Cheek

To Cheek
Composed by Irving Berlin
As played by Frank Sinatra
Transcription & Layout by Lukas Haber

1         
A

        
            
    
     
   
 = 166 Swing

 
     
Alto Sax 1


           
                    
          



1

               
Alto Sax 2

                        
   
  



1

  
   
Tenor Sax 1

                              
         
   
1

     
           
    
Tenor Sax 2

                    
      
1 


    
   
  
        
Bari Sax

1             
         

                   
Trumpet 1


                   
 
1 

Trumpet 2

     

                                   
 



1

 
Trumpet 3

 
                              
 
         
1

                 
 
Trumpet 4

1           
           
 
                   
Trombone 1

               
   
 
1

                  
Trombone 2


                     
  
1 

Trombone 3




                          
1 C- F D- G C- C- F
Guitar


                          
1 C- F D- G C- C- F
Piano

                           

1 C- F D- G C- C- F
Kontrabass

               
upbeat

        
1
drumroll
Drums

dont use the pattern, just swing ;)

/16
    
                      
               
B

      
9

  
Alto 1

  
      

                  

                     
9 

  
         
Alto 2

     
                                   
 


  
9

       
Tenor 1

        
 
                                 



 
9

Tenor 2


       
                     
  
          

      
 


      
9

Bari

         
     



9

Tpt. 1

       
      
9  

Tpt. 2

         
          
9  

Tpt. 3

            
     
 


9

Tpt. 4

        
          
 
9

Tbn. 1

                   

9  

Tbn. 2

                   

 


9

Tbn. 3

    
 

                         
B♭ G- 9 C- F B♭ G- C- F B♭ G- C- F B♭ C- D♭ D- A♭
Gtr.


                             
B♭ G- 9 C- F B♭ G- C- F B♭ G- C- F B♭ C- D♭ D- A♭ F-
Pno.

                              
B♭ G- 9 C- F B♭ G- C- F B♭ G- C- F B♭ C- D♭ D- A♭ F-
Kb.

                      
go sim...
9

Drums

2/16
     

 
                      
   
C D

     
17 25

 
Alto 1

    
     
        
      
           
17   25

 
Alto 2

  
                             

 

 
17 25


 
Tenor 1

             
              
       
17   25

Tenor 2

          
                  
 25  
      

17  

Bari

               
 

   
             
straight mute


17 25

  
Tpt. 1

 

                          
straight mute





17 25

Tpt. 2

  

     
                      
straight mute


 
17 25

Tpt. 3

  
       
                    

 straight mute

 
17 25

  
     cup mute 
   
Tpt. 4

   
              
17 25

           
Tbn. 1

                  
 cup mute


17 25

  
Tbn. 2

 
                
        
   
cup mute
17
 25

Tbn. 3

   
                      
G G♭ F F F/E♭ D-  G C- F B♭ G- C- F B♭ G-


17 25

Gtr.

   
                      
G G♭ F E♭ F F/E♭ D- G C- F B♭ G- C- F B♭ G-


17 25

Pno.

                                


G G♭ F E♭ F F/E♭ D- G C- F B♭ G- C- F B♭ G-


17 25

Kb.


                                

17 25

Drums

3/16
    
                              
         
E

       
33



Alto 1

    
                
 
  
  
              


 
33



Alto 2

      
                                     
  


 
33


Tenor 1

 
                                       
        



33

Tenor 2

      
                                        
    


  
33

Bari

            33  
              
to open 

 
         33  
Tpt. 1

       
           
to open
 

Tpt. 2

       
         

   

to open

  


  
33


Tpt. 3

  
                 



to open

        
33


Tpt. 4

  
         
                



to open
33

 
Tbn. 1

       
               
to open

  
33


Tbn. 2

          
              
to open

  
33

Tbn. 3


                            
C- F B♭ G- C- F B♭ C- D♭ D- A♭ 33 G G♭ F F F/E♭ D-
Gtr.


                            
C- F B♭ G- C- F B♭ C- D♭ D- A♭ F- 33 G G♭ F F F/E♭ D-
Pno.

                               

C- F B♭ G- C- F B♭ C- D♭ D- A♭ F- 33 G G♭ F F F/E♭ D-
Kb.

