Colección de Queen

Queen
The Complete Guide
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Contents
Articles
Overview 1
Queen 1
Awards and nominations 26
Members 30
Freddie Mercury 30
Brian May 49
John Deacon 63
Roger Taylor 70
Discography 82
Queen discography 82
Studio albums 96
Queen 96
Queen II 104
Sheer Heart Attack 114
A Night at the Opera 122
A Day at the Races 132
News of the World 138
Jazz 146
The Game 153
Hot Space 159
The Works 167
A Kind of Magic 175
The Miracle 184
Innuendo 194
Made in Heaven 206
Soundtrack album 218

Flash Gordon 218
Live albums 223

Live Killers 223
Live Magic 226
At the Beeb 229
Live at Wembly '86 231
Queen on Fire – Live at the Bowl 235
Queen Rock Montreal 242
Compilation albums 246

Greatest Hits 246
Greatest Hits II 255
Classic Queen 259
The 12" Collection 261
Queen Rocks 262
Greatest Hits III 265
Stone Cold Classics 270
The A–Z of Queen, Volume 1 271
Absolute Greatest 272
Deep Cuts, Volume 1 (1973–1976) 278
Box sets 284

The Complete Works 284
Box of Tricks 286
Ultimate Queen 287
The Crown Jewels 288
The Platinum Collection 289
The Singles Collection Volume 1 295
Singles 305
"Keep Yourself Alive" 305
"Liar" 309
"Seven Seas of Rye" 311
"Killer Queen" 313
"Flick of the Wrist" 316
"Now I'm Here" 318
"Bohemian Rhapsody" 320
"You're My Best Friend" 333
"Somebody to Love" 336
"Tie Your Mother Down" 340
"Teo Torriatte (Let Us Cling Together)" 343
"Long Away" 345
"Good Old-Fashioned Lover Boy" 347
"We Are the Champions" 349
"We Will Rock You" 354
"Spread Your Wings" 363
"It's Late" 365
"Bicycle Race" 367
"Fat Bottomed Girls" 371
"Don't Stop Me Now" 375
"Mustapha" 378
"Love of My Life" 380
"Crazy Little Thing Called Love" 382
"Save Me" 387
"Play the Game" 389
"Another One Bites the Dust" 391
"Need Your Loving Tonight" 397
"Flash" 399
"Under Pressure" 401
"Body Language" 411
"Las Palabras de Amor" 413
"Calling All Girls" 415
"Staying Power" 417
"Back Chat" 419
"Radio Ga Ga" 421
"I Want to Break Free" 426
"It's a Hard Life" 433
"Hammer to Fall" 435
"Thank God It's Christmas" 438
"One Vision" 441
"A Kind of Magic" 445
"Princes of the Universe" 448
"Friends Will Be Friends" 450
"Pain Is So Close to Pleasure" 452
"Who Wants to Live Forever" 453
"One Year of Love" 459
"I Want It All" 460
"Breakthru" 464
"The Invisible Man" 467
"Scandal" 469
"The Miracle" 471
"Innuendo" 473
"I'm Going Slightly Mad" 477
"Headlong" 479
"I Can't Live With You" 482
"The Show Must Go On" 485
"These Are the Days of Our Lives" 490
"Heaven for Everyone" 492
"A Winter's Tale" 498
"I Was Born to Love You" 499
"Too Much Love Will Kill You" 502
"Let Me Live" 504
"You Don't Fool Me" 506
"No-One but You (Only the Good Die Young)" 509
Songs 513
List of songs by Queen 513
"C–lebrity" 522
"Say It's Not True" 524
"See What A Fool I've Been" 526
"Stone Cold Crazy" 527
Videography 530
Queen videography 530
We Will Rock You 533
The Freddie Mercury Tribute Concert 537
Greatest Video Hits 1 540
Queen at Wembley 544
We Are the Champions: Final Live in Japan 551
Tours 553
Queen live performances 553
Sheer Heart Attack Tour 561
A Night at the Opera Tour 562
Summer Gigs 1976 566
A Day at the Races Tour 568
News of the World Tour 571
Jazz Tour 574
Crazy Tour 578
The Game Tour 581
Hot Space Tour 587
The Works Tour 592
Magic Tour 598
Related articles 601

"Another One Rides the Bus" 601
Jim Beach 603
Deacy Amp 604
Spike Edney 605
"In My Defence" 607
Larry Lurex 609
Let the Cosmos Rock 610
The Mercury Phoenix Trust 610
Mountain Studios 611
A Night at the Hip Hopera 613
The Official International Queen Fan Club 617
The Cross 618
Queen + Paul Rodgers 623
Queen Hyde Park 1976 629
Queen I Tour 630
Queen Live at Golders Green Hippodrome 631
Queen at the Ballet 632
John Reid 633
David Richards 634
SingStar Queen 635
Smile 637
The Story of Bohemian Rhapsody 640
The Cosmos Rocks 656
Five Live 663
Live in Ukraine 668
"You Are the Champion" 671
Queen + Paul Rodgers Tour 672
Rock the Cosmos Tour 678
Concert for Kampuchea 682
Super Live in Japan 685
References
Article Sources and Contributors 688
Image Sources, Licenses and Contributors 703
Article Licenses
License 707
1
Overview
Queen
Queen
Queen in concert, 1984.

John Deacon (far left), Freddie Mercury (centre stage), Brian May (foreground), Roger Taylor (drums)
Background information
Origin London, England
Genres Rock
Years active [1] [2]

1971 –present
Labels Capitol, Parlophone, EMI, Hollywood, Island, Elektra
Associated acts Smile, The Cross, Queen + Paul Rodgers, David Bowie, Ibex, Mott the Hoople
Website [queenonline.com queenonline.com]
Members
Brian May
Roger Taylor
Past members
Freddie Mercury
John Deacon
Queen are a British rock band formed in London in 1971, originally consisting of Freddie Mercury (lead vocals,
piano), Brian May (guitar, vocals), John Deacon (bass guitar, guitars, vocals), and Roger Taylor (drums, vocals).
Queen's earliest works were influenced by progressive rock, but the band gradually ventured into more conventional
and radio-friendly works, incorporating more diverse and innovative styles in their music.
Before joining Queen, Brian May and Roger Taylor had been playing together in a band named Smile with bassist
Tim Staffell. Freddie Mercury (then known by his birth name of Farrokh/ Freddie Bulsara) was a fan of Smile, and
encouraged them to experiment with more elaborate stage and recording techniques after Staffell's departure in 1970.
Mercury himself joined the band shortly thereafter, changed the name of the band to 'Queen', and adopted his
familiar stage name. John Deacon was recruited prior to recording their eponymous debut album (1973). Queen
enjoyed success in the UK with their debut and its follow-up, Queen II (1974), but it was the release of Sheer Heart
Attack (1974) and A Night at the Opera (1975) that gained the band international success. The latter featured
"Bohemian Rhapsody", which stayed at number one in the UK Singles Chart for nine weeks; it charted at number
Queen 2
one in several other territories, and gave the band their first top ten hit on the US Billboard Hot 100. Their 1977
album, News of the World, contained two of rock's most recognisable anthems, "We Will Rock You" and "We Are
the Champions". By the early 1980s, Queen were one of the biggest stadium rock bands in the world, and their
performance at 1985's Live Aid is regarded as one of the greatest in rock history. In 1991, Mercury died of
bronchopneumonia, a complication of AIDS, and Deacon retired in 1997. Since then, May and Taylor have
infrequently performed together, including a collaboration with Paul Rodgers under the name Queen + Paul Rodgers
which ended in May 2009.
The band has released a total of 18 number one albums, 18 number one singles, and 10 number one DVDs, and have
sold over 150 million albums, with some estimates in excess of 300 million albums, making them one of the world's
best-selling music artists. They have been honoured with seven Ivor Novello awards and were inducted into the
Rock and Roll Hall of Fame in 2001.
History
Early days (1968–1974)

In 1968, guitarist Brian May, a student at London's Imperial College, and bassist Tim Staffell decided to form a
band. May placed an advertisement on the college notice board for a "Mitch Mitchell/Ginger Baker type" drummer;
Roger Taylor, a young dental student, auditioned and got the job. The group called themselves Smile.[3]
While attending Ealing Art College, Tim Staffell became friends with Farrokh Bulsara, a fellow student who had
assumed the English name of Freddie. Bulsara felt that he and the band had the same tastes and soon became a keen
fan of Smile. In late 1970, after Staffell left to join the band Humpy Bong, the remaining Smile members,
encouraged by Bulsara, changed their name to "Queen" and continued working together.[4] When asked about the
name, Bulsara explained, "I thought up the name Queen. It's just a name, but it's very regal obviously, and it sounds
splendid. It's a strong name, very universal and immediate. It had a lot of visual potential and was open to all sorts of
interpretations. I was certainly aware of gay connotations, but that was just one facet of it."[4]
The band had a number of bass players during this period who did not fit with the band's chemistry. It was not until
February 1971 that they settled on John Deacon and began to rehearse for their first album. They recorded four of
their own songs, "Liar", "Keep Yourself Alive", "The Night Comes Down" and "Jesus", for a demo tape; no record
companies were interested.[5] It was also around this time Freddie changed his surname to 'Mercury', inspired by the
line "Mother Mercury, look what they've done to me," in the song My Fairy King.[6]
Having attended art college, Mercury also designed Queen's logo, called the Queen crest, shortly before the release
of the band's first album.[7] The logo combines the zodiac signs of all four members: two lions for Leo (Deacon and
Taylor), a crab for Cancer (May), and two fairies for Virgo (Mercury).[7] The lions embrace a stylised letter Q, the
crab rests atop the letter with flames rising directly above it, and the fairies are each sheltering below a lion.[7] There
is also a crown inside the Q and the whole logo is over-shadowed by an enormous phoenix. The whole symbol bears
a passing resemblance to the Royal coat of arms of the United Kingdom, particularly with the lion supporters.[7] The
original logo, as found on the reverse-side of the first album cover, was a simple line drawing but more intricate
colour versions were used on later sleeves.[7] [8]
Queen 3
In 1973, after a series of delays, Queen released their eponymous debut

album, an effort influenced by the heavy metal and progressive rock of
the day.[9] The album was received well by critics; Gordon Fletcher of
Rolling Stone said "their debut album is superb",[10] and Chicago's Daily
Herald called it an "above average debut".[11] It drew little mainstream
attention, and the lead single "Keep Yourself Alive", a Brian May
composition, sold poorly. Retrospectively, "Keep Yourself Alive" is cited
as the highlight of the album, and in 2008 Rolling Stone ranked it 31st in
the "100 Greatest Guitar Songs Of All Time", describing it as "an entire
album's worth of riffs crammed into a single song".[12] The album was
certified gold in the UK and the US.[13] [14]
Queen II cover with Mick Rock photo later
recreated for the Bohemian Rhapsody music The group's second LP, Queen II, was released in 1974, and features rock
video photographer Mick Rock's iconic image of the band on the cover. This
image would be used as the basis for the 1975 "Bohemian Rhapsody"
[15] [16]
music video production. The album reached number five on the British album chart and became the first
[13]
Queen album to chart in the UK. The Freddie Mercury-written lead single "Seven Seas of Rhye" reached number
ten in the UK, giving the band their first hit.[13] The album is the first real testament to the band's distinctive layered
sound, and features long complex instrumental passages, fantasy-themed lyrics, and musical virtuosity.[17] [18] Aside
from its only single, the album also included the song "The March of the Black Queen", a six-minute epic which
lacks a chorus or song structure, bearing similarity to Queen's later work, "Bohemian Rhapsody". The Daily Vault
described the number as "menacing".[19] Critical reaction was mixed; the Winnipeg Free Press describing the record
as a "monstrosity".[20] Allmusic has described the album as a favourite among the band's hardcore fans,[21] and it is
the first of three Queen albums to feature in the book 1001 Albums You Must Hear Before You Die.[22]
Sheer Heart Attack to A Night at the Opera (1974–1976)

After the band's six-night stand at New York's Uris Theatre in May 1974, Brian May collapsed and was diagnosed as
having hepatitis.[17] While recuperating, May was initially absent when the band started work on their third album,
but he returned midway through the recording process.[23] Released in 1974, Sheer Heart Attack reached number two
in the United Kingdom,[24] sold well throughout Europe, and went gold in the United States.[14] It gave the band
their first real experience of international success, and was a hit on both sides of the Atlantic.[25] The album
experimented with a variety of musical genres, including British music hall, heavy metal, ballads, ragtime, and
Caribbean. At this point, Queen started to move away from the progressive tendencies of their first two releases into
a more radio-friendly, song-orientated style.[26] [27] Sheer Heart Attack introduced new sound and melody patterns
that would be refined on their next album, A Night at the Opera.
The single "Killer Queen" reached number two on the British charts,[13] and became their first US hit, reaching
number 12 on the Billboard Hot 100.[28] It combines camp, vaudeville, and British music hall with May's guitar
virtuosity. The album's second single, "Now I'm Here", a more traditional hard rock composition, was a number
eleven hit in Britain, while the high speed rocker "Stone Cold Crazy" featuring May's uptempo riffs is a precursor to
speed metal.[23] [29] In recent years, the album has received acclaim from music publications: In 2006, Classic Rock
ranked it number 28 in "The 100 Greatest British Rock Albums Ever",[30] and in 2007, Mojo ranked it No.88 in "The
100 Records That Changed the World".[31] It is also the second of three Queen albums to feature in the book 1001
Albums You Must Hear Before You Die.[22]
In 1975, the band left for a world tour with each member in Zandra Rhodes-created costumes and accompanied with
banks of lights and effects. They toured the US as headliners, and played in Canada for the first time.[32] [33] While
the band toured Japan in April, the band's manager, Jim Beach, successfully negotiated the band out of their Trident
Studios contract. One of the options they considered was an offer from Led Zeppelin's manager, Peter Grant. Grant
Queen 4
wanted them to sign with Led Zeppelin's own production company, Swan Song Records. The band found the
contract unacceptable and instead contacted Elton John's manager, John Reid, who accepted the position.[34] In late
1975, Queen recorded and released A Night at the Opera, taking its name from the popular Marx Brothers movie. At
the time, it was the most expensive album ever produced.[35] Like its predecessor, the album features diverse musical
styles and experimentation with stereo sound. In "The Prophet's Song", an eight-minute epic, the middle section is a
canon, with simple phrases layered to create a full-choral sound. The Mercury penned ballad, "Love of My Life",
featured a harp and overdubbed vocal harmonies.[36] The album was very successful in Britain,[13] and went triple
platinum in the United States.[14] The British public voted it the 13th greatest album of all time in a 2004 Channel 4
poll.[37] It has also ranked highly in international polls; in a worldwide Guinness poll, it was voted the 19th greatest
of all time,[38] while an ABC poll saw the Australian public vote it the 28th greatest of all time.[39] A Night at the
Opera has frequently appeared in "greatest albums" lists reflecting the opinions of critics. Among other accolades, it
was ranked number 16 in Q Magazine's "The 50 Best British Albums Ever" in 2004, and number 11 in Rolling
Stone's "The 100 Greatest Albums of All Time" as featured in their Mexican edition in 2004.[40] It was also placed at
#230 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time" in 2003.[41] A Night at the Opera is
the third and final Queen album to be featured in the book 1001 Albums You Must Hear Before You Die.[22]
The album also featured the hit single "Bohemian Rhapsody", which was number one in the UK for nine weeks[13]
and is the third-best-selling single of all time in the UK, surpassed only by Band Aid's "Do They Know It's
Christmas?" and Elton John's "Candle in the Wind 1997"—making it the best selling commercial single in the UK. It
also reached number nine in the United States (a 1992 re-release reached number two on Billboard for five
weeks).[28] It is the only single ever to sell a million copies on two separate occasions,[42] and became the Christmas
number one twice in the UK, the only single ever to do so. Bohemian Rhapsody has been voted numerous times the
greatest song of all time.[43] [44] The band decided to make a video to go with the single; the result is generally
considered to have been the first "true" music video ever produced.[45] [46] Although other bands, including The
Beatles, had made short promotional films or videos of songs prior to this, generally, those were specifically made to
be aired on specific television shows. The second single from the album, "You're My Best Friend", the second song
composed by John Deacon, and his first single, peaked at number sixteen in the United States[28] and went on to
become a worldwide Top Ten hit.[42] The band's A Night at the Opera Tour began in November 1975, and covered
Europe, the United States, Japan, and Australia.[47]
A Day at the Races to Live Killers (1976–1979)

By 1976, Queen were back in the studio recording A Day at the Races, which is often regarded as a sequel album to
A Night at the Opera.[48] [49] It again borrowed the name of a Marx Brothers movie, and its cover was similar to that
of A Night at the Opera, a variation on the same Queen Crest.[50] The most recognizable of the Marx Brothers,
Groucho Marx, invited Queen to visit him in his Los Angeles home in March 1977, and the band thanked him in
person, and performed "'39" a cappella.[51] Musically, A Day at the Races was by both fans' and critics' standards a
strong effort, reaching number one in the UK and Japan, and number five in the US.[13] [50] The major hit on the
album was "Somebody to Love", a gospel-inspired song in which Mercury, May, and Taylor multi-tracked their
voices to create a 100-voice gospel choir. The song went to number two in the United Kingdom,[13] and number
thirteen on the US singles chart.[28] The album also featured one of the band's heaviest songs, Brian May's "Tie Your
Mother Down", which became a staple of their live shows.[52] [53]
During the same year, Queen played one of their most famous gigs, a 1976 free concert in Hyde Park, London. It set
an attendance record, with 150,000 people confirmed in the audience.[54] During the A Day at the Races Tour in
1977, Queen performed sold-out shows at Madison Square Garden, New York, in February, and Earls Court,
London, in June.[16] [55]
The band's sixth studio album News of the World was released in 1977, which has gone four times platinum in the
United States, and twice in the UK.[14] The album contained many songs tailor-made for live performance, including
Queen 5
two of rock's most recognisable anthems, "We Will Rock You" and the rock ballad "We Are the Champions", both
of which became enduring international sports anthems, and the latter reached number four in the United States.[28]
[56]
Queen commenced the News of the World Tour in October 1977, and Robert Hilburn of the Los Angeles Times
called this concert tour the band's "most spectacularly staged and finely honed show yet".[57]
In 1978, the band released Jazz, which included the hit singles "Fat
Bottomed Girls" and "Bicycle Race" on a double-sided record. The
album reached number two in the UK and number six on the Billboard
200 in the US.[58] This album was "the target of a bizarre marketing
campaign, in which sixty-five naked women were perched atop
bicycles rented from Halford's Cycles and sent racing around
Wimbledon Stadium."[59] The word "jazz" was not used in a strict
sense, and the album was noted by critics for its collection of different Queen in New Haven, Connecticut in 1978.
styles, jazz not being one of them.[60] Rolling Stone Magazine
criticised it for being "dull", saying "Queen hasn't the imagination to play jazz – Queen hasn't the imagination, for
that matter, to play rock & roll."[60] Reviews of the album in recent years have been more favourable.[61] Another
notable track from Jazz, "Don't Stop Me Now", provides another example of the band's exuberant vocal
harmonies.[62]
In 1978, Queen toured the US and Canada, and spent much of 1979 touring in Europe and Japan.[63] They released
their first live album, Live Killers, in 1979; it went platinum twice in the United States.[64] Queen also released the
very successful single "Crazy Little Thing Called Love", a rockabilly inspired song done in the style of Elvis
Presley.[65] [66] The song made the top 10 in many countries, topped the Australian ARIA Charts for seven
consecutive weeks, and was the band's first number one single in the United States where it topped the Billboard Hot
100 for four weeks.[28] [67] Having written the song on guitar and played rhythm on the record, Mercury played
rhythm guitar while performing the song live, which was the first time he ever played guitar in concert.[66] In
December 1979, Queen played the opening night at the Concert for the People of Kampuchea in London, having
accepted a request by the event's organiser Paul McCartney.[66]
The Game to The Works (1980–1984)

Queen began their 1980s career with The Game. It featured the singles
"Crazy Little Thing Called Love" and "Another One Bites the Dust",
both of which reached number one in the United States.[28] After
attending a Queen concert in Los Angeles, Michael Jackson suggested
to Mercury backstage that "Another One Bites the Dust" be released as
a single, and in October 1980 it spent three weeks at number one.[68]
The album topped the Billboard 200 for five weeks,[69] and sold over
four million copies in the US.[14] It was also the first appearance of a
Queen concert in Drammen, Norway in 1982.
synthesiser on a Queen album. Heretofore, their albums featured a
distinctive "No Synthesisers!" sleeve note. The note is widely assumed
to reflect an anti-synth, pro-"hard"-rock stance by the band,[70] but was later revealed by producer Roy Thomas
Baker to be an attempt to clarify that those albums' multi-layered solos were created with guitars, not synths, as
record company executives kept assuming at the time.[71] In September 1980, Queen performed three sold-out shows
at Madison Square Garden.[16] In 1980, Queen also released the soundtrack they had recorded for Flash Gordon.[72]
In 1981, Queen traveled to South America as part of The Game Tour, and became the first major rock band to play
in Latin American stadiums.[63] The tour included five shows in Argentina, one of which drew the largest single
concert crowd in Argentine history with an audience of 300,000 in Buenos Aires[73] and two concerts at the
Morumbi Stadium in São Paulo, Brazil, where they played to an audience of more than 131,000 people in the first
Queen 6
night (then the largest paying audience for a single band anywhere in the world)[74] and more than 120,000 people
the following night.[75] In October of the same year, Queen performed for more than 150,000 fans on 9 October at
Monterrey (Estadio Universitario) and 17 and 18 at Puebla (Estadio Zaragoza), Mexico.[76] On 24 and 25 November,
Queen played two sell out nights at the Montreal Forum, Quebec, Canada.[77] One of Mercury's most notable
performances of The Game's final track, "Save Me", took place in Montreal, and the concert is recorded in the live
album, Queen Rock Montreal.[78]
Queen worked with David Bowie on the single "Under Pressure". The first-time collaboration with another artist was
spontaneous, as Bowie happened to drop by the studio while Queen were recording.[79] Upon its release, the song
was extremely successful, reaching number one in the UK and featuring at number 31 on VH1's 100 Greatest Songs
of the '80s.[80]
Later in 1981, Queen released their first compilation album, entitled Greatest Hits, which showcased the group's
highlights from 1974–1981.[81] It is the best-selling album in UK Chart history, and has spent 450 weeks in the UK
Album Chart.[82] [83] The album is certified eight times platinum in the United States, and has sold over 25 million
copies worldwide.[14] [84] Taylor became the first member of the band to release his own solo album in 1981, entitled
Fun in Space.
In 1982, the band released the album Hot Space, a departure from their
trademark seventies sound, this time being a mixture of rock, pop rock,
dance, funk, and R&B.[85] Most of the album was recorded in Munich
during the most turbulent period in the band's history, and Taylor and
May lamented the new sound, with both being very critical of the
influence Mercury's personal manager Paul Prenter had on the
singer.[86] May was also scathing of Prenter, who was Mercury's
manager from the early 1980s to 1984, for being dismissive of the
importance of radio stations, such as the US networks, and their vital
connection between the artist and the community, and for denying
them access to Mercury.[87] The band stopped touring North America Queen live in Frankfurt on 26 September 1984.
after their Hot Space Tour, as their success there had waned, although Compatible with his performance and
they would perform on American television for the only time during compositions, Freddie Mercury was also a
multi-instrumentalist.
the eighth season premiere of Saturday Night Live. Queen left Elektra
Records, their label in the United States, Canada, Japan, Australia, and
New Zealand, and signed onto EMI/Capitol Records.
After working steadily for over ten years, Queen decided that they would not perform any live shows in 1983.[88]
During this time, they recorded a new album at the Record Plant Studios, Los Angeles and Musicland Studios,
Munich, and several members of the band explored side projects and solo work. May released a mini-album entitled
Star Fleet Project, on which he collaborated with Eddie Van Halen.[89]
In February 1984, Queen released their eleventh studio album, The Works, which included the successful singles
"Radio Ga Ga", "Hammer to Fall" and "I Want to Break Free".[90] [91] Despite these hit singles, the album failed to
do well in the United States, while in the UK it went triple platinum and remained in the album chart for two
years.[92]
That year, Queen began The Works Tour, the first tour to feature keyboardist Spike Edney as an extra live musician.
The tour featured nine sold-out dates in Bophuthatswana, South Africa, at the arena in Sun City.[93] [94] Upon
returning to England, they were the subject of outrage, having played there during the height of apartheid and in
violation of worldwide divestment efforts. The band responded to the critics by stating that they were playing music
for fans in that country, and they also stressed that the concerts were played before integrated audiences.[95]
Queen 7
Live Aid and later years (1985–1990)

In January 1985, the band headlined two nights of the first Rock in Rio festival at Rio de Janeiro, Brazil, and played
in front of over 300,000 people each night.[96] The Boston Globe described it as a "mesmerising performance".[97] A
selection of highlights of both nights was released on VHS with the title Queen: Live in Rio, and was later broadcast
on MTV in the US.[97] [98] In April and May 1985, Queen completed the Works Tour with sold-out shows in
Australia and Japan.[99]
"Queen were absolutely the best band of the day... they just went and smashed one hit after another... it was the perfect stage for
Freddie: the whole world"
[100]
—Bob Geldof, on Queen's performance at Live Aid.
At Live Aid, held at Wembley on 13 July 1985, in front of the biggest-ever TV audience of 1.9 billion, Queen
performed some of their greatest hits, during which the sold-out stadium audience of 72,000 people clapped, sang,
and swayed in unison.[101] [102] The show's organiser, Bob Geldof, other musicians such as Elton John and Dave
Grohl, and various music journalists commented that Queen stole the show.[101] [103] [104] [105] An industry poll in
2005 named it the greatest rock performance of all time.[103] The band, now revitalised by the response to Live Aid
and the ensuing increase in record sales, ended 1985 by releasing the single "One Vision", which was the first time
since "Stone Cold Crazy" that all four bandmembers received a writing credit for the one song.[106] [107] Also, a
limited-edition boxed set containing all Queen albums to date was released under the title of The Complete Works.
The package included previously unreleased material, most notably Queen's non-album single of Christmas 1984,
titled "Thank God It's Christmas".[108]
In early 1986, Queen recorded the album A Kind of Magic, containing several reworkings of songs written for the
Russell Mulcahy film Highlander. The album was very successful, producing a string of hits, including the title
track, "A Kind of Magic". Also charting from the album were "Friends Will Be Friends", "Who Wants to Live
Forever?" (featuring an orchestra conducted by Michael Kamen), and the de facto theme from Highlander, "Princes
of the Universe".[109]
In summer of 1986, Queen went on their final tour with Freddie Mercury.[110] [111] A sold-out tour in support of A
Kind of Magic, once again they hired Spike Edney, leading to him being dubbed the unofficial fifth member.[112]
[113]
The Magic Tour's highlight was at Wembley Stadium in London and resulted in the live double album, Queen
at Wembley, released on CD and as a live concert DVD, which has gone five times platinum in the US and four
times platinum in the UK.[14] [114] Queen could not book Wembley for a third night, but they did play at Knebworth
Park. The show sold out within two hours and over 120,000 fans packed the park for what was Queen's final live
performance with Mercury.[115] During the tour, Queen performed a concert at Slane Castle, Ireland, infront of an
audience of 95,000, which broke the venue's attendance record.[116] The band also played behind the Iron Curtain
when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in
Eastern Europe.[117] More than one million people saw Queen on the tour—400,000 in the United Kingdom alone, a
record at the time.[94]
After working on various solo projects during 1988 (including Mercury's collaboration with Montserrat Caballé,
Barcelona), the band released The Miracle in 1989. The album continued the direction of A Kind of Magic, using a
pop-rock sound mixed with a few heavy numbers. It spawned the European hits "I Want It All", "Breakthru", "The
Invisible Man", "Scandal", and "The Miracle".[118]
The Miracle also began a change in direction of Queen's songwriting philosophy. Since the band's beginning, nearly
all songs had been written by and credited to a single member, with other members adding minimally. With The
Miracle, the band's songwriting became more collaborative, and they vowed to credit the final product only to Queen
as a group.[119]
Queen 8
Mercury: illness, death, and tribute (1988–1992)

"There was all that time when we knew Freddie was on the way out, we kept our heads down"
[120]
—Brian May
After fans noticed Mercury's increasingly gaunt appearance in 1988, rumours began to spread that Mercury was
suffering from AIDS. Mercury flatly denied this, insisting he was merely "exhausted" and too busy to provide
interviews.[121] The band decided to continue making albums, starting with The Miracle in 1989 and continuing with
Innuendo in 1991. Despite his deteriorating health, the lead singer continued to contribute. For the last two albums
made while Mercury was still alive, the band credited all songs to Queen, rather than specific members of the group,
freeing them of internal conflict and differences. In 1990, Mercury made his final public appearance when he joined
the rest of Queen to collect the BRIT Award for Outstanding Contribution to British Music.[122] [123] Innuendo was
released in early 1991 with an eponymous number 1 UK hit[124] and three other charting singles, "I'm Going Slightly
Mad", "Headlong", and "The Show Must Go On".[125] Mercury was increasingly ill and could barely walk when the
band recorded "The Show Must Go On" in 1990, that May had concerns as to whether he was physically capable of
singing it.[126] Recalling Mercury's successful performance May states; "he went in and killed it, completely
lacerated that vocal".[126] The band's second greatest hits compilation, Greatest Hits II, followed in October of the
same year, which is the eighth best-selling album of all time in the UK, and has sold 16 million copies
worldwide.[127] [128] [129]
On 23 November 1991, in a prepared statement made on his deathbed, Mercury confirmed that he had AIDS.[130]
Within 24 hours of the statement, he died of bronchial pneumonia, which was brought on as a complication of
AIDS.[131] His funeral service on 27 November in Kensal Green, West London was private, and held in accordance
with the Zoroastrian religious faith of his family.[132] [133] "Bohemian Rhapsody" was re-released as a single shortly
after Mercury's death, with "These Are the Days of Our Lives" as the double A-side. The music video for "These Are
the Days of Our Lives" contain Mercury's final scenes in front of the camera.[134] The single went to number one in
the UK, remaining there for five weeks – the only recording to top the Christmas chart twice and the only one to be
number one in four different years (1975, 1976, 1991, and 1992).[135] Initial proceeds from the single –
approximately £1,000,000 – were donated to the Terrence Higgins Trust.[136]
Queen's popularity was stimulated in the United States when "Bohemian Rhapsody" was featured in the 1992
comedy film Wayne's World.[137] Its inclusion helped the song reach number two on the Billboard Hot 100 for five
weeks in 1992 (it remained in the Hot 100 for over 40 weeks),[137] and won the band an MTV Award at the 1992
MTV Video Music Awards.[138] The compilation album Classic Queen also reached number four on the Billboard
200, and is certified three times platinum in the US.[14] [137] Wayne's World footage was used to make a new music
video for "Bohemian Rhapsody", with which the band and management were delighted.[139]
On 20 April 1992, The Freddie Mercury Tribute Concert was held at London's Wembley Stadium to a 72,000-strong
crowd.[140] Performers, including Def Leppard, Robert Plant, Guns N' Roses, Elton John, David Bowie, George
Michael, Annie Lennox, Extreme, and Metallica performed various Queen songs along with the three remaining
Queen members. The concert is listed in the Guinness Book of Records as "The largest rock star benefit concert",[141]
as it was televised to over 1.2 billion viewers worldwide,[94] and raised over £20,000,000 for AIDS charities.[136]
Queen 9
Made in Heaven to 46664 Concert (1995–2003)

Queen's last album featuring Mercury, titled Made in Heaven, was
finally released in 1995, four years after his death. It was constructed
from Mercury's final recordings in 1991, featuring tracks such as "Too
Much Love Will Kill You" and "Heaven for Everyone", plus material
left over from their previous studio albums. In addition, re-worked
material from May, Taylor, and Mercury's solo albums were included.
Both stages of recording, before and after Mercury's death, were
completed at the band's studio in Montreux, Switzerland.[142] The
album reached No. 1 on the UK charts immediately following its
release, and has sold 20 million copies worldwide.[143] [144] On 25 Statue of Freddie Mercury overlooking Lake
November 1996, a statue of Mercury was unveiled in Montreux Geneva in Montreux, Switzerland.
overlooking Lake Geneva, almost five years to the day since his
death.[142] [145]
"You guys should go out and play again. It must be like having a Ferrari in the garage waiting for a driver"
[146]
—Elton John, on Queen being without a lead singer since the death of Freddie Mercury.
In 1997, Queen returned to the studio to record "No-One but You (Only the Good Die Young)". It was released as a
bonus track on the Queen Rocks compilation album later that year. The song was later released as a single, reaching
number 13 in the UK chart.[147] In January 1997, Queen performed "The Show Must Go On" live with Elton John
and the Berjart Ballet in Paris on a night in which Freddie Mercury was remembered, and it marked the last
performance and public appearance of John Deacon, who chose to retire.[148] The Paris concert was only the second
time Queen had played live since Mercury's death, and prompted Elton John to urge them to perform again.[146]
Brian May and Roger Taylor performed together at several award ceremonies and charity concerts, sharing vocals
with various guest singers. During this time, they were billed as Queen + followed by the name of the guest singer.
In 1998, the duo appeared at Luciano Pavarotti's benefit concert with Brian performing "Too Much Love Will Kill
You" with Pavarotti, later playing "Radio Ga Ga", "We Will Rock You", and "We Are the Champions" with
Zucchero. They again attended and performed in 2003. Several of the guest singers recorded new versions of
Queen's hits under the Queen + name, such as Robbie Williams providing vocals for "We Are the Champions" for
the soundtrack of A Knight's Tale (2001).[149]
In 1999, a Greatest Hits III album was released. This featured, among
others, "Queen + Wyclef Jean" on a rap version of "Another One Bites
the Dust". A live version of "Somebody to Love" by George Michael
and a live version of "The Show Must Go On" with Elton John were
also featured in the album.[150] By this point, Queen's vast amount of
record sales made them the second best selling artist in the UK of all
time, behind The Beatles.[144] In 2002, Queen were awarded the
2,207th star on the Hollywood Walk of Fame, which is located at 6358
Hollywood Blvd.[151] [152] On 29 November 2003, May and Taylor
Queen's star on the Hollywood Walk of Fame,
performed at the 46664 Concert hosted by Nelson Mandela at Green
located at 6358 Hollywood Blvd.
Point Stadium, Cape Town, in order to raise awareness of the spread of
HIV/AIDS in South Africa.[153] May and Taylor spent time at
Mandela's home, discussing how Africa's problems might be approached, and two years later the band was made
ambassadors for the 46664 cause.[153]
Queen 10
Queen + Paul Rodgers (2004–2009)

At the end of 2004, May and Taylor announced that they would reunite
and return to touring in 2005 with Paul Rodgers (founder and former
lead singer of Free and Bad Company). Brian May's website also stated
that Rodgers would be 'featured with' Queen as 'Queen + Paul
Rodgers', not replacing Mercury. The retired John Deacon would not
be participating.[154] In November 2004, Queen were among the
inaugural inductees into the UK Music Hall of Fame, and the award
ceremony was the first event at which Rodgers joined May and Taylor
as vocalist.[153] [155]
Queen performing with Paul Rodgers during their
2005 tour Between 2005 and 2006, Queen + Paul Rodgers embarked on a world
tour, which was the first time Queen toured since their last tour with
[156]
Freddie Mercury in 1986. The band's drummer Roger Taylor commented; "We never thought we would tour
again, Paul [Rodgers] came along by chance and we seemed to have a chemistry. Paul is just such a great singer.
He's not trying to be Freddie."[156] The first leg was in Europe, the second in Japan, and the third in the US in
2006.[157] Queen received the inaugural VH1 Rock Honors at the Mandalay Bay Events Center in Las Vegas,
Nevada, on 25 May 2006.[157] The Foo Fighters paid homage to the band in performing "Tie Your Mother Down" to
open the ceremony before being joined on stage by May, Taylor, and Paul Rodgers, who played a selection of Queen
hits.[158]
On 15 August 2006, Brian May confirmed through his website and fan
club that Queen + Paul Rodgers would begin producing their first
studio album beginning in October, to be recorded at a "secret
location".[159] Queen + Paul Rodgers performed at the Nelson Mandela
90th Birthday Tribute held in Hyde Park, London on 27 June 2008, to
commemorate Mandela's ninetieth birthday, and again promote
awareness of the HIV/AIDS pandemic.[160] The first Queen + Paul
Rodgers album, titled The Cosmos Rocks, was released in Europe on
12 September 2008 and in the United States on 28 October 2008.[143]
Queen + Paul Rodgers concert in Kharkiv's
Following the release of the album, the band again went on a tour
Freedom Square, Ukraine, 12 September 2008.
through Europe, opening on Kharkiv's Freedom Square in front of
350,000 Ukrainian fans.[161] The 12 September concert in Ukraine was
later released on DVD.[161] The tour then moved to Russia, and the band performed two sold-out shows at the
Moscow Arena.[162] Having completed the first leg of its extensive European tour, which saw the band play 15
sold-out dates across nine countries, the UK leg of the tour sold out within 90 minutes of going on sale and included
three London dates, the first of which was The O2 Arena on 13 October.[163] The last leg of the tour took place in
South America, and included a sold-out concert at the Estadio José Amalfitani, Buenos Aires.[162]
Queen and Paul Rodgers officially split up without animosity on 12 May 2009.[164] Rodgers stated: "My
arrangement with [Queen] was similar to my arrangement with Jimmy [Page] in The Firm in that it was never meant
to be a permanent arrangement".[164] Rodgers did not rule out the possibility of working with Queen again.[165] [166]
Queen 11
Departure from EMI, 40th Anniversary (2009–present)

On 20 May 2009, May and Taylor performed "We Are the Champions" live on the season finale of American Idol
with winner Kris Allen and runner-up Adam Lambert providing a vocal duet.[167] In mid-2009, after the split of
Queen + Paul Rodgers, the Queen online website announced a new Greatest Hits compilation named Absolute
Greatest. The album was released on 16 November and peaked at number 3 in the official UK Chart.[168] The album
contains 20 of Queen's biggest hits spanning their entire career and was released in four different formats: single
disc, double disc (with commentary), double disc with feature book, and a vinyl record. Prior to its release, a
competition was run by Queen online to guess the track listing as a promotion for the album.[169]
On 30 October 2009, May wrote a fanclub letter on his website stating that Queen had no intentions to tour in 2010
but that there was a possibility of a performance.[170] He was quoted as saying, "The greatest debate, though, is
always about when we will next play together as Queen. At the moment, in spite of the many rumours that are out
there, we do not have plans to tour in 2010. The good news, though, is that Roger and I have a much closer mutual
understanding these days—privately and professionally ... and all ideas are carefully considered. Music is never far
away from us. As I write, there is an important one-off performance on offer, in the USA, and it remains to be
decided whether we will take up this particular challenge. Every day, doors seem to open, and every day, we interact,
perhaps more than ever before, with the world outside. It is a time of exciting transition in Rock music and in 'The
Business'. It's good that the pulse still beats".[170] On 15 November 2009, May and Taylor performed "Bohemian
Rhapsody" live on the British TV show The X Factor alongside the finalists.[171]
"Many of you will have read bits and pieces on the internet about Queen changing record companies and so I wanted to confirm to
you that the band have signed a new contract with Universal Music...we would like to thank the EMI team for all their hard work
over the years, the many successes and the fond memories, and of course we look forward to continuing to work with EMI Music
Publishing who take care of our songwriting affairs. Next year we start working with our new record company to celebrate Queen's
40th anniversary and we will be announcing full details of the plans over the next 3 months. As Brian has already said Queen's next
moves will involve 'studio work, computers and live work"
[172]
—Jim Beach, Queen's Manager, on the change of record label.
On 7 May 2010, May and Taylor announced that they were quitting their record label, EMI, after almost 40
years.[173] On 20 August 2010, Queen's manager Jim Beach put out a Newsletter stating that the band had signed a
new contract with Universal Music.[172] During an interview for Hardtalk on the BBC on 22 September, May
confirmed that the band's new deal was with Island Records, a subsidiary of Universal.[174] [175] For the first time
since the late 1980s, Queen's catalogue will have the same distributor worldwide, as their US home, Hollywood
Records, is currently distributed by Universal (for a time in the late 1980s, Queen was on EMI-owned Capitol
Records in the US).
On 14 March 2011, which marked the band's 40th anniversary, Queen's first five albums were re-released in the UK
and some other territories as remastered deluxe editions (the US versions were released on 17 May).[176] The second
five albums of Queen's back catalogue were released worldwide on 27 June, with the exception of the US and
Canada (27 September).[177] [178] The final five are scheduled for release in the UK on 5 September.[179]
In May 2011, Jane's Addiction vocalist Perry Farrell noted that Queen are currently scouting their once former and
current live bassist Chris Chaney to join the band. Farrell stated: "I have to keep Chris away from Queen, who want
him and they're not gonna get him unless we're not doing anything. Then they can have him."[180] In the same month,
Paul Rodgers stated he may tour with Queen again in the near future.[181] At the 2011 Broadcast Music, Incorporated
(BMI) Awards held in London on 4 October, Queen received the BMI Icon Award in recognition for their airplay
success in the US.[182] [183] At the 2011 MTV Europe Music Awards on 6 November, Queen received the Global
Icon Award, which Katy Perry presented to Brian May.[184] Queen closed the awards ceremony, with Adam Lambert
on vocals, performing "The Show Must Go On", "We Will Rock You" and "We Are the Champions".[184]
In October 2011, it was announced that Queen will be recording a new album featuring lost demos of Mercury on
vocals.[185] Brian May confirmed that he and Taylor are working their way through the band's old material to
Queen 12
compile a selection of unreleased songs for the forthcoming album.[185] May also revealed that a series of duets that
Mercury recorded with Michael Jackson are to be released in 2012.[186]
Artistry
Musical style
The band drew artistic influence from many other British rock acts at the
time, such as The Beatles, Led Zeppelin, Pink Floyd, The Who, Black
Sabbath, Slade, Deep Purple and David Bowie.[187] Queen composed
music that drew inspiration from many different genres of music, often
with a tongue-in-cheek attitude.[188] The genres they have been associated
with include progressive rock,[187] heavy metal,[187] glam rock,[187] hard
rock,[187] pop rock,[187] dance/disco,[189] blues rock and psychedelic
rock.[190] Queen also wrote songs that were inspired by genres that are not
typically associated with rock, such as ragtime, opera, gospel, vaudeville,
and folk.
In 1963, the teenage Brian May and his father custom-built his signature
guitar Red Special, which was purposely designed to feedback.[191] [192]
Sonic experimentation figured heavily in Queen's songs. A distinctive
characteristic of Queen's music are the vocal harmonies which are usually
Brian May playing his custom made Red
composed of the voices of May, Mercury, and Taylor best heard on the Special in 1975.
studio albums A Night at the Opera and A Day at the Races. Some of the
ground work for the development of this sound can be attributed to their former producer Roy Thomas Baker, and
their engineer Mike Stone.[193] [194] Besides vocal harmonies, Queen were also known for multi-tracking voices to
imitate the sound of a large choir through overdubs. For instance, according to Brian May, there are over 180 vocal
overdubs in "Bohemian Rhapsody".[195] Many Queen songs were also written with audience participation in mind,
such as "We Will Rock You" and "We Are the Champions".[196] [197]
Influence
Queen have been recognised as having made significant contributions to such genres as hard rock,[198] and heavy
metal,[199] amongst others. Hence, the band has been cited as an influence by many other musicians. Moreover, like
their music, the bands and artists that have claimed to be influenced by Queen are diverse and span different
generations, countries, and genres.
Some of the musicians that have cited the band as an influence include Anthrax,[200] Nirvana,[201] Def Leppard,[202]
Dream Theater,[203] Extreme,[204] Trivium,[205] Foo Fighters,[206] Franz Ferdinand,[207] George Michael,[208] Green
Day,[209] Guns N' Roses,[210] Iron Maiden,[211] [212] Journey,[213] Kansas,[214] Katy Perry,[215] Keane,[216] Lady
Gaga,[217] Manic Street Preachers,[218] Meat Loaf,[219] Metallica,[220] Mika,[221] Muse,[222] My Chemical
Romance,[223] Panic at the Disco,[224] Queensrÿche,[225] Radiohead,[226] Robbie Williams,[227] Trent Reznor,[228]
Steve Vai,[229] Sum 41,[230] Styx,[231] The Flaming Lips,[232] The Killers, and The Smashing Pumpkins.[233] [234]
Queen have been cited as a major influence on the "neo-classical metal" genre by Swedish guitarist Yngwie
Malmsteen.[235] Metallica recorded a cover version of "Stone Cold Crazy", which first appeared on the Rubáiyát:
Elektra's 40th Anniversary album in 1990, and won their first Grammy Award for Best Metal Performance in 1991.
In the early 70s, Queen helped spur the heavy metal genre's evolution by discarding much of its blues influence;[199]
[211]
the New Wave of British Heavy Metal in addition, they fused the music genre with a punk rock sensibility and
an increasing emphasis on speed.
Queen 13
Legacy
In 2002, Queen's "Bohemian Rhapsody" was voted "the UK's favourite hit of all time"[236] in a poll conducted by the
Guinness World Records British Hit Singles Book, and in 2004 the song was inducted into the Grammy Hall of
Fame.[237] Acclaimed for their stadium rock, in 2005 an industry poll ranked Queen's performance at Live Aid in
1985 as the best live act in history.[26] [196] [238] In 2007, they were also voted the greatest British band in history by
BBC Radio 2 listeners.[239]
As of 2005, according to the Guinness Book of World Records, Queen albums have spent a total of 1,322 weeks
(twenty-six years) on the UK Album Charts, more time than any other musical act.[81] [83] Also in 2005, with the
release of their live album with Paul Rodgers, Queen moved into third place on the list of acts with the most
aggregate time spent on the British record charts.[240]
In 2006, the Greatest Hits album was the all-time best-selling album in UK Chart history, with sales upwards of
5,407,587 copies, over 604,295 more copies than its nearest competitor, The Beatles' Sgt. Pepper's Lonely Hearts
Club Band.[82] Their Greatest Hits II album is the eighth best seller, with sales upwards of 3,746,404 copies.[127]
[241]
The band has released a total of eighteen number one albums, eighteen number one singles, and ten number one
DVDs worldwide, making them one of the world's best-selling music artists. Queen have sold over 150 million
albums, with some estimates in excess of 300 million albums worldwide,[196] [242] [243] [244] including 32.5 million in
the United States alone as of 2004.[245] Inducted into the Rock and Roll Hall of Fame in 2001, the band is also the
only group in which every member has composed more than one chart-topping single, and all four members of
Queen were inducted into the Songwriters Hall of Fame in 2003.[246] [247] In 2009, "We Will Rock You" and "We
Are the Champions" were inducted into the Grammy Hall of Fame,[248] [249] and the latter was voted the world's
favourite song in a global music poll.[250]
Queen are one of the most bootlegged bands ever, according to Nick Weymouth, who manages the band's official
website.[251] A 2001 survey discovered the existence of 12,225 websites dedicated to Queen bootlegs, the highest
number for any band.[252] Bootleg recordings have contributed to the band's popularity in certain countries where
Western music is censored, such as Iran.[253] In a project called Queen: The Top 100 Bootlegs, many of these have
been made officially available to download for a nominal fee from Queen's website, with profits going to the
Mercury Phoenix Trust.[251] Rolling Stone ranked Queen at number 52 on its list of the "100 Greatest Artists of All
Time",[254] while ranking Mercury the 18th greatest singer,[126] and May the 39th greatest guitarist.[255] Queen were
named 13th on VH1's 100 Greatest Artists of Hard Rock list,[256] and in 2010 were ranked 17th on VH1's 100
Greatest Artists of All Time list.[257]
Queen 14
In other media
Musical theatre
In May 2002, a musical or "rock theatrical" based on the songs of Queen, titled
We Will Rock You, opened at the Dominion Theatre on London's West End.[196]
The musical was written by British comedian and author Ben Elton in
collaboration with Brian May and Roger Taylor, and produced by Robert De
Niro. It has since been staged in many cities around the world.[196] Following the
Las Vegas premiere on 8 September 2004, Queen were inducted into the
Hollywood RockWalk in Sunset Boulevard, Los Angeles.[258]
The original London production was scheduled to close on Saturday, 7 October

2006, at the Dominion Theatre, but due to public demand, the show has now
been extended indefinitely. We Will Rock You has become the longest running
musical ever to run at this prime London theatre, overtaking the previous record
holder, the Grease musical.[259] Brian May has confirmed that they are
considering writing a sequel to the musical.[260] The musical toured around the Statue of Mercury at the West End's
Dominion Theatre where Queen and
UK in 2009, playing at Manchester Palace Theatre, Sunderland Empire,
Ben Elton's musical We Will Rock
Birmingham Hippodrome, Bristol Hippodrome, and Edinburgh Playhouse. You has been performed since May
2002.
The launch of the musical coincided with Queen Elizabeth II's Golden Jubilee.
As part of the Jubilee celebrations, Brian May performed a guitar solo of "God
Save the Queen",[261] as featured on Queen's A Night at the Opera, from the roof of Buckingham Palace. The
recording of this performance was used as video for the same song on the 30th Anniversary DVD edition of A Night
at the Opera.[262] [263]
Sean Bovim created "Queen at the Ballet", a tribute to Freddie Mercury, which uses Queen's music as a soundtrack
for the show's dancers, who interpret the stories behind tracks such as "Bohemian Rhapsody", "Radio Ga Ga", and
"Killer Queen".[264]
Queen's music also appears in the Off-Broadway production Power Balladz, most notably the song "We Are the
Champions", with the show's two performers believing the song was "the apex of artistic achievement in its
day".[265]
Digital realm
In conjunction with Electronic Arts, Queen released the computer game Queen: The eYe in 1998.[266] The music
itself—tracks from Queen's vast catalogue, in many cases remixed into new instrumental versions—was by and large
well received, but the game experience was hampered by poor game play. Adding to the problem was an extremely
long development time, resulting in graphic elements that already seemed outdated by the time of release.[267]
Under the supervision of May and Taylor, numerous restoration projects have been under way involving Queen's
lengthy audio and video catalogue. DVD releases of their 1986 Wembley concert (titled Live At Wembley Stadium),
1982 Milton Keynes concert (Queen on Fire – Live at the Bowl), and two Greatest Video Hits (Volumes 1 and 2,
spanning the 1970s and 1980s) have seen the band's music remixed into 5.1 and DTS surround sound. So far, only
two of the band's albums, A Night at the Opera and The Game, have been fully remixed into high-resolution
multichannel surround on DVD-Audio. A Night at the Opera was re-released with some revised 5.1 mixes and
accompanying videos in 2005 for the 30th anniversary of the album's original release (CD+DVD-Video set). In
2007, a Blu-ray edition of Queen's previously released concerts, Queen Rock Montreal & Live Aid, was released,
marking their first project in 1080p HD.[268]
Queen 15
Queen have been featured multiple times in the Guitar Hero franchise: a cover of "Killer Queen" in the original
Guitar Hero, "We Are The Champions", "Fat Bottomed Girls," and the Paul Rodgers collaboration "C-lebrity" in a
track pack for Guitar Hero World Tour, "Under Pressure" with David Bowie in Guitar Hero 5,[269] "I Want It All" in
Guitar Hero: Van Halen,[270] "Stone Cold Crazy" in Guitar Hero: Metallica,[271] and "Bohemian Rhapsody" in
Guitar Hero: Warriors of Rock.[272] On 13 October 2009, Brian May revealed there was "talk" going on "behind the
scenes" about a dedicated Queen Rock Band game.[273]
Queen have also been featured multiple times in the Rock Band franchise: a track pack of 10 songs which are
compatible with Rock Band, Rock Band 2, and Rock Band 3 (three of those are also compatible with Lego Rock
Band). Their hit "Bohemian Rhapsody" was featured in Rock Band 3 with full harmony and keys support. The band
also appeared in the video game Lego Rock Band as playable Lego avatars.[274]
In March 2009, Sony Computer Entertainment released a Queen branded version of the company's karaoke
franchise, SingStar. The game, which is available on PlayStation 2 and PlayStation 3, is titled SingStar Queen and
has 25 songs on the PS3 and 20 on the PS2.[275] "We Will Rock You" and other songs by Queen also appear in DJ
Hero.[276]
Film and television

Queen contributed music directly to the movies Flash Gordon (1980, directed by Mike Hodges) and Highlander (the
original 1986 film, directed by Russell Mulcahy). The songs, "A Kind of Magic", "One Year of Love", "Who Wants
to Live Forever", "Hammer to Fall", and the theme "Princes of the Universe" can be heard in the latter film. It was
also used in the Highlander TV series (1992–1998).[277] In the United States, "Bohemian Rhapsody" was re-released
as a single in 1992 after appearing in the comedy film Wayne's World.[137] The single subsequently reached number
two on the Billboard Hot 100 (with "The Show Must Go On" as the first track on the single) and helped rekindle the
band's popularity in North America.[137] [278]
Several films have featured their songs performed by other artists. A version of "Somebody to Love" was done by
Anne Hathaway in the 2004 film Ella Enchanted.[279] In 2006, Brittany Murphy also recorded a cover of the same
song for the 2006 movie Happy Feet.[280] In 2001, a version of "The Show Must Go On" was performed by Jim
Broadbent and Nicole Kidman in the movie musical Moulin Rouge!.[281] The closing credits of A Knight's Tale,
released in 2001, has a version of "We Are the Champions" performed by Robbie Williams and Queen; the
introduction to the same movie features We Will Rock You played by the medieval audience. "We Are the
Champions" also features in The Mighty Ducks trilogy, Chicken Little (2005), and the 2008 film What Happens in
Vegas. In 1992, the film Gladiator featured snippets of "We Will Rock You" performed by Warrant whereas their
full version was released as a single. In 2004, "Don't Stop Me Now" was featured in the bar fight scene in the cult
movie Shaun of the Dead, and "You're My Best Friend" played during the end credits, as well as during the 2006
Jennifer Aniston romantic comedy The Break-Up.[282]
In May 2004, the Japanese live-action version of Sailor Moon, called Pretty Guardian Sailor Moon, during Act 29,
"Minako's Rival, Mio Kuroki, is a Transfer Student?", used "I Was Born To Love You" in a volleyball game scene
featuring the show's hero Usagi Tsukino/Sailor Moon. "I Was Born to Love You" was used as the theme song of the
Japanese television drama Pride on Fuji Television in 2004, starring Takuya Kimura and Yūko Takeuchi. The
show's soundtrack also contained other songs by Queen, including "We Will Rock You", "We Are the Champions",
and "Bohemian Rhapsody".[283]
Since featuring in Grosse Pointe Blank in 1997, "Under Pressure" has appeared in a number of comedies, such as 40
Days and 40 Nights in 2002 and Ben Stiller's 2007 film The Heartbreak Kid.[284]
"Don't Stop Me Now" has featured in the BBC television show Top Gear, and in 2005 the song was voted as "The
Greatest Driving Song Ever" by the shows viewers.[285] The song was also featured in Fox's cartoon series American
Dad! during the first season episode "Roger 'n' Me" on Fox on 23 April 2006. This was the first of three appearances
of Queen songs, the second being "Another One Bites the Dust" in 42-Year-Old Virgin and "Bicycle Race" in Jack's
Queen 16
Back.[286]
Keeping in the tradition (since Season Five) of naming each season's episodes after songs from a famous 1970s era
rock band (Led Zeppelin for the fifth season, The Who for the sixth, and The Rolling Stones for the seventh), the
eighth and final season of That '70s Show consisted of episodes named after Queen songs. "Bohemian Rhapsody"
served as the season premiere.[287]
Fox television show The Simpsons has made storylines which have featured Queen songs such as "We Will Rock
You", "We Are the Champions" (both sung by Homer), and "You're My Best Friend".[288] "We Are the Champions"
has also featured in South Park episode "Stanley's Cup", season 5 of The Sopranos (Tony's ringtone), and the first
season of Malcolm in the Middle.[289]
On 11 April 2006, Brian May and Roger Taylor appeared on the American singing contest television show American
Idol. Each contestant was required to sing a Queen song during that week of the competition. Songs which appeared
on the show included "Bohemian Rhapsody", "Fat Bottomed Girls", "The Show Must Go On", "Who Wants to Live
Forever", and "Innuendo". Brian May later criticised the show for editing specific scenes,[290] one of which made the
group's time with contestant Ace Young look negative, despite it being the opposite. Taylor and May again appeared
on the American Idol Season 8 finale in May 2009, performing "We Are the Champions" with finalists Adam
Lambert and Kris Allen.[167]
In the autumn of 2009, the Fox television show Glee featured the fictional high school's show choir singing
"Somebody to Love" as their second act performance in the episode The Rhodes Not Taken. The performance was
included on the show's Volume One soundtrack CD, and is available as a single via digital download.[291] In June
2010, the choir performed "Another One Bites the Dust" in the episode Funk.[292]
On 15 November 2009, Brian May and Roger Taylor appeared on the singing contest television show X Factor in
the UK.[171] Brian May announced in a BBC interview that Sacha Baron Cohen had been chosen to play Mercury in
a film.[293] TIME commented with approval on his singing ability and visual similarity to Mercury.[294] The motion
picture is being written by Peter Morgan, who had been nominated for Oscars for his screenplays The Queen and
Frost/Nixon. The film, which is being co-produced by Robert De Niro's TriBeCa Productions, will focus on Queen's
formative years and the period leading up to the celebrated performance at the 1985 Live Aid concert. Filming is due
to begin sometime in 2011.[295]
Band members
Current members
• Brian May – guitars, keyboards, vocals (1970–present)
• Roger Taylor – drums, percussion, vocals (1970–present)
Former members
• Freddie Mercury – lead vocals, piano, guitar (1970–1991)
• John Deacon – bass guitar (1971–1997)
Queen 17
Discography
• Queen (1973)
• Queen II (1974)
• Sheer Heart Attack (1974)
• A Night at the Opera (1975)
• A Day at the Races (1976)
• News of the World (1977)
• Jazz (1978)
• Live Killers (1979)
• The Game (1980)
• Flash Gordon (1980)
• Hot Space (1982)
• The Works (1984)
• A Kind of Magic (1986)
• Live Magic (1986)
• The Miracle (1989)
• Innuendo (1991)
• Made in Heaven (1995)
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[287] Episode Guide (http:/ / www. that70sshow. com/ ). That '70s Show. December 2008. . – Scholar search (http:/ / scholar. google. co. uk/
scholar?hl=en& lr=& q=intitle:Episode+ Guide& as_publication=& as_ylo=& as_yhi=& btnG=Search)
[288] The Simpsons Archive: Music Featured on the Simpsons (http:/ / www. snpp. com/ guides/ music. html#sev) Retrieved 30 May 2011
[289] The Sopranos: Season 5 (http:/ / www. hbo. com/ the-sopranos/ episodes/ 5/ 63-the-test-dream/ music. html) HBO. Retrieved 7 June 2011
[290] Lyndsey, Parker (13 April 2006). Queen's Brian May Addresses 'Idol Fallout' (http:/ / new. music. yahoo. com/ queen/ news/
queens-brian-may-addresses-idol-fallout--31620391). Yahoo!. .
[291] 'GLEE: The Music, Volume 1' Track Listing Revealed (http:/ / broadwayworld. com/ article/
GLEE_The_Music_Volume_1_Track_Listing_Revealed_20090831) Broadway world. Retrieved 30 May 2011
[292] "Funk: Featured Music". Fox Retrieved 3 July 2011
[293] "BBC – Sacha Baron Cohen to play Freddie Mercury" (http:/ / www. bbc. co. uk/ news/ entertainment-arts-11340336). BBC News. 17
September 2010. . Retrieved 22 September 2010.
[294] Sacha Baron Cohen to Play Freddie Mercury (http:/ / newsfeed. time. com/ 2010/ 09/ 17/
report-sacha-baron-cohen-to-play-freddie-mercury/ ), TIME, 22 July 2011
[295] ""Is it because I has a mankini?" Ali G creator to take on Queen" (http:/ / www. independent. co. uk/ arts-entertainment/ films/ news/
is-it-because-i-has-a-mankini-ali-g-creator-to-take-on-queen-2082687. html). The Independent (UK). 17 September 2010. . Retrieved 22
September 2010.
Further reading
• Brooks, Greg (1995). Queen Live: A Concert Documentary. London: Omnibus Press. ISBN 9780711948143.
• Dawson, Mike (2008). Freddie & Me. London: Jonathan Cape. ISBN 9780224081931.
• Dean, Ken; Charlesworth, Chris (1991). Queen: The New Visual Documentary. London: Omnibus Press.
ISBN 9780711928282.
• Goodall, Nigel; Lewry, Peter (1998). The Ultimate Queen. London: Simon & Schuster. ISBN 9780684821498.
• Gunn, Jacky; Jenkins, Jim (1992). Queen: As It Began. London: Sidgwick & Jackson. ISBN 9780330332590.
• Hodkinson, Mark (2005). Queen: The Early Years. London: Music Sales Limited. ISBN 9780711960121.
• Hogan, Peter (1994). The Complete Guide to the Music of Queen. London: Omnibus Press.
ISBN 9780711935266.
• Jackson, Laura (2002). Queen: The Definitive Biography. London: Piatkus. ISBN 9780749923174.
• Michael, Mick (1992). Queen, In Their Own Words. London: Omnibus Press. ISBN 9780711930148.
• Nester, Daniel (2003). God Save My Queen: A Tribute. Brooklyn, NY: Soft Skull Press. ISBN 9781887128278.
• Nester, Daniel (2004). God Save My Queen II: The Show Must Go On. Brooklyn, NY: Soft Skull Press.
ISBN 9781932360516.
• Purvis, Georg (2006). Queen: Complete Works. Richmond: Reynolds & Hearn. ISBN 9781905287338.
• Sutcliffe, Phil; Hince, Peter; Mack, Reinhold (2009). Queen: The Ultimate Illustrated History of the Crown Kings
of Rock. London: Voyageur Press. ISBN 0760337195.
Queen 26
External links
• Official website (http://www.queenonline.com/home)
• Queen band logo (http://www.famouslogos.us/queen-logo) as explained on Famous Logos
• Queen (http://www.dmoz.org/Arts/Music/Bands_and_Artists/Q/Queen/) at the Open Directory Project
Awards and nominations

The following is a list of awards and nominations received by Queen.
Accolades
Inductions
• 2001 - The band was inducted into the Rock and Roll Hall of Fame in Cleveland, Ohio.[1]
• 2002 - The band was given a star on the Hollywood Walk of Fame.[2]
• 2003 - The band became the first band, rather than individual, to be inducted into the Songwriters Hall of Fame.[3]
• 2004 - The band was inducted into the UK Music Hall of Fame.[4]
• 2004 - "Bohemian Rhapsody" was inducted into the Grammy Hall of Fame.[5]
• 2004 - The band was inducted into the RockWalk of Fame (at Guitar Center on Hollywood's Sunset Boulevard)[6]
• 2006 - The band was the first inducted into the VH1 Rock Honors.[7]
• 2009 - "We Will Rock You" and "We Are The Champions" are inducted into the Grammy Hall of Fame.[5]
Awards
• 1974
• Sounds: 3rd Best New British Band, 9th Best International Band
• Disc: 10th Brightest Hope
• NME: 2nd Most Promising New Name
• 1975
• Melody Maker: 'Band of the Year'[8]
• Record Mirror: 2nd Best British Newcomer, 2nd Best Single ("Killer Queen"), 9th International Group
• NME: 8th Best British Group, 7th Best Stage Band, 4th Most Promising Group In The World, 3rd Most
Promising New Name, 17th Best World Group
• Disc: Top Live Band, Top International Group, Top British Group, Top Single ("Killer Queen"), 3rd Best
Album (Sheer Heart Attack), 5th Best Album (Queen II)
• Ivor Novello Award to Mercury for "Killer Queen"[9]
• Golden Lion Award (Belgium) to Mercury for "Killer Queen"
• Carl Allen Award for contribution to the Ballroom Dancing Industry
• 1976
• NME: 1st British Stage Band, 2nd Group, 5th World Group, 3rd World Stage Band, Mercury: 7th World
Singer, May: 3rd Top Guitarist, 1st British Single ("Bohemian Rhapsody"), 2nd Album ("A Night at the
Opera")
• Record Mirror / Disc: 1st Best British Group, 1st World Group, No. 1 Single ("Bohemian Rhapsody"), No. 6
Album ("A Night at the Opera"), Mercury: 5th British Singer, 6th World Singer, 4th British Songwriter, 5th
World Songwriter, May: 4th British Musician, 4th World Musician
• Sound: Best Band, Best Album (A Night at the Opera), Best Single ("Bohemian Rhapsody")[10]
• Ivor Novello Award to Mercury for "Bohemian Rhapsody"[9]

• 1977
• The BRIT Awards: Best British Single of the Last 25 Years ("Bohemian Rhapsody")[11]
• Europe One Radio: Most Potential Rock Band
• Daily Mail: Best Group
• 1979
• Music Life, Japan: Top Group, Top Album (Jazz), Top Single, Top Singer, Top Guitarist, Top Drummer, Top
Bass Player
• 1980
• Juno Awards, Canada: Best Group, Best International Single ("Another One Bites the Dust"), Best
International Album (The Game)
• Record World USA: Top Male Group, Top Producer, Top Disco Crossover (All awarded for "Another One
Bites the Dust")
• Dick Clark Awards USA: Best Band
• Circus Magazine USA: 2nd Best Group, 1st Live Show, No. 1 Album (The Game), No. 1 Single ("Another
One Bites the Dust"), No.3 Single ("Crazy Little Thing Called Love"), Mercury: 2nd Male Vocalist, 3rd Best
Songwriter, 3rd Best Keyboard Player; 3rd Best Guitarist, 3rd Best Bassist, 3rd Best Drummer
• 1981
• American Music Awards: 'Favorite Pop/Rock Single' ("Another One Bites the Dust")[8]
• Music Life, Japan: Best Group, Best Vocalist, Best Bass Player, 2nd Best Guitarist, 2nd Drummer
• NARM Award USA: Biggest Selling Single of 1980 ("Another One Bites the Dust")
• 1984
• Nordoff-Robbins Music Therapy Silver Clef Award: Outstanding Contribution to British Music
• UK Video Awards: Highly Commended in Best Compilation Category for The Works EP. Best Video award
for "Radio Ga Ga"
• 1986
• Daily Mirror Reader's Poll: Top British Group, Top Male Vocalist, 5th Best Album (A Kind of Magic)
• Daily Express: Best Album Cover Award (A Kind of Magic)
• British Video Awards: Top Music Video Award (Live In Rio)
• Worldwide Music Awards: Best Worldwide Group
• 1987
• Sun: Best Male Vocalist for Mercury
• Capital Radio London: Best Group
• Ivor Novello Award: for Outstanding Contribution to British Music
• British Video Awards: Best Video, Music category for "Live In Budapest"
• 1988
• Golden Rose Festival, Montreux: International Music Media Conference: Best Long Form Video worldwide
(The Magic Years)
• Festerio, Rio De Janiero: Best video documentary (The Magic Years)
• 1989
• Independent Television Awards: Best Band of the Eighties
• US Film & Video Festival: Silver Screen Award (The Magic Years)
• Diamond Awards, Antwerp: Best Special Effects Award ("The Invisible Man")
• 1990
• The BRIT Awards: Outstanding Contribution to Music[9]

