Ronde No.

1, Pour Quoy
Tielman Susato (c1510-after1570)

         
         
Treble Recorder    
    
Tenor Recorder 1           

  
Tenor Recorder 2                  

  
          
 
  
Bass Recorder


              

5

  

                
  

                    

            
        
 
  

   
10
                 
      

         
    

                
   

   
         
 
  

14
              

       

     
     

      
          


     
 
 
    
 Ronde No. 2, Mon Amy
Tielman Susato (c1510-after1570)

                 
Treble Recorder 1  
   

             
Treble Recorder 2     

     
Tenor Recorder                  


     
     
 
  
Bass Recorder


                    
     

5 
  
                  
     


    
       
      
    


    
          
     

                   
10 sic.

  

  

           
          


 
                



               
   


 3 - Ronde
Tielman Susato (c1510-after1570)

                         
Treble Recorder   

          
Treble or
Tenor Recorder 1      

Tenor Recorder 2                 

           
  
 
Bass Recorder
  

                         
5

  

                 

                 
  


      
            



                         
9

     

             
      

              
         


           
  
 
 

 4 - Ronde
2 1
      
     
  
  

                   
   

                   


                   
    

           
6
  

     
     
     

   
 
          

             
 


              
10

  

            
 

              



         
      
 5 - Ronde (Wo bistu)
                   
3
  
1

   

                         
   


               
            

      
           
            

  
7
              
 

       
       
 
 

      
            


  
             
    

 
12
            
    

           
 
    

               
    

               
  

  
 6 - Ronde
              
4 1

  
 

                  
    

                         


   
                   
  

 
              
7

  

            
 

               

 
        
    
 

               
10


 

          
  

             
 


       
    



Treble Recorder
3 - Ronde
Tielman Susato (c1510-after1570)

      

   

5
                      
     

9
                   
 
        

4 - Ronde
     
   
1


  

                
5

  

9
               

   
 5 - Ronde (Wo bistu)
2 Treble Recorder

                  
1

   

6
                    
 

12
             
     

6 - Ronde
1
             
  


6
                 
 

9         
   
Treble or Tenor Recorder 1
3 - Ronde
Tielman Susato (c1510-after1570)

               
      

                   

       
10

      

4 - Ronde
                   
1

   

6
       
         

  
10

            
 5 - Ronde (Wo bistu)
2 Treble or Tenor Recorder 1

                
1
   
  
 

         
6

            

     
11

      

   
14

       

6 - Ronde
               
1


   

     
6

       
 

           
9


      
Tenor Recorder 2
3 - Ronde
Tielman Susato (c1510-after1570)

                  

               
6

    

10

               
  


4 - Ronde
1

                         

              
    

                
 
 Tenor Recorder 2
2
5 - Ronde (Wo bistu)
1

                       


            
6

          

11

              

14

             

6 - Ronde
1

                     

                


10

             
 

Bass Recorder
3 - Ronde
Tielman Susato (c1510-after1570)

 
                     

6

 
            

9
 
       
       

4 - Ronde
1
 
                    
 

6

              

10
 
           
  
 Bass Recorder

2
5 - Ronde (Wo bistu)
1
      
         
        

6

                  
  

11
 
       
  
 

14

      
   
 

6 - Ronde
1
    
                  

6
   
    
      


9
    
           