                            

33

Drums

4/16
           
                                     
F

       
41 3

Alto 1

         
                         
 

                  
41 3

     
Alto 2

        41             
                             





 
            
Tenor 1

    
            
 
                      
3
 


41

Tenor 2

       41              
                    
3

      
   
 

Bari
   


3

                
 

 
open
41

Tpt. 1


                
open
41

Tpt. 2


                  
open
41

Tpt. 3


       


         

open
41

Tpt. 4

 


        41   
open

         
 
Tbn. 1

         41       
open

 
 
Tbn. 2

                  
 
open
41

Tbn. 3


                              
G C- F B♭ B♭ C- F B♭ G- C- F B♭ G-


41

Gtr.


                              
G C- F B♭ D♭ B♭ B♭ C- F B♭ G- C- F B♭ G-


41

Pno.

 B♭ 
                      
"two feel"

            
G C- F B♭ D♭ B♭ B♭ C- F G- C- F B♭ G-

 
41

Kb.

        41    
more Expression
Drums                               

5/16
                  
                                                 
G

        
49 3


Alto 1

            
                                    
                        
49 3

 
Alto 2

               
                                         
             
49 3

         
Tenor 1

        
                                         
         
49 3

  
Tenor 2

                         
                                
           
49


Bari

 

            
3


49


Tpt. 1

            
 
 
49

Tpt. 2



              

49

Tpt. 3

    
          
 
49

                 
       
Tpt. 4

    
             
49

   
             
      
Tbn. 1

                 
3
49

          
Tbn. 2


                                      
3

  
49

Tbn. 3


3

                                
C- F B♭ G- C- F 49 B♭ G- C- F B♭ G- C- F B♭ G- C- F
Gtr.


                                
C- F B♭ G- C- F 49 B♭ G- C- F B♭ G- C- F B♭ G- C- F

G- C-
   F  49 B♭
  G-  B♭
   G- 
Pno.

                                
C- F C- F C- F C- F

 
B♭ C♭ G-

   
Kb.

                                
49

Drums

6/16
       
        
                       
H

      
57


Alto 1

  
         
       

     
              


 


 
57


Alto 2

           
       
                      



 
57


Tenor 1

    
                        
              



57


  
      
Tenor 2

                
  
    
 
  
   


 
57

   
Bari

   
        
57 

  
Tpt. 1


            
57

Tpt. 2

           
   
57

Tpt. 3


             
  
57

           
Tpt. 4

       
       
57

       
         
Tbn. 1

          
57

 
       
Tbn. 2

                   
 
57

Tbn. 3


                            
B♭ G- C- F 57 B♭ B♭- B♭-/A♭ G♭ G♭ F
Gtr.


                            
B♭ G- C- F 57 B♭ E♭ B♭- B♭- B♭-/A♭ E♭ G♭ G♭ E♭ F

          
Pno.

                      
G- B♭ B♭- B♭-/A♭ E♭ G♭ G♭ E♭ F


B♭ C- F E♭ B♭-


57

 
Kb.

                                  
57

Drums

7/16
          
    
       
       
I


65

Alto 1

         
       
               
65

 
Alto 2

      
                                          
   
65

Tenor 1

       
                                          
   
65


Tenor 2

               

 
   

  
      
65

Bari

          

65

Tpt. 1

         

65

Tpt. 2

         

65

Tpt. 3

         

65

   
              
Tpt. 4

     
        
unis.
65

unis.
                    
Tbn. 1

            

65

unis.
                    
Tbn. 2

            
 
65

Tbn. 3


                               
F B♭/D G- 65 C- F B♭ G- C- F B♭ G- C- F B♭ C- D♭ D-
Gtr.


                               
F C  B♭/D G- 65 C- F B♭ G- C- F B♭ G- C- F B♭ C- D♭ D-
Pno.

                                
F C  B♭/D G- 65 C- F B♭ G- C- F B♭ G- C- F B♭ C- D♭ D-
Kb.

                               
65

Drums

8/16
    
                         
     
J

      
73

 
Alto 1

      
               
  
   
             
73

Alto 2

 
        
       
                  
 
73


Tenor 1

        
                            

73

Tenor 2

                         

      
   
   
73

Bari

               

  
       
73

Tpt. 1


                   

    




73

Tpt. 2

 
                          



 
73

 73  
Tpt. 3

                     
    


 73         

Tpt. 4

    
    
       
 73            
Tbn. 1

 
             


       
Tbn. 2

  
               
   
73


Tbn. 3


                       
A♭ G G♭ F F F/E♭ D-  G C- F B♭ C-


73

Gtr.


