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  • Fu Boplicity Bari

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    This document appears to be sheet music for the Miles Davis and Gil Evans arrangement of "Boplicity" featuring solos for various instruments including bari sax, bass clarinet, and baritone saxophone. It contains musical notation across multiple pages with sections labeled for different instruments and indications for tempo, dynamics, and style of play. The sheet music provides the musical score for this jazz arrangement to be performed by a group of musicians.

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    Fu_Boplicity_Bari

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    This document appears to be sheet music for the Miles Davis and Gil Evans arrangement of "Boplicity" featuring solos for various instruments including bari sax, bass clarinet, and baritone saxophone. It contains musical notation across multiple pages with sections labeled for different instruments and indications for tempo, dynamics, and style of play. The sheet music provides the musical score for this jazz arrangement to be performed by a group of musicians.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views5 pages

    Fu Boplicity Bari

    Uploaded by

    m
    This document appears to be sheet music for the Miles Davis and Gil Evans arrangement of "Boplicity" featuring solos for various instruments including bari sax, bass clarinet, and baritone saxophone. It contains musical notation across multiple pages with sections labeled for different instruments and indications for tempo, dynamics, and style of play. The sheet music provides the musical score for this jazz arrangement to be performed by a group of musicians.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 5

    Bari Sax, Bass Clarinet

    Boplicity
     = 150             
    Arr. MF Miles Davis and Gil Evans

         
                       
        
    3

      
    Bass Clarinet

     
                   

     
    3

                                  =150
    rit. 3

           
          
          
        
    3

          
       
    To Baritone Saxophone A

      
    

    
        
    3

                               
       
               
    3 3

                 
    A2

             
     

         
    3

                     
      
       


    3 3

     
    B
       
    
     cresc.
      
         
    
                

    (cresc.)

          
        
     Straight
          
    2

             
           
    C something

    3 3

         
    Solos F Gm C F Dm Cm F 
                 


    B♭ B F D Gm C
                    


    F Gm C F Dm Cm F 
                    


    B♭ B F D Gm C F
                    


    C- F C- B B♭
                    


    B♭- E♭ B♭- A A♭ A♭- G- C
                    

        
    F Gm C F Dm Cm F 
               


    B♭ B F D Gm C F
                    


    Interlude C- F C- B B♭
                
    3
    G♭
        
           
    D♭ / G/B G♭
           
    
         
    3


    SC1

         

               

     
                                  
            
      
             
    3 3

      
                 
    Solos 2

      

     
        3 
             

                        
    Backgrounds on Cue

      
         
      
                 
       
        
            
       

           
    Last x only


    3

     
                            
    Soli

    3 3

       
    3

                              
    3


    3

         
    3

            

    
            3 3 
    3 3 3 3 3

               
    3

     
    Straight

               
    Swung
     
                   
    4

             
                   

                 
      
                      
    3 3
    3 3 3 3

          
    3 3 3 3

           

           
       
             

                   
          Swung   
    Straight 3

                 gliss. 
        
    3

     3


         
     
        
     
    3 3

       

    SC2

                 
        

                   
     
     3

                    
                  

        
    3 3

                                 
      
    3
          
    5

                 
      
    3 3

            
                        
        
    3 3

                  
            
      

    3

     

     
              
     
     3

                
       
                      
        
    Straight 3 3

      
           
    rit.


    3
    3

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