• 1991
• American Film & Video Festival, Chicago: Innuendo won 1st Prize, I'm Going Slightly Mad won 3rd Prize for
Creative Excellence in the Art Culture and Performing Arts category
• Monitor Awards (International Teleproduction Society), New York City: Best Achievement in Music Video
("Innuendo")
• 1992
• The BRIT Awards: Mercury received a posthumous Outstanding Contribution To Music Award, Best Single
Award ("These Are the Days of Our Lives";).[12]
• Ivor Novello Award: Best Single ("These Are the Days of Our Lives"), May received a Best TV Commercial
Music Award ("Driven By You")
• Golden Giraffe Award: Greatest Hits II (Award given by the Association of Hungarian Record Producers)
• MTV Awards: Best Video From A Movie (Wayne's World)
• US Film & Video Festival, Chicago: Gold Camera Awards (The Freddie Mercury Tribute), (Greatest Flix II),
("The Show Must Go On") ("These Are the Days of Our Lives")
• 1993
• Ivor Novello Award: to Mercury ("Living on My Own") (posthumous)
• American Society Of Composers, Authors & Publishers: Mercury posthumously awarded for "Bohemian
Rhapsody" as the Most Played Record in the U.S. of 1993
• Monitor Awards, Hollywood: "Red Couch" Awards (Greatest Flix II and "I'm Going Slightly Mad")
• 1997
• Ivor Novello Award: Best Song Lyrically & Musically ("Too Much Love Will Kill You")
• 2001
• Golden Rose Film Festival, Montreux: Prix de la Presse (The Freddie Mercury Untold Story)
• 2002
• New York Film Festival: Gold World Medal for the Best Television and Entertainment Program (Variety
Special Section), Gold World Medal for the Best Home Video (Music Video Section) for The Freddie Mercury
Untold Story
• Capital FM Awards: Outstanding Contribution to Music
• Guinness World Records: UK’s best single of the past 50 years ("Bohemian Rhapsody")
• Annual DVD Awards: Best DVD-Audio/Non Video (A Night at the Opera)
• Surround Music Awards: "Most Adventurous Mix" and "Listener's Choice" (A Night at the Opera)
• 2003
• Annual DVD Awards: Best DVD-Audio (The Game)
• DVD Awards At The Universal Sheraton: DVD-Audio Of The Year (The Game)
• Capital Legends Awards: Legendary Group
• European Music DVD-Award: Best Live DVD (Live At Wembley Stadium)
• Surround Music Award: "Best Mix: Non-Orchestral" (The Game)
• 2008
• New York City radio station Q104.3 FM WAXQ names Queen's "Bohemian Rhapsody" number 13 in their
2008 Top 1,043 Songs Of All Time listener-generated countdown.
• 2011
• At the MTV Europe Music Awards Queen received the Global Icon award.
Polls
• 1999 - The band was voted the 2nd greatest band in music history.[13]
• 2005 - The band's performance at Live Aid is voted two times by a large selection of musicians and critics to be
the greatest live show of all time.[14]
• 2007 - The band was voted the 'Best British Band Of All Time.'[15]
• 2008 - The band enters the Grammy Hall of Fame.
References
[1] Queen (http:/ / rockhall. com/ hof/ inductee. asp?id=1142), Rock & Roll Hall of Fame,
[2] Queen honoured with Hollywood star (http:/ / news. bbc. co. uk/ 2/ hi/ entertainment/ 2339131. stm), BBC, 18 October 2002,
[3] (– Scholar search (http:/ / scholar. google. co. uk/ scholar?hl=en& lr=& q=intitle:Queen& as_publication=& as_ylo=& as_yhi=& btnG=Search))
Queen (http:/ / songwritershalloffame. org/ inductee_ceremony_detail. asp?ceremonyId=24& inducteeCeremonyId=178), Songwriters Hall of
Fame,
[4] (– Scholar search (http:/ / scholar. google. co. uk/ scholar?hl=en& lr=& q=intitle:UK+ Music+ Hall+ of+ Fame& as_publication=& as_ylo=&
as_yhi=& btnG=Search)) UK Music Hall of Fame (http:/ / channel4. com/ music/ microsites/ U/ UKMHOF), Channel 4,
[5] The Grammys (http:/ / grammy. com/ Recording_Academy/ Awards/ Hall_Of_Fame/ ), The Recording Academy,
[6] Queen (http:/ / rockwalk. com/ inductees/ inductee. cfm?id=154), Guitar Center,
[7] VH1 Rock Honors (http:/ / vh1. com/ shows/ events/ rock_honors/ 2006), VH1,
[8] Queen (http:/ / rockonthenet. com/ artists-q/ queen. htm), Rock On The Net,
[9] (– Scholar search (http:/ / scholar. google. co. uk/ scholar?hl=en& lr=& q=intitle:Freddie+ Mercury& as_publication=& as_ylo=& as_yhi=&
btnG=Search)) Freddie Mercury (http:/ / knittingcircle. org. uk/ freddiemercury. htm), The Knitting Circle,
[10] Today in Music History (31 January) (http:/ / soundgenerator. com/ news/ showarticle. cfm?articleID=249), Sound Generator,
[11] 'The Brit Awards, found October 7, 2007 (http:/ / www. everyhit. com/ awardbrit. html), Everyhit.com,
[12] Freddie Mercury biography (http:/ / www. imdb. com/ name/ nm0006198/ bio), IMDB,
[13] Music Of The Millennium (http:/ / mr-mercury. co. uk/ Articles/ music_of_the_millenium. htm), Channel 4,
[14] Queen win greatest live gig poll (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ music/ 4420308. stm), BBC, 9 November 2005,
[15] Queen declared 'top British band' (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ 6224235. stm), BBC, 2 January 2007,
30
Members
Freddie Mercury
Freddie Mercury
Mercury performing in New Haven, Connecticut, in 1978 with Queen
Birth name Farrokh Bulsara
Born 5 September 1946

Stone Town, Zanzibar
Origin [1]
London, England, UK
Died 24 November 1991 (aged 45)

Kensington, London, England, United Kingdom
Genres Rock, hard rock, glam rock
Occupations Musician, singer-songwriter, record producer
Instruments Vocals, piano, keyboards, guitar
Years active 1969–1991
Labels Columbia, Polydor, EMI, Parlophone, Hollywood Records
Associated acts Queen, Wreckage/Ibex, Montserrat Caballé
Freddie Mercury (born Farrokh Bulsara (Gujarati: ફારોખ બલ્સારા), 5 September 1946 – 24 November 1991)[2]
[3]
was a British musician, singer and songwriter, best known as the lead vocalist of the rock band Queen. As a
performer, he was known for his flamboyant stage persona and powerful vocals over a four-octave range.[4] [5] [6] As
a songwriter, Mercury composed many hits for Queen, including "Bohemian Rhapsody", "Killer Queen", "Crazy
Little Thing Called Love" and "We Are the Champions". In addition to his work with Queen, he led a solo career,
penning hits such as "Barcelona", "I Was Born to Love You" and "Living on My Own". Mercury also occasionally
served as a producer and guest musician (piano or vocals) for other artists. He died of bronchopneumonia brought on
Freddie Mercury 31
by AIDS on 24 November 1991, only one day after publicly acknowledging he had the disease.
Mercury was a Parsi born in Zanzibar and grew up there and in India until his mid-teens. He has been referred to as
"Britain's first Asian rock star".[7] In 2006, Time Asia named him one of the most influential Asian heroes of the past
60 years,[8] and he continues to be voted one of the greatest singers in the history of popular music. In 2005, a poll
organised by Blender and MTV2 saw Mercury voted the greatest male singer of all time.[9] In 2008, Rolling Stone
editors ranked him number 18 on their list of the 100 greatest singers of all time.[6] In 2009, a Classic Rock poll saw
him voted the greatest rock singer of all time.[10] Allmusic has characterised Mercury as "one of rock's greatest
all-time entertainers", who possessed "one of the greatest voices in all of music".[11]
Early life
Mercury was born in the British protectorate of Zanzibar, East Africa (now part of Tanzania). His parents, Bomi and
Jer Bulsara,[a] were Parsis from the Gujarat region of the then province of Bombay Presidency in British India.[12] [b]
The family surname is derived from the town of Bulsar (also known as Valsad) in southern Gujarat. As Parsis,
Mercury and his family practised the Zoroastrian religion.[13] The Bulsara family had moved to Zanzibar so that his
father could continue his job as a cashier at the British Colonial Office. He had a younger sister, Kashmira.[14]
Mercury spent the bulk of his childhood in India and began taking piano lessons
at the age of seven.[15] In 1954, at the age of eight, Mercury was sent to study at
St. Peter's School, a British-style boarding school for boys in Panchgani near
Bombay (now Mumbai), India.[16] Aged 12, he formed a school band, The
Hectics, and covered artists such as Cliff Richard and Little Richard.[17] A friend
from the time recalls that he had "an uncanny ability to listen to the radio and
replay what he heard on piano".[18] It was also at St. Peter's where he began to
call himself "Freddie". Mercury remained in India, living with his grandmother
and aunt until he completed his education at St. Mary's School, Bombay.[19]
At the age of 17, Mercury and his family fled from Zanzibar for safety reasons
due to the 1964 Zanzibar Revolution.[7] The family moved into a small house in
Feltham, Middlesex, England. Mercury enrolled at Isleworth Polytechnic (now
West Thames College) in West London where he studied art. He ultimately
The house in Zanzibar where
earned a Diploma in Art and Graphic Design at Ealing Art College, later using Mercury lived in his early years
these skills to design the Queen crest. Mercury remained a British citizen for the
rest of his life.
Following graduation, Mercury joined a series of bands and sold second-hand clothes in the Kensington Market in
London. He also held a job at Heathrow Airport. Friends from the time remember him as a quiet and shy young man
who showed a great deal of interest in music.[20] In 1969 he joined the band Ibex, later renamed Wreckage. When
this band failed to take off, he joined a second band called Sour Milk Sea. However, by early 1970 this group broke
up as well.[21]
In April 1970, Mercury joined guitarist Brian May and drummer Roger Taylor who had previously been in a band
called Smile. Despite reservations from the other members, Mercury chose the name "Queen" for the new band. He
later said about the band's name, "I was certainly aware of the gay connotations, but that was just one facet of it".[1]
At about the same time, he changed his surname, Bulsara, to Mercury.[22]
Freddie Mercury 32
Career
Singer
Although Mercury's speaking voice naturally fell in the baritone range,
he delivered most songs in the tenor range.[23] His vocal range
extended from bass low F (F2) to soprano high F (F6).[24] He could
belt up to tenor high F (F5).[24] Biographer David Bret described his
voice as "escalating within a few bars from a deep, throaty rock-growl
to tender, vibrant tenor, then on to a high-pitched, perfect coloratura,
pure and crystalline in the upper reaches".[25] Spanish soprano
Montserrat Caballé, with whom Mercury recorded an album, expressed
her opinion that "the difference between Freddie and almost all the
other rock stars was that he was selling the voice".[26] She adds, "His
technique was astonishing. No problem of tempo, he sung with an
incisive sense of rhythm, his vocal placement was very good and he
was able to glide effortlessly from a register to another. He also had a
great musicality. His phrasing was subtle, delicate and sweet or
Freddie Mercury in 1978 energetic and slamming. He was able to find the right colouring or
expressive nuance for each word."[24] As Queen's career progressed, he
would increasingly alter the highest notes of their songs when live,
often harmonising with seconds, thirds or fifths instead. Mercury was
said to have "the rawest vocal fold nodules" and claimed never to have
had any formal vocal training.[27]
Songwriter
Freddie Mercury's vocal Mercury wrote 10 of the 17 songs on Queen's Greatest Hits album:
range
"Bohemian Rhapsody", "Seven Seas of Rhye", "Killer Queen",
"Somebody to Love", "Good Old-Fashioned Lover Boy", "We Are the
Champions", "Bicycle Race", "Don't Stop Me Now", "Crazy Little Thing Called Love" and "Play the Game".
The most notable aspect of his songwriting involved the wide range of genres that he used, which included, among
other styles, rockabilly, progressive rock, heavy metal, gospel and disco. As he explained in a 1986 interview, "I hate
doing the same thing again and again and again. I like to see what's happening now in music, film and theatre and
incorporate all of those things."[28] Compared to many popular songwriters, Mercury also tended to write musically
complex material. For example, "Bohemian Rhapsody" is acyclic in structure and comprises dozens of chords.[29]
[30]
He also wrote six songs from Queen II which deal with multiple key changes and complex material. "Crazy
Little Thing Called Love", on the other hand, contains only a few chords. Despite the fact that Mercury often wrote
very intricate harmonies, he also claimed that he could barely read music.[31] He wrote most of his songs on the
piano and used a wide variety of different key signatures.[29]
Freddie Mercury 33
Live performer
Mercury was noted for his live performances, which were often delivered
to stadium audiences around the world. He displayed a highly theatrical
style that often evoked a great deal of participation from the crowd. A
writer for The Spectator described him as "a performer out to tease, shock
and ultimately charm his audience with various extravagant versions of
himself".[32] David Bowie, who performed at the Freddie Mercury
Tribute Concert and recorded the song "Under Pressure" with Queen,
praised Mercury's performance style, saying: "Of all the more theatrical
rock performers, Freddie took it further than the rest... he took it over the
edge. And of course, I always admired a man who wears tights. I only
saw him in concert once and as they say, he was definitely a man who
could hold an audience in the palm of his hand."[33] Mercury, performing live in
1979, with his bottomless
One of Mercury's most notable performances with Queen took place at microphone stand
Live Aid in 1985, during which the entire stadium audience of 72,000
people clapped, sang and swayed in unison. Queen's performance at the
event has since been voted by a group of music executives as the greatest
live performance in the history of rock music. The results were aired on a
television program called "The World's Greatest Gigs".[34] [35] In
reviewing Live Aid in 2005, one critic wrote, "Those who compile lists of
Great Rock Frontmen and award the top spots to Mick Jagger, Robert
Plant, etc all are guilty of a terrible oversight. Freddie, as evidenced by
his Dionysian Live Aid performance, was easily the most godlike of them
all."[36]
Over the course of his career, Mercury performed an estimated 700

concerts in countries around the world with Queen. A notable aspect of
Queen concerts was the large scale involved.[28] He once explained,
"We're the Cecil B. DeMille of rock and roll, always wanting to do things
bigger and better."[28] The band were the first ever to play in South
American stadiums, breaking worldwide records for concert attendance in
the Morumbi Stadium in São Paulo in 1981.[37] In 1986, Queen also
played behind the Iron Curtain when they performed to a crowd of 80,000
in Budapest, in what was one of the biggest rock concerts ever held in
Eastern Europe.[38] Mercury's final live performance with Queen took
place on 9 August 1986 at Knebworth Park in England and drew an
attendance estimated as high as 300,000.[39]
Mercury performing live in 1984

Freddie Mercury 34
Instrumentalist
As a young boy in India, Mercury received formal piano training up to
the age of nine. Later on, while living in London, he learned guitar.
Much of the music he liked was guitar-oriented: his favourite artists at
the time were The Who, The Beatles, Jimi Hendrix, David Bowie, and
Led Zeppelin. He was often self-deprecating about his own skills on
both instruments and from the early 1980s onward began extensively
using guest keyboardists for both Queen and his solo career. Most
notably, he enlisted Fred Mandel (a Canadian musician who also
worked for Pink Floyd, Elton John and Supertramp) for his first solo
project, and from 1985 onward collaborated with Mike Moran (in the
studio) and Spike Edney (in concert), leaving most of the keyboard Freddie Mercury playing guitar during a live
work exclusively to them. concert with Queen in Frankfurt, Germany, 1984.
Mercury played the piano in many of Queen's most popular songs,

including "Killer Queen", "Bohemian Rhapsody", "Good Old Fashioned Lover Boy", "We Are the Champions",
"Somebody To Love" and "Don't Stop Me Now". He used concert grand pianos and, occasionally, other keyboard
instruments such as the harpsichord. From 1980 onward, he also made frequent use of synthesisers in the studio.
Queen guitarist Brian May claims that Mercury was unimpressed with his own abilities at the piano and used the
instrument less over time because he wanted to walk around onstage and entertain the audience.[40] Although he
wrote many lines for the guitar, Mercury possessed only rudimentary skills on the instrument. Songs like "Ogre
Battle" and "Crazy Little Thing Called Love" were composed on the guitar; the latter featured Mercury playing
acoustic guitar both on stage and in the studio.[41]
Solo career
In addition to his work with Queen, Mercury put out two solo albums and several singles. Although his solo work
was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles
debuted in the top 10 of the UK Album Charts. His first solo effort involved his contribution to the Richard "Wolfie"
Wolf mix of Love Kills on the 1984 album (the song also used as the end title theme for National Lampoon's
"Loaded Weapon") and new soundtrack to the 1926 Fritz Lang film Metropolis. The song, produced by Giorgio
Moroder, debuted at the number 10 position in the UK charts.[42]
Mercury's two full albums outside the band were Mr. Bad Guy (1985) and Barcelona (1988). The former is a
pop-oriented album that emphasises disco and dance music. "Barcelona" was recorded and performed with the opera
singer Montserrat Caballé, whom he had long admired. Mr. Bad Guy debuted in the top ten of the UK Album
Charts.[42] In 1993, a remix of "Living on My Own", a single from the album, reached the No.1 position on the UK
Singles Charts.[43] The song also garnered Mercury a posthumous Ivor Novello Award. Allmusic critic Eduardo
Rivadavia describes Mr. Bad Guy as "outstanding from start to finish" and expressed his view that Mercury "did a
commendable job of stretching into uncharted territory".[44] In particular, the album is heavily synthesiser-driven in a
way that is not characteristic of previous Queen albums.
Barcelona, recorded with Spanish soprano Montserrat Caballé, combines elements of popular music and opera.
Many critics were uncertain what to make of the album; one referred to it as "the most bizarre CD of the year".[45]
The album was a commercial success,[46] and the album's title track debuted at the No.8 position in the UK charts
and was a hit in Spain.[47] The title track received massive air play as the official hymn of the 1992 Summer
Olympics (held in Barcelona one year after Mercury's death). Caballé sang it live at the opening of the Olympics
with Mercury's part played on a screen, and again prior to the start of the 1999 UEFA Champions League Final in
Barcelona.[48]
Freddie Mercury 35
In addition to the two solo albums, Mercury released several singles, including his own version of the hit The Great
Pretender by The Platters, which debuted at number five in the UK in 1987.[42] In September 2006, a compilation
album featuring Mercury's solo work was released in the UK in honour of what would have been his 60th birthday.
The album debuted in the top 10 of the UK Album Charts.[49]
In 1981–1983, Mercury recorded several tracks with Michael Jackson, including a demo of "State of Shock",
"Victory" and "There Must Be More to Life Than This".[50] None of these collaborations were officially released,
although bootleg recordings exist. Jackson went on to record the single "State of Shock" with Mick Jagger for The
Jacksons's album Victory.[51] Mercury included the solo version of "There Must Be More To Life Than This" on his
Mr. Bad Guy album.[52] In November 2011, Brian May announced that a series of duets that Mercury recorded with
Jackson are to be released in 2012.[53] [54]
Personal life
Relationships
In the early 1970s Mercury had a long-term relationship with Mary
Austin, whom he had met through guitarist Brian May. He lived with
Austin for several years in West Kensington. By the mid-1970s,
however, the singer had begun an affair with a male American record
executive at Elektra Records, which ultimately resulted in the end of
his relationship with Austin.[55] Mercury and Austin nevertheless
remained close friends through the years, with Mercury often referring
to her as his only true friend. In a 1985 interview, Mercury said of
Austin, "All my lovers asked me why they couldn't replace Mary Freddie Mercury signature
[Austin], but it's simply impossible. The only friend I've got is Mary
and I don't want anybody else. To me, she was my common-law wife. To me, it was a marriage. We believe in each
other, that's enough for me."[56] He also wrote several songs about Austin, the most notable of which is "Love of My
Life". In his will, Mercury left his London home to Austin, rather than his then partner Jim Hutton, saying "you
would have been my wife and it would have been yours anyway".[57] Mercury was also the godfather of Mary's
oldest son, Richard.[40]
During the early-to-mid-80s, he was romantically involved with Barbara Valentin, an Austrian actress,[58] who is
featured in the video for "It's a Hard Life".[59] By 1985, he began another long-term relationship with a hairdresser
named Jim Hutton. Hutton, who himself was tested HIV-positive in 1990,[60] lived with Mercury for the last six
years of his life, nursed him during his illness and was present at his bedside when he died. Hutton claimed that
Mercury died wearing a wedding band that Hutton had given him.[60] Hutton died from cancer on 1 January 2010.[61]
Sexual orientation
Mercury was an acknowledged bisexual.[17] [62] [63] While some critics claimed he hid his sexual orientation from
the public,[7] [26] [64] others claimed he was "openly gay".[8] [65] In December 1974, when asked directly "So how
about being bent? " by the New Musical Express, Mercury replied "You're a crafty cow. Let's put it this way, there
were times when I was young and green. It's a thing schoolboys go through. I've had my share of schoolboy pranks.
I'm not going to elaborate further." Homosexuality was legalised in the United Kingdom in 1967, only seven years
earlier. In the 1980s, he would often distance himself from his partner, Jim Hutton, during public events.[60]
In 1992, John Marshall of Gay Times expressed the following opinion: "[Mercury] was a 'scene-queen', not afraid to
publicly express his gayness but unwilling to analyse or justify his 'lifestyle' ... It was as if Freddie Mercury was
saying to the world, "I am what I am. So what?" And that in itself for some was a statement."[66] A writer for a gay
Freddie Mercury 36
online newspaper felt that audiences may have been overly naïve about the matter: "While in many respects he was
overtly queer his whole career ("I am as gay as a daffodil, my dear" being one of his most famous quotes), his sexual
orientation seemed to pass over the heads of scrutinising audiences and pundits (both gay and straight) for
decades".[67]
Personality
Although he cultivated a flamboyant stage personality, Mercury was a very shy and retiring man in person,
particularly around people he did not know well.[18] [26] [68] He also granted very few interviews. Mercury once said
of himself: "When I'm performing I'm an extrovert, yet inside I'm a completely different man."[69] While on stage,
Mercury basked in the love from the audience, which was famously noted by Kurt Cobain, in his suicide note, when
he wrote of how he both admired and envied Mercury for being able to do so.[70]
Criticism and controversy
HIV
Mercury hid his HIV status from the public for several years, and it has been suggested that he could have raised a
great deal of money and awareness earlier by speaking truthfully about his situation and his fight against the
disease.[71] [72]
Other controversies
Queen were widely criticised when they broke a United Nations cultural boycott in 1984 by performing a series of
shows at Sun City, an entertainment complex in Bophuthatswana, a homeland of (then) apartheid South Africa. As a
result of these shows, Queen was placed on a United Nations list of artists who broke the boycott and was widely
criticised in magazines such as the NME.[36]
A further controversy ensued in August 2006, when an organisation calling itself the Islamic Mobilization and
Propagation petitioned the Zanzibar government's culture ministry, demanding that a large-scale celebration of what
would have been Mercury's sixtieth birthday be cancelled. The organisation issued several complaints about the
planned celebrations, including that Mercury was not a true Zanzibari and that he was gay, which is not in
accordance with their interpretation of sharia. The organisation claimed that "associating Mercury with Zanzibar
degrades our island as a place of Islam".[65] The planned celebration was cancelled.
Freddie Mercury 37
Illness and death

According to his partner Jim Hutton, Mercury was diagnosed with
AIDS shortly after Easter of 1987.[73] Around that time, Mercury
claimed in an interview to have tested negative for HIV.[26] Despite the
denials, the British press pursued the rampant rumours over the next
few years, fuelled by Mercury's increasingly gaunt appearance,
Queen's absence from touring, and reports from former lovers to
various tabloid journals - by 1990 the rumours about Mercury's health
were rife.[74] Towards the end of his life, he was routinely stalked by
photographers, while the daily tabloid newspaper The Sun featured a
series of articles claiming that he was seriously ill; notably in an article
from November 1990 which featured an image of a haggard looking
Mercury on the front page accompanied by the headline "It's official -
Freddie is seriously ill".[75]
However, Mercury and his inner circle of colleagues and friends,

whom he felt he could trust, continually denied the stories, even after The front cover of The Sun the day after
Mercury's death.
one front page article published on 29 April 1991, which showed
Mercury appearing very haggard in what was now a rare public
appearance.[76] Brian May confirmed in a 1993 interview that Mercury had informed the band of his illness much
earlier.[77] Filmed in May 1991, the music video for "These Are the Days of Our Lives" features a painfully thin
Mercury, which are his final scenes in front of the camera.[78]
After the conclusion of his work with Queen in June 1991, Mercury retired to his home in Kensington. His former
partner, Mary Austin, had been a particular comfort in his final years, and in the last few weeks of his life made
regular visits to his home to look after him.[79] Near the end of his life, Mercury was starting to lose his sight, and his
deterioration was so overpowering he couldn't get out of bed.[79] Due to his worsening condition, Mercury decided to
quicken his death by refusing to take his medication.[79]
On 22 November 1991, Mercury called Queen's manager Jim Beach over to his Kensington home, to discuss a
public statement. The next day, 23 November, the following announcement was made to the press on behalf of
Mercury:[80]
Following the enormous conjecture in the press over the last two weeks, I wish to confirm that I have
been tested HIV positive and have AIDS. I felt it correct to keep this information private to date to
protect the privacy of those around me. However, the time has come now for my friends and fans around
the world to know the truth and I hope that everyone will join with me, my doctors, and all those
worldwide in the fight against this terrible disease. My privacy has always been very special to me and I
am famous for my lack of interviews. Please understand this policy will continue.
A little over 24 hours after issuing that statement, Mercury died on the evening of 24 November 1991 at the age of
45, at his home in Kensington.[62] The official cause of death was bronchial pneumonia resulting from AIDS.[81] The
news of his death had reached newspaper and television crews by the early hours of 25 November.[82]
On 27 November, Mercury's funeral service was conducted by a Zoroastrian priest. An intensely private man,
Mercury's service was for 35 of his close friends and family, with Elton John and the remaining members of Queen
among those in attendance.[83] [84] Mercury was cremated at Kensal Green Cemetery, West London, with the
whereabouts of his ashes believed to be known only to Mary Austin.[85]
In his will, Mercury left the vast majority of his wealth, including his home and recording royalties, to Mary Austin,
and the remainder to his parents and sister. He further left £500,000 to his chef Joe Fanelli, £500,000 to his personal
assistant Peter Freestone, £100,000 to his driver Terry Giddings, and £500,000 to Jim Hutton.[86] Mary Austin
Freddie Mercury 38
continues to live at Mercury's home, Garden Lodge, Kensington, with her family.[86] Hutton was involved in a 2000
biography of Mercury, Freddie Mercury, the Untold Story, and also gave an interview for The Times for what would
have been Mercury's 60th birthday.[73]
Legacy
Continued popularity
The extent to which Mercury's death may have enhanced Queen's popularity is not clear. In the United States, where
Queen's popularity had lagged in the 1980s, sales of Queen albums went up dramatically in 1992, the year following
his death.[87] In 1992 one American critic noted, "what cynics call the 'dead star' factor had come into play—Queen
is in the middle of a major resurgence".[88] The movie Wayne's World, which featured "Bohemian Rhapsody", also
came out in 1992. According to the Recording Industry Association of America, Queen have sold 32.5 million
albums in the United States, about half of which have been sold since Mercury's death in 1991.[89]
Estimates of Queen's total worldwide record sales to date have been set as high as 300 million.[90] In the UK, Queen
have now spent more collective weeks on the UK Album Charts than any other musical act (including The
Beatles),[91] and Queen's Greatest Hits is the highest selling album of all time in the UK.[92] Two of Mercury's
songs, "We Are the Champions" and "Bohemian Rhapsody", have also each been voted as the greatest song of all
time in major polls by Sony Ericsson[93] and Guinness World Records,[94] respectively. The former poll was an
attempt to determine the world's favourite song, while the Guinness poll took place in the UK. In October 2007, the
video for "Bohemian Rhapsody" was voted the greatest of all time by readers of Q magazine.[95] Consistently rated
as one of the greatest singers in the history of popular music, Mercury was voted second to Mariah Carey in MTV's
22 Greatest Voices in Music.[8] Additionally, in January 2009, Mercury was voted second to Robert Plant in a poll of
the greatest voices in rock, on the digital radio station Planet Rock.[96] In May 2009, Classic Rock magazine voted
Freddie Mercury as the greatest singer in rock.[10] In 2011, NME magazine readers voted Mercury second to Michael
Jackson in the Greatest Singers Ever poll.[97] In 2011, a Rolling Stone readers' pick placed Mercury in second place
of the magazine's "Best Lead Singers of All Time".[70]
Freddie Mercury 39
Tributes
A statue in Montreux, Switzerland (by sculptor Irena Sedlecka) has been
erected as a tribute to Mercury.[98] It stands 3 metres high overlooking Lake
Geneva and was unveiled on 25 November 1996 by Freddie's father and
Montserrat Caballé.[99] Beginning in 2003, fans from around the world gather
in Switzerland annually to pay tribute to the singer as part of the "Freddie
Mercury Montreux Memorial Day" on the first weekend of September and the
Bearpark And Esh Colliery Band played at the Freddie Mercury statue on 1
June 2010.[100] In 1999, a Royal Mail stamp with the image of Mercury on
stage was issued in his honour as part of the Millennium Stamp series.[101]
[102]
Statue of Freddie Mercury overlooking

Lake Geneva in Montreux, Switzerland.
In 2009, a plaque was unveiled in Feltham where Mercury and his

family moved upon arriving in England in 1964. The star in memory of
Mercury's achievements was unveiled in Feltham High Street by his
mother Jer Bulsara and Queen bandmate Brian May.[103] A tribute to
Queen has been on display at the Fremont Street Experience in
downtown Las Vegas throughout 2009 on its video canopy.[104] In
December 2009 a large model of Mercury wearing tartan was put on
display in the centre of Edinburgh as publicity for the run of We Will
Rock You at the Playhouse Theatre.[105]
A statue of Mercury stands over the entrance to the Dominion Theatre

in London's West End since May 2002, where the main show has been
Queen and Ben Elton's musical We Will Rock You.[106] [107]
For Mercury's 65th birthday, Google dedicated their Google Doodle to
him.[108] It included an animation set to the Mercury penned song,
"Don't Stop Me Now".[109]
Freddie Mercury statue above the West End's
Dominion Theatre.
Importance in AIDS history
As the first major rock star to die of AIDS, Mercury's death represented a very important event in the disease's
history.[110] In April 1992, the remaining members of Queen founded The Mercury Phoenix Trust and organised The
Freddie Mercury Tribute Concert for AIDS Awareness to celebrate the life and legacy of Mercury and raise money
for AIDS research, which took place on Easter Monday, 20 April 1992.[111] The Mercury Phoenix Trust has since
raised millions of pounds for various AIDS charities. The tribute concert, which took place at Wembley Stadium for
an audience of 72,000, featured a wide variety of guests including; Robert Plant (of Led Zeppelin), Roger Daltrey (of
Freddie Mercury 40
The Who), Extreme, Elton John, Metallica, David Bowie, Annie Lennox, Tony Iommi (of Black Sabbath), Guns N'
Roses, Elizabeth Taylor, George Michael, Def Leppard, Seal, Liza Minnelli (and also U2 via Satellite). Elizabeth
Taylor spoke of Mercury as "an extraordinary rock star who rushed across our cultural landscape like a comet
shooting across the sky".[112] The concert was broadcast live to 76 countries and had an estimated viewing audience
of 1 billion people.[113]
Appearances in lists of influential individuals

Several popularity polls conducted over the past decade indicate that Freddie Mercury's reputation may in fact have
been enhanced since his death. For instance, in a 2002 vote to determine whom the UK public considers the greatest
British people in history, Mercury was ranked number 58 in the list of the "100 Greatest Britons", broadcast by the
BBC.[114] He was further listed at the 52nd spot in a 2007 Japanese national survey of the 100 most "influential
heroes".[115] Despite the fact that he had been criticised by gay activists for hiding his HIV status, author Paul
Russell included Mercury in his book "The Gay 100: A Ranking of the Most Influential Gay Men and Lesbians, Past
and Present."[116] Other entertainers on Russell's list included Liberace and Rock Hudson. In 2006, Time Asia
magazine named him as one of the most influential Asian heroes of the past 60 years: The article credited Mercury
with having "duplicated in popular music what other Indians—such as Salman Rushdie and Vikram Seth – have
done in literature: taking the coloniser's art form and representing it in a manner richer and more dazzling than many
Anglophones thought possible."[8] In 2008, Rolling Stone' magazine ranked Mercury No.18 in its list of the "Top 100
Singers Of All Time".[6]
Portrayal on stage
On 24 November 1997, a monodrama about Freddie Mercury's life titled Mercury: The Afterlife and Times of a
Rock God opened in New York City.[117] It presented Freddie Mercury in the hereafter; examining his life, seeking
redemption and searching for his true self [118] The play was written and directed by Charles Messina and the part of
Mercury was played by Khalid Gonçalves (né Paul Gonçalves) and then later, Amir Darvish.[119] Billy Squier
opened one of the shows with an acoustic performance of a song he had written about Mercury titled I Have
Watched You Fly.[120]
Portrayal in film
Brian May announced in a September 2010 BBC interview[121] that Sacha Baron Cohen, previously best known for
his comedic characters Borat, Ali G and Brüno, had been chosen to play Mercury in a film about his life. TIME
commented with approval on his singing ability and visual similarity to Mercury.[122] The motion picture is being
written by Peter Morgan, who had been nominated for Oscars for his screenplays The Queen and Frost/Nixon. The
film, which is being co-produced by Robert De Niro's TriBeCa Productions, will focus on Queen's formative years
and the period leading up to the celebrated performance at the 1985 Live Aid concert. Filming is due to begin
sometime in 2011.[123]
In April 2011, Brian May confirmed that a lot of work was still being done in preparation for the film. He said that
after holding back for a long time due to mixed feelings, the band had approved a team to start filming later in 2011,
and Baron Cohen's eagerness had been the key to progress.[124]
Freddie Mercury 41
Notes
a) On Mercury's birth certificate,[12] his parents defined themselves with "Nationality: British Indian" and "Race: Parsi". The Parsis are an
originally Persian ethnic group of the Indian subcontinent who follow Zoroastrianism.
b) The Bulsara family gets its name from Bulsar, a city and district that is now in the Indian state of Gujarat and is today officially known as
Valsad. In the 17th century, Bulsar was one of the five centres of the Zoroastrian religion (the other four were also in what is today Gujarat) and
consequently "Bulsara" is a relatively common name amongst Zoroastrians.
c) Mercury is portrayed in the manga and anime series Cromartie High School as the character Freddie (and as the minor character Mercury), and
as himself in the British Channel 4 show House of Rock along with Marc Bolan, John Lennon, Notorious BIG, John Denver and Kurt Cobain.
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[118] Marone, Mark (13 December 1997). "On Stage" (http:/ / www. billboard. com/ search/ ?keyword=Goncalves& x=0& y=0#/ archive/
read?id=3gkEAAAAMBAJ& pg=frontcover& query=1997& date=1997-12-13). Billboard: p. 46. .
[119] Simonson, Robert (11 January 2004). "Bohemian Rhapsody: Freddy Mercury Play Begins Performances Off Broadway, Jan. 11" (http:/ /
www. playbill. com/ news/ article/ 83716-Bohemian-Rhapsody-Freddy-Mercury-Play-Begins-Performances-Off-Broadway-Jan-11).
Freddie Mercury 44
Playbill.com. .
[120] Barron, James; Martin, Douglas (18 February 1998). "PUBLIC LIVES; Theater Records" (http:/ / query. nytimes. com/ gst/ fullpage.
html?res=9806E2DC153FF93BA25751C0A96E958260). The New York Times. .
[121] "Sacha Baron Cohen to play Freddie Mercury" (http:/ / www. bbc. co. uk/ news/ entertainment-arts-11340336). BBC News. 17 September
2010. . Retrieved 22 September 2010.
[122] Sacha Baron Cohen to Play Freddie Mercury (http:/ / newsfeed. time. com/ 2010/ 09/ 17/
report-sacha-baron-cohen-to-play-freddie-mercury/ ), TIME, 17 September 2010
[123] "'Is it because I has a mankini?' Ali G creator to take on Queen: Sacha Baron Cohen to play Freddie Mercury in a film about the star's
colourful life" (http:/ / www. independent. co. uk/ arts-entertainment/ films/ news/
is-it-because-i-has-a-mankini-ali-g-creator-to-take-on-queen-2082687. html). The Independent. 18 September 2010. . Retrieved 22 September
2010.
[124] Sacha Baron Cohen is perfect to play Freddie Mercury but we can't mess up his legacy, says Brian May (http:/ / www. dailyrecord. co. uk/
showbiz/ celebrity-interviews/ 2011/ 04/ 27/
sacha-baron-cohen-is-perfect-to-play-freddie-mercury-but-we-can-t-mess-up-his-legacy-says-brian-may-86908-23089759/ ), Scottish Daily
Record, 27 April 2011
Notation done in Scientific Pitch, and thus is written one octave lower than what is displayed here.
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Freddie Mercury 46
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• Jones, Tim (July 1999), "How Great Thou Art, King Freddie" (http://www.webcitation.org/query?url=http://
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Freddie Mercury 47
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Arbor: Allmusic.
• Rush, Don (1977a), "Queen's Freddie Mercury" (http://www.webcitation.org/query?url=http://www.
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/www.queenarchives.com/viewtopic.php?t=32) on 20 October 2007, retrieved 24 September 2009.
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• Sky, Rick (1992), The Show Must Go On, London: Fontana, ISBN 9780006378433.
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Freddie Mercury 48
• Wenner, Jann et al. (2001), "Queen" (http://www.rockhall.com/inductee/queen), Hall of Fame Inductees,

Cleveland: Rock and Roll Hall of Fame.
• Wigg, David (22 January 2000), "Mercury Left Me His Millions" (http://www.freddie.ru/e/archives/
daily_mail/), Daily Mail Weekend.
External links
• Freddie Mercury (http://www.myspace.com/freddiemercuryonline) on Myspace (official EMI Music)
• Freddie Mercury (http://www.discogs.com/artist/Freddie+Mercury) discography at Discogs
• Freddie Mercury (http://www.allmusic.com/artist/p4899) at Allmusic
• Freddie Mercury (http://www.imdb.com/name/nm0006198/) at the Internet Movie Database
Brian May 49
Brian May
Brian May
May in 2011
Birth name Brian Harold May
Born 19 July 1947

Hampton, London, England, UK
Genres Rock
Occupations Musician, songwriter, producer, astrophysicist, author, contributor (The Sky at Night)
Instruments Guitar, vocals, piano
Years active 1965–present
Labels Hollywood, Parlophone
Associated acts Smile, Queen, Phenomena, G3, Queen + Paul Rodgers, Kerry Ellis, Lady Gaga
Website [brianmay.com brianmay.com]
Notable instruments
• Red Special
• Fender Telecaster
Brian Harold May, CBE (born 19 July 1947) is an English musician and astrophysicist most widely known as the
guitarist and a songwriter of the rock band Queen. As a guitarist he uses his home-built guitar, "Red Special", and
has composed hits such as "Tie Your Mother Down", "We Will Rock You", and "Fat Bottomed Girls".
He was made Commander of the Order of the British Empire in 2005 for "services to the music industry".[1] May
earned a PhD in astrophysics from Imperial College in 2007 and is currently the Chancellor of Liverpool John
Moores University.[2] May currently resides in Surrey.[3]
In 2005, a Planet Rock poll saw May voted the 7th greatest guitarist of all time.[4] He was ranked at #39 on the
Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".[5]
Brian May 50
Early life
Brian May, the only child of Harold and Ruth May, was born in Hampton, London and attended Hampton Grammar
School (now Hampton School).[6] During this time he formed his first band with vocalist and bassist Tim Staffell,
named Nineteen Eighty-Four after George Orwell's novel of the same name.[7] He left Hampton Grammar School
with ten GCE Ordinary Levels and three Advanced Levels in Physics, Mathematics and Applied Mathematics.[7]
Career
Smile
Brian May formed the band Smile in 1968. The group included Tim Staffell as singer and bassist, and later, drummer
Roger Taylor, who also went on to play for Queen. The band lasted for only two years from 1968 to 1970, as Staffell
left in 1970, leaving the band with a catalogue of only nine songs. Smile would reunite for several songs on 22
December 1992. Taylor's band The Cross were headliners and he brought May and Staffell on to play "Earth" and "If
I Were a Carpenter".[8] May also performed several other songs that night.
Queen
In Queen's three-part vocal harmonies, May's was generally the
lower-range backing vocal. On some of his songs he sings the lead
vocal, most notably the first verse of "Who Wants to Live Forever", the
bridge on "I Want It All" and "Flash's Theme", and full lead vocals on
"Some Day One Day", "She Makes Me (Stormtrooper in Stilettoes)",
"'39", "Good Company", "Long Away", "All Dead, All Dead",
"Sleeping on the Sidewalk", "Leaving Home Ain't Easy" and "Sail
Away Sweet Sister".
Queen in 1979. Throughout Queen's career May frequently wrote songs for the band
and has composed many significant songs such as the worldwide hit
"We Will Rock You", as well as "Tie Your Mother Down", "Who Wants to Live Forever", "Hammer to Fall", "Save
Me", "Fat Bottomed Girls" and "I Want It All". Typically, either Freddie Mercury or May wrote the most songs on
every Queen album.
After the famous Live Aid concert in summer 1985, Mercury rang his bandmates and proposed writing a song
together. The result was "One Vision", which was basically May on music (the Magic Years documentary shows
how he came up with the opening section and the basic guitar riff) and Roger Taylor on lyrics, with Freddie Mercury
being more a producer and arranger than a proper co-writer, and John Deacon mostly absent.
For their 1989 release album, The Miracle, the band had decided that all of the tracks would be credited to the entire
band, no matter who had been the main writer. Still, interviews and musical analyses tend to help identify the input
of each member on each track.
May composed "I Want It All" for that album, as well as "Scandal" (based on his personal problems with the British
press). For the rest of the album he did not contribute so much creatively, although he helped in building the basis of
"Party" and "Was It All Worth It" (both being predominantly Mercury's pieces) and created the guitar riff of
"Chinese Torture".
Queen's subsequent album was Innuendo, on which May's contributions increased, although more in arrangements
than actual writing in most cases; for the title track he did some of the arrangement for the heavy solo, then he added
vocal harmonies to "I'm Going Slightly Mad" and composed the solo of "These Are the Days of Our Lives", a song
for which the four of them decided the keyboard parts together. He changed the tempo and key of Mercury's song
"The Hitman" and took it under his wing, even singing guide vocal in the demo. May also co-wrote some of the
Brian May 51
guitar lines in "Bijou".

Two songs that May had composed for his first solo album, "Headlong" and "I Can't Live With You", eventually
ended up in the Queen project. His other composition was "The Show Must Go On", a group effort in which he was
the coordinator and primary composer, but in which they all had input, Deacon and Taylor with the famous chord
sequence.
In recent years, he has overseen the remastering of Queen albums and various DVD and greatest hits releases. In
2004, he announced that he and drummer Roger Taylor were going on tour for the first time in 18 years as "Queen",
along with Free/Bad Company vocalist Paul Rodgers. Billed as "Queen + Paul Rodgers", the band has played
throughout 2005 and 2006 in South Africa, Europe, Aruba, Japan, and North America and released a new album
with Paul Rodgers in 2008, entitled The Cosmos Rocks. This album was supported by a major tour.
Solo work and The Brian May Band

During 1983, several members of Queen explored side projects. On 21
and 22 April in Los Angeles, May recorded his first solo work, a
mini-album entitled Star Fleet Project, on which he collaborated with
Eddie Van Halen.[9]
He worked with his second wife Anita Dobson on her first album, in
which she sang vocals to the EastEnders theme tune. In this form the
tune became the song "Anyone Can Fall in Love".[10] May himself
produced the song, which reached #4 in the UK Singles Chart in
August 1986.
Following the death of Freddie Mercury in November 1991, May
chose to deal with his grief by committing himself as fully as possible
to work, first by finishing his solo album, Back to the Light, and then
touring worldwide to promote it. He frequently remarked in press
interviews that this was the only form of self-prescribed therapy he
could think of.[11]
In late 1992, the Brian May Band was officially formed. An early May playing his Red Special
version of the band was loosely formed for 19 October 1991, when
May took part in the Guitar Legends guitar festival in Seville, Spain. The line-up for his performance was May
(Lead Vocals & Lead Guitar), Cozy Powell (Drums & Percussion), Mike Moran (Keyboards), Rick Wakeman
(Keyboards), Maggie Ryder (Backing vocals), Miriam Stockley (Backing vocals) and Chris Thompson (Backing
vocals).
The original line-up was Brian May (Lead Vocals and Lead Guitar), Cozy Powell (Drums and Percussion), Mike
Caswell (Guitar), Neil Murray (Bass), Maggie Ryder (Backing vocals), Miriam Stockley (Backing vocals) and Chris
Thompson (Backing vocals). This version of the band lasted only during the South American support tour
(supporting The B-52's and Joe Cocker) on only five dates. In Spain, a Catalan band called Sweet Sister supported
the tour.
Afterwards, May made significant changes, feeling the group never quite gelled. Most significantly, May brought
guitarist Jamie Moses on board to replace Mike Caswell. May considered Moses a perfect fit to the band. The other
change made was in the backing vocal department. Ryder, Stockley and Thompson were replaced with Catherine
Porter and Shelley Preston. On 23 February 1993, this new line-up of The Brian May Band began its world tour in
the US, both supporting Guns N' Roses and headlining a few dates. The tour would take them through North
America, Europe (support act: Valentine) and Japan.
Brian May 52
After the tour ended on 18 December 1993, May returned to the studio with fellow surviving Queen band members
Roger Taylor and John Deacon to work on tracks that became Made in Heaven, the final Queen studio album. The
band took Mercury's solo album demos and last recordings, which he managed to perform in the studio after the
album Innuendo was finished, and completed them with their additions both musically and vocally. Work on the
album after Mercury's death originally began in 1992 by Deacon and May, but was left until a later date due to other
commitments.
In 1995, May began working towards a new solo album of covers tentatively named Heroes, in addition to working
on various film and television projects and other collaborations. May subsequently changed the approach of his
second album from covers to focus on those collaborations and on new material. The songs recorded for that album,
Another World, would feature mainly Spike Edney, Cozy Powell, Neil Murray and Jamie Moses, who had become
his core support/collaborative team.
On 5 April 1998, Cozy Powell was killed in a car accident on the M4 motorway near Bristol, England. This caused a
huge, unexpected disruption to the upcoming tour for The Brian May Band, with a new drummer being needed at
short notice. Steve Ferrone was brought on to help May finish recording drums for the title track "Another World"
and to join the band for the early stage promotional tour of five dates in Europe before the world tour.
The line-up was then May (lead vocals & lead guitar), Edney (keyboards), Murray (bass), Moses (guitar), Ferrone
(drums & percussion), Susie Webb (backing vocals) and Zoe Nicholas (Bbacking vocals). Following the early
promotional tour, Eric Singer replaced Steve Ferrone for the full 1998 world tour.
Later solo work

From his last solo release in 1998 May has been performing as a solo artist, as part of an ensemble, and infrequently
as Queen with Roger Taylor. On 22 October 2000, Brian May made a guest appearance at the Motörhead 25th
Anniversary show at Brixton Academy along with Eddie Clarke (former Motörhead guitarist) for the encore song
"Overkill". In the Queen's birthday honours list of 2005, he was made a Commander of the Order of the British
Empire "for services to the music industry".[12] May is a friend of singer and musician Phil Collins and was a special
guest at the Genesis reunion concert at Twickenham Stadium in 2007. On 17 November 2007, Brian May was
appointed Chancellor of Liverpool John Moores University,[13] taking over from Cherie Blair, and installed in
2008.[14] May worked extensively with stage actress and singer Kerry Ellis after he cast her in the musical We Will
Rock You. He produced and arranged her debut studio album Anthems (2010), a follow-up to her extended play
Wicked in Rock (2008), as well as appeared with Ellis at many public performances – playing guitar alongside her.
He also contributed a guitar solo to Meat Loaf's Hang Cool, Teddy Bear album in exchange for the use of drummer
John Miceli. Along with Elena Vidal, Brian May released a historical book in 2009 entitled A Village Lost and
Found: Scenes in Our Village. The book is an annotated collection of stereoscopic photographs taken by the
Victorian era photographer T. R. Williams and it is sold with a focussing stereoscope. May became an enthusiast of
stereoscope photographs as a child, and first encountered the work of Williams during the late 1960s. In 2003 May
announced a search in order to identify the actual location of the Scenes in Our Village images. In 2004 May
reported that he had identified the location as the village of Hinton Waldrist in Oxfordshire.
In November 2009, May appeared on the popular reality TV show The X Factor with band mate Roger Taylor as
Queen mentoring the contestants, then later performing "Bohemian Rhapsody". In April 2010, May founded the
"Save Me" 2010 project to work against any proposed repeal of the British fox-hunting ban, and also to promote
animal rights in Britain.[15] In February 2011 it was announced that May would tour with Kerry Ellis, playing 12
dates across the UK in May 2011. On 18 April 2011 Lady Gaga confirmed that May would play guitar on her track
"You and I" from her latest album Born This Way, released on 23 May 2011.[16] On 26 August, May performed "We
Will Rock You" and "Welcome To The Black Parade" with American rock band My Chemical Romance at the
Reading Festival.[17] On 28 August, May performed "You and I" live with Lady Gaga at the 2011 MTV Video
Music Awards at the Nokia Theatre, Los Angeles.[18]
Brian May 53
Queen + Paul Rodgers

At the end of 2004, May and Taylor announced that they
would reunite and return to touring in 2005, with Paul
Rodgers (founder and former lead singer of Free and Bad
Company). Brian May's website also stated that Rodgers
would be "featured with" Queen as Queen + Paul Rodgers,
not replacing the late Freddie Mercury. The retired John
Deacon would not be participating.[19]
Between 2005 and 2006 Queen and Paul Rodgers embarked

on a world tour, the first leg being Europe and the second,
Japan and the US in 2006.[20] On 25 May 2006, Queen
received the inaugural VH1 Rock Honors at the Mandalay
2005 Queen + Paul Rodgers Tour
Bay Events Center in Las Vegas, Nevada, and May and
Taylor were joined on stage with the Foo Fighters to
perform a selection of Queen songs.[20] [21] On 15 August 2006, May confirmed through his website and fan club
that Queen + Paul Rodgers would begin producing their first studio album beginning in October, to be recorded at a
"secret location".[22] The album, titled The Cosmos Rocks, was released in Europe on 12 September 2008 and in the
United States on 28 October 2008. Following the album the band again embarked on a tour through Europe and parts
of the US, opening on Kharkov's freedom square in front of 350,000 Ukrainian fans.[23] The show in Ukraine was
later released on DVD.[23]
Queen and Paul Rodgers officially split up on 12 May 2009. Rodgers does not rule out the possibility of working
together again.[24] [25]
Highlights
Brian May began composing in 1968/1969, and through the years he
has collaborated with other songwriters, including Frank Musker, with
whom he wrote "Too Much Love Will Kill You", and with Elizabeth
Lamers, whose music won the Ivor Novello Award for Best Song
Musically & Lyrically in 1996.[26] A meticulous arranger, he focuses
on multi-part harmonies, often more contrapuntal than parallel — a
relative rarity for rock guitar. Examples are found in Queen's albums A
Night at the Opera and A Day at the Races, where he arranged a jazz
band for guitar mini-orchestra ("Good Company"), a vocal canon
("The Prophet's Song") and guitar and vocal counterpoints ("Teo
Torriatte").
May explored a wide variety of styles in guitar, including sweep

picking ("Was It All Worth It", "Chinese Torture"), tremolo ("Brighton
Rock", "Stone Cold Crazy", "Death on Two Legs", "Sweet Lady",
"Bohemian Rhapsody", "Get Down Make Love", "Dragon Attack"),
tapping ("Bijou", "It's Late", "Resurrection", "Cyborg", "Rain Must
Brian May in 1975
Fall", "Business", "China Belle", "I Was Born To Love You"), slide
guitar ("Drowse", "Tie Your Mother Down"), Hendrix sounding licks
("Liar", "Brighton Rock"), tape-delay ("Brighton Rock", "White Man") and melodic sequences ("Bohemian
Brian May 54
Rhapsody", "Killer Queen", "These Are the Days of Our Lives"). Some of his solos and orchestral parts were
composed by Freddie Mercury, who then asked May to bring them to life ("Bicycle Race", "Lazing On A Sunday
Afternoon", "Killer Queen", "Good Old Fashioned Lover Boy"). May also performed notable acoustic works,
including the acoustic guitar live version of "Love of My Life" from 1975's A Night at the Opera, the finger-picked
solo of "White Queen" and the skiffle-influenced "'39".
In January 2007, the readers of Guitar World voted May's guitar solos "Bohemian Rhapsody", "Brighton Rock" into
the top 100 Greatest Guitar Solos of all time ("Bohemian Rhapsody" was voted #20 and "Brighton Rock" was voted
#41).
Aided by the uniqueness of his guitar — the Red Special — May was often able to create strange and unusual sound
effects. For example, he was able to imitate an orchestra in the song "Procession"; in "Get Down, Make Love" he
was able to create sound effects with his guitar that were so unusual that many thought a synthesiser was being used;
in "Good Company" he used his guitar to mimic a trombone, a piccolo and several other instruments for the song's
Dixieland jazz band feel. Queen used a "No synthesizers were used on this album" sleeve note on their early albums
to make this clear to the listeners.
Other instruments
The first instrument Brian May learned to play was the banjolele, which he then played on Queen's song "Bring Back
That Leroy Brown" (live and in the studio). For "Good Company", he used a regular baritone ukelele which he had
bought in Hawaii on a holiday. Occasionally, May would also record on other string instruments such as harp (one
chord per take, then copied and pasted by the engineer to make it sound like a continuous performance) and bass (on
some demos and many songs in his solo career, and the Queen + Paul Rodgers album).
As a child, he was also trained on classical piano. Although Freddie Mercury was the band's main pianist, Brian
would occasionally step in (such as on Save Me. From 1979 onwards, he also played synthesisers, organ ("Wedding
March") and programmed drum-machines for both Queen and outside projects (such as producing other artists and
his own solo records).
May is also an accomplished singer.[27] From Queen's Queen II to The Game, May contributed lead vocals to at least
one song per album.
May co-composed a mini-opera with Lee Holdridge, Il Colosso, for Steve Barron's 1996 film, The Adventures of
Pinocchio. May performed the opera with Jerry Hadley, Sissel Kyrkjebo, and Just William. On-screen, it was
performed entirely by puppets.
Brian May 55
Musician
"He's a class act from head to toe, and it shows in his playing. I can listen to any
player and pantomime their sound, but I can't do Brian May. He's just walking
on higher ground."
[28]
—Steve Vai.
Brian May has been referred to as a virtuoso guitarist by many

publications and musicians.[29] [30] [31] [32] [33] Former Van Halen
vocalist Sammy Hagar stated, "I thought Queen were really innovative
and made some great sounding records.. I like the rockin' stuff. I think
Brian May has one of the great guitar tones on the planet, and I really,
really love his guitar work."[33] May has used a range of guitars, most
often the "Red Special", which he designed when he was only 16 years
old.[34] It was built with wood from an 18th century fireplace. His
comments on this instrument, from Queen In Their Own Words (ed.
Mick St. Michael, Omnibus Press, 1992, p. 62) are:
May tapping. I like a big neck – thick, flat and wide. I lacquered the
fingerboard with Rustin's Plastic Coating. The tremolo is
interesting in that the arm's made from an old bicycle saddle bag carrier, the knob at the end's off a knitting
needle and the springs are valve springs from an old motorbike.
—Brian May
In addition to using his home-made guitar he prefers to use coins (especially a sixpence from the farewell proof set
of 1970), instead of a more traditional plastic plectrum, on the basis that their rigidity gives him more control in
playing. He is known to carry coins in his pockets specifically for this purpose.
May's early heroes were Cliff Richard and The Shadows, who he says were "the most metallic thing(s) out at the
time." Many years later he gained his opportunity to play on separate occasions with both Cliff Richard and Shadows
lead guitarist Hank Marvin. He has collaborated with Cliff Richard on a re-recording of the Cliff Richard and The
Shadows (then known as The Drifters) 1958 hit "Move It" on the Cliff Richard duets album Two's Company which
was released on 6 November 2006. On Queen For An Hour 1989 Interview on BBC Radio 1 May listed Jimi
Hendrix, Jeff Beck and Eric Clapton as his guitar heroes. In a 1991 interview for Guitar World magazine, May
referred to The Who as "my inspiration", and on seeing Led Zeppelin stated, "We used to look at those guys and
think, "That's the way it should be done."[35]
During the time in which Brian May and his father were building the Red Special, May also produced plans to build
a second guitar. However, so successful was the Red Special, that May simply had no need to build another guitar.
These plans were eventually given to guitar luthier Andrew Guyton in around 2004/05, some slight modifications
were made and the guitar was built. It was named "The Spade", as the shape of the body resembled the form shown
on playing cards. However the guitar also came to be known as "The Guitar That Time Forgot". As yet, this guitar
has not been used in any recordings and remains in May's possession.
Brian May 56
Equipment
Most of May's electric guitar work live and in the studio was done
on the Red Special, which he built with his father during his
teenage years.[36] [37] [38] From 1975 onwards, he has also had
some replicas made, some of which were also used for live and
recording purposes, others were mainly spares. The most famous
replicas were made by John Birch (in 1975—May actually
smashed it during a concert in the States in 1982), Greco BM90
(featured in the promo video of "Good Old-Fashioned Lover Boy"
in 1977), Guild (back-up from 1984 to 1993) and Fryers
(1997–1998, used both live and in the studio). On stage, Brian
used to carry at least one back-up guitar (in case he broke a string)
and occasionally would use others for certain songs or parts.
Currently, May has his own company which makes guitars whose
design is modelled after the original Red Special guitar.
• July 1973 – May 1974: Fender Stratocaster Pre-CBS

• October 1974 – May 1975: Gibson Les Paul Deluxe, and the
Stratocaster from the previous tour.
• November 1975 – May 1976: Same two guitars as before, plus
a natural finish John Birch replica of the Red Special. Brian May performing with the Greg Fryer Red Special
• September 1976: Same three as before, plus a Martin D-18 replica in Warsaw, Poland, 1998.
acoustic for "'39".