                       
A♭ F- G G♭ F C- F F/E♭ D- G C- F B♭ C-


73

Pno.

                        

A♭ F- G G♭ F C- F F/E♭ D- G C- F B♭ C-


73

Kb.

                                            
73

Drums

9/16
    TUTTI  K 
                        
             
81

 
 
Alto 1


             
  


     

    
       
81

  
Alto 2

                

 



      
        



   
81

   
Tenor 1

  
                   
           
    


  
81


Tenor 2


                        
                


 
81

     
      
Bari

            
             
81 

  
Tpt. 1

        
                       

81 

Tpt. 2

      
                            
 


  
81

Tpt. 3

       
                    
          


  
81

                          
Tpt. 4

  
           
81

   
                  
Tbn. 1

            

81



             
Tbn. 2

               
        
  
81 

Tbn. 3




                    
81 D♭ D- C- F B♭ C- F B♭ G
Gtr.


                    
81 D♭ D- C- F B♭ C- F B♭ G
Pno.

                     
81 D♭ D- C- F B♭ C- F B♭ G
Kb.

   
                                           
build and throw bombs
81

Drums

10/16
     
                         
L

        
89

Alto 1

  
             
                 
89

 

Alto 2

     
                              
 
89

Tenor 1

    
                          
         
89

  
Tenor 2

       
                        
   
89

    
       
Bari

             
          
89

   
Tpt. 1

      
                       
 
89

 
Tpt. 2

   

                            
 
89

Tpt. 3

   
                           
        
   
89

 
                    
Tpt. 4

  
          
89

    
               
Tbn. 1

     
        
89

   
          
Tbn. 2

    
                   
 
89

Tbn. 3


                    
C- F B♭ C- F 89 B♭ G C- F
Gtr.


                    
C- F B♭ C- F 89 B♭ G C- F
Pno.

                     
C- F B♭ C- F 89 B♭ G C- F

   
Kb.

                                           
89

Drums

11/16
   
   
       

   
 
    
      
Alto 1

 
   
    

   
 
  
           

Alto 2

       


  
           

     


Tenor 1

     
 
Tenor 2              
   
    

               
            
       
         
Bari

          
Tpt. 1           
        
                    
Tpt. 2
 
  
                           
Tpt. 3
  
 
                
            
     

          
   
Tpt. 4

 
          
               
 
Tbn. 1

            

     
Tbn. 2

               
        
Tbn. 3
   

                
B♭ C- F B♭ G C- F
Gtr.


                
B♭ C- F B♭ G C- F
Pno.

                 
B♭ C- F B♭ G C- F

  
Kb.

Drums                                

12/16
        
                    

M

        
 
97

Alto 1

   
                
                 


  
97

 
Alto 2

      
                      
   


 
97

Tenor 1

     
                      
              



97

          
Tenor 2

       
             
     
97 

   
   
Bari

           
   
97 

  
Tpt. 1

              
    
97

Tpt. 2

    
                 

97

Tpt. 3


                     
  
97

           
      
Tpt. 4

     
     
97

   
          
Tbn. 1

          

97

   
Tbn. 2

                
 
   
   
97

Tbn. 3


                         
B♭ C- F 97 B♭ B♭- B♭-/A♭ G♭ G♭
Gtr.


                         
B♭ C- F 97 B♭ A♭ B♭- B♭-/A♭ E♭ G♭ G♭ F-
Pno.

                          
B♭ C- F 97 B♭ A♭ B♭- B♭-/A♭ E♭ G♭ G♭ F-


Kb.

                                 
end of TUTTI
97

Drums

13/16
               
              
N

   
105

Alto 1

        
         
               
105


Alto 2

      
          
                                   
     
105

Tenor 1

   

                                             
        
105

Tenor 2

                  
       

  
      
105

Bari

           

105

Tpt. 1

          

105

Tpt. 2

          

105

Tpt. 3

           

105


                    
Tpt. 4

             
unis.


105


                    
Tbn. 1

              
unis.


105

  
                  
Tbn. 2

              
unis.

 
105

Tbn. 3


                              
F F B♭/D G- 105 C- F B♭ G- C- F B♭ G- C- F B♭ C- D♭ D-
Gtr.


                              
F F F♯ B♭/D G- 105 C- F B♭ G- C- F B♭ G- C- F B♭ C- D♭ D-
Pno.

