Roots (play)

Roots (1958) is the second play by Arnold Wesker in The Wesker Trilogy.[1] The first part is
Chicken Soup with Barley and the final play is I'm Talking about Jerusalem.[2] Roots focuses on
Beatie Bryant as she makes the transition from being an uneducated working-class woman
obsessed with Ronnie, her unseen liberal boyfriend, to a woman who can express herself and the
struggles of her time. It is written in the Norfolk dialect of the people on which it focuses, and is
considered to be one of Wesker's kitchen sink dramas. Roots was first presented at the Belgrade
Theatre, Coventry, in May 1959 with Joan Plowright in the lead[3] before transferring to the
Royal Court Theatre, London.[4]

Plot

Act 1
Beatie arrives back in her native Norfolk to stay with her sister.

Act 2
Beatie visits her parents. Cover of 1st Edition, Penguin, 1959

Act 3
Beatie and her family await Ronnie's arrival, until a letter arrives from him announcing he is
leaving Beatie.

Excerpt
"Do you think we really count? You don' wanna take any notice of what them ole papers say
about the workers bein' all-important these days – that's all squit! 'Cos we aren't. Do you think
when the really talented people in the country get to work they get to work for us? Hell if they The play by the Ljubljana Drama
Theatre in 1946
do? Do you think they don't know we 'ont make the effort? The writers don't write thinkin' we
can understand, nor the painters don't paint expectin' us to be interested – that they don't, nor
don't the composers give out music thinkin' we can appreciate it. 'Blust,' they say, 'the masses is too stupid for us to come down to
them. Blust,' they say, 'if they don't make no effort why should we bother?' So you know who come along? The slop singers and the
pop writers and the film makers and the women's magazines and the tabloid papers and the picture-strip love stories – thaas who
come along, and you don't hev to make no effort for them, it come easy… The whole stinkin' commercial world insults us and we
don't care a damn. Well Ronnie's right – it's our own bloody fault. We want the third-rate – we got it!"[5]

Notable productions
Gene Wilder made his off-Broadway debut in the 1961 New York City production as Frankie Bryant.[6]

In 2008 Jo Combes directed a production at the Royal Exchange, Manchester, with Denise Black as Mrs Bryant and Claire Brown as
Beatie Bryant.[7] Black won a MEN Award for her performance.[8]

References
1. "A Timeless Play About Self-Discovery: Roots at the Donmar Warehouse" (https://www.litro.co.uk/2013/11/a-timeless-play-about
-self-discovery-roots-at-the-donmar-warehose/). 7 November 2013.
2. "Roots – Drama Online" (http://www.dramaonlinelibrary.com/plays/roots-iid-161186). www.dramaonlinelibrary.com.
3. "Roots: This Belgrade play is a MUST", Nuneaton Evening Tribune, 26 May 1959 http://www.picks.plus.com/howard/roots.htm
4. "Roots – Royal Court" (http://www.royalcourttheatre.com/whats-on/roots).
5. Wesker, Arnold (2016). Arnold Wesker's Monologues (https://books.google.com/books?id=TTI2DwAAQBAJ&pg=PT37). Oberon
Books. p. 37. ISBN 9781783192502. Retrieved 8 February 2019.
6. Mednick, Brian Scott (2011). Gene Wilder: Funny and Sad. BearManor Media. p. 28. ISBN 9781593936211.
7. Hickling, Alfred (6 February 2008). "Theatre review: Roots / Royal Exchange, Manchester" (https://www.theguardian.com/stage/
2008/feb/06/theatre). The Guardian.

https://en.wikipedia.org/wiki/Roots_(play) 20/03/23, 12:19 PM

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