• January 1977 – August 1979: Just the Birch replica plus an Ovation Pacemaker 12-string acoustic on some
numbers ("'39", "Love of My Life", "Dreamer's Ball").
• November 1979 – June 1982: Birch replica (back-up), Fender Telecaster ("Crazy Little Thing Called Love"
2nd verse, middle-eight and solo), Ovation (acoustic numbers).
• July – November 1982: Added a Gibson Flying V as second back-up. On 9 August 1982 Brian smashed the Birch
guitar, so the Flying V became the only spare.
• August to October 1984: The Flying V became a second back-up again as his main spare was the Guild replica.
He also used Roger Taylor's Gibson Chet-Atkins Classical Electric.
• July 1985 – August 1986: Gibson Flying V no longer used. The rest remained the same.
Some of the non-RS electric guitars he used in the studio included:
• Burns Double Six on "Long Away" (1976) and "Under Pressure" (1981).
• Fender Broadcaster on "Crazy Little Thing Called Love" (1979). It was used for the video (but not the recordings)
of "Back Chat" (1982).
• Gibson Firebird on "Hammer to Fall" and "Tear It Up" (album versions only, not on stage).
• Ibanez JS on "Nothing But Blue" (1991).
• Parker Fly on "Mother Love" (1993–1995).
For acoustic, he favoured Ovation, Martin, Tōkai Hummingbird, Godin and Guild. On a couple of videos he also
used some different electric guitars: a Stratocaster copy on "Play the Game" (1980) and a Washburn RR2V on
"Princes of the Universe" (1986).
In 1984 Guild released the first official Red Special replica for mass production, and made some prototypes
specifically for May. However the solid body construction (the original RS has hollow cavities in the body) and the
pick-ups (DiMarzio) that were not an exact replica of the Burns TriSonic did not make May happy, so the production
stopped after just 300 guitars. In 1993 Guild made a second replica of the RS, made in just 1000 copies, of which
Brian May 57
May has some and used as a backup. At the moment, he uses the two guitars made by Greg Fryer—the luthier who
restored the Old Lady in 1998—as backup. They are almost identical to the original, except for the Fryer logo on the
headstock (May's original one has a sixpence).
In the studio, May used Yamaha DX7 synths for the opening sequence of "One Vision" and the backgrounds of
"Who Wants to Live Forever" (also on stage), "Scandal" and "The Show Must Go On". He mostly used Freddie
Mercury's 1972 Steinway piano and reportedly now owns the instrument in question.
May was keen on using some toys as instruments as well. He used a Yamaha plastic piano in "Teo Torriatte", a
"genuine George Formby Ukulele-Banjo" in "Bring Back That Leroy Brown" and in "Good Company", and a toy
mini koto in "The Prophet's Song".
May has used Vox AC30 amplifiers almost exclusively since a meeting with his long time hero Rory Gallagher at a
gig in London during the late '60s/early '70s.[39] His choice is the model AC30TBX, the top-boost version with Blue
Alnico speakers, and he runs the amp at full volume on the Normal channel. He also customises his amps by
removing the circuitry for the Brilliant and Vib-trem channels (leaving only the circuitry for the Normal), and this
alters the tone slightly, with a gain addition of 6–7 dB. He always used a treble booster built by John Deacon which,
along with the AC30, went a long way in helping to create many of his signature guitar tones. He used the Dallas
Rangemaster for the first Queen albums, up to A Day at the Races. Effects guru Pete Cornish built for him the TB-83
(32 dB of gain) that was used for all the remaining Queen albums. He switched in 2000 to the Fryer's booster, which
actually gives less boost than the TB-83.
Live, he uses banks of Vox AC30 amplifiers keeping some amps with only guitar and others with all effects such as
delay, flanger and chorus. He has a rack of 14 AC30s, which are grouped as Normal, Chorus, Delay 1, Delay 2. On
his pedal board, May has a custom switch unit made by Cornish and subsequently modified by Fryer that allows him
to choose which amps are active. He uses a BOSS pedal from the '70s, the Chorus Ensemble CE-1, which can be
heard in In The Lap of The Gods (Live at Wembley '86) or Hammer to Fall (slow version played live with
P. Rodgers). Next in the chain, he uses a Foxx Foot Phaser (We Will Rock You, We Are the Champions, Keep
Yourself Alive, etc.), and two delay machines to play his trademark solo in Brighton Rock.
May's lead vocals in Queen

• "Keep Yourself Alive" – Vocal bridge with Taylor, rest sung by • "Flash" – with Freddie Mercury (1980)
Mercury (1973)
• "Some Day, One Day" (1974) • "Put Out the Fire" - lead on falsetto lines.
• "She Makes Me (Stormtrooper in Stilettoes)" (1974) • "Las Palabras de Amor" – Lead harmony vocals on chorus (1982)
• "'39" (1975) • "I Go Crazy" – Lead Bridge Vocals (1984)
• "Good Company" (1975) • "Who Wants to Live Forever" – First verse, harmony and other lines
throughout (1986)
• "Long Away" (1976) • "I Want It All" – with Mercury (1989)
• "All Dead, All Dead" (1977) • "Lost Opportunity" (1991)
• "Sleeping on the Sidewalk" (1977) • "Mother Love" – Lead vocals on final verse (1995)
• "Fat Bottomed Girls" – Chorus lead vocals (1978) • "Let Me Live" – Lead vocals on third verse (1995)
• "Leaving Home Ain't Easy" (1978) • "No-One but You (Only the Good Die Young)" – with Taylor (1997)
• "Sail Away Sweet Sister" – Mercury sings the bridge (1980)
Brian May 58
Personal life
From 1974 to 1988, May was married to Chrissie Mullen, who is the mother of his three children: Jimmy, who was
born on 15 June 1978; Louisa, who was born on 22 May 1981 and Emily Ruth, who was born on 17 February 1987.
Chrissie and Brian separated in 1988. Their separation and eventual divorce was highly publicised by British tabloid
newspapers following reports that he had an affair with Eastenders actress Anita Dobson, whom he met in 1986, and
who gained fame in the 1980s as Angie Watts. After many years together they married on December 18, 2000.
He has stated in interviews that he suffered from severe depression in the late 1980s and early 1990s, even to the
point of contemplating suicide,[40] for reasons having to do with his troubled first marriage, his perceived failure as a
husband and a father, his father Harold's death, and Freddie Mercury's illness and eventual death.[41]
May's father Harold worked as a draughtsman at the Ministry of Aviation and had been a long-time
cigarette-smoker. As a result, May dislikes smoking,[42] even to the point where he has prohibited smoking indoors
at his more recent concerts.[43]
According to The Sunday Times Rich List he is worth £85 million as of 2011.[44]
Astrophysics
May studied physics and mathematics at Imperial College London, graduating with a BSc (Hons) degree and ARCS
in physics with Upper Second-Class Honours. He then proceeded to study for a PhD degree, also at the Imperial
College London departments of Physics and Mathematics, and was part way through this PhD programme, studying
reflected light from interplanetary dust and the velocity of dust in the plane of the Solar System. When Queen
became successful he abandoned his physics doctorate but did co-author two scientific research papers: MgI
Emission in the Night-Sky Spectrum (1972)[45] and An Investigation of the Motion of Zodiacal Dust Particles (Part I)
(1973),[46] which were based on his observations at the Teide Observatory in Tenerife. He is the co-author of Bang!
– The Complete History of the Universe with Sir Patrick Moore and Chris Lintott, which was published in October
2006.[47] In October 2007, more than 30 years after he started his research, he completed his PhD thesis in
astrophysics,[48] entitled A Survey of Radial Velocities in the Zodiacal Dust Cloud,[49] passed his viva voce, and
performed the required corrections.[50] [51] [52] [53] He officially graduated at the postgraduate awards ceremony held
in the Royal Albert Hall, on the afternoon of Wednesday 14 May 2008.
On 17 November 2007, May was appointed Chancellor of Liverpool John Moores University,[13] taking over from
Cherie Blair, and installed in 2008.[14]
Asteroid 52665 Brianmay was named in his honour on 18 June 2008 on the suggestion of Sir Patrick Moore
(probably influenced by the asteroid's provisional designation of 1998 BM30).[34] [54]
May appeared on the 700th episode of The Sky at Night hosted by Sir Patrick Moore, along with Dr. Chris Lintott,
Jon Culshaw, Prof. Brian Cox, and the Astronomer Royal Martin Rees who on leaving the panel told Brian May,
who was joining it, "I don't know any scientist who looks as much as like Isaac Newton as you do". May replied that
"that could be my after dinner comment, thank you very much".
Brian May 59
Activist
Brian May has formed a group to promote animal welfare. Though a Conservative Party voter most of his life,[55] he
has stated that their policy on fox hunting and the culling of badgers turned him off voting for them. His group, Save
Me (named after the song that he wrote), is a campaign group for the protection of all animals against unnecessary,
cruel and degrading treatment; with a particular emphasis on preventing hunting of foxes and the culling of
badgers.[56]
The group's primary concern is to ensure that the Hunting Act 2004 and other laws protecting animals are kept in
place.[15]
In a September 2010 interview with Stephen Sackur for the BBC’s HARDtalk program, May said that he would
rather be remembered for his animal rights work than for his music or science.[57]
Stereophotography
May has had a lifelong interest in collecting Victorian stereophotography. In 2009, with co-author Elena Vidal, he
published his second book, A Village Lost and Found, on the work of English stereophotography innovator TR
Williams.[58]
Discography
Albums
Studio albums
Year Title [59] [59]

UK US
1983 Star Fleet Project [59] 125

35
1992 Back to the Light 6 159
1998 Another World 23 –
2000 Furia (Original Soundtrack) – –
Live albums
Year Title [59] US

UK
1993 Live at the Brixton Academy 20 –
Bibliography
• May, Brian; Moore, Patrick; Lintott, Chris (2006). Bang! The Complete History of the Universe. Carlton.
ISBN 1-84442-552-5.
• May, Brian Harold (2008) (PhD thesis). A Survey of Radial Velocities in the Zodiacal Dust Cloud. New York:
Springer. ISBN 978-0-387-77705-4.
• May, Brian; Vidal, Elena (book with stereoscopic viewer). A Village Lost and Found [60]. Frances Lincoln.
ISBN 978-0-7112-3039-2.
Brian May 60
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[2] "May installed as uni chancellor" (http:/ / news. bbc. co. uk/ 2/ hi/ uk_news/ england/ merseyside/ 7345958. stm). BBC. 14 April 2008. .
Retrieved 23 October 2009.
[3] Cooke, Rachel (5 September 2010). "Brian May: The Interview" (http:/ / www. guardian. co. uk/ music/ 2010/ sep/ 05/
brian-may-interview-blogging). The Guardian (London). . Retrieved 8 October 2010.
[4] "BBC News: Planet Rock Radio poll" (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ music/ 4669597. stm). 10 July 2005. . Retrieved 28
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[5] 100 Greatest Guitarists Of All Time: Brian May (http:/ / www. rollingstone. com/ music/ lists/ 100-greatest-guitarists-of-all-time-19691231/
brian-may-19691231) Rolling Stone. Retrieved 1 June 2011
[6] Hodkinson, Mark (1995). Queen: The Early Years. Omnibus Press. p. 40. ISBN 9781844490127.
[7] "The dude in the cardigan with the guitar" (http:/ / www. brianmay. com/ queen/ queenbeforequeen/ rcnov95/ rcnov95. html). . Retrieved 27
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[8] Tim Staffell Biography (http:/ / www. queenzone. com/ queenzone/ article_show. aspx?Q=11)
[9] Brian May – Star Fleet Project (1983) (http:/ / www. rockalbumreviews. co. uk/ rock-albums/ 1980s-rock-albums/
brian-may-star-fleet-project-1983/ ) Rock Album Reviews. Retrieved 27 August 2011
[10] "ANITA DOBSON AND BRIAN MAY SURPRISE WEDDING". Hello!, 5 December 2000, republished at "Brian May and Anita Dobson
Wedding Reports" (http:/ / www. brianmay. com/ anita/ marriage/ reports. html). BRIANMAY.com. Retrieved 22 May 2010.
[11] Horne, Nicky. "Queen – Royal Legend: Interviews: Brian May: Talk Radio '98" (http:/ / queen. musichall. cz/ en/ interviews/
brian-may-talk-radio-98. html). Queen.musichall.cz. . Retrieved 24 October 2011.
[12] London Gazette: (Supplement) no. 57665. p. 8 (http:/ / www. london-gazette. co. uk/ issues/ 57665/ supplements/ 8). 11 June 2005.
[13] "New Chancellor confirmed" (http:/ / www. ljmu. ac. uk/ NewsUpdate/ index_92016. htm). Ljmu.ac.uk. Liverpool John Moores University.
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[15] "SAVE ME 2010 | Home - Welcome" (http:/ / www. save-me. org. uk/ ). Save-me.org.uk. Duck Productions. . Retrieved 24 October 2011.
[16] Rainbird, Ashley (18 April 2011). "Lady Gaga to collaborate with Queen guitarist Brian May" (http:/ / www. mirror. co. uk/ celebs/ news/
2011/ 04/ 18/ lady-gaga-to-collaborate-with-queen-guitarist-brian-may-115875-23068887/ ). Daily Mirror. . Retrieved 1 June 2011.
[17] My Chemical Romance joined by Queen's Brian May at Reading Festival (http:/ / www. nme. com/ news/ my-chemical-romance/ 58869)
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[18] Lady Gaga as Jo Calderone and Brian May perform 'Yoü And I' on stage during the 2011 MTV Video Music Awards (http:/ / www. mtv.
com/ photos/ vma-2011-performers/ 1668990/ 6498737/ photo. jhtml) MTV. Retrieved 19 September 2011
[20] Queen + Paul Rodgers Concertography (http:/ / www. ultimatequeen. co. uk/ live/ queenpr. htm) Ultimate Queen. Retrieved 27 August 2011
89881/ queen-foo-fighters-we-will-rock-you-we-are-the-champions-live-at-rock-honors-2006. jhtml) VH1. Retrieved 27 August 2011
[22] May, Brian (15 August 2006). "USA Convention Story and Queen and Paul Rodgers Heading Towards a Studio Assignation" (http:/ /
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[23] Queen & Paul Rodgers – Live In Ukraine DVDs! (http:/ / www. dailyrecord. co. uk/ competitions/ 2009/ 06/ 18/
win-queen-paul-rodgers-live-in-ukraine-dvds-86908-21450854/ ) The Daily Record Retrieved August 19, 2011
[24] "Paul Rodgers, Queen Split: "It Was Never a Permanent Arrangement"" (http:/ / www. idiomag. com/ peek/ 81670/ queen). idiomag. 13
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[25] "Queen and Paul Rodgers split" (http:/ / www. idiomag. com/ peek/ 81817/ queen). idiomag. 14 May 2009. . Retrieved 14 May 2009.
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you#v=onepage& q=too much love will kill you& f=false) Billboard. Retrieved August 19, 2011
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[28] Steve Vai Interview (http:/ / queenonline. com/ en/ news-archive/ steve-vai-on-brian-may/ ) Queen Online. Retrieved August 19, 2011
[29] "Queen". Encyclopædia Britannica. 2007.
[30] Sharpe-Young, Garry. Brian May (http:/ / rockdetector. com/ artist,1371. sm). Rockdetector. .
[31] Coleman, Mark (9 October 1986). "A Kind of Magic" (http:/ / rollingstone. com/ artists/ queen/ albums/ album/ 210159/ review/ 5946266/
a_kind_of_magic). Rolling Stone (484). .
[32] Donaghy, James (17 February 2007). "Not another axe to grind" (http:/ / guardian. co. uk/ theguide/ music/ story/ 0,,2013600,00. html). The
Guardian (London). . Retrieved 26 April 2010.
[33] Phil Sutcliffe, Peter Hince, Reinhold Mack Queen: The Ultimate Illustrated History of the Crown Kings of Rock (http:/ / books. google.
com/ books?id=adNONbUWLjgC& pg=PT167& dq=sammy+ hagar+ on+ QUEEN#v=onepage& q=sammy hagar on QUEEN& f=false)
p.164. Voyageur Press, 2009
Brian May 61
[34] May, Brian (2004). "the may-keeters homepage" (http:/ / www. brianmayworld. com/ Brian_May. htm). www.brianmayworld.com. .
Retrieved 2 December 2008.
[35] "The Life of Brian in Guitar World" (http:/ / www. intellectualonly-mercury. ru/ interview/ The_Life_Of_Brian. htm).
Intellectualonly-mercury.ru. . Retrieved 29 August 2011.
[36] Hey, what's that sound: Homemade guitars (http:/ / www. guardian. co. uk/ music/ 2010/ aug/ 09/ hey-sound-homemade-guitars) The
Guardian. Retrieved August 19, 2011
[37] Brian May Interview (http:/ / www. youtube. com/ watch?v=cPD7_hQk7hk) The Music Biz (1992). Retrieved August 19, 2011
[38] Songwriters Hall of Fame - Brian May Biography (http:/ / www. songwritershalloffame. org/ exhibits/ bio/ C2341) Songwriters Hall of
Fame. Retrieved August 19, 2011
[39] Rick Wakeman's Face To Face interview programme, available at www.rockondigital.com
[40] May, Brian. "News December 2005" (http:/ / www. brianmay. com/ brian/ briannews/ briannewsdec05. html). . Retrieved 14 August 2007.
[41] "The Legendary Rock Star at home in Surrey, 19 June 1998" (http:/ / www. brianmay. com/ brian/ magsandpress/ okjun98/ okjun98. html).
Brianmay.com. 19 June 1998. . Retrieved 24 October 2011.
[42] May, Brian (6 February 2006). "SMOKING: WE DO NOT HAVE TO WAIT !!" (http:/ / www. brianmay. com/ brian/ brianssb/
brianssbfeb06. html#07). Brian's Soapbox Feb 06. . Retrieved 27 July 2008.
[43] "QUEEN WANTS MOSCOW SPORTS COMPLEX TO BECOME NON-SMOKING AREA" (http:/ / www. brianmay. com/ queen/
queennews/ queennewsjun08b. html#19). Queen News June 2008 (REGNUM News Agency). 19 June 2008. . Retrieved 27 July 2008.
[44] Sunday Times - Rich List: Brian May (http:/ / www. timesonline. co. uk/ richlist/ person/ 0,,47864,00. html) Times Online Retrieved 21
January 2011
[45] T. R. Hicks, B. H. May, N. K. Reay (1972). "MgI Emission in the Night Sky Spectrum". Nature 240 (5381): 401–402.
doi:10.1038/240401a0.
[46] T. R. Hicks, B. H. May, N. K. Reay (1975). "An investigation of the motion of zodiacal dust particles-1. Radial velocity measurements on
Fraunhofer line profiles". Monthly Notices of the Royal Astronomical Society 166: 439–448. Bibcode 1974MNRAS.166..439H.
[47] "Queen star hands in science PhD" (http:/ / news. bbc. co. uk/ 2/ hi/ entertainment/ 6929290. stm). BBC News. 9 March 2007. . Retrieved 2
January 2010.
[48] Never Mind The Buzzcocks. No. 10, series 21. 25 minutes in.
[49] "A survey of radial velocities in the zodiacal dust cloud" (http:/ / spiral. imperial. ac. uk/ handle/ 10044/ 1/ 1333). .
[50] "BRIAN MAY – Official Biography" (http:/ / www. brianmay. com/ brian/ biog. html). Brianmay.com. . Retrieved 24 October 2011.
[51] May, Brian. "News" (http:/ / www. brianmay. com/ brian/ briannews/ briannewsjul07. html). .
[52] "Queen star hands in science PhD" (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ 6929290. stm). BBC News. 3 August 2007. . Retrieved 2
January 2010.
[53] "Queen star celebrates doctorate" (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ 6961171. stm). BBC News. 23 August 2007. . Retrieved
25 August 2007.
[54] NASA. "JPL Small-Body Database Browser" (http:/ / ssd. jpl. nasa. gov/ sbdb. cgi?sstr=52665). . Retrieved 19 July 2010.
[55] "Brian May on saving the fox" (http:/ / news. bbc. co. uk/ 1/ hi/ programmes/ the_daily_politics/ 8730078. stm). BBC News. 9 June 2010. .
[56] May, Brian (12 July 2010). "Kill the cull, not the badgers" (http:/ / www. guardian. co. uk/ commentisfree/ 2010/ jul/ 12/
badger-cull-wales-brian-may?showallcomments=true#start-of-comments). The Guardian (London). .
[57] HARDtalk "YouTube clip of May's interview" (http:/ / www. youtube. com/ watch?v=MZ4eeS5D8dc), ‘’BBC’’, 22 September 2010.
[58] Kennedy, Randy (25 July 2010). "A Village Preserved, Green and All: Brian May’s Photographic Recovery" (http:/ / www. nytimes. com/
2010/ 07/ 24/ arts/ design/ 24may. html?_r=1& src=me& ref=arts). The New York Times. .
[59] QueenOnline Message Board :: View topic – Queen / Solos UK & US (Y MORE) Chart History (http:/ / queenforum. parlophone. co. uk/
viewtopic. php?t=13285& postdays=0& postorder=asc& start=0)
[60] http:/ / www. londonstereo. com/ book. html
External links
• Brian May's official homepage (http://www.brianmay.com/)
• Brian May World (http://www.brianmayworld.com)
• Brian Interviews (http://queenarchives.com/index.php?title=Brian_May_Interviews)
• Queenpedia – Brian May Complete Song List (http://www.queenpedia.com/index.
php?title=Song_List#Brian_May_Studio_Songs)
• Scientific paper with Brian May as co-author (http://adsabs.harvard.edu/cgi-bin/
nph-bib_query?bibcode=1974MNRAS.166..439H&db_key=AST&data_type=HTML&
amp;format=&high=43e7d36b8207906)
• Brian May's astronomy book (http://www.banguniverse.com)
• Brian May (http://www.imdb.com/name/nm0006190/) at the Internet Movie Database
Brian May 62
• Five interview clips with Brian May (http://www.classicrockcentral.com/classic_rock_gimme5-Display.

cfm?week=17)
• Brian May's Ph.D thesis (http://www.springer.com/astronomy/book/978-0-387-77705-4)
• Brian May interview with Terry Gross on NPR's Fresh Air, 3 August 2010 (http://www.npr.org/templates/
story/story.php?storyId=128935865)
• Brian May: the interview, by Rachel Cooke, The Observer, Sunday 5 September 2010 (http://www.guardian.
co.uk/music/2010/sep/05/brian-may-interview-blogging)
John Deacon 63
John Deacon
John Deacon
Deacon on stage in Dublin, 1979
Birth name John Richard Deacon
Born 19 August 1951

Oadby, Leicestershire
England
Genres Rock, pop
Occupations Musician, songwriter
Instruments Bass
Associated acts Queen
Notable instruments
Fender Precision Bass

Music Man StingRay
Fender Telecaster
John Richard Deacon (born 19 August 1951) is a retired English multi-instrumentalist and song writer, best known
as the bassist for the rock band Queen. Of the four members of the band, he was the last to join and also the
youngest, being only 19 years old when he was recruited by the other members of the band. Deacon wrote a number
of Queen's hit singles, including "You're My Best Friend", "Spread Your Wings", "Back Chat", "I Want to Break
Free", and the band's biggest selling single in the United States, "Another One Bites the Dust", as well as a number
of album tracks. He also played electric and acoustic guitars on several albums as well as keyboards, synthesizers,
programming and drums. He occasionally provided backing vocals during live shows.
Following The Freddie Mercury Tribute Concert in 1992, Deacon's sole performance with the remaining members of
Queen was a one-off rendition of "The Show Must Go On" in 1997 with Mercury's friend Elton John (who had sung
the track with the band at Mercury's tribute). He contributed to the final Queen song, "No-One but You (Only the
Good Die Young)" – released that year on the Queen Rocks compilation – after which he retired from the music
industry. He chose not to participate with guitarist Brian May and drummer Roger Taylor in the Queen + Paul
John Deacon 64
Rodgers collaboration, but did give them his support. Deacon was also absent from Queen's induction into the Rock
and Roll Hall of Fame in 2001.
Early life
John Deacon grew up in Oadby with father Arthur, mother Lilian and younger sister Julie. His father worked for the
Norwich Union insurance company, but died of a heart attack in 1962, when John was eleven. Deacon was known to
friends as 'Deaks' and attended Linden Junior School in Leicester, and Gartree High School and Beauchamp
Grammar School in Oadby and achieved 8 GCE O level and 3 A level passes, all at grade A.
Career
It was in Leicester that he formed his first band, The Opposition, in 1965 at the age of fourteen. He played rhythm
guitar, bought with money borrowed from one of the other band members. He became the bassist after the original
bassist was fired for not being of the same quality as the rest of the band. As well as a dedicated musician, Deacon
also was the band's archivist, taking clippings from newspapers of even the advertisements featuring The Opposition.
After being in the band for four years, Deacon played his final concert with the band (then called The Art) in August
1969. He left as he had been accepted to study at Chelsea College.
Although he left his bass and amplifier at home in Oadby after less than a year in London where he went on to
achieve a First Class Honours Degree in electronics at Chelsea College, now part of King's College London, he
decided he wanted to join a band. By this time Queen had already been formed by Brian May, Freddie Mercury and
Roger Taylor, and Deacon even saw them in October 1970. In early 1971 he was introduced to Taylor and May by a
friend at a disco who told him that they were in a band that had just lost its bassist. A couple of days later he
auditioned in a lecture room at Imperial College London and became the last member of Queen to join the band.
Since the band's last bassist drew attention away from Mercury, Deacon was selected for his musical talent, his quiet
demeanour and his electrical skills. A persistent legend claims Deacon was the seventh bassist auditioned. According
to various sources, prior bassists with the band included Mike Grose, Barry Mitchell and Doug Ewood.
On Queen's first album he was credited as "Deacon John".[1] Not long after its release, he requested that he be
referred to by his proper name.
Deacon's first writing credit did not come until Queen's third album, Sheer Heart Attack. It was on the song "Stone
Cold Crazy", but it was also credited to the other band members. The first song Deacon wrote on his own was
"Misfire" from the same album, a Caribbean-themed song that garnered little attention. He would achieve much
greater success with his second song, "You're My Best Friend", which was featured on the group's fourth album, A
Night at the Opera, and went on to be an international hit.
Personal life
He was the 'quiet' member of the band, and the others said that he was in charge of most of the finances. His last
public appearance with the band was at an AIDS charity event in 1997, and his last direct involvement with Queen
was with the recording of "No-One But You (Only The Good Die Young)".
He lives in Putney in South West London with his wife Veronica Tetzlaff. Married since 18 January 1975, she was
already two months pregnant with their first child when they got married.[2] The two have six children: Robert (18
July 1975), Michael (3 February 1978), Laura (25 June 1979), Joshua (13 December 1983), Luke (5 December
1992), and Cameron (7 November 1993).
According to The Sunday Times Rich List, Deacon is worth £50 million as of 2009.[3]
As a trained electronics engineer, he often used to build equipment for the band. His most famous creation is the
"Deacy Amp", used by Deacon and May.
John Deacon 65
As a performer
Deacon on stage at the New Haven Coliseum,

New Haven, Connecticut in 1978
[1]
“ Let's just say that the product of drummer Roger Meddows Taylor and bassist Deacon John
eruption make the earth tremble. — Gordon Fletcher – Rolling Stone 149
[4]
is explosive, a colossal sonic volcano whose
”
Deacon played guitar in addition to bass, taking over rhythm parts in many albums, as well as several acoustic
performances. Some of the guitar work on Hot Space (the clean Fender Telecaster single-coil sound) is his work. He
would occasionally play synthesizers on his own compositions and often composed at the piano, playing an electric
one on his top ten hit "You're My Best Friend". He can also be seen playing the grand piano in the music video to
"Spread Your Wings", although on the actual recording the piano was played by Mercury.
Highlights
Mostly, Deacon's compositions varied from pop rock to funk. He has been responsible for some of Queen's biggest
hits such as "You're My Best Friend" (from A Night at the Opera), "Another One Bites the Dust" (from The Game)
and "I Want to Break Free" (from The Works). He also co-wrote "Friends Will Be Friends" with Mercury and
developed the chord arrangement for "The Miracle" with Mercury. Both went on the Greatest Hits II album. He also
wrote two other popular songs, ("Spread Your Wings" and "Back Chat"), and created the riff for "Under Pressure".
As a bass guitarist, Deacon's notable works include "Another One Bites the Dust", "Father to Son", "Liar", "Dragon
Attack", "Brighton Rock", "The March of the Black Queen", "You're My Best Friend", "The Millionaire Waltz",
"We Are the Champions", "Crazy Little Thing Called Love", "Body Language", and "Under Pressure". As a
guitarist, he did some rhythm-playing in songs like "Staying Power" (both live and in the studio) and "Back Chat", as
well as lead parts in "Another One Bites the Dust" and "Misfire" and Spanish acoustic fills in "Who Needs You". He
also played double bass, notably on May's 1975 song "'39". May had asked him to play upright bass as a joke but a
couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it.[5]
Deacon's contributions in keyboards were mostly just background chords; his most notable work is in his
composition "You're My Best Friend", which was the first song he wrote on the electric piano. Deacon also played
John Deacon 66
triangle in live versions of "Killer Queen" (it hung off his microphone) and some piano (notably on "Another One
Bites the Dust"). He can also be seen playing the drums on the video for "One Vision". This is perhaps a visual trick,
although he did play drums on certain tracks on "Hot Space".
Style
Deacon used the bass as a lead and rhythm instrument. Some of his basslines, such as "The Millionaire Waltz", "I'm
Going Slightly Mad" and "You're My Best Friend", granted his technique an affinity with Motown's lead style
basslines. Some of Queen's songs, such as "Dragon Attack", "Another One Bites the Dust", "Body Language", and
"A Kind of Magic", feature the bass as the main instrument. When performing with Queen, Deacon delivered a
highly technical style, with numerous runs, walking basslines and tight quick note changes. Deacon mainly used his
fingers, though sometimes he did use a pick. He generally did not play with a floating thumb and occasionally played
with his thumb itself. His basslines are notable on "Crazy Little Thing Called Love", "Another One Bites the Dust",
"Liar", "Brighton Rock", "Under Pressure", "'39", "You're My Best Friend", "I Want to Break Free", and "One Year
of Love".
A trademark of Deacon's playing are his bass runs. In a 1975 review of Sheer Heart Attack, the reviewer wrote:
"Only at the end would a new initiate to Queen recognise John Deacon's unmistakable trademark: the bass runs
under the fade are a fast and facile as any to be heard. The least well known musician in Queen is one of his rock
generation's most able."[6]
Singer
Deacon is the only member of Queen never to sing any lead vocals on any of their tracks. He even admitted in
interviews that he was incapable of competing with the three strong vocalists in the group. Deacon is not credited as
a vocalist on any Queen album.
In live shows, Deacon did not receive his own microphone until the band's first headlining tour in support of their
"Sheer Heart Attack" album. Despite this promising development, the main purpose of this was to play one note on
the triangle in "Killer Queen". Before this, he had sung backing vocals during "Liar" into Mercury's microphone.
There have been occasions where his microphone was turned up to a point where his voice can be heard, such as a
1977 Earls Court bootleg, where his voice was clearly heard on "Somebody to Love" and "In The Lap of the Gods
Revisited". He is also credited as backing vocalist on the closing credits of the band's first live video, "Queen at the
Rainbow" (shot live in November 1974 and released on The Box of Tricks).
Despite this, Deacon is almost always shown to be singing in Queen's music videos, such as "Bohemian Rhapsody",
"You're My Best Friend", "Somebody To Love", "Tie Your Mother Down", and "Don't Stop Me Now", among
others.
John Deacon 67
Gear
Deacon's first bass was an Eko, and he later acquired a Rickenbacker 4001, which
was used for his audition for Queen, the very first concerts and the recording
sessions at De Lane Lea in 1971. When the band began recording at Trident, he had
problems with it and acquired a Fender Precision 1962 model with the silver 1964
transition logo and sunburst finish, which became his main instrument for the last
concerts in 1972 and all 1973–1975 tours. As a backup he had another one of the
same model, but with the black 1967 transition logo. Before the beginning of the
'Night at the Opera' sessions he stripped the paint from both, left them with a
natural finish and switched them; from then on the black logo one would be his
main guitar for most tours and recordings.
In early 1977, Deacon got two new basses: a Fender Precision Fretless, which he
used for "'39" (emulating the double bass he used in the original recording) and
Deacon performing with Queen in
"My Melancholy Blues" on stage, and a Music Man StingRay which he used as 1979.
main for the "Day at the Races" tour and some videos. From the 'News of the
World' tour up until 'The Works' tour in 1985, the Music Man would remain for just specific numbers ("Sheer Heart
Attack", "Another One Bites the Dust" and "Back Chat"), and used sometimes in the studio as well. The fretless type
kept being used for "'39" and "My Melancholy Blues" live until the end of the decade.
During late 1977, at the beginnings of "News of the World" tour in the US, Deacon tried another Fender P-Bass, a
sunburst 1954 model with the original single-coil pickup,[7] but eventually gave it up and returned to the black logo
'67 model. The old Fender kept being used occasionally as a backup, in the recordings of "Coming Soon" (1979) and
in the video of "Back Chat" (1982).
In 1980, Kramer made him a custom bass, which he used as a backup for some tours and in videos (e.g. "Play the
Game", "Las Palabras De Amor"). Next year, Fender gave him a special prototype model which he used for
recording "Under Pressure" for "Hot Space" and performing it during the 1981–1985 period.
A new Fender P-Bass came to his hands: a red Elite 1, which he used for mimed performances, some videos and
recordings (e.g. "One Vision"), part of the Leiden 1986 gig, the entire Marbella and Knebworth 1986 gigs and
"Radio Ga Ga" at The Freddie Mercury Tribute Concert. In 1986, Deacon got a Warwick Buzzard, used for some
videos and mimed performances, but not on recordings. Before the Magic Tour, he refurbished and spray-painted his
Precision bass black and continued using it as his main instrument for several gigs (e.g. The Freddie Mercury Tribute
Concert for AIDS Awareness, "No-One but You (Only the Good Die Young)").
For other instruments, Deacon mostly used Telecaster and Stratocaster guitars; his main was a custom Tele which he
used on stage. In the recordings of "Misfire" he demonstrated he too could play guitar harmonies. For acoustic he
mostly used Martin D-18 and Ovation. The piano he played in "Another One Bites the Dust" was a Bösendorfer, and
in "You're My Best Friend", a Wurlitzer Electric Piano (though May has stated that it was a Fender Rhodes). For
synths, he used Oberheim OB-X, Roland Jupiter 8 and Yamaha DX7.
Retirement
After playing live with Queen twice more — at the Freddie Mercury Tribute Concert for AIDS Awareness on 20
April 1992, and at the opening of the Bejart Ballet in Paris on 17 January 1997, performing only "The Show Must
Go On" with Elton John on lead vocals — he made the decision to retire from music, re-appearing only briefly by
joining his ex-band mates in October 1997 for the recording of the final Queen song "No-One but You (Only the
Good Die Young)", included in the Queen Rocks album released a month later.
Deacon has reportedly spoken out about the May/Taylor/Robbie Williams cover of "We Are the Champions",
recorded for A Knight's Tale. In an interview with The Sun about the collaboration he said, "It is one of the greatest
John Deacon 68
songs ever written but I think they've ruined it ... I don't want to be nasty but let's just say Robbie Williams is no
Freddie Mercury. Freddie can never be replaced – and certainly not by him".[8]
He chose not to be present at Queen's induction into The Rock & Roll Hall of Fame in 2001, or join in the
collaboration with Paul Rodgers. On the Queen + Paul Rodgers collaboration album The Cosmos Rocks which
featured new material from the trio, he was listed in the Thanks Notes on the CD.
Discography
Queen songs John Deacon wrote that were released as singles:
• "You're My Best Friend" from A Night at the Opera
• "Spread Your Wings" from News of the World
• "Another One Bites the Dust" and "Need Your Loving Tonight" from The Game
• "Back Chat" from Hot Space
• "I Want to Break Free" from The Works
• "Friends Will Be Friends", "Pain Is So Close to Pleasure" (both cowritten with Freddie Mercury) and "One Year
of Love" from A Kind of Magic
• " The Miracle" from The Miracle (cowritten with Freddie Mercury.)
Selected Queen album tracks:
• "Misfire" from Sheer Heart Attack
• "You and I" from A Day at the Races
• "Who Needs You" from News of the World
• "If You Can't Beat Them" and "In Only Seven Days" from Jazz
• "Execution Of Flash" and "Arboria" from Flash Gordon
• "Cool Cat" from Hot Space (co-written with Freddie Mercury)
• "Rain Must Fall" from The Miracle
• "My Life Has Been Saved" (two versions, the first in 1989 as a non-album single B-side, then re-recorded
between 1993 and 1995 for the 1995 album Made in Heaven)
Selected solo efforts:
• Jive Junior And Man Friday: "Picking Up Sounds" (7" single, 1983)
• The Immortals: "No Turning Back" (single from Biggles: Adventures in Time soundtrack) (1986)
Collaborations
• 1975: All four members of Queen helped produce a session with the soul band Trax. Nothing was ever released.
• 1983: "Picking Up Sounds" by Man Friday and Jive Junior – co-wrote, produced and played bass guitar on this
single.
• 1984: "It's An Illusion" by Roger Taylor – bass guitar on this track from the album Strange Frontier.
• 1984: "I Cry For You" by Roger Taylor – bass guitar on the remixed version of this song, on the single Strange
Frontier.
• 1985: "Too Young" by Elton John – bass guitar on this song from the LP Ice On Fire.
• 1985: Strawberry Switchblade – produced self-titled first album.
• 1986: "Angeline" by Elton John – bass guitar on this song from the LP Leather Jackets.
• 1986: "This Is Your Time" by Errol Brown – co-wrote and bass guitar on this track, which was never released.
• 1987: "I Dream Of Christmas" by Anita Dobson – bass guitar on this track from the album Talkin' Of Love.
• 1988: "Roulette" by Minako Honda – co-wrote this song (in fact "No Turning Back" remake with other lyrics)
from the album Cancel. John did not participate in the Minako Honda recording, although his bandmate May
wrote and produced two songs for this album.
John Deacon 69
• 1988: "How Can I Go On" by Freddie Mercury & Montserrat Caballe – bass guitar on this single from the album
Barcelona.
• 1988: Stutter Rap (No Sleep Til Bedtime) by `Morris Minor and the Majors John makes an appearance, wearing a
blue wig and playing guitar.
• 1989: "Who Wants to Live Forever" by Ian & Belinda – bass on this charity record, produced by Brian May, also
featuring May and Roger Taylor.
• 1992: "Nothin' But Blue" by Brian May – plays bass on this track from Back To The Light.
• 1992: "Somewhere In Time" by Cozy Powell – plays bass on this instrumental version of "Nothin' But Blue"
from Cozy Powell's album The Drums Are Back.
• 1994: "Bushfire" by Steve Gregory – plays bass on this track from the eponymous album.
• 1997: "That's The Way God Planned It" by SAS Band – plays bass on this track from their début (and only
studio) album. Roger Taylor sings a verse as well on this cover track, originally recorded by Billy Preston.
Quotations about Deacon

• "When I was five years old my hero was John Deacon, who used to do the most incredible upper-register work
and those melodic, tight groove parts." – Richie Edwards[9]
• "Grossly underrated. His bass parts are like little stories, yet he never gets in anyone's way. With all the guitars
and vocals going on, he finds the spaces and plays basically what he wants. He's loose, fluid, and quite busy at
times, but I can't find one song where he stepped on the vocal or guitar parts." – Danny Miranda[10]
References
[1] Queen, 1973, sleeve notes
[2] " Queen Biography 1975 (http:/ / www. queenzone. com/ queenzone/ bio_view. aspx?q=7)." queenzone.com.
[3] "Search the Sunday Times Rich List 2009" (http:/ / business. timesonline. co. uk/ tol/ business/ specials/ rich_list/ rich_list_search/ ?l=17&
list_name=Rich+ List+ 2009& advsearch=1& t=1& x=33& y=3& i=Music). The Times (London). .
[4] Rolling Stone – Issue 149 – 12-06-1973 (http:/ / www. queenarchives. com/ viewtopic. php?t=84)
[5] Brian May. "Queen Legends" (http:/ / queen. musichall. cz/ index_en. php?s=fc& d=facts). .
[6] 1975-03-XX – Circus (http:/ / queenarchives. com/ viewtopic. php?t=620)
[7] "Bass'es Bassinet-Bass" (http:/ / www. deaky. net/ bass/ oldE. html). Deaky.net. . Retrieved 2011-07-06.
[8] "Yahoo! Music, 24 April 2001" (http:/ / music. yahoo. com/ read/ news/ 12057561). Music.yahoo.com. 2001-04-24. . Retrieved 2011-11-02.
[9] McIver, Joel. " Richie Edwards (http:/ / www. bassplayer. com/ story. asp?sectioncode=16& storycode=13208)." Bass Player, February 2006
[10] Chaney, Chris. " John Deacon's Complete Bass Line (http:/ / www. bassplayer. com/ story. asp?sectioncode=22& storycode=11366)." Bass
Player, November 2005.
Sources
• Mark Hodkinson (2004). The Early Years: Queen. Omnibus Press. ISBN 1-84449-012-2
• Mark Blake (Editor) (2005). MOJO Classic Queen Special Edition. EMAP Metro Limited.
External links
• Queen official site (http://www.queenonline.com/en/the-band/members/john-deacon/) – info on John
Deacon – and all about his history in Queen
Roger Taylor 70
Roger Taylor
Roger Taylor
Taylor in 2008
Birth name Roger Meddows Taylor
Born 26 July 1949

Dersingham, Norfolk, England
Genres Rock
Occupations Musician, singer-songwriter, producer
Instruments Drums, vocals, keyboards
Years active 1968–present
Associated acts Queen, Queen + Paul Rodgers, The Cross, Smile, Felix & Arty, Yoshiki
Roger Meddows Taylor (born 26 July 1949), known as Roger Taylor, is a British musician, singer-songwriter and
multi-instrumentalist. He is best known as the drummer, backing vocalist and occasional lead vocalist of British rock
band Queen. As a drummer he is known for his "big" unique sound[1] and is considered one of the most influential
rock drummers of the 1970s and '80s.[2] As a songwriter, Taylor contributed songs to the band's albums from the
very beginning, composing at least one track on every album, and (in the early days) usually sang lead vocals on his
own compositions. He also wrote four of the band's hits, "Radio Ga Ga", "A Kind of Magic", "The Invisible Man",[3]
and "These Are the Days of Our Lives".[4] He plays multiple instruments, including guitar, bass and keyboards, as
heard on his debut solo album in which he played all instruments and sang all vocals. He has played with such artists
as Eric Clapton, Roger Waters, Roger Daltrey, Robert Plant, Phil Collins, Genesis, Jimmy Nail, Elton John, Gary
Numan, Shakin' Stevens, Foo Fighters, Al Stewart, Steve Vai, Yoshiki Hayashi, Cherie, and Bon Jovi. As a producer
he has produced albums by Virginia Wolf, Jimmy Nail and Magnum. He currently resides in Guildford, Surrey.
In addition to his drum work, Taylor routinely played the guitars and bass on his own songs. During the 1980s, in
addition to his work with Queen, he formed a parallel band known as The Cross, in which he was the singer and
rhythm guitarist.
In 2005 he was voted by UK fans as the 8th greatest drummer in classic rock music history in a poll conducted by
Planet Rock Radio.[5]
According to The Sunday Times Rich List he was worth £65 million as of 2009.[6]
Roger Taylor 71
Biography
Born in East Anglia, Roger Taylor moved to Truro, Cornwall with mother Winifred, father Michael and younger
sister Clare. When he was seven years old he and some friends formed his first band, the Bubblingover Boys, in
which he played the ukulele. At the age of 15 Taylor became a member of The Reaction, a very busy semi-pro rock
band formed mainly of boys from Truro School. In 1967, he went to London to study dentistry. By the time News of
the World came out, Taylor met his future girlfriend Dominique Beyrand. She was working for Richard Branson at
the time, who was at the helm of Queen's free concert at Hyde Park. They lived together from 1980–1987, raising
their two children, Felix Luther and Rory Eleanor. They decided to get married for reasons relating to his estate, to
protect his children's interest in the future. At the time, Taylor was seeing another girl, Debbie Leng (also seen in the
"Breakthru" video); he moved in with her a month after his marriage of convenience to Dominique. Before Freddie
Mercury's death, Roger and Debbie had their first child, Rufus Tiger, who was born in March 1991. He ended up
having two more children with Debbie: Tiger Lily (1994), and Lola Daisy May (2000). In late 2002, they decided to
break up. Taylor remarried on 3 October 2010, to Sarina Potgieter, his girlfriend of six years.[7]
Smile
Taylor met Brian May and Tim Staffell in 1968 after seeing an advert on a noticeboard at Imperial College for a
drummer. Smile included May as lead guitarist, Staffell as lead vocalist and bassist, and later Taylor on drums. The
band only lasted for two years before Staffell departed to join Humpy Bong, leaving the band with only a catalogue
of nine songs:
• "Earth" (Staffell)
• "Step On Me" (Staffell/May) originally from May and Staffell's band 1984.
• "Doin' Alright" (Staffell/May) (later remade for Queen's debut album)
• "Blag" (Taylor)
• "Polar Bear" (May)
• "Silver Salmon" (Staffell)
• "See What A Fool I've Been" (May, based on the song "That's How I Feel" by Sonny Terry and Brownie
McGhee)
• "If I Were a Carpenter" (Tim Hardin) a cover regularly featuring in their live set.
• "April Lady" (Lucas) a song presented to the band by Mercury Records during their second studio session.
Smile reunited for several songs on 22 December 1992. Taylor's band The Cross were headliners and he brought
May and Staffell on to play "Earth" and "If I Were a Carpenter".[8]
Queen
In 1969, Taylor was working with Freddie Mercury at the Kensington
Market (they were living in an apartment around the same time).
Mercury, then known as Freddie Bulsara, was an avid fan of Smile.
After the band split up in 1970, Bulsara convinced the remaining two
members to continue, and he eventually joined the band. In 1971 they
found bassist John Deacon and brought him into the group, before
going on to release their debut album in 1973. Taylor was a prominent
songwriter for the band, usually contributing one or two tracks per
record. His compositions for Queen include: Queen in 1979.
• "Modern Times Rock 'n' Roll" (Queen)

• "The Loser in the End" (Queen II)
Roger Taylor 72
• "Tenement Funster" (Sheer Heart Attack)

• "Stone Cold Crazy" (Co-written with Deacon, May and Mercury) (Sheer Heart Attack)
• "I'm in Love with My Car" (A Night at the Opera)
• "Drowse" (A Day at the Races)
• "Sheer Heart Attack" (News of the World)
• "Fight From the Inside" (News of the World)
• "Fun It" (Jazz)
• "More of That Jazz" (Jazz)
• "A Human Body" (non-album B-side of "Play the Game") (Single)
• "Rock It (Prime Jive)" (The Game)
• "Coming Soon" (The Game)
• "In the Space Capsule (The Love Theme)" (Flash Gordon)
• "In the Death Cell (Love Theme Reprise)" (Flash Gordon)
• "Escape From the Swamp" (Flash Gordon)
• "Marriage of Dale and Ming (And Flash Approaching)" (Co-written with May) (Flash Gordon)
• "Action This Day" (Hot Space)
• "Calling All Girls" (Hot Space)
• "Radio Ga Ga" (The Works)
• "Machines (or Back to Humans)" (Co-written with May) (The Works)
• "Thank God It's Christmas" (Co-written with Brian May) (Single)
• "A Kind of Magic" (A Kind of Magic)
• "Don't Lose Your Head" (A Kind of Magic)
• "Heaven for Everyone (Made in Heaven)
Songs written by Taylor, but credited the band collectively include:
• "The Invisible Man" (The Miracle)
• "Breakthru" (intro written by Mercury) (The Miracle)
• "Innuendo" (lyrics written by Taylor) (Innuendo)
• "Ride the Wild Wind" (Innuendo)
• "These Are the Days of Our Lives" (Innuendo)
Many of these feature Taylor on vocals. His voice was very recognisable, for both its high range (he would often
reach a E5 in full voice during live performances) and raspiness. His extremely high falsetto, sometimes going above
a A5, was characteristic of Queen's vocal harmonies, and was often thought to be a woman's voice, or a synthesiser
effect (most notably his screams on "In the Lap of the Gods", written by Mercury). His vocal range spans
three-and-a-half octaves (A2-E6). Taylor's lead and partial vocal credits include:
• "Modern Times Rock 'n' Roll" – Queen (1973)
• "Keep Yourself Alive" – Queen (Vocal bridge sung with May, rest sung by Mercury)
• "Father to Son" - Queen II (1974) (This contains his highest range ever recorded, from G4 to A5).
• "The Loser in the End" – Queen II
• "March of the Black Queen" – Queen II (Lead vocals on one line: "My life is in your hands/I'll foe and I'll fie",
rest sung by Mercury)
• "Tenement Funster" – Sheer Heart Attack (1974)
• "In the Lap of the Gods" - Sheer Heart Attack - (Falsetto screams)
• "I'm In Love With My Car" – A Night At The Opera (1975)
• "Bohemian Rhapsody" - A Night at the Opera (High-falsetto vocals, such as the scream-part "for me...", that
blasts the song off to the heavier section)
• "Drowse" - A Day at the Races (1976)
Roger Taylor 73
• "Sheer Heart Attack" – News of the World (1977) (Lead vocals on chorus and second verse)
• "Fight from the Inside" – News of the World
• "Fun It" – Jazz (1978) (lead vocals shared with Mercury)
• "More of That Jazz" – Jazz
• "Rock It (Prime Jive)" – The Game (1980) (Lead vocals, except for the intro, sung by Mercury)
• "Coming Soon" – The Game (Lead chorus vocals)
• "A Human Body" - B-side of "Play the Game" (1980)
• "Action This Day" – Hot Space (1982) (Octave-lead vocals on verses, normal on chorus)
• "Don't Lose Your Head" – A Kind of Magic (1986) (Lead chorus vocals)
• "The Invisible Man" – The Miracle (1989) (Lead chorus vocals)
• "Hijack My Heart" – The Miracle (B-side to "The Invisible Man")
• "Ride the Wild Wind" - Innuendo (1991) (Additional vocals)
• Let Me Live – Made In Heaven (1995) (Lead vocals on second verse and bridge)
• No-One But You (Only the Good Die Young) (1997) (Lead vocals on second verse and outro)
Solo career
Taylor has had a productive solo career, releasing four albums. His first single was his 1977 cover of The
Parliaments' "I Wanna Testify". He recorded it during Queen's sessions for the News of the World album. The
A-side, although a cover, was completely different from the original. The B-side was a self-penned song "Turn On
The TV".
His first solo album, Fun In Space, was released in 1981. Taylor performed all vocals and played all instruments
aside of about half of the keyboards, which were done by engineer David Richards. With Queen still touring heavily
and recording at the time of release, it was impossible for Taylor to promote the album to its fullest extent, so he
appeared on some European TV shows to promote the single, "Future Management", including Top Of The Pops.
The only other single to come from the album was "My Country". The only US single released from the album was
"Let's Get Crazy".
His next venture came in July 1984 when, after Mercury rejected a lot of his songs for the Queen album, The Works,
Taylor realised he had more than enough for a full album, which would become Strange Frontier. The cover of the
album is a 'pixelated' signing of his portrait photo that appeared in the liner notes of The Works. The three singles
from the album were the title track, "Beautiful Dreams" (in Portugal only) and "Man On Fire", the latter becoming a
live favourite for him in later years. No attempts to promote the singles were made since Queen toured to promote
The Works, which made a Strange Frontier tour impossible, and Taylor did not perform on any TV shows. Strange
Frontier included guest appearances by bandmates Freddie Mercury and John Deacon. Mercury sang backing vocals
on "Killing Time", Deacon remixed the B-side "I Cry For You" and Rick Parfitt co-wrote and played on "It's An
Illusion". David Richards, Queen's engineer and producer at the time, also co-wrote two of the tracks. The album
includes covers of Bruce Springsteen's "Racing in the Street" and Bob Dylan's "Masters of War".
After Queen finished their 1986 Magic Tour, Taylor started a new band, The Cross, which released three albums
over their six years of existence. In 1993 the band split up, after performing one final gig at the Gosport Festival.
In 1994 Taylor worked with Yoshiki Hayashi, drummer and pianist of X Japan and released the song "Foreign Sand"
and a reworking of The Cross' "Final Destination". The album Happiness? was "Dedicated to the tasmanian tiger –
thylacinus cynocephalus, but most especially... for Freddie". "Nazis 1994" from this album became Taylor's first hit
single in England and was followed by two other top 40 UK hits, "Happiness" and "Foreign Sand."
In 1998 he released his fourth solo album Electric Fire. He supported it with a small tour in the spring of 1999, on
which Brian May joined him at the gig in Wolverhampton. Taylor also performed one of the first Internet-gigs – for
which he got a mention in the Guinness Book of World Records.[9]
Roger Taylor 74
In 2010, after nearly twelve years between solo albums, Taylor planned to release a new studio album titled The
Unblinking Eye (Everything Is Broken). The first single, of the same name, was released on 23 November 2009 as a
digital download, but due to popular demand it was released as a limited edition single.[10] Originally leaked to the
official Queen fan club's website for members only, it still managed to be on YouTube within hours of the early bird
release.
The Cross
The Cross were a side project of Taylor's that existed from 1987 to 1993 and released three albums. While still the
drummer for Queen, Taylor fronted The Cross as rhythm guitarist and lead vocalist. On its debut release, The Cross
incorporated dance influences which they dropped on their remaining two albums. The band never enjoyed much
commercial success, except in Germany.
First album: Shove It

After Queen's 1986 Magic Tour, the band members went their separate
ways to do various solo work. Taylor decided to form a new band with
whom he could tour. He had already written and recorded the album
himself before finding a band to play the songs with. He eventually
placed an ad for band members in a national newspaper, hinting he was
a famous rock musician. The position of keyboard player was duly
offered to Spike Edney after two successful Queen tours in which
Edney had played. When the auditions were over, the line-up was Taylor performing with The Cross in 1990.
completed by Peter Noone on bass, Clayton Moss on guitar and Josh

Macrae on drums. Taylor himself would take the responsibility on lead vocals and rhythm guitar.
The first album, Shove It, was released in 1988. In Europe, Heaven for Everyone (later a Queen song) contained
Freddie Mercury on lead vocals and Taylor on backing vocals. However, on the single version and American album
version the roles were switched. The European CD contained an extra track (compared to cassette and LP) in The
2nd Shelf Mix, the US version having "Feel The Force" as its extra track. The band promoted hard (especially in
Germany), with many TV performances of singles including an appearance at the Montreux Golden Rose festival in
1988. The tour took in dates in the UK and Germany. Three singles were released from the album: "Cowboys and
Indians", "Heaven for Everyone" and "Shove It". Another single, "Manipulator," was released in 1988, but it was not
included on any album. It was also the only song from the time that had joint writing credits, Taylor sharing them
with Edney and Steve Strange.
Roger Taylor 75
Second album: Mad, Bad and Dangerous to Know

After finishing Queen's 1989 album The Miracle, Taylor went into the
studio with the rest of The Cross for the first time to record Mad, Bad
and Dangerous to Know. The band composed the opening track "On
Top Of The World Ma" with a riff bearing a resemblance to the Led
Zeppelin track Whole Lotta Love. The rest of the album consisted
mainly of individually written songs, except for "Power To Love"
which was the result of the combined effort of Macrae, Noone and
Moss. Clayton Moss sang lead vocals on his own track "Better
Things", and Spike Edney played mandolin on "Final Destination",
which was written by Taylor. "Final Destination" was released as a
single, as were "Liar" and "Power To Love", the latter being the last
single to be released in the UK by the group. "Final Destination" came
with a live rendition of Taylor's song "Man On Fire" as a B-side, and
"Liar" (Noone) had a brand new track, "In Charge Of My Heart",
which was also penned by Taylor. The 12" single and CD of "Liar"
also included extended remixes of both "Liar" and "In Charge of My
Heart". The instrumental section at the beginning of "In Charge Of My
Taylor performing with The Cross in 1990.
Heart" was used as the opening to concerts on the accompanying tour.
"Closer To You" (Edney) had been planned to be released in America,
but never was. The group having seemingly given up on the UK market, the accompanying tour only included dates
in Germany, Austria, Switzerland and Ibiza. Unusual for such tours, every song from the new album was played live.
Third album: Blue Rock

Made at a time when Taylor's efforts were concentrated on Queen and Mercury himself, Blue Rock gave the other
members of the band a chance to take control of the upcoming album. It was in fact mostly written by Edney, who
contributed three of his own tracks and contributed to four more. Once again the opening track was penned by the
entire band, "Bad Attitude" was written (although not complete) by the Christmas fan club party of 1990. The album
itself contained a lot of vocals not from Taylor, but mainly of Edney and Noone. Examples of this can be heard in
"Put It All Down To Love" (Edney), "Life Changes" (Moss, Noone, Edney and Macrae) and "Heartland" (The
B-side to Life Changes, penned by Noone). Blue Rock itself was only released in Germany (although promo copies
were released in Italy and Japan), so copies are somewhat rare. "New Dark Ages" (Taylor) was released in Germany
with another live version of "Man On Fire", whilst "Life Changes" was released with the B-side "Heartland". It was
however immediately withdrawn due to Freddie Mercury's passing. The tour was in support of Magnum, so the
concert lengths were short (45 mins.) and very few bootlegs have survived. The tour pace was rapid, covering 20
dates in one month.
Breakup
The band broke up in 1993 after performing a final show. Taylor continued working with Queen and produced solo
albums. Drummer Macrae accompanied Taylor on his solo tours and also played percussion at the Freddie Mercury
Tribute Concert. Both Taylor and keyboardist Edney participated in the Queen + Paul Rodgers tours, while Macrae
worked behind the scenes as co-producer, sound engineer and Pro Tools engineer for them. In the late 1990s, Edney
formed the SAS Band ("Spike's All Stars"), a group with an ever-changing line-up of popular '80s musicians.
Roger Taylor 76
Recent events
2000s
At Live Earth in 2007, Taylor opened the concert with Taylor Hawkins of the Foo Fighters and Chad Smith of Red
Hot Chili Peppers.
Taylor has appeared along with May for various other events and promotions, including Queen's 2001 induction into
the Rock and Roll Hall of Fame[11] (sans John Deacon, but with Jer Bulsara, Mercury's mother, present) and the
"Party at the Palace", celebrating the golden jubilee of Queen Elizabeth II. Taylor and May, performing as Queen,
also appeared twice on the American singing contest television show American Idol, once on 11 April 2006, during
which week contestants were required to sing a Queen song, (which included "Bohemian Rhapsody", "Fat Bottomed
Girls", "The Show Must Go On", "Who Wants to Live Forever", and "Innuendo"), and the second time on the show's
Season 8 finale in May 2009, performing "We Are the Champions" with finalists Adam Lambert and Kris Allen.
In November 2009, Taylor appeared on the popular reality TV show The X Factor with May as Queen mentoring the
contestants, then later performing Bohemian Rhapsody. Also in that month, Taylor confirmed he is planning to tour
with Taylor Hawkins, which Taylor described as a "quick tour".[12]

From his last solo album Electric Fire in 1998 Taylor has
been performing as a solo artist, as part of ensembles, and
infrequently as Queen with May.
At the end of 2004, May and Taylor announced that they
would reunite and return to touring in 2005, with Paul
Rodgers (founder and former lead singer of Free and Bad
Company). May's website also stated that Rodgers would be
'featured with' Queen as Queen + Paul Rodgers, not
replacing the late Freddie Mercury. The retired John
Deacon would not be participating.[13]
Between 2005 and 2006, Queen + Paul Rodgers embarked 2005 Queen + Paul Rodgers Tour
on a world tour, the first leg being Europe, the second Japan
and the US in 2006. On 15 August 2006, May confirmed through his website and fan club that Queen + Paul
Rodgers would begin producing their first studio album beginning in October, to be recorded at a "secret
location".[14] The album, titled The Cosmos Rocks, was released in Europe on 12 September 2008 and in the US on
28 October 2008. Following the album release the band embarked on a tour through Europe and South America,
opening on Kharkov's freedom square in front of 350,000 Ukrainian fans. This performance was shown in cinemas
on 6 November 2008 for one airing only, and later released on DVD.
Roger Taylor 77
Discography
Albums
• Fun in Space (1981)
• Strange Frontier (1984)
• Happiness? (1994)
• Electric Fire (1998)
Influences
Taylor has stated that his main influence as a rock drummer is the late John Bonham of Led Zeppelin. Speaking of
Bonham, Taylor said, "The greatest Rock`n`Roll drummer of all time was John Bonham who did things that nobody
had ever even thought possible before with the drum kit. And also the greatest sound out of his drums - they sounded
enormous, and just one bass drum. So fast on it that he did more with one bass drum than most people could do with
three, if they could manage them. And he had technique to burn and fantastic power and tremendous feel for
rock`n`roll".[15] In a 2009 interview, Taylor also stated that Mitch Mitchell, the drummer for the Jimi Hendrix
Experience, was also a major influence of his.
Tours
Happiness? Tour
Happiness? Tour
Tour by Roger Taylor
Start date 28 July 1994
End date 29 January 1995
Date City Country Venue
Europe
28 July 1994 Gosport England Gosport Festival
15 September 1994 London Shepherds Bush Empire
Asia
26 September 1994 Tokyo Japan Sun Plaza Hall
28 September 1994 Kawasaki Club Citta
30 September 1994 Nagoya Club Quatro
Europe
14 October 1994 Cologne Germany Altes Presswerk
24 October 1994 Milan Italy City Square

Roger Taylor 78
19 November 1994 London England Shepherds Bush Empire
20 November 1994 Cambridge The Junction
22 November 1994 Nottingham Rock City
23 November 1994 Newcastle Riverside
24 November 1994 Leeds Leeds Irish Centre
26 November 1994 Liverpool Royal Court Theatre
27 November 1994 Sheffield The Leadmill
29 November 1994 Glasgow Scotland The Garage
30 November 1994 Bristol England Bierkeller
1 December 1994 Milan Italy Mediolanum Forum
2 December 1994 Truro England City Hall
3 December 1994 Manchester Manchester University
4 December 1994 Wolverhampton Civic Hall
8 December 1994 Paris France Europe 1 Studios

Two Shows
16 January 1995 Monfalcone Italy Hippodrome
17 January 1995 Schio Palazetto
18 January 1995 Genova Teatro Verdi
20 January 1995 Casea Vidia
21 January 1995 Firenze Teatro Tenda
22 January 1995 Rome Palladium
24 January 1995 Valletta Malta Teatro Nazionale La Valetta
25 January 1995 Palermo Italy Teatro Metropolitan
26 January 1995 Catania
29 January 1995 Napoli Havana Club
Electric Fire Tour
Electric Fire Tour

Tour by Roger Taylor
Start date 24 September 1998
End date 3 April 1999

Roger Taylor 79
United Kingdom
24 September 1998 Surrey England Cosford Mill
14 October 1998 London Shepherds Bush Empire
15 March 1999 Glouster Guildhall
16 March 1999 Cardiff Wales Coal Exchange
18 March 1999 Truro England Hall For Cornwall
19 March 1999 Stoke-on-Trent The Stage
20 March 1999 Manchester Manchester University
21 March 1999 Sheffield The Leadmill
23 March 1999 Glasgow Scotland The Garage
23 March 1999 Edinburgh The Liquid Rooms
25 March 1999 Newcastle England Newcastle University
27 March 1999 Liverpool Liverpool L2
28 March 1999 Cambridge The Junction
29 March 1999 Norwich The Waterfront
30 March 1999 Wolverhampton Civic Hall
31 March 1999 Nottingham Rock City
2 April 1999 Portsmouth Pyramid Centre
3 April 1999 London Astoria
Drum kit
Until 2008, Taylor exclusively used Ludwig or Sleishman drums kits, or a combination of the two in the 2005 Return
of the Champions Tour. In the recent Queen + Paul Rodgers 2008 The Cosmos Rocks tour he opted for a DW kit.
DW Natural satin Maple Kit Main kit on tour Toms - 10"x8", 12"x 10" & 14"x12"
Floor Toms - 16"x 16" & 18"x16"
Bass Drum - 26"x 18"
Snare Drum - 14"x 8" (Ludwig Classic Maple)
Roto-Toms - 12" & 14" Remo
Cymbals (all Zildjian) Hi-Hats - 15" Avedis New Beat
Crash: 17" K Dark Crash, 19" K Dark Crash & 20" K Dark Crash
Ride: 22" Avedis Ping Ride
China: 22" Oriental China Trash
Drum Pedal – DW 9002 (On all live performances with Queen, Taylor's pedal of choice was the Ludwig Speed
King)
DW Black Mirra with 24 carat gold hardware Front of stage kit Toms - 10"x8", 12"x10" & 14"x12"
Floor Toms - 16"x16" & 18"x16"
Bass Drum - 24"x18"
Sub-Bass Drum - 24" x 8"
Snare Drum - 14"x6.5"
Roto-Toms - 12" & 14" Remo
Roger Taylor 80
Vic Firth Drumsticks X5B American Classic Extreme 5B (length : 16 1/2" | Diameter : 0.595")
Stamps
In 1999 Taylor appeared in the background of a Royal Mail stamp featuring Mercury as part of a "Great Britons"
issue. This caused controversy as it was an understood rule that the only living people allowed to appear on British
stamps could be members of the Royal Family.[16] [17]
In 2002, Taylor appeared on the "Twelve Drummers Drumming" Christmas card in the "Twelve Days of Christmas"
set sold at Woolworths to raise money for the NSPCC – alongside the "other" Roger Taylor, the drummer for Duran
Duran.[18]
References
[1] Rolling Stone – Issue 149 – 12 June 1973
[2] Taylor Hawkins: Rhythm 2002 (http:/ / www. fooarchive. com/ hpb/ taylortaylor. htm). Fooarchive.com. Retrieved on 2010-11-05.
[3] "The Invisible Man" (http:/ / web. archive. org/ web/ 20071217144950/ http:/ / sebastian. queenconcerts. com/ s-im. htm). Bechstein
Debauchery. Archived from the original (http:/ / sebastian. queenconcerts. com/ s-im. htm) on 17 December 2007. . Retrieved 28 January
2008.
[4] "These Are the Days of Our Lives" (http:/ / web. archive. org/ web/ 20071217074920/ http:/ / sebastian. queenconcerts. com/ s-tatdool. htm).
Bechstein Debauchery. Archived from the original (http:/ / sebastian. queenconcerts. com/ s-tatdool. htm) on 17 December 2007. . Retrieved
28 January 2008.
[5] "Zeppelin voted 'ideal supergroup'" (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ music/ 4669597. stm). BBC News. 10 July 2005. .
[6] (http:/ / www/ business. timesonline. co. uk/ tol/ business/ specials/ rich_list/ rich_list_search/ ?l=17& list_name=Rich+ List+ 2009&
advsearch=1& t=1& x=33& y=3& i=Music)
[7] Roger Meadows International Business Advice (http:/ / www. rogermeadows. com/ Lovers. htm). Rogermeadows.com. Retrieved on
2010-11-05.
[9] The Top 20 Roger Taylor Solo Rarities, Queencollector.com (http:/ / www. queencollector. com/ Articles/ Solo10/ roger. html). Retrieved on
26 July 2009.
[10] "QueenOnline – News" (http:/ / www. queenonline. com/ news/ 1517/ ). 17 November 2009. . Retrieved 1 December 2009.
[11] Queen: inducted in 2001 | The Rock and Roll Hall of Fame and Museum (http:/ / www. rockhall. com/ inductee/ queen). Rockhall.com.
Retrieved on 2010-11-05.
[12] Queen And Foo Fighters Drummers To Team Up For 2010 Tour (http:/ / www. gigwise. com/ news/ 53482/
Queen-And-Foo-Fighters-Drummers-To-Team-Up-For-2010-Tour). Gigwise (2009-11-17). Retrieved on 2010-11-05.
[14] May, Brian (15 August 2006), USA Convention Story and Queen and Paul Rodgers Heading Towards a Studio Assignation (http:/ /
brianmay. com/ brian/ brianssb/ brianssbaug06a. html#06),
[15] Biography for Roger Taylor (I) (http:/ / www. imdb. com/ name/ nm0003547/ bio), IMDB.com
[16] Rohrer, Finlo (2008-10-14). "The politics of stamps" (http:/ / news. bbc. co. uk/ 2/ hi/ uk_news/ magazine/ 7669252. stm). BBC News. .
Retrieved 2011-10-29.
[17] Alex Spence. "Royal Mail unveils Beatles album cover stamps (''Times'' Online)" (http:/ / www. timesonline. co. uk/ tol/ news/ uk/
article636773. ece). Timesonline.co.uk. . Retrieved 2011-10-29.
[18] Duran Duran's Roger Taylor Exclusive Interview: Modern Drummer Magazine (http:/ / www. moderndrummer. com/
web_exclusive?mdid=900001187). Moderndrummer.com. Retrieved on 2010-11-05.
Roger Taylor 81
External links
• Roger-Taylor.Net – UNofficial website (http://www.roger-taylor.net/)
• Rogersmeadows.com – A Introspective Analysis of Roger Taylor and his Music (http://www.rogersmeadows.
com/)
• Queen in Cornwall (http://www.queenincornwall.blogspot.com/) - includes an extensive description of Roger
Taylor's early career
82
Discography
Queen discography
Queen discography
Live in 1984
Releases
↙Studio albums 16
↙Live albums 9
↙Compilation albums 12
↙EPs 2
↙Singles 62
↙Soundtracks 1
↙Other appearances 3
Queen are an English rock group, which consisted of vocalist Freddie Mercury (d.1991), guitarist Brian May, bassist
John Deacon, and drummer Roger Taylor. Their discography consists of fifteen studio albums (one of which is a
soundtrack album), five live albums, ten compilation albums, 48 singles and a number of other appearances.
Founded in 1970, Queen released their self-titled debut album in 1973. Despite not being an immediate success,
Queen gained popularity in Britain with their second self-titled album in 1974.[1] Their 1975 single, "Bohemian
Rhapsody", was number 1 for nine weeks (and a further five weeks in 1991) and is the third biggest selling single of
all time in the UK.[2] The band's 1981 Greatest Hits album is the biggest selling album in UK history with 5.6
million copies sold by 2009. The band's 1991 compilation Greatest Hits II is also one of the UK's top ten biggest
sellers of all time, with 3.7 million copies sold by 2009.[3]
In 1972, Queen signed a production deal with Trident Studios.[4] Later in their career, Queen signed a record contract
with EMI, and Elektra in the United States. The band would remain with EMI for the rest of their career, though, in
1983, they terminated their contract with Elektra and signed with Capitol Records. In 1990, they once again
terminated their U.S. record contract and signed with Hollywood Records. In 1991, Queen's entire catalogue was
remastered and released on compact disc in the United States, and thirteen albums (all studio albums up to 'The
Works' as well as 'Live Killers' and 'Greatest Hits') were remastered at Abbey Road Studios and released on CD and
cassette in the United Kingdom between July 1993 and March 1994. Queen's album back catalogue will be
remastered and re-released in the UK and rest of the world (excluding the US) through 2011 to commemorate their
40th anniversary (as well as being the 20th anniversary of Mercury's death). The 2011 remasters will be released on
Universal's Island label as the band's contract with EMI has now ended.
Albums
Studio albums
Year Album details Peak chart positions Certifications

(sales thresholds)
UK AUS AUT FRA GER JPN NL NOR SWE US
[5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17]
1973 Queen 24 77 — — — 52 — — — 83 [18]

• UK: Gold
[19]
• Released: 13 July 1973 • US: Gold
• Label: EMI (#EMC 3006)
1974 Queen II 5 79 — — — 26 — 19 — 49 [18]

• UK: Gold
• Released: 8 March 1974
• Label: EMI (#EMA 767)
Sheer Heart Attack 2 19 — 6 — 23 7 9 — 12 [18]

• UK: Platinum
[19]
• Released: 8 November 1974 • US: Gold
1975 A Night at the Opera 1 1 9 16 5 9 1 4 11 4 [18]

• UK: Platinum
[19]
• Released: 21 November 1975 • US: 3× Platinum
[20]
• Label: EMI (#EMTC 103) • AUT: Gold
[21]
• CAN: Platinum
[22]
• FIN: Gold
[23]
• GER: Platinum
1976 A Day at the Races 1 8 8 — 10 1 1 3 8 5 [18]

• UK: Platinum
[19]
• Released: 10 December 1976 • US: 2× Platinum
[21]
• Label: EMI (#EMT 103) • CAN: Platinum
[23]
• GER: Gold
1977 News of the World 4 8 9 1 7 3 1 4 9 3 [18]

• UK: Platinum
[19]
• Released: 28 October 1977 • US: 4× Platinum
[21]
• Label: EMI (#EMA 784) • CAN: 3× Platinum
[24]
• FRA: Gold
[23]
• GER: Platinum
[25]
• NLD: Platinum
[26]
• SWI: Platinum
1978 Jazz 2 15 8 7 5 5 3 6 6 6 [18]

• UK: Platinum
[19]
• Released: 10 November 1978 • US: Platinum
[20]
• Label: EMI (#EMA 788) • AUT: Gold
[24]
• FRA: Gold
[23]
• GER: Gold
[25]
• NLD: Platinum
[26]
• SWI: Platinum
1980 The Game 1 11 5 17 2 5 1 2 7 1 [18]

• UK: Platinum
[19]
• Released: 30 June 1980 • US: 4× Platinum
[20]
[23]
• GER: Gold
[25]
• NLD: Gold
Flash Gordon 10 29 1 — 2 12 7 25 29 23 [18]

• UK: Gold
• Released: 8 December 1980
1982 Hot Space 4 15 1 7 5 6 1 3 4 22 [18]

• UK: Gold
[19]
• Released: 21 May 1982 • US: Gold
[20]
1984 The Works 2 12 2 14 3 7 1 2 3 23 [18]

• UK: Platinum
[19]
• Released: 27 February 1984 • US: Gold
[20]
• Label: EMI (#EMC 240014) • AUT: Platinum
[21]
• CAN: Platinum
[23]
• GER: Platinum
[25]
• NLD: Gold
[26]
• SWI: Platinum
1986 A Kind of Magic 1 12 3 6 4 25 2 5 9 46 [18]

• UK: 4× Platinum
[19]
• Released: 2 June 1986 • US: Gold
[20]
• Label: EMI (#EU 3509) • AUT: Platinum
[24]
• FRA: Gold
[23]
• GER: 3× Gold
[26]
• SWI: 2× Platinum
1989 The Miracle 1 4 1 11 1 23 1 2 6 24 [18]

• UK: Platinum
[19]
• Released: 22 May 1989 • US: Gold
[20]
• Label: Parlophone (#PCSD 107) • AUT: Gold
[22]
• FIN: Gold
[24]
• FRA: Gold
[23]
• GER: Platinum
[25]
• NLD: Platinum
[26]
• SWI: Platinum
1991 Innuendo 1 6 2 9 1 17 1 8 1 30 [18]

[19]
• Released: 5 February 1991 • US: Gold
[20]
• Label: Parlophone (#PCSD 115) • AUT: Platinum
[21]
• CAN: Gold
[22]
• FIN: Gold
[24]
• FRA: Platinum
[23]
• GER: Platinum
[25]
• NLD: 2× Platinum
[26]
1995 Made in Heaven 1 3 1 2 1 10 1 2 1 58 [18]

[19]
• Released: 6 November 1995 • US: Gold
[20]
• Label: Parlophone (#PCSD 167) • AUT: 2× Platinum
[21]
• CAN: Platinum
[22]
• FIN: Platinum
[24]
• FRA: 2× Platinum
[23]
• GER: 5× Gold
[27]
• NOR: Platinum
[26]
Live albums
ITA JPN SWE US

UK AUS AUT FRA GER NL SWI
[5] [6] [8] [9] [11] [14] [28]
[10]
1979 Live Killers 3 25 3 — 4 — 9 9 15 34 16 • [18]

UK: Gold
• Recorded: January – March 1979 • US: 2×
[19]
• Released: 26 June 1979 Platinum
[20]
• Label: EMI (#EMSP 330) • AUT: Gold
[23]
• GER: Gold
[25]
• NLD: Gold
[26]
• SWI: Gold
1986 Live Magic 3 51 13 — 15 22 49 24 50 26 — • [18]