                                     
F F F♯ B♭/D G- 105 C- F B♭ G- C- F B♭ G- C- F B♭ C- D♭ D-
Kb.

                              
105

Drums

14/16
    113    
                  
              
O

 
 113  
Alto 1

      
              
        
  
   
  
Alto 2

                   
              
  


  
 
113


Tenor 1

  

                                  
  
113


Tenor 2

                
    
             
   
  
113

           
Bari

   
 

                
113

Tpt. 1


            
             
      
 



113


Tpt. 2

 
                                
 


 
113


Tpt. 3

113 
                            
   




  113               

Tpt. 4

     
          

 113                
Tbn. 1

                

   
Tbn. 2

                      
      
    
113

Tbn. 3


                           
A♭ 113 G G♭ F F F/E♭ D- G C- F D-
Gtr.


                           
A♭ F- 113 G G♭ F F F/E♭ D- G C- F D-
Pno.

                            


A♭ F- 113 G G♭ F F F/E♭ D- G C- F D-
Kb.

                           

113

Drums

15/16
          
             
        
121

Alto 1

      
  
  
          
    
  

   
121


Alto 2

                    
           
 




 
121

Tenor 1


                    
         
  


121

Tenor 2

           
             
 
  

   
121

Bari

   
                 
          
  

   
get fast loud
121

Tpt. 1

   
          
  


                    
get fast loud
121

Tpt. 2

  
  

    
                 
      
get fast loud

      
121


Tpt. 3

   
  

                      
get fast loud

                 
121

  
Tpt. 4

      
             

    
   
  

    
121


Tbn. 1

        
           

      
      
 

  
121

  
Tbn. 2


           
                    
 
 

  
121

Tbn. 3

 
         
 

                 
G C- C- B♭ E♭ C- G C- F C- B♭

      
121

Gtr.

 
                           
G C- C- B♭ E♭ C- G C- F C- B♭ B♭

      
121

Pno.

                           
G C- C- B♭ E♭ C- G C- F C- B♭ B♭

       
121

 
Kb.

  
                                
play exactly


121

Drums

16/16
Alto Sax 1 Cheek To Cheek Composed by Irving Berlin

   
As played by Frank Sinatra

                       
Transcription & Layout by Lukas Haber

        
 
 = 166

 
A Swing


1

             
   



  
7

         
         
B

  
10

      
          


          
    
14

      
                     
C


18

         
 

         
D

  
26

      
                    
    
30

             
            
E

 
34

                 
          
 

            
F

      
 
    
42

            
3

  
            


    
    

G

     
49

/2
   
      
     
       

Alto Sax 1

  
54

  
 
 
  
 
                   
H 

    
58

               
                             


 
I J

    
66

        
  

                          
K

     
78 TUTTI

         
      
 


               
  
85

    L 
                                  
   
89

        
         
             
 
94

  
 
                      
M

    
98

           
                


  
N

   
  
106

               
       
O

 
114

                     
    
      
122

  
2/2
Alto Sax 2 Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra

    
          
Transcription & Layout by Lukas Haber

            
 = 166 A Swing

  
1

                  
   


    
 
6

 
                
B


10

       
          


          
 
14

    
  
                    
C


18

 
 

                
D


26

             

              
  
30

      
             
E

 
34

             
 

                    
F

  

42

  
3

     
     


             
  
46

/2
                                    
   
G

     
Alto Sax 2

  
 
50

 
             
3

    
                  
 
H

     
57

       
               


           
I

   
66

   
   
     
J



74

                          
K

                  
     
TUTTI


80

            
           


          
L

    
86

        
  
                                      
 
92

      
       
 
           
M


  
98

         
 
        


          
N

  
  
106

     
                
O

 
114

             
  
               
 
122

  
2/2
Tenor Sax 1 Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra

  
              
Transcription & Layout by Lukas Haber

      
 
 = 166 A Swing

  
1

                            


   
6

    
      
                                      
B
10

  
          


         
C

  
 
18

    
 

      
                                      
D
26

            
             
E


34


                      
 

                
F

  
42

            
3

              



       
G

  
47

       
                       
  
      
52

  
                    
3

          
  
H

    
57


/2
                 
                  
Tenor Sax 1
I

  
66

         
                
    
J

 
72

     TUTTI
         
                
K

                  
    
