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Introduction1
Despite the recent publication of numerous " third wave" feminist anthol-
ogies (e.g., To Be Real, Third Wave Agenda, Listen Up! Voices from the
Next Feminist Generation, Colonize This! and The Fire this Time) and
a handful of articles that take a more representative approach to analyz-
ing generational differences (e.g., Huddy, Neely, and LaFay 2000; Peltola,
Milkie, and Presser 2004; Schnittker, Freese, and Powell 2004), there
remains a pressing need for more systematic analyses of the relationship
between "second- wave" and "third wave" feminisms. Indeed, a good deal
of confusion still remains concerning what is actually meant by second
wave and particularly third wave feminism. Using a combination of socio-
logical and feminist research tools, I problematize the notion of distinct
"waves" of American feminism. I identify three dominant approaches
to understanding "third wave" feminism - cohort-based, age-based, and
theory-based - and then analyze empirical data to discern the extent of
difference within and across these waves. Drawing from a combination of
qualitative and quantitative data, I argue that third wave feminism might
be better understood as
perspective, age group, o
ages share many import
Moreover, my analysis o
texts that directly speak
cases, feminist scholarsh
to understand.
Background
By most accounts, the term third wave feminism (as understood today)
was coined by Rebecca Walker, daughter of Alice Walker, cofounder of
the Third Wave Foundation and editor of the third wave anthology, To be
Real.1 In practice, "third wave feminism/t" is used in at least three ways:
to refer to an age group, a cohort, and a theoretical perspective.3 In the
case of the first, the term is used as a synonym for "young feminists." The
Third Wave Foundation, for example, describes itself as an organization
working to support women aged 15 to 30; and Sexing the Political, "an
online journal of third wave feminists on sexuality" requires its contribu-
tors to be "20- or 30-something feminists" (with the exception of those
contributing to the "Baby Boomer column"). In the case of the second, the
term is generally used to describe a generational cohort of self-identified
feminists who were brought up in the 1970s (and some would include
those reared in the 1980s), and who, consequently, developed political con-
sciousness during or subsequent to the antifeminist backlash of the 1980s
(Baumgardner and Richards 2000; Heywood and Drake 1997; Rasmusson
2003). Rather than relying on a birth-year-based cohort, Aikau, Erikson,
and Pierce (2005) suggest that feminist generations might be better under-
stood in terms of graduate-school cohorts. "[T]hose who entered graduate
school in the late 1960's and 1970's," they suggest, represent the "second
generation,-" those who entered in the 1980s are said to represent the
"2.5 generation;" and those who began in the 1990s represent the "third
generation."4
Those who define third wave feminism in terms of a theoretical per-
spective routinely point to the crucial influence of postmodernism and
multiracial feminist theory on the development of third wave feminism
(Heywood and Drake 1997; Mann and Huffman 2005). In addition, third
wave feminists frequently define the "third wave" by contrasting it to
"second wave" feminism - the feminism associated with those women
who were active in the American Women's Movement of the 1960s
and 1970s (Labaton and Martin 2004, xxv). Rasmusson (2004, 429), for
example, defines third wave feminism by distinguishing it from second
wave feminism, arguing that "a central tenet of third wave feminism is
to include wom
ments [read sec
tation prejudice
privileged secon
postmodern thi
third wave feminist literature.
Despite the popularity of third wave feminism and the "third wave"
label, the wave metaphor more generally has come under increasing criti-
cism by feminists who feel that it inaccurately represents the history and
present of the American women's movement. Three criticisms stand out.5
First, as Springer (2002) and Morgan (2003) have argued, by focusing our
attention on large-scale public activism, the wave metaphor contributes
to the erasure of the rich history of American women's struggle for equal-
ity. Poor women and women of color, whose goals and strategies often
differ from those of middle- and upper-class white feminists, remain mar-
ginalized in wave rhetoric, where attention is focused on white women's
suffrage in the late nineteenth century and white women's right to equal
opportunity in the 1960s and 1970s. As Springer (2002) says, "the more
we learn about women of color's feminist activism, the less tenable the
wave analogy becomes" and that "the idea of a first wave beginning with
suffrage excludes the fact that Black women resisted gendered oppression
during the ante-bellum period" (1062). Bailey (1997), Orr (1997), and Henry
(2003) further argue that, by continually drawing what are thought to be
very clear distinctions between second wave feminism and third wave
feminism, continuity between the three waves of American feminism is
forgotten and the diversity of feminist ideology and activism within these
categories is lost, as popular images of 1970s bra-burning feminists come
to represent what would be better understood as a movement with a range
of ideologies, strategies, and participants.
