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HGH RENAISSANCE j (@) uaTe RENAISSANCE © Leo BATISTA ALBeRTi s verRuAM frig HAD A UTTLE IMPACT OH qe MIDDIE. AGES IN PRACHICE, ALTHOUGH THE —AADETION SuRVIVED AMONG A NUMBER OF MANUSCRIPTS THE FIRST GREAT WORK OF ARCHITECTURAL REORY OF ‘THis PERLOD BELONGS 10 ion CamieTh ALOERT, DE PE AEDIFICATORIA , WHICH PLACED VITRUNIUS AT tHe CORE OF THE mosT PROFOUND REORETICAL TERADCMON GE THE MODERN AGES. He 6 AN LMPORTAMT HUMANIST. (HEORETICLAMY & DESIGNER, HE DestqneD THO oF Fiokince)y BEST INOW I5th CENTURY BUIUNGS | PALAZZO RUCELAL & FACADE OF Me GweREY OF SANTA Magia Nove +N BELIEVED THAT MATHEMATICS |S ffE COMMON GROUND OF ART q THE scENCeS + HE CREATED ARMONe OF ROMAN ARCKIECrURE 4 ME WIVERSE 10 IS SYSTEM + AGeen DIED (H ROME IN 442¥ j * ME PauazZO_RUCEUAI , Florence , rTALY $ > fi Prunazo RUCEUAL , A PaATIAL TOuNnoUse BuUT 1eAb-5T , TYPED. WE newer Devaonig @ . FEATURES OF RENAISSANCE ARCHtrECTURE = A CURSSICAL ORDERING oF Cows oveR tRee UeveLs | ME sO le EHTABULATURES IN PROPORTIONAL RELATIONSHIP 10 EACH OTHER = HE DeveropeD A AEVER SYSTEM CALED * ORNAMENTUM” WHERE CABEICAL PUAETERS RRCACTRAVES GOULD BE SUPERIMPOSED ON AN FARUER SMOOTH BURFACE- « SANTA MARIA NOVELLA FLORENCE (TALY ae — THe FACADE OF SANTA MARIA NOVELLA SKOWED SIMILAR INNOVATIONS BASED ON CIASSICAL ROMAN ARCHCTECTUI ©) RENAISSANCE — AUBEer| ATTEMPTED 1 BRING THE IPEALS OF HUMANIST ReOMTECTUREL es 5 BB. a & PRopgRMON 10 ACREADY eMSTING GMUCTURE VAAWE CREATING] an Ti? 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