80

  
   


                     
  
         
L

 
86

                               
     
92

         
     
  
                  
M

  
97

            


             
         
N

  
106

          
   


112

       
      
     
O

 
114

               
            
    
   
122

  
2/2
Tenor Sax 2 Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra

  
    
Transcription & Layout by Lukas Haber

            
 
A Swing

 
 = 166


1

  
                     


          

6

          
B

       
10

      
 

 
                                   
14
C




                 
   
D

 
22

    


                  
  
            

28

          

            
E

 
34

       
     
  
    
 

                         
F

   
     
42

        3
3

 
  


                      
G

     
 
  
49

  
                   
   
54

/2
      
      
             
H Tenor Sax 2

        

58

              
     


            
I

   
66

 
                           
 
J

   
72

      
    

             
K


                     
   
TUTTI

 
80

    
               


                  
L

        
86

            
                       
  
92

          
            
            
M

   
97

  
       
            



N

   
106

     
                           
  
110

   
                
O

   
114

        
                 
   
122

  
2/2
Bari Sax Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra

              
            
Transcription & Layout by Lukas Haber

     
A Swing


1  = 166

                     
   


   
6

                                      
B

    
   
10

         
                     



17
C

         
 

        
D

  
26

            
           
  
 
30

            
             
E

 
34

                    
 
 

      
F

     
42

 
3

                   
         


   
G

       
46

               
              
        
   
52

/2
   
        
       
 
       
H Bari Sax

    
58

                   


                         
I J

     
66

      TUTTI
  
                
K

 
78


                   


          
 
          
 
83

     L 
                                      
   
88

        
       
 
              

94

  
                         
M

    
98

        


                      
N

   
  
106

      
                
O


114

                    
    
      
122

  
2/2
Trumpet 1 Cheek To Cheek Composed by Irving Berlin

         
As played by Frank Sinatra

        
Transcription & Layout by Lukas Haber

      
A Swing

 
 = 166
1

       
         


   
 
6

             
   


               
B straight mute


C


10

           
         
 

    
D

  
26

     
           
 

 
E


to open open F


34

       

  
        
H


G

  
50
I

 
                         
K

         
J


TUTTI
74

     
   
                
          
 

  

84

  L
               
            
      

89

 
      
  

         
      

94

/2
  
    
   
Trumpet 1
M

 
98
N



                       
     
O


get fast loud
114




  
                      
 
 
122

 

2/2
Trumpet 2 Cheek To Cheek Composed by Irving Berlin

     
As played by Frank Sinatra

            
Transcription & Layout by Lukas Haber

 
   
 = 166


1
A Swing

    
  
 


            
6

   


                      
     
B


C straight mute


10

            
 

            
D


26

    G
     


             
E


to open open F


34

   
      
H


I

 
58

    
               
              
K

      
J


74 TUTTI

        L   
 

                 
              
85

                                  
    

92

/2
     
     
Trumpet 2
M


N


98



     
                        
O


get fast loud


114

   
           
           
 
122

 

2/2
Trumpet 3 Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra

       
        
Transcription & Layout by Lukas Haber

      
  
 = 166 A Swing

 
1

          


             

6

 
              


               
B


C straight mute

  
10

     
  
 

          
D E to open

    
26

         
 


             
open F G


35

  
     


  
H


I

 
58

     
                             
J K

   
74 TUTTI

             
 

    
              
 
84

   L 
                               

89

                      
     
     
93

/2
   
        
Trumpet 3
M


N

 
98



   
                          
O


get fast loud


114

    
                          
 
122

 

2/2
Trumpet 4 Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra

 
          
Transcription & Layout by Lukas Haber

 
         
 = 166 A Swing

  
1

             
            
6

  


       
                    
B


C straight mute

  
10


 

  
  
    
       
D E to open

        
26

  


    
                        
open F G


35

  



                    
H


I J

  
58

 


    
         
K

                             
    
78 TUTTI

   


 
                                    
L

   
87

             
          
     
       
93

/2
   
      
Trumpet 4
M

 
N

 
98



  
                        
O


get fast loud

 
114

     

           
             
122

 

2/2
Trombone 1 Cheek To Cheek
    
Composed by Irving Berlin

      
As played by Frank Sinatra

       
Transcription & Layout by Lukas Haber

A Swing

      
  
 = 166
1

      


           
    
 
6

        


  
 
