venetian Gondola Song,
No. 9 *For scales: separate bows and slurred
Jamaican Rumba, Cavalryman
[2 quavers to a bow]
2. Double Bass solo I: No. 21, 26, 27
*For arpeggios: separate bows and
Intermediate 2 3. Yorke Solos Vol 1: No. 20, 23, 13
slurred [3 notes to a bow]
4. Amazing Solos for Double Bass:
Fiddler’s Song
Chromatic scales:
5. Suzuki Bass School Vol 3: No. 2 Starting on G (1 octave, separate bows
and slurred [3 notes to a bow])
1. Yorke Solos Vol 1: No. 17, 18 Bottesini Method for Eb Major scale + arp. (1 octave)
2. Suzuki Bass School Vol 3: No. 8, 11, 10 Double Bass Part 1: Bb Major and Minor scales + arp.
Bass: Melodie, The Jolly Dutchamn *For arpeggios: separate bows and
Dominant 7th :
Diminished 7th :
only)
1. Vivaldi Sonata for Double Bass No. 1: Bottesini Method for E Major, Minor Melodic and Harmonic
2. Marcelllo Sonata No.1: 3rd and 4th No. 40, 50 A Major, Minor Melodic and Harmonic
America
Dominant 7th :
Diminished 7th :
Starting on E (2 octaves, separate bows
2. Marcello Sonata No. 4: 3rd and 4th No. 71 C Major, Minor Melodic and Harmonic
5. Solos for the Double Bass Players: No. slurred [3 notes to a bow]
10
Dominant 7th :
Diminished 7th :
1. Vivaldi sonata No. 6 in Bb: 1st and 2nd Bottesini Method for B Major, Minor Melodic and Harmonic
Double Bass Part 1: scales + arp. (2 octaves)
movements
No. 110 D Major, Minor Melodic and Harmonic
2. Eccles Sonata in G minor: Adagio and
No. 114 scales + arp. (2 octaves)
Corrente
3. Telemann Sonata in D: 1st and 2nd or *For scales: separate bows and slurred
4. Dittersdorf Concerto for Double Bass *For arpeggios: separate bows and
Dominant 7th :
Key of C (2 octaves, separate bows and
slurred [4 notes to a bow])
Diminished 7th :
Starting on G (2 octaves, separate bows
and slurred [4 notes to a bow])
Remark: Trainees and candidates are expected to play separate bows and slurred for scales and
arpeggios with the new standard and requirements provided by ABRSM from 2012.