UK: Platinum
[20]
• Recorded: 11, 12 & 27 July and 9 • AUT: Gold
[23]
August 1986 • GER: Gold
[26]
• Released: 1 December 1986 • SWI: Platinum
1989 At the Beeb 67 — — — — — — — — — —

• Recorded: 5 February & 3 December
1973 1973
• Label: Band of Joy (#BOJLP 001)
1992 Live at Wembley '86 2 — 6 2 20 1 81 12 29 6 53 • [18]

UK: Gold
[19]
• Recorded: 12 July 1986 • US: Platinum
[20]
• Released: 26 May 1992 • AUT: Gold
• Label: Parlophone (#CDPCSP 725) • FRA:
[24]
Platinum
[23]
• GER: Gold
[25]
• NLD: Gold
[26]
• SWI: Gold
2004 Queen on Fire – Live at the Bowl 20 — 23 75 10 15 85 74 — 52 — • [18]

UK: Gold
[19]
• Recorded: 5 June 1982 • US: Platinum
[20]
• Released: 4 November 2004 • AUT: Gold
• Label: Parlophone (#8632112) • GER:
[23]
Platinum
[26]
• SWI: Gold
2006 Super Live In Japan

• Recorded: 27 October 2005
• Released: 28 April 2006 (Japan Only)
• Label: EMI Music Japan
2007 Queen Rock Montreal 20 — 25 111 17 13 — 54 — 27 — • [19]

US: Platinum
• Recorded: 24 & 25 November 1981
• Released: 29 October 2007
• Label: Parlophone (#5040472)
Compilation albums
ITA JPN SWE US

UK AUS AUT FRA[!] GER NL SWI
[5] [6] [8] [9] [11] [14] [28]
[7] [10]
1981 Greatest Hits 1 2 1 1 1 9 1 — 5 11 [18]

5 • UK: 11× Platinum
[A]
• Released: 2 November but actual sales equate to x19
1981 platinum
• Label: Parlophone [19]
• US: 8× Platinum
(#EMYV 30) [29]
• AUS: 14× Platinum
[20]
• AUT: 4× Platinum
[21]
• CAN: 3× Platinum
[22]
• FIN: Platinum
[23]
• GER: 7× Gold
[25]
• NLD: Platinum
[26]
1991 Greatest Hits II 1 4 1 2 1 65 1 2 1 — [18]

1 • UK: 8× Platinum
[B] [29]
• Released: 28 October • AUS: 8× Platinum
[20]
1991 • AUT: 4× Platinum
[22]
• Label: Parlophone • FIN: 2× Platinum
[24]
(#PMTV 2) • FRA: Diamond
[23]
• GER: 9× Gold
[25]
[26]
1992 Classic Queen — — — — — — — — — — 4 [19]

• US: 3× Platinum
[21]
• Released: 10 March 1992 • CAN: 4× Platinum
• Label: Hollywood
The 12" Collection

• Released: 1992
• Label: Parlophone
1997 The Best I — — — 3 — — — — — — — [24]

• FRA: 2× Gold
• Released: 14 February
1997
• Label: Parlophone / EMI
France
The Best II — — — — — — — — — — — [24]

• FRA: Gold
• Released: 14 February
1997
• Label: Parlophone / EMI
France
Queen Rocks 7 — 16 — 12 — 22 14 51 16 — [18]

• UK: Platinum
[30]
• Released: 3 November • AUS: Gold
[24]
1997 • FRA: Gold
(#8230912)
1999 Greatest Hits III 5 — 2 9 5 2 25 8 19 4 — [18]

• UK: Platinum
[20]
• Released: 9 November • AUT: Gold
[23]
1999 • GER: Gold
[25]
• Label: Parlophone • NLD: Platinum
[26]
(#5238942) • SWI: Gold
2007 The A-Z of Queen, Volume 1

• Released: 10 July 2007
• Label: Hollywood Records
2009 Absolute Greatest 3 18 10 11 23 21 23 36 5 15 195 • [18]

UK: 2× Platinum
• Released: 16 November
2009
(#3091952)
2011 Deep Cuts, Volume 1 92 — — — — — — — — — —

(1973-1976)
• Released: 14 March 2011
• Label: Island Records
Deep Cuts, Volume 2 175 — — — — — — — — — —

(1977–1982)
• Released: 27 June 2011
Deep Cuts, Volume 3 155 — — — — — — — — — —

(1984–1995)
• Released: 5 September
2011
"—" denotes albums that failed to chart or were not released.
Notes
• A "Greatest Hits" charted originally at #5 on the Compilation Albums Chart, but the remastered version in 2011
qualified for an entry on the Top 200 Albums Chart when it peaked at #56 in March 2011.[9]
• B "Greatest Hits II" charted originally at #1 on the Compilation Albums Chart, but the remastered version in
2011 qualified for an entry on the Top 200 Albums Chart when it peaked at #57 in March 2011.[9]
Before 2011 compilation albums were not listed on the Top 200 Albums Chart in France, but instead on a separate
chart for compilation albums only. The French chart positions here for the compilation albums are their peak
positions on the French Compilation Albums Chart.
Boxsets
SWE US
UK AUS AUT FRA[!] GER NL SWI
[5] [7] [8] [9] [10] [11] [14] [28]
1985 The Complete Works - - - - - - - - -

1992 Box of Tricks - - - - - - - - -

• Released: 1992
1994 Greatest Hits I & II 37 50 30 18 28 14 — — - [19]

• US: Platinum
[24]
• Released: 2 November 1994 • FRA: Gold
[23]
• Label: Parlophone (#CDPCSD 161) • GER: Gold
[25]
• NLD: Platinum
[26]
• SWI: Gold
1995 Ultimate Queen — — — — — — — — —

• Released: 13 November 1995
• Label: Parlophone (#QUEENBOX20)
1998 The Crown Jewels — — — — — — — — —

• Released: 24 November 1998
2000 The Platinum Collection: 2 21 23 13 54 5 4 41 48 • [18]

UK: 3× Platinum
Greatest Hits I, II & III [19]
• US: Platinum
[31]
• Released: 13 November 2000 • AUS: Platinum
[22]
• Label: Parlophone (#5298832) • FIN: Gold
[24]
• FRA: Gold
[23]
• GER: Gold
[25]
[26]
• SWI: Gold
2008 The Singles Collection Volume 1 — — — — — — — — —


• Released: 15 June 2009

• Released: 31 May 2010

• Released: 18 October 2010
"—" denotes albums that failed to chart or were not released.
Before 2011 compilation albums were not listed on the Top 200 Albums Chart in France, but instead on a separate
chart for compilation albums only. The French chart positions here for the compilation albums are their peak
positions on the French Compilation Albums Chart.
Extended plays
IRE US
UK AUS AUT FRA GER NL SWI
[5] [7] [8] [32] [11] [14] [28]
1993 Five Live 1 17 2 12 8 1 2 6 30 [18]

• UK: Gold
(with George Michael and Lisa Stansfield) [20]
• AUT: Gold
[23]
• GER: Gold
[25]
• NLD: Platinum
[26]
• SWI: Gold
Other Releases
• Queen: The Eye - 1998
Singles
1970s
Year Single Peak chart positions Certifications Album

(sales thresholds)
US
UK AUS AUT FRA GER IRE NL NZ SWI
[5] [6] [8] [9] [33] [34] [14] [35] [36]
[7]
1973 "Keep Yourself Alive" — — — — — — — — — — Queen
1974 "Liar" — — — — — — — — — —
"Seven Seas of Rhye" 10 — — — — — — — — — Queen II
"Killer Queen" 2 24 10 — 12 2 3 — — 12 [18] Sheer Heart

• UK: Silver
Attack
1975 "Now I'm Here" 11 — — — 25 14 29 — — —
"Lily of the Valley" — — — — — — — — — —
"Bohemian Rhapsody" 1 1 — 15 7 1 1 1 4 9 A Night at the

• UK:
[18] Opera
Platinum
[19]
• US: Gold
1976 "You're My Best Friend" 7 40 — — — 3 6 — — 16
"Somebody to Love" 2 15 — 54 21 6 1 — — 13 A Day at the

Races
1977 "Tie Your Mother Down" 31 47 — — — — 10 — — 49
"Good Old-Fashioned Lover Boy 17 — — — — — — — — —

(Queen's First EP)"
"Teo Torriatte (Let Us Cling — — — — — — — — — —

Together)"
"Long Away" — — — — — — — — — —
"We Are the Champions" / "We Will 2 8 12 1 13 3 2 8 — 4 [18] News of the

• UK: Gold
Rock You" World
• US:
[19]
Platinum
1978 "Spread Your Wings" 34 — — 31 29 — 26 — — —
"It's Late" — — — — — — — — — 74
"Bicycle Race" / "Fat Bottomed 11 25 21 7 27 10 5 20 — 24 [18] Jazz

• UK: Silver
Girls"
1979 "Don't Stop Me Now" 9 — — 49 35 10 16 — — 86 [18]

• UK: Silver
"Jealousy" — — — — — — — — — —
"Mustapha" — — — — — — — — — —
"Love of My Life (Live)" 63 — — — — — — — — — Live Killers
"We Will Rock You (Live)" — — — — — — — — — —
"Crazy Little Thing Called Love" 2 1 9 24 13 2 1 2 5 1 [18] The Game

• UK: Gold
[19]
• US: Gold
1980s
US
[5] [6] [8] [9] [33] [34] [14] [35] [36]
[7]
1980 "Save Me" 11 76 — — 42 8 6 — — — The Game
"Play the Game" 14 85 — 41 40 9 10 — 8 42
"Another One Bites the Dust" 7 5 6 22 6 4 11 2 8 1 • US:

[19]
Platinum
"Need Your Loving Tonight" — — — — — — — — — 44
"Flash" 10 16 1 11 3 10 13 32 — 42 [18] Flash Gordon

• UK: Silver
OST
1981 "Under Pressure" (with David 1 6 10 50 21 2 1 6 10 29 [18] Hot Space

• UK: Silver
Bowie)
1982 "Body Language" 25 23 11 58 27 13 4 19 — 11
"Las Palabras de Amor (The Words 17 — — — 68 10 18 — 13 —

of Love)"
"Calling All Girls" — — — — — — — — — 60
"Staying Power" — — — — — — — — — —
"Back Chat" 40 — — — 69 19 — — — —
1984 "Radio Ga Ga" 2 2 2 24 2 1 2 4 3 16 [18] The Works

• UK: Silver
"I Want to Break Free" 3 8 1 9 4 2 1 6 2 45 [18]

• UK: Silver
"It's a Hard Life" 6 65 — — 26 2 20 30 — 72
"Hammer to Fall" 13 69 — — — 10 — — — —
"Thank God It's Christmas" 21 — 21 — 57 8 31 — — — non-album

single
1985 "One Vision" 7 35 — 76 26 5 21 — 24 61 A Kind of Magic
1986 "A Kind of Magic" 3 25 12 5 6 4 5 23 4 42
"Princes of the Universe" — 32 — — — — — — — —
"Friends Will Be Friends" 14 — — — 20 4 16 50 19 —
"Pain Is So Close to Pleasure" — — — — 57 — 43 — — —
"Who Wants to Live Forever" 24 — — — 52 15 29 — — —
"One Year of Love" — — — — — — — — — —
1989 "I Want It All" 3 10 11 — 9 3 2 3 8 50 [18] The Miracle

• UK: Silver
"Breakthru" 7 45 — — 24 6 6 45 28 —
"The Invisible Man" 12 — — — 31 10 6 15 30 —
"Scandal" 25 — — — — 14 12 — — —
"The Miracle" 21 — — — 78 23 16 — — —
1990s
US
[5] [6] [8] [9] [33] [34] [14] [35] [36]
[7]
1991 "Innuendo" 1 28 12 — 5 4 4 10 3 — [18] Innuendo

• UK: Silver
"I'm Going Slightly Mad" 22 — — — 42 19 20 — — —
"Headlong" 14 — — — — 25 43 — — —
"I Can't Live With — — — — — — — — — —

You"(American promo only)
"The Show Must Go On" 16 75 — 2 7 17 6 20 11 — [19]

• US: Gold
"Ride The Wild Wind"(Poland — — — — — — — — — —

Only)
"Bohemian Rhapsody" / 1 5 8 15 16 1 1 16 8 2 A Night at the Opera

• UK:
"These Are the Days of Our [18] / Innuendo
Platinum
Lives"
1992 "Who Wants to Live Forever" / — — — — — — 6 — 36 — Greatest Hits II

"Friends Will Be Friends"
"We Will Rock You (Live)" / — — — — — — 9 — — — Live At Wembley '86

"We are the Champions (Live)"
"We are the Champions" / — 81 — 14 — — — — — — Greatest Hits

"We Will Rock You"
(re-release)
1995 "Heaven for Everyone" 2 15 4 8 15 7 2 25 9 — [18] Made In Heaven

• UK: Silver
"A Winter's Tale" 6 71 23 — 62 23 16 — 28 —
1996 "I Was Born to Love You" — — — — — — — — — —
"Too Much Love Will Kill You" 15 — — — — 28 — — — —
"Let Me Live" 9 — — — 67 — 28 — — —
"You Don't Fool Me" 17 — 23 14 26 23 22 — 27 —
1997 "No-One but You (Only the 13 — — — 75 — 33 — — — Queen Rocks

Good Die Young)" /
"Tie Your Mother Down"
1998 "We are the Champions" — — — 10 — — — — — — Greatest Hits

(re-release)
1999 "Under Pressure (Rah Mix)" 14 — — — — — 21 — — — Greatest Hits III

(with David Bowie)
2000s
US
[5] [6] [8] [9] [33] [34] [14] [35] [36]
[7]
2000 "Princes of the Universe" — — — — — — 45 — — — Greatest Hits III

(re-release)
2003 "We Will Rock You" — — — 10 69 — — — 49 — The Platinum Collection:

(re-release) Greatest Hits I, II & III
"Another One Bites the — — — 48 — — — — — —

Dust" /
"We Will Rock You"
(re-release)
2010s
US
[5] [6] [7] [8] [9] [33] [34] [14] [35] [36]
2011 "Stormtroopers In Stilettos" — — — — — — — — — — Non-album single
As featured artist
Year Single Peak chart positions Album
US
[5] [6] [7] [8] [9] [33] [34] [14] [35] [36]
1993 "Somebody to Love (Live)" 1 19 15 16 21 1 6 8 — 30 Five Live

(Queen + George Michael)
1998 "Another One Bites the Dust" 5 — 23 62 46 11 21 9 35 — Greatest Hits III

(Queen + Wyclef Jean ft. Pras and Free)
2000 "We Will Rock You" 1 3 2 — 8 6 15 29 18 — Invincible

(5ive + Queen)
2003 "Flash" 15 95 44 — 17 — — — — —
(Queen + Vanguard)
2005 "Reaching Out" / "Tie Your Mother — — — — — — 27 — — —

Down"
(Queen + Paul Rodgers)
2006 "Another One Bites the Dust" 31 — — — 88 — 49 — — —

(Queen vs. The Miami Project)
2007 "Say It's Not True" 90 — — 75 82 — 62 — — — The Cosmos Rock

2008 "C-lebrity" 33 — — 96 67 — 50 — — — The Cosmos Rock

2008 "We Believe" The Cosmos Rock

2009 "Bohemian Rhapsody" 32 — — — — — — — — —

(Queen + The Muppets)
References
[1] Erlewine, Steven Thomas. "Queen > Biography" (http:/ / www. allmusic. com/ artist/ p5205/ biography). allmusic. . Retrieved 2009-08-01.
[2] EveryHit.com - All Time Best Selling Singles (UK) (http:/ / www. everyhit. co. uk/ record4. html)
[3] BPI - Best Selling Albums of All Time (UK) (http:/ / www. bpi. co. uk/ assets/ files/ top 40 albums. pdf)
[4] "Queenzone" (http:/ / www. queenzone. com/ queenzone/ bio_view. aspx?q=4). . Retrieved 2007-02-15.
[5] "The Official Charts Company – Featured Artists: Queen" (http:/ / www. theofficialcharts. com/ artist/ _/ queen/ ). Official Charts Company. .
Retrieved 30 May 2011.
[6] Kent, David (1993) (doc). Australian Chart Book 1970–1992. Australian Chart Book, St Ives, N.S.W. ISBN 0-646-11917-6.
[7] "Australian Charts > Queen" (http:/ / australian-charts. com/ showinterpret. asp?interpret=Queen). australian-charts.com Hung Medien. .
[8] "Austrian Charts > Queen" (http:/ / austriancharts. at/ showinterpret. asp?interpret=Queen). austriancharts.at Hung Medien. . Retrieved
2011-06-01.
[9] "Les Charts > Queen" (http:/ / lescharts. com/ showinterpret. asp?interpret=Queen). lescharts.com Hung Medien. . Retrieved 2011-06-01.
[10] "InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste : Queen" (http:/ / infodisc. fr/ Album_Q. php). infodisc.fr.
. Retrieved 2011-06-01.
[11] "Charts.de - Albums - Queen »» Mehr Treffer anzeigen" (http:/ / charts. de/ search. asp?search=queen& x=0& y=0& cat=a& country=de).
Media Control GfK International. . Retrieved 1 June 2011.
[12] a-クイーン "- Yamachan Land (Archives of the Japanese record charts) - Albums Chart Daijiten - Queen" (http:/ / www7a. biglobe. ne. jp/
~yamag/ album/ al_queen. html) (in Japanese). 2007-12-30. a-クイーン. Retrieved 2011-09-14.
[13] クイーンのCDアルバムランキング "Elvis Costello Album discography" (http:/ / www. oricon. co. jp/ prof/ artist/ 60447/ ranking/
cd_album/ ). Original Confidence. クイーンのCDアルバムランキング. Retrieved 2011-08-02.Note: Reference indicates chart positions
from 1988 onwards, and part of the information are currently unavailable
[14] "Dutch Charts > Queen" (http:/ / dutchcharts. nl/ showinterpret. asp?interpret=Queen). dutchcharts.nl Hung Medien. . Retrieved 2011-06-01.
[15] "Norwegian Charts > Queen" (http:/ / norwegiancharts. com/ showinterpret. asp?interpret=Queen). Hung Medien. . Retrieved 2009-11-26.
[16] http:/ / www. swedishcharts. com/ search. asp?search=queen& cat=a
[17] http:/ / www. billboard. com/ artist/ queen/ chart-history/ 5473#/ artist/ queen/ chart-history/ 5473?f=395& g=Singles
[18] "BPI > Certified Awards Search" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic Industry. . Retrieved
2009-09-18.
[19] "RIAA Gold & Platinum" (http:/ / www. riaa. com/ goldandplatinumdata. php?resultpage=2& table=SEARCH_RESULTS& action=&
perPage=50). Recording Industry Association of America. . Retrieved 2010-05-15.
[20] "IFPI Austria" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). International Federation of the Phonographic Industry. . Retrieved
2011-09-16. Note: User needs to enter "Queen" in the "Interpret" field and click the "Suchen" button.
[21] " Certified Awards Search (http:/ / www. musiccanada. com/ gpSearchResult. aspx)". Music Canada. Retrieved on 14 August 2011. Note:
User needs to enter "Queen" in the "Search" field, "Artist" in the "Search by" field and click the "Go" button. Select "More info" next to the
relevant entry to see full certification history.
[22] "Certification Awards Finland » Queen" (http:/ / ifpi. fi/ tilastot/ kultalevyt/ haku/ ?q=queen& national=0& type=album) (in Finnish).
International Federation of the Phonographic Industry – Finland. . Retrieved 2011-10-17.
[23] "German certifications – Queen" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche& strTitel=&
strInterpret=Queen& strTtArt=alle& strAwards=checked) (in German). Bundesverband Musikindustrie. . Retrieved 2011-10-02.
[24] "French albums certifications" (http:/ / www. infodisc. fr/ Certif_Album. php) (in French). InfoDisc. . Retrieved 2011-10-17. Note: See
"Queen"
[25] NVPI "de branchevereniging van de entertainmentindustrie" (http:/ / ifpi. nl/ nvpi/ pagina. asp?pagkey=60461#resultaat) (in Dutch). NVPI.
Retrieved 2011-10-03.Note: User needs to enter "Queen" in the "Artiest" field and click below "zoek" button.
[26] "The Official Swiss Charts and Music Community" (http:/ / swisscharts. com/ search_certifications. asp?search=Queen) (in German). Hung
Medien. . Retrieved 2011-09-17.
[27] "IFPI Norsk platebransje" (http:/ / www. ifpi. no/ sok/ lst_trofeer_sok. asp?type=artist). . Retrieved 2011-10-06.
[28] "charts.de > Queen in den Schweizer Charts (Albums) »» Mehr Treffer anzeigen" (http:/ / charts. de/ search. asp?search=queen& x=1&
y=7& cat=a& country=ch). charts.de / hitparade.ch. . Retrieved 2011-06-01.
[29] "ARIA Charts – Accreditations – 2007 Albums" (http:/ / www. aria. com. au/ pages/ httpwww. aria. com.
aupagesARIACharts-Accreditations-2007Albums. htm). Australian Recording Industry Association. . Retrieved 2011-09-17.
[30] "ARIA Charts – Accreditations – 1997 Albums" (http:/ / www. aria. com. au/ pages/ aria-charts-accreditations-albums-1997. htm).
Australian Recording Industry Association. . Retrieved 2011-09-17.
Australian Recording Industry Association. . Retrieved 2011-09-17.
[32] "InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste : George Michael & Queen with Lisa Stansfield" (http:/ /
infodisc. fr/ Album_M. php). infodisc.fr. . Retrieved 2011-06-01.
[33] "Charts.de - Singles - Queen »» Mehr Treffer anzeigen" (http:/ / charts. de/ search. asp?search=queen& x=13& y=12& cat=s& country=de).
[34] "The Irish Charts - search the charts > Queen" (http:/ / www. irishcharts. ie/ search/ placement). Irish Recorded Music Association. .
[35] "New Zealand Charts > Queen" (http:/ / charts. org. nz/ showinterpret. asp?interpret=Queen). charts.org.nz Hung Medien. . Retrieved
2011-06-01.
[36] "charts.de > Queen in den Schweizer Charts (Singles) »» Mehr Treffer anzeigen" (http:/ / charts. de/ search. asp?search=queen& x=5&
y=5& cat=s& country=ch). charts.de / hitparade.ch. . Retrieved 2011-06-01.
External links
• Queen Discography (http://www.jugi3.ch/homepage/queen.htm)
96
Studio albums
Queen
Queen
Studio album by Queen
Released 13 July 1973
Recorded December 1971, June-November 1972, De Lane Lea and Trident studios, London
Genre Rock
Length 38:36
Label EMI (Europe)

Elektra Records (US)
Producer John Anthony, Roy Thomas Baker, Queen
Queen chronology
Queen Queen
(1973) II
(1974)
Singles from Queen
1. "Keep Yourself Alive"

Released: 6 July 1973
2. "Liar"
Released: 14 February 1974 (US only)
Queen is the eponymous debut album by British rock group Queen, released in July 1973. It was recorded at Trident
Studios and De Lane Lea Music Centre, London, with production by Roy Thomas Baker (as Roy Baker), John
Anthony and Queen.
The album was influenced by the seaside rock, hard rock, and heavy metal of the day and covers subjects such as
folklore ("My Fairy King") and religion ("Jesus"). Lead singer Freddie Mercury composed five of the ten tracks,
Queen 97
guitarist Brian May composed four songs, including "Doing All Right", which was co-written by Smile band-mate
Tim Staffell and drummer Roger Taylor composed and sang "Modern Times Rock and Roll". The final song on the
album is a short instrumental version of "Seven Seas of Rhye". The band included the comment 'No synthesizers' on
the album sleeve, as some listeners had mistaken their elaborate multi-tracking and effects processed by guitar and
vocal sounds as synthesizers. Bassist John Deacon was credited on the sleeve notes of the original vinyl release as
"Deacon John", as Mercury and Taylor thought this may make him sound more interesting.
History
Queen had been playing the club and college circuit in and around London for almost two years when the band had a
chance opportunity to test out the new recording facilities of De Lane Lea Studios. Taking advantage of the
opportunity, they put together a polished demo tape of five songs: "Keep Yourself Alive", "The Night Comes
Down", "Great King Rat", "Jesus", and "Liar". Despite the demo tape's quality, the band received only one offer
from a record company — a low bid from Chrysalis Records, which they used to try to entice other companies.
They were finally taken aboard in 1972 by Norman and Barry Sheffield, who were setting up Trident Studios;
however, Queen were allowed to record only during the studio's downtime,[1] after the paying artists had left, which
was usually between 3 and 7am. One day, while waiting to use the studio, Mercury was asked to record vocals by
producer Robin Cable, who was working on a version of "I Can Hear Music" and "Goin' Back". Mercury enlisted
May and Taylor to record the tracks. These recordings were released on a single under the name Larry Lurex.
The arrangement of recording only during downtime lasted from June to November 1972. The limitations this
imposed on them led the band to focus on completing one track at a time, but problems arose almost immediately.
The band had thought highly of their De Lane Lea demo tracks, but producer Roy Thomas Baker asked them to
re-record the songs with better equipment. "Keep Yourself Alive" was the first song to be re-recorded, and Queen
did not like the result. They recorded it once again, but during the mixing sessions, no mix met their standards until
engineer Mike Stone stepped in. After seven or eight failed attempts, Stone's first try met with Queen's approval.
Stone would stay on to engineer and eventually co-produce their next five albums. The first, rejected re-record of
"Keep Yourself Alive" was later released by Hollywood Records in the US, titled "(Long Lost Re-take)," with May's
approval. Another track that proved problematic was "Mad The Swine", which was recorded for the album but then
derailed by Baker and Queen disagreeing on the quality of the percussion. With the issue unresolved, the track was
left off the album. It re-surfaced in 1991 as both the B-side to the "Headlong" CD single in the UK, and on the
Hollywood Records re-release of the album. The version of "The Night Comes Down" which appears on the album
is, in fact, the De Lane Lea demo recording,[1] as the band were unsatisfied with any attempt at rerecording it.
Other recordings from this period, such as two Smile tracks ("Silver Salmon" and "Polar Bear"), "Rock And Roll
Medley" (a live encore staple from the era), and the infamous track "Hangman" (whose existence was long denied
officially, beyond live concert recordings), have surfaced in the form of acetate pressings, now owned legitimately
by private collectors.
Though the album was completed and fully mixed by November 1972, Trident spent months trying to get a record
company to release it. After eight months of failing that, they simply released it themselves in 1973. During this
time, Queen had begun writing material for their next album, but they were disheartened by the current album's
delay, feeling they had grown past that stage, even though the record-buying public was just getting wind of them.
They recorded two BBC sessions during the interim. The first single, "Keep Yourself Alive" (the Mike Stone mix,
now considered the standard album version) was released a week before the album[1] (UK dates, 6 July and 13th
respectively). The track length was edited for release in the US, from 3:47 to 3:30. The US single was issued in
October. All countries had the B-side "Son And Daughter". The album was released in the US on 4 September.
Elektra Records released a single of "Liar" in a heavily edited form (without the band's knowledge) on 14 February
1974, with the B-side "Doing All Right". Elektra later re-issued the edited version of "Keep Yourself Alive" in July
1975, this time with the rare double B-side (rare for a 7" single) of "Lily Of The Valley" and "God Save the Queen".
Queen 98
Both versions are unique compared to the album versions.

Hollywood Records released a CD single featuring five versions of "Keep Yourself Alive" to promote the
forthcoming "Crown Jewels" boxed set (1998). The versions on the CD are: "Long Lost Re-take", "BBC Session #1
Version", "Live Killers Version", "Album Version (Unremastered)", and "Album Version (1998 Remastered
Version)".
Reception
Rolling Stone wrote, "There's no doubt that this funky, energetic English quartet has all the tools they'll need to lay
claim to the Zep's abdicated heavy-metal throne, and beyond that to become a truly influential force in the rock
world. Their debut album is superb."[2] The Winnipeg Free Press opined that Queen borrowed from other artists, but
also compared it favourably to Led Zeppelin, writing, "the group manages to inject such a fresh, energetic touch to
most of it that I don't mind a bit... With its first album, Queen has produced a driving, high energy set which in time
may be looked upon with the same reverence Led Zep 1 now receives."[3] Illinois' Daily Herald also commended the
record, writing "Good listening is guaranteed in songs like 'Keep Yourself Alive,' 'Great King Rat' and 'Doing All
Right'."[4]
In later years, Allmusic awarded the album 3/5 stars, calling it a "patchy but promising debut from a classic rock
group,"[5] while Q awarded the album 5/5 stars, citing it as an "essential purchase."[6] In 1994, Guitarist magazine
ranked Queen the 19th most influential guitar album of all time.[7] In 2008, Rolling Stone ranked "Keep Yourself
Alive" 31st in the "100 Greatest Guitar Songs Of All Time", describing it as "an entire album's worth of riffs
crammed into a single song".[8]
Track listing
Side one
No. Title Writer(s) Length
1. "Keep Yourself Alive" Brian May 3:46
2. "Doing All Right" May, Tim Staffell 4:10
3. "Great King Rat" Freddie Mercury 5:41
4. "My Fairy King" Mercury 4:07
Side two
1. "Liar" Mercury 6:26
2. "The Night Comes Down" May 4:24
3. "Modern Times Rock 'n' Roll" Roger Taylor 1:48
4. "Son and Daughter" May 3:19
5. "Jesus" Mercury 3:45
6. "Seven Seas of Rhye" (Instrumental) Mercury 1:10

Queen 99
1991 Hollywood Records bonus tracks
11. "Mad the Swine (Previously Unreleased)" Mercury 3:24
12. "Keep Yourself Alive (Long Lost Re-Take)" May 4:04
13. "Liar (1991 Bonus Remix by John Luongo and Gary Hellman)" Mercury 6:28
2011 Universal Records reissue bonus disc
No. Title Length
1. "Keep Yourself Alive (De Lane Lea Demo, December 1971)" 3:50
2. "The Night Comes Down (De Lane Lea Demo, December 1971)" 4:22
3. "Great King Rat (De Lane Lea Demo, December 1971)" 6:07
4. "Jesus (De Lane Lea Demo, December 1971)" 5:04
5. "Liar (De Lane Lea Demo, December 1971)" 7:52
6. "Mad the Swine (June 1972)" 3:22
2011 iTunes Deluxe Edition bonus videos
No. Title Length
7. "Son And Daughter (Live at Hammersmith Odeon '75)"
8. "Liar (Live at The Rainbow '74)"
9. "Keep Yourself Alive (Rehearsal at St John’s Wood Studios '73)"
2011 re-issue
On 8 November 2010, record company Universal Music announced a remastered and expanded reissue of the album
set for release in May 2011. This as part of a new record deal between Queen and Universal Music, which meant
Queen's association with EMI would come to an end after almost 40 years. According to Universal Music, all Queen
albums are to be remastered and reissued in 2011.
Song information
"Keep Yourself Alive"

Brian May wrote "Keep Yourself Alive" after the band had been formed, but before John Deacon joined, as
confirmed by former bass player Barry Mitchell (on an unofficial Q&A session held on an online forum). According
to what May said in a radio special about their 1977 album, News of the World, he had penned the lyrics thinking of
them as ironic and tongue-in-cheek, but their sense was completely changed when Freddie Mercury sang them.
Taylor and May sing the vocal bridge of the song.
Mercury might have helped on the musical arrangements based on the fact that (as it has been recalled by former
bassists and the band themselves) they were in a more collaborative period in the pre-studio days and Mercury was
usually the one getting his way with structural ideas. While it is highly possible that he contributed ideas to the song
(the modulation types and the expanded form are closer to his style than to May's), the bottom line is that even in that
case Mercury would be more a co-arranger than a co-writer per se (like George Martin on The Beatles' songs).[9]
Queen 100
"Doing All Right"

"Doing All Right" was written by Brian May and Tim Staffell while in the pre-Queen band, Smile. The song changes
many times throughout, from light pop music to acoustic guitars and even contains a heavy metal section. This is one
of the few Queen songs to feature Brian May on the piano. He also played his old Hairfred acoustic guitar on this
track and on later tracks such as "White Queen (As It Began)" and "Jealousy". The band played this song as early as
1970, and it was notable as the band's first song Freddie Mercury played live on the piano for. Staffell sang it when it
was a Smile song, and Mercury tried to sing in the same manner when it became a Queen song.
"Great King Rat"

"Great King Rat" was written by Freddie Mercury. This song is an example of Queen's earliest sound, with lengthy,
heavy compositions with long guitar solos and sudden tempo changes.
"My Fairy King"

"My Fairy King", written by Mercury, deals with Rhye, a fantasy world created by vocalist Freddie Mercury and
featured in other Queen songs, most notably "Seven Seas of Rhye". "My Fairy King" is the first song on the album to
feature Mercury's piano skills – as the piano on "Doing All Right" was played by guitarist Brian May who was quite
impressed by Mercury's piano playing on the track, and from this point on Mercury handled most of Queen's piano
parts.
Before writing this song Mercury was known as Freddie Bulsara, and this song is said to have inspired him to change
his surname. Its lyrics contain a verse with the words "Mother Mercury, look what they've done to me." Brian May
has said that after the line was written, Freddie claimed he was singing about his mother. Subsequently, Freddie
Bulsara took the stage name Freddie Mercury. This was another attempt to separate his stage persona ("extroverted
monster", as Mercury himself once described it) from his personal persona (introverted).
Written during the band's time in the studio, the song contains many voice overdubs and vocal harmonies, which
Mercury was fond of. Drummer Roger Taylor also displays his vocal skills here, hitting some of the highest notes in
the composition. The vocal overdubs technique would later be used in many Queen songs, most notably "Bohemian
Rhapsody". Mercury borrowed some lines from Robert Browning's poem, "The Pied Piper of Hamelin".[10]
"Liar"
"Liar" was written by Freddie Mercury in 1970 while he was still under the name Farrokh Bulsara, and before John
Deacon joined the band the following year. It is one of the band's heavier songs. As confirmed by the transcription
on EMI Music Publishing's Off The Record sheet music for the song, this is one of the few Queen tracks of the 1970s
to feature a Hammond organ.
Some Queen fans believe that John Deacon sang the "all day long" lines, since he did so in live versions and the
video. However, on both, he was joined by Roger Taylor, Brian May and Freddie Mercury, therefore it is not known
if it was merely a visual trick or if actually Deacon did some uncredited backing vocals. Both live and in the video,
Deacon would sing into Mercury's microphone.
Queen 101
"The Night Comes Down"

Brian May wrote the song shortly after the band's formation in 1970, following the break-up of Smile. It was first
recorded at De Lane Lea Studios in December 1971, when the band was hired to test the studio's new equipment in
exchange for being allowed to record proper demos for their attempt to find a record company. The agreement was
mutually beneficial and Queen took full advantage of the state-of-the-art equipment to put five of their tracks to tape.
In 1972, Trident Studios signed Queen to a recording contract which limited them to only down-time studio access
(when paying artists were not recording) and they began working with producer Roy Thomas Baker. Baker and
Studio owners/management Norman and Barry Sheffield insisted on re-recording the five De Lane Lea demos. A
new studio version of "The Night Comes Down" was recorded, but in the end, it was decided that the De Lane Lea
version was still superior, and this was the version which appears on the debut album. The unused
Roy-Thomas-Baker-produced version remains unreleased and has not surfaced even on bootlegs.
With the release of the original De Lane Lea demos as bonus tracks in 2011, the difference in the mixing of "The
Night Comes Down" is quite noticeable when compared to the original LP and digital remasters. The demo is
roughly the same mix that appeared on the album except that there is a distinct difference in the drum sound.
The song follows what would become trademark Brian May themes such as coming-of-age, nostalgia over the loss
of childhood to the past, and the difficulties of life as an adult. There is also what could be an ambiguous reference to
"Lucy in the Sky with Diamonds", in the lyric: "When I was young it came to me; And I could see the sun breaking;
Lucy was high and so was I; Dazzling, holding the world inside." May is admittedly a Beatles fan and has
commented in numerous interviews on their impact on him.
"Modern Times Rock 'n' Roll"

The lead vocal is performed by drummer Roger Taylor, who wrote the song. The song was re-recorded on two
occasions for the BBC. The first was re-recorded in December 1973 and broadcast on John Peel's show. This version
was released on the 1989 Queen album At The Beeb, and sounds very similar to the original album version. The
second re-recording was done in April 1974 and broadcast on Bob Harris's show. This version has not seen the light
of day outside of bootleg recordings and it differs in style from the original album version, with a slower tempo and
extra vocals from Freddie Mercury.
"Son and Daughter"

"Son and Daughter" was written by guitarist Brian May and was the B-side for the single "Keep Yourself Alive".
Written in 1972 for their first album and a regular feature in Queen's live set until well into 1975, the song originally
housed Brian May's famous guitar solo. The album version of the song does not feature the guitar solo. The solo
would not be properly recorded until 1974, for the track "Brighton Rock" of their Sheer Heart Attack album. Until
this time, and occasionally afterward, the guitar solo would take over the middle of "Son And Daughter" during
concerts, allowing the rest of the band a bit of a rest and costume change.
Unlike other songs from Queen's early period which crept back into circulation in the live set of their '84 through '86
tours, such as "Liar", "Keep Yourself Alive", "The Seven Seas of Rhye" and "In The Lap Of The Gods...Revisited",
"Son And Daughter" stayed off the set-lists after Queen's hit singles began to dominate their live show. The song is
indicative of their very earliest sound, influenced by blues rock and heavy metal.
Queen 102
"Jesus"
The lyrics tell part of the story of Jesus of Nazareth. Mercury, credited with writing the song, was a Parsi
Zoroastrian. The track features a two-chord rhythm section during the verses with a long instrumental break toward
the end of the song. Because of the effects created by Brian May's Red Special guitar, among other things, many
early followers of Queen viewed the band as something of a psychedelic rock band.
"Seven Seas of Rhye..."

Mercury had half-written the song when the first album was recorded and completed it for the second album.
Queen comments on the record
“
We like some of the stuff on it, but we sometimes fell into the trap of over-arrangement. You know, the songs changed over the years and
some of them probably evolved too much. You can get so far into something that you forget what the song originally was. On a personal level,
it was frustrating for me to take so long to get to this point. I wanted to record things with, for instance, tape echoes and multiple guitars five
years ago. Now I've finally done it, but in the meantime so have other people! Which is a bit disappointing. But you have to get away from the
idea that playing music is a competition. You should just keep on doing what you think is an interesting thing to do. ”
[11]
—Brian May
“
There are a lot of things on the first album I don't like, though, for example the drum sound. There are parts of it which may sound contrived
but it is very varied and it has lots of energy ... but then I think one of the best albums last year was the "Mott" album and that had loads of
inconsistencies and rough bits... ”
[12]
—Roger Taylor
“
And quite a lot of the songs on that first album were songs that we had had for a long while, and songs that we just used to play together,
songs like Keep Yourself Alive, Liar, Great King Rat, and other numbers. They're songs that we just used to play. And we just went in and
recorded them. And there were one or two numbers on that first album which were more sort of that first sort of sign of getting interested in
doing things in the studio. My Fairy King was a number Freddie wrote when we only wrote while we were in the studio and it was built up in
the studio. Whereas, you know as I said, there's other numbers where essentially live songs, basically just the track and then just a few
.......backing vocals and guitar solos over the top and that was it. ”
[13]
—John Deacon
Personnel
• Freddie Mercury - lead and backing vocals, piano, Hammond organ on "Liar"
• Brian May - electric and acoustic guitar, backing vocals, vocal bridge on "Keep Yourself Alive", piano on "Doing
All Right"
• Roger Taylor - drums, backing vocals, lead vocals on "Modern Times Rock 'n' Roll", vocal bridge on "Keep
Yourself Alive", percussion
• John Deacon - bass guitar
• John Anthony - producer, backing vocals on "Modern Times Rock 'n' Roll"
• Roy Thomas Baker - producer, sound engineer
• Mike Stone - sound engineer
• Ted Sharpe - sound engineer
Queen 103
Chart performance
Chart (1973) Peak
position
[14] 24
UK Albums Chart
[15] 83
U.S. Billboard 200
References
[1] "Queen – Queen" (http:/ / queenonline. com/ q_history/ history. php?history=6& section=1). QueenOnline.com. . Retrieved 2006-11-23.
[2] Rolling Stone review (http:/ / www. rollingstone. com/ artists/ queen/ albums/ album/ 199416/ review/ 5942941/ queen)
[3] Winnipeg Free Press review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_01-05-1974_-_Queen_-_Winnipeg_Free_Press)
[4] Chicago Herald review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_12-07-1973_-_Queen_-_The_Herald,_Chicago,_IL)
[5] Allmusic review (http:/ / www. allmusic. com/ album/ r687293)
[6] Q, November 2004, p.102
[7] "The Top 50 Most Influential Guitar Albums Of All Time Ever!" (http:/ / www. rocklistmusic. co. uk/ 50. html). Guitarist. December 1994.
Archived at rocklistmusic.co.uk
[8] "100 Greatest Guitar Songs Of All Time" (http:/ / www. rocklistmusic. co. uk/ rstone. html). Rolling Stone. June 2008. Archived at
rocklistmusic.co.uk
[9] "Queen – Keep Yourself Alive" (http:/ / www. queenonline. com/ q_history/ Music/ Queen/ KeepYourselfAlive_video. php).
QueenOnline.com. . Retrieved 2006-11-23.
[10] Robert Browning. The Pied Piper of Hamelin (http:/ / www. indiana. edu/ ~librcsd/ etext/ piper/ text. html). London: Frederick Warne and
Co., 1888, lines 246-248. (website of Indiana University)
[11] Guitar Magazine August 1973 (http:/ / www. queenarchives. com/ index. php?title=Brian_May_-_08-XX-1973_-_Guitar_Magazine)
[12] Sounds December 1974 (http:/ / www. queenarchives. com/ index. php?title=Roger_Taylor_-_12-XX-1974_-_Sounds)
[13] Innerview 1977 (http:/ / www. queenarchives. com/ index. php?title=John_Deacon_-_XX-XX-1977_-_Innerview)
[14] http:/ / www. chartstats. com/ release. php?release=37683
[15] http:/ / www. allmusic. com/ artist/ queen-p5205/ charts-awards/ billboard-albums
External links
• Queen at Queen's official website including history and lyrics (http://queenonline.com/q_history/history.
php?history=6&section=1)
• Early Queen recordings (http://qliverecordings.tripod.com/earlyrec.html)
Queen II 104
Queen II
Queen II
Released 8 March 1974
Recorded August 1973 at Trident Studios, London
Genre Rock
Length 40:42
Label Parlophone (Europe), Elektra (US)
Producer Roy Thomas Baker, Robin Geoffrey Cable, Queen
Queen chronology
Queen Queen Sheer Heart

(1973) II Attack
(1974) (1974)
Singles from Queen II
1. "Seven Seas of Rhye"

Released: 23 February 1974
Queen II is the second album by British rock group Queen, released in March 1974. It was recorded at Trident
Studios, London in August 1973 with co-producers Roy Thomas Baker and Robin Cable, and engineered by Mike
Stone.
The two sides of the original LP were labelled "Side White" and "Side Black" (instead of the conventional sides "1"
and "2"), with corresponding photos of the band dressed in white or in black on either side of the record's label face.
It is also a concept album, with the white side having songs with a more emotional theme and the black side almost
entirely about fantasy, often with quite dark themes. Mick Rock's album cover photograph was frequently re-used by
the band throughout its career, most notably in the music video for the song "Bohemian Rhapsody" (1975).
Released to an initially mixed critical reception, Queen II remains one of the band's lesser-known albums.
Nonetheless, the album has retained a cult following since its release, has garnered praise from musicians such as
Axl Rose, Steve Vai and Billy Corgan, and is significant in being the first album to contain elements of the band's
signature sound of multi layered overdubs, vocal harmonies, and varied musical styles.[1] [2]
Queen II 105
Background and recording

"Led Zeppelin and The Who are probably in [Queen II] somewhere, because they were among our favourite groups, but what we are
trying to do differently from either of those groups [is] this sort of layered sound. The Who had the open chord guitar sound... but
our sound is more based on the overdriven guitar sound.. I also wanted to build up textures behind the main melody lines. We were
trying to push studio techniques to a new limit for rock groups – it was fulfilling all our dreams, because we didn't have much
opportunity for that on the first album".
[3]
—Brian May, on Queen II and the band's sound.
After their debut album Queen was recorded and mixed by the end of November 1972, Queen set about touring and
promoting it. Management problems forced the album to be released under the independent Trident label, but only
after eight months had gone by since completion. During that time, Queen were writing new material and anxious to
record it. Several new songs were written immediately after the first album, and some dated from even earlier. "See
What A Fool I've Been" was left over from the Smile days. "Ogre Battle" was written during the debut album
sessions, as was "Father To Son", but the band decided to wait on recording them until they had more ample studio
time.
August 1973 found the band back in Trident Studios, now allowed to book proper hours there, with an album under
their belts. For what is generally considered a complex album (with layered vocals, harmonies and instruments), it
took a very short time—only one month—to record Queen II. A full version of "Seven Seas of Rhye" was laid down,
recorded with the specific intention of being the album's leading single. After the commercial failure of "Keep
Yourself Alive", which was taken from the first album, Queen decided it needed a single that did not take "too long
to happen" (without a lengthy guitar intro). So, Queen and Baker made sure that "Rhye" began in a way which would
grab people. Mythology and art were passions of Mercury's, and Richard Dadd's painting "The Fairy Feller's
Master-Stroke" (which currently hangs in the Tate Gallery) sparked his creativity. This scene from Dadd's
imagination was inspired by characters from faery myths, which in the painting are gathered around the Feller of
Trees to watch him crack a walnut for Queen Mab's new carriage.
Rock photographer Mick Rock was employed to do the photography for the album's artwork.[4] This single picture of
Queen, used on the Queen II album cover, would become one of the band's most iconic images, revisited and
brought to life for the "Bohemian Rhapsody" promotional film.[4] Robin Cable, with whom Mercury had worked
during the "I Can Hear Music" session, was recruited to reproduce the Spector production sound for "Funny How
Love Is".
The "White" side is very diverse: four of the five numbers were composed by Brian May, where one is instrumental,
one is sung by Freddie Mercury and Roger Taylor (with May at the piano), the next is sung by Mercury, and the last
by May. The closing track of The "White" Side is Taylor's only composition in the album, which he also sings. John
Deacon played acoustic guitar as well as bass on most of the album, except the songs "White Queen" and "Some Day
One Day", which were performed by May—partly on an inexpensive Hairfred guitar that he had owned since his
childhood.
Lead vocalist Freddie Mercury composed the entire "Black" side, contributing virtuosic piano and harpsichord pieces
and a wide range of distinctive vocal performances.
Packaging
The Queen II album cover features a photograph taken by Mick Rock of, according to VH1, "Queen standing in
diamond formation, heads tilted back like Easter Island statues" against a black background.[5] The band had hired
Rock because they wanted to, in Rock's words, "graft some of [the trademark] decadent 'glam' sensibility" of his
work with artists such as David Bowie, Iggy Pop and Lou Reed. Subsequently, the brief the photographer received
from Queen was to have a black and white theme for the Queen II artwork.[6] According to Rock, the group were
looking to grab people's attention with the cover, especially since their first album had failed to do so; "They realized
Queen II 106
that if you could catch people's eyes you could get them interested in music."[5] Describing it as a "sort of a knockoff
of an old Marlene Dietrich shot",[7] the photographer took inspiration for the cover from a still of the actress from the
1932 film Shanghai Express.[5] "And of course no one was ever more 'glam' than the divine Ms Dietrich", Rock
quips.[6]
Although the band almost rejected the photograph because they felt it too pretentious, Rock convinced them
otherwise; "It made them look like much bigger a deal then they were at the time, but it was a true reflection of their
music."[5] The image was reused by Queen for the promotional video of their 1975 single "Bohemian Rhapsody" and
"One Vision" (1986).
Release and reception

After the album's completion in the end of August 1973, Queen added "Ogre Battle", "Procession" and "Father to
Son" to their live setlists immediately and toured extensively. Once again, however, Trident delayed the record since
Queen's first album had only just been released in the UK and had yet to be issued in the USA. Numerous other
problems beset the album's release, as well. Its completion coincided with the 1973 oil crisis and consequently,
government-enforced measures for energy conservation delayed its manufacture by several months. Once the
long-overdue first pressing arrived in record shops, the band noticed a spelling error on the sleeve, and had to
complain persistently to correct it.[8]
"Considering the abuse we've had lately, I’m surprised that the new album has done so well. I suppose it's basically that audiences
like the band... we took so much trouble over that album, possibly too much, but when we finished we felt really proud. Immediately
it got really bad reviews so I took it home to listen to again and thought 'Christ, are they right?' But after hearing it a few weeks later
I still like it. I think it’s great. We’ll stick by it."
[9]
—Roger Taylor on the critical reaction to Queen II.
Queen II received a mixed critical reaction from the contemporary music press. Disc wrote, "The material,
performance, recording and even artwork standards are very high."[10] NME opined that the record showcased "all
their power and drive, their writing talents, and every quality that makes them unique,"[10] while Sounds wrote,
"Simply titled Queen II, this album captures them in their finest hours."[10] Rolling Stone awarded the album
two-and-a-half stars out of five. While the magazine had little enthusiasm for "Side Black", they applauded "Side
White", writing that it featured the "saving grace of timely and well-chosen power chords and some rather pretty
tunes."[11]
Melody Maker had little praise for the record, writing, "It's reputed Queen have enjoyed some success in the States,
it's currently in the balance whether they'll really break through here. If they do, then I'll have to eat my hat or
something. Maybe Queen try too hard, there's no depth of sound or feeling."[10] Record Mirror were also unamused,
writing, "This is it, the dregs of glam rock. Weak and over-produced, if this band are our brightest hope for the
future, then we are committing rock and roll suicide."[10] Robert Christgau gave the album a "C−" rating, describing
it as "Wimpoid royaloid heavoid android void".[12]
Queen II entered stores in the UK on 8 March 1974. The album enjoyed chart success in the UK, peaking at number
five. It peaked at number 49 in the US, improving on debut album Queen, which peaked at number 83. The only
single taken from Queen II, "Seven Seas of Rhye" (released in February 1974) peaked at number 10 on the UK
Singles Chart, giving the band their first chart hit.
Queen II 107
Legacy
As 1974 drew to a close, public reaction to Queen II had been enthusiastic.[10] The album was also ranked by Disc as
the 5th best of the year.[13] While the album remains one of the band's lesser-known works, it has since retained a
cult following and has in recent years been cited by a number of music publications, fellow artists and fans as one of
Queen's finest works. In 1987, the Post-Tribune ranked Queen II 9th in an article covering "albums that should be in
everyone's record collection, but aren't."[14] In the 1994 edition of The Guinness All Time Top 1000 Albums, Queen
II was voted #202 in the all-time greatest rock and pop albums.[15] In 2003, Q magazine included Queen II in a list of
fifty little-known albums recommended by the magazine to supplement their "The 50 Best British Albums Ever"
poll.[16] In 2005, Kerrang! readers voted Queen II the 72nd greatest British rock album ever.[17] In 2006, the album
was featured in Classic Rock and Metal Hammer's "The 200 Greatest Albums of the 70s," being listed alongside
Sheer Heart Attack as one of the 20 greatest albums of 1974.[18] In 2008, IGN Music named Queen II as one of their
"10 Classic Glam Rock Albums", writing, "Queen gave glam a bigger, more anthemic sound with this glittery opus.
Combined with Freddie Mercury's underrated keyboard work, Brian May's ringing leads and pristine riffs created a
backdrop for songs that were by turns ferocious and elegant."[19] In 2010, Mojo ranked Queen II as the 60th greatest
album ever released on the Elektra Records label.[20] Along with the Queen albums Sheer Heart Attack and A Night
at the Opera, Queen II is featured in the book 1001 Albums You Must Hear Before You Die, where it is described as
"a distinctly dark album" which "displayed their diversity," and contrasted with their later "expansive,
stadium-pleasing anthems."[21]
Allmusic said of the record, "Queen is coiled, tense, and vicious here, delivering on their inherent sense of drama,
and that gives Queen II real power as music, as well as a true cohesion... Queen II is one of the favorites of their
hardcore fans."[22] In 2009, The Quietus published an article highlighting Queen's "lesser-known brilliance" to
coincide with the release of that year's Absolute Greatest compilation, describing Queen II as "an absolute scorcher
of an album" which features two of the band's best tracks: "Ogre Battle" and "Father to Son".[23]
"I don't think enough is really said about the brilliance of Brian May's guitar playing, in the sense that it's overshadowed by the
music itself. The Queen II album was one of those pivotal moments that just nailed me to the wall."
[24]
—Steve Vai.
Endorsements from younger recording artists have introduced the album to a new generation of fans. In a 1989
Rolling Stone interview, Guns N' Roses lead singer Axl Rose said of the record, "With Queen, I have my favorite:
Queen II. Whenever their newest record would come out and have all these other kinds of music on it, at first I'd
only like this song or that song. But after a period of time listening to it, it would open my mind up to so many
different styles. I really appreciate them for that. That's something I've always wanted to be able to achieve".[25]
Smashing Pumpkins frontman Billy Corgan spoke to Melody Maker in August 1993 about "the records which
changed his life," stating, "I worked at this record store where we had lots of old records, and I found Queen II,
probably their least popular album. It's so over the top, so many vocal and guitar track overdubs - total Queen
overload. I loved it. I loved the cool, weird, ambiguous songs about Freddie’s sexuality and the way it shifts from
heavy to beautiful ballads."[26]
The influence of this album is also seen in Latin America. The Argentine rock band Soda Stereo, said as one of their
influences was Queen and this was reflected in 1997 when they released, as tribute, a Spanish version of "Some Day
One Day" called "Algún Día".
Queen II 108
Track listing
All songs on the white side written by Brian May except where noted. All songs on the black side written by Freddie
Mercury.
White Side
1. "Procession" (Instrumental) 1:12
2. "Father to Son" 6:14
3. "White Queen (As It Began)" 4:34
4. "Some Day One Day" 4:23
5. "The Loser in the End" Roger Taylor 4:02
Black Side
1. "Ogre Battle" 4:10
2. "The Fairy Feller's Master-Stroke" 2:40
3. "Nevermore" 1:15
4. "The March Of The Black Queen" 6:33
5. "Funny How Love Is" 2:50
6. "Seven Seas of Rhye" 2:50
Bonus track (1991 Hollywood Records CD reissue)
No. Title Length
1. "See What A Fool I've Been (May)" 4:32
2. "Ogre Battle (1991 Bonus Remix)" 3:27
3. "Seven Seas Of Rhye (1991 Bonus Remix)" 6:35
No. Title Length
1. "See What a Fool I've Been (BBC Session July 1973) [Remix 2011]" 4:22
2. "White Queen (As It Began) [Live At Hammersmith Odeon, December 1975]" 5:32
3. "Seven Seas of Rhye (Instrumental Mix)" 3:09
4. "Nevermore (BBC Session, April 1974)" 1:27
5. "See What a Fool I've Been (B-Side Version February 1974)" 4:31
Queen II 109
No. Title Length
7. "White Queen (As It Began) (Live at The Rainbow '74)"
8. "Seven Seas Of Rhye (Live at Wembley Stadium '86)"
9. "Ogre Battle (Live at Hammersmith Odeon '75)"
Song information
Procession
"Procession" is a short instrumental piece performed by Brian May on multi-tracked guitar. He recorded it by
playing overlapping parts on the Red Special through John Deacon's custom-made amplifier (the Deacy Amp).
Roger Taylor also contributes to this instrumental, using only a bass pedal.
Father to Son
"Father to Son" was written by May and features heavy metal sections as well as a quiet piano part, which May
played. Like the preceding number, "Father to Son" has parts with May on multi-tracked guitar, played through the
Deacy Amp. It is written in the father's perspective when talking or thinking about his son. Queen added "Father to
Son" to their live setlists immediately and toured extensively, but the song was dropped from the setlists in 1975.
The song covers a two-octave range: Mercury (G3-A4), Taylor (G4-A5).
White Queen (As It Began)

Written by May, this song features contrasting acoustic and heavy metal sections.
Some Day One Day

This is the first song sung entirely by May on lead vocals. It features May on acoustic guitar and electric guitar and
the last guitar solo (during the fade-out) features three solo guitars. This kind of complex guitar arrangement is
typical of May; however, usually the guitars are harmonious, but in this case, all of the guitars play different parts.
The Loser in the End

"The Loser in the End" was Taylor's sole contribution on the album both as a songwriter and lead vocalist.
Ogre Battle
Mercury wrote "Ogre Battle" on guitar (as confirmed by May in several interviews)[27] in 1972. The band did not
want to record it for their first album, but rather waited until they could have more studio freedom to do it properly.
The ogre-like screams in the middle are Mercury's, and the high harmonies at the end of the chorus hook are sung by
Taylor. As the title suggests, it tells the story of a battle between ogres, and features a May guitar solo and sound
effects to simulate the sound of a battle. The beginning of the song is the end of the song in reverse including the
final gong, which when played backwards at the start of the song, creates the building wave sound.
The song is one of Queen's heaviest works. The guitar riff along with Taylor's drumming give it a very "thrash"
sound. It was a longtime live favourite, although in this case, it was played slower than in the studio. They stopped
playing the song somewhere around 1977-1978, playing it on almost every concert up until then.
A different version of "Ogre Battle" exists, recorded in December 1973 for the BBC Radio 1 "Sound of the 70s"
programme. This version starts right away with its riff (without any long intro), does not have any effects that the
Queen II 110
version on "Queen II" has and sounds much less polished. The BBC version of "Ogre Battle" did originally have a
long intro featuring a grand guitar build up; it was not used for this release, allegedly because the original tape was
damaged.
The Fairy Feller's Master-Stroke

Mercury was inspired to write "The Fairy Feller's Master-Stroke" after
seeing Richard Dadd's painting The Fairy Feller's Master-Stroke. For
the intricately-arranged studio recording, Mercury played harpsichord
as well as piano, and Roy Thomas Baker played the castanets. Taylor
called this song Queen's "biggest stereo experiment", referring to the
intricate use of panning in the mix.
The song, like most of the songs on the album, features medieval
fantasy-based lyrics, and makes direct reference to the painting's
characters as detailed in Dadd's poem, such as Queen Mab, Waggoner
Will, the Tatterdemalion, and others. Apparently whenever Queen had
spare time, Mercury would drag them to the London's Tate Gallery,
where the painting was, and still is today.
The complex arrangements are based around a backing track of piano,

bass guitar and drums, but also included harpsichord, multiple vocal
overdubs and overdubbed guitar parts. The lyrics follow the The Fairy Feller's Master-Stroke by Richard
Dadd.
claustrophobic atmosphere of the painting, and each of the scenes are
described. The use of the word "Quaere" has no reference to Mercury's
sexuality, according to Taylor. The band never performed this song live.
Nevermore
The previous track ends with a three-part vocal harmony from May, Mercury and Taylor which flows into Mercury
playing the piano on this track. All the vocal parts were performed by Mercury, who added some contemporary
piano "ring" effects as well. These effects were widely suspected to be synthesizers; however, they were created by
someone plucking the piano strings while Mercury played the notes. Nevermore is quite a short ballad about the
feelings after a heartbreak.
The March of the Black Queen

Mercury composed this song on piano in 1973, and the song is the only Queen song containing
polyrhythm/polymeter (two different time signatures simultaneously 8/8 and 12/8), which is very rare for popular
music.
The full piece was too complicated to perform live by the band; however, the uptempo section containing the lines
"My life is in your hands, I'll foe and I'll fie..." etc. was sometimes included in a live medley, with vocals by Mercury
and Taylor, during the 1970s.[28] [29] [30]
The song segues into the next track, "Funny How Love Is". This song ends with an ascending note progression,
which climaxes in the first second of the following track.
Queen II 111
Funny How Love Is

"Funny How Love Is" was created in the studio. Mercury wrote it and played the piano while Robin Cable produced.
It was produced using the "wall of sound" technique. The song was never performed live, largely due to the
demanding high-register vocals from Mercury throughout the song.
Seven Seas of Rhye

"Seven Seas of Rhye" had been half-written at the time of recording for Queen's first album, so a short clip of it was
included there. However, when Queen finished the song, it ended up being much different from what they'd first
envisioned. It was the band's first hit single, peaking at #10 in the UK charts.[31]
The song, like many of the songs on the album, and on Queen and Sheer Heart Attack, is about a fantasy world
named Rhye. The song became a live favourite throughout Queen's existence. It features a distinctive arpeggiated
piano introduction – on the Queen II recording, the arpeggios are played with both the right and left hands, an octave
apart, whereas on the Queen recording, and most live performances, Mercury played the simpler one-handed version
of these arpeggios. The theme also appears at the end of "It's a Beautiful Day (reprise)" on the album Made In
Heaven. This version ends with a cross fade, instruments blending into a "singsong"-style rendition of "I Do Like to
Be Beside the Seaside".
The seven seas of Rhye are also mentioned in another Queen song, "Lily of the Valley" from Sheer Heart Attack; in
the lyric "Messenger from Seven Seas has flown/To tell the king of Rhye he's lost his throne".
“
(On the concept of Side White and Side Black) Well... that was a concept that we developed at the time... it doesn't have any special meaning.
But we were fascinated with these types of things... the wardrobe that we used at the time described it perfectly well...
”
[32]
—Freddie Mercury
“
The most important thing to me was the Queen II album going into the charts -- especially satisfying that, since the first one didn't do so well.
It's nice to see some recognition for your work though I don't usually worry too much. Roger tends to worry more about what's happening on
that side. ”
[33]
—John Deacon
“
I hated the title of the second album, Queen II, it was so unimaginative.
”
[34]
—Roger Taylor
Personnel
• Freddie Mercury - lead and backing vocals, piano, harpsichord
• Brian May - electric guitars, acoustic guitar, bells on "The March of the Black Queen", lead vocals on "Some Day
One Day", backing vocals, piano and organ on "Father to Son"
• Roger Taylor - drums, gong, marimba, backing vocals, additional vocals on one line of "The March of The Black
Queen", lead vocals on "The Loser in the End"
• John Deacon - bass guitar, acoustic guitars
With
• Roy Thomas Baker - castanets on "The Fairy Feller's Master-Stroke", stylophone on "Seven Seas Of Rhye".
Queen II 112
• Robin Cable - piano effects (with Mercury) on "Nevermore"

Production
• All songs produced by Queen and Roy Thomas Baker excluding:
• "Nevermore" and "Funny How Love Is" - Robin Cable and Queen
• "The March of the Black Queen" - Baker, Cable and Queen
Chart performance
Chart (1974) Peak
position
[35] 40
Canadian Albums Chart
[36] 19
Norwegian Albums Chart
[37] 5
UK Albums Chart
[38] 49
U.S. Billboard 200
2011 re-issue
References
[1] Stephen Thomas Erlewine Queen II (http:/ / www. allmusic. com/ album/ queen-ii-r687302/ review) Allmusic. Retrieved 14 August 2011
[2] Queen: First Five Albums Reissued - 14th March (http:/ / queenonline. com/ en/ news-archive/ queen-first-five-albums-re-issued-march-14th/
) Queen Online. Retrieved 14 August 2011
[3] Mark Hodkinson (2004) Queen: The Early Years (http:/ / books. google. com/ books?id=3ZMQXF9O8x0C& pg=PT240& dq='Queen+ II'+
was+ the+ sort+ of+ emotional+ music+ we'd+ always+ wanted+ to+ be+ able+ to+ play,+ although+ we+ couldn't+ play+ most+ of+ it+ on+
Stage+ because+ it+ was+ too+ Complicated. & hl=en& ei=LptZTuioNIqAOtffuJ4M& sa=X& oi=book_result& ct=result& resnum=1&
ved=0CCsQ6AEwAA#v=onepage& q='Queen II' was the sort of emotional music we'd always wanted to be able to play, although we couldn't
play most of it on Stage because it was too Complicated. & f=false) Omnibus Press, 2004. Retrieved 28 August 2011
[4] Pryor, Fiona (10 May 2007). "Photographer lives the Rock dream" (http:/ / news. bbc. co. uk/ 2/ hi/ entertainment/ 6613107. stm). BBC News.
. Retrieved 27 August 2011.
[5] Hamrogue, Sasha; Bottomley, C. " Mick Rock: Shooting Up (http:/ / www. vh1. com/ artists/ news/ 1489621/ 07222004/ bowie_david.
jhtml)". VH1. 22 July 2004. Retrieved on 8 February 2010.
[6] IOANNIS " Classic Rock Art - Queen II (http:/ / www. dangerousage. com/ classiccovers/ index. php?page=queen-ii)". IOANNIS - More than
meets the I. Dangerous Age Graphics. May 2008. Retrieved on 8 February 2010.
[7] " Mick Rock still behind the lens (http:/ / photo. box. sk/ about. php3?id=64)". Photo Box. Box Network Ltd. Retrieved on 8 February 2010.
[8] Queen Biography 1974 (http:/ / www. queenzone. com/ queenzone/ bio_view. aspx?q=6)
[9] Roger Taylor, Queen Street interview (archived at queenonline.com) (http:/ / www. queenonline. com/ history/ 48/ )
[10] Gunn, Jacky; Jenkins, Jim. Queen. As It Began. London: Sidgwick & Jackson. 1992. pp. 75–77. ISBN 0-283-06052-2.
[11] Barnes, Ken. " Queen II review (http:/ / www. rollingstone. com/ reviews/ album/ 111006/ review/ 5944771?utm_source=Rhapsody&
utm_medium=CDreview)". 20 June 1974. Retrieved on 16 January 2010.
[12] Christgau, Robert. " Queen: Consumer Guide Reviews (http:/ / www. robertchristgau. com/ get_artist. php?id=3505& name=Queen)".
RobertChristgau.com. Retrieved on 16 January 2010.
[13] Disc, end-of-year list, December 1974
[14] "Closet classics: Albums tuned out by the public". Post-Tribune. 3 July 1987. Retrieved 28 August 2010. Excerpt (http:/ / www. highbeam.
com/ doc/ 1N1-10853B09CF536D18. html) at HighBeam Research (registration required for complete article).
[15] Guinness: All-time top 1000 albums (http:/ / www. rocklistmusic. co. uk/ larkin1000_94. htm). 1994. Archived at rocklistmusic.co.uk
Queen II 113
[16] Q, "The 50 Best British Albums Ever", July 2003 ( list archived at www.muzieklijstjes.nl (http:/ / www. muzieklijstjes. nl/
Q50bestbritishalbumsever. htm))
[17] The 100 Best British Rock Albums Ever! (http:/ / www. rocklistmusic. co. uk/ kerrang. html). Kerrang!. 19 Feb 2005. Archived at
rocklistmusic.co.uk
[18] Classic Rock/Metal Hammer, "The 200 Greatest Albums of the 70s", March 2006
[19] Hall, Russell. " 10 Classic Glam Rock Albums (http:/ / uk. music. ign. com/ articles/ 911/ 911720p2. html)". IGN. 20 September 2008.
Retrieved on 16 January 2010.
[20] The 60 Greatest Elektra Albums (http:/ / www. rocklistmusic. co. uk/ mojo_p3. htm). Mojo. November 2010. Archived at
rocklistmusic.co.uk
[21] 1001 Albums You Must Hear Before You Die (http:/ / www. rocklistmusic. co. uk/ steveparker/ 1001albums. htm)
[22] Erlewine, Stephen Thomas. " Queen II overview (http:/ / www. allmusic. com/ album/ r687302)".Allmusic. Retrieved on 16 January 2010.
[23] The Quietus: Queen: The Gems Beyond The Gilded Headgear Of The Greatest Hits (http:/ / thequietus. com/ articles/
03315-queen-finding-the-gems-beyond-the-gilded-headgear-of-the-greatest-hits)
[24] Steve Vai Interview (http:/ / queenonline. com/ en/ news-archive/ steve-vai-on-brian-may/ ) Queen Online. Retrieved August 19, 2011
[25] James, Del. "The Rolling Stone Interview: Axl Rose (Part I)". Rolling Stone. 10 August 1989.
[26] "Billy Corgan of Smashing Pumpkins talks about the records that changed his life". Melody Maker. 14 August 1993.
[27] e.g., Guitar World, October 1998.
[28] Queen live on tour: Sheer Heart Attack: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ sha. html) Queen Concerts. Retrieved 1
September 2011
[29] Queen live on tour: A Night At The Opera: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ anato. html) Queen Concerts. Retrieved 1
September 2011
[30] Queen live on tour: Summer 1976 :Setlist (http:/ / www. queenconcerts. com/ live/ queen/ summer76. html) Queen Concerts. Retrieved 1
September 2011
[31] Roberts, David (2006). British Hit Singles & Albums. London: Guinness World Records Limited
[32] Conecte (http:/ / qliverecordings. tripod. com/ concertography/ article10. html)
[33] Music Star 24 August 1974 (http:/ / www. queenarchives. com/ index. php?title=John_Deacon_-_08-24-1974_-_Music_Star)
[34] Record Mirror 24 May 1975 (http:/ / www. queenarchives. com/ index. php?title=Roger_Taylor_-_05-24-1975_-_Record_Mirror)
[35] Queen II (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e. php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+
II& q2=Top+ Albums/ CDs& interval=50) collectionscanada.gc.ca. Retrieved 14 August 2011
[36] Queen II (http:/ / www. norwegiancharts. com/ ) norwegiancharts.com. Retrieved 14 August 2011
[37] Queen II (http:/ / www. chartstats. com/ release. php?release=37678) Chart Stats. Retrieved 14 August 2011
[38] Queen - Billboard (http:/ / www. allmusic. com/ artist/ queen-p5205/ charts-awards/ billboard-albums) Allmusic. Retrieved 14 August 2011
External links
• Queen II (http://www.queenonline.com/history/65/) at Queen Online, the band's official website.
• Tate Gallery: Richard Dadd's "The Fairy Feller's Master-Stroke" (http://www.tate.org.uk/servlet/
ViewWork?cgroupid=999999961&workid=2979&searchid=7731&tabview=work)
• Queen II (http://www.queenpedia.com/index.php?title=Queen_II) at Queenpedia
Sheer Heart Attack