            
B

 
10
C

   
 

             
            
cup mute D

     
E to open


24

open

         
 
 
40
F

   G        
                 
 
          
 
49

        
   

  
 
H

    
 
55


 
                             
         
 
I unis.
66

/2
       
     
  
Trombone 1
J

 
74

                
              
K 

 
  
TUTTI

      

81

     L
                    


    
         
 
86

                        
  
        
 
91

                M   
    
       
 
95

             
          
     
 
N unis.
100

    
 
    
 
110

          
         
   
     
O

 
114

            
               
   
 
122

 
2/2
Trombone 2 Cheek To Cheek
    
Composed by Irving Berlin

      
As played by Frank Sinatra

  
  
Transcription & Layout by Lukas Haber

    
Swing

    
 = 166 A
1

    
 



           
    
6




         
B

 
10

            


           
C cup mute


18

  


      
           
D

   
26

open
 
    
     
  
    
E


to open F
34

   
            
             
G
50

       
3

  

    
       
54

    
      
H
58

/2
   
                       
            
Trombone 2
I unis.
66

       
    
  
J
74

   
                   


  
K

          
TUTTI
78

 
         


  
     
86

  L
                  
       
            

89

               M   
                   
94

                 
             
      
N

 
unis.
106


                   
         
O
114

           
             
    
122

 
2/2
Trombone 3 Cheek To Cheek Composed by Irving Berlin

               
As played by Frank Sinatra
Transcription & Layout by Lukas Haber

         

1  = 166 A Swing

           
 


            

6


 


     
B



10

              
           


 
C cup mute

 
18

    
   


        

D


 
26

  open

              
E


to open
34

 

  
  
F

 
42

    
                     
      
G

 
50

       
     
3

54

           

  
   
  
H


58

/2
             
            
            
Trombone 3
I unis.

 
66

 
            
       
J TUTTI
74


 

    
            
                     
K


82

    L   
          
   
     
          
         
87

    
                                
          
  
M


93

            
            
    
N unis.
100


        
  
110

            
                   
O


114

               
            
 
   
122

 
2/2
Guitar Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra
Transcription & Layout by Lukas Haber


Swing

                  
 = 166 A C-
1 F D- G


                
6 C- C- F B♭ G- C- F


                
B
10 B♭ G- C- F B♭ G- C- F


                
14 B♭ C- D♭ D- A♭ G G♭

  
              
C
F F F/E♭ D- G


18


                
22 C- F B♭ G- C- F


                
D
26 B♭ G- C- F B♭ G- C- F


                
30 B♭ C- D♭ D- A♭ G G♭

  
              
E
F F F/E♭ D- G


34

                 

38 C- F B♭ B♭

/3
 
                
F Guitar

42 C- F B♭ G- C- F B♭ G-


                
46 C- F B♭ G- C- F B♭ G-


                
G
50 C- F B♭ G- C- F B♭ G-


                
54 C- F B♭ G- C- F B♭


                
H
58 B♭- B♭-/A♭ G♭ G♭


                
62 F F B♭/D G- C- F


                
66
I B♭ G- C- F B♭ G- C- F


                 
B♭ C- D♭ D- A♭ G G♭

 
70


                
J
74 F F F/E♭ D- G


TUTTI

                
78 C- F B♭ C- D♭ D-

                 
K


82 C- F B♭ C- F B♭ G

2/3
 
                
Guitar
86 C- F B♭ C- F B♭ G


                
L
90 C- F B♭ C- F B♭ G


                
94 C- F B♭ C- F B♭


                
M
98 B♭- B♭-/A♭ G♭ G♭


                
102 F F B♭/D G- C- F


                
N
106 B♭ G- C- F B♭ G- C- F

                 

110 B♭ C- D♭ D- A♭ G G♭


        
O
114 F F F/E♭D- G C- F D- G

                             

C- C- B♭ E♭ C- G C- F C- B♭

      
122

3/3
Piano Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra
Transcription & Layout by Lukas Haber


Swing

                  
 = 166 A C-
1 F D- G


                
6 C- C- F B♭ G- C- F


                
B
10 B♭ G- C- F B♭ G- C- F


                
14 B♭ C- D♭ D- A♭ F- G G♭

                
C


F E♭ F F/E♭ D- G


18


                
22 C- F B♭ G- C- F


                
D
26 B♭ G- C- F B♭ G- C- F


                
30 B♭ C- D♭ D- A♭ F- G G♭

  
              
