Fieldwork Method in Ethnomusicology BA WS 16/17 AM 4

The path of a modern nomad.

Jules Ahoi and his approach to music.

by Niklas Sous
Matrikelnr.: 5243882
Date of submission: 08/09/2017

Seminar of Prof. Dr. Federico Spinetti

Fieldwork Method in Ethnomusicology BA
Index

Introduction …………… 3

Mindset …………… 4- 6

Musical Background …………… 6- 7

Creativity and Surfing …………… 8- 9

Expectations …………… 9- 11

Social Media …………… 11- 13

Conclusion …………… 13- 14

Web-links …………… 15

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Introduction

This ethnography is an attempt to illuminate the personal circumstances that have shaped
Jules Ahoi as a musician, nomad, surfer and citizen of the world. A highly stressed point is going
to be the reflective perception of him being on his path of life regarding his intentions for the
future and current achievements. That leads to fundamental questioning of life in general,
cultural affections and the impact of understanding oneself in an international environment. The
perception of home, nature and conventions of the western world regarding social media might
also play a significant role.
The ethnography is structured in different chapters attempting to tell small stories that reflect on
Jules Mindset, his musical background, surfing and creativity, expectations he has to deal with
and the significance of social media.

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Mindset

It seems as if there is always something to discover. I hear the doorbell ringing. I am

taking ambitious steps to open up. It is 7am. It is 26- years old Jules. With a surfboard under his
arm and a small bag he carries on his back. “Let ́s hit it mate!” he shouts out loud. Of course he
is not Australian, but he seems to keep up the spirit since he was staying there for almost a year.
Even though that is years away, it feels as if he does not want to lose the Aussie spirit. We take
a ride to the airport. As always, our board-bag is too heavy, but we are lucky and the young lady
at the counter does not seem to care. In our luggage are just the essential necessities: Two
Surfboards, one guitar, harmonicas, two wetsuits and two sleeping bags. As we sit in the plane,
Jules shows me some tracks of the record they made up for their potential label. But since the
previous night was very short, both of us fall asleep. We didn ́t really plan much for the trip. Our
goals were to pick up a van we were going to trip with in Ericeira. To hopefully catch some
waves, see the sun and play a little music. The winter in cologne was long for the two of us. It
seemed like time to make a move. We just felt being ready for the salty water of the ocean
washing away the remaining cold dust of the winter. As a destination we chose Portugal. In
February, one can get lucky with the weather, even though it can get really damn cold. As the
plane sets its wheels on the airstrip, we cannot wait to hop off and hit the road.
Without a car, it is not that easy to get from Porto to Ericeira, we realized. It is a pretty long way
considering that Ericeira has no train station. And no direct connection from Porto. Nonetheless,
there is a good connection between Porto and Lisbon. The unfortunate fact is that Ericeira lies in
between Porto and Lisbon. For us it meant that we had to pass Ericeira but could not get off the
bus! Actually, we did not care too much about it. We were happy to enjoy the bus ride and that at
least the bus driver was not happy but willing to take us considering our huge board-bag. When
we were at the counter to buy a train ticket, the official at the counter refused to take us. After
three hours in the bus, we finally arrived in Lisbon. But that was only half way. So we decided to
stay over in Lisbon for one night and hook up with a couple of friends that were also randomly in
Lisbon. We were washed out but happy to be in Portugal and didn ́t give up the idea to hit the
ocean that very day. It seemed as if Jules was full of energy and more than curious to see the
water again. It felt like a footrace with the sunset, because the light was already fading away
when we reached the tram station to take the metro to a little district called Estoril. It is located
just on the edge to the city of Lisbon. Once we were on the tram we realized that the metro was
just riding along the ocean. As we got off the train, the sun already set itself to sleep in order to
welcome us for the next day. Jules let ́s me know, how happy he is to be back on the shore.