Sheer Heart Attack
Released 1 November 1974
Recorded July–September 1974, AIR, Rockfield, Trident, and Wessex Sound studios
Genre Rock
Length 39:09
Label EMI and Parlophone (Europe)

Elektra and Hollywood Records (US)
Producer Roy Thomas Baker, Queen
Queen chronology
Queen Sheer Heart A Night at the

II Attack Opera
(1974) (1974) (1975)
Singles from Sheer Heart Attack
1. "Killer Queen/Flick of the Wrist"

Released: 11 October 1974
2. "Now I'm Here/Lily of the Valley"
Released: 17 January 1975
3. "Lily of the Valley/Keep Yourself Alive"
Released: April 1975
Sheer Heart Attack is the third album by the British rock group Queen, released in November 1974. It was produced
by Queen and Roy Thomas Baker and distributed by EMI in the United Kingdom, and Elektra in the US.
The album launched the band to mainstream popularity both in the UK and internationally: the first single, "Killer
Queen" reached #2 in the British charts and provided Queen with their first US Top 20 hit, peaking at #12 on the
Billboard singles chart. Sheer Heart Attack was also the first Queen album to hit the US Top 20, peaking at #12 in
1975. Digressing from the progressive themes featured on their first two albums, Sheer Heart Attack featured more
conventional rock tracks and marked a step towards the classic Queen sound.[1] In recent years, it has been listed by
multiple publications as one of the band's best works.
Track listing
Side one
1. "Brighton Rock" Brian May 5:08
2. "Killer Queen" Mercury 3:01
3. "Tenement Funster" Roger Taylor 2:48
4. "Flick of the Wrist" Mercury 3:19
5. "Lily of the Valley" Mercury 1:43
6. "Now I'm Here" May 4:10
Side two
1. "In the Lap of the Gods" Mercury 3:20
2. "Stone Cold Crazy" Mercury, May, Taylor, John Deacon 2:12
3. "Dear Friends" May 1:07
4. "Misfire" Deacon 1:50
5. "Bring Back That Leroy Brown" Mercury 2:13
6. "She Makes Me (Stormtrooper in Stilettos)" May 4:08
7. "In the Lap of the Gods… Revisited" Mercury 3:42
No. Title Length
14. "Stone Cold Crazy (1991 remix by Michael Wagener)" 2:15
No. Title Length
1. "Now I'm Here (Live at Hammersmith Odeon, December 1975)" 4:25
2. "Flick of the Wrist (BBC Session, October 1974)" 3:24
3. "Tenement Funster (BBC Session, October 1974)" 2:58
4. "Bring Back That Leroy Brown (A Cappella Mix 2011)" 2:17
5. "In the Lap of the Gods ... Revisited (Live at Wembley Stadium, July 1986)" 2:35
No. Title Length
6. "Killer Queen (Top Of The Pops, Version 2)"
7. "Stone Cold Crazy (Live at The Rainbow '74)"
8. "Now I'm Here (Forum, Montreal '81)"
Song information
Brighton Rock
Brian May wrote "Brighton Rock" in 1973 before the completion of Queen II, but time restrictions meant that the
song was not ready for inclusion on an album until Sheer Heart Attack. The title is something of a pun: Brighton
rock is a long, cylindrical sugar candy traditional to that seaside resort. The term was also iconic in UK pop culture
as the title of a dark Graham Greene thriller/noir novel later adapted into a successful film starring Richard
Attenborough as a teenage sociopath.
The song, the first track on the album, tells the story of two young lovers meeting in Brighton on a public holiday.[2]
Jenny cannot linger because she is afraid her mother will find out "how I spent my holiday", but afterwards "writes a
letter every day"; Jimmy, eager on the day, is not so happy with her "nothing can my love erase": now he is the one
afraid of discovery by "my lady".
The song is probably best-known for its lengthy guitar solo interlude.[2] This featured May's technique of using
multiple echoes used to build up guitar harmony and contrapuntal melodic lines. The studio version only contains
one "main" guitar and one "echoed" guitar for a short section, but live, he would usually split his guitar signal into
"main" and two "echoed", with each going to a separate bank of amplifiers.
Variations of this solo often featured during live Queen concerts, either as part of a rendition of Brighton Rock, a
medley of it with some other songs (as witnessed on the News of the World tour where it segued after Mercury's
multiple echoed vocal solo at the end of "White Man" and May's solo would segue into "The Prophet's Song" or
"Now I'm Here"), or on its own as a guitar solo.
In the late 70s, the guitar solo was adapted to include some bass and drums, including a timpani solo by Taylor (from
October, 1978 to November, 1981). In 1980 and 1981, the solo was included as a medley with "Keep Yourself
Alive", before becoming a performance in its own right. During the recent tour of Queen + Paul Rodgers, a modified
version, incorporating bits of "Chinese Torture" (from the album The Miracle) and the introduction from "Now I'm
Here" was featured in the concerts. The live piece is often between nine to thirteen minutes long.
Killer Queen
"Killer Queen" (Sample ) was written by Mercury as the band's first international hit.[3] [4] It is one of the few songs
by Mercury for which he wrote the lyrics first. The band initially did the song without May while he was in the
hospital, leaving spaces for whenever he felt better. Mercury played an upright "jangle" piano as well as a grand
piano.
Tenement Funster
"Tenement Funster" is Taylor's song on the album, as he sang the lead vocals. The backing track consisted of
Taylor's drums, Mercury's piano, Deacon's bass, and May's Red Special guitar. It's a typical Taylor track about youth
and rebellion. In addition to showcasing the out-of-phase tone capabilities of the Red Special, it also includes echo
effects with May's guitar, like in "Brighton Rock". The last couple of guitar notes overlap into "Flick of the Wrist".
The original working titles for the song were "Teen Dreams" and "Young and Crazy".[5]
Flick of the Wrist

"Flick of the Wrist" was the double A-side of "Killer Queen" but it was much less promoted and therefore not as
popular outside the Queen fandom. The song includes Mercury singing octave vocals. When May returned to work
having recovered from his hepatitis, he had not heard the song before he recorded his guitar and backing vocals. It is
a heavy track with quite dark lyrics and an aggressive tone, something that may seem unusual for later Queen songs,
but in the early days (especially on Queen II) Mercury and May would often write grim songs, such as "Great King
Rat" and "Son and Daughter". At about 1:14 - 1:16, the line "Baby you've been had" can be heard. This line is also
the opening to the next song on the album, "Lily of the Valley", making a 3-song overlap ("Tenement Funster" into
"Flick of the Wrist", and 'Flick of the Wrist" into "Lily of the Valley").[6]
Lily of the Valley

"Lily of the Valley" features Mercury playing the piano and providing all of the vocals. The song has a reference to
"Seven Seas of Rhye" in the line "messenger from Seven Seas has flown to tell the King of Rhye he's lost his
throne".
The song, together with "Tenement Funster" and "Flick of the Wrist", was covered by Dream Theater on the Bonus
Disc of their album Black Clouds & Silver Linings.[6]
Now I'm Here

"Now I'm Here" is the band's second single in the album. Written by May while at the hospital, recalling touring with
Mott the Hoople, it was recorded during the last week of the sessions, with May playing piano. The song relies a lot
on delay machines, foreshadowing "The Prophet's Song". The song opens with a lone, guitar riff, and is followed by
choir-like vocal harmonies and overdubbed guitar parts.[7]
In the Lap of the Gods

"In the Lap of the Gods" is, according to Mercury himself, the direct prelude to "Bohemian Rhapsody" and the A
Night at the Opera album in general. It is built in three parts: the introduction, which contains fast piano arpeggios,
very high-toned screams by Taylor plus vocals harmonies, the second part which is a slow love song, featuring
slowed-down vocals by Mercury, and the third part, based on vocals harmonies singing "leave it in the lap of the
gods", with more screams by Taylor. Those screams were thought to be made using synthesizers, and to prove they
were not, Taylor would reproduce them in live performance every night. Throughout the entire song, wind effects
can be heard.
Stone Cold Crazy

"Stone Cold Crazy" was allegedly written by Mercury whilst in Wreckage, one of his pre-Queen bands. Queen
played it live as early as 1972, but the song underwent many changes musically and lyrically before a studio version
was recorded in 1974. Amusingly enough, nobody seemed to remember who wrote the lyrics when the album was
released, hence they shared writing credit. The lyrics themselves deal with gangsters, making a reference to Al
Capone. It was the first song credited to all four members of Queen. This track is known for its fast tempos and
heavy distortion, thus being a precursor to speed metal.[8] Music magazine Q described "Stone Cold Crazy" as
"thrash metal before the term was invented".[9] The song was played live at almost every Queen concert between
1974-1978.[10] [11] [12] [13]
Dear Friends
"Dear Friends" was May's song featuring him on the piano and backing vocals, and Mercury providing lead vocals.
Def Leppard covered this song (and sung by bassist Rick Savage) for a Wal Mart bonus EP for their cover album,
Yeah!.
Misfire
"Misfire" was John Deacon's first composition. Deacon played most of the guitars including the solo, and Mercury
sang all the vocals.
Neko Case performed a country version of the song on her 1997 solo début album, "The Virginian."
Bring Back That Leroy Brown

"Bring Back That Leroy Brown" was written by Mercury and features him on most of the vocals (with production
techniques using tape speed to make it sound really low in the harmonies) as well as grand piano and jangle piano.
May played ukulele-banjo and Deacon did a line with a double bass. The song's title alludes to the then-recent hit
"Bad Bad Leroy Brown" by the American singer-songwriter Jim Croce (little known in Queen's native UK) who had
died in a plane crash the previous year. The song was played live in a different arrangement that shortened the song
and was, except for the very end and one other line, purely instrumental. May's ukelele-banjo would be brought
onstage especially for this song.
She Makes Me (Stormtrooper in Stilettoes)

"She Makes Me" was written and sung by May with Deacon playing acoustic guitars. The song's finale features what
May referred to as "New York nightmare sounds", which include NYC police vehicle sirens and deep-breathing
sounds which accompany the closing bars.
In the Lap of the Gods... Revisited

With its powerful chorus and stadium rock-esque sound, "In the Lap of the Gods... Revisited" could perhaps be
considered the forerunner to "We Are the Champions".
Reception and legacy

NME wrote, "A feast. No duffers, and four songs that will just run and run: Killer Queen, Flick of the Wrist, Now I'm
Here, and In the Lap of the Gods...revisited“.[14] The Winnipeg Free Press commended "Brian May's multi-tracked
guitar, Freddie Mercury's stunning vocalising and Roy Thomas Baker's dynamic production work", calling the album
"a no-holds barred, full-scale attack on the senses".[15] Circus referred to the album as "perhaps the heaviest,
rockingest assault on these shores we've enjoyed in some time".[16] Rolling Stone offered a mostly positive review,
giving the album a 3/5 star rating, and concluding, "If it's hard to love, it's hard not to admire: This band is skilled,
after all, and it dares".[17] John Mendelsohn was unimpressed, writing, "I hunted all over both sides of this latest
album for something, anything, even remotely as magnificent as "Keep Yourself Alive" or "Father to Son", only to
end up empty-eared and bawling".[18] As 1974 drew to a close, the album was ranked by Disc as the third best of the
year[19] and placed joint #24 of the 60 albums to appear in NME's end-of-year list.[20]
Allmusic awarded the album 4.5/5 stars, writing, "the theatricality is now wielded on everyday affairs, which
ironically makes them sound larger than life. And this sense of scale, combined with the heavy guitars, pop hooks,
and theatrical style, marks the true unveiling of Queen, making Sheer Heart Attack as the moment where they truly
came into their own".[1] Mojo awarded the album 4/5 stars, noting that it was "often overlooked in favour of A Night
at the Opera," and calling it "equally stellar".[21] Q awarded the album 5/5 stars, calling it "indispensable" and "one
of the great pop/rock admixtures of the '70s".[22] The BBC wrote, "they stretched contemporary production methods
to their very limit with multi-layered vocals and guitars and Freddie’s vaudevillian streak finally emerged... this was
the album that finally saw Queen find their true voice".[23]
Accolades
Publication Country Accolade Year Rank
1001 Albums You Must Hear Before You Die UK [24] 2005 *
1001 Albums You Must Hear Before You Die
Classic Rock UK [25] 2006 28

The 100 Greatest British Rock Albums Ever
[26] 2006 *
The 200 Greatest Albums of the 70's (20 greatest of 1974)
Kerrang! UK [27] 2005 8

Poll: The 100 Best British Rock Albums Ever
[28] 2007 45
The 100 Greatest Rock Albums Ever
Mojo UK [29] 2002 72

100 Greatest Guitar Albums
[30] 2006 *
70 of the Greatest Albums of the 70's
[31] 2007 88
The 100 Records That Changed the World
NME UK [32] 2006 63

Poll: Greatest 100 Albums of All Time
Radio Caroline UK [33] 1977 50

Poll: Top 100 Albums
Trouser Press US [34] 1980 *

Best Albums of the 1970s
Virgin UK [35] 2000 492

Poll: All Time Album Top 1000 Albums
(*) designates unordered lists.
“
The album is very varied, we took it to extreme I suppose, but we are very interested in studio techniques and wanted to use what was
available. We learnt a lot about technique while we were making the first two albums. Of course there has been some criticism, and the
constructive criticism has been very good for us. But to be frank I'm not that keen on the British music press, and they've been pretty unfair to
”
us. I feel that up and coming journalists, by the large, put themselves above the artists. They've certainly been under a misconception about us.
We've been called a supermarket hype. But if you see us up on a stage, that's what we're all about. We are basically a rock band.
[36]
—Freddie Mercury
Personnel
• Freddie Mercury: lead vocals, piano, jangle piano
• Brian May: guitars, backing vocals, piano, ukulele, banjo, lead vocals on "She Makes Me", Hammond organ on
"Now i'm here"
• Roger Taylor: drums, percussion, backing vocals, lead vocals on "Tenement Funster", screams on "In the Lap of
the Gods"
• John Deacon: bass guitar, acoustic guitar, rhythm guitar, electric guitar, all guitars on "Misfire", double-bass on
"Bring Back That Leroy Brown"
During Queen's first North American Tour (as a support band for Mott the Hoople), May fell ill with hepatitis (he
had been infected with an unclean needle during a vaccination before the Australian tour), but he continued to work
from hospital. When he was fit, the work continued in studio, but then he fell ill again, this time with a duodenal
ulcer. When May was recovering after an operation, the next tour had been cancelled. He felt guilty, and was a bit
nervous that someone would replace him in the band. Much to his relief, no one in the group had even considered it.
All three members were continuing on recording without May at the time. Production planning had left a lot of
spaces in the songs for May's solos. When he felt well enough, he returned and completed the tracks with guitar
solos and backing vocals.
Chart performance
Chart (1974) Peak
position
[37] 6
[38] 7
Dutch Albums Chart
[39] 9
[40] 2
UK Albums Chart
[41] 12
U.S. Billboard 200
2011 re-issue
Tour
From 10 October 1974 through to 1 May 1975 the album was promoted on tour. The tour consisted of three legs and
77 individual shows, and was the band's first world tour.
The supporting bands consisted of Styx, Kansas, Hustler, and Mahogany Rush.
References
[2] Brighton Rock (http:/ / www. allmusic. com/ song/ brighton-rock-t860271) Allmusic. Retrieved 1 September 2011
[3] Whitburn, Joel (2006). The Billboard Book of Top 40 Hits. Billboard Books
[5] Queenpedia article about Tenement Funster (http:/ / queenpedia. com/ index. php?title=Tenement_Funster)
[6] Black Clouds & Silver Linings (Special Edition) (http:/ / www. allmusic. com/ album/ black-clouds-silver-linings-special-edition-r1567154)
Allmusic. Retrieved 1 September 2011
[7] Now I'm Here (http:/ / www. allmusic. com/ song/ now-im-here-t860276) Allmusic. Retrieved 1 September 2011
[8] Jones, Chris (2007-06-07). "Queen: Sheer Heart Attack Review" (http:/ / www. bbc. co. uk/ music/ reviews/ xxhj). BBC. . Retrieved July 2,
2011.
[9] Queen News: February 2011 (http:/ / www. brianmay. com/ queen/ queennews/ queennewsfeb11a. html) BrianMay.com. Retrieved July 2,
2011
[10] Queen live on tour: Sheer Heart Attack: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ sha. html) Queen Concerts. Retrieved July 2,
2011
[11] Queen live on tour: A Night At The Opera: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ anato. html) Queen Concerts. Retrieved
July 2, 2011
[12] Queen live on tour: Day At The Races (world): Setlist (http:/ / www. queenconcerts. com/ live/ queen/ adatrna. html) Queen Concerts.
Retrieved July 2, 2011
[13] Queen live on tour: News Of The World: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ notwna. html) Queen Concerts. Retrieved
July 2, 2011
[14] Quoted in Jacky Gunn, Jim Jenkins. Queen. As It Began. London: Sidgwick & Jackson, 1992, p. 84. ISBN 0-283-06052-2
[15] Winnipeg Free Press, 5 July 1975 (Queen Archives) (http:/ / www. queenarchives. com/ viewtopic. php?t=325)
[16] Circus review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_03-XX-1975_-_Sheer_Heart_Attack_-_Circus)
[17] Rolling Stone review (http:/ / www. rollingstone. com/ artists/ queen/ albums/ album/ 115705/ review/ 5944434/ sheer_heart_attack)
[18] John Mendelsohn review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_03-XX-1975_-_Sheer_Heart_Attack_-_Phonograph_Record)
[19] Disc, end-of-year list, December 1974
[20] NME end of year list, 1974 (rocklistmusic) (http:/ / www. rocklistmusic. co. uk/ 1974. html)
[21] Mojo, August 1995, p.34: "...often overlooked in favour of A Night at the Opera"... "equally stellar... (4 stars)"
[22] Q Magazine, August 2002, p.150: "Indispensable... Introduced the roaring chrome camp-rock of future Queen... This album was one of the
great pop/rock admixtures of the '70s... (5 stars)."
[23] BBC review (http:/ / www. bbc. co. uk/ music/ reviews/ xxhj)
[24] "1001 Albums You Must Hear Before You Die" (http:/ / www. rocklistmusic. co. uk/ steveparker/ 1001albums. htm)
[25] Classic Rock "The 100 Greatest British Rock Albums Ever", (rocklistmusic) (http:/ / www. rocklistmusic. co. uk/ steveparker/ classicrock2.
htm)
[27] The 100 Best British Rock Albums Ever! (http:/ / www. rocklistmusic. co. uk/ kerrang. html). Kerrang!. Feb 19, 2005. Archived at
rocklistmusic.co.uk
[28] "The 100 Greatest Rock Albums Ever", Kerrang, November 8, 2006
[29] "100 Greatest Guitar Albums" (http:/ / www. muzieklijstjes. nl/ Mojo100greatestguitaralbums. htm). Mojo, 2002. Archived at
muzieklijstjes.nl
[30] Mojo, MOJO Classic: The Who & The Story Of 70’s Rock, July 2006
[31] Mojo, "The 100 Records That Changed the World", June 2007
[32] "Oasis album voted greatest of all time" (http:/ / entertainment. timesonline. co. uk/ tol/ arts_and_entertainment/ music/ article670515. ece).
The Times. 1 June 2006
[33] Top 100 Albums (http:/ / www. timepieces. nl/ Top100's/ 1977RadioCaroline. html). Radio Caroline. 1977. Archived at timepieces.nl
[34] "Best Albums of the 1970s" (http:/ / www. stat. ualberta. ca/ people/ schmu/ trouserpress. html), Trouser Press, January 1980 (archived at
stat.ualberta.ca)
[35] All-Time Album Top 1000 Albums (http:/ / www. rocklistmusic. co. uk/ virgin_1000_v3. htm). Virgin. 2000. Archived at
rocklistmusic.co.uk
[36] Melody Maker 9 November 1974 (http:/ / www. queenarchives. com/ index. php?title=Freddie_Mercury_-_11-09-1974_-_Melody_Maker)
[37] http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e. php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ Sheer+
Heart+ Attack& q2=Top+ Albums%2FCDs& interval=30
[38] http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Sheer+ Heart+ Attack& cat=a
[39] http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=Sheer+ Heart+ Attack& cat=a
A Night at the Opera

Recorded August – November 1975 at various studios
Genre Rock
Length 43:10
Label EMI, Parlophone (Europe)

Elektra, Hollywood (US)
Queen chronology
Sheer Heart A Night at the A Day at the

Attack Opera Races
(1974) (1975) (1976)
Singles from A Night at the Opera
1. "Bohemian Rhapsody"
2. "You're My Best Friend"
Released: 18 May 1976
A Night at the Opera is the fourth studio album by the British rock group Queen, released in November 1975.
Co-produced by Roy Thomas Baker and Queen, A Night at the Opera was, at the time of its release, the most
expensive album ever recorded.[1] A commercial success, A Night at the Opera has been voted by the public and
cited by music publications as one of Queen's finest works.
The album takes its name from the Marx Brothers film A Night at the Opera, which the band watched one night at
the studio complex when recording.[2] It was originally released by EMI in the United Kingdom, where it topped the
charts for four non-consecutive weeks, and Elektra Records in the United States, where it peaked at #4.
Recording history
Death on Two Legs (Dedicated to...)

"Death on Two Legs (Dedicated to...)" could only be referred to as Freddie Mercury's hate letter towards Queen's
ex-manager, Norman Sheffield, who is reputed to have mistreated the band and abused his role as their manager
from 1972-1975. Though it never made a direct reference to him, upon listening to the song, Sheffield attempted to
sue the band for defamation, and this revealed to the public the subject of the song. Sheffield later admitted that it
probably gave the band an incentive to dedicate the song to him after he decided to sue them. During live
performances, Mercury would usually re-dedicate the song to "a real motherfucker of a gentleman", although this
line was censored on the version that appeared on their Live Killers album in 1979. Other than on the version of said
live album, he'd said it was dedicated to a "motherfucker I used to know".
In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band at first
was somewhat taken aback by the incisiveness of Mercury's lyrics. After the song came together, it was agreed that
the "author should have his way", and the song went on as penned.[3]
As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to
demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and
well into, The Game Tour in 1980, then was dropped.
Lazing on a Sunday Afternoon

"Lazing on a Sunday Afternoon" is another song by Mercury. He played piano and did all of the vocals. The lead
vocal was sung in the studio and reproduced through headphones in a tin bucket elsewhere in the studio. A
microphone picked up the sound from the bucket, which gives it a hollow "megaphone" sound. The guitar solo is
also reported to have been recorded on the vocal track, as there were no more tracks to record on, as explained by
producer Roy Thomas Baker during the 'Classic Albums' documentary. The key change going into the guitar solo
(Eb to A) is a tritone relationship, making it a jarring, but very effective, transition into the key of E minor for the
next track, "I'm in Love with My Car".
I'm in Love with My Car

"I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was
initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording.
Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead
vocals were performed by Taylor on the studio version, and all released live versions.[4] The revving sounds at the
conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one
of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is
dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end".
When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury
(author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a
cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in
that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single
did for Mercury.
The song was often played live during the 1977-1981 period, again for the Queen + Paul Rodgers tour in 2005 and
the Rock the Cosmos Tour in 2008. Taylor sang it from the drums while Mercury played piano and provided backing
vocals. He would recover the song for his concerts with The Cross and solo tours, where instead of drums he played
rhythm guitar.
You're My Best Friend

"You're My Best Friend" was John Deacon's first single, which he composed while he was learning to play piano. He
played the Wurlitzer Electric Piano (which Mercury called a "horrible" instrument in an interview) on the recording
and overdubbed the bass later on. The song was written for his wife, Veronica Tetzlaff. In the music video, Deacon
mimes a grand piano, and it is one of the only times on video he is playing an instrument other than his bass, the
other times being the video of Who Wants to Live Forever, where he plays a double bass, the video for A Kind Of
Magic (song), where he plays a banjo, the video for Spread Your Wings, where he also mimes playing the piano and
in the One Vision music video where he plays drums in a few short shots rather than Taylor. It was also Deacon's
first single to hit the charts in the top 10.
'39
"'39" was May's attempt to do "sci-fi skiffle". The B-side of "You're My Best Friend" and one of the band's most
popular songs, "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a
year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time
dilation effect in Einstein's Theory of Special Relativity, and the loved ones they left behind are now all dead.
Because the "year of '39" resembles 1939, some[5] have speculated that this is actually a song about the beginning of
the Second World War but this is not the case. There are backing vocals by Mercury as well as very high and fairly
low harmonies by Taylor, and some falsettos by Taylor.
Having named their albums, A Night at the Opera and A Day at the Races, after Marx Brothers films, Groucho Marx,
the most recognisable of the Marx Brothers, invited Queen to visit him in his Los Angeles home in March 1977, and
the band thanked him in person and performed "'39" a cappella.[6]
George Michael performed '39 at the Freddie Mercury Tribute Concert in April 1992.[7] [8] Michael cited this song as
his favourite Queen song, claiming he used to busk it on the London Underground.[9]
Counting all of the original songs in album order, starting with Keep Yourself Alive (on the first Queen album) all
the way through to '39, this song falls 39th in chronological order.
The Spanish folk metal band Mägo de Oz has a cover of this song on his album La Ciudad de los Árboles named
Resacosix en la Barra.
Sweet Lady
"Sweet Lady" is a distortion driven fast rocker written by May. Lyrically and musically, it is usually thought to
precede 'Tie Your Mother Down' as a loud, riff-heavy expression of disdain for the author's romantic interest.
However, 'Tie Your Mother Down' had already been written at the time.
The song is an unusual rock style in 3/4 meter (which gives way to 4/4 at the bridge). Taylor remembers it as the
most difficult drumming part he ever recorded.
The guitar line later evolved into the fast version of We Will Rock You.
Seaside Rendezvous
"Seaside Rendezvous", written by Mercury, is probably best known for the "musical" bridge section which begins at
around 0:51 into the song. The section is performed entirely by Mercury and Taylor using their voices alone.
Mercury imitates woodwind instruments including a clarinet and Taylor mostly brass instruments, including tubas
and trumpets, and even a kazoo, during this section Taylor hits the highest note on the album C6. The tap dance
segment is also "performed" by Mercury and Taylor on the mixing desk with thimbles on their fingers. Mercury
plays both grand piano and jangle honky-tonk.
The Prophet's Song

"The Prophet's Song" was composed by May (working title "People of the Earth"). On the show In the Studio with
Redbeard, which spotlighted A Night at the Opera, May explained that he wrote the song after a dream he'd had
while he was recovering from being ill while recording the Sheer Heart Attack album, and is the source of some of
the lyrics. He spent several days putting it together, and it includes a vocal canon sung first by Mercury, then by
Mercury, Taylor and May. The vocal, and later instrumental canon was produced by early tape delay devices. It is a
heavy and dark number with a strong progressive rock influence. At over eight minutes in length, is also Queen's
longest song (not counting the untitled instrumental track on Made in Heaven).
As detailed by May in a documentary about the album, the speed-up effect that happens in the middle of the guitar
solo was achieved by starting a reel-to-reel player with the tape on it, as the original tape player was stopped.
The dream May had was about The Great Flood, and lyrics have references from the Bible and the Noah's Ark
account.
Love of My Life
"Love of My Life" was written for Mercury's girlfriend at the time, Mary Austin, and is one of his most covered
songs (there have been versions by many acts like Extreme featuring May, Scorpions and Elaine Paige). Mercury
played piano (including a classical solo) and did all of the vocals with startling multi-tracking precision. May played
harp (doing it chord by chord and pasting the takes to form the entire part), Gibson Hummingbird acoustic guitar
(which he'd bought in Japan) and his Red Special.
"Love of My Life" was such a concert favourite that Mercury frequently stopped singing and allowed the audience to
take over. It was especially well received during concerts in South America, and the band released the song as a
single there. When Queen and Paul Rodgers performed the song (specifically Brian solo) he sang almost none of the
words and let the audience sing it all, continuing the tradition.
Good Company
"Good Company" was written and sung by May, who provides all vocals and plays a "Genuine Aloha" ukelele.[10]
The recording is remarkable for featuring an elaborate recreation of a Dixieland-style jazz band, produced by way of
May's Red Special guitar and Deacy Amp.
The song is a narrative tale, told by a man who in young age was advised by his father to "take care of those you call
your own, and keep good company". In his younger years, the singer follows his father's advice, keeping his friends
and marrying a girl named Sally. However, after their marriage, he begins to lose interest in his friends, who
gradually disappear. As he grows older, he becomes increasingly skilled at and dedicated to his occupation, working
long nights and neglecting his family.
Eventually, the man's efforts are rewarded, he begins his own Limited company (which is also a pun, since
throughout the rest of the song "company" is used in the sense of companions). Even more dedicated to his business,
he hardly notices as his wife leaves him.
The song finishes with the speaker as an elderly man, puffing his pipe and pondering the lessons of his life, which he
has no one left to share with.
Bohemian Rhapsody
"Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and
drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in
blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective
instruments with no concept of how their tracks would be utilised in the final mix. The now famous operatic section
was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of
the song.
During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only
emerged during the final sessions.
Despite being twice as long as the average single in 1975, the song became immensely popular, topping charts
worldwide (where it remained for an unprecedented nine weeks in the UK) and is now widely regarded as one of the
most significant rock songs in history.[11]
God Save the Queen

May recorded the anthem in 1974 before their Sheer Heart Attack tour. He played a guide piano which was edited
out later and added several layers of guitars.[3] After the song was completed it was played as an outro at virtually
every concert Queen played. When recording the track May played a rough version on piano for Roy Thomas Baker.
He called his own skills on the piano sub-par at the time.[3] He performed the song live on the roof of Buckingham
Palace for the Queen's golden jubilee in 2002.[12]
May has stated that he performed the song on the roof of Buckingham Palace as a homage to Jimi Hendrix's version
of "The Star-Spangled Banner".[13]
Guitar layering is one of May's distinctive techniques as a rock guitarist. He has said that the technique was
developed whilst looking for a violin sound. For tracks like this, he stated he can use "up to 30" layers, using a small
amplifier named the 'Deacy Amp' built by Deacon, and later released commercially like the "Brian May" amplifier
by Vox.

At the time the most expensive album ever recorded,[1] Brian May has asserted in subsequent years that, had A Night
at the Opera not been successful, Queen would have disbanded.[14] Upon release, the album was a commercial
success, debuting at #1 in the UK charts and remaining there for nine weeks. In the US, it debuted at #4, the band's
strongest showing at that time. Rolling Stone wrote, "Like all heavy-metal groups, Queen's most easily distinguished
trait is a knack for manipulating dynamics. But what sets them apart is their selection of unlikely effects: acoustic
piano, harp, acapella vocals, no synthesisers. Coupled with good songs. Queen's obviously the strongest contender in
its field."[15] Melody Maker called the album a "must-have", encouraging listeners to "turn it up loud and enjoy",[16]
while the Winnipeg Free Press wrote, "The group's potential is practically limitless, indicating that Queen is destined
to finally take its place among the small handful of truly major acts working in rock today."[17] Robert Christgau was
less enthusiastic, giving the album a "B-" rating.[18] Later reviews in notable publications such as Allmusic, Mojo
and Q Magazine, have seen the album receive five-star ratings. Allmusic, who chose the record as an "album pick",
wrote, "It's prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere
else"; Allmusic chose "Death on Two Legs (Dedicated to...)", "Sweet Lady" and first single "Bohemian Rhapsody",
as the best tracks on the record.[13] Mojo called the album "An imperial extravaganza, a cornucopia; a band of
hungrily competitive individualists on a big roll of friendship and delight."[19] Q were similarly receptive, writing,
"It's a record to which all four contributed fine songs, and one of extremes -- among the crashing rock and proggy
wigouts were love songs, acoustic whimsy, a trad-jazz pastiche and a brace of vaudeville show tunes." The magazine
opined that the eight minute "Prophet's Song" is "as good as Bohemian Rhapsody".[20] Uncut awarded the album
only 3/5 stars, but offered a mostly positive review, commending "the extent of the band's barmy diversity."[21]
Rhapsody's Mike McGuirk wrote, "Generally considered one of the greatest rock albums of all time, A Night at the
Opera's overlaying of heavy metal, genius stereo gimmickry, Broadway swish and British pomp is as vital and
riveting to listen to today as when it was released in 1975."[22] The BBC said of the record, "Christmas 1975 was to
be forever remembered as Queen’s. And A Night at the Opera remains their finest hour."[23]
Accolades
Publication Country Accolade Year Rank
1001 Albums You Must Hear Before You Die UK [24] 2005 *
1001 Albums You Must Hear Before You Die
ABC AUS [25] 2007 28

BBC UK [26] 2006 9

Channel 4 UK [27] 2005 13

Poll: Greatest 100 Albums
Classic Rock UK [28] 2001 25

The 100 Greatest Rock Albums Ever
[29] 2006 17
The 100 Greatest British Rock Albums Ever
[30] 2006 *
The 200 Greatest Albums of the 70's (20 greatest of 1975)
Kerrang! UK [31] 2005 19

Poll: The 100 Best British Rock Albums Ever
NME UK [32] 2006 19

Poll: Greatest 100 Albums of All Time
Q UK [33] 2004 17
The 50 Best British Albums Ever
Rolling Stone MX [34] 2004 11

Poll: The 100 Greatest Albums of All Time
US [35] 2002 82
Poll: Readers' Top 100 Albums
US [36] 2003 230

The 500 Greatest Albums of All Time
Virgin UK [37] 1998 87

Poll: All Time Top 1000 Albums
(*) designates unordered lists.
Re-releases
The album was first re-released in the US on Hollywood Records on 3 September 1991 with two bonus remixes, as
part of a complete re-release of all Queen albums.
On 30 April 2002 the album was again re-released on DVD-Audio with a 5.1-channel mix in Dolby Digital and DTS
surround sound.[38] It also includes the original 1975 video of Bohemian Rhapsody.
On 21 November 2005 it was once more re-released by Hollywood Records Catalogue Number 2061-62572-2 to
celebrate the 30th anniversary of the album and its first single, "Bohemian Rhapsody". This release is accompanied
by a DVD-Video disc with the same track listing featuring the original videos, old and new concert footage
(including "'39" from the Queen + Paul Rodgers tour and Brian May on the roof of Buckingham Palace playing
"God Save the Queen") and audio commentary by all four bandmembers. It was on this commentary (and on In the
Studio with Redbeard, which devoted an episode to A Night at the Opera) that May stated that had the album not
been a success, Queen certainly would have disbanded.
Track listing
Side one
1. "Death on Two Legs (Dedicated to...)" Freddie Mercury 3:43
2. "Lazing on a Sunday Afternoon" Mercury 1:08
3. "I'm in Love with My Car" Roger Taylor 3:05
4. "You're My Best Friend" John Deacon 2:50
5. "'39" Brian May 3:25
6. "Sweet Lady" May 4:01
7. "Seaside Rendezvous" Mercury 2:13
Side two
1. "The Prophet's Song" May 8:17
2. "Love of My Life" Mercury 3:38
3. "Good Company" May 3:26
4. "Bohemian Rhapsody" Mercury 5:55
5. "God Save the Queen" Traditional, arr. May 1:11
1991 Hollywood Records bonus tracks
No. Title Length
13. "I'm In Love With My Car" (1991 Bonus remix by Mike Shipley) 3:28
14. "You're My Best Friend" (1991 Bonus remix by Matt Wallace) 2:52
1. "Keep Yourself Alive (Long-Lost Retake, June 1975)" May 4:04
2. "Bohemian Rhapsody (Operatic Section A-cappella Mix)" Mercury 1:03
3. "You're My Best Friend (Backing Track Mix)" Deacon 2:57
4. "I'm in Love With My Car (Guitar & Vocal Mix)" Taylor 3:18
5. "'39 (Live at Earl's Court, June 1977)" May 3:46
6. "Love of My Life (South American Live Single, June 1979)" Mercury 3:43
No. Title Length
7. "Bohemian Rhapsody (No Flames Original Version)"
8. "Seaside Rendezvous (30th Anniversary 2005)"
9. "Love Of My Life (Live at Milton Keynes '82)"
Chart performance
Chart (1975) Peak
position
[39] 1
Australian Albums Chart
[40] 9
Austrian Albums Chart
[41] 2
[42] 1
Dutch Albums Chart
[43] 16
French Albums Chart
[44] 5
German Albums Chart
[45] 9
Japanese Albums Chart
[46] 1
New Zealand Albums Chart
[47] 4
[48] 23
Portuguese Albums Chart
[49] 10
Swedish Albums Chart
[50] 1
UK Albums Chart
[51] 4
US Billboard 200
Personnel
• Freddie Mercury – lead vocals, piano, Bechstein Debauchery, backing vocals, woodwind vocalizations on
"Seaside Rendezvous"
• Brian May – guitars, ukelele, backing vocals, lead vocals on "'39" and "Good Company", toy koto on "The
prophet's Song", harp on "Love of My Life"
• Roger Taylor – drums, percussion, lead vocals on "I'm in Love with My Car", brass vocalizations on "Seaside
Rendezvous", backing vocals
• John Deacon – vocals, bass, double-bass, electric piano
• Mike Stone – executive engineer
• Gary Lyons – invaluable additional engineering
• John Harris – equipment supervision
• David Costa – art direction
• Rick Curtin and Brian Palmer – special thanks
• John Reid – management
2011 re-issue
References
[1] Allmusic – Queen (http:/ / www. allmusic. com/ artist/ p5205)
[2] "The Story of Bohemian Rhapsody", BBC, dir. Carl Johnston, First broadcast 4 December 2004
[3] Classic Albums, "A Night at the Opera", VH1
[4] I'm In Love With My Car (http:/ / www. ultimatequeen. co. uk/ songs/ anightat. htm#car) UltimateQueen Retrieved 27 August 2011
[5] Queen A Night at the Opera (http:/ / www. sputnikmusic. com/ album. php?albumid=458) Sputnik Music review. Retrieved 4 August 2011
[7] The Freddie Mercury Tribute Concert (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm) Ultimate Queen Retrieved 6 July 2011
[8] Queen & George Michael – '39 (Freddie Mercury Tribute) (http:/ / www. youtube. com/ watch?v=oIZvd1wt1-k) Retrieved 6 July 2011
[9] A Night At The Opera (http:/ / www. queenzone. com/ news/ a-night-at-the-opera. aspx) QueenZone.com Retrieved 6 July 2011
[10] Queen – A Night At The Opera (http:/ / www. rockmusic. org/ queen/ discografia/ queen/ ANightAtTheOpera. htm) Retrieved 4 August
2011
[11] Chiu, David (27 December 2005). "Unconventional Queen Hit Still Rocks After 30 Years" (http:/ / nytimes. com/ 2005/ 12/ 27/ arts/ music/
27quee. html?ex=1293339600& en=5825caa9f4db1fb0& ei=5090). The New York Times. . Retrieved 5 October 2008.
[12] "Fire at Palace doesn't stop pop party" (http:/ / news. bbc. co. uk/ cbbcnews/ hi/ uk/ newsid_2022000/ 2022802. stm). BBC News. 3 June
2002. . Retrieved 23 April 2010.
[13] A Night at the Opera (http:/ / www. allmusic. com/ album/ r687301) Allmusic. Retrieved 4 August 2011
[14] A Night at the Opera 30th Anniversary DVD release (audio commentary)
[15] "A Night at the Opera Review" (http:/ / www. rollingstone. com/ artists/ queen/ albums/ album/ 316712/ review/ 19062358/
a_night_at_the_opera). Rolling Sone. .
[16] A Night at the Opera (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_XX-XX-1975_-_A_Night_at_the_Opera_-_Melody_Maker) Melody Maker. Retrieve 4 August 2011
[17] A Night At The Opera (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_01-24-1976_-_A_Night_At_The_Opera_-_Winnipeg_Free_Press) Winnipeg Free Press. Retrieved 4 August 2011
[18] Christgau, Robert. "A Night at the Opera Review" (http:/ / www. robertchristgau. com/ get_artist. php?id=3505& name=Queen). .
[19] Mojo, July 2002, p.27: "...An imperial extravaganza, a cornucopia; a band of hungrily competitive individualists on a big roll of friendship
and delight (5 stars)."
[20] Q Magazine, November 2005, p.188: "It's a record to which all four contributed fine songs, and one of extremes -- among the crashing rock
and proggy wigouts were love songs, acoustic whimsy, a trad-jazz pastiche and a brace of vaudeville show tunes (5 stars)."
[21] Uncut, November 2005, p.85: "Listening again to A Night at the Opera is a reminder of the extent of the band's barmy diversity (3 stars)."
[22] A Night at the Opera (http:/ / www. rhapsody. com/ queen/ a-night-at-the-opera) at Rhapsody
[23] Queen: A Night At The Opera...remains their finest hour (http:/ / www. bbc. co. uk/ music/ reviews/ g59x) BBC. Retrieved 4 August 2011
[24] "1001 Albums You Must Hear Before You Die" (http:/ / www. rocklistmusic. co. uk/ steveparker/ 1001albums. htm)
[25] The Top 100 (http:/ / www. abc. net. au/ myfavouritealbum/ top100. htm) ABC poll
[26] Top 100 Albums (http:/ / www. rocklistmusic. co. uk/ uk_radio. htm). BBC Radio 2. Broadcast 28 August 2006. Archived at
rocklistmusic.co.uk
[27] "100 Greatest Albums" (http:/ / www. besteveralbums. com/ thechart. php?c=3& page=2). Channel 4. . Retrieved 21 November 2006..
Archived at besteveralbums.com
[28] The 100 Greatest Rock Albums Ever (http:/ / www. rocklistmusic. co. uk/ steveparker/ classicrock. htm). Classic Rock. December 2001.
[29] Classic Rock "The 100 Greatest British Rock Albums Ever", (rocklistmusic) (http:/ / www. rocklistmusic. co. uk/ steveparker/ classicrock2.
htm)
[31] The 100 Best British Rock Albums Ever! (http:/ / www. rocklistmusic. co. uk/ kerrang. html). Kerrang!. 19 February 2005. Archived at
rocklistmusic.co.uk
[32] "Oasis album voted greatest of all time" (http:/ / entertainment. timesonline. co. uk/ tol/ arts_and_entertainment/ music/ article670515. ece).
The Times. 1 June 2006
[33] Q Magazine: "The 50 Best British Albums Ever", July 2003 (archived at muzieklijstjes.nl) (http:/ / www. muzieklijstjes. nl/
Q50bestbritishalbumsever. htm)
[34] Rolling Stone (Mexico), "The 100 Greatest Albums of All Time", December 2004
[35] "Readers' Top 100 Albums" (http:/ / www. rocklistmusic. co. uk/ rstone. html). Rolling Stone. Issue 907 (17 October 2002). Archived at
rocklistmusic.co.uk
[36] The RS 500 Greatest Albums of All Time (http:/ / www. rollingstone. com/ news/ story/ 5938174/ the_rs_500_greatest_albums_of_all_time/
3)
[37] Maung, Carole Aye. "Beatles albums are top 3 of all time" (http:/ / www. thefreelibrary. com/ Beatles+ albums+ are+ top+ 3+ of+ all+
time-a060610013). Daily Mirror. 7 September 1998. Retrieved 23 August 2010. Archived at TheFreeLibrary.com.
[38] DVD-Audio titles of note (http:/ / www. quadraphonicquad. com/ dvdalist. htm)
[40] Steffen Hung. "Queen - A Night At The Opera" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=A+ Night+ At+ The+
Opera& cat=a). austriancharts.at. . Retrieved 4 August 2011.
[41] "Results - RPM - Library and Archives Canada" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e.
php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ Night+ Opera& q2=Top+ Albums/ CDs& interval=30).
Collectionscanada.gc.ca. . Retrieved 4 August 2011.
[42] Steffen Hung. "Queen - A Night At The Opera" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=A+ Night+ At+ The+
Opera& cat=a). dutchcharts.nl. . Retrieved 4 August 2011.
[43] "Le Détail des Albums de chaque Artiste" (http:/ / www. infodisc. fr/ Album_Q. php). Infodisc. . Retrieved 27 August 2011.
[44] "charts.de" (http:/ / www. charts. de/ album. asp?artist=Queen& title=A+ Night+ At+ The+ Opera& cat=a& country=de). charts.de. .
Retrieved 4 August 2011.
[45] "Top 100 Albums - 11 November 2007" (http:/ / www. oricon. co. jp/ ). Oricon. . Retrieved 27 August 2011.
[46] Steffen Hung. "Queen - A Night At The Opera" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=A+ Night+ At+ The+
Opera& cat=a). charts.org.nz. . Retrieved 4 August 2011.
[47] Steffen Hung. "Queen - A Night At The Opera" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=A+ Night+ At+ The+
Opera& cat=a). norwegiancharts.com. . Retrieved 4 August 2011.
[48] Steffen Hung. "Queen - A Night At The Opera" (http:/ / portuguesecharts. com/ showitem. asp?interpret=Queen& titel=A+ Night+ At+
The+ Opera& cat=a). portuguesecharts.com. . Retrieved 4 August 2011.
[49] Steffen Hung. "Queen - A Night At The Opera" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=A+ Night+ At+ The+
Opera& cat=a). swedishcharts.com. . Retrieved 4 August 2011.
[50] "Queen - A Night At The Opera" (http:/ / www. chartstats. com/ release. php?release=38036). Chart Stats. . Retrieved 4 August 2011.
[51] "Queen" (http:/ / www. allmusic. com/ artist/ queen-p5205/ charts-awards/ billboard-albums). AllMusic. . Retrieved 4 August 2011.
A Day at the Races

A Day at the Races
Released 10 December 1976
Recorded July–November 1976 at The Manor, Sarm East, Wessex
Genre Rock
Length 44:24

Producer Queen
Queen chronology
A Night at the A Day at the News of the

Opera Races World
(1975) (1976) (1977)
Singles from A Day at the Races
1. "Somebody to Love"
Released: 12 November 1976
2. "Tie Your Mother Down"
Released: 4 March 1977
3. "Teo Torriatte (Let Us Cling Together)"
Released: 25 March 1977 (Japan only)
4. "Good Old-Fashioned Lover Boy (Queen's First EP)"
5. "Long Away"
Released: 7 June 1977 (US, Canada, New Zealand only)
A Day at the Races is the fifth album by British rock group Queen, released in December 1976. A Day at the Races
was the band's first completely self-produced album, and the first not to feature producer Roy Thomas Baker.
Recorded at Sarm East, The Manor and Wessex Studios in England, A Day at the Races was engineered by Mike
Stone. The title of the album followed suit with its predecessor A Night at the Opera in taking its name from a film
by the Marx Brothers.
In recent years, a number of publications have cited A Day at the Races as one of the band's finest works. The album
peaked at #1 in the UK, Japan and the Netherlands. It reached #5 on the US Billboard 200 and was Queen's fifth
album to ship gold (500,000 units shipped) in the US. It subsequently reached platinum status (one million shipped)
in the US.
Track listing
Side one
1. "Tie Your Mother Down" Brian May 4:48
2. "You Take My Breath Away" Freddie Mercury 5:09
3. "Long Away" Brian May 3:34
4. "The Millionaire Waltz" Freddie Mercury 4:54
5. "You and I" John Deacon 3:25
Side two
1. "Somebody to Love" Freddie Mercury 4:56
2. "White Man" Brian May 4:59
3. "Good Old-Fashioned Lover Boy" Freddie Mercury 2:54
4. "Drowse" Roger Taylor 3:45
5. "Teo Torriatte (Let Us Cling Together)" Brian May 5:50
Bonus tracks (1991 Hollywood Records CD reissue)
No. Title Length
11. "Tie Your Mother Down (1991 Bonus Remix By Matt Wallace)" 3:44
12. "Somebody to Love (1991 Bonus Remix By Randy Badazz)" 5:00
No. Title Length
1. "Tie Your Mother Down (Backing Track Mix 2011)" 3:48
2. "Somebody to Love (Live at Milton Keynes, June 1982)" 7:55
3. "You Take My Breath Away (Live in Hyde Park, September 1976)" 3:06
4. "Good Old-Fashioned Lover Boy (Top of the Pops, July 1977)" 2:51
5. "Teo Torriatte (Let Us Cling Together) (HD Mix)" 4:47

No. Title Length
6. "You Take My Breath Away (Live at Earls Court '77)"
7. "Tie Your Mother Down (Live at Milton Keynes '82)"
8. "Somebody To Love"

The Washington Post described A Day at the Races as "a judicious blend of heavy metal rockers and classically
influenced, almost operatic, torch songs."[1] The Winnipeg Free Press was also appreciative, writing, "Races is a
reconfirmation of Queen's position as the best of the third wave of English rock groups."[2] Circus offered a mixed
review, writing, "With A Day at the Races, they've deserted art-rock entirely. They're silly now. And wondrously
shameless."[3] Rolling Stone were less appreciative, describing Freddie Mercury as possessing a merely "passable
pop voice", and concluding, "Queen will probably top the charts until one or the other of its leaders grows restless
and spins off another version."[4]
Allmusic awarded the album 3.5/5 stars, naming singles "Tie Your Mother Down" and "Somebody to Love", along
with ballad "You Take My Breath Away", as the best tracks on the record.[5] while Q awarded it 4/5 stars, writing,
"The breadth of its ambition remains ever impressive, as do tracks such as May's stomping 'Tie Your Mother Down'
and Mercury's baroque one-two, 'Somebody To Love' and 'Good Old-Fashioned Lover Boy'."[6] George Starostin
wrote, "considering that it does have its fair share of undisputable classics and that the boys' songwriting and
arranging are still at an all-time high, I give it a nine with no remorse."[7]
In 2006, a national BBC poll saw A Day at the Races voted the 67th greatest album of all time.[8] The same year, in a
worldwide Guinness and NME poll to find the "Greatest 100 Albums of All Time", A Day at the Races was voted
#87.[9] It was also featured in Classic Rock and Metal Hammer's "The 200 Greatest Albums of the 70s," being listed
as one of the 20 greatest albums of 1976.[10] Out ranked it #20 of 100 in a poll of "more than 100 actors, comedians,
musicians, writers, critics, performance artists, label reps, and DJs, asking each to list the 10 albums that left the
most indelible impressions on their lives."[11] In the 1987 edition of the The World Critics List, the BBC's Peter
Powell ranked A Day at the Races the 6th greatest album of all time,[12] and Jim DeRogatis' included the record in
his "The Great albums" in 2006.[13]
Song information
Tie Your Mother Down

"Tie Your Mother Down" was written in Tenerife, when May was working on his PhD in Astronomy in early
1968.[14] He wrote it on Spanish guitar and thought he'd change the title and chorus later on, but Mercury liked it and
they kept it that way.[14]
The song is preceded by a one-minute instrumental intro using a Shepard tone harmonium figure, which is actually a
reprise of the ending of "Teo Torriatte": this was intended to create a "circle" in the album, typical, for example, of
Pink Floyd's albums. The ascending scale was created by recording a descending scale on a harmonium and playing
it backwards for the record. The main theme of the intro is the same as that of "White Man." A music video was
made for the song, directed by Bruce Gowers, based on a performance clip shot at Nassau Coliseum in Long Island,
New York in February, 1977 during the band's US arena headlining tour.[15] After its release in 1976, the song was
played by Queen on every subsequent tour.[16]
You Take My Breath Away

"You Take My Breath Away" was written by Freddie Mercury and based on the harmonic minor scale. All of the
vocals and piano were done by him, and he performed it by himself at Hyde Park before recording it. There is a
vocal interlude between this song and the next one that begins with a wash of vocals (repeating the words "take my
breath") created by echoes (of a multitracked Mercury) regenerating in reverse, which gradually evolves into the
repeated phrase "you take my (breath away)" and reintegrates into the next track, "Long Away."
Long Away
"Long Away" was composed and sung by May. He used a Burns Double Six 12-string electric guitar for the rhythm
parts instead of his Red Special. He'd wanted to use a Rickenbacker because he admired John Lennon, but he did not
get along well with the thin neck of the instrument.
The Millionaire Waltz

"The Millionaire Waltz" was written by Mercury about John Reid (Queen and Elton John's manager at the time).[14]
It's another multi-key and multi-metre song like "Bohemian Rhapsody," using abrupt arrangement changes and
including Brian May doing multi-tracked guitar choirs. It features a noteworthy example of John Deacon's 'lead bass'
playing.
The song Niech Żyje Bal (Long live the ball) performed by Polish singer Maryla Rodowicz and released as an
award-winning single in Poland in 1985 contains a waltz-like bridge which, although implementing different
melody, is inspired and arranged similarly to Brian May's multilayered Millionaire Waltz middle solo.
You and I
"You And I" is John Deacon's song on the album. It features him on acoustic guitar and Mercury playing Elton
John-esque piano parts. This song was never played live.
Somebody to Love
"Somebody to Love" is the hit single of the album. Written by Freddie Mercury, the song was inspired by gospel
music, especially that of Aretha Franklin, and Mercury, May, and Taylor multi-tracked their voices to create a
100-voice gospel choir.[17]
Like "Bohemian Rhapsody", the major hit from Queen's previous album, this song has a complex layering of vocal
tracks, this time based on a gospel choir arrangement. The lyrics, especially combined with the gospel influence,
create a song about faith, desperation and soul-searching; the singer questions both the lack of love experienced in
his life and the role and existence of God.[18] Staying true to Queen's guitar-driven style, it was also filled with
intricate harmony parts and a solo by May.[18] Mercury recorded a wide range of notes, going from a G#2 (in the last
choral verse) to a Ab5 (at the peak of his melisma on "ooh" over the choir break). It went to number 2 on the UK
charts and number 13 on the U.S. singles chart.[19] [20]
White Man
"White Man" was written by May about the suffering of Native Americans at the hands of European immigrants. Its
riff was used for the album intro, similarly to "Father To Son" and "Procession" some years before. This song would
be the focal point for a Freddie Mercury vocal solo on the A Day at the Races tour and would serve as both a
Mercury vocal solo spot and a Brian May guitar solo spot on the 1977-78 News of the World tour. The song is one of
Queen's heaviest works, thematically and musically. On the later 2005 Return of the Champions Tour and the later
2008 Tour the riff to 'White Man' was used as an introduction to 'Fat Bottomed Girls'.
Good Old-Fashioned Lover Boy

"Good Old-Fashioned Lover Boy" was written by Mercury. The song starts with a piano and vocal introduction by
Mercury, then continues, with the bass and drums adding on, at the start of the chorus. The second verse is sung,
followed by another chorus. At this point, the drums, bass and guitar drop out, which then leads into the bridge, sung
by Freddie Mercury and Mike Stone. Following the Brian May guitar solo, another verse is sung, and then the chorus
ends the track.
Multi-tracked vocals enhanced the song as well as May's guitar choirs. The song was once performed live on Top of
the Pops in June 1977, with Roger Taylor singing the Mike Stone part. Most of the track was a concert staple on the
band's A Day at the Races Tour and News of the World Tour.[21] [22]
Drowse
"Drowse" was Roger Taylor's song in 6/8 having him playing rhythm guitar and timpani and doing all of the vocals.
May played slide guitar during this and "Tie Your Mother Down" (the second guitar solo in the middle of the song).
Taylor's song on the previous album, "I'm In Love With My Car", was also in 6/8. "Drowse" is notable for being
Roger Taylor's first "soft" song, his previous compositions being usually the heaviest rock pieces of the album.
Taylor sings octave lead vocals during the verses (except for the third and final verse).
Teo Torriatte (Let Us Cling Together)

"Teo Torriatte" was Brian May's tribute to the Japanese fans.
The song is notable for having two choruses sung in Japanese; it is one of only three Queen songs (the others being
"Las Palabras de Amor" from Hot Space and "Mustapha", from the album Jazz) in which an entire verse or chorus is
sung in a language other than English. The song features a piano, a plastic piano, and a harmonium, all of which are
played by Brian May. It is the only point in the album in which Mercury does not play piano.
The album’s closing harmonium melody is also its opening melody; the sequence was attached to the beginning of
"Tie Your Mother Down", the first track on the album. May described it as "a never-ending staircase", otherwise
commonly known, musically, as a Shepard tone.
Singles
In the UK the first track to be released as a single was "Somebody to Love" on 12 November 1976 (EMI 2565). It
reached number 2. "Tie Your Mother Down" followed on 4 March 1977 (EMI 2593), reaching number 31, and
"Good Old Fashioned Lover Boy" on 20 May 1977, reaching number 17. In the US, "Somebody to Love" was
released on 10 December 1976 ( Elektra E45362) and reached number 13. It was followed by "Tie Your Mother
Down" (Elektra E45385) in March 1977, which reached number 49. Both of these were released in Japan: in
addition, "Teo Torriatte" was also released exclusively in Japan.
Personnel
• Freddie Mercury – lead and backing vocals, piano
• Brian May – electric, slide and acoustic guitars, backing vocals, lead vocals on "Long Away", piano, plastic
piano, harmonium
• Roger Taylor – drums, percussion, backing vocals, lead vocals and rhythm guitar on "Drowse", timpani
• John Deacon – bass guitar, acoustic guitar on "You and I"
• Mike Stone – additional vocals on "Good Old-Fashioned Lover Boy"
Chart performance
Chart (1976) Peak
position
[23] 8
[24] 4
[25] 1
Dutch Albums Chart
[26] 10
German Albums Chart
[27] 11
[28] 3
[29] 8
[30] 1
UK Albums Chart
[31] 5
U.S. Billboard 200
2011 re-issue
References
[1] Washington Post review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_02-07-1977_-_A_Day_at_the_Races_-_Washington_Post)
[2] Winnipeg Free Press review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_01-20-1977_-_A_Day_at_the_Races_-_Winnipeg_Free_Press)
[3] Circus review (archived at queenarchives) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_XX-XX-1977_-_A_Day_at_the_Races_-_Circus)
[4] Rolling Stone review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_02-24-1977_-_A_Day_at_the_Races-_Rolling_Stone_(Issue_223))
[6] Q, September 1993, p.118: "The breadth of its ambition remains ever impressive, as do tracks such as May's stomping 'Tie Your Mother
Down' and Mercury's baroque one-two, 'Somebody To Love' and 'Gold Old-Fashioned Lover Boy'."
[7] George Starostin review (http:/ / starling. rinet. ru/ music/ queen. htm#Races)
rocklistmusic.co.uk
[9] Guinness poll (http:/ / www. thisislondon. co. uk/ music/ article-22769595-oasis-album-is-greatest-ever.
do;jsessionid=8A5092669F7D11EFB08D063D564E1F55)
[11] Out: ""The 100 Greatest, Gayest Albums" (http:/ / www. out. com/ detail. asp?id=24081)
[12] The World Critics List (http:/ / www. rocklistmusic. co. uk/ steveparker/ world_critics_lists. htm). 1987
[13] Jim DeRogatis: "The Great albums" (http:/ / www. jimdero. com/ greatalbums. htm)
[14] A Day At The Races (http:/ / queenonline. com/ en/ the-band/ discography/ day-races/ ) Queen Online. Retrieved 1 September 2011
[15] 1977 A Day At The Races North American Tour (http:/ / www. ultimatequeen. co. uk/ live/ queen2. htm#1977datrnorthamerica) Ultimate
Queen. Retrieved 31 August 2011
[16] Queen on tour (http:/ / www. queenconcerts. com/ live/ queen. html) Queen Concerts. Retrieved July 10, 2011
[18] Queen: Somebody to Love (http:/ / www. allmusic. com/ song/ somebody-to-love-t2415720) Allmusic. Retrieved 6 July 2011
[21] Queen live on tour: A Day At The Races: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ adatreu. html) Queen Concerts. Retrieved
31 August 2011
31 August, 2011
[23] http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=A+ Day+ At+ The+ Races& cat=a
[24] http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e. php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ Day+ At+
Races& q2=Top+ Albums%2FCDs& interval=30
[25] http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=A+ Day+ At+ The+ Races& cat=a
[26] http:/ / www. charts. de/ album. asp?artist=Queen& title=A+ Day+ At+ The+ Races& cat=a& country=de
[27] http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=A+ Day+ At+ The+ Races& cat=a
[28] http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=A+ Day+ At+ The+ Races& cat=a
[29] http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=A+ Day+ At+ The+ Races& cat=a
News of the World

News of the World
Released 28 October 1977
Recorded July – September 1977, Basing Street and Wessex Studios, London
Genre Rock
Length 39:30
Label EMI, Parlophone (UK), Elektra, Hollywood (USA)
Producer Queen, Mike Stone
Queen chronology
A Day at the News of the Jazz

Races World (1978)
(1976) (1977)
Alternative cover
Korean cover
Singles from News of the World
1. "We Are The Champions"/"We Will Rock You"

2. "Spread Your Wings"
Released: 10 February 1978
3. "It's Late"
Released: 1978 (US, Canada, New Zealand, Japan only)
News of the World is the sixth studio album by British rock group Queen, released in 1977. Containing hit songs
"We Will Rock You", "We Are the Champions" and "Spread Your Wings", the album went 4x platinum in the US,
2x platinum in the UK, and achieved high certifications around the world as well.
News of the World was the second album to be produced solely by the band (the first being A Day at the Races) and
was recorded at Sarm West Studios and Wessex Studios, London and co-produced and engineered by Mike Stone.
Production
Having received some criticism that their first completely self-produced project, A Day at the Races, was a "boring"
album,[1] Queen decided to shift their musical focus towards the mainstream but remain as the producers of the next
album.
After completing the A Day at the Races Tour, the quartet re-entered the studio to begin work on their sixth studio
offering in July 1977, enlisting Mike Stone as assistant producer at the Basing Street and Wessex Studios in London.
They scaled down their complex arrangements and focused on a "rootsier" sound (as Brian May put it). However the
staple of the Queen sound, multitracked harmonies and guitar orchestrations, still exist on this album, albeit a bit
more subtly. News of the World shows Queen's songwriting less dominated by May and Freddie Mercury, with
Roger Taylor and John Deacon composing two songs each. The group completed recording and production of the
album two months later in September and released the album on 28 October 1977.
Track listing
Side one
1. "We Will Rock You" Brian May 2:01
2. "We Are the Champions" Freddie Mercury 2:59
3. "Sheer Heart Attack" Roger Taylor 3:26
4. "All Dead, All Dead" May 3:10
5. "Spread Your Wings" John Deacon 4:34
6. "Fight from the Inside" Taylor 3:03
Side two
1. "Get Down, Make Love" Mercury 3:51
2. "Sleeping on the Sidewalk" May 3:06
3. "Who Needs You" Deacon 3:05
4. "It's Late" May 6:26
5. "My Melancholy Blues" Mercury 3:29
1991 Hollywood Records CD reissue bonus tracks
No. Title Length
1. "We Will Rock You (1991 Bonus Remix)" 5:00
2011 Bonus EP
No. Title Length
1. "Feelings, Feelings (Take 10, July 1977)" 1:54
2. "Spread Your Wings (BBC Session, October 1977)" 5:25
3. "My Melancholy Blues (BBC Session, October 1977)" 3:12
4. "Sheer Heart Attack (Live in Paris, February 1979)" 3:34
5. "We Will Rock You (Fast) (Live in Tokyo, November 1982)" 2:54
2011 iTunes Bonus Videos
No. Title Length
1. "My Melancholy Blues (Live At The Summit, 1977)" 3:54
2. "Sheer Heart Attack (Live at Hammersmith, 1979)" 3:13
3. "We Will Rock You (Queen Rocks version, 1998)" 2:04

Song information
We Will Rock You

"We Will Rock You" (Sample ) was released as the B-side to "We Are the Champions", and became one of Queen's
biggest songs worldwide as a staple of arena and stadium sports everywhere. It was a conscious decision by Brian
May to make the song simple and anthemic ("stomp, stomp, clap, pause" in a 4/4 metre), so that their live audience
could be more directly involved in the show. In the video for "We Will Rock You" and "Spread Your Wings", May
used a copy of his guitar. He supposedly did not want to commit his Red Special to outside conditions, as the videos
for these songs featured the band performing in the snow in Taylor's garden.
We Are the Champions

According to Freddie Mercury, "We Are the Champions" had been already written in 1975 but it was not recorded
until 1977.[2] Mercury was thinking about football when he wrote it and was surprised that nobody composed
anything to overtake it as a sports anthem. Released as a single, "We Are the Champions" reached #2 in the UK and
#4 in the US. "We Are the Champions" was the first promotional video for which fan club members were invited to
participate in the filming. The video was filmed at the New London Theatre 6 October 1977. Everyone got a single
and Queen did a free concert after the shoot.
Sheer Heart Attack

"Sheer Heart Attack" was half-finished at the time of the 1974 album of the same name. Roger Taylor sang lead on
the demo but for the definitive version the band decided Mercury should sing lead vocals, with Roger singing the
chorus. Rhythm guitar and bass were played by Taylor, apart from some guitar "screams" by May during the
instrumental section.[3]
During this time, the punk rock movement went into full effect, and this song was viewed as something of a jab at
the musicians who felt bands like Queen were too self-indulgent. Of note is the lyric "I feel so inarticulate", and the
fact that Taylor stated in interviews that he thought many of the 1970s punk bands had very little talent.
German heavy metal band Helloween covered the song. The cover can be heard as a B-side for their single "Just a
Little Sign". Also, the heavy metal band Hallows Eve covered this song on their 1988 album Monument.
All Dead, All Dead