A third problem with the wave metaphor, or perhaps more accurately,
with the way it is used, is that wave rhetoric does not sufficiently allow for
the growth, development, and revisions of feminist theories and theorists.
In third wave rhetoric, second wave feminism is typically depicted as some-
thing static, as if the multiracial feminist critique of white bourgeois femi-
nism, the rise of postmodernism, the development of new technologies,
a changing global political environment, and the institutionalization of
Women's Studies left the second wave completely unaffected. In comparing
third wave feminism to second wave feminism, third wave feminists gener-
ally draw on those second wave works published in the 1960s and 1970s,
giving insufficient attention to the arguably better developed and more
inclusive second wave feminism of the 1990s and twenty-first century.
The third wave metaphor then, is a site of both ambiguity and contro-
versy. While some might argue that the lack of a clear definition of third
wave feminism fits comfortably with a postmodern third wave feminism,
In contrast to q
women's studies
have relied prima
"postfeminist") w
compared to qua
previous gender
extent that it has
Listen Up!, Walk
and Heywood an
feminism (see, fo
volume of litera
for more diverse
tiques, in practice
feminism general
bra-burning, ma
1997; Davis 1995,
Siegel 1997a). Clea
than these repres
Previous gender
also been limited
what has become
it is dead (see, f
June 29, 1998). W
feminist scholars
women today are
1995; Karlyn 2003
younger generati
spective, it seems
the 1970s has bee
individualistic wr
1995; Guy-Shefta
2003, 313). I argu
As mentioned pr
United States has
advocate feminist
In this article,
feminism emerg
as from nonacade
informed and co
the United State
Presser's (2004) u
"Baby-Bust" femi
1900-1944, 1945-1
Age/Cohort-Based
predecessors. Like
a new order, a new
(1997b, 64)
Young women of
with the continu
feminism (see,
third wave texts
class among wom
Rehman's Colon
Manifesta! 2000
many feminist t
The question rem
nists compare to
and class diversit
Gallup poll, "Ce
sample of Engli
eighteen years of
sociodemograph
sider themselves
categories: "yes,
paper, I combine
the 923 women s
my decision to c
that women who
ably have more
those who gener
under no circumstances consider themselves to be feminists.
Table 1 summarizes the sociodemographic characteristics of three
generations of feminists. Odds ratio values lower than one indicate that
generation in question (Baby-Bust in the left column or Pre-Baby-Boom in
the right column) have, on average, significantly lower values on the socio-
demographic characteristic in question. The comparison of averages indi-
cates that self-identified feminists of the Baby-Bust generation were sig-
nificantly less likely than their counterparts in the Baby-Boom generation
to identify themselves as white, were more likely to identify themselves
as Black or Hispanic, were on average less well educated, and on average
reported lower household income levels than their older counterparts.
Fewer differences are seen between the Baby-Boom and Pre-Baby-Boom
generation, although women in the Pre-Baby-Boom generation reported
lower household income, and were less likely to work full-time.
While a significant portion of these educational and income differences
is most likely explained by differences in age, these differences have
important implications for the claims about ideological similarities and
Table 1.
Bivariate Relationship between Sociodemographic
Characteristics and Feminist Generations: 1999 Gallup Poll
"Century of the Woman" (N=316)
Means Odds Ratios1:
(Comparison t
differences betwe
generations. I tur
As mentioned bef
by older feminist
about feminism"
1995, Orr 1997).
and others like th
regard to their b
women's movement.
For purposes of this paper, what is most interesting is that, compa
with earlier generations of feminists, the Baby-Bust generation (i.e.,
youngest generation) is indeed shown to be much more diverse. W
there is no statistical difference between the racial/ethnic compo
of the Baby-Boom and Pre-Baby-Boom generations, feminist-iden
women of the Baby-Bust generation are significantly less likely than f
nist-identified women of earlier generations to identify as white; mem
of the younger feminist generation are approximately three times as l
as older feminists to identify as Hispanic, and more than twice as lik
identify as black. Not only is the Baby-Bust generation more diverse
respect to race and ethnicity, but it is also shown to be considerably
representative of education and income. Compared with the Baby-
generation, younger feminists are more than twice as likely as to have
a high-school education, are less likely to have graduated from colleg
on average have lower household income levels compared with s
wave feminists (although a significant portion of these educationa
income differences is most likely explained by differences in age).