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Since he is back from France, there were only few opportunities. When we talked about where
we would like to go once we will have picked up the van, Jules is more than laid back and easy
going. “I am open to anything, I just wanna calm down from the city life and have a great time”
he tells me and I am more than happy with his suggestion. We are lucky that we have similar
definitions of having a good time. It implicates to surf wherever the conditions deliver a proper
combination of wind and swell. Have coffee in the sun. Play guitar and talk about essential
things. And once again we are lucky that our definition of essentials is very similar as well. It
feels as if Jules mind is set around playing music and writing songs day in and day out. And that
not for commercial reasons in the first place, but for the sake of enjoying that. He admits
unabashed that he does not consider himself as guitar player and that he only uses the guitar
because it helps him writing new lyrics.
After a little dinner with our friends Lennart and Jonas in a tiny local restaurant, we hit the hay
and cannot wait for the next day to come. The next morning, Jules was horny to catch some
waves in the sunrise. We just strolled along the promenade of Estoril. He seemed to have seen
lines I could not really identify as waves. When I let him know, it does not really demotivate him.
With a long-board, so he tells me, anything is possible. And then he starts to tell me about his
previous times at that very same spot. “Man, when the tide pushes in, you can catch really sweet
rights just over there close to the rocks. Let ́s just hop in there. I am sure it is nice. And it sure
will feel good to feel the water”. I am not convinced, and so we take a ride with our friends just a
little up north to Carcavelos beach. And that does not seem to bother him. With a huge smile on
his face he jumps in his wetsuit and tightens up his leash on the right ankle.
After the session, our friends Lennart and Jonas gave us a ride to Ericeira. We met Louis just in
a seemingly random street to get the van. He showed us a few things and let ́s us know that the
waves are on in Coxos. When we rolled into the parking lot, we could see huge lines peeling in
the bay of Coxos. I could not wait to jump in the water. As I take a look at Jules, he does not
appear to be as happy as I am. I ask him whether he was joining me. He hesitates. And he
slowly shakes his head. It seemed hard for him to explain how he could miss out on such surfing
conditions. “You know, it is pretty busy out there. And I just feel like relaxing and work on some
of my songs. But you go ahead!” His answer did not really satisfy me and I am trying to unlock
some more words from him. He starts to explain that he rather enjoys surfing only with a bunch
of people and not with thirty people in the line up. And that he would like to stay close to his
feelings, and his inner voice would tell him in that moment to just enjoy the view of the ocean,
play guitar and work on songs. He also explained, that his perception of surfing changed while
living very close to the shore, when the beach was literally his backyard. He would only surf
when he feels like it and when it feels like being an adjustment to playing music and being

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creative.
The next day, we met Louis in the supermarket. He invited us to see a workshop where he is
allowed to shape a surfboard. We were into it straight away. As I listened to Jules talking to
Louis about surfing and shaping boards, I get to know that the surfboard Jules took for the trip is
handmade by himself. Jules does not seem to be proud about it at all. For him, it is just what it is
and he enjoys using it. He seems aware of the fact, that he could never shape a board as solid
as the huge factories do, but he feels the soul of it. And made it up with his own two hands.
After our experience in the workshop, the wind had changed and the clouds dropped their tears
while mixing with a misty fog. We decided to leave Ericeira and felt like checking out what Lisbon
had to offer for us. Our friends Lennart and Jonas were still with us, in a separate car though.
We came back to the little restaurant where we had dinner in the first night and started to drink
beer. Jules seemed happy with the fact that we would discover Lisbon once again with different
eyes. Because people change and cities as well. Both of us have been there before. We took
the tram riding along the ocean to hit the city from the bottom. Jules seems interested in the
architecture of Lisbon. Interested in the bar culture and wants to check some Portuguese
wineries. We are happy to follow him and all of us try to keep an open mind for anything that
would pop up. As we stroll through the streets of the historic district, we hear a woman singing
and playing guitar. There were no words needed. We all sat down on old stairs keeping the
history of thousands of people that have walked on them before. And we listen to her music.

Musical Background

It is cold outside. Inside it is more than cozy. It has been a really long day for the
two of us, even though we did not talk about what each of us did specifically. Nonetheless, Jules
is more than happy to give me that interview. In the background an old record of Mumford and
Sons is playing. We are both lounging in our armchairs. Our cups filled with a nice drink. Jules
does not hesitate to answer my first question. It seems necessary to me, to start asking a
question about his initial conscious contact with music. He leans back and it looks as if he is
scanning his mind. After a little while, he starts to explain. He throws the information right at me
and his memories seem to unfold. He has realized that his parents were into music since he
started to think. He remembers coming home from school and that he could hear Whitney
Houston ́s voice already on the street, because his mother turned it up so loud. For most of the

