Transposing

instruments are
in written pitch

PRELUDI
Orchestration by Juan David Villamil Perdomo Moisés Bertran (1967)

 
2 Flutes         
      
cresc.


Largo  = 46 

   
a2

               
3


a2
2 Oboes

          





2 Clarinets in B♭  


  
a2 3 3

  

3      
    
   
  
a2




 
a2
2 Bassoons


      
  
 3 3

2 Horns in F

            
I:D/II:F#/III:D/IV:F#


Timpani

 


Violins I   
   
   

    
3


          


Violins II   

          


 
3 3

 
Violas

        

 
  
  

Violoncellos

      
3  3

   
3


 
Contrabasses


2

7     
Fl.           
    
3


3 

a2 


              
3


(cresc.)
3 3

Ob.


         
a2 

  


3


a2
B♭ Cl.

 
   


             
 


Bsn.
 
3

        
 3 3

F Hn. 

           

Timp.

              


Vln. I      
3


3 3

 

           
Vln. II
  

Vla.          
     

     
             



Vc. 
  
           
3
3 3

Cb.

  

3

         
    
 = 44

Fl.  
12

 
 


   
         



 
 
Ob.

 
           
 

    
 
B♭ Cl.

 
           
  
 


Bsn.
  
   
 
 

F Hn.

       




Timp.

   
    
Vln. I  

Div.

 
   
 




Div.


Vln. II

   
    



Div.


Vla.

       




Vc.

     


Cb.

 
4

       
   
 = 46

Fl. 
16
Tempo I
1.

        
        


1.
Ob.

 
      


         
 

B♭ Cl.

       
       



Bsn.



        
       
  
F Hn.

       


 

III:E
Timp.

     
          


Vln. I    

        
 

Vln. II      

        
 
 

Vla.     

      
       
  


Div.
Vc.

       


Cb.

 5

23   
Fl. 
 = 48

       
  
Solo

Ob.

 


B♭ Cl.  

   
Bsn.



F Hn.    

  


Timp.

   
Vln. I 

  
Vln. II 

Vla.    

   
               
Vc.
   

     

 6 6 6 6

Cb.

6

26  
Fl.   
   
   
Ob.       

   
3

B♭ Cl. 

     
Bsn.
  


F Hn.         

Timp.
    

  
Vln. I   

   
Vln. II 

Vla.     

                 
    
6

 
6

  
6

Vc.
     
        

6 6

Cb.
  
7

   
 
 = 42

Fl.  
28
1.

    



 
1.
Ob.

 
 
 

B♭ Cl.

  
  

a2
Bsn.



F Hn.      

   


Timp.

   
Vln. I  

Vln. II    

Vla.    


  


Vc.

   


Cb.

 30  
8

   
Fl.   
        
Ob.  

      

 
3
B♭ Cl.

      
a2 

   
Bsn.
 3


             
F Hn.

Timp.
    

       


Vln. I 
3

   

3

 
Vln. II

     
 
3

Vla.

Vc.
     

  


  
Cb.


 9

34    
Fl.    
        
Ob.   
 
3

    


     
 
3 3

  
B♭ Cl.

     
   
  
Bsn.
 
3  3

     
F Hn. 

      

Timp.

    3 
Vln. I   
   
  
3

  


 
3 3

     
Vln. II

  


       
3 3

 
Vla.

       


Vc.

      



Cb.