Having established that the Baby-Bust feminist generation appea
be more diverse with respect to race, ethnicity, income, and educ
than earlier feminist generations, I now turn to examine the ideol
similarities and differences between this generation and earlier femi
generations. As mentioned before, much of third wave feminis
come under fire by older feminists who argue that third wave femin
are "ambivalent about feminism" (Guy-Sheftall 2002) and histor
misinformed (Davis 1995, Orr 1997). I proceed here to evaluate the va
of these claims and others like them by comparing how feminist gen
tions differ with regard to their beliefs about the past successes and f
relevance of the women's movement.
The 1999 "Century of the Woman" poll provides unique and previously
unexplored insights into generational differences in feminism by asking
women of all ages a series of questions concerning the past, present, and
future of the American Women's Movement. Tables 2 and 3 summarize
the generational differences in women's responses to questions about the
past and future of the women's movement, respectively. Table 2 presents
the means and odds ratios of feminist generations on several indicators of
Table 2.
Relationship between Historical Feminism and Feminist Generations:
Odds Ratio:
Means Comparison to
past century?
Compared with men, how much progress have
years:
sex objects
Note: Standard deviations of means and standard er
* significant at 5%; ** significant at 1%; *** sign
On almost all of
were statisticall
of the American
Boom, and Baby
has been "very
with men, with
response. Femin
women are more
to be seen as sex
ues to treat men
differed from th
ations of the wo
and athletics. Com
younger genera
more progress c
Table 3 presents
several indicator
the women's mo
Like Table 2, wh
to which feminis
beliefs are share
similar beliefs co
women, the exte
to education, res
and women's) at
and men are tre
will be in the n
ing the present
Movement, Baby
ferent answers o
and men are equ
bilities running
States elects a w
younger feminis
before men and
feminists, femin
longer before a
feminists, on av
one hundred yea
woman will be e
The descriptive
that some discussions of third wave feminism and its relation to earlier
generations have been misguided. Whether due more to the success of
the third wave's incorporation of multiracial feminist theory, or to the
Table 3.
Relationship between the Present and Future of Feminism and Feminist
Generations: 1999 Gallup Poll "Century of the Woman" (N=316)
Odds Ratio:
Means Comparison
Table 3., co
Relationship betw
Generations: 19
Odds Ratio:
Means Comparison
success of multiracial
tions of feminists are s
with older feminist g
that, although younger
their beliefs about gend
which these feminist g
not, as some have argued
completely unlike that
appear to have a naive u
equality (at least no m
short, not only do youn
compared with older ge
younger feminists are i
feminist generations.
Taken as a whole, the d
suggests that conceptio
year cohort differences
ences in contemporary
does appear to include
race, ethnicity, and edu
seems very similar to t
As I have presented ab
ing third wave feminis
instead that third wave
perspective. At this poin
literature that comes ou
I approach this literatur
understanding third wa
helps us to understand
on third wave texts th
because for many thir
to capture the differe
Theoretical Differ
The perception on th
wave feminism that
selves feminists) live a
scribed feminist ideals
In a particularly clear
like just by being bor
signed some contract .
up to your expectation
betrayal of some sort.
up to some cohesive fu
contradictions and me
a fun or easy task" (xx
reminding us th
"fun" nor "easy"
third wave feminists' characterization of second wave feminists is unfair.
Analyzing the ways in which individual people (feminists included) may
be contributing to gender inequality is not the same as demanding that
everyone live in complete consistency with a particular branch of second
wave feminism.