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time, she was cleaning the house and was dancing to her favorite musician ́s music. His father,
so he tells me, was the biggest Genesis fan Jules has ever seen. Therefore, he was digging that
music as well. His parents intended to make him play the piano, but he was never into the piano
as much as into the sound of the drums. As Jules presented it, there was no doubt for him that
rhythm was going to catch his attention. Nonetheless, that seems to have emotional reasons as
well. Since Phil Collins appears to be his idol of the band Genesis, he tried to dress up like him
when he was a kid. With a huge smile on his face, he shares with me that there are still old
pictures of him and as well a video showing him with sunglasses, a hat and a leather jacket
behind a Mickey Mouse drum-set imagining to live Phil Collin ́s spirit. For him, that experience
marks his first conscious contact with music.
Nonetheless, playing the drums should not stay his priority forever. Since his first conscious
contact with music appeared to be in his early childhood, Jules interest in music seems to
underlie a constant and steady movement. Knowing that he is trying to make it as a singer
songwriter, I cannot wait to ask him when he started to recognize his love for using the voice. He
smiles when I ask him and warns me that I am about to hear a funny story. The long haired
bleached and tinned from the sun young gun tells me in a bleak manner that he used to rap
when he was a teenager and even produced three records. In his hometown, he has even been
close to be well known. But interests seem to differ when digging deeper into the intentions for
starting to do German rap music. Now the love for rhythm comes back into play. The storytelling
through lyrics did not catch his attention in the first place. No. He shares that it was simply the
rhythm and that the voice could eventually be used as a rhythmic instrument. To rap in double
and triple time might have been what made his perception of his own voice so interesting for the
sake of exploring his voice in connection to rhythm. As well, developing might be closely
connected to exploring and because of that, Jules was not entirely engaged to the idea of
becoming a rapper. Visiting a flea market, he gets his first guitar intending to start writing songs,
because he just felt like it. As the time passed, Jules decided to not fulfill the conventional
expectations of the German society in that he snaps off his studies at the university. There must
be more out there, he thought to himself. He packed his van and left for the Atlantic coast of
France.

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Creativity and Surfing

It's 5 am and the wind whispers a fairy tale into my ears. It's about forgotten
ancient stories from the other side of the ocean. Nobody remembers, but the wind does. Also the
pine trees - by dropping its fruits on mother earth - give a rhythm to natures sound.
I wax my board, jump in my wetsuit and start walking through the dawn. The sun rises behind
the curtain of various trees and turns the morning into mellow light.
The sand between my toes is a steady companion.
I touch the water and my restlessness seems to vanish immediately. Left, right, left, right- I am
trying to give my paddling a slow but strong rhythm.
Diving deep under waves feels like peeking in another space.
Finally, I make it out to the line up waiting for the first mountain of water to approach. There it is,
I start paddling, drop in get up on my feet and let the wave do the rest.
Later on, I take a walk back to my bungalow.
Along the way I catch some croissants and listen to the people waking up. After a nice sunrise
session, the coffee tastes better than at any times.
It 's another day in the sun.

The ocean feels far in this very moment. And in Jules flat reminds nothing much of it.
Except for the color of Jules long, blond and sun-bleached hair. It feels as if I need to ask about
forgotten times. A dream once so fresh, but now vanished in between the concrete walls of
cologne in the winter. And we are still lounging in our armchairs. Our cups refilled with a nice
drink. While the old Mumford and Sons record is still filling the space in the background. When I
ask Jules what surfing means for his development as a musician, he doesn ́t know what to
answer straight away. He is pondering. And he finally starts to explain. It turns out that surfing
means a lot for his creativity. Event though he considers music itself and surfing as separate
parts of his life, he lets me know that it influences his emotional life. When he used to be washed
out from all the input he gave himself through writing songs and making chords, he tells me
surfing helps him to reset his mind. There is an ease he finds within the ocean, so he claims. But
it does not seem to be the ocean only. It is also the people living close to the shore. The
easiness of being when living in a van while having nothing to worry about except for whether
the waves are on or not. But there is also another side of the coin. The days when the wind
blows onshore and the waves do not deliver the shape and size to be surfed. And also when it is

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just raining and raining and everybody is hiding in cozy homes. People that are coming and
going and Jules is the guy that is always there. That appears to be the enemy. Or maybe it is
source of creativity when the mood is changing like the headlines of daily newspapers. But for
Jules, surfing does not necessarily entail music and music is not inevitably accounting for
surfing. It rather seems as if they live in symbiosis, without depending on each other. It might be
an occasional symbiosis like the symbiosis between hermit crabs and sea anemones. Every now
and then, sea anemones tend to feel at home on the shell of hermit crabs. But they do pay their
rent, in that they protect the crabs from predators. In return, the crabs understand the anemones
as steady companions. And so the crabs take them to new feeding grounds and sometimes
even share the food with the anemones.