"All Dead, All Dead" was written and sung by May, and features Mercury on backing vocals. It is rumoured that the
song is about the passing of Brian's cat. On an episode of "in the Studio with Redbeard" Brian May confirmed that
claim.[4]
Spread Your Wings

"Spread Your Wings" (Sample ) was written by John Deacon. The piano is played by Mercury, although Deacon
mimes it in the music video. The video was filmed at Roger Taylor's house at that time in his backyard, when the
weather was freezing, and the band was performing in the snow. Mercury can be seen wearing star-shaped
sunglasses in the video. Guitarist Brian May is seen playing a copy of his Red Special due to the cold weather
conditions. Also, drummer Roger Taylor can be seen singing in the video despite the fact that there are no backing
vocals in the song. It was the first Queen single without harmony vocals.
Fight from the Inside

"Fight from the Inside" was written and sung by Roger Taylor. In addition to the drums, Taylor also plays rhythm
and bass guitar, the latter borrowed from Deacon himself.
The track is built around a jangly guitar riff and is amongst the first in the Queen catalogue to focus predominantly
on the drums and bass, as opposed to the lead guitars. ([5]). It is also the only song in the band's discography
recorded almost entirely by one member (Brian May contributed additional guitar).
Guitarist Slash has cited the guitar riff to this song as one of his favourite riffs of all time.[6]
Get Down, Make Love

"Get Down, Make Love", written by Mercury, is among the most sexual-oriented songs in the Queen catalogue.
The song was introduced into the band's live show immediately after its release, and remained a staple of their
"medley" until the end of the Hot Space tour of 1982. It was never played live in its entirety with only the first and
last verses/choruses being played with the guitar feature in the middle. On the Hot Space tour, the song was reduced
to the first verse/chorus only as a way to lead into Brian May's guitar solo. Live, this song featured Roger Taylor's
use of Latin-influenced percussion with timbales on the News of the World tour, and tightly tuned Remo Roto-Toms
on the Jazz tour, Crazy tour, The Game and Hot Space tours.
The distinctive 'psychedelic' sound effects heard in the song were not produced on a synthesizer, but on May's Red
Special and an Electroharmonix Frequency Analyzer pedal, which he would often do live. These sound effects,
together with Mercury's moans and groans, were expanded upon during live renditions of the song, presenting the
band an opportunity to show off the full potential of their stage lights and effects.
The song was later covered by Nine Inch Nails, appearing on their "Sin" single and later on the 2010 re-issue of
Pretty Hate Machine.
Sleeping on the Sidewalk

"Sleeping On The Sidewalk", written and sung by May, was inspired by ZZ Top. It was recorded (minus the vocals)
in one take. Lyrically, it deals with an aspiring trumpet player's career, delivered in a "rags-to-riches" fashion. May
sings with an American accent and measures the aforementioned trumpet player's success by "bucks" (as opposed to
pounds). On a close inspection, John Deacon can be heard playing the wrong notes in some bass parts, and Brian
May can also be heard laughing at the end of the song. It is also one of the few Queen songs that does not feature
Mercury.
The band's web site states they were unaware that they were being recorded[7] but Brian May has cast doubt on the
authenticity of this, though confirming the first take of the backing track was used.[8]
Who Needs You

"Who Needs You" was written by Deacon, who, along with May, plays Spanish guitar. May also plays maracas and
Mercury plays a cowbell.
It's Late
"It's Late", written by May, was the author's idea of treating a song as a three-act theatrical play. It makes use of the
tapping technique before Eddie Van Halen of rock group Van Halen made the technique widely-known.
My Melancholy Blues
"My Melancholy Blues" was composed by Mercury. There are no backing vocals or guitars. Despite the title, the
track is more related to jazz. Deacon played fretless bass on stage during this song but used a regular fretted bass on
the record.
Cover
The album's cover was a painting by American sci-fi artist Frank Kelly
Freas. Roger Taylor had an issue of Astounding Science Fiction
(October 1953) whose cover-art depicted a giant intelligent robot
holding the dead body of a man. The caption read: "Please... fix it,
Daddy?" to illustrate the story "The Gulf Between" by Tom Godwin.[9]
The painting inspired the band to contact Freas, who agreed to alter the
painting for their album cover, by replacing the single dead man with
the four "dead" band members (Taylor and Deacon falling to the
ground). The inner sleeve has the robot stretching out his hand to
snatch up the petrified fleeing audience in the shattered auditorium
where the corpses were removed.[10] Freas said he was a classical
music fan and did not know Queen, and only listened to the band after
doing the cover "because I thought I might just hate them, and it would
ruin my ideas", but eventually liked their music.[9]
The original painting (also called The Gulf Between) features on the
cover of Freas's collection of art As He Sees It (Paper Tiger, 2000). Astounding Science Fiction, October 1953
Singles
• "We Are the Champions" released 7 October 1977 in the UK as the first single where it reached #2. In the US, it
was released as a Double A-side with "We Will Rock You" where it reached #4.
• "Spread Your Wings" followed as the second single from the album. Written by John Deacon and released in the
UK on 10 February 1978, it reached #34.
• "It's Late" is the last single from the album and was only released as a single in the United States, Canada, Japan
and New Zealand in 1978. Only reached #74 in the US, failing to chart everywhere else.
Reception
Professional ratings
Review scores
Source Rating
Valley News [11]

(favourable)
Washington Post [12]

(favourable)
Allmusic [13]
Q [14]
Robert Christgau [15]

(C)
Rolling Stone [16]
BBC [17]
(favourable)
George Starostin [18]

Critical response
News of the World initially received mixed reviews, mostly reflecting on the differences to the previously
predominantly progressive rock sound produced by Queen, and this album's vast shift towards a more pop-rock
oriented sound.[19] Following the immense success of singles "We Will Rock You" and "We Are the Champions",
the critical reception shifted towards a more positive stance, as it became evident that the band was displaying
another field of their musical ability.[1] Creem readers voted News of the World the 19th best album of 1977.[20]
2011 Re-issue
albums are to be remastered and reissued in 2011. This reissue includes a deluxe edition which contains five
additional tracks. The second batch of albums (the band's middle five albums) has been released in June.
Chart performance
Chart (1977) Peak
position
[21] 9
[22] 2
[23] 1
Dutch Albums Chart
French Albums Chart 1
[24] 7
German Albums Chart
[25] 15
[26] 4
[27] 9
[28] 4
UK Albums Chart
[29] 3
U.S. Billboard 200
Personnel
• Freddie Mercury: lead and backing vocals, piano, percussion, cowbell on "Who Needs You"
• Brian May: electric and acoustic guitar, backing vocals, lead vocals on "All Dead, All Dead" and "Sleeping on the
Sidewalk", percussion
• Roger Taylor: drums, percussion, backing vocals, lead vocals on "Sheer Heart Attack" and "Fight from the
Inside", electric guitar, bass
• John Deacon: bass guitar, acoustic guitar, Spanish guitar, percussion
References
[1] "Queen: Less Flamboyance, More of the Beatles" (http:/ / queenarchives. com/ index.
php?title=Queen_-_12-28-1977_-_News_of_the_World_-_Washington_Post). Originally published by Washington Post. Currently mirrored
by Queen Archives. 1978-12-28. . Retrieved 2007-12-06.
[2] A Night at the Opera DVD commentary.
[3] Purvis, Georg (2007). Queen: Complete Works. Richmond: Reynolds & Hearn. p. 43. ISBN 9781905287338.
[4] Purvis 2007, p. 108
[5] http:/ / www. queenwords. com/ lyrics/ songs/ sng06_06. shtml
[6] Sutcliffe, Phil; Hince, Peter; Mack, Reinhold (2009). Queen: The Ultimate Illustrated History of the Crown Kings of Rock. London: Voyageur
Press. ISBN 0760337195.
[7] "News of the World" (http:/ / www. queenonline. com/ history/ 70/ ). Queen Online. . Retrieved 2007-12-06.
[8] "Brian May's Soapbox (January 28th, 2008)" (http:/ / www. brianmay. com/ brian/ brianssb/ brianssb. html). . Retrieved 2009-01-25.
[9] As the Symphony gets ready to rock, we remember a local artist (http:/ / hamptonroads. com/ 2010/ 05/
symphony-gets-ready-rock-we-remember-local-artist), The Virginian-Pilot
[10] "News of the World: Album Details" (http:/ / www. queenonline. com/ en/ the-band/ discography/ news-world/ #albumDetails). Queen
Online. .
[11] Valley News review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_11-11-1977_-_News_of_the_World_-_The_Valley_News)
[12] Washington Post review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_12-28-1977_-_News_of_the_World_-_Washington_Post)
[13] Allmusic Review (http:/ / www. allmusic. com/ album/ r15973)
[14] Q, September 1993, p.119: "The album contained such anthemic fare as 'We Will Rock You' and 'We Are The Champions'."
[15] Robert Christgau Review (http:/ / www. robertchristgau. com/ get_artist. php?id=3505& name=Queen)
[16] Rolling Stone Review (http:/ / www. rollingstone. com/ artists/ queen/ albums/ album/ 261146/ review/ 6067503/ news_of_the_world)
[17] BBC Review (http:/ / www. bbc. co. uk/ music/ reviews/ 98dp)
[18] George Starostin Review (http:/ / starling. rinet. ru/ music/ queen. htm#World)
[19] "News of the World" (http:/ / queenarchives. com/ index. php?title=Queen_-_11-11-1977_-_News_of_the_World_-_The_Valley_News).
Originally published by The Valley News. Currently mirrored by Queen Archives. 1977-11-11. . Retrieved 2007-12-06.
[20] http:/ / www. rocklistmusic. co. uk/ creem_lists. htm
[21] http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=News+ Of+ The+ World& cat=a
[22] http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e. php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ News+
World& q2=Top+ Albums%2FCDs& interval=50
[23] http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=News+ Of+ The+ World& cat=a
[24] http:/ / www. charts. de/ album. asp?artist=Queen& title=News+ Of+ The+ World& cat=a& country=de
[25] http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=News+ Of+ The+ World& cat=a
[26] http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=News+ Of+ The+ World& cat=a
[27] http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=News+ Of+ The+ World& cat=a
Jazz 146
Jazz
Jazz
Recorded July – October 1978, Mountain Studios, Montreux and Super Bear Studios, Berre-les-Alpes, France
Genre Rock
Length 44:44

Elektra, Hollywood (USA)
Producer Queen, Roy Thomas Baker
Queen chronology
News of the Jazz The

World (1978) Game
(1977) (1980)
Singles from Jazz
1. "Bicycle Race"/"Fat Bottomed Girls"

2. "Don't Stop Me Now"
3. "Mustapha"
Released: 1979 (Bolivia, Germany, Spain, Yugoslavia only)
4. "Jealousy"
Released: 1979 (US, Canada, Brazil, New Zealand, USSR only)
Jazz is the seventh studio album by British rock band Queen, released in November 1978. The album's varying
musical styles were alternately praised and criticised; it was subject to a viciously scathing Rolling Stone review by
Dave Marsh which included the suggestion that "Queen may be the first truly fascist rock band".[1] Nevertheless, the
album reached #6 on the US Billboard 200. Roy Thomas Baker temporarily reunited with Queen and became their
producer for this album. It was three years since he co-produced Queen's 1975 album A Night at the Opera, but this
album also was the last he co-produced for the band.
Jazz 147
Queen sold the album with a poster depicting the all-female nude bicycle race staged to promote "Fat Bottomed
Girls". A small version of the poster comes with the Crown Jewels box set. This was the first Queen album recorded
outside the UK, for tax purposes. Included in the liner notes is the attribution "Thunderbolt courtesy of God",
referring to the crash of thunder heard at the end of the song "Dead On Time" which May recorded with a portable
audio recorder during a thunderstorm. The album artwork was suggested by Roger Taylor, who previously saw a
similar design painted on the Berlin Wall.
Track listing
Side one
1. "Mustapha" Freddie Mercury 3:01
2. "Fat Bottomed Girls" Brian May 4:16
3. "Jealousy" Mercury 3:14
4. "Bicycle Race" Mercury 3:01
5. "If You Can't Beat Them" John Deacon 4:15
6. "Let Me Entertain You" Mercury 3:01
Side two
1. "Dead on Time" May 3:23
2. "In Only Seven Days" Deacon 2:30
3. "Dreamer's Ball" May 3:30
4. "Fun It" Roger Taylor 3:29
5. "Leaving Home Ain't Easy" May 3:15
6. "Don't Stop Me Now" Mercury 3:29
7. "More of That Jazz" Taylor 4:16
No. Title Length
1. "Fat Bottomed Girls (1991 remix)" 4:22
2. "Bicycle Race (1991 remix)" 4:59

Jazz 148
2011 Bonus EP
No. Title Length
1. "Fat Bottomed Girls (Single version)" 3:23
2. "Bicycle Race (Instrumental)" 3:09
3. "Don't Stop Me Now (With long-lost guitars)" 3:34
4. "Let Me Entertain You (Live in Montreal, November 1981)" 2:48
5. "Dreamer's Ball (Early acoustic take, August 1978)" 3:40
No. Title Length
1. "Bicycle Race (Promo Video performance, 1978)"
2. "Fat Bottomed Girls (Live at Milton Keynes Bowl, 1982)"
3. "Let Me Entertain You (Live in Japan, 1979)"
Reception
Review scores
Source Rating
Allmusic [2]
Creem [3]
(unfavourable)
Q [4]
Robert Christgau [5]

(C+)
Rolling Stone [6]

(unfavourable)
This table needs to be expanded using prose. See the guideline for more information.
Critical reaction upon release was not particularly favourable, with scathing reviews from the likes of Rolling Stone
and Creem. In recent years, reviews have tended to be more favourable, with Allmusic, Q and George Starostin
giving positive reviews.
Jazz 149
Song information
Mustapha
"Mustapha" (Sample) is a song written by Freddie Mercury. It was released as a single in 1979.
The lyrics consist of English, Arabic, Persian and possibly a number of invented words. Some understandable words
are "Mustapha", "Ibrahim" and the phrases "Allah, Allah, Allah will pray for you", "salaam alaykum" and "alaykum
salaam".
In live performances, such as the performance on Live Killers, Mercury would often sing the opening vocals of
"Mustapha" in place of the complex introduction to "Bohemian Rhapsody", going from "Allah will pray for you" to
"Mama, just killed a man...". However, sometimes the band performed an almost full version of the song, with
Mercury at the piano.
Fat Bottomed Girls

"Fat Bottomed Girls" was written by May with lead vocals shared by Mercury, and May, who sings lead on the
chorus. On stage Mercury sang the entire song, with Taylor and May doing harmonies. Both guitar and bass are
played in drop-D tuning for this song, a rarity for Queen.
Jealousy
"Jealousy" was penned by Mercury and features May playing his Hairfred acoustic guitar placing small pieces of
piano wire under the frets to produce the "buzzing" effect of a sitar. This effect had already been used on "White
Queen (As It Began)", from Queen II. All vocals were recorded by Mercury.
Bicycle Race
"Bicycle Race"(Sample ) is a complex composition by Mercury. It features several modulations, unusual chord
functions, a metre change (4/4 to 6/8 and back), and a programmatic section (a race of guitars emulating the bicycle
race).
If You Can't Beat Them

"If You Can't Beat Them" was another hard rock composition by John Deacon and was a live favourite for the band
in late '70s. It is one of the few songs by Deacon where May plays all the guitars and contains a guitar solo of over
two minutes, making it one of the longest guitar solos in a Queen song. It has since featured as the theme tune to a
popular game show, If You Can't Beat Them, Join Them, hosted by Larry Grayson.
Let Me Entertain You

"Let Me Entertain You" was written by Mercury, directed towards the audience. The line "we'll sing to you in
Japanese" is a reference to May's Teo Torriatte, from A Day at the Races. The idea of a guitar riff in parallel sixths
was re-used later in the Innuendo track, "The Hitman".
Dead on Time
"Dead on Time", written by May, features some of the fastest and most aggressive guitar work by its author, as well
as some equally complicated yet ferocious drumming by Taylor. Performed at breakneck speed, it was considered by
most fans to be an ideal live number, but was curiously never played in concert; May would only incorporate
snippets of it in his guitar solos during the Jazz Tour.
The song resembles "Keep Yourself Alive" from Queen's self-titled debut album. In the last chorus, the words "keep
yourself alive" are sung, and in the lyrics attached to the album, those words are written in capitals.
Jazz 150
The song ends with the sound of a thunderbolt, followed by Mercury screaming "You're dead!" The thunderbolt was
actually recorded by May on a portable recorder during a vicious thunderstorm. The album's liner notes credit the
thunderbolt to God.
In Only Seven Days

"In Only Seven Days" is Deacon's other songwriting contribution on the album, and share similarities with one of his
previous songs, "Spread Your Wings". Deacon also played acoustic guitar and electric guitar.
Dreamers Ball
"Dreamers Ball" is May's tribute to Elvis Presley, who had died one year before. The arrangement for the concert
version was completely different, with May and Taylor doing vocal brasses.
Fun It
"Fun It" was a funk track with a disco vibe by Taylor, where both Mercury and himself shared the vocals. Taylor did
the lead vocals, while Mercury was backup. Taylor used Syndrum pads and played most of the instruments. It can be
seen a precursor to Another One Bites the Dust, especially with the intro of this track.
Leaving Home Ain't Easy

"Leaving Home Ain't Easy" was a ballad by May, who also sang all the vocals (lead and harmony). His voice was
sped up for the bridge.
Don't Stop Me Now

"Don't Stop Me Now" is Mercury's top 10 single in the UK and is one of Queen's most famous songs. May's only
input is a short guitar solo and backing vocals. The song was used in the now-famous bar scene of the motion picture
Shaun of the Dead. In addition, the BBC2 show Top Gear named it the top song in a viewer poll of Top Ten driving
songs. "Don't Stop Me Now" was also used for the Google Doodle made to commemorate Freddie Mercury's 65
birthday on September 5, 2011.
More of that Jazz

"More of that Jazz" is yet another one of Taylor's bitter comments about current society and the way rock and roll is
disrespected. It is loop based and Taylor plays most instruments and sings all vocals, reaching some very high notes
(peaking on an E5). The outro also contains short clips from many songs on the album, including "Dead on Time",
"Bicycle Race", "Mustapha", "If You Can't Beat Them", "Fun It", and "Fat Bottomed Girls".
Personnel
• Freddie Mercury: lead and backing vocals, piano
• Brian May: electric and acoustic guitars, backing vocals, lead vocals on and "Leaving Home Ain't Easy"
• Roger Taylor: drums, percussion, backing vocals, electric guitar, bass guitar, lead vocals on "Fun It" and "More of
That Jazz"
• John Deacon: bass guitar, electric and acoustic guitars
Sound engineers:
• Geoff Workman
• John Etchells
Jazz 151
2011 Re-issue
set for release in March 2011. This as part of a new record deal between Queen and Universal Music, which meant
albums are to be remastered and reissued in 2011. According to some reports, this reissue will include a deluxe
edition which will contain five additional tracks along with commentaries from the band about each song. The
second batch of albums (the band's middle five albums) was released in June 2011.
Singles
Four singles were released from the album:
• "Bicycle Race"/"Fat Bottomed Girls (edit)" – Elektra E45541; released December, 1978
"Bicycle Race" and "Fat Bottomed Girls" were released in 1978 as a double A-side; the band staged a famous
nude, all-female bicycle race to promote the single. The bicycle race took place on 17 September 1978 at
Wimbledon Stadium in London. The picture sleeve showed a rear view of one of the ladies on her bicycle, but
a pair of red panties were painted on to avoid public outcry. Legend has it that the band borrowed the bicycles
from a store ("Halfords," according to the liner notes), but upon returning them were informed that they would
have to purchase all the seats, as they had been used in an improper manner (i.e. without clothing). Fat
Bottomed Girls also contains one of Roger Taylor's most memorable drum fills at about 2:52 on the album
Jazz, but at 2:16 on greatest hits.
• "Mustapha" was released in 1979 in only Bolivia, Spain, Yugoslavia and Germany. Its B-side was "Dead On
Time" ("In Only Seven Days" in Yugoslavia).
• "Don't Stop Me Now"/"More Of That Jazz" – Elektra E46008; released February, 1979
"Don't Stop Me Now" was released in 1979; its B-side was "In Only Seven Days" ("More Of That Jazz" in the
USA and Canada).
• "Jealousy"/"Fun It" – Elektra E46039; released April, 1979
"Jealousy" was released in 1979 in the United States, New Zealand, Brazil, Russia, and Canada; its B-side was
"Fun It" ("Don't Stop Me Now" in Russia, on a blue flexi disc).
Chart performance
Chart (1978) Peak
position
[7] 8
[8] 13
[9] 3
Dutch Albums Chart
[10] 7
French Albums Chart
[11] 5
German Albums Chart
[12] 20
[13] 6
[14] 6
[15] 2
UK Albums Chart
Jazz 152
[16] 6
U.S. Billboard 200
References
[1] Marsh, Dave (1979-02-08). "Queen: Jazz" (http:/ / www. rollingstone. com/ music/ albumreviews/ jazz-19790208). Rolling Stone. . Retrieved
10 October 2011.
[2] Jazz (Queen album) (http:/ / www. allmusic. com/ album/ r15974) at Allmusic
[3] Creem review (archived at queenarchives) (http:/ / www. queenarchives. com/ index. php?title=Queen_-_03-XX-1979_-_Jazz_-_Creem)
[4] Q, February 1994, p.119: "Jazz has aged surprisingly well....[With] a pair of genuinely great songs in the shape of 'Don't Stop Me Now' and
'Jealousy,' both with Mercury in grandstanding form..."
[5] http:/ / www. robertchristgau. com/ get_artist. php?id=3505& name=Queen
[6] http:/ / www. rollingstone. com/ music/ albumreviews/ jazz-19790208
[7] http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Jazz& cat=a
[8] http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e. php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ Jazz&
q2=Top+ Albums%2FCDs& interval=30
[9] http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Jazz& cat=a
[10] http:/ / www. infodisc. fr/ Album_Q. php
[11] http:/ / www. charts. de/ album. asp?artist=Queen& title=Jazz& cat=a& country=de
[12] http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=Jazz& cat=a
[13] http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=Jazz& cat=a
[14] http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=Jazz& cat=a
The Game 153
The Game
The Game
Released 30 June 1980
Recorded June–July 1979, February–May 1980, Musicland Studios, Munich, Germany
Genre Rock
Length 35:39
Label EMI (Europe)

Parlophone (Europe)
Elektra Records (US)
Hollywood Records (US)
Producer Queen, Mack
Queen chronology
Jazz The Flash

(1978) Game Gordon
(1980) (1980)
Singles from The Game
1. "Crazy Little Thing Called Love"

2. "Save Me"
3. "Play the Game"
4. "Another One Bites the Dust"
Released: 22 August 1980
5. "Need Your Loving Tonight"
Released: November 1980 (US, Japan)
The Game is the eighth studio album by British rock band Queen released on 30 June 1980. It was the only Queen
album to reach #1 in the US and became Queen's best selling studio album in the US with four million copies sold to
date, tying News of the World's US sales tally. The album received very favourable reviews. Notable songs on the
The Game 154
album include the bass-driven "Another One Bites the Dust" and the rockabilly "Crazy Little Thing Called Love",
both of which reached #1 in the US. The Game was the first Queen album to use a synthesiser,[1] (an Oberheim
OB-X).
The album features a more pop/rock sound than its predecessor, Jazz. The album's style would be augmented on
Queen's next release Hot Space, and future Queen albums. At approximately 35 minutes 39 seconds, The Game is
the 2nd shortest of Queen's studio albums, with their subsequent soundtrack for the film Flash Gordon being shorter
by 39 seconds. It is estimated to have sold 12 million copies worldwide, including over 4.5 million in the United
States.
Re-issued on May 2003 on DVD-Audio with Dolby 5.1 surround sound and DTS 5.1. The 5.1 mix of "Coming
Soon" features an alternate backing track, because the final master tapes were not found when mixing the album to
5.1.
The photo on the cover of the EMI CD is different from that originally used on the LP and cassette even though the
Hollywood CD still has the original photo. The original photo (with Taylor having folded arms and May not having
a hand resting upon his exposed hip) is shown in the article. This alternate photo was also used on cover of the DTS
DVD-Audio edition of the album released in 2003.
"Crazy Little Thing Called Love", "Sail Away Sweet Sister", "Coming Soon", and "Save Me" were recorded from
June to July 1979.[2] The remaining songs were recorded between February and May 1980.[2]
Track listing
Side one
1. "Play the Game" Freddie Mercury 3:30
2. "Dragon Attack" Brian May 4:18
3. "Another One Bites the Dust" John Deacon 3:35
4. "Need Your Loving Tonight" Deacon 2:50
5. "Crazy Little Thing Called Love" Mercury 2:44
Side two
6. "Rock It (Prime Jive)" Roger Taylor 4:33
7. "Don't Try Suicide" Mercury 3:52
8. "Sail Away Sweet Sister" May 3:33
9. "Coming Soon" Taylor 2:51
10. "Save Me" May 3:50

The Game 155
No. Title Length
11. "Dragon Attack" (1991 remix by Jack Benson and R.A.K.) 4:23
2011 Bonus EP
No. Title Length
1. "Save Me (Live in Montreal, November 1981)" 4:18
2. "A Human Body (B-Side)" 3:44
3. "Sail Away Sweet Sister (Take 1 with guide vocal, February 1980)" 2:34
4. "It's a Beautiful Day (Original spontaneous idea, April 1980)" 1:31
5. "Dragon Attack (Live in Milton Keynes, June 1982)" 5:15
No. Title Length
1. "Vocal Improv / Dragon Attack (Live at Morumbi Stadium, 1981)"
2. "Save Me (Live at Seibu Lions, 1982)"
3. "Crazy Little Thing Called Love (Saturday Night Live, 1982)"
Reception
Record Mirror awarded The Game 4/5 stars, writing: "After Zeppelin and even before the Scorpions, Queen are the
most exciting band I've ever seen or heard. And I'm sure all you lovers of quality music will agree."[3] Rolling Stone
felt that it was "nice to hear a Queen album with songs, not 'anthems'," but opined that "these guys know how this
music should sound and feel, but they can't bend enough to get with it."[4] The Washington Post gave a scathing
review, writing: "After five years of unchallenging, dismal albums, this was supposed to be Queen's comeback. But
no such luck."[5] Allmusic awarded the album 4.5/5 stars, opining that it "finds Queen turning decidedly, decisively
pop, and it's a grand, state-of-the-art circa 1980 pop album that still stands as one of the band's most enjoyable
records.[6] George Starostin was also appreciative, describing the album as "catchy, diverse, well-written and
atmospheric."[7]
Creem readers voted The Game the 7th greatest album of 1980.[8] In 2008, Out ranked the album #28 of 100 in a poll
of "more than 100 actors, comedians, musicians, writers, critics, performance artists, label reps, and DJs, asking each
to list the 10 albums that left the most indelible impressions on their lives."[9] Allmusic would go on to name The
Game as Queen's best album of the 1980s.[10]

Yeah, that was when we started trying to get outside what was normal for us. Plus we had a new engineer in
Mack and a new environment in Munich. Everything was different. We turned our whole studio technique
around in a sense, because Mack had come from a different background from us. We thought there was only
one way of doing things, like doing a backing tracks: We would just do it until we got it right. If there were
some bits where it speeded up or slowed down, then we would do it again until it was right. We had done
some of our old backing tracks so many times, they were too stiff. Mack's first contribution was to say, "Well
you don't have to do that. I can drop the whole thing in. If it breaks down after half a minute, then we can edit
in and carry on if you just play along with the tempo". We laughed and said "Don't be silly. You can't do that".
The Game 156
But in facts, you can. What you gain is the freshness, because often a lot of the backing tracks is first time
though. It really helped a lot. There was less guitar on that album, but that's really not going to be the same
forever; that was just an experiment.
—Brian May[11]
Personnel
• Freddie Mercury: lead and backing vocals, intro vocals on "Rock It (Prime Jive)", bridge vocals on "Sail Away
Sweet Sister", piano, rhythm guitar on "Crazy Little Thing Called Love", synthesiser
• Brian May: electric, acoustic and twelve-string guitars, backing vocals, piano, lead vocals on "Sail Away Sweet
Sister", synthesiser
• Roger Taylor: drums, electronic drums, backing vocals, rhythm guitar, lead vocals on "Rock It (Prime Jive)",
synthesiser
• John Deacon: bass guitar, electric and acoustic guitars, piano, percussion, tape effects
Additional synthesisers by Mack.
Charts
Chart positions
Chart (1980) Peak

position
[12] 5
[13] 1
[14] 1
Dutch Albums Chart
[15] 10
Italian Albums Chart
[16] 5
[17] 11
[18] 2
[19] 7
[20] 1
UK Albums Chart
[21] 1
U.S. Billboard 200
[21] 8
U.S. Billboard R&B Albums Chart
[22] 2
West German Albums Chart
The Game 157
Certifications
Region Certification Sales/shipments
[23] Gold
Austria (IFPI Austria) 25000x
[24] Gold
Germany (BVMI) 250000^
[25] Gold
Netherlands (NVPI) 50000^
[26] Platinum
United Kingdom (BPI) 300000^
[27] 4× Platinum
United States (RIAA) 4000000^
^
shipments figures based on certification alone
x
unspecified figures based on certification alone
Year-end charts
Chart (1980) Position
[28] 15
[29] 14
[15] 40
[30] 79
[31] 46
UK Albums Chart
[32] 44
[33] 55
U.S. Billboard Year-end
References
[1] Baker, Theodore; Nicolas Slonimsky (1965). Baker's Biographical Dictionary of Musicians: Centennial Edition (5th ed.). Schirmer Books.
ISBN 0028655257. "The album yielded ... 'Play the Game,' which featured the group's first use of the synthesizer..."
[2] http:/ / www. discogs. com/ Queen-The-Game/ release/ 369059
[3] Record Mirror review (archived at queenarchives.com) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_06-21-1980_-_The_Game_-_Record_Mirror)
[4] Rolling Stone review (http:/ / www. rollingstone. com/ artists/ queen/ albums/ album/ 261147/ review/ 6068313/ the_game)
[5] Washington Post review (archived at queenarchives) (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_08-21-1980_-_The_Game_-_Washington_Post)
[6] The Game (http:/ / www. allmusic. com/ album/ r15977). Allmusic. Retrieved 19 November 2010.
[7] George Starostin review (http:/ / starling. rinet. ru/ music/ queen. htm#Game)
[8] http:/ / www. rocklistmusic. co. uk/ creem_lists. htm
[9] "The 100 Greatest, Gayest Albums" (http:/ / pub37. bravenet. com/ forum/ static/ show. php?usernum=3172289350& frmid=0&
msgid=897399). Out. 2008. Archived at acclaimedmusic.net
[10] The Miracle (http:/ / www. allmusic. com/ album/ the-miracle-r15983/ review). Allmusic. Retrieved 19 November 2010.
[11] On the Record 1982 (http:/ / www. queenarchives. com/ index. php?title=Brian_May_-_XX-XX-1982_-_On_the_Record)
[12] http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=The+ Game& cat=a
[13] http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e. php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ The+
Game& q2=Top+ Albums%2FCDs& interval=50
[14] http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=The+ Game& cat=a
The Game 158
[15] "Hit Parade Italia - Gli album più venduti del 1980" (http:/ / www. hitparadeitalia. it/ hp_yenda/ lpe1982. htm) (in Italian). hitparadeitalia.it
accessdate = 2011-10-03. .
[17] http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=The+ Game& cat=a
[18] http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=The+ Game& cat=a
[19] http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=The+ Game& cat=a
[22] http:/ / www. charts. de/ album. asp?artist=Queen& title=The+ Game& cat=a& country=de
[23] "Austrian album certifications – Queen – The Game" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter Queen
in the field Interpret. Enter The Game in the field Titel. Select album in the field Format. Click Suchen
[24] "German album certifications – Queen – The Game" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=The+ Game& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in German). Bundesverband Musikindustrie. .
[25] "Dutch album certifications – Queen – The Game" (http:/ / www. ifpi. nl/ nvpi/ pagina. asp?pagkey=60463) (in Dutch). Nederlandse
Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. .
[26] "British album certifications – Queen – The Game" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic Industry.
. Enter The Game in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
[27] "American album certifications – Queen – The Game" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="The+ Game"). Recording
Industry Association of America. . If necessary, click Advanced, then click Format, then select Album, then click SEARCH
[28] "Austriancharts.st - Jahreshitparade 1980" (http:/ / austriancharts. at/ 1980_album. asp). Hung Medien. . Retrieved 2010-08-01.
[29] "Top 100 Albums" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?brws_s=1& file_num=nlc008388. 0275& type=1&
interval=24& PHPSESSID=mhe12pta2k83e08udtq66ot062). RPM. 1980-12-20. . Retrieved 2010-12-06.
[30] "日本で売れた洋楽アルバムトップ23 (Top-23 international albums on the Japanese Oricon Year-End Charts 1980" (http:/ / web. archive.
org/ web/ 20070219093050/ http:/ / www2. wbs. ne. jp/ ~ms-db/ oricon/ oricon album80. htm). Archived from the original (http:/ / www2.
wbs. ne. jp/ ~ms-db/ oricon/ oricon 84. htm) on 2011-08-29. . Retrieved 2007-10-21.
[31] "Complete UK Year-End Album Charts" (http:/ / chartheaven. 9. forumer. com/ a/ complete-uk-yearend-album-charts_post21. html). .
[32] "Top 100 Albums of 1981" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?brws_s=1& file_num=nlc008388. 4687&
type=1& interval=24& PHPSESSID=mhe12pta2k83e08udtq66ot062). RPM. 1981-12-26. . Retrieved 2010-12-06.
[33] "The Billboard 200 - Year-end: 1983" (http:/ / www. n-f-l. jp/ 1981 album. html). . Retrieved 2011-08-06.
External links
• 'The Game' info on the official Queen page (http://www.queenonline.com/history/75/)
Hot Space 159
Hot Space
Hot Space
Released 21 May 1982
Recorded June–July 1981

December 1981 – March 1982
Mountain Studios, Montreux, Switzerland
Musicland Studios, Munich, Germany
Genre Rock
Length 43:29
Label EMI/Parlophone (Europe)

Producer Queen, Arif Mardin, Mack and David Bowie
Queen chronology
Flash Hot The

Gordon Space Works
(1980) (1982) (1984)
Singles from Hot Space
• "Under Pressure"
• "Body Language"
Released: 19 April 1982
• "Las Palabras de Amor"
Released: 1 June 1982
• "Calling All Girls"
Released: 31 July 1982 (US, Canada, Australia, New Zealand
only)
• "Staying Power"
Released: July, 1982 (Japan only)
• "Back Chat"
Hot Space 160
Review scores
Source Rating
Allmusic [1]
Rolling Stone [2]
Stylus [3]
(favourable)
The Washington Post (favourable) [4]
Hot Space is the tenth studio album by British rock band Queen, released in May 1982. Marking a notable shift in
direction from their earlier work, Queen employed many elements of disco, pop music, R&B and dance music on
Hot Space, being partially influenced by the success of their 1980 hit "Another One Bites the Dust".[5] This made the
album less popular with fans who preferred the traditional rock style they had come to associate with the band.[6]
Queen's decision to record a dance-oriented album germinated with the massive U.S. success of "Another One Bites
the Dust" (and to a lesser extent, the UK success of the song too).[5] The album's second single "Body Language" did
peak at #11 on the U.S. charts.
"Under Pressure", Queen's collaboration with David Bowie, was released in 1981 and became the band's second #1
hit in the UK.[7] The song was a separate project and recorded ahead of the album, before the controversy over
Queen's new sound (disco-influenced rock music).[8]
In July 2004, Q magazine listed Hot Space as one of the top fifteen albums where great rock acts lost the plot.[9]
Most of the album was recorded in Munich during the most turbulent period in the band's history, and Taylor and
May lamented the new sound, with both being very critical of the influence Mercury's manager Paul Prenter had on
the singer.[10] Estimated sales of the album currently stand at five million copies.
Album styles and genres

Before 1979, Queen had a "no synthesizer" policy on their albums (because people would confuse Brian May's
multi-tracked guitar effects with synthesizers).[11] Beginning with The Game album, Queen began using Oberheim
OB-X synthesizers on their songs ("Play the Game" and "Save Me" are examples), and continued to do so on Hot
Space. A departure from their trademark seventies sound, most of Hot Space is a mixture of funk, funk-rock, dance,
disco and R&B — while the "rock" songs continued in a pop-rock direction similar to their previous album (an
exception is the song "Put Out the Fire").[2] [5] Disliking the new sound, May and Taylor were very critical of the
influence that Paul Prenter, Mercury's personal manager between the early 1980s and 1984, had on the singer.[10]
Song information
Staying Power
The horn arrangement for "Staying Power" was added by Arif Mardin (who also produced Chaka Khan and added
horn sections to Bee Gees and Aretha Franklin records).[12] "Staying Power" would be performed on the band's
accompanying "Hot Space Tour", albeit much faster and heavier, with real drums replacing the drum machine and
guitars and keyboards replacing the horns (this arrangement contained no actual bass guitar, as John Deacon played
guitar in addition to Brian May; the bass sound for this arrangement was played on a keyboard). It was also played
on Queen's The Works Tour, albeit less frequently than on the Hot Space Tour. In Japan, the band released "Staying
Power" as a single in July 1982. The song was also issued as a single in the US, in November 1982. It failed to chart
in either countries. Mr Mardin's contributions were recorded in New York.
Hot Space 161
Dancer
The bassline of "Dancer" was played on a synthesiser (an Oberheim OB-Xa) by writer/guitarist Brian May. The song
itself — a fusion of rock and disco — is something of a follow-up to "Dragon Attack" from the band's 1980 album
The Game in that it fuses heavy elements of music with danceable ones, as Led Zeppelin did.[12] The phone message
at the end of "Dancer" is in German, and was recorded in a hotel room in Munich; it roughly translates to "good
morning, this is your wake-up call". The lyrics of "Dancer" are also notable for being the only ones on the album that
make reference to the album title itself.[13]
Back Chat
"Back Chat", written by bassist John Deacon, is the track most influenced by black music. In addition to normal bass
duties, John also plays rhythm guitar, electric piano and synthesizer on the song. As a single, it stalled at 40 on the
UK charts. On the video commentary on Greatest Video Hits 2, Roger Taylor makes it clear that he hates the music
video for it.
Body Language
"Body Language" is atypical among Queen songs, being the sole single released by the band that does not include
guitar (save for during the closing strains, which are made more prominent throughout the 1991 remix). Mercury,
who composed "Body Language" on synth bass, had previously explored the instrument's potential with his
contributions to the Flash Gordon soundtrack.[14] The "Body Language" video, featuring scantily clad models
writhing around each other, proved somewhat controversial and was banned in a few territories. The song also
appeared in the 1984 documentary film "Stripper", being performed to by one of the dancers.
Action This Day

"Action This Day", one of two Roger Taylor songs that appear on the album, was clearly influenced by the New
Wave movement/style current at the time; the track is driven by a pounding electronic drum machine and features a
saxophone-like synthesizer solo, played by producer Mack on an Oberheim OB-Xa. "Action This Day" takes its title
from a Winston Churchill catchphrase that the statesman would attach to urgent documents, and recapitulates the
theme of social awareness that Taylor espoused in many of his songs. The band performed "Action This Day" live on
the Hot Space Tour with a more conventional arrangement, replacing the drum machine and bass synth with a rock
rhythm section. The verse are duets between Roger Taylor and Freddie Mercury, and the chorus is sung by both.
Put Out the Fire

"Put Out the Fire" is an anti-firearm song written by Brian May, with lead vocals by Freddie Mercury, with Brian
May singing lead vocals in falsetto at the end of each verse. May recorded its guitar solo under the influence of
alcohol (after many unsuccessful attempts).[14] Though never released as a single, "Put Out the Fire", the album's
most 'traditional' Queen song, later appeared on the Queen Rocks compilation in 1997. A new video was also
produced for the accompanying video compilation, featuring a live performance of the song intercut with footage of
fire and explosions.
Life Is Real (Song for Lennon)

Mercury wrote "Life Is Real" as a tribute to John Lennon, whose murder in 1980 had also previously prompted the
band to perform his song "Imagine" on tour. Like Lennon's songs, "Life Is Real" features a sparse piano-based
arrangement and a melancholy tone. It is also one of the few Queen songs whose lyrics were written before the
music ("Killer Queen" being another). The title may be a reference to the lyric "love is real", from Lennon's 1970
song "Love". It contains the slightly offensive line "... Loving like a whore". It begins with three bell-like piano
notes, meant to recall the opening bells in Lennon's "(Just Like) Starting Over", and "Beautiful Boy". Also, the first
Hot Space 162
two words, "Guilt stains..." are virtually identical interval-wise (though in a different key) to Lennon's first two notes
in his song, "Mother".
Calling All Girls

The first Roger Taylor song (however with Mercury on vocals) to be released as a single (albeit in selected countries,
including the United States and Australia, but not the United Kingdom), "Calling All Girls" failed to create much of
an impact on the charts where it peaked at #60 in the U.S., despite having an entertaining music video based on the
George Lucas film THX 1138. Taylor composed "Calling All Girls" on guitar, and played the feedback noises during
the song's break.[14] Queen never performed the song in Europe, and a live recording from Japan in 1982 is
commercially available on the Queen on Fire - Live at the Bowl DVD, where "Calling All Girls" accompanies the
photo gallery. The single was released in July 1982 and reached #33 in Canada and #60 in the US. This song is
notable for its use of "record scratching", heard with the repeated phrase "This message is...", likely a nod to
emergent rap and hip-hop sounds then beginning to reach the mainstream.
Las Palabras de Amor (The Words of Love)

Brian May's lyrics for "Las Palabras de Amor" were inspired by Queen's close relationship with their
Ibero-American fans, and have been interpreted as an allegory for the Falklands War.[12] (actually the album was
released during the war, and must have been recorded long before the war started) A Top 20 hit in the UK, "Las
Palabras de Amor" marked the band's fourth appearance on Top of the Pops (the first, second and third being for
"Seven Seas of Rhye", "Killer Queen" and "Good Old-Fashioned Lover Boy"). For this mimed performance May is
seen playing a grand piano though on the recording there are only synths (played by May). May also sang lead
vocals for the harmonized line "this time and evermore".
Cool Cat
"Cool Cat", written by Freddie Mercury and John Deacon, originally featured David Bowie on background vocals
and even a few lines of rap during the middle eight. According to Mercury in a 1982 television interview, Bowie was
unhappy with the results and requested them to be removed. All the instruments are played by Deacon. On the album
version, Mercury sings the entire song in falsetto.[15] The alternate take with Bowie's vocals still intact is widely
available on various bootleg recordings[16] and surfaces from an early 1982 vinyl "Hot Space" test pressing from the
USA. This is also the only Queen studio track on which John Deacon uses the popping technique.
Under Pressure
A now famous duet with David Bowie, "Under Pressure" was the result of an impromptu jam session in the band's
studio in Montreux.[8] When it was released in 1981, "Under Pressure" reached #1 in the UK singles chart.[7] Freddie
Mercury was the primary director of this track, with him and Bowie as the main lyricists (each writing the lines they
sang). Part of the chord progression is based on a rough demo of an unreleased song "Feel Like".[17] The songwriting
is credited to all five participants.
Track listing
Hot Space 163
Side one
1. "Staying Power" Freddie Mercury 4:10
2. "Dancer" Brian May 3:46
3. "Back Chat" John Deacon 4:31
4. "Body Language" Mercury 4:29
5. "Action This Day" Roger Taylor 3:33
Side two
1. "Put Out the Fire" May 3:15
2. "Life Is Real (Song for Lennon)" Mercury 3:39
3. "Calling All Girls" Taylor 3:53
4. "Las Palabras de Amor (The Words of Love)" May 4:26
5. "Cool Cat" Deacon, Mercury 3:26
6. "Under Pressure" (with David Bowie) David Bowie, Deacon, May, Mercury, Taylor 4:02
No. Title Length
12. "Body Language (1991 Bonus Remix)" 4:44
2011 Bonus EP
No. Title Length
1. "Staying Power (Live in Milton Keynes, June 1982)" 3:57
2. "Soul Brother (B-Side)" 3:36
3. "Back Chat (Single Remix)" 4:12
4. "Action This Day (Live in Tokyo, November 1982)" 6:25
5. "Calling All Girls (Live in Tokyo, November 1982)" 4:45
No. Title Length
1. "Las Palabras De Amor (Top Of The Pops, 1982)"
2. "Under Pressure (Rah Mix, 1999)"
3. "Action This Day (Live at Milton Keynes Bowl, 1982)"

Hot Space 164
Charts
Chart positions
Chart (1982) Peak

position
[18] 15
[19] 1
[20] 6
[21] 1
Dutch Albums Chart
[22] 7
French Albums Chart
[23] 5
German Albums Chart
[24] 9
[25] 6
[26] 5
[27] 3
[28] 4
[29] 4
UK Albums Chart
[30] 22
U.S. Billboard 200
[30] 40
U.S. Billboard R&B Albums Chart
Year-end charts
[31] 17
[32] 46
[24] 54
[33] 51
UK Albums Chart
Certifications
Hot Space 165
[34] Gold
[35] Gold
[36] Gold
^
x
Personnel
• John Deacon – bass guitar, synthesizer, electric guitar, drums, electric piano
• Brian May – lead guitar, synthesizers, piano, backing vocals, synth bass on "Dancer", lead vocals (falsetto lines
on "Put Out the Fire" and lead harmony on "Las Palabras de Amor")
• Freddie Mercury – lead vocals, piano, synthesizers, synth bass on "Staying Power", keyboards
• Roger Taylor – drums, drum computer, backing vocals, lead vocals on "Action This Day", rhythm guitar,
keyboards
With:
• David Bowie – lead vocals, percussion and keyboards on "Under Pressure"
• Arif Mardin – "Hot and Spacey" horn arrangement and production on "Staying Power"
• Mack – production, keyboard programming on "Action This Day"
Miscellaneous
• Michael Jackson, who was close friends with the band during the time, later cited Hot Space as an influence for
his own blockbuster album Thriller.[37] [38]
• The cover art of U2's 1997 Pop album, Blur's 2000 Best Of compilation, "Weird Al" Yankovic's 1994 Greatest
Hits Volume II, and The Black Eyed Peas's 2010 The Beginning bear some similarity to the Hot Space cover
(which, in turn, drew its inspiration from the cover of The Beatles' album Let It Be). Pop, like Hot Space, was also
an attempt to make a dance album, both of which received mixed results.
• The 1982 Hot Space Tour was Queen's last tour of America until the Queen + Paul Rodgers Tour in 2006 (the
band stopped touring completely in 1986 due to Mercury's health, and did not tour again until the Queen + Paul
Rodgers Tour commenced in 2005).[39]
References
[1] Stephen Thomas Erlewine Hot Space (http:/ / www. allmusic. com/ album/ r687305/ review) Allmusic. Retrieved 2 August 2011
[2] Hot Space (http:/ / www. rollingstone. com/ reviews/ album/ 193117/ hot_space) Rolling Stone. Retrieved 3 August 2011
[3] Queen - Hot Space (http:/ / www. stylusmagazine. com/ articles/ on_second_thought/ queen-hot-space. htm) Stylus Magazine. Retrieved 3
August 2011
[4] A Glorious Queen (http:/ / queenarchives. com/ index. php?title=Queen_-_07-23-1982_-_Washington_Post_-_A_Glorious_Queen) The
Washington Post. Retrieved 3 August 2011
[5] Queen - Hot Space (http:/ / www. stylusmagazine. com/ articles/ on_second_thought/ queen-hot-space. htm) Stylus Magazine. Retrieved 31
May 2011
[6] Prato, Greg. "Hot Space Review" (http:/ / www. allmusic. com/ album/ r687305/ review). Allmusic. . Retrieved 2006-12-05.
[7] Chart Stats - Queen And David Bowie (http:/ / www. chartstats. com/ release. php?release=9471) Retrieved 9 June 2011
[8] Lowry, Max (13 July 2008) The ones that got away (http:/ / www. guardian. co. uk/ music/ 2008/ jul/ 13/ popandrock. art) The Guardian.
Retrieved 3 August 2011
[9] "15 Albums Where Great Rock Acts Lost the Plot" (http:/ / www. rocklistmusic. co. uk/ q150lists. htm). Q magazine. July 2004. Archived at
rocklistmusic.co.uk
Hot Space 166
[10] O'Casey, Matt, dir. (2011) Queen - Days of Our Lives. Part 2. BBC. Queen Productions Ltd. Retrieved 31 May 2011
[11] Roy Thomas Baker & Gary Langan Interview (http:/ / www. soundonsound. com/ sos/ 1995_articles/ oct95/ queen. html#) Sound On Sound.
[12] Miccio, Anthony. "On Second Thought" (http:/ / www. stylusmagazine. com/ articles/ on_second_thought/ queen-hot-space. htm). Stylus. .
Retrieved 2006-12-05 'Staying Power' marked the band's first and only collaboration with Arif Mardin - whose previous credits include
working with Chaka Khan, The Bee Gees and Aretha Franklin - and is the only song in Queen's catalogue to feature an authentic horn section.
The original demo of the track featured a guitar instead of horns..
[13] "Queen - The Complete Words" (http:/ / www. queenwords. com/ lyrics/ songs/ sng12_02. shtml). . Retrieved 2006-12-05.
[14] Obrecht, Jas. "Brian May Interview" (http:/ / www. pcpki. com/ queen/ articles/ bhm8301. html). Guitar Player (January 1983), archived at
Andy's Queen page (http:/ / www. pcpki. com/ queen/ ). . Retrieved 2006-12-05.
[15] Milward, John (1982-06-10). "Hot Space Review" (http:/ / www. rollingstone. com/ artists/ queen/ albums/ album/ 193117/ review/
5946715/ hot_space). Rolling Stone, issue 371. . Retrieved 2006-12-05.
[16] "Queen Demos of Released Tracks (A-L)" (http:/ / www. ultimatequeen. co. uk/ Songs/ queendemos1. htm). . Retrieved 2006-12-05.
[17] "Queen Demos of Released Tracks (M-Z)" (http:/ / www. ultimatequeen. co. uk/ Songs/ queendemos2. htm). . Retrieved 2006-12-05.
[18] Kent, David (1993). Australian Chart Book 1970-1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6.
[19] http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Hot+ Space& cat=a
[20] Queen" and "Hot" and "Space" and "Top Albums/CDs" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e.
php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ Hot+ Space& q2=Top+ Albums/ CDs& interval=50) Library and Archives
Canada
[21] http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Hot+ Space& cat=a
[23] http:/ / www. charts. de/ album. asp?artist=Queen& title=Hot+ Space& cat=a& country=de
[24] "Hit Parade Italia - Gli album più venduti del 1982" (http:/ / www. hitparadeitalia. it/ hp_yenda/ lpe1982. htm) (in Italian). hitparadeitalia.it.
. Retrieved 2011-10-03.
[26] http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=Hot+ Space& cat=a
[27] http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=Hot+ Space& cat=a
[28] http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=Hot+ Space& cat=a
[32] "Top 100 Albums '82" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?brws_s=1& file_num=nlc008388. 6170&
[34] "Austrian album certifications – Queen – hot Space" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter Queen in
the field Interpret. Enter hot Space in the field Titel. Select album in the field Format. Click Suchen
[35] "British album certifications – Queen – hot Space" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic Industry.
. Enter hot Space in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
[36] "American album certifications – Queen – hot Space" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="hot+ Space"). Recording
pg=PT173& dq=hot+ space+ michael+ jackson#v=onepage& q=hot space michael jackson& f=false) p.170. Retrieved 9 June 2011
[38] Thriller´, de Michael Jackson, sigue imbatido 25 años después (http:/ / www. elperiodicoextremadura. com/ noticias/ noticia.
asp?pkid=341044)
The Works 167
The Works
The Works
Released 27 February 1984
Recorded August 1983 – January 1984 at The Record Plant, Los Angeles, California and Musicland Studios, Munich, Germany
Genre Rock
Length 37:11
Label EMI/Parlophone; Capitol, Hollywood Records (US)
Producer Queen and Mack
Queen chronology
Hot The A Kind of

Space Works Magic
(1982) (1984) (1986)
Singles from The Works
1. "Radio Ga Ga"
2. "I Want to Break Free"
Released: 2 April 1984
3. "It's a Hard Life"
Released: 16 July 1984
4. "Hammer to Fall"
Released: 10 September 1984
The Works 168
Professional
ratings
Review scores
Source Rating
Allmusic [1]
People [2]
(favourable)
Rolling Stone [3]
Sounds [4]
The Works is the eleventh studio album by British rock band Queen, released in February 1984. A partial return to
their rock roots, although with a much lighter approach, the record has also the heaviest electronics amongst all
group albums. In comparison, rock was mostly absent on their previous effort Hot Space, which gave room to dance
and funk with the use of analogue synths and brass. Freddie Mercury praised the album saying it helped re-establish
the band, especially in Europe. The Works is estimated to have sold 12 million copies worldwide.
Recorded at the Record Plant Studios and Musicland Studios from August 1983 to January 1984, the album's title
comes from a comment drummer Roger Taylor made as recording began – "Let's give them the works!"
History
Following the release of and subsequent touring for their 1982 album Hot Space, the four members of Queen opted
to take a break from the band the following year, indulging in solo projects and taking the chance to stretch in
individual directions. While a spring tour of South America had been an early possibility, especially following the
band's success there two years prior, equipment and promotional problems brought an end to these plans.[5] Brian
May worked with Eddie Van Halen and others on the Star Fleet Project, while Freddie Mercury began work on his
solo album. By August 1983, however, the band had reunited and began work on their eleventh studio album. It
would be Queen's first album for EMI (and its United States affiliate Capitol Records) worldwide after the band
nullified its recording deal with Elektra for the United States, Canada, Australia and Japan.[5]
Recording commenced at Record Plant Studios in Los Angeles – Queen's first time recording in America – and
Musicland Studios in Munich. Also during this time, their manager Jim Beach offered them the opportunity to
compose the soundtrack for the film The Hotel New Hampshire. The band agreed, but soon discovered much of their
time was being spent on the soundtrack instead of the upcoming album, and the project fell through.[5] Only one
song written for the soundtrack, "Keep Passing the Open Windows", made it onto The Works. By November 1983,
Roger Taylor's "Radio Ga Ga" was chosen as the first single from the album. The Works was released on 27
February 1984.
Track listing
The Works 169
Side one
1. "Radio Ga Ga" Roger Taylor 5:44
2. "Tear It Up" Brian May 3:28
3. "It's a Hard Life" Freddie Mercury 4:08
4. "Man on the Prowl" Mercury 3:28
Side two
5. "Machines (Or 'Back to Humans')" May, Taylor 5:10
6. "I Want to Break Free" John Deacon 3:20
7. "Keep Passing the Open Windows" Mercury 5:21
8. "Hammer to Fall" May 4:28
9. "Is This the World We Created...?" Mercury, May 2:13
10. "I Go Crazy" (Original B-side) May 3:42
11. "Radio Ga Ga" (Extended version) Taylor 6:50
12. "I Want to Break Free" (Extended mix) Deacon 7:19
2011 Bonus EP
No. Title Length
1. "I Go Crazy (B-Side)"
2. "I Want To Break Free (Single Remix)"
3. "Hammer To Fall (Headbanger’s Mix)"
4. "Is This The World We Created…? (Live in Rio, January 1985)"
5. "It's A Hard Life (Live in Rio, January 1985)"
6. "Thank God It's Christmas (Non-Album Single)"
No. Title Length
1. "Tear It Up (Live @ Wembley Stadium, London – 7/11/1986)"
2. "I Want to Break Free (Live @ Rock in Rio – January 1985)"
3. "Radio Ga Ga (Promo Video, 1984)"

The Works 170
Song information
Radio Ga Ga
"Radio Ga Ga" was composed on keyboards, after Roger Taylor heard his son Felix (3 years old at the time) saying
"radio ca ca".[5] He wrote it in Los Angeles and locked himself in the studio with a Roland Jupiter 8 and a drum
machine. Afterwards John Deacon came up with a suitable bass line. Mercury reconstructed the track, both musically
and lyrically. It was still credited to Taylor since Mercury was an arranger rather than a co-writer. Fred Mandel, their
session keyboardist, put together an additive track with piano, synth and a temporary bass part. May used a glass
slide for his guitar solo. Taylor sang all the backing vocals, and used a Vocoder throughout the song. Most of the
song is made out of electronics and synthesizers.
Tear It Up
"Tear It Up" is May's song, and the demo features him doing the vocals instead of Mercury. It was written as an
attempt to revive Queen's old sound. It features stomping percussion similar to "We Will Rock You" that drives the
song.
It's a Hard Life

"It's a Hard Life" is one of May's and Taylor's favourite songs from Mercury (although they admitted that they hated
the video). May contributed with some of the lyrics, and the intro was based on Ruggero Leoncavallo's Vesti la
giubba, an aria from his opera Pagliacci. Mercury played piano and did most of the vocals, and conducted May
about the scales he should use for the solo, described by May in the guitar program Star Licks as very "Bohemian
Rhapsody"-esque.
Man on the Prowl

"Man on the Prowl" is a three-chord rockabilly Mercury composition (similar to "Crazy Little Thing Called Love")
in which Fred Mandel plays the piano ending. Note that "Tear It Up", "It's a Hard Life" and this song are free of
synthesizers. May played the solo using a Telecaster.
Machines (Or 'Back to Humans')

"Machines (Or 'Back to Humans')" came up as an idea by Taylor, and May collaborated with him and finished it.
Producer Reinhold Mack programmed the synth-"demolition" using a Fairlight CMI II Sampler, and the song is sung
as a duet between two Mercury (harmonising with each other) and a robotic Taylor (using a Roland VP330
Vocoder). The instrumental remix of the song samples parts of "Ogre Battle" from Queen's second album Queen II,
Flash and Larry Lurex's "Goin' Back" (in fact Queen (sans John Deacon) under a pseudonym). This song, along with
Radio Ga Ga are some of the heaviest uses of electronics on the album.
I Want to Break Free

"I Want to Break Free" was written by John Deacon out of frustration. This pop song is best known probably
because of its controversial video, featuring all four Queen members dressed up as women, in a parody of the British
soap opera Coronation Street. The idea for the clip was from Roger Taylor. Freddie commented that 'Everybody ran
into their frocks'. John Deacon, the song's author, insisted he didn't want a guitar solo on the track so a synth solo
was played by Fred Mandel – live, however, May played the solo on guitar.
The Works 171
Keep Passing the Open Windows

"Keep Passing the Open Windows" was written by Mercury in 1983 for the film version of The Hotel New
Hampshire, based on a novel by John Irving. The phrase is mentioned on a number of occasions throughout the film
and was, according to the opening credits, also co-produced by the band's manager Jim Beach, who changed it in
order to suit the album mood better. Mercury played piano and synths and wrote the lyrics after reading the quote in
the book.
Hammer to Fall
"Hammer to Fall" is May's other rock song in the album. Live versions were considerably faster and he sang it in his
solo tours as well. Synths are played by Mandel and most of vocal harmonies were recorded by May himself,
particularly in the bridge (save for "oh no" which is Taylor). The song harks back to the Queen of old, with a song
being built around a hard angular and muscular riff. The song features Freddie Mercury on lead vocals, doing a call
and response with May, who sings the chorus. The song's music video directed by David Mallet, contains footage of
a performance of the song in Brussels.[6]
"Hammer to Fall" was a concert favourite, and was the third song the band performed at Live Aid in 1985.[7] The
song also features in the setlist of the band's Magic Tour in 1986.[8]
Is This the World We Created...?