E
F F F/E♭ D- G


34

                 

38 C- F B♭ D♭ B♭ B♭

/3
 
                
F Piano

42 C- F B♭ G- C- F B♭ G-


                
46 C- F B♭ G- C- F B♭ G-


                
G
50 C- F B♭ G- C- F B♭ G-


                
54 C- F B♭ G- C- F B♭ E♭


                
H
58 B♭- B♭- B♭-/A♭ E♭ G♭ G♭ E♭


                
62 F F C B♭/D G- C- F


                
66
I B♭ G- C- F B♭ G- C- F


                
B♭ C- D♭ D- A♭ F- G G♭

 
70


                
J
74 F C- F F/E♭ D- G

    
TUTTI

            
78 C- F B♭ C- D♭ D-

                 
K


82 C- F B♭ C- F B♭ G

2/3
 
                
Piano
86 C- F B♭ C- F B♭ G


                
L
90 C- F B♭ C- F B♭ G


                
94 C- F B♭ C- F B♭ A♭


                
M
98 B♭- B♭-/A♭ E♭ G♭ G♭ F-


                
102 F F F♯ B♭/D G- C- F


                
N
106 B♭ G- C- F B♭ G- C- F


                
110 B♭ C- D♭ D- A♭ F- G G♭


                
O
114 F F F/E♭ D- G

                

118 C- F D- G

                             

C- C- B♭ E♭ C- G C- F C- B♭ B♭

   
122

3/3
Bass Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra
Transcription & Layout by Lukas Haber

Swing

                  
 = 166

 
1
A C- F D- G

                 
6 C- C- F B♭ G- C- F

                 
B
10 B♭ G- C- F B♭ G- C- F

                 
14 B♭ C- D♭ D- A♭ F- G G♭

                 
C
F E♭ F F/E♭ D- G


18

                 
22 C- F B♭ G- C- F

                 
D
26 B♭ G- C- F B♭ G- C- F

                 

30 B♭ C- D♭ D- A♭ F- G G♭

                 
E


F F F/E♭ D- G


34

                 
38 C- F B♭ D♭ B♭ B♭

/3
   B♭ 
         
"two feel" Kontrabass 1

     
F

  
C- F G- C- F B♭ G-

 
42

G-  
       
          
C- F B♭ C- F B♭ G-

  
46

             G-


    
G

   
C- F C- F B♭


C♭ G-

    
50

                   
  
C- F G- B♭


B♭ C- F E♭

 
54

                 
H
58 B♭- B♭- B♭-/A♭ E♭ G♭ G♭ E♭

                 
62 F F C B♭/D G- C- F

                 
66
I B♭ G- C- F B♭ G- C- F

                 

B♭ C- D♭ D- A♭ F- G G♭

 
70

                 
J
74 F C- F F/E♭ D- G

     
TUTTI

           
78 C- F B♭ C- D♭ D-

2/3
                  
K Kontrabass 1


82 C- F B♭ C- F B♭ G

                 
86 C- F B♭ C- F B♭ G

                 
L
90 C- F B♭ C- F B♭ G

                 
94 C- F B♭ C- F B♭ A♭

                 
M


98 B♭- B♭-/A♭ E♭ G♭ G♭ F-

                 
102 F F F♯ B♭/D G- C- F

                 
N


106 B♭ G- C- F B♭ G- C- F

                 
110 B♭ C- D♭ D- A♭ F- G G♭

                                 
O
114 F F F/E♭D- G C- F D- G

                              
C- C- B♭ E♭ C- G C- F C- B♭ B♭

       
122

3/3
Drums Cheek To Cheek Composed by Irving Berlin
As played by Frank Sinatra
Transcription & Layout by Lukas Haber

            dont use the pattern, just swing ;)

 = 166


          
upbeat Swing
A

   
1
drumroll

        

B go sim...
10


                                
C


18

        

D
26

                                
E
   
34

        

F
42 more Expression


           
  
G
50

        

H
58

        

I
66

/2
                 
Drums
J
        
74

 
 TUTTI

                
  
build and throw bombs

 
78

 


                
K
                         
82

   
                
                     
86

 
                
L
                         
90

 
                
                 
end of TUTTI

  
94

        

M
98

        

N
106

        

O
114

 
                   
               
play exactly


122


2/2