Expectations

Since Jules states that surfing is considerably not the one and only source for his
creativity he shares that it feels as if his followers recently started to have expectations he might
need to fulfill. And that leads to further questions. It seems essential to gain more knowledge
about what he thinks people expect from him. And how it affects the way he is playing and
writing music. Or if it even affects him at all. Whether those are subtle and unconscious feelings
he needs to deal with or whether he consciously tries to create his music in a goal-orientated
manner. I am trying to hold myself back with the aim to not overstrain him by asking so many
deep questions he might have not answered for himself yet. In the way he talks, it feels as if an
inception has started within him. An inception he cannot stop, but only take as it comes for him.
As if someone has planted a seed that cannot be stopped from growing, until it became a
shining flower. Small branches might have grown already and Jules makes sure they keep
growing.
When he starts talking about the responsibility he feels to have towards his followers, he cannot
hide his happiness. He came to understand that there are a lot of people loving his music. As he
explains it, he did not have any expectations about becoming famous. He was only playing
music because that was what made him happy. He describes his fans as people sharing similar
views of the world as he does. People who love to drive around with a van to find new spots.
People that love to connect with nature and try to keep an open set of mind. And people that
love travelling and surfing. He seems to have consciously realized the potential of his music

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when they released their last record “In between Lines” in 2016. As they pushed it online, more
and more people of his community felt like helping him, because they simply liked what they
heard.
But the most unexpected thing that has changed a lot for Jules Ahoi and the Deepsea Orchestra
neither happened in France nor Germany. It was a lukewarm summer night somewhere on the
Atlantic coast of north Spain in between the Basque country and Cantabria. The surf has been
good that day. The coffee has tasted sweet and the sun seemingly shined upon Jules ass. He
randomly met a stranger in the parking lot. And it turned out that he was also into playing music.
So he invited Jules to have a beer and some wine together in his van. They were just Jamming
around. Maybe the guy was just curious or he saw something Jules. All of a sudden he asks him
to play a song he considers his favorite. Jules didn ́t expect nothing. And played his favorite. He
realized that his new friend called up someone and was holding his phone close while Jules was
singing his song. The people on the other side of the line seem to have liked what they heard.
And invited him to visit them in Cologne. The people listening to his song on the telephone line
were representatives of Sony. So Jules packed up his Van and took a ride to Cologne to meet
up.
And that has changed a lot for Jules and his band. They offered him a contract on probation.
That would go on for six month. Meaning that they will observe and guide them through their
development as a band. Excluding any kind of expenses. That means they only push them by
organizing concerts for them. Connect them with sponsors and brands. And expect Jules and his
band to create a new record as a reference sound. That record is not meant for the public.
Perhaps the opportunity Sony offered Jules can be seen as a trigger for the expectations that
started to influence him stronger than before. And those expectations from outside might also
presuppose his self-expectations. And lead to a more targeted inner motivation. Including a
higher responsibility towards his band members and him. This happens within different levels
and stages. First of all, it feels as if Jules is aiming to keep producing more songs, has to talk to
more venues and sponsors, needs to create an online shop, has to hold the band together and
keep rehearsing with his band so their live performances work out just the way they want. That
seems like a challenge, because not all of them live in cologne plus their rehearsal room is in
Münster. That means that he has to drive back and forth at least twice a week. All the expenses
he has to pay himself, because they barely earn money with their music yet. And that leads to
further challenges. When treating a band project as a job, which is not really paid, one has to live
of something. So Jules tries to catch any opportunity to earn money. That is not always easy,
because his band project is eating up all his time, like waves are snacking the sand off the
coastlines. By sheer good fortune, I could help him find a job in a small Music Merchandise

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Company named Lo-Fi-Merchandise, just located in the center of Cologne-Ehrenfeld. That
appears to be a sweet opportunity to earn money while staying flexible, because the boss has
an appreciation for Jules goals and it also helps him to get more insight into the commercial
market of the music business.