"Is This the World We Created...?" was written in Munich after Mercury and May watched the news of poverty in
Africa, and performed at Live Aid. Mercury wrote most of the lyrics and May wrote the chords and made small
lyrical contributions. The song was recorded with an Ovation but live May used Taylor's Gibson Chet Atkins CE
nylon-stringed guitar. Originally, a Freddie Mercury composition,"There Must Be More To Life Than This" (which
was around since the "Hot Space" sessions and finally ended up on Freddie's solo record "Mr Bad Guy") was
supposed to be the album's last track.
I Go Crazy
"I Go Crazy" is another Brian May rocker from the Works time period, which ended up as the B-side to Roger
Taylor's "Radio Ga Ga". The song, which was demoed during the "Hot Space" sessions (some say it was tried out
during "The Game" sessions) was not to the liking of the other band members and therefore removed from the
album. Nonetheless, it ended up as a B-side, making its first digital appearance on the 1991 The Works CD release.
Lead vocals are mostly sung by Mercury, with May singing lead on the bridge in the middle. The song ends with
Taylor and Mercury alternating vocals on the word "crazy".
Personnel
• Freddie Mercury: lead and backing vocals, piano, keyboards, programming
• Brian May: electric guitar, twelve-string acoustic guitar, backing vocals, keyboards, lead vocals on bridge of "I
Go Crazy", programming
• Roger Taylor: drums, electronic drums, backing vocals, keyboards, Vocoder on "Machines (Back to Humans)"
and "Radio Ga Ga", programming
• John Deacon: bass guitar, rhythm and acoustic guitars, keyboards, programming
With
• Fred Mandel: Synth Brass on "I Want To Break free", Piano, programming
• Mack: Fairlight CMI programming on "Machines", engineering
• Mike Beiriger: additional engineering
• Stefan Wissnet: additional engineering
The Works 172
• Ed Delena: additional engineering

• Bill Smith: sleeve design
• George Hurrell: photography
Singles
For the first and only time in their career, all the songs (and one non-album track, "I Go Crazy") from a Queen album
were used as either A-sides or B-sides on singles. Starting with this album, the group began issuing singles in the
United Kingdom under their own catalogue numbers.
Number Format A-side B-side Released date

(UK)
QUEEN 1 (7" "Radio Ga Ga" "I Go Crazy" —

Single)
12QUEEN (12" "Radio Ga Ga (Extended "Radio Ga Ga (Instrumental Version)"/"I Go Crazy" 23 January 1984
1 Single) Version)"
QUEEN 2 (7" "I Want to Break Free (Single "Machines (or 'Back to Humans')" —
Single) Mix)"
12QUEEN (12" "I Want to Break Free (Extended "Machines (or 'Back to Humans')" 2 April 1984
2 Single) Mix)"
QUEEN 3 (7" "It's a Hard Life" "Is This the World We Created...?" —
Single)
12QUEEN (12" "It's a Hard Life" "Is This the World We Created...?" 16 July 1984
3 Single)
QUEEN 4 (7" "Hammer to Fall (Headbanger's "Tear It Up" —

Single) Mix Edit)"
12QUEEN (12" "Hammer to Fall (Headbanger's "Tear It Up" 10 September

4 Single) Mix)" 1984
QUEEN 5 (7" "Thank God It's Christmas" "Man on the Prowl"/"Keep Passing the Open Windows" —
Single) (non-album track)
12QUEEN (12" "Thank God It's Christmas" "Man on the Prowl (Extended Version)"/"Keep Passing the Open 26 November
5 Single) Windows (Extended Version)" 1984
Others
Format A-side B-side
US 7" Single & Cassette Single "Radio Ga Ga (US Single Edit)" "I Go Crazy"
US Promo 7" Single "I Want to Break Free (Single Mix)" "I Want to Break Free (Special 7" Single Edit)"
US 7" Single & Cassette Single "I Want to Break Free (Single Mix)" "Machines (or 'Back to Humans') (Instrumental Version)"
The Works 173
Charts
Chart positions
Chart (1984) Peak

position
[9] 12
[10] 2
[11] 22
[12] 1
Dutch Albums Chart
[13] 14
French Albums Chart
[14] 4
[15] 7
[16] 9
[17] 2
[18] 3
[19] 3
Swiss Albums Chart
[20] 2
UK Albums Chart
[21] 23
U.S. Billboard 200
[22] 3
Year-end charts
[9] 48
[23] 2
[24] 88
[14] 37
[25] 14
UK Albums Chart
The Works 174
Decade-end charts
Chart (1980-89) Position
[26] 32
Certifications
[27] Platinum
[28] Platinum
Canada (Music Canada) 100000^
[29] Platinum
[30] Gold
[31] Platinum
Switzerland (IFPI Switzerland) 50000x
[32] Platinum [25]

United Kingdom (BPI) 650,000
[33] Gold
^
x
References
[1] http:/ / www. allmusic. com/ album/ r687299
[2] (http:/ / www. queenarchives. com/ viewtopic. php?t=479)
[3] "Rolling Stone Music | Album Reviews" (http:/ / www. rollingstone. com/ reviews/ album/ 192263/ the_works). Rollingstone.com.
2011-08-02. . Retrieved 2011-08-12.
[4] "Queen - 02-25-1984 - The Works - Sounds" (http:/ / www. queenarchives. com/ archivesnew/ index.
php?title=Queen_-_02-25-1984_-_The_Works_-_Sounds). Queen Archives. 1984-02-25. . Retrieved 2011-08-12.
[5] "Queen Biography 1984" (http:/ / www. queenzone. com/ queenzone/ bio_view. aspx?q=16). Queenzone.com. . Retrieved 2011-08-12.
[6] Queen Biography 1984 (http:/ / www. queenzone. com/ queenzone/ bio_view. aspx?q=16) Queen Zone. Retrieved July 11, 2011
[7] Live Aid: Hammer to Fall (http:/ / www. ultimatequeen. co. uk/ videos/ liveaid. htm) Ultimate Queen. Retrieved July 11, 2011
[8] Queen live on tour: Magic tour (http:/ / www. queenconcerts. com/ live/ queen/ magic. html) Queen Concerts. Retrieved July 11, 2011
[10] Steffen Hung. "Queen - The Works" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=The+ Works& cat=a) (in German)
(ASP). austriancharts.at. . Retrieved 2011-08-12.
php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ The+ Works& q2=Top+ Albums/ CDs& interval=50) (PHP).
Collectionscanada.gc.ca. . Retrieved 2011-08-12.
[12] Steffen Hung. "Queen - The Works" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=The+ Works& cat=a) (in Dutch) (ASP).
Hung Medien. MegaCharts. . Retrieved 2011-08-12.
[13] "InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste : Queen" (http:/ / infodisc. fr/ Album_Q. php) (in French)
(PHP). infodisc.fr. . Retrieved 2011-09-12.
. Retrieved 2011-10-03.
[16] Steffen Hung. "Queen - The Works" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=The+ Works& cat=a) (ASP). Hung
Medien. Recoding Industry Association of New Zealand. . Retrieved 2011-08-12.
[17] Steffen Hung. "Queen - The Works" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=The+ Works& cat=a) (ASP).
Hung Medien. VG-lista. . Retrieved 2011-08-12.
The Works 175
[18] Steffen Hung. "Queen - The Works" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=The+ Works& cat=a) (ASP).
swedishcharts.com. . Retrieved 2011-08-12.
[19] Steffen Hung. "Queen - The Works" (http:/ / hitparade. ch/ showitem. asp?interpret=Queen& titel=The+ Works& cat=a) (ASP).
hitparade.ch. . Retrieved 2011-08-12.
[20] "Queen - The Works" (http:/ / www. chartstats. com/ release. php?release=41928) (PHP). Chart Stats. . Retrieved 2011-08-12.
[21] "Queen" (http:/ / www. allmusic. com/ artist/ queen-p5205/ charts-awards/ billboard-albums). AllMusic. . Retrieved 2011-08-12.
[22] "charts.de" (http:/ / www. charts. de/ album. asp?artist=Queen& title=The+ Works& cat=a& country=de) (ASP). charts.de. . Retrieved
2011-08-12.
[24] "Top 100 Albums of 1984" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?brws_s=1& file_num=nlc008388. 9642&
[26] "Austriancharts.at - Bestenlisten - 80-er album" (http:/ / austriancharts. at/ 80er_album. asp) (in German). Hung Medien. . Retrieved
2011-10-24.
[27] "Austrian album certifications – Queen – The Works" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter Queen
in the field Interpret. Enter The Works in the field Titel. Select album in the field Format. Click Suchen
[28] "Canadian album certifications – Queen – The Works" (http:/ / www. musiccanada. com/ GPSearchResult. aspx?st=The+ Works&
sa=Queen& smt=0). Music Canada. .
[29] "German album certifications – Queen – The Works" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=The+ Works& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in German). Bundesverband Musikindustrie. .
[30] "Dutch album certifications – Queen – The Works" (http:/ / www. ifpi. nl/ nvpi/ pagina. asp?pagkey=60463) (in Dutch). Nederlandse
[31] "The Official Swiss Charts and Music Community: Awards (Queen; 'The Works')" (http:/ / www. swisscharts. com/ search_certifications.
asp?search=Queen+ The+ Works). Hung Medien. .
[32] "British album certifications – Queen – The Works" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter The Works in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
[33] "American album certifications – Queen – The Works" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="The+ Works").
Recording Industry Association of America. . If necessary, click Advanced, then click Format, then select Album, then click SEARCH
A Kind of Magic
A Kind of Magic
Recorded September 1985–April 1986 at Musicland Studios, Munich, Germany, Mountain Studios, Montreux, Switzerland and Townhouse
Studios, London, England
Genre Rock
A Kind of Magic 176
Length 53:36 (EMI CD)

50:31 (Hollywood CD)
40:58 (LP & Cassette version)
Label EMI
Hollywood (1991 US re-release)
Producer Queen, Mack and David Richards
Queen chronology
The A Kind of The

Works Magic Miracle
(1984) (1986) (1989)
Singles from A Kind Of Magic
• "One Vision"
• "A Kind of Magic"
• "Princes of the Universe"
Released: April, 1986 (US, Canada, Australia, New Zealand, Japan only)
• "Friends Will Be Friends"
• "Pain Is So Close to Pleasure"
Released: August, 1986 (US, Europe only)
• "Who Wants to Live Forever"
• "One Year of Love"
Released: 1986 (France, Spain only)
A Kind of Magic is a 1986 album by British rock band Queen. It was the band's twelfth studio album and their first
to be recorded digitally, and is based on the soundtrack to the film Highlander, the first in a series directed by
Russell Mulcahy.
Although Queen would release another three albums with Freddie Mercury (including the posthumous Made in
Heaven), A Kind of Magic would turn out to be the band's last ever album promoted with a concert tour, because of
Mercury's diagnosis with AIDS the following year and his eventual death from AIDS in 1991. For the first time in
their career, the band allowed filming of them while they were in the recording studio. The video for "One Vision"
shows them in various stages of writing and recording the song.
A Kind of Magic reached #1 in the UK, selling 100,000 copies in its first week, and remained in the UK charts for
sixty-three weeks.[1] The album spawned three hit singles; the album's title track "A Kind of Magic", "One Vision"
and "Friends Will Be Friends".[2] The sixth track on the album, "Who Wants to Live Forever", features an orchestra
conducted by Michael Kamen, while the last track, "Princes of the Universe", is the theme song to Highlander.[3]
Critical reaction to the album was mixed, but it has, in recent years, been cited by music publications and fans as one
of Queen's best records of the 1980s. The 1994 edition of the Guinness All Time Top 1000 Albums listed A Kind of
Magic #171 in the all-time greatest rock and pop albums, and in 2007, Classic Rock ranked it the 28th greatest
soundtrack album of all time.[4] [5] Estimates of the albums sales currently stand at 14 million copies.
A Kind of Magic 177
A Kind of Magic and Highlander

The album enjoys the status of an unofficial soundtrack for the 1986 film Highlander (for which no official
soundtrack album was ever released). The title, "A Kind of Magic", may have come from one of the lines Connor
MacLeod (Christopher Lambert) says to describe his immortality.[6] Six out of nine songs on the album appeared in
the film, although in different versions. The three songs that did not appear in Highlander are "Pain Is So Close to
Pleasure", "Friends Will Be Friends" and "One Vision" (which was featured a year earlier in the film Iron Eagle).
Conversely, a recording of "Theme from New York, New York" made specifically for a scene in Highlander does not
appear on A Kind of Magic, and in fact has never been released in album form to date. According to a statement by
Brian May on the Greatest Video Hits 2 DVD (2003), at least at that point, he had the intention to work on a proper
Highlander soundtrack in the future. In one scene, a snippet of "Hammer to Fall" plays on a radio, a song from the
previously released "The Works" album.
Track listing
Side one
1. "One Vision" Queen 5:10
2. "A Kind of Magic" Roger Taylor 4:24
3. "One Year of Love" John Deacon 4:26
4. "Pain Is So Close to Pleasure" Deacon, Freddie Mercury 4:21
5. "Friends Will Be Friends" Deacon, Mercury 4:07
Side two
6. "Who Wants to Live Forever" Brian May 5:15
7. "Gimme the Prize (Kurgan's Theme)" May 4:34
8. "Don't Lose Your Head" Taylor 4:38
9. "Princes of the Universe" Mercury 3:32
1986 EMI CD bonus tracks
10. "A Kind of 'A Kind of Magic'" Taylor 3:38
11. "Friends Will Be Friends Will Be Friends..." Deacon, Mercury 5:58
12. "Forever" May 3:20

A Kind of Magic 178
1991 Hollywood Records CD bonus tracks
No. Title Length
10. "Forever" 3:20
11. "One Vision (Extended Vision)" 6:23
2011 Bonus EP
No. Title Length
1. "A Kind Of Magic (Highlander Version)"
2. "One Vision (Single Version)"
3. "Pain Is So Close To Pleasure (Single Remix)"
4. "Forever (Piano Version)"
5. "A Kind Of Vision(Demo, August 1985)"
6. "One Vision (Live at Wembley Stadium, July 11th 1986)"
7. "Friends Will Be Friends Will Be Friends"
No. Title Length
1. "One Vision (extended promo video, 1985)"
2. "Princes of the Universe (promo video, 1986)"
3. "A Kind of Magic (Live @ Wembley Stadium, London – 7/11/1986)"
Reception
Review scores
Source Rating
Allmusic [7]
Kerrang! [8]
Rolling Stone [9]

(unfavorable)
The Times [2]

(mixed)
People Weekly (unfavorable)[10]
Critical reaction to A Kind of Magic was mixed. Rolling Stone described the album as "heavy plastic", concluding,
"This band might as well put some pomp back in its rock. Its members are never going to make it as dignified elder
statesmen."[9] The Times described the album as one of "the most spectacularly successful releases this year", yet
questioned its appeal, asking, "why does it not extend to those of us who are given the records to review?"[2] People
Weekly wrote, "There's hardly a personal expression, let alone an intimate one, in this album... The group can be
dazzling. In this case they're just overbearing."[10] In a retrospective review, Allmusic were more favourable, writing,
"It may not have been as cohesive as some of their other albums, but A Kind of Magic was their best work in some
time."[7] Kerrang! reviewer wonders "how much of the album is the 'real' Queen and how much is the result of the
A Kind of Magic 179
costraints/musical slant imposed upon them by writing material to go with a movie", concluding that "only a band of
Queen's stature (...) could put out an album of such diverse songs without disappointing a sizeable portion of their
fans".[8]
In the 1994 edition of The Guinness All Time Top 1000 Albums, A Kind of Magic was voted No. 171 in the all-time
greatest rock and pop albums.[5] In 2006, a national BBC poll saw the album voted the 42nd greatest album of all
time.[11] In 2007, Classic Rock ranked A Kind of Magic the 28th greatest soundtrack album of all time.[4]
Song information
One Vision
After Queen's contribution to Live Aid, Freddie Mercury was enthusiastic about the band and rang them up to go to
the studio and write a song together, the finished product being "One Vision". All four band members were credited
as songwriters, however Roger Taylor stated in an interview with Australian TV that originally it had been his song,
with serious lyrics about men like Martin Luther King, but joked that "that rotter Freddie" had changed all his lyrics
with additions like "one shrimp, one prawn, one clam, one chicken", and even name-checking bassist John Deacon.
Brian May played the opening synth section using a Yamaha DX-7. The sessions were filmed and later released on
the 2003 DVD set Greatest Video Hits 2. The song does not appear in Highlander, but was used in the 1986 movie
Iron Eagle.
A Kind of Magic
"A Kind of Magic" was written by Roger Taylor. Taylor has admitted writing down some lyrics, which proved to be
the basis for both "One Vision" and "A Kind of Magic", something made obvious by the demo of the song appearing
for the first time on the 2011 Universal Bonus EP, which mixes some lyrics. Later on, unbeknown to Taylor who
was off to the United States for a few days, Freddie Mercury took it over, "polished" the lyrics, added the bassline,
some connectors and re-arranged the structure. Regardless, the new, more pop orientated version was still credited to
Taylor. It was this version that was featured on the album, released as a single and included their auxiliary live
musician, Spike Edney, playing some keyboards. The heavier, rockier alternate version, also making its official
debut on the 2011 Universal Bonus EP, played during the credits of Highlander. The song was covered by Elaine
Paige in 1988 on her album called The Queen Album.
One Year of Love

"One Year of Love" is a song by Deacon. The album version features Deacon playing Yamaha DX-7 synth, a string
orchestra conducted by Lynton Naiff and a saxophone played by Steve Gregory. Deacon decided to substitute the
guitar components with a saxophone solo after a discussion with May, who does not appear in the song. It was
released as a single in France and Spain only, and appeared during the bar scene in Highlander. The song was
covered by Elaine Paige in 1988, and by Dutch singer Stevie Ann in 2006.
A Kind of Magic 180
Pain Is So Close to Pleasure

"Pain Is So Close to Pleasure" began as a riff idea by May. Then Deacon and Mercury turned that into a song, with
Deacon playing rhythm guitar. The song has a Motown style and was released as a single in 1986, reaching #26 on
the Dutch charts. The title also appears as a line in "One Year of Love". This would be one of the last times Mercury
would sing a Queen song completely in falsetto.
Friends Will Be Friends

"Friends Will Be Friends" was written by Mercury and Deacon, with lyrics written by Mercury (which was
confirmed by May on his website).[12] It's one of the last of Mercury's piano ballads, and in some ways is a musical
similitude with older Queen material, such as "Play the Game" and "We Are the Champions". It is another song not
featured in Highlander. It was noted as being a modern update of the 70's Queen rock anthems "We Are The
Champions" and "We Will Rock You" and reached #14 in the UK.
Who Wants to Live Forever

"Who Wants to Live Forever" was composed by May and sung in the album version as a duet between himself and
Mercury. Synths are done on a Yamaha DX-7 by May, and the orchestra was arranged and conducted by Michael
Kamen. Deacon did not participate, and Taylor played some drum-machine parts and contributed backing vocals.
Percussion was taken over by the orchestra as well as bass (double bass in this case), in spite of Deacon miming
those parts in the video. It serves as somewhat of a 'love theme' of Highlander, as it adds to the sub-plot of the movie
(in the film, Mercury sings the first verse as well, unlike the album version, which has May singing first).
Gimme the Prize (Kurgan's Theme)

"Gimme the Prize" was written by May. This song is featured in Highlander, and also samples the lines "I have
something to say: It's better to burn out than to fade away" and "There can be only one", spoken by actors Clancy
Brown (The Kurgan) and Christopher Lambert (Connor MacLeod) respectively. Director Russell Mulcahy states in
the DVD commentary that this was his least favourite of the band's songs used in the film because he does not like
heavy metal. May also commented (to a Japanese magazine in 1986) that both Mercury and Deacon hated the song.
Don't Lose Your Head

"Don't Lose Your Head" was composed by Taylor and features Joan Armatrading in a vocal cameo. The song takes
its name from a line spoken in Highlander, and is played for a short time when Kurgan kidnaps Brenda. The song
then segues into a cover of "Theme from New York, New York", though it is only a small clip. An instrumental
version of the track entitled "A Dozen Red Roses for My Darling" is featured as the B-side to "A Kind of Magic".
Princes of the Universe

"Princes of the Universe" is the film's theme song and the only song on the album for which Mercury received sole
credit. It is quite a complex and heavy work, demonstrating Queen returning to their hard rock and heavy metal
roots. The song is played in the opening credits of Highlander.[13] The music video uses clips and scenery from the
movie, as well as a cameo by Christopher Lambert.
A Kind of Magic 181
Singles
• Queen recorded One Vision, released in the UK on 4 November 1985, the first after their much-lauded appearance
at the Live Aid concert. It did well on the charts, reaching seventh in the UK and making top ten throughout
Europe. The song appeared in the film Iron Eagle.
• A Kind of Magic, released in the UK on 17 March 1986, reached #3 on its home chart. While charting well
everywhere else, it peaked at #42 in the US and has been played on radios mostly in New England (Similar to
their first single Keep Yourself Alive). Russell Mulcahy, director of Highlander, directed the song's accompanying
video.
• Friends Will Be Friends, released on 9 June 1986, reached #14 in the UK and made the top 40 throughout Europe.
• Who Wants to Live Forever, released on 15 September 1986, reached #24 in the UK. The National Philharmonic
Orchestra featured in the song's video, along with 40 choirboys and two thousand candles.
• Pain Is So Close to Pleasure, released in the US and parts of Europe only.
• One Year of Love, released in France and Spain only.
• Princes of the Universe, was never released as a single in the UK. While not a hit, it is a cult favourite due to the
1986 film Highlander in the USA. It was also used as the theme music for the Highlander television show which
followed the movie in 1992-1998. The music video featured Christopher Lambert and the band on part of the film
set, and is cut with scenes from the film. The song also appears on Greatest Hits III.[14] It was released as a single
in the Netherlands on 28 February 2000.
Personnel
Queen
• Freddie Mercury – lead and backing vocals, piano, synthesisers, programming
• John Deacon – bass guitar, electric guitars, synthesisers, programming
• Roger Taylor – drums, electronic drums, backing vocals, synthesisers, programming
• Brian May – electric guitars, backing vocals, lead vocals on "Who Wants to Live Forever" synthesisers,
programming
Additional musicians
• Spike Edney – additional keyboards
• Joan Armatrading – incidental vocals on "Don't Lose Your Head"
• Steve Gregory – alto saxophone on "One Year of Love"
• String section on "One Year of Love" arranged and conducted by Lynton Naiff
• National Philharmonic Orchestra on "Who Wants to Live Forever" arranged by Michael Kamen and May and
conducted by Kamen
Other
• Roger Chiasson – Album cover
Charts
Chart positions
A Kind of Magic 182
Chart (1986) Peak

position
[15] 12
[16] 3
[17] 50
[18] 2
Dutch Albums Chart
[19] 6
French Albums Chart
[20] 13
[21] 25
[22] 9
[23] 5
[24] 9
[25] 4
Swiss Albums Chart
[26] 1
UK Albums Chart
[27] 46
U.S. Billboard 200
[28] 4
Year-end charts
[15] 68
[29] 16
[20] 62
[30] 18
Swiss Albums Chart
[31] 8
UK Albums Chart
Certifications
A Kind of Magic 183
[32] Platinum
[33] Gold [34]

France (SNEP) 206,000
[35] 3× Gold
[36] 2× Platinum
[37] 4× Platinum
[38] Gold
^
x
References
[1] A Kind Of Magic (http:/ / www. chartstats. com/ release. php?release=42961) Chart Stats. Retrieved 15 August 2011
[2] A Kind of Magic review (http:/ / www. queenarchives. com/ index. php?title=Queen_-_06-21-1986_-_A_Kind_of_Magic_-_The_Times). The
Times. 21 June 1986. Archived at queenarchives.com
[3] Bartkowiak, Mathew J. (2010) Sounds of the Future: Essays on Music in Science Fiction Film (http:/ / books. google. com/
books?id=i5mKZT5D3TMC& pg=PA19& dq=princes+ of+ the+ universe+ highlander#v=onepage& q=princes of the universe highlander&
f=false) p.19. Retrieved 15 August 2011
[4] 49 Best Soundtrack Albums (http:/ / www. rocklistmusic. co. uk/ steveparker/ classicrock. htm). Classic Rock. October 2007. Archived at
rocklistmusic.co.uk
[5] Guinness: All-time top 1000 albums (http:/ / www. rocklistmusic. co. uk/ larkin1000_94. htm). 1994. Archived at rocklistmusic.co.uk
[6] Highlander (1986) - Memorable quotes (http:/ / www. imdb. com/ title/ tt0091203/ quotes)
[7] Prato, Greg. "Queen A Kind of Magic review" (http:/ / www. allmusic. com/ album/ a-kind-of-magic-r687303/ review). Allmusic. Rovi
Corporation. . Retrieved 2010-11-19.
[8] Henderson, Paul (26 June 1986). "Queen 'A Kind of Magic'". Kerrang!. 123. London, UK: United Magazines ltd.. pp. 12.
[9] Coleman, Mark (9 October 1986). "Queen - A Kind Of Magic" (http:/ / www. rollingstone. com/ music/ albumreviews/
a-kind-of-magic-19861009). Rolling Stone. . Retrieved 2011-09-13.
[10] A Kind of Magic review (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_08-25-1986_-_A_Kind_of_Magic_-_People_Weekly). People Weekly. 25 August 1986. Archived at queenarchives.com
rocklistmusic.co.uk
[12] Brian May (30 July 2006). "Bri's Soapbox" (http:/ / www. brianmay. com/ brian/ brianssb/ brianssb. html). brianmay.com. . Retrieved 29
December 2008.
[13] Freestone, Peter (2001) Freddie Mercury: an intimate memoir by the man who knew him best (http:/ / books. google. com/
books?id=AH8zZsbmB98C& pg=PA96& dq=princes+ of+ the+ universe+ highlander#v=onepage& q=princes of the universe highlander&
f=false) p.96.Omnibus Press, Retrieved 1 September 2011
[14] Queen - Greatest Hits III (http:/ / www. allmusic. com/ album/ r443580) Allmusic. Retrieved 1 September 2011
[16] Steffen Hung. "Queen - A Kind of Magic" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=A+ Kind+ Of+ Magic& cat=a).
austriancharts.com. Retrieved 1 September 2011
[17] Queen - A Kind of Magic (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e.
php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ Kind+ Magic& q2=Top+ Albums/ CDs& interval=30) Library and Archives
Canada. Retrieved 1 September 2011
[18] Steffen Hung. "Queen - A Night At The Opera" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=A+ Kind+ Of+ Magic&
cat=a). dutchcharts.com. Retrieved 1 September 2011
[19] A Kind of Magic (http:/ / www. infodisc. fr/ Album_Q. php) infodisc. Retrieved 1 September 2011
. Retrieved 2011-10-03.
[22] Steffen Hung. "Queen - A Kind of Magic" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=A+ Kind+ Of+ Magic& cat=a).
newzealandcharts.com. Retrieved 1 September 2011
A Kind of Magic 184
[23] Steffen Hung. "Queen - A Kind of Magic" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=A+ Kind+ Of+ Magic&
cat=a). norwegiancharts.com. Retrieved 1 September 2011
[24] Steffen Hung. "Queen - A Kind of Magic" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=A+ Kind+ Of+ Magic&
cat=a). swedishcharts.com. Retrieved 1 September 2011
[25] Queen - A Kind Of Magic (http:/ / hitparade. ch/ showitem. asp?interpret=Queen& titel=A+ Kind+ Of+ Magic& cat=a) HitParade.
Retrieved 1 September 2011
[26] A Kind Of Magic (http:/ / www. chartstats. com/ release. php?release=42961) Chart Stats. Retrieved 1 September 2011
[27] Queen (http:/ / www. billboard. com/ artist/ queen/ chart-history/ 5473#/ artist/ queen/ chart-history/ 5473?f=305& g=Albums) Billboard.
[28] Steffen Hung. "Queen - A Kind of Magic" (http:/ / www. charts. de/ album. asp?artist=Queen& title=A+ Kind+ Of+ Magic& cat=a&
country=de). germancharts.com. Retrieved 1 September 2011
[30] "Hitparade.ch - Schweizer Jahreshitparade 1986" (http:/ / hitparade. ch/ year. asp?key=1986). Hung Medien. . Retrieved 2011-10-17.
[32] "Austrian album certifications – Queen – A Kind of Magic" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter
Queen in the field Interpret. Enter A Kind of Magic in the field Titel. Select album in the field Format. Click Suchen
[33] "French album certifications – Queen – A Kind of Magic" (http:/ / www. disqueenfrance. com/ fr/ pag-259165-CERTIFICATIONS. html&
type=8) (in French). Syndicat National de l'Édition Phonographique. .
[34] "Les Albums Or" (http:/ / www. infodisc. fr/ CDCertif_O. php?debut=2200). infodisc.fr. SNEP. . Retrieved 2011-08-31.
[35] "German album certifications – Queen – A Kind of Magic" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=A+ Kind+ of+ Magic& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in German). Bundesverband Musikindustrie. .
[36] "The Official Swiss Charts and Music Community: Awards (Queen; 'A Kind of Magic')" (http:/ / www. swisscharts. com/
search_certifications. asp?search=Queen+ A+ Kind+ of+ Magic). Hung Medien. .
[37] "British album certifications – Queen – A Kind of Magic" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter A Kind of Magic in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
[38] "American album certifications – Queen – A Kind of Magic" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="A+ Kind+ of+
Magic"). Recording Industry Association of America. . If necessary, click Advanced, then click Format, then select Album, then click
SEARCH
The Miracle
The Miracle
Recorded January 1988 – February 1989 at Olympic Studios and Townhouse Studios, London, England, and Mountain Studios, Montreux,
Switzerland
Genre Rock
The Miracle 185
Length 58:40 (1991 Hollywood CD)
Label Parlophone (UK), Capitol Records (original 1989 US release), Hollywood Records (1991 US re-release)
Producer Queen, David Richards
Queen chronology
A Kind of The Innuendo

Magic Miracle (1991)
(1986) (1989)
Singles from The Miracle
1. "I Want It All"

2. "Breakthru"
3. "The Invisible Man"
4. "Scandal"
5. "The Miracle"
The Miracle is a 1989 album by British rock band Queen. It was the band's thirteenth studio album, recorded as the
band recovered from Brian May's marital problems and Freddie Mercury's AIDS diagnosis (which was, though
known to the band, not publicised at the time). Recording started in January 1988 and lasted twelve months.
The album was originally going to be called "The Invisible Man", but three weeks before the release, according to
Roger Taylor, they decided to change the name to The Miracle. The striking cover art utilised the Quantel Paintbox,
then state of the art image-manipulation technology, to combine photographs of the familiar faces of the four band
members into one morphed Gestalt image, in line with their decision to dispense with individual credits and simply
present their music as the product of Queen; the back cover went a step further with a seamless regiment of the
bands' eyes. The album reached #1 in the UK, Austria, Germany, the Netherlands, and Switzerland, and #24 on the
American Billboard 200 chart. The Miracle is estimated to have sold 9.5 million copies.
Allmusic would name it as Queen's best album of the 1980s, along with The Game.[1]
Track listing
All tracks credited to Queen. Listed below are the respective writers.
Side one
1. "Party" John Deacon, Brian May, Freddie Mercury 2:24
2. "Khashoggi's Ship" Queen 2:47
3. "The Miracle" Mercury, Deacon 5:02
4. "I Want It All" May 4:40
5. "The Invisible Man" Roger Taylor 3:55

The Miracle 186
Side two
1. "Breakthru" Mercury (intro), Taylor 4:07
2. "Rain Must Fall" Deacon (Music), Mercury (Lyrics) 4:20
3. "Scandal" May 4:42
4. "My Baby Does Me" Deacon, Mercury 3:22
5. "Was It All Worth It" Mercury 5:45
Extra tracks (CD versions only)
11. "Hang on in There" Queen 3:46
12. "Chinese Torture" Mercury, May 1:46
13. "The Invisible Man (12" Version)" Taylor 5:29
No. Title Length
14. "Scandal (12" Mix)" 6:34
2011 Bonus EP
No. Title Length
1. "I Want It All (Single Version)"
2. "The Invisible Man (Early Version with Guide Vocal, August 1988)"
3. "Hang On In There (B-Side)"
4. "Hijack My Heart (B-Side)"
5. "Stealin’ (B-Side)"
6. "Chinese Torture (Instrumental)"
7. "The Invisible Man (12” Version)"
No. Title Length
1. "I Want It All (promo video, 1989)"
2. "The Making of “The Miracle” promo video (1989)"
3. "The Making of The Miracle album cover (1989)"

The Miracle 187
Song information
Party
"Party" began as a jam session between Mercury, May and Deacon. Mercury was at the piano and he started off the
"we had a good night" section. From then on the three of them worked together and completed it. This is the only
track which can truly be seen as a 'Queen' track in the sense that all the rest were written by sole members - but
nevertheless credited to Queen. May sings lead on a small portion of the song near the beginning.
Khashoggi's Ship
"Khashoggi's Ship" was started by Mercury with all four of them contributing to the lyrics and music. The song is
about famous billionaire Adnan Khashoggi and a ship (the Nabila, now Kingdom 5KR) that he owned at the time and
was one of the largest private yachts in the world. On the album, this track flows seamlessly from 'Party', to which it
has a very similar lyrical theme. The song served as the reference to the name of the Khashoggi character in the We
Will Rock You musical.
The Miracle
"The Miracle" is one of the most complex songs from the band's last years. Mercury and Deacon co-wrote the chords
together. It is one of May's favourite songs. The entire band contributed with lyrical and some musical ideas and
Mercury played piano as well as many synth-tracks, using a Korg M1.
I Want It All
"I Want It All" was composed by May in 1987. On the Greatest Video Hits II DVD, May commented that the song
was inspired by his second wife, Anita Dobson's favourite motto, "I Want it All, and I Want It Now!" The idea of
having intro, verses, choruses, and solos over the same chord progression was reused on their next album with
another May song, "The Show Must Go On", which was made in 1990. Mercury and May share the lead vocals.
Mercury played keyboards, May played acoustic and electric guitars and Taylor used double-kick bass drum for the
first time.
The Invisible Man

"The Invisible Man" is Taylor's first song on the album. The lyrical idea came from a book he was reading after
which the beat instantly came to his head. May and Taylor commented (Queen for an Hour interview, 1989) that
Taylor wrote part of the song in the bath (similarly to what happened with Mercury and "Crazy Little Thing Called
Love" ten years before). The names of all four band members are "hidden" in the vocals: "Freddie Mercury" right
before the first verse begins, "John Deacon" after the first verse, "Brian May" (repeated once) before his guitar solo,
and "Roger Taylor" (with the initial "r" rolled by Mercury to sound like a drum roll) after the lyric "look at me, look
at me". Taylor "answers" with a drum fill. An unreleased version features a completely different middle-eight with
Mercury singing alternate lyrics in the style of Elvis Presley. The whispered parts of the chorus are sung by Taylor.
The Miracle 188
Breakthru
"Breakthru" is the joint of two songs: "A New Life Is Born", by Mercury, and "Breakthru", written by Taylor with
input by the others in the key change. Taylor's songs tended to be in flat keys, in the mid-80s, when he started
writing at the piano instead of on a guitar. This song was released as a single and made the top ten in the UK over the
summer of 1989.
Rain Must Fall

"Rain Must Fall" is a collaboration between Deacon (music) and Mercury (lyrics) (as confirmed by both the
producer David Richards and, more recently, May on his website). Taylor recorded a lot of Latin percussion but
most of that was edited out in order to have more space for synths, keyboards, guitars and vocal harmonies.
Scandal
"Scandal" was written by May about the British press, which had been controversial about his recent divorce, his
relationship with actress Anita Dobson, and Mercury's rare public appearances due to his battle with AIDS. May
played keyboards and did the guitar solo as a first take. Mercury's lead vocals were also a first take. Synth-bass is
played by David Richards. May has since commented that the song is very close to his heart in spite of his life at the
time going through a difficult phase.
My Baby Does Me
"My Baby Does Me" is another collaboration of Mercury and Deacon. Both of them had the idea of a simpler track
in order to ease off the album. In a Radio 1 interview in 1989, both Mercury and Deacon claim each other
constructed the bassline.
Was It All Worth It

"Was It All Worth It" was composed by Mercury. The song harks back to the band's intricately-produced sound in
the 1970s. Though the bulk of the song was masterminded by Mercury, all members contributed ideas and lyrics (for
example - Taylor contributed the line "we love you madly!"). Deacon later cited the song as his favourite on the
album. Taylor uses a gong and timpani.
Hang on in There
The first of two tracks which only appeared on the CD version of the album. This song was written by all four band
members, and features May playing both acoustic and electric guitars, as well as keyboards - a job he shared with
Mercury, who also plays piano. The song originally appeared as the B-side to the "I Want It All" single. In the song,
Mercury hits an E5 twice. In the middle of the song just when the guitar riff comes and Mercury sings "hang on in
there" twice, it is replied each time with a harmonised "hang on in there"; the first response are the multitracked
vocals by May only, the second - a similar vocals purely by Taylor.
The Miracle 189
Chinese Torture
The second of the CD-only tracks did not even appear on a single release. It is a dark instrumental which conveys the
horror and fear that Chinese Water Torture was known to evoke in victims. In recent years it has been worked into
May's guitar solos, first in the 2005/06 Queen + Paul Rodgers Tour.
Non-album tracks
Stealin'
Principally composed by Mercury (though, as all other songs from these sessions, credited to the band as a whole),
this song is a tongue-in-cheek representation of a man who spends his life committing robbery. The song is
performed mainly through spoken words, but occasionally has lines sung. This song appeared as the B-side to the
"Breakthru" single.
Hijack My Heart
Written by Taylor, this song also features him on lead vocals. It was credited to the band as an entity rather than just
to its actual composer. It tells the story of a man who falls in love with a woman he meets, despite his original
annoyance at her rudeness and mannerisms. It was the B-side to "The Invisible Man".
My Life Has Been Saved

Written by Deacon (originally as an acoustic track) about the state the world is in, this song was the B-side to
"Scandal". A reworked version was later released on the 1995 Made in Heaven album.
Critical reception
Review scores
Source Rating
Allmusic [1]
Rolling Stone [2]
Q Magazine [3]
The Times [4]

(mixed)
Sun-Sentinel [5]
(favorable)
Newsday (Melville, NY) [6]

(favorable)
The Dallas Morning News [7]

(favorable)
Sun-Sentinel wrote "With Freddie Mercury in vintage light-operatic form, here's an album (like so many of Queen's
others) that should be used as a pop music how-to for aspirants. Combining the forces of rock, pop, metal, clever
melodies and cunning stylizations, The Miracle never lets down. From one track to the next there is, as usual, no
telling which way this band will go, affording even the most jaded ear a challenge."
Newsday (Melville, NY) wrote "On "The Miracle," Mercury's voice is steady and solid, May's runs are as flashy and
supple as ever. Most of the 10 songs, written collaboratively by the four members, stick pretty much to the band's
formula of mini-suites: edgy pop with tempos that change half-way into the number and some delicious hooks."
The Miracle 190
Rolling Stone stated "The band hasn't been so bogged down by synthesizers and pinging drum machines since Hot
Space. The Miracle is a showcase for Freddie Mercury and his love of sweeping, quasi-operatic vocals. And indeed,
Mercury – especially on the title track – has never sounded better. One of his strengths is his ability to take even the
schlockiest material and make it his own, and that gift comes in handy on The Miracle. Brian May is still in fighting
trim, too – when you can hear him. May's role on The Miracle is, for the most part, limited to a quick, typically
brilliant solo here and there. As a result, the album lacks the sense of dynamics that marked most of Queen's early
work. Only on a few tracks ("Khashoggi's Ship" and "Was It All Worth It") does May really let it rip, and when he
does, it's like the old Queen peeping out for just a moment and then turning tail. At least The Miracle offers little
snippets of Queen's former majesty."
Allmusic stated "The Miracle packs quite a sonic punch, recalling the rich sounds of their past classics (1976's A
Day at the Races, etc.). Split 50/50 between pop and heavy rock, the album was another global smash, even
re-establishing the band stateside (going Top 30 and attaining gold status). Along with The Game, The Miracle is
Queen's strongest album of the '80s."
Charts
Chart positions
Chart (1989) Peak

position
[8] 4
[9] 1
[10] 18
[11] 1
Dutch Albums Chart
[12] 11
French Albums Chart
[13] 1
German Albums Chart
[14] 3
[15] 23
[16] 2
[17] 2
[18] 6
[19] 1
Swiss Albums Chart
[20] 1
UK Albums Chart
[21] 24
U.S. Billboard 200
The Miracle 191
Year-end charts
[22] 12
[23] 66
[14] 15
[24] 6
Swiss Albums Chart
[25] 14
UK Albums Chart
Certifications
[26] Gold
[27] Gold [27]

Finland (IFPI Finland) 43,130
[28] Gold [29]

[30] Platinum
[31] Platinum
[32] Platinum
[33] Platinum [25]

United Kingdom (BPI) 480,000
[34] Gold
^
x
Singles
Five singles were released from the album, all in 1989:
• "I Want It All" was the lead single from the album, released in the UK on 2 May 1989; it hit #3 in British charts
but made it to #1 hit in numerous other European countries. The song became an anti-apartheid anthem among
youth in South Africa and also has been used to protest other causes. This well-known anthem has been heard as a
rallying song for African youth. The song became Queen's first American rock radio hit since Under Pressure by
peaking at #3 on Billboard's Mainstream Rock Singles chart, but only reached #50 on the Billboard Hot 100
Chart.
• "Breakthru", the second single, was released in the UK on 19 June 1989; its video was filmed on a private steam
train known as "The Miracle Express". The song peaked at #7 in the UK. The song was also released as a single
in the US. Also appearing in the video was Debbie Leng, who was at the time Roger Taylor's girlfriend.
• "The Invisible Man", released in the UK on 7 August 1989, hit #12 in the UK and was a hit throughout Europe;
the video featured scores of computer-duplicated band members moving in unison. This song was later covered
by the late Scatman John.
• "Scandal" was the fourth single from The Miracle. It peaked at #25 in the UK. It is a protest song about the way
the tabloids dealt with May's relationship with actress Anita Dobson.
The Miracle 192
• "The Miracle", the fifth and final single from the album of the same name, released on 27 November 1989 in the
UK, reached #21 on British charts. Its video mimicked that of "The Invisible Man" in that it featured duplicate
band members; however, these were actually young Queen lookalikes (including a then-unknown Ross McCall)
who performed a Queen-style stage show. The real band appeared only at the end jamming with their younger
counterparts.
Personnel
Since the album does not feature credits, this personnel has been compiled from various interviews with the band and
the producer.
Queen:
• Freddie Mercury: lead and backing vocals, piano, keyboards, synthesizers, programming
• Brian May: electric guitars, acoustic guitars, backing vocals, lead vocals on "I Want It All", synthesizers,
programming
• Roger Meddows Taylor: drums, electronic drums, backing vocals, lead vocals on "The Invisible Man",
synthesizer, programming
• John Deacon: bass guitar, electric guitars, keyboards, synthesizers, programming
Additional keyboards by David Richards
• Engineered by David Richards
• Assistant engineers: Andrew Bradfield, John Brough, Angelique Cooper, Claude Frider, Andy Mason, Justin
Shirley-Smith
• Mastered by Kevin Metcalf and Gordon Vickary
• Computer programming by Brian Zellis
• Album sleeve design by Richard Gray
• Original photography by Simon Fowler
References
[1] Prato, Greg (1989-06-06). "The Miracle - Queen" (http:/ / www. allmusic. com/ album/ the-miracle-r15983). AllMusic. . Retrieved
2011-08-12.
[2] (http:/ / www. rollingstone. com/ artists/ queen/ albums/ album/ 192130/ review/ 5946146/ the_miracle)
[3] Q Magazine 08/01/1994
[4] "Queen Interviews - Queen - 05-20-1989 - The Miracle - The Times - Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John
Deacon, Interviews, Articles, Reviews" (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_05-20-1989_-_The_Miracle_-_The_Times). Queen Archives. 1989-05-20. . Retrieved 2011-08-12.
[5] "Queen Interviews - Queen - 06-09-1989 - The Miracle - Sun-Sentinel - Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John
php?title=Queen_-_06-09-1989_-_The_Miracle_-_Sun-Sentinel). Queen Archives. . Retrieved 2011-08-12.
[6] "Queen Interviews - Queen - 06-25-1989 - The Miracle - Newsday (Melville, NY) - Queen Archives: Freddie Mercury, Brian May, Roger
Taylor, John Deacon, Interviews, Articles, Reviews" (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_06-25-1989_-_The_Miracle_-_Newsday_(Melville,_NY)). Queen Archives. 1989-06-25. . Retrieved 2011-08-12.
[7] "Queen Interviews - Queen - 07-02-1989 - The Miracle - The Dallas Morning News - Queen Archives: Freddie Mercury, Brian May, Roger
php?title=Queen_-_07-02-1989_-_The_Miracle_-_The_Dallas_Morning_News). Queen Archives. . Retrieved 2011-08-12.
[8] Steffen Hung. "Queen - The Miracle" (http:/ / australian-charts. com/ showitem. asp?interpret=Queen& titel=The+ Miracle& cat=a).
australian-charts.com. . Retrieved 2011-08-12.
[9] Steffen Hung. "Queen - The Miracle" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=The+ Miracle& cat=a).
austriancharts.at. . Retrieved 2011-08-12.
php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ The+ Miracle& q2=Top+ Albums/ CDs& interval=30).
The Miracle 193
[11] Steffen Hung. "Queen - The Miracle" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=The+ Miracle& cat=a). dutchcharts.nl.
. Retrieved 2011-08-12.
[12] "InfoDisc : Tous les Albums classés par Artiste" (http:/ / www. infodisc. fr/ Album_Q. php). Infodisc.fr. . Retrieved 2011-08-12.
[13] "charts.de" (http:/ / www. charts. de/ album. asp?artist=Queen& title=The+ Miracle& cat=a& country=de). charts.de. . Retrieved
2011-08-12.
. Retrieved 2011-10-03.
[16] Steffen Hung. "Queen - The Miracle" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=The+ Miracle& cat=a). charts.org.nz. .
[17] Steffen Hung. "Queen - The Miracle" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=The+ Miracle& cat=a).
norwegiancharts.com. . Retrieved 2011-08-12.
[18] Steffen Hung. "Queen - The Miracle" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=The+ Miracle& cat=a).
[19] Steffen Hung. "Queen - The Miracle" (http:/ / hitparade. ch/ showitem. asp?interpret=Queen& titel=The+ Miracle& cat=a). hitparade.ch. .
[20] "Queen - The Miracle" (http:/ / www. chartstats. com/ release. php?release=42966). Chart Stats. 1990-01-13. . Retrieved 2011-08-12.
[21] "Queen Album & Song Chart History" (http:/ / www. billboard. com/ artist/ queen/ chart-history/ 5473#/ artist/ queen/ chart-history/
5473?f=305& g=Albums). Billboard.com. . Retrieved 2011-08-12.
[23] "RPM Top 100 Albums of 1989" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?& file_num=nlc008388. 6625&
type=1& interval=20& PHPSESSID=c6btf3r8hs459qqt5ln3o3dcv5). RPM. . Retrieved 2011-10-03.
[26] "Austrian album certifications – Queen – The Miracle" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter Queen
in the field Interpret. Enter The Miracle in the field Titel. Select album in the field Format. Click Suchen
[27] "Finnish album certifications – Queen – The Miracle" (http:/ / www. ifpi. fi/ tilastot/ artistit/ Queen) (in Finnish). Musiikkituottajat – IFPI
Finland. .
[28] "French album certifications – Queen – The Miracle" (http:/ / www. disqueenfrance. com/ fr/ pag-259165-CERTIFICATIONS. html&
[29] "Les Albums Or" (http:/ / www. infodisc. fr/ CDCertif_O. php?debut=2200). infodisc.fr. SNEP. . Retrieved 2011-08-31.
[30] "German album certifications – Queen – The Miracle" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=The+ Miracle& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in German). Bundesverband Musikindustrie. .
[31] "Dutch album certifications – Queen – The Miracle" (http:/ / www. ifpi. nl/ nvpi/ pagina. asp?pagkey=60463) (in Dutch). Nederlandse
[32] "The Official Swiss Charts and Music Community: Awards (Queen; 'The Miracle')" (http:/ / www. swisscharts. com/ search_certifications.
asp?search=Queen+ The+ Miracle). Hung Medien. .
[33] "British album certifications – Queen – The Miracle" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter The Miracle in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
[34] "American album certifications – Queen – The Miracle" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="The+ Miracle").
Innuendo 194
Innuendo
Innuendo
Recorded March 1989 – November 1990 at Metropolis Studios, London, and Mountain Studios, Montreux, Switzerland
Genre Rock
Length 53:44
Label Parlophone
Producer Queen
David Richards
Queen chronology
The Innuendo Made in

Miracle (1991) Heaven
(1989) (1995)
Singles from Innuendo
1. "Innuendo"
2. "I'm Going Slightly Mad"
3. "Headlong"
4. "The Show Must Go On"
5. "These Are the Days of Our Lives"
Released: 9 December 1991
Innuendo is the fourteenth studio album by British rock band Queen. Released in February 1991, it was the final
studio album to be released in Freddie Mercury's lifetime and is the last to be composed entirely of new material. It
reached #1 on the United Kingdom album charts (two weeks) as well as in the Netherlands (four weeks), Germany
(six weeks), Switzerland (eight weeks) and Italy (three weeks). The album was released in the United States one day
Innuendo 195
after it was released in Britain. The album would be the first Queen album to go Gold in the US upon its release
since The Works in 1984.
The album was recorded from early 1989 to late 1990. In Easter 1987, Mercury was diagnosed with AIDS, although
he was keeping his illness a secret and denied countless media reports that he was seriously ill. The band and
producers were aiming for a November or December release date in order to catch the crucial Christmas market, but
Mercury's declining health meant that the release of the album did not take place until January 1991. Stylistically,
Innuendo is in some sense a return to Queen's roots,[1] with its harder rock sound, complex musical composition
(title track), psychedelic effects ("I'm Going Slightly Mad"), and strong vocals from Mercury ranging over four
octaves.[2] Mercury died ten months after its release. Current estimates at the worldwide sales of the album stand at
around 11 million copies.
The album cover was designed by Queen and Richard Gray. The booklets and single covers from the album are by
Grandville, or are inspired by his illustrations. Innuendo was voted the 94th greatest album of all time in a national
2006 BBC poll.[3]
Background
Queen released their thirteenth studio album, The Miracle, in May 1989, but unlike their previous albums, they did
not conduct a live tour. Lead singer Freddie Mercury conducted an interview with BBC Radio 1, where he said that
he wanted to break from the "album - tour - album - tour" routine. During this time, Mercury was diagnosed with
AIDS (having being diagnosed as HIV positive in 1987), which was not yet publicised and was only known to the
rest of the band;[4] however, rumours were spreading about Mercury's health and of the possibility that he had the
disease.[5] While he kept quiet due to his personal rule not to talk to the media, the other band members denied the
rumours; at one point, band member Roger Taylor told reporters that "he is healthy and working".[5] In 1990, Queen
won the BRIT Award for Outstanding Contribution to British Music.[6] While Mercury accepted the award for the
band at the Dominion Theatre, member Brian May spoke for the band. Mercury's increasingly gaunt appearance at
the ceremony sparked further speculation from the public about his health.[5] The 1990 BRIT Awards would be
Mercury's final public appearance in his lifetime.[7]
Mercury did not to speak publicly about his health, saying that he did not want to sell his music out of the people's
sympathy. He was determined to continue working on music with Queen for as long as he could, saying that he
would "keep working until I fucking drop".[5] [8] Mercury was persistently bothered by reporters at his London
home, making it difficult for the band to record music. As a result, the band relocated to Mountain Studios in
Montreaux, where the safer and more peaceful atmosphere allowed to band to concentrate.[4] Early in Innuendo's
recording, the band decided again that all work would be credited to Queen as a whole instead of to individual
contributing members; May said that the decision made a significant impact in the recording process, while Taylor
said that it helped eliminate much of the egotistical struggles that would normally cause bands to break up.[9]
The album was released in the U.S. under a new label, Hollywood Records, in an effort to garner greater exposure
there.[10]
Track listing
CD
All songs written and composed by Queen, except where noted.
Innuendo 196
CD version
No. Title Length
1. "Innuendo" 6:29
2. "I'm Going Slightly Mad" 4:22
3. "Headlong" 4:39
4. "I Can't Live With You" 4:35
5. "Don't Try So Hard" 3:39
6. "Ride the Wild Wind" 4:41
7. "All God's People" (Queen, Mike Moran) 4:19
8. "These Are the Days of Our Lives" 4:12
9. "Delilah" 3:32
10. "The Hitman" 4:52
11. "Bijou" 3:37
12. "The Show Must Go On" 4:24
2011 Bonus EP
No. Title Length
1. "I Can’t Live With You (1997 Rocks Retake)"
2. "Lost Opportunity (B-Side)"
3. "Ride The Wild Wind (Early Version with Guide Vocal)"
4. "I’m Going Slightly Mad (Mad Mix)"
5. "Headlong (Embryo with Guide Vocal)"
No. Title Length
1. "Innuendo (alternative promo video, 1991)"
2. "These Are the Days of Our Lives (Hollywood Records alternative promo video, 1991)"
3. "“Mad in the Making”: The Making of the “I’m Going Slightly Mad” promo video (1991)"
LP
Innuendo 197
Side one
No. Title Primary song writer(s) Length
1. "Innuendo" Freddie Mercury (Music), Roger Taylor (Lyrics) 6:29
2. "I'm Going Slightly Mad" (Queen, Peter Straker) Mercury (Music, Lyrics), Peter Straker (Lyrics) 4:04
3. "Headlong" Brian May 4:31
4. "I Can't Live with You" May 4:35
5. "Ride the Wild Wind" Taylor 4:41
Side two
No. Title Primary song writer(s) Length
1. "All God's People" (Queen, Mike Moran) Mercury (Music, Lyrics), Moran (Music) 3:53
2. "These Are the Days of Our Lives" Taylor 3:55
3. "Delilah" Mercury 3:32
4. "Don't Try So Hard" Mercury, Deacon 3:32
5. "The Hitman" Mercury, May, John Deacon 3:43
6. "Bijou" May, Mercury 1:19
7. "The Show Must Go On" May 4:31
Song information
Innuendo
"Innuendo" began as a jam session in Switzerland amongst May, Taylor and Deacon in spring 1989. Mercury was
upstairs and heard them playing the beat, and turned it into a song, creating the melody and starting off the lyrics.
From then on all four worked on polishing the track and Taylor took over the lyrics (which were written as a tribute
to Led Zeppelin and their song "Kashmir"). The middle section, written by Mercury, was included later and it
featured a synth-orchestra programmed by producer David Richards and a flamenco interlude played by Yes guitarist
Steve Howe, who had come to visit them and was asked to play.[11] "Innuendo" was released as a single in January
1991, debuting at #1 in the UK.[12]
I'm Going Slightly Mad

"I'm Going Slightly Mad" was begun in Mercury's London house, after he'd got the idea of writing a song about
madness, inspired by Noel Coward's camp one-liners. Most of the lyrics (like "banana tree" or "one needle") came
from both him and his friend Peter Straker, who stayed up all night in Mercury's kitchen, devising ever more
outlandish lines. The music is Mercury's as well and it is one of the earliest songs the band were working on in
Montreux when Steve Howe came in.
The video that accompanied the song saw Mercury dressed in a costume suit with wild hair, white gloves, long
pointing shoes and extremely heavy make up, filmed in black and white. Whilst Queen fans were thoroughly amused
by the band in the video, in the documentary, "Champions of the World", Taylor confessed, from the band's
perspective, the video was marred by Mercury's appearance having to be camouflaged by costume and make-up, as
Taylor admitted Mercury looked "pretty ill, at that point."[13]
Innuendo 198
Headlong
"Headlong" came from May at the studio they'd got in Switzerland. He recorded it for the solo album he was doing
at the same time. May heard Mercury singing it and instantly decided that it worked better as a Queen track. Then
the band took it over and they all made modifications.
I Can't Live with You

"I Can't Live with You" was also written for May's solo album. He gave it to the band as well since Taylor, Deacon
and Mercury were fond of the track. Drums were programmed on synth by May, and the keyboard-pads were added
by the producer.
An alternative version of this song appeared on the 1997 compilation album Queen Rocks, billed as the "'97 Rocks
Retake". it was said to be more along the lines of how May and Taylor originally wanted the track to sound, with a
harder, guitar-driven rock edge.
May has stated in a interview, that most of the original demo is in the recording, making the song "Impossible to
mix".
Don't Try So Hard

"Don't Try So Hard" came from Mercury.[14] The intro "rain" is actually the pre-set sound of the Korg M1, which
appears when it is switched on. Mercury sings most of the song in falsetto, but sings up to a D5 in full voice in the
chorus. The song's middle section is written in a style reminiscent of Queen's early 1980s-songs such as Play The
Game.
Ride the Wild Wind

"Ride The Wild Wind" was composed by Taylor, who recorded a demo with his own vocals. The definitive version
is sung by Mercury with Taylor on backing vocals. The song is a sort of sequel of Taylor's "A Night at the Opera"
composition, "I'm In Love With My Car", which focused on Taylor's passion for cars and race. This time, the song
involved all of the other members, that gave life to a fast song with beating drums and rhythmic bass line, eerily
note-for-note similar to The Smiths' "Shakespeare's Sister_(song)", which create the sensation of speed and engine's
roar. In the mid-part, a May solo, which accentuates the sense of high velocity, and also gives the song a heavier
sound. In some parts, a racing car can be heard. It was released as a single in Poland, peaking at #1.
All God's People

"All God's People" started off as part of Mercury's Barcelona project under the title "Africa by Night" (hence the
co-writing credit with Mike Moran). He'd asked May to play guitar, then one thing led to another and the entire band
played. Piano was recorded by Mike Moran. The song features Mercury singing a chest-voiced F5, his highest
full-voice note, as well as some very low notes.
These Are the Days of Our Lives

"These Are the Days of Our Lives" was written by Taylor. It is harmonically and structurally one of the simplest
songs of the band's catalogue. Keyboards were programmed by all band members in the studio, and conga percussion
was recorded by David Richards. The music video for this song was Mercury's last appearance in a video medium,
and with his knowing farewell look straight at the camera, Mercury whispers "I still love you" at the end of the
song.[15] [16] By the time the video was made, it had become impossible to disguise that Mercury was seriously ill.
The video was filmed in black and white and this helped somewhat to minimise Mercury's ill/frail appearance. At a
later date, colour footage of the band making the video was released, revealing just how ill Mercury was at the time.
Innuendo 199
Delilah
"Delilah" is a song Mercury penned for his favourite housecat, a female tortoiseshell cat, named Delilah. May
recorded his solo using a talk box. Reportedly, Taylor was not fond of the song and agreed to let it be included in the
album only at Mercury's insistence.
The Hitman
The fly-away rocker "Hitman" was started by Mercury as well. The original version was apparently on keyboards
and in a different key. May took Mercury's riff (not un-common), changed the key and recorded a demo of the heavy
version. Deacon then re-arranged the structure and they all filled the gaps in lyrics and recorded it. All of the backing
vocals were done by May. The demo version is sung by May, with Mercury making spoken comments (like "Bite the
bullet baby!"). The finished product features Mercury's vocals peaking at an E♭5.
Bijou
"Bijou" was an idea Mercury and May had of making a song "inside-out" (having guitar doing the verses and the
vocal doing the break). Mercury put the chords, title and lyrics, and the two of them worked on the guitar parts.
Mercury sang the first line and then May transferred the melody to his Red Special. The song was finished without
any input from Taylor or Deacon. The idea was not new and already used by Yes on their song "Soon". May later
credited Jeff Beck's 1989 song "Where Were You" as the inspiration for 'Bijou'. In 2008, Queen + Paul Rodgers
performed this song in their shows of the Rock the Cosmos Tour by May playing the verse live and then having
Mercury's studio vocals play while a screen showed footage from the band's famous Wembley concert in 1986, with
the visuals put in sync with the tape. Afterwards the Mercury part would fade out and May would lead into "Last
Horizon".
The Show Must Go On

"The Show Must Go On" was written primarily by May. The initial idea was a chord sequence Taylor and Deacon
were working on. The rhythm of the refrain is similar to the Queen's 1989 song, "I Want It All". May decided to use
the sequence, and both he and Mercury decided the theme of the lyrics and wrote the first verse together. From then
on May finished the lyrics, completed the vocal melody and wrote the bridge, inspired by Pachelbel's Canon. Some
keys and ideas were suggested by the producer too. The song chronicles the effort of Mercury continuing to perform
despite approaching the end of his life.[17]
The song was initially not released as a single as part of promotion for the Innuendo album, but was released in
October 1991 as the band launched their Greatest Hits II album. The video for the song featured a compilation of
clips from all their videos since 1982, in support of the Greatest Hits II album. Due to Mercury's now critically fast
fading health, a fresh appearance by the band in a video was not possible.
A live version featuring Elton John on vocals appeared on the Greatest Hits III album. A personal favourite of Elton,
he performed the song at the Freddie Mercury Tribute Concert with the remaining members of Queen, and Tony
Iommi playing rhythm guitar.[18]
Critical reception
Innuendo 200
Review scores
Source Rating
Allmusic [19]
Rolling Stone [20]
The Times [21]

(unfavorable)
The Orange County Register [22]

(mixed)
The Orlando Sentinel [23]

(favorable)
The Cincinnati Post [24]
LA Times [25]
(mixed)
Dallas Morning News [26]

(unfavorable)
The Record [27]

(favorable)
Dayton Daily News [28]
The Advocate (Baton Rouge, LA) (unfavorable)[29]
The San Francisco Chronicle [30]

(unfavorable)
St. Petersburg Times [31]
St. Louis Post-Dispatch [32]

(unfavorable)
Worcester Telegram & Gazette [33]

(unfavorable)
VOX Magazine [34]
People Weekly [35]

(favorable)
The Orange County Register wrote "Innuendo" is a mixed bag, but it's precisely the weaker, least quirky songs that
will ensure Queen gets radio airplay. Queen is a figurehead these days -- its brand of progressive rock is hardly
progressive anymore -- but it looks as if it will clamber back on the album-rock radio throne."
The Cincinnati Post stated "The boys are back with a lot less pomp this time. Freddie Mercury still has a taste for
luridly melodramatic vocals, but rockers like "Headlong" and "Ride the Wild Wind" make up for it. For old fans,
there are plenty of the group's trademark chorale vocals and headphone-mixed sounds, but Mercury's ballad, "These
are the Days of Our Lives," actually sounds restrained."
The Advocate wrote "Lead vocalist Freddie Mercury still wails and camps things up. Guitarist Brian May remains a
highly creative player. Bassist John Deacon and drummer Roger Taylor are around, too, providing additional
vocals and keyboards. All that's missing are the songs. Sure, they toss in some of the choir-like harmonies which
graced one of Queen's most memorable albums. Despite some stabs at full-tilt rockers, like "Headlong," the lyrics
are vacuous and the melodies don't exactly keep you humming, either."
Rolling Stone stated "Innuendo is so lightweight you'll forget it as soon as it's over – which, with this band, should
go without saying anyway – but there's nothing cynical about it. Unlike most fortyish rock relics, the boys in Queen
are still too kooky and insincere to settle for any of that "well-earned wisdom of middle age" bunk. They just throw
food at the wall, and if it sticks, fine. And if it doesn't stick, well, that's fine too."
Innuendo 201
St. Louis Post-Dispatch wrote "Innuendo isn't likely to turn around Queen's decade-long downward spiral of
popularity, but the album has a few semiprecious gems: Freddie Mercury singing a love song to his cat on Delilah,
lead guitarist Brian May kicking in with unrestrained axing on the hard-hitting The Hitman and serving a brisk
metal set on Headlong, drummer Roger Taylor and bassist John Deacon jolting a spirit of abandon into Ride the
Wild Wind. But the remaining tracks are disappointing, and generally Innuendo is yet another misfire in the group's
slumping output."
VOX Magazine wrote "Lyrically and thematically, 'Innuendo' fails to live up to its title (that is, there was nothing
here that struck me as particularly oblique or allusive). A few more hooks and harmonies as well wouldn't have gone
amiss, 'cause seldom have such positive messages been delivered so drably."
The San Francisco Chronicle stated "Suffice it to say the latest Queen opus is lavish and lush, thick with pomp and
guitar, heroic strutting cadences and, in general, exactly what one might expect from a ballyhooed return to form by
Freddy Mercury and the boys. Whether anybody cares or not remains to be seen, but either way, "Innuendo" hardly
represents the distinguished initial splash Hollywood Records obviously hoped to make."
People Weekly wrote "If this is cartoon rock and roll, at least it's good and brazenly cartoonish."
Allmusic wrote "Innuendo was a fitting way to end one of rock's most successful careers."[19]
Personnel
Queen:
• Freddie Mercury: lead vocals, backing vocals, piano, keyboards, synthesisers, programming
• Brian May: backing vocals, electric, slide and classical guitars, keyboards, synthesisers, programing
• Roger Taylor: backing vocals, drums, percussion, keyboards, programming
• John Deacon: bass guitars, keyboards, synthesisers, programming
Guest musicians:
• Steve Howe: classical guitar, shared with May on "Innuendo", (credited as the "Wandering Minstrel")
• Mike Moran: piano, synthesisers, programming on "All God's People"
• David Richards: producing, engineering, synthesisers, programming
• Brian Zellis: programming
• Noel Harris: assistant engineer
• Justin Shirley-Smith: assistant engineer
Sleeve design:
• Richard Gray: sleeve design
• Grandville (1803–1847): illustrations
• Angela Lumley: additional illustrations
• Simon Fowler: photography
Singles
Five singles were released from the album:
• "Innuendo" was the lead single from the album in most countries save the United States where "Headlong" was
released as the first single. It was released on 14 January 1991 in Europe and March 1991 in the US as a promo
single, becoming Queen's twelfth #1 single. The song also achieved modest success in the US, charting at #17 on
Billboard's Mainstream Rock Tracks chart. Still, the length and style of the track limited its appeal, and it only
spent one week at #1 in the UK and quickly slid down the chart, spending only six weeks in the top 75. (B-side on
7 inch release- "Bijou").
Innuendo 202
• "I'm Going Slightly Mad" was released on 4 March 1991. It reached #22 on the UK charts. (B-side on 7 inch
release- "The Hitman" in some countries, in others it was "Lost Opportunity" which was a non-album cut).
• "Headlong" was released in January 1991 in the US and on 13 May 1991 in the UK. It was one of the most
successful songs from the album, and actually served as the lead single in the US. It entered the UK charts at #14,
and reached #3 on the US Billboard Mainstream Rock Tracks chart. (B-side on 12 inch release- "All God's
People" in some countries, in others, "Lost Opportunity" and in a few, "The Hitman". The 12" and CD also
feature "Mad The Swine").
• "The Show Must Go On" was released on 14 October 1991 in the UK. The single was taken from the album,
although it had not been released as a single from Innuendo, and released as promotion for the Greatest Hits II
album (Classic Queen in the US/Canada), and peaked at #16 on the UK charts. After Mercury's death in
November, the song re-entered the British charts and spent as many weeks in the top 75 as it had upon its original
release. This single was released just six weeks before Mercury died. In 1992, the song was released as a double
A-side with "Bohemian Rhapsody" in the US and reached #2 in the US. (The original B-side in October 1991 was
"Keep Yourself Alive").
• "These Are the Days of Our Lives" was first released in the US on Mercury's birthday, 5 September 1991. In the
UK it was released in December 1991 following Mercury's death, as a double A-side with "Bohemian Rhapsody".
The single was the UK's Christmas number one of 1991.
Promo single
• "I Can't Live With You" was released as a promo single to radio stations in the USA. This two-track promo
single, completely remixed by Brian Malouf, uses slightly different lead vocal tracks by Mercury, louder and
tighter harmony tracks, and reprogrammed synth drums, resulting in a much more punchy and "over the top"
poppy version than included on the album. It reached #28 on the US Mainstream Rock Tracks chart.
Charts
Chart positions
Chart (1991) Peak

position
[36] 6
[37] 2
[38] 16
[39] 1
Dutch Albums Chart
[40] 9
French Albums Chart
[41] 1
German Albums Chart
[42] 1
[43] 17
[44] 6
[45] 8
[46] 9
Innuendo 203
[47] 1
Swiss Albums Chart
[48] 1
UK Albums Chart
[49] 30
U.S. Billboard 200
Year-end charts
[50] 33
[51] 60
[42] 9
[52] 7
Swiss Albums Chart
[53] 31
UK Albums Chart
Certifications
[54] Platinum
[55] Gold
[56] Gold [56]

[57] Platinum [58]

[59] Platinum
[60] 2× Platinum
[61] 2× Platinum
[62] 2× Platinum
[63] Gold
^
x
Innuendo 204
References
[1] 04-01-1991 People Weekly review of "Innuendo" retrieved from Queen archives at http:/ / www. queenarchives. com/ index.
php?title=Queen_-_04-01-1991_-_Innuendo_-_People_Weekly
[2] LG (1991-02-04). "Queen Songs - Album Analysis: Innuendo" (http:/ / www. queensongs. info/ albums/ innuendo. html) (in (Czech)).
Queensongs.info. . Retrieved 2011-08-10.
rocklistmusic.co.uk
[4] John Deacon, Roger Taylor, Brian May (30 May 2011). Queen: Days Of Our Lives. BBC.
[5] "Queen 40th anniversary: The Freddie Mercury story" (http:/ / www. telegraph. co. uk/ culture/ music/ 8784058/
Queen-40th-anniversary-The-Freddie-Mercury-story. html). The Daily Telegraph. 24 September 2011. . Retrieved 10 October 2011.
[6] "Queen, Freddie Mercury, Roger Taylor, Brian May, BRITS 1990" (http:/ / www. brits. co. uk/ photos/
queen-freddie-mercury-roger-taylor-brian-may-brits-1990). BRIT Awards. . Retrieved 10 October 2011.
[7] "In pictures: Freddie Mercury and Queen" (http:/ / www. telegraph. co. uk/ culture/ culturepicturegalleries/ 8742208/
In-pictures-Freddie-Mercury-and-Queen. html?image=21). The Daily Telegraph. . Retrieved 10 October 2011.
[8] Prato, Greg. "Innuendo - Review" (http:/ / www. allmusic. com/ album/ innuendo-r15963). Allmusic. . Retrieved 10 October 2011.
[9] Freddie Mercury, John Deacon, Brian May, Roger Taylor (hosted by Axl Rose) (August 1991). Queen: The Days Of Our Lives Documentary.
[10] John Deacon, Roger Taylor, Brian May. 1991 Queen Fan Club Message. Event occurs at 3:51. "May: I've been spending some time going
into Hollywood Records, because finally we have a record company here who ... uh ... doing a very good job for us, selling lots of records, and
making to make it happen I think again..."
[11] Innuendo (Track 1) (http:/ / www. ultimatequeen. co. uk/ songs/ innuendo. htm#inn) UltimateQueen. Retrieved 25 June 2011
[12] Queen - Innuendo (http:/ / www. chartstats. com/ release. php?release=18260) ChartStats. Retrieved 25 June 2011
[13] Champions of the World (1995). Hollywood Pictures. Retrieved 25 June 2011
[14] Stone Cold Crazy. Q Classic, March 2005. (http:/ / www. brianmay. com/ queen/ tour05/ interviews/ bm_classicq_mar05pt5. html)
(interview with Brian May)
[17] Donald A. Guarisco. Queen – The Show Must Go On (http:/ / allmusic. com/ song/ the-show-must-go-on-t2359477) Allmusic. Retrieved 26
June 2011
[18] The Freddie Mercury Tribute Concert: The Show Must Go On (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#show)
[19] Prato, Greg (1991-02-05). "Innuendo - Queen" (http:/ / www. allmusic. com/ album/ innuendo-r15963). AllMusic. . Retrieved 2011-08-10.
[20] "Rolling Stone Music | Album Reviews" (http:/ / www. rollingstone. com/ reviews/ album/ 199330/ innuendo). Rollingstone.com.
2011-08-02. . Retrieved 2011-08-10.
[21] "Queen Interviews - Queen - 02-01-1991 - Innuendo - The Times - Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John
php?title=Queen_-_02-01-1991_-_Innuendo_-_The_Times). Queen Archives. . Retrieved 2011-08-10.
[22] "Queen Interviews - Queen - 02-01-1991 - Innuendo - The Orange County Register - Queen Archives: Freddie Mercury, Brian May, Roger
php?title=Queen_-_02-01-1991_-_Innuendo_-_The_Orange_County_Register). Queen Archives. . Retrieved 2011-08-10.
[23] "Queen Interviews - Queen - 02-08-1991 - Innuendo - The Orlando Sentinel - Queen Archives: Freddie Mercury, Brian May, Roger Taylor,
John Deacon, Interviews, Articles, Reviews" (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_02-08-1991_-_Innuendo_-_The_Orlando_Sentinel). Queen Archives. . Retrieved 2011-08-10.
[24] "Queen Interviews - Queen - 02-09-1991 - Innuendo - The Cincinnati Post - Queen Archives: Freddie Mercury, Brian May, Roger Taylor,
php?title=Queen_-_02-09-1991_-_Innuendo_-_The_Cincinnati_Post). Queen Archives. . Retrieved 2011-08-10.
[25] "Queen Interviews - Queen - 02-15-1991 - Innuendo - LA Times - Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John
Deacon, Interviews, Articles, Reviews" (http:/ / www. queenarchives. com/ index. php?title=Queen_-_02-15-1991_-_Innuendo_-_LA_Times).
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[26] "Queen Interviews - Queen - 02-17-1991 - Innuendo - Dallas Morning News - Queen Archives: Freddie Mercury, Brian May, Roger Taylor,
php?title=Queen_-_02-17-1991_-_Innuendo_-_Dallas_Morning_News). Queen Archives. 1991-02-17. . Retrieved 2011-08-10.
[27] "Queen Interviews - Queen - 02-21-1991 - Innuendo - The Record (NJ) - Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John
php?title=Queen_-_02-21-1991_-_Innuendo_-_The_Record_(NJ)). Queen Archives. 1991-02-21. . Retrieved 2011-08-10.
[28] "Queen Interviews - Queen - 02-22-1991 - Innuendo - Dayton Daily News (OH) - Queen Archives: Freddie Mercury, Brian May, Roger
php?title=Queen_-_02-22-1991_-_Innuendo_-_Dayton_Daily_News_(OH)). Queen Archives. 1991-02-22. . Retrieved 2011-08-10.
Innuendo 205
[29] "Queen Interviews - Queen - 02-22-1991 - Innuendo - The Advocate (Baton Rouge, LA) - Queen Archives: Freddie Mercury, Brian May,
Roger Taylor, John Deacon, Interviews, Articles, Reviews" (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_02-22-1991_-_Innuendo_-_The_Advocate_(Baton_Rouge,_LA)). Queen Archives. 1991-02-22. . Retrieved 2011-08-10.
[30] "Queen Interviews - Queen - 02-24-1991 - Innuendo - The San Francisco Chronicle - Queen Archives: Freddie Mercury, Brian May, Roger
php?title=Queen_-_02-24-1991_-_Innuendo_-_The_San_Francisco_Chronicle). Queen Archives. 1991-02-24. . Retrieved 2011-08-10.
[31] "Queen Interviews - Queen - 03-08-1991 - Innuendo - St. Petersburg Times - Queen Archives: Freddie Mercury, Brian May, Roger Taylor,
John Deacon, Interviews, Articles, Reviews" (http:/ / www. queenarchives. com/ index. php?title=Queen_-_03-08-1991_-_Innuendo_-_St.
_Petersburg_Times). Queen Archives. . Retrieved 2011-08-10.
[32] "Queen Interviews - Queen - 03-15-1991 - Innuendo - St. Louis Post-Dispatch - Queen Archives: Freddie Mercury, Brian May, Roger
php?title=Queen_-_03-15-1991_-_Innuendo_-_St. _Louis_Post-Dispatch). Queen Archives. 1991-03-15. . Retrieved 2011-08-10.
[33] "Queen Interviews - Queen - 03-17-1991 - Innuendo - Worcester Telegram & Gazette - Queen Archives: Freddie Mercury, Brian May,
Roger Taylor, John Deacon, Interviews, Articles, Reviews" (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_03-17-1991_-_Innuendo_-_Worcester_Telegram_& _Gazette). Queen Archives. 1991-03-17. . Retrieved 2011-08-10.
[34] "Queen Interviews - Queen - 03-XX-1991 - Innuendo - VOX Magazine - Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John
php?title=Queen_-_03-XX-1991_-_Innuendo_-_VOX_Magazine). Queen Archives. . Retrieved 2011-08-10.
[35] "Queen Interviews - Queen - 04-01-1991 - Innuendo - People Weekly - Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John
php?title=Queen_-_04-01-1991_-_Innuendo_-_People_Weekly). Queen Archives. . Retrieved 2011-08-10.
[36] Steffen Hung. "Queen - Innuendo" (http:/ / australian-charts. com/ showitem. asp?interpret=Queen& titel=Innuendo& cat=a).
australian-charts.com. . Retrieved 2011-08-10.
[37] Steffen Hung. "Queen - Innuendo" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Innuendo& cat=a). austriancharts.at. .
php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ Innuendo& q2=Top+ Albums/ CDs& interval=30). Collectionscanada.gc.ca. .
[39] Steffen Hung. "Queen - Innuendo" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Innuendo& cat=a). dutchcharts.nl. .
[41] "charts.de" (http:/ / www. charts. de/ album. asp?artist=Queen& title=Innuendo). charts.de. 2009-05-15. . Retrieved 2011-08-10.
. Retrieved 2011-10-03.
[43] クイーン-リリース-ORICON STYLE-ミュージック "Highest position and charting weeks of Innuendo by Queen" (http:/ / www. oricon.
co. jp/ music/ release/ d/ 263790/ 1/ ) (in Japanese). oricon.co.jp. Oricon Style. クイーン-リリース-ORICON STYLE-ミュージック.
[44] Steffen Hung. "Queen - Innuendo" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=Innuendo& cat=a). charts.org.nz. .
[45] Steffen Hung. "Queen - Innuendo" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=Innuendo& cat=a).
norwegiancharts.com. . Retrieved 2011-08-10.
[46] Steffen Hung. "Queen - Innuendo" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=Innuendo& cat=a).
[47] Steffen Hung. "Queen - Innuendo" (http:/ / hitparade. ch/ showitem. asp?interpret=Queen& titel=Innuendo& cat=a). hitparade.ch. .
[48] "Queen - Innuendo" (http:/ / www. chartstats. com/ release. php?release=42964). Chart Stats. . Retrieved 2011-08-10.
[49] "Queen - Innuendo" (http:/ / www. billboard. com/ artist/ queen/ chart-history/ 5473#/ artist/ queen/ chart-history/ 5473?f=305& g=Albums).
Billboard.com. . Retrieved 2011-08-10.
[50] "Austriancharts.at - Jahreshitparade 1991" (http:/ / austriancharts. at/ 1991_album. asp). Hung Medien. . Retrieved 2010-08-01.
[51] "RPM Top 100 Albums of 1991" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?brws_s=1& file_num=nlc008388.
1702& type=1& interval=24& PHPSESSID=mhe12pta2k83e08udtq66ot062). RPM. . Retrieved 2011-10-03.
[54] "Austrian album certifications – Queen – Innuendo" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter Queen in
the field Interpret. Enter Innuendo in the field Titel. Select album in the field Format. Click Suchen
[55] "Canadian album certifications – Queen – Innuendo" (http:/ / www. musiccanada. com/ GPSearchResult. aspx?st=Innuendo& sa=Queen&
smt=0). Music Canada. .
Innuendo 206
[56] "Finnish album certifications – Queen – Innuendo" (http:/ / www. ifpi. fi/ tilastot/ artistit/ Queen) (in Finnish). Musiikkituottajat – IFPI
Finland. .
[57] "French album certifications – Queen – Innuendo" (http:/ / www. disqueenfrance. com/ fr/ pag-259165-CERTIFICATIONS. html&
[58] "Les Albums Platine" (http:/ / www. infodisc. fr/ CDCertif_P. php?debut=650) (in French). infodisc.fr. SNEP. . Retrieved 2011-08-31.
[59] "German album certifications – Queen – Innuendo" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=Innuendo& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in German). Bundesverband Musikindustrie. .
[60] "Dutch album certifications – Queen – Innuendo" (http:/ / www. ifpi. nl/ nvpi/ pagina. asp?pagkey=60463) (in Dutch). Nederlandse
[61] "The Official Swiss Charts and Music Community: Awards (Queen; 'Innuendo')" (http:/ / www. swisscharts. com/ search_certifications.
asp?search=Queen+ Innuendo). Hung Medien. .
[62] "British album certifications – Queen – Innuendo" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic Industry.
. Enter Innuendo in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
[63] "American album certifications – Queen – Innuendo" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="Innuendo"). Recording
Made in Heaven
Made in Heaven
Recorded January–June 1991, late 1993-early 1995, Mountain, Allerton Hill, Cosford Mill, and Metropolis Studios
Genre Rock
Length 70:21 (CD)

47:45 (LP & Cassette)
Label Parlophone, Hollywood Records (US/Canada)
Producer Queen
Queen chronology
Innuendo Made in
(1991) Heaven
(1995)
Singles from Made in Heaven

Made in Heaven 207
• "Heaven for Everyone"

• "A Winter's Tale"
• "I Was Born to Love You"
Released: 28 February 1996 (Japan only)
• "Too Much Love Will Kill You"
• "Let Me Live"
• "You Don't Fool Me"
Made in Heaven is the fifteenth studio album by British rock group Queen and the final one to feature lead singer
Freddie Mercury & bassist John Deacon. It was released on 6 November 1995.[1] After Freddie Mercury's death in
November 1991, remaining band members John Deacon, Roger Taylor and Brian May worked with vocals and piano
parts that Mercury recorded before his death, along with newly recorded lyrics by the remaining band members.
Both stages of recording, before and after Mercury's death, were completed at the band's studio in Montreux,
Switzerland. The album debuted at #1 in the UK where it went 4x platinum. According to The Guardian, it has sold
20 million copies worldwide.[2]
History
The album was recorded in a much different way from
Queen's other studio albums. In early 1991, months before
his AIDS-related death, vocalist Freddie Mercury recorded
as many vocals as he could, with the instruction to the rest
of the band—drummer Roger Taylor, bassist John Deacon
and guitarist Brian May—to complete the songs later. Put to
tape during this time were primarily "A Winter's Tale",
"Mother Love" and what would eventually become "You
Don't Fool Me".
After his death, the band returned to the studio in 1993 to

begin work finishing the tracks. Brian May has described in
interviews that Taylor and Deacon had begun some work in The statue of Freddie Mercury overlooking Lake Geneva in
1992, while May was on tour promoting his Back to the Montreux which featured on the cover of the album.
Light album. Upon his return in 1993, May felt they were
not on the right path with the music and that they more or less started from scratch with the three of them working
together with producer David Richards.
On the video Champions of the World, May described these sessions with Mercury as such:
By the time we were recording these other tracks after Innuendo, we had had the discussions and we
knew that we were totally on borrowed time because Freddie had been told that he would not make it to
that point. I think our plan was to go in there whenever Freddie felt well enough, just to make as much
use of him as much as possible, we basically lived in the studio for a while and when he would call and
say "I can come in for a few hours", our plan was to just make as much use of him as we could, you
know he told us "Get me to sing anything, write me anything and I will sing it and I will leave you as
much as I possibly can."
Made in Heaven 208
With less than an album's worth to work with, the band decided to revisit previously recorded material. Whether
Mercury had any input before his death as to which songs might be considered for this purpose has not been
discussed by the band. The idea was to take existing songs on which Mercury sang and rework them as Queen songs.
Track listing
CD
1. "It's a Beautiful Day" Queen (Freddie Mercury) 2:32
2. "Made in Heaven" Mercury 5:25
3. "Let Me Live" Queen 4:45
4. "Mother Love" Brian May, Mercury 4:49
5. "My Life Has Been Saved" Queen (John Deacon) 3:15
6. "I Was Born to Love You" Mercury 4:49
7. "Heaven for Everyone" Roger Taylor 5:36
8. "Too Much Love Will Kill You" May, Frank Musker, Elizabeth Lamers 4:20
9. "You Don't Fool Me" Queen 5:24
10. "A Winter's Tale" Queen (Mercury) 3:49
11. "It's a Beautiful Day (Reprise)" Queen (Mercury) 3:01
12. "Yeah" Queen 0:04
13. "[Untitled Hidden Track]" Queen (David Richards, Taylor, May) 22:32
2011 Bonus EP
No. Title Length
1. "Heaven For Everyone (Single Version)" 4:39
2. "It’s A Beautiful Day (B-Side Version)" 3:58
3. "My Life Has Been Saved (1989 B-Side Version)" 3:16
4. "I Was Born To Love You (Vocal & Piano Version)" (credited to Freddie Mercury) 2:55
5. "Rock In Rio Blues (Live B-Side)" 4:33
6. "A Winter’s Tale (Cosy Fireside Mix)" 3:49

Made in Heaven 209
No. Title Length
1. "(Heart-ache) Too Much Love Will Kill You (promo video, 1995)"
2. "Heaven for Everyone (promo video, 1995)"
3. "A Winter’s Tale (alternative promo video, 1995)"
Vinyl
Side A
1. "It's a Beautiful Day" Queen (Freddie Mercury) 2:32
2. "Made in Heaven" Mercury 5:25
3. "Let Me Live" Queen 4:45
4. "Mother Love" Brian May, Mercury 4:49
5. "My Life Has Been Saved" Queen (John Deacon) 3:15
Side B
7. "Heaven for Everyone" Roger Taylor 4:43
8. "Too Much Love Will Kill You" May, Frank Musker, Elizabeth Lamers 4:20
9. "You Don't Fool Me" Queen 4:46
11. "It's a Beautiful Day (Reprise) / Yeah" Queen (Mercury) 3:05
Song information
It's a Beautiful Day

Years before Freddie Mercury started recording solo material, he created a sound clip of himself messing around on
the piano at Musicland Studios in Munich, 1980. It was later, for the use of this album, that the song was extended to
two minutes and thirty-two seconds. The more classical section, without Mercury's improvisation, was put together
by John Deacon.
Made in Heaven
Originally from Mercury's Mr. Bad Guy, this song, along with the other Mercury solo track "I Was Born to Love
You", was given special treatment by Queen for this posthumous album. The band merely re-worked the music to a
'Queen sound,' and placed Freddie's previous vocals over the new music.
Made in Heaven 210
Let Me Live
"Let Me Live" is a lively rock ballad which features a rare sharing of the vocals between Mercury, Taylor, and May.
The song was completed in 1995 after Mercury's death. This track was originally recorded with Rod Stewart during
sessions for the 1984 album The Works.[3] Once finished in 1995 for Made in Heaven, Queen made one 11th-hour
change to the song to avoid legal action. Part of the backing vocals featured a lyric too closely resembling Erma
Franklin's "Piece of My Heart". It is not known if Queen took it upon themselves to make the change preemptively
or if their record company told them to do so. Ultimately, the potentially problematic bit was mixed out and the track
was released. Promo cassettes from the USA feature the unaltered backing track. Early Mexican and Dutch CD
pressings are reported to have this alternate version as well.
Mother Love
"Mother Love" was the final song co-written by Mercury and May, and was also Mercury's last ever vocal
performance.[4] On his website, May discussed the writing process he and Mercury had (writing both separately and
together, and conscious of the nature of the song and the lyrics). May sang the last verse since Mercury was unable
to do so any more, as he was suffering from the bronchial pneumonia which ultimately resulted in his death.
The song features a sample from a live sing along session recorded at Queen's famous 1986 concert at Wembley
Stadium, and a sample from the intro of the studio version of "One Vision". It also features a sample from a cover of
"Goin' Back", a song written by Carole King and Gerry Goffin, for which Mercury had provided lead vocals in 1972.
The cover was released as a B-Side to "I Can Hear Music", a Ronettes cover, by Larry Lurex, not long before the
release of Queen's debut album. The sound bursts between the sing along and the "Goin' Back" sample are
apparently a few seconds of every Queen track ever recorded, put together, and then rapidly sped through a tape
machine.
My Life Has Been Saved

"My Life Has Been Saved" was started as an acoustic track composed mainly by John Deacon in 1987-1988.
Producer David Richards helped him out doing the demo and the keyboards, then Mercury sang on it, and later on
the entire band recorded it. The Made in Heaven version is different from that of 1989 (which originally featured as
the B-side to the single Scandal), although it uses the same vocals from Mercury. Deacon plays guitar and keyboards
as well as his usual instrument, bass guitar.
I Was Born to Love You

"I Was Born to Love You" was originally recorded (piano, vocals, synths) by Mercury on 25 May 1984, for his Mr.
Bad Guy album, as a late addition (when told by the record company that the album needed "a single"). May, Taylor
and Deacon remixed it and added their instruments, turning the song into fast-paced rock, mainly featuring hard rock
guitar from Brian May. That track became popular in Japan during 2004 when it was used for the theme song of a
television drama named Pride (プライド). This version also contains samples of Mercury's ad-lib vocals from "A
Kind of Magic", from the 1986 album of the same name, and from "Living on My Own", from his Mr. Bad Guy
album. The music video for this version of the song, also made in 2004, is comprised mainly of clips from the
Freddie Mercury solo video and from Queen: Live at Wembley.[5]
Made in Heaven 211
Heaven for Everyone

"Heaven for Everyone" was a track Roger Taylor wrote and tried out with Queen in 1987,[6] although according to
some sources it was written with Joan Armatrading in mind to sing it. Whether she turned it down or Taylor
withdrew his song is unclear, but it was recorded for his other band The Cross. One night Mercury came to visit The
Cross at the studio and after some drinks he gave them ideas of how to sing the song and ended up recording the lead
vocals for it. Mercury appeared on the UK version of their album "Shove It" as guest lead vocalist on the song, with
Taylor doing backing vocals. The roles were reversed on the single and the American 'Shove It' version. Mercury's
vocals were then used for the Made in Heaven release, with a couple of different lines and May singing backing
vocals instead of Taylor, with producer David Richards adding several arrangement ideas. Released as a single in
1995, the song's music video commemorates Mercury, and also contains footage of Georges Méliès seminal 1902
silent film A Trip to the Moon.[7]
Too Much Love Will Kill You

"Too Much Love Will Kill You" was composed by Brian May, Frank Musker and Elizabeth Lamers sometime
between the Magic and Miracle sessions.[8] They wrote it in the US and Mercury sang on it. However, there were
some problems with the companies representing publishing rights for Musker and Lamers so they could not release
the song properly on The Miracle. At the Freddie Mercury Tribute Concert May played the song on piano and sang it
for the first time in public, and then released it as part of his solo album Back to the Light. The Queen version is a
new arrangement. The guitar solo used differs from the one on May's album, however May played variations of the
Made in Heaven solo in live renditions as early as 1992. The song was awarded Best Song Musically and Lyrically
at the 1997 Novello Awards.[8]
This song was also performed by Queen and Luciano Pavarotti in 2003, with Pavarotti singing the latter parts of the
verses in Italian.[9]
You Don't Fool Me

"You Don't Fool Me" was one of the last tracks recorded for Made in Heaven and came about in a most unusual way.
May has explained on his website that producer for the band, David Richards, more or less created the framework of
the song single handedly, building from bits of lyrics recorded just before Mercury's death. May has said that before
Richards' work, there was no song to speak of. However, after Richards edited and mixed the song (including a bit of
harmonies recorded for "A Winter's Tale") he presented it to the band. May, Taylor and Deacon then added their
instruments and backing vocals and were surprised to end up with a finished song that had begun as nothing. The
style of the song is reminiscent of their 1982 album Hot Space, and a comment over that featured on their Greatest
Hits III album. The theme of the song could also be a continuation of the story told by prior Queen songs Play the
Game and It's a Hard Life.
Made in Heaven 212
A Winter's Tale
"A Winter's Tale" is a ballad written and composed by Freddie Mercury at his apartment in Montreux, Switzerland.
It is the last song Mercury solely composed entirely. (The music for "Mother Love" is by Brian May). It is the only
song in Queen's history to have been recorded and released with Freddie conducting the vocals prior to music being
completed.
It has since been branded as one of few Christmas songs from the band. Whether this was the intention is unknown.
It's a Beautiful Day (Reprise)

A heavier rock version of "It's a Beautiful Day", that is the same in the beginning but later turns into rock. It contains
samples from "Seven Seas of Rhye".
Yeah
"Yeah" is the ending of "It's a Beautiful Day (Reprise)". It is sampled from the track "Action This Day" (Hot Space)
and is timed at only 4 seconds. It consists of Mercury saying the word "Yeah".
[Untitled Hidden Track]

"Untitled Hidden Track" (Track 13) was an experiment by producer David Richards with an Ensoniq ASR-10
sampler. He took the opening chords of 'It's a Beautiful Day' and made them loop, and then added Mercury's voice
through strange echoes. May and Taylor also added some ideas to the track. This track is only available on the CD
edition of the album and the aforementioned promo cassettes.
Standard cassettes of the album end with the shortened "It's a Beautiful Day (Reprise)", fading out after the second
"Yeah" (Track 12 on the CD), where this Untitled track would continue on. The Untitled Track can be purchased
also as part of the full album or as a separate piece from Queen's official online store.
The LP (vinyl) edition of the album has only the first few seconds, which run into the run-off of the groove on the
record, which actually means that if a listener has a record player which does not have an automatic stop activated at
this point, it will play indefinitely, consisting only of the few seconds looped over constantly.
Track 13 created a good deal of surprise and confusion among fans, given its ambient musical nature and its sheer
length, neither of which have much precedent in Queen's catalogue (the longest of Queen's songs, The Prophet's
Song from A Night at the Opera, running only a mere 8:42). The album's last listed track (all formats) is track 11:
"It's a Beautiful Day (Reprise)". After the crescendo at the end of this track, Freddie Mercury is heard loudly saying
"Yeah!", which at four seconds long comprises the entire Track 12. Fans took to calling this track by that
monosyllabic name. The ambient music underneath this track continues into the mysterious "Untitled" Track 13,
which ebbs and flows for another twenty-two-plus minutes, which ends with Freddie Mercury calling out "Fab!".
Two schools of thought emerged amongst fans. One was that these were to be considered not only separate tracks,
but separate "songs". The second was that tracks 11, 12 and 13 were all one song ("It's a Beautiful Day [Reprise]")
and that the splitting of it was a deliberate tongue-in-cheek gesture by the band. Initially, the band were content to
maintain the air of mystery around Track 13. Over time, May has discussed it and shed a bit more light on it, such as
the aforementioned creation by David Richards and the subsequent involvement by himself and Taylor.
Made in Heaven 213
Critical reception
Review scores
Source Rating
Allmusic [10]
The Times [11]

(favorable)
Q Magazine [12]
(favorable)
Jerusalem Post [13]

(favorable)
The Guardian [14]

(favorable)
The Sunday Times [15]

(favorable)
Entertainment Weekly [16]

(B+)
Q magazine wrote: "Ten new tracks (and one reprise). No filler. No shame. An essential purchase for Queen fans,
certainly, but even without its special significance, Made In Heaven is probably a better album than Innuendo and a
fitting swan song by one of the most incandescent groups in rock. Made in Heaven is also the last musical will and
testament of a star who was never going to be turned into a saint, but whose grandstanding performances were, right
to the very end, always marked by reckless enthusiasm and a rare generosity of spirit."
The Sunday Times described the album as "Essential listening".
Entertainment Weekly wrote: "It's the perfect theatrical epitaph for a life dedicated to gorgeous artifice."
The Guardian stated: "When a band have the controls permanently set at full-tilt, as Queen did, burn-out is
inevitable, for the listener, if not for the band. When we eventually reach the drum-crashing finale, "It's a Beautiful
Day", which kicks in with Mercury's umpteenth randy-rottweiler howl, it feels as if far more than 70 minutes has
passed. That's where the aforesaid lyrics save the day. Predominantly written by Mercury, they are effectively
farewell notes. He poured out his heart, and his words have a throat-aching poignance. Even the record's opening
verse assumes a painful significance."
Jerusalem Post wrote: "Somehow Mercury and Queen's ability to make a joyful noise in the face of pain and death
makes this a very comforting album to have around in shaky times."
The Times stated: "Nor are there any obviously half-baked, or patched-up numbers. Most, however, are as good as
anything that Queen came up with in their later years. How good that is, as always with Queen, is largely a matter of
taste. "Mother Love", the last recording that Mercury made, is a song of truly heartfelt pathos. Despite its overdue
delivery, Made in Heaven stands up remarkably well as the closing chapter in a spectacular pop odyssey."
Allmusic wrote: "Made in Heaven harked back to Queen's 1970s heyday with its strong melodies and hard rock
guitar playing, topped by Mercury's bravura singing and some of the massed choir effects familiar from "Bohemian
Rhapsody." Even if one did not know that these songs were sung in the shadow of death, that subject would be
obvious. The lyrics were imbued with life-and-death issues, from the titles. The odd thing about this was that
Mercury's over-the-top singing had always contained a hint of camp humor, and it continued to here, even when the
sentiments clearly were as heartfelt as they were theatrically overstated. Maybe Mercury was determined to go out
the same way he had come in, as a diva. If so, he succeeded."
Made in Heaven 214
Personnel
• Freddie Mercury – lead vocals, piano, keyboards
• John Deacon – bass guitar, guitars, keyboards
• Roger Taylor – drums, percussion, keyboards, backing vocals, lead vocals on "Let Me Live"
• Brian May – guitars, keyboards, backing vocals, lead vocals on "Let Me Live" and the last verse on "Mother
Love"
• Rebecca Leigh-White – backing vocals on "Let Me Live"
• Gary Martin – backing vocals on "Let Me Live"
• Catherine Porter – backing vocals on "Let Me Live"
• Miriam Stockley – backing vocals on "Let Me Live"
• David Richards – co-production, engineering and mixing supervision
• Justin Shirley-Smith – co-production and engineering
• Joshua J. Macrae – co-production and engineering
• Mack – recording of additional material in the 80s
• Kevin Metcalfe – mastering
• Richard Gray – artwork, cover photograph of Irena Sedlecká's Mercury sculpture in Montreux
Charts
Chart positions
Chart (1995) Peak

position
[17] 3
[18] 1
[19] 2
Belgian Albums Chart (Vl)
[20] 2
Belgian Albums Chart (Wa)
[21] 18
[22] 1
Dutch Albums Chart
[23] 1
Finnish Albums Chart
[24] 2
French SNEP Albums Chart
[25] 1
German Albums Chart
[26] 1
[27] 10
[28] 1
[29] 2
[30] 1
[31] 1
Swiss Albums Chart
[32] 1
UK Albums Chart
Made in Heaven 215
[33] 58
U.S. Billboard 200
Year-end charts
[34] 42
[35] 13
[36] 10
French Albums Chart
[26] 8
[37] 7
UK Albums Chart
[38] 10
[39] 32
French Albums Chart
[40] 92
[41] 18
Swiss Albums Chart
[42] 68
UK Albums Chart
Certifications
[43] 2× Platinum
[44] Platinum
[45] Platinum [45]

[46] 2× Platinum [47]

[48] 5× Gold
Japan (Oricon Charts) [49]

336,782
[50] 2× Platinum
[51] Platinum
Norway (IFPI Norway) 50000*
[52] 3× Platinum
[53] 4× Platinum
[54] Gold
Summaries
[55] 5× Platinum
Europe (IFPI) 5000000*
^
x
Made in Heaven 216
References
[1] Chart Stats - Queen - Made in Heaven (http:/ / www. chartstats. com/ release. php?release=45700) Retrieved 18-01-2011
[2] Michaels, Sean (20 March 2008) We will rock you - again (http:/ / www. guardian. co. uk/ music/ 2008/ mar/ 20/ news1) The Guardian
Retrieved January 16, 2011
[3] "Made In Heaven" (http:/ / www. ultimatequeen. co. uk/ Songs/ madein. htm#letme). Ultimatequeen.co.uk. . Retrieved 2010-12-13.
[4] Queen Online - History - Discography: Made in Heaven (http:/ / www. queenonline. com/ history/ 86/ ) Retrieved January 22, 2011
[5] I Was Born To Love You (2004 video) (http:/ / www. youtube. com/ watch?v=uMGjN8-9IG0) on Youtube.
[6] Purvis, Georg (2007) Queen: Complete Works p.375. Reynolds & Hearn, 2007
[7] Queen Promo Videos: Heaven For Everyone (http:/ / www. ultimatequeen. co. uk/ videos/ queenpromo. htm) Ultimate Queen. Retrieved 14
November 2011
[8] Billboard 21 Jun 1997 (http:/ / books. google. co. uk/ books?id=KBAEAAAAMBAJ& pg=PA48& dq=too+ much+ love+ will+ kill+
you#v=onepage& q=too much love will kill you& f=false) Billboard Retrieved January 16, 2011
[9] Pavarotti and Friends 2003; Press and News (http:/ / www. brianmay. com/ queen/ pavarotti2003/ press. html) Retrieved January 22, 2011
[10] http:/ / www. allmusic. com/ album/ made-in-heaven-r226523/ review
[11] http:/ / www. queenarchives. com/ index. php?title=Queen_-_11-04-1995_-_Made_in_Heaven_-_The_Times
[12] http:/ / www. queenarchives. com/ index. php?title=Queen_-_XX-XX-1995_-_Made_in_Heaven_-_Q_Magazine
[13] http:/ / www. queenarchives. com/ index. php?title=Queen_-_11-07-1995_-_Made_in_Heaven_-_Jerusalem_Post
[14] http:/ / www. queenarchives. com/ index. php?title=Queen_-_11-10-1995_-_Made_in_Heaven_-_The_Guardian
[15] http:/ / www. queenarchives. com/ index. php?title=Queen_-_11-26-1995_-_Made_in_Heaven_-_The_Sunday_Times
[16] http:/ / www. queenarchives. com/ index. php?title=Queen_-_11-10-1995_-_Made_in_Heaven_-_Entertainment_Weekly
[17] http:/ / australian-charts. com/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[18] http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[19] http:/ / www. ultratop. be/ nl/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[20] http:/ / www. ultratop. be/ fr/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[21] http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e. php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ Made+
Heaven& q2=Top+ Albums%2FCDs& interval=50
[22] http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[23] http:/ / finnishcharts. com/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[24] "InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste" (http:/ / infodisc. fr/ Album_Q. php) (in French).
infodisc.fr. . Retrieved 2011-11-07.
[25] http:/ / www. charts. de/ album. asp?artist=Queen& title=Made+ In+ Heaven& cat=a& country=de
. Retrieved 2011-10-03.
[27] クイーン-リリース-ORICON STYLE-ミュージック "Highest position and charting weeks of Innuendo by Queen" (http:/ / contents.
oricon. co. jp/ prof/ artist/ 60447/ products/ music/ 265899/ 1/ ) (in Japanese). oricon.co.jp. Oricon Style. クイーン-リリース-ORICON
STYLE-ミュージック. Retrieved 2011-08-31.
[28] http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[29] http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[30] http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[31] http:/ / hitparade. ch/ showitem. asp?interpret=Queen& titel=Made+ In+ Heaven& cat=a
[33] http:/ / www. billboard. com/ artist/ queen/ chart-history/ 5473#/ artist/ queen/ chart-history/ 5473?f=305& g=Albums
[34] ARIA Charts "End Of Year Charts – Top 50 Albums 1995" (http:/ / www. aria. com. au/ pages/
aria-charts-end-of-year-charts-top-50albums-1995. htm). Australian Recording Industry Association. ARIA Charts. Retrieved 2011-08-29.
[36] "Classement Albums – année 1995" (http:/ / www. disqueenfrance. com/ fr/ pag-259376-Classements-Annuels. html?year=1995& type=2)
(in French). Syndicat National de l'Édition Phonographique. . Retrieved 2011-10-18.
[37] "Chart Archive - 1990s Albums" (http:/ / www. everyhit. com/ chartalb5. html). . Retrieved 2011-09-24.
[39] "Classement Albums – année 1996" (http:/ / www. disqueenfrance. com/ fr/ pag-259376-Classements-Annuels. html?year=1996& type=2)
(in French). Syndicat National de l'Édition Phonographique. . Retrieved 2011-10-18.
[40] 1996年アルバム年間TOP100 "Oricon Year-end Albums Chart of 1995" (http:/ / www. geocities. jp/ object_ori/ 1996a. html) (in
Japanese). 1996年アルバム年間TOP100. Retrieved 2011-10-18.
[42] "UNITED KINGDOM (CIN) BEST ALBUMS OF 1996" (http:/ / hitsofalldecades. com/ chart_hits/ index2. php?option=com_content&
do_pdf=1& id=1273). . Retrieved 2011-09-24.
[43] "Austrian album certifications – Queen – Made in Heaven" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter
Queen in the field Interpret. Enter Made in Heaven in the field Titel. Select album in the field Format. Click Suchen
Made in Heaven 217
[44] "Canadian album certifications – Queen – Made in Heaven" (http:/ / www. musiccanada. com/ GPSearchResult. aspx?st=Made+ in+
Heaven& sa=Queen& smt=0). Music Canada. .
[45] "Finnish album certifications – Queen – Made in Heaven" (http:/ / www. ifpi. fi/ tilastot/ artistit/ Queen) (in Finnish). Musiikkituottajat –
IFPI Finland. .
[46] "French album certifications – Queen – Made in Heaven" (http:/ / www. disqueenfrance. com/ fr/ pag-259165-CERTIFICATIONS. html&
[47] "Les Albums Double Platine" (http:/ / www. infodisc. fr/ CDCertif_P2. php?debut=200) (in French). infodisc.fr. SNEP. . Retrieved
2011-08-31.
[48] "German album certifications – Queen – Made in Heaven" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=Made+ in+ Heaven& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in German). Bundesverband Musikindustrie. .
[49] Oricon Album Chart Book: Complete Edition 1970-2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4871310779.
[50] "Dutch album certifications – Queen – Made in Heaven" (http:/ / www. ifpi. nl/ nvpi/ pagina. asp?pagkey=60463) (in Dutch). Nederlandse
[51] "Norwegian album certifications – Queen – Made in Heaven" (http:/ / www. ifpi. no/ sok/ lst_trofeer_sok. asp?type=artist) (in Norwegian).
IFPI Norway. .
[52] "The Official Swiss Charts and Music Community: Awards (Queen; 'Made in Heaven')" (http:/ / www. swisscharts. com/
search_certifications. asp?search=Queen+ Made+ in+ Heaven). Hung Medien. .
[53] "British album certifications – Queen – Made in Heaven" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter Made in Heaven in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
[54] "American album certifications – Queen – Made in Heaven" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="Made+ in+
Heaven"). Recording Industry Association of America. . If necessary, click Advanced, then click Format, then select Album, then click
SEARCH
[55] "IFPI Platinum Europe Awards – 1997" (http:/ / www. ifpi. org/ content/ section_news/ plat1997. html). International Federation of the
Phonographic Industry. .
218
Soundtrack album
Flash Gordon
Flash Gordon
Soundtrack album by Queen
Released 8 December 1980 (UK)

25 January 1981 (Japan)
February 1981 (US)
27 June 2011 (Remaster)
Recorded October – November 1980
Genre Rock
Length 35:01

Elektra, Hollywood Records (US)
Producer Brian May and Mack
Queen chronology
The Flash Hot

Game Gordon Space
(1980) (1980) (1982)
Singles from Flash Gordon
1. "Flash"
Flash Gordon 219
Review scores
Source Rating
Allmusic [1]
Entertainment Weekly (favourable) [2]
Record Mirror [3]
Flash Gordon is the ninth studio album of British rock band Queen, and is one of the two movie soundtracks Queen
produced, along with Highlander. It is the album to the science fiction movie Flash Gordon, and features lyrics on
only two tracks. The track Flash's Theme was the only single to be released from the album, under the title Flash.
The album reached number 10 in the UK charts and number 23 in the United States.
The album was reissued worldwide 27 June 2011 (excluding US & Canada, where it was released 27 September
2011) as part of the band's 40th Anniversary.[4] [5] The reissue adds an EP of related tracks.
Background
There are two versions of the opening track. The album version (Flash's Theme) is the start to the movie, with all the
dialogue from the first scene. The single version (Flash) features parts of the dialogue taken from various parts of the
movie. This version was also included on the Greatest Hits compilation from 1981. The single reached number one
in Austria. The track is noted for its pounding, repetitive bassline and the camp humour of the snippets of dialogue
from the movie that it contains.
All but two of the tracks on the album (Flash's Theme and The Hero) are instrumentals. The album makes extensive
use of synthesisers, which Queen had employed for the first time on their previous album, The Game, although to a
much lesser extent.
Side A of the album, except for the opening track and Freddie Mercury's Football Fight (also chosen as a B-side for
the Flash single), contains mostly synthesizer, vocal, guitar and drum soundscapes (accompanied by the movie
dialogues), written and performed by Mercury, Taylor and Deacon. Side B, while starting with similar compositions
by Deacon and Taylor, develops for the most part around the full-band rockier themes, mainly Flash's Theme and
Battle Theme, composed and arranged by Brian May. The last track, "The Hero", while an individual song, reprises
both motifs. Different takes of the song were used for the end credits in the film and for the album finale.
The album contains mostly the score performed by Queen, and only two short fragments of Howard Blake's
orchestral score (appearing in The Kiss and The Hero).
Track listing
Flash Gordon 220
Side one
1. "Flash's Theme" Brian May 3:30
2. "In the Space Capsule (The Love Theme)" Roger Taylor 2:21
3. "Ming's Theme (In the Court of Ming the Merciless)" Freddie Mercury 2:53
4. "The Ring (Hypnotic Seduction of Dale)" Mercury 0:58
5. "Football Fight" Mercury 1:29
6. "In the Death Cell (Love Theme Reprise)" Taylor 2:26
7. "Execution of Flash" John Deacon 1:06
8. "The Kiss (Aura Resurrects Flash)" Mercury 1:47
Side two
1. "Arboria (Planet of the Tree Men)" (listed as "Man" on the 1982 U.S. LP, 5E-518-B) Deacon 1:41
2. "Escape from the Swamp" Taylor 1:44
3. "Flash to the Rescue" May 2:47
4. "Vultan's Theme (Attack of the Hawk Men)" Mercury 1:15
5. "Battle Theme" May 2:20
6. "The Wedding March" ("Bridal Chorus") Richard Wagner, May 0:56
7. "Marriage of Dale and Ming (And Flash Approaching)" May, Taylor 2:04
8. "Crash Dive on Mingo City" May 1:01
9. "Flash's Theme Reprise (Victory Celebrations)" May 1:39
10. "The Hero" May 3:31
19. "Flash's Theme" (1991 remix by Mista Lawnge, 9.5) May 6:43
2011 Bonus EP
1. "Flash" (Single Version) May 2:48
2. "The Hero" (October 1980… Revisited) May 2:55
3. "The Kiss" (Early Version, March 1980) Mercury 1:11
4. "Football Fight" (Early Version, No Synths! - February 1980) Mercury 1:55
5. "Flash" (Live in Montreal, November 1981) May 2:12
6. "The Hero" (Live in Montreal, November 1981) May 1:48

Flash Gordon 221
1. "Flash / The Hero" (Live at Morumbi Stadium, 1981) May 3:28
2. "Flash" (Alternative promo) May 3:17
3. "Flash (Vanguard Mix)" (Promo Video, 2003) May 3:17
Personnel
• John Deacon: bass guitar, rhythm guitar, synthesizer
• Brian May: lead guitar, backing vocals, synthesizer, piano on "Flash's Theme" and "The Hero," co-lead vocals on
"Flash's Theme," guitar orchestration on "The Wedding March"[6]
• Freddie Mercury: lead vocals, synthesizer, piano, keyboards
• Roger Taylor: drums, timpani, backing vocals, synthesizer
• Additional orchestral arrangements by Howard Blake
Chart performance
Chart (1980/1981) Peak
position
[7] 1
[8] 10
[9] 7
Dutch Albums Chart
[10] 2
German Albums Chart
[11] 25
[12] 29
[13] 10
UK Albums Chart
[14] 23
U.S. Billboard 200
Notes
[2] http:/ / www. ew. com/ ew/ article/ 0,,275614,00. html?print
[3] http:/ / www. queencuttings. com/ dblog/ articolo. asp?articolo=76
[4] "Press Release: Second Five Albums Re-Issued on 27th June" (http:/ / www. queenonline. com/ en/ news-archive/
press-release-second-five-albums-re-issued-13th-june/ ). Queen. 5 April 2011. . Retrieved 25 May 2011.
[5] Second Set of Re-issues: Out This Week! (http:/ / www. queenonline. com/ en/ news-archive/ second-set-re-issues-uk-pre-order-links/ )
[6] May, Brian (22 April 2003). "Jena, Lady Mercy, Playing piano on early albums, Mr Pavarotti" (http:/ / www. brianmay. com/ brian/ letters/
lettersapr03. html). Letters. . Retrieved 26 July 2007. "Flash and The Hero (Flash Gordon) (plus organ on the WEDDING)"
[7] http:/ / austriancharts. at/ showitem. asp?interpret=Soundtrack+ %2F+ Queen& titel=Flash+ Gordon& cat=a
[8] http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-110. 01-e. php?PHPSESSID=53gtrvbfj0gk7r9b4sd40dtvu0& q1=Queen+ Flash+
Gordon& q2=Top+ Albums%2FCDs& interval=30
[9] http:/ / dutchcharts. nl/ showitem. asp?interpret=Soundtrack+ %2F+ Queen& titel=Flash+ Gordon& cat=a
[10] http:/ / www. charts. de/ album. asp?artist=Soundtrack+ %2F+ Queen& title=Flash+ Gordon& cat=a& country=de
[11] http:/ / norwegiancharts. com/ showitem. asp?interpret=Soundtrack+ %2F+ Queen& titel=Flash+ Gordon& cat=a
Flash Gordon 222
[12] http:/ / swedishcharts. com/ showitem. asp?interpret=Soundtrack+ %2F+ Queen& titel=Flash+ Gordon& cat=a
223
Live albums
Live Killers
Live Killers
Live album by Queen
Released June 22, 1979
Recorded January – March 1979 in Europe
Genre Rock
Length 90:08

Elektra, Hollywood Records (US)
Producer Queen
Queen chronology
Live Live
Killers Magic
(1979) (1986)
Singles from Live Killers
1. "Love of My Life (Live)"

Released: June 29, 1979
2. "We Will Rock You (Live)"
Released: August, 1979 (US, Japan)
Live Killers 224
Review scores
Source Rating
Allmusic [1]
Record Mirror [2]

(favorable)
George Starostin [3]
Rolling Stone [4]

(unfavorable)
Live Killers is a double vinyl and compact disc live album by English rock band Queen. It was released on June 22,
1979.[5]
It was recorded live during the European leg of Queen's Jazz world tour between January and March 1979.[5] The
album was self-produced by the band and was their first album to be mixed at their own studios, Mountain Studios in
Montreux, Switzerland.[5]
Guitarist Brian May and drummer Roger Taylor revealed on the US radio show In the Studio with Redbeard (which
spotlighted the making of 1980's The Game) that the band was not happy with the album's final mix as the band
mixed the album themselves.
Despite May and Taylor's unhappiness with the album, Live Killers hit number 3 on the UK Album Chart, and
number 16 on the Billboard 200 in the United States, and is certified double platinum in the US.[6] [7]
In the territories outside of the United States, Europe and Canada, Elektra Records re-released a shorter, edited
version of the album in 1985 titled "Queen Live".
The 1994 issue that was released as part of the Digital Master Series by EMI was not improved as the quality was
bad. It was later remastered and restored in better quality by Peter Mew in 2001.
Track listing
Side one
1. "We Will Rock You" [fast version] (Brian May) – 3:18
2. "Let Me Entertain You" (Freddie Mercury) – 3:15
3. "Death on Two Legs (Dedicated To...)" (Mercury) – 3:31
4. "Killer Queen" (Mercury) – 1:59
5. "Bicycle Race" (Mercury) – 1:28
6. "I'm in Love with My Car" (Roger Taylor) – 2:08
7. "Get Down, Make Love" (Mercury) – 4:31
8. "You're My Best Friend" (John Deacon) – 2:08
Live Killers 225
Side two
1. "Now I'm Here" (May) – 8:42
2. "Dreamer's Ball" (May) – 3:44
3. "Love of My Life" (Mercury) – 4:57
4. "'39" (May) – 3:26
5. "Keep Yourself Alive" (May) – 4:02
Side three
1. "Don't Stop Me Now" (Mercury) – 4:28
2. "Spread Your Wings" (Deacon) – 5:17
3. "Brighton Rock" (May) – 12:13
Side four
1. "Bohemian Rhapsody" [intro: "Mustapha"] (Mercury) – 6:02
2. "Tie Your Mother Down" (May) – 3:40
3. "Sheer Heart Attack" (Taylor) – 3:35
4. "We Will Rock You" (May) – 2:48
5. "We Are the Champions" (Mercury) – 3:27
6. "God Save the Queen" (Trad.; arr. May) – 1:31
Omitted Tracks
• It's Late (May)
• If You Can't Beat Them (Deacon)
• Somebody to Love (Mercury)
• Fat Bottomed Girls (May)
Singles
• "Love of My Life" (Live)/"Now I'm Here" (Live)
• "We Will Rock You (Fast Version) (Live)"/"Let Me Entertain You (Live)" – Elektra E46532; released August,
1979
Charts
Country Charts Sales
Peak position Weeks Certification Sales
Austria 3 12 Gold 40.000
United Kingdom 3 27 Gold 380,000
Germany 4 Gold 450.000
Japan 9 250.000
Netherlands 10 80.000
Norway 10 7 100.000
Sweden 15 4 50.000
United States 16 14 Platinum (2x) 2,500,000

Live Killers 226
Switzerland 34 2 Gold 10.000
Canada 150.000
References
[1] http:/ / www. allmusic. com/ album/ r15976/ review
[3] http:/ / starling. rinet. ru/ music/ queen. htm#Killers
[4] http:/ / www. rollingstone. com/ artists/ queen/ albums/ album/ 195404/ review/ 5942451/ live_killers
[5] Live Killers (http:/ / www. ultimatequeen. co. uk/ songs/ killers. htm) Ultimate Queen. Retrieved July 11, 2011
[6] RIAA – Gold and Platinum (http:/ / www. riaa. com/ goldandplatinumdata. php?resultpage=2& table=SEARCH_RESULTS& action=&
perPage=50) Recording Industry Association of America Retrieved July 11, 2011
External links
• Queenlive.ca: "Live Killers" Analysis (http://www.queenlive.ca/livekillers.htm) – an analysis of the edits and
overdubs on the album
Live Magic
Live Magic
Live album by Queen
Released December 1, 1986

(See release history)
Recorded 11–12 July 1986 Wembley Stadium, London,

UK
27 July 1986 Népstadion, Budapest, Hungary
9 August 1986 Knebworth Park, Stevenage, UK
Genre Rock
Length 47:10 (LP)

49:22 (CD)
Live Magic 227
Label EMI, Hollywood Records (US)
Producer Queen, Trip Khalaf
Queen chronology
Live Live Live at Wembley

Killers Magic '86
(1979) (1986) (1992)
Review scores
Source Rating
Allmusic [1]
Kerrang! [2]
Live Magic is a live compilation album by British rock band Queen. It was recorded at various 1986 live shows
during the European Magic Tour and released on December 1, 1986. However, it was not released in the United
States until August 1996. It received strong criticism by fans, due to the heavy editing of many songs. For example,
the opera section was removed from "Bohemian Rhapsody", the second verse was removed from "Tie Your Mother
Down", and both "Is This the World We Created...?" and "We Are the Champions" were reduced to one verse and
chorus. In July 2004, Q magazine listed Live Magic as one of the top five disappointing live albums from usually
great acts.[3]
Most of the performances were recorded at Knebworth Park on the 9th August 1986 (the band's last ever concert
with its original line-up).
Track listing
Side one
1. "One Vision" (Queen) – 5:09
3. "Seven Seas of Rhye" (Mercury) – 1:21
4. "A Kind of Magic" (Taylor) – 4:47 | (CD Version - 5:29)
5. "Under Pressure" (Queen, Bowie) – 3:49
6. "Another One Bites the Dust" (Deacon) – 5:16 | (CD Version - 5:50)
Live Magic 228
Side two
1. "I Want to Break Free" (Deacon) – 2:40
2. "Is This the World We Created...?" (Mercury/May) – 1:30
3. "Bohemian Rhapsody" (Mercury) – 4:42
4. "Hammer to Fall" (May) – 4:22 | (CD Version - 5:20)
5. "Radio Ga Ga" (Taylor) – 4:27
7. "Friends Will Be Friends" (Mercury/Deacon) – 1:09
9. "God Save the Queen" (Trad. arr. May) – 1:19
Release history
Country Release Date
Worldwide December 1, 1986
United States August 1996
Chart positions and sales

United Kingdom [4] [4] [5] 1.000.000

3 44 Platinum
Italy 22 100.000
Switzerland 26 Platinum 100.000
Japan 49 100.000
Sweden 50
Argentina Platinum 100.000
United States – – 500.000

Live Magic 229
References
[1] Erlewine, Stephen Thomas. "Queen Live Magic review" (http:/ / www. allmusic. com/ album/ live-magic-r75756/ review). Allmusic. Rovi
Corporation. . Retrieved 2011-09-15.
[2] Wall, Mick (11 December 1986). "Queen 'Live Magic'". Kerrang!. 135. London, UK: United Magazines ltd.. pp. 18.
[3] "5 Disappointing Live Albums from Usually Great Acts" (http:/ / www. rocklistmusic. co. uk/ q150lists. htm). Q magazine. July 2004.
[4] Queenonline.com. Live Magic (http:/ / www. queenonline. com/ q_history/ history. php?history=6& section=15).
[5] BPI Certified Awards (http:/ / www. bpi. co. uk/ stats).
At the Beeb
Queen at the Beeb
Live album by Queen
Released 4 December 1989 (Europe); 1995 (US)
Recorded 5 February and 3 December 1973 at Langham 1
Genre Rock
Length 37:33
Label Band of Joy ("by arrangement with BBC Records and Tapes and EMI Records Ltd") (UK), Hollywood Records (US)
Producer Bernie Andrews
Queen chronology
Live at Wembley Queen at the Queen on Fire - Live at the

'86 Beeb Bowl
(1992) (1995) (2004)
North American cover

At the Beeb 230
The North American cover.
Professional
ratings
Review scores
Source Rating
Allmusic [1]
The Times [2]

(?)
At the Beeb is a live album by the English rock band Queen, released on vinyl, cassette tape, and compact disc in
1989. Subsequently, it was released in 1995 in the United States under the title Queen at the BBC on compact disc
and as limited edition picture disc vinyl.
The album comprises tracks recorded in two sessions for the BBC Radio 1 Sound of the 70s programme. The first
four tracks were recorded on 5 February 1973; the rest were recorded on 3 December 1973.
All but one track appeared on the album Queen; the exception is "Ogre Battle", which appeared on Queen II.
However, the versions featured on At the Beeb are different from the original versions, being closer to the songs as
performed live. This is most notable on "Ogre Battle", as it starts right away with its riff (without any long intro),
does not have any effects that the version on Queen II has and sounds much less polished. The BBC version of "Ogre
Battle" did originally have a long intro featuring a grand guitar build up. It was not used for this release, allegedly
because the original tape was damaged.
Track listing
At the Beeb 231
Side one
1. "My Fairy King" Freddie Mercury 4:06
3. "Doing Alright" May, Tim Staffell 4:11
4. "Liar" Mercury 6:28
Side two
1. "Ogre Battle" Mercury 3:57
2. "Great King Rat" Mercury 5:59
3. "Modern Times Rock 'n' Roll" Roger Taylor 2:00
4. "Son and Daughter" May 7:08
References
[2] http:/ / www. queenarchives. com/ index. php?title=Queen_-_12-19-1989_-_Queen_At_The_BBC_-_The_Times
Live at Wembly '86

Live at Wembley '86
Live album by Queen
Released May 26, 1992

(See release history)
Recorded 12 July 1986, Wembley Stadium - London, England
Genre Rock, Hard rock
Length 110:00
Label Parlophone, Hollywood Records (US)

Producer Queen
Queen chronology
Live Live at Wembley At the

Magic '86 Beeb
(1986) (1992) (1995)
Review scores
Source Rating
Allmusic [1]
VideoVista [2]
Live at Wembley '86 is a double compact disc live album by English rock band Queen.
It was recorded live on Saturday July 12, 1986 during the Magic Tour at Wembley Stadium in London, England and
released on May 26, 1992. A companion DVD was released in June 2003.
The album was remastered and re-released with bonus tracks in August 2003 in the US as Live at Wembley
Stadium after the companion DVD. This name has also been used on subsequent releases elsewhere, although they
lack the bonus tracks included with the US version.
A remastered special edition DVD was released on September 5, 2011 in the UK (what would have been Freddie
Mercury's 65th birthday), and for the first time included the Friday evening concert in addition to the Saturday night
show. Snippets of the Friday show were included on earlier DVDs, but the remastered release marked the first time
that the concert has been presented in full. A Deluxe Edition also included the Saturday concert in remastered CD
form.
During the introduction to "Who Wants to Live Forever," Freddie addressed the rumours at the time of a Queen
breakup by pointing to his posterior and saying, "They're talking from here!," which got quite a response from the
audience. During the speech, Freddie making what was, prior to the Queen+ collaborations, a prophetic comment:
"So forget those rumours, we're gonna stay together until we fucking well die, I'm sure of it."
Track listing
Disc one
1. "One Vision" (Queen) – 5:50
2. "Tie Your Mother Down" (Brian May) – 3:52
3. "In the Lap of the Gods...Revisited"[3] (Freddie Mercury) – 2:44
4. "Seven Seas of Rhye" (Mercury) – 1:19
5. "Tear It Up" (May) – 2:12
6. "A Kind of Magic" (Roger Taylor) – 8:41
7. "Under Pressure" (Queen, David Bowie) – 3:41
8. "Another One Bites the Dust" (John Deacon) – 4:54
9. "Who Wants to Live Forever" (May) – 5:16
10. "I Want to Break Free" (Deacon) – 3:34
11. "Impromptu" (Queen) – 2:55
12. "Brighton Rock Solo" (May) – 9:11
13. "Now I'm Here" (May) – 6:19
Disc two
2. "Is This the World We Created...?" (Mercury, May) – 2:59
3. "(You're So Square) Baby I Don't Care" (Jerry Leiber, Mike Stoller) – 1:34
4. "Hello Mary Lou (Goodbye Heart)" (Gene Pitney) – 1:24
5. "Tutti Frutti" (Little Richard) – 3:23[4]
6. "Gimme Some Lovin'" (Steve Winwood, Spencer Davis, Muff Winwood) – 0:55
8. "Hammer to Fall" (May) – 5:36
9. "Crazy Little Thing Called Love" (Mercury) – 6:27
10. "Big Spender" (Dorothy Fields, Cy Coleman) – 1:07
11. "Radio Ga Ga" (Taylor) – 5:57
13. "Friends Will Be Friends" (Mercury, Deacon) – 2:08
15. "God Save the Queen" (arr. May) – 1:27
Bonus tracks on 2003 Hollywood Records remaster

1. "A Kind of Magic (Live July 11, 1986 at Wembley Stadium, London)"
2. "Another One Bites the Dust (Live July 11, 1986 at Wembley Stadium, London)"
3. "Crazy Little Thing Called Love (Live July 11, 1986 at Wembley Stadium, London)"
4. "Tavaszi szél vízet áraszt (Live July 27, 1986 at Népstadion, Budapest, Hungary)"
The Original Concert

The concert started at 4.00pm with tickets costing £14.50, 4 bands performed in the following order:
1. INXS
2. The Alarm
3. Status Quo
4. Queen
Release history
Country Release Date
Worldwide May 26, 1992
United States June 2, 1992
Chart positions and sales

Belgium 1 100.000
Italy 1 Platinum (5x) 500.000
France 2 Platinum 600.000
United Kingdom [5] [5] [6] 700.000

2 15 Platinum
Switzerland 6 13 Gold 50.000
Sweden 29 4 15.000
United States [5] [5] [7] 500.000

53 1 Platinum
Japan 81 100.000
Mexico [8] 250.000

Platinum
Brazil Gold 150.000
Canada 80.000
Spain 300.000
Personnel
• Freddie Mercury - lead vocals, piano, guitar
• Brian May - guitars, keyboards, backing vocals
• John Deacon - bass guitars, backing vocals
• Roger Taylor - drums, percussion, backing vocals
with
• Spike Edney - keyboards, piano, guitar, backing vocals
Notes and references

[2] http:/ / www. videovista. net/ reviews/ august03/ queen. html
[3] It is listed incorrectly as "In the Lap of the Gods".
[4] On the original 1992 release, this song missed the reprise. However, on the 2003 re-release on Hollywood Records the reprise was included.
[5] Queenonline.com. Live at Wembley '86 (http:/ / www. queenonline. com/ q_history/ history. php?history=6& section=19).
[7] RIAA. Gold & Platinum (http:/ / www. riaa. com/ goldandplatinum. php).
[8] Live at Wembley '86 (http:/ / www. amprofon. com. mx/ certificaciones. php?artista=Queen& titulo=& disquera=& certificacion=todas&
anio=todos& categoria=todas& Submitted=Buscar& item=menuCert& contenido=buscar).
Queen on Fire Live at the Bowl 235
Queen on Fire – Live at the Bowl

Queen on Fire - Live at the Bowl
Live album by Queen
Released October 25, 2004 (Europe)

November 9, 2004 (US)
Recorded June 5, 1982 in Milton Keynes
Genre Rock
Length ~100:00 (DVD ~170:00)
Label Parlophone (Europe)

Producer Brian May, Roger Taylor, Justin Shirley-Smith
Queen chronology
At the Queen on Fire - Live at the Queen Rock

Beeb Bowl Montreal
(1995) (2004) (2007)
Queen on Fire - Live at the

Bowl
Directed by Gavin Taylor
Produced by Jeff Brown

Malcolm Gerrie
Simon Lupton
Brian May
Roger Taylor
Rhys Thomas
Andrea Wonfor
Starring John Deacon

Brian May
Freddie Mercury
Roger Taylor
Morgan Fisher
Fred Mandel
Running time 170:00
Country United Kingdom
Language English
Professional
ratings
Review scores
Source Rating
BBC [1]
(Positive)
Allmusic [2]
Queen on Fire – Live at the Bowl is a double compact disc live album by English band Queen released on October
25, 2004 in Europe and on November 9, 2004 in the US.
It was recorded live at the National Bowl, Milton Keynes, Buckinghamshire, England, on June 5, 1982 during the
Hot Space Tour. A DVD was also released with the concert and bonus material, such as band interviews and tour
highlights.
In 2005, the album was also released as an LP, like every Queen album.
In the UK the CD made #20 and DVD #1 in the album and DVD chart respectively. In the US, neither the album nor
the DVD charted.
Notes
During the show, guitarist Brian May had problems with his homemade Red Special guitar. During both the fast
version of "We Will Rock You" and "Dragon Attack", a couple of guitar strings snapped and he had to switch over
to his Birch Red Special backup for almost all of "Action This Day" and for the entire second half of "Dragon
Attack" and all of "Now I'm Here (Reprise)".
Before "Love of My Life", May played a snippet of the intro to "Las Palabras de Amor" calling it "a little fiddle
around".
During May's guitar solo, the lead on his guitar became disconnected and the guitar solo stopped for 20 seconds (as
seen on the DVD but the 20 seconds was reduced to 3 seconds on the album version of the performance). A roadie
had to help him get his guitar working again.
Also, drummer Roger Taylor did an impromptu 30-second drum solo before "Under Pressure" whilst May got his
guitar fixed. Taylor had stopped doing drum solos (he last performed one in November 1981) so this was the only
time he did a drum solo post-1981 with the original lineup of Queen. The next did not occur until the Queen + Paul
Rodgers Return of the Champions Tour in 2005.
On "Fat Bottomed Girls", Freddie Mercury's voice briefly slipped into an off-key falsetto during the lyric "in this
locality" (which was noticed on the original BBC TV, Channel 4, MTV, and radio broadcasts of the Milton Keynes
show) but the error was repaired for release on the CD and DVD.
Mercury performed without his trademark bottomless microphone stand for "The Hero" (on the Live in Japan bonus
footage on DVD), "We Will Rock You (Fast)" and "Now I'm Here". Apparently this allowed Mercury to more freely
scale and walk along the raised wings on either side of the stage. Although it is noticeable that he is using a cordless
microphone which were becoming available around the time and appears to be relatively larger than a standard
microphone.
The Hong Kong & China version of the CD release does not contain either "Get Down, Make Love" or "Fat
Bottomed Girls" due to censorship laws.
Track listing
Disc 1
1. "Flash" (May) – 1:54
2. "The Hero" (May) – 1:44
3. "We Will Rock You" (Fast) (May) – 3:17
4. "Action This Day" (Taylor) – 4:52
5. "Play the Game" (Mercury) – 4:30
6. "Staying Power" (Mercury) – 4:03
7. "Somebody to Love" (Mercury) – 7:53
8. "Now I'm Here" (May) – 6:18
9. "Dragon Attack" (May) – 4:16
10. "Now I'm Here" (Reprise) (May) – 0:49
12. "Save Me" (May) – 4:00
13. "Back Chat" (Deacon) – 5:00
Disc 2
2. "Guitar Solo " (May) – 6:22
3. "Under Pressure" (Queen/Bowie) – 3:47
4. "Fat Bottomed Girls" (May) – 5:25
8. "Another One Bites the Dust" (Deacon) – 3:49
12. "God Save the Queen" (Trad. arr. May) – 1:24
DVD bonus material

• MK Bowl backstage interview
• Freddie Mercury interview
• Brian May and Roger Taylor interviews
• Songs from concert at Stadthalle, Vienna, Austria on May 12, 1982
1. Another One Bites the Dust
2. We Will Rock You
3. We Are the Champions
4. God Save the Queen
• Songs from concert at Seibu Lions Stadium, Tokyo, Japan on November 3, 1982
1. Flash / The Hero
2. Now I'm Here
3. Impromptu
4. Put Out the Fire
5. Dragon Attack
6. Now I'm Here (Reprise)
7. Crazy Little Thing Called Love
8. Teo Torriatte (Let Us Cling Together)
• Photo gallery (Calling All Girls)
Personnel
• Freddie Mercury – lead vocals, piano, acoustic guitar on "Crazy Little Thing Called Love"
• Brian May – guitars, vocals, piano on "Save Me"
• Roger Taylor – drums, percussion, vocals
• John Deacon – bass guitar, rhythm guitar on "Staying Power", additional backing vocals on "Somebody to Love"
• Morgan Fisher – keyboards
• Justin Shirley-Smith – mix producer
• Kris Fredriksson – pro tools hd
• Mack – recording engineer
• Mick McKenna – second recording engineer
• Richard Gray – artwork
• Denis O'Regan – photography
Charts and certifications
Charts
Album
Chart (2004) Peak

position
[3] 23
Austrian Top 75 Albums
[4] 60
Belgium (Flanders) 100 Albums
[5] 80
Belgium (Wallonia) 100 Albums
[6] 75
French Top 200 Albums
[7] 10
German Albums Chart
[8] 15
Italian Top 20 Albums
[9] 74
Netherlands Top 100 Albums
[10] 9
Portuguese Top 30 Albums
[11] 52
Swiss Top 100 Albums
[12] 20
UK Albums Chart
Chart (2005) Peak

position
[13] 73
Spanish Top 100 Albums
DVD
Chart (2004) Peak

position
[14] 10
Australian Top 40 DVDs
[15] 1
Austrian Top 10 Music DVDs
[16] 4
Norwegian Top 10 DVDs
[17] 1
Swedish Top 20 DVDs
Chart (2005) Peak

position
[18] 1
Belgium (Wallonia) Top 10 Music DVDs
[19] 5
Hungarian Top 20 DVDs
Certifications
Album
[20] Gold
Austria (IFPI Austria) 15,000x
[21] Platinum
[22] Gold
^
x
DVD
[23] Platinum
Argentina (CAPIF) 8000x
[24] 3× Platinum
Australia (ARIA) 45000^
[25] Gold
[26] 3× Platinum
France (SNEP) 60000*
[27] 5× Gold
[28] Gold
Mexico (AMPROFON) 10000^
[29] Gold
[30] 3× Platinum
[31] Platinum
*
sales figures based on certification alone
^
x
References
[1] http:/ / www. bbc. co. uk/ music/ release/ 6wn8
[2] http:/ / www. allmusic. com/ album/ queen-on-fire-live-at-the-bowl-r714768/ review
[3] "Queen – Queen on Fire – Live at the Bowl (Album)" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Queen+ On+ Fire+
-+ Live+ At+ The+ Bowl& cat=a) (in German) (ASP). Austrian Charts. Hung Medien. . Retrieved 31 July 2011.
[4] "Queen – Queen on Fire – Live at the Bowl (Album)" (http:/ / www. ultratop. be/ nl/ showitem. asp?interpret=Queen& titel=Queen+ On+
Fire+ -+ Live+ At+ The+ Bowl& cat=a) (in Dutch) (ASP). Ultratop. Hung Medien. . Retrieved 31 July 2011.
[5] "Queen – Queen on Fire – Live at the Bowl (Album)" (http:/ / www. ultratop. be/ fr/ showitem. asp?interpret=Queen& titel=Queen+ On+
Fire+ -+ Live+ At+ The+ Bowl& cat=a) (in French) (ASP). Ultratop. Hung Medien. . Retrieved 31 July 2011.
[6] "Queen – Queen on Fire – Live at the Bowl (Album)" (http:/ / lescharts. com/ showitem. asp?interpret=Queen& titel=Queen+ On+ Fire+ -+
Live+ At+ The+ Bowl& cat=a) (in French) (ASP). Les Charts. Hung Medien. . Retrieved 31 July 2011.
[7] "Chartverfolgung / Queen / Longplay" (http:/ / www. musicline. de/ de/ chartverfolgung_summary/ artist/ Queen/ ?type=longplay) (in
German). Music Line. Media Control Charts. . Retrieved 31 July 2011.
[8] "Queen – Queen on Fire – Live at the Bowl (Album)" (http:/ / italiancharts. com/ showitem. asp?interpret=Queen& titel=Queen+ On+ Fire+
-+ Live+ At+ The+ Bowl& cat=a) (ASP). Italian Charts. Hung Medien. . Retrieved 31 July 2011.
[9] "Queen – Queen on Fire – Live at the Bowl (Album)" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Queen+ On+ Fire+ -+
Live+ At+ The+ Bowl& cat=a) (in Dutch) (ASP). Dutch Charts. Hung Medien. . Retrieved 31 July 2011.
[10] "Queen – Queen on Fire – Live at the Bowl (Album)" (http:/ / portuguesecharts. com/ showitem. asp?interpret=Queen& titel=Queen+ On+
Fire+ -+ Live+ At+ The+ Bowl& cat=a) (ASP). Portuguese Charts. Hung Medien. . Retrieved 31 July 2011.
[11] "Queen – Queen on Fire – Live at the Bowl (Album)" (http:/ / swisscharts. com/ showitem. asp?interpret=Queen& titel=Queen+ On+ Fire+
-+ Live+ At+ The+ Bowl& cat=a) (ASP). Swiss Charts. Hung Medien. . Retrieved 31 July 2011.
2004-11-06/ ). The Official Charts Company. . Retrieved 31 July 2011.
[13] "Queen – Queen on Fire – Live at the Bowl (Album)" (http:/ / spanishcharts. com/ showitem. asp?interpret=Queen& titel=Queen+ On+
Fire+ -+ Live+ At+ The+ Bowl& cat=a) (ASP). Charts. Hung Medien. . Retrieved 31 July 2011.
[14] "ariaNET: The ARIA Report! (Issue 769)" (http:/ / pandora. nla. gov. au/ pan/ 23790/ 20041220-0000/ ISSUE769. pdf) (PDF). Pandora
Archive. Australian Recording Industry Association. p. 22. . Retrieved 31 July 2011.
[15] "Austria Top 40 – Musik-DVD Top 10" (http:/ / austriancharts. at/ weekchart. asp?cat=d& year=2004& date=20041114) (in German)
(ASP). Austrian Charts. Hung Medien. . Retrieved 31 July 2011.
[16] "Topp 10 DVD Audio: 2004 – Uke 47" (http:/ / lista. vg. no/ liste/ dvd-audio/ 10/ dato/ 2004/ uke/ 47) (in Norwegian). VG-lista. . Retrieved
31 July 2011.
[17] "Sverigetopplistan" (http:/ / www. sverigetopplistan. se/ ) (in Swedish). Sverigetopplistan. . Search for Queen and click SØk.
[18] "Ultratop 10 Musicaux" (http:/ / www. ultratop. be/ fr/ weekchart. asp?cat=d& year=2005& date=20050507) (in French) (ASP). Ultratop.
Hung Medien. . Retrieved 31 July 2011.
[19] "Archivum: DVD Top 20" (http:/ / mahasz. hu/ ?menu=slagerlistak& menu2=archivum& lista=dvd& ev=2005& het=17&
submit_=Keresés) (in Hungarian). MAHASZ. . Retrieved 3 July 2011.
[20] "Austrian album certifications – Queen – On Fire - Live at the Bowl" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria.
. Enter Queen in the field Interpret. Enter On Fire - Live at the Bowl in the field Titel. Select album in the field Format. Click Suchen
[21] "German album certifications – Queen – Queen on Fire - Live at the Bowl" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/
?action=suche& strTitel=Queen+ on+ Fire+ -+ Live+ at+ the+ Bowl& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in
German). Bundesverband Musikindustrie. .
[22] "British album certifications – Queen – On Fire - Live at the Bowl" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British
Phonographic Industry. . Enter On Fire - Live at the Bowl in the field Search. Select Title in the field Search by. Select album in the field By
Format. Click Go
[23] "Argentinian video certifications – Queen – Queen on Fire - Live at the Bowl" (http:/ / www. capif. org. ar/ Default.
asp?PerDesde_MM=0& PerDesde_AA=0& PerHasta_MM=