Justified or not, many third wave feminists have responded to these
perceived demands for perfection by emphasizing the "messiness" of
women and men's "real lives" (Dicker and Piepmeier 2003, 16); third wave
feminists contrast themselves with second wave feminists by positioning
themselves as the first to be "real" and to tell "the truth" about feminism,
women and desire. In her introduction to To Be Real, Rebecca Walker
(1995) differentiates third wave feminism from previous feminisms by
suggesting that, in the past, feminists have felt obligated to maintain a
feminist party line, despite its tenuous connection to the real lives of most
girls and women.12 In contrast, it is third wave feminists who "have done
the difficult work of being real (refusing to be bound by a feminist ideal
not of their own making) and telling the truth (honoring the complexity
and contradiction in their lives by adding their experience to the feminist
dialogue)" (Walker 1995, xxxiv). This third wave project involves grap-
pling with the reality that women do not necessarily share experiences
and perspectives, that the lines between oppressed and oppressor are not
always clear, and that some women do, in fact, enjoy their positions in
what others see as a patriarchal society. As Joan Morgan (1999) writes,
"only when we've told the truth about ourselves - when we've faced the
fact that we are often complicit in our oppression - will we be able to
take full responsibility for our lives" (23). While some third wave femi-
nists might concede that the characterization of second wave feminism
as demanding a singular perfection at best only describes a portion of all
second wave feminism, many third wave feminists maintain that the third
wave's emphasis on multiplicity distinguishes it from previous feminist
perspectives. The very ideas that there is one best way to be feminist
(even if that is unattainable) and that there is one best feminism (even if
it is yet to be discovered) are said to sit uncomfortably with third wave
feminism. As Baumgardner explains, third wave feminism is about "get-
ting in touch with your own desires - whether it's your ambition or your
sexuality or your maternity" (Pollitt and Baumgardner 2003, 3 1 6-3 17), not
relearning your desires so that they are entirely consistent with someone
else's feminist ideals.
Power
access to birth
of the same edu
While older gen
feminists frequen
more empowere
to wield effectiv
Baumgardner an
Morgan 1999),15
itself as breaking
(1999) writes:
Leaving aside th
drive, ambition,
feminists, takes
use their erotic
advance their ow
of previous gene
A second defens
Morgan) argues
to use what powe
feminist women
and resources). A
way that you can
ethical, because i
well, women trad
empowered a lot
of my Mother" a
(a self-described
whore" with ve
adequate, of use
feeding Lucille's
sexuality (2002b
lover strategicall
stranded in rura
in a region with
acts" her femini
Re-Presenting Fem
the uniqueness of
in effect contributes to the erasure of multiracial feminist theorists and
theorizing in feminist histories.
Third, claims concerning the theoretical uniqueness of third wave
feminism are inherently problematic to the extent that they fail to address
the process by which "third wave feminism" is produced. When making
claims about "third wave feminism" or "younger women's feminisms"
it must be remembered that third wave anthologies, like all anthologies,
are strategically produced. They do not constitute a representative sample
of "third wave" or "younger women's" feminism; at best, they capture
what a handful of feminists (e.g., Rebecca Walker, Barbara Findlen, Leslie
Hey wood, and Jennifer Drake) understand third wave feminism to be, or
perhaps more accurately, what it should be.
Two examples are particularly illustrative of the third wave production
process: In Rebecca Walker's preface to To Be Real, she describes the pro-
cess through which she solicited and edited essays to be included in her
now heavily cited volume. She writes:
When I initially met with contributors, I told them I was editing an anthology
on feminism and female empowerment in the 90;s and asked if they had been
thinking about any topic or theme or experience that seemed appropriate. Gen-
erally, people offered almost generic experiences of being a woman in a sexist
society. When I explained further that I was looking for essays that explored
contradiction and ambiguity, that explored female empowerment from the
perspective of what in your life has been empowering for you - as opposed to
what has been disempowering, and irrespective of what it is supposed to be
empowering - then the small voices, the quiet, never-said-this-out-loud voices,
began to speak, (xxxvi, my emphasis)
The call for papers then goes on to suggest possible topics and even pos-
sible titles for submitted pieces, including "How Come Feminists Give
Sex Work a Dirty Name?" and "FUCK! Manifesto: Radical Feminists for
a Future Under the Control of Kindness."
Providing guidelines f
step in publishing an a
the aforementioned e
manuscripts. What I d
these particular editor
a coherent third wave feminism and to contrast this wave with all that
came before. The editors in the above two examples clearly approach their
projects with particular understandings of third wave feminism. Both are
looking for contradiction: Berila is clearly seeking nonacademic, personal
writing, and Walker is hoping for essays that challenge what is "supposed
to be empowering." The fact that Walker originally received essays that
reflected "almost generic experiences of being a woman in a sexist soci-
ety," and the fact that Berila (and I suspect other editors as well) feel it
necessary to emphasize that essays should take a particular form (ranting,
manifesto-like, no jargon) suggests to me that third wave feminism, and/
or younger women's feminism might be both more diverse and more simi-
lar to second wave feminism than these anthologies suggest.16 My point,
again, is not to minimize the importance of these anthologies, but rather
to encourage feminist scholars and activists to see these anthologies for
what they are: insightful, thought provoking, and empowering (to both
authors and readers) essays, that have no doubt fostered feminist debate
and feminist activism. They are not, however, representative of young
women's feminism in any generalizable sense.
Though third wave feminists' (ab)uses of erotic power, combined with
their critiques of perfection and their insistence on plurality have indeed
been the site of numerous controversies in contemporary American femi-
nism, controversy in itself does not denote a new "wave" of feminism.
Indeed, every moment of American feminism has been marked by con-
troversy and difference. The American "Women's Suffrage Movement" or
"first wave" of feminism was marked by differences in whether women
should have the right to the vote, which women should have the right to
the vote, and how women should proceed in fighting for suffrage; and the
"second" wave was similarly marked by multiple controversies, including
the "sex wars," and theoretical debates between and among cultural, radi-
cal, liberal, and Marxist feminists (see for example Hirsch and Keller 1990
and Tong 1998). While debates concerning the (ab)uses of erotic power and
women's sexuality may be particularly divisive, it is misleading at best,
and damaging at worst, to force the complexity of this debate to map onto
a predetermined "wave" timeline. What do we risk when we lump "older"
feminists including Patricia Hill Collins, Iris Marion Young, Mary Daly,
Gayle Rubin, Catherine McKinnon, Gloria Anzaldua, and Adrienne Rich
into the "second wave"?
Having compared the wave rhetoric with the available quantitative and
qualitative data that speak to feminist differences, I want to suggest here
that we may do b
constantly in pro
or age group. Giv
invoke an age gr
that none of thes
nist group, it ma
obfuscate than to
feminisms. While
size the connection between American feminism in the 1960s and 1970s
and the American movement for women's suffrage, as Marsha Lear (1968)
has suggested, reliance on this framework for understanding American
feminism undoubtedly contributed to the marginalization of continuous,
less publicized, struggles of working-class women and women of color
throughout the past centuries (Morgan 2003; Springer 2002).
Representing feminisms' past, present, and future as a series of waves
may help some to see connections between large-scale public feminist
movements of the past centuries, but lumping hundreds of thousands of
women under the term "second wave" and others under the label "third
wave" feminists certainly contributes to the homogenization within and
the erasure of similarities across these groups as well. Such labels might
be acceptable if, in fact, clear distinctions between these groups existed,
but the evidence reviewed here suggests just the opposite. Rather than
representing American feminism as three (semi- (distinct waves, however,
a more productive presentation of feminist history might emphasize
continuity over time, while simultaneously highlighting the constant
diversity of thought, movement, and actors at each historical moment. It
may be that future representations of American feminisms may be able
to recognize such continuity and diversity while simultaneously invoking
the third wave label, but this will require a drastic shift from the current
use of the wave rhetoric. A poststructuralist use of third wave identity will
require first and foremost a recognition that this identity category, and
those which it creates by means of opposing, "are never merely descrip-
tive, but always normative, and as such, exclusionary" (Butler 1995, 50).
Notes
5. As I argue in Harnoi
metaphor is that the w
global context.
10. It should be emphasized that on average Third Wavers believed "a moderate
amount of change" was still needed in both of these areas.
11. This perceived demand for perfection is further complicated by the catch-22
that many young feminists find themselves presented with: on the one hand,
young feminist activists feel they are being pressured to follow in the footsteps
of older feminist generations, using similar strategies (perhaps because these
are the ones that the media is likely to recognize) to achieve similar goals,-
on the other hand, young feminists often find there is a shortage of space to
thrive in these positions, as older feminists occupy most of the top positions.
Two quotations capture this dynamic well: Third Wave feminist Madelyn
Detloff (1997, 78) writes, "I sense a reluctance on the part of second wavers
to pass the torch to the next generation of leaders/7 and Second Wave feminis
Robin Morgan (2003, 578) retaliates, " Speaking for myself, I'm hanging on to
my torch, thank you. Get your own damned torch/' to which Pollitt (2003,
311) agrees.
13. Note that this use of " erotic power" is qualitatively different from Lorde's
(1984) use of "erotic power."
14. For similar sentiments, see also Findlen (1995) and Baumgardner and Richards
(2000).
15. It is important to mention that many third wave feminists note that there are
situations in which women believe themselves to be in control of the 'tools
of patriarchy' while they are "in fact" not in control. In other words, women's
and girls' beliefs that they are in control is not the most important criteria
for determining whether they are being exploited (Baumgardner and Richards
2000; Byrd 2004; Frank 2002).
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