Social Media

The conversation develops as the old Mumford and Sons record comes to an end.
Jules and me adapted to the interview situation and feel more and more comfortable in our
conversation. We are friends and therefore I do not hesitate to ask uncomfortable questions.
Still, I try to cover them with nice words. Since it is hard to avoid seeing posts on Facebook of
his Band Jules Ahoi and the Deepsea Orchestra, the assumption that Jules is using social media
as a beneficial tool to create an image of himself but losing authenticity while doing so grows
within myself. But I am trying as hard as I can to approach objectivity. Furthermore, I feel that it
is more than important to stop the unconscious influence his posts have on my person. I try to
erase my assumption made initially regarding his musical projects since I know him. It is not an
easy thing to do considering the jungle of posts presenting a lifestyle he lives, but attempts to
share on Facebook and Instagram with the entire world of the World Wide Web. I would like to
present an example.
In July 2015 I was coming back from a trip to Portugal with my friend Simon I also play music
with. On the way back we stopped in France to catch a little surfing session in Seignosse á la
plage Les Estagnots. As we stroll through the parking lot to have a peek on the ocean and the
waves we run into Jules arms. He was as happy as we were to randomly meet. After a little talk,
we hit the waves together and after the session we were cooking coffee in the parking lot. A little
jam session developed. He presented a few of his new chords and songs as some of his friends
also gathered around. Some of them started taking pictures. Being back home in cologne, I
logged into my Facebook account finding me linked on more than a few of those pictures. They
were tagged with labels representing a seemingly “easy” lifestyle on the beach without having
worries. The question arises whether Jules wants to label his life through pictures on highly
visited platforms such as Facebook and Instagram for narcissistic reasons or is he attempting to
use it as a tool to find new followers? Or his intention could be the enjoyment to share with his
friends what he is actually doing in his everyday life in France, Seignosse. Or respectively what

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he assumes his friends want to see.
All those questions linger in my head while maneuvering myself through that interview. I am
smiling. And I am trying to formulate the question as harmless as I can. In the most possible
diplomatic manner, I let him know that I did not miss out on seeing his active participation on
social platforms regarding his musical project. And that I really want to know how that feels for
him regarding his authenticity. He takes a long break. It seems as if he is digging deep into the
shallows of his mind searching for an answer satisfying him. Breast text. Real talk. He seems to
see where I am going. And the temperature in the room feels as if it is climbing up the
thermometer. Than he leads himself back into self- composure. And starts his monologue. He
describes his perception of social media as a curse and blessing at the same time. He reveals
the fact that he does not want to spend time in front of his computer setting up posts, answering
e-mails and creating events online. He feels that he is actually losing time while doing that which
he could in fact use for playing music instead of just talking about it. That ́s also why he wishes
himself to get a booking agency handling all that kind of stuff for him.
Additionally, he finds it hard to talk about money, because he cannot play for free all the time.
But that seems to be a huge difficulty for him, because talking about money might be
aggravating with people one knows, but with strangers, so he says, it is even harder for him. And
also is tiring. Even though he is not actually cursing that, it seems to be the curse for him.
Regarding the other side of the coin, it is a blessing for him in respect of getting immediate
feedback of his followers. He claims that there might be no other way to reach as many people
through different sources but social media platforms such as Facebook or Instagram. He sets
the scenario of a small, unknown band playing in a bar. There might be twenty people attending.
Ten of them love it. Five hate it. And the five remaining people simply don ́t care. That ́s why he
feels blessed to have the opportunity to share his music on Facebook and Spotify. The potential
of people that eventually like his music is just bigger. With a shy smile he shares that he also
uses spotify and loves it, because he is able to explore all kinds of music. And also music he did
not know before. And also connect with other bands and tentatively create new collaborations for
setting up events and extend but also overcome the borders of the own horizon. For me, his
answers make perfect sense, even though it triggers more questions in that he didn ́t answer the
question regarding his perception of authenticity. We refill our cups. Stretching us in our
armchairs. I am trying to keep pushing the interview with essential questions. I take a small
break. And then ask him whether social media is for him a concept to establish means for the
purpose. While answering that question he seems detached. Through social-media, so he
claims, he is able to create a community following his music. He also describes it as a fun thing
to do to represent individual interests and make them accessible for the public, while pushing it

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through posts. Which seems a little contradictive to what he said earlier in the interview. Namely
that he would enjoy having a booking agency that does such things for him. In consideration of
my question, he admits social media as means for the purpose to sell oneself. Keeping his
words in mind, I try to make him share deeper thoughts. I would like to know, whether he thinks
that people play a role on social media platforms, and whether he thinks that he knows what
people would like to see on his Facebook- Page or whether he only posts things that are actually
on his mind which he contemplates to be important to share. His reaction comes immediately.
Jules seems to have developed a strong opinion in regard of authenticity, social media and him
sitting in between the chairs. He claims to be more than convinced about the fact that people
presenting themselves on social platforms in a manner that is just not authentic and aiming to
sell things while having success will fall through their own facade. That, so he says, strongly
encourages his demand to only show parts of his true personality. Respectively, to not share
what he does not account for. Nonetheless, he is conscious about the fact that this perception is
always affected by subjectivity.

Conclusion

Jules seems to have several influences that are important to take into account
when portraying his personality and his approach to music and life.
First of all, his parental influence seems important to be mentioned. Since his early childhood, he
has been exposed to music. His father opened up his mind for the band Genesis and Jules
identified himself with Phil Collins who inspired him to start playing drums against the will of his
parents to play the piano. His mother on the other hand introduced him to Whitney Houston.
Those influences he received from his parents are of contrarian nature, but might have had the
effect to open up Jules minds for various genres. Also that his parents encouraged him to learn
instruments and supported him with his plans appears to be a solid substance to stay
encouraged in regard of playing music of any kind. But it seems as if there had been a strong
intrinsic motivation as well in regard of his earlier musical projects. His approach seems to have
always been to try out new things within the practice of playing music. He was curious of his
voice when he started to open himself up for rap music and as well to start rapping himself. As a
result, Jules kept pushing him without any specific goals, but for the love he feels for music in
general but also for creating and playing music himself.

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Furthermore, travelling appears to have had and still has a strong influence on his creativity and
inner processes. He can benefit from being out in the nature, the ocean, to meet new people and
from simply being on the road while discovering new areas, spots and coastlines. As he told me
that 90 percent of his lyrics are rooted in personal experiences, it seems approachable to claim
that new input is required to keep his source of creativity springing. Whether it is the big city life,
travelling in a van or staying in one spot close to the ocean, Jules appears to keep writing down
his experiences he makes in everyday life and converts them into lyrics. When listening to his
recent record, love appears to be a strong topic, in that he keeps telling stories about the
romances and relationships he had. But also the concept of loss and the desire to just walk
away and live on a lonely island might mirror his inner feelings towards the instability of life and
human emotions.
Even though he claims to keep up his authenticity, it is perhaps an unaccomplishable challenge
in regard of the musical market he chose to participate in. When we spend time in Portugal I
kept wondering whether he can deeply connect with the idea of selling oneself on social
platforms and he admitted that he sees no other way than creating a label mirroring a lifestyle
people can identify with. He further admitted that only then people would also identify with the
music they listen to. Otherwise, without pushing his music on social media and without creating
a label people dream of, he could not catch followers. That perception of the music market might
reflect on the success of artists who have already succeeded in making a living with their music,
but also on an inner fear of the unknown and the motivation to try anything possible to approach
music as an occupation.
In regard of surfing, it seems important to hold onto the idea that it is a source for creativity, but
also that it is not an essential, rather an external part of Jules life, that helps to label himself on
social media. In regard of its true meaning for Jules, surfing lives in symbiosis with music, but
they do not entail each other. Jules mindset and expectations can be considered as
complements in that Jules stays open to any challenges life has to offer for him as a person, but
also as a musician. As a basis, he tries to stay as connected to himself and his feelings so that
he can handle the expectations of the would-be label, his followers, his band around him and
also his own expectations with the best of intentions.

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Web-Links

https://www.julesahoi.de

https://julesahoi.bandcamp.com

https://de-de.facebook.com/julesahoi/

https://www.instagram.com/julesahoi/?hl=de

https://play.spotify.com/artist/4cj63OKw2sbJbdivMhytEn?play=true&utm_source=open.sp
otify.com&utm_medium=open

http://www.saltwater-shop.com/jules-ahoi-between-lines.html http://coldwatermag.com/auf-
einen-kaffee-mit-jules-ahoi/ http://goodtimesmag.de/ein-interview-mit-surfer-und-musiker-jules-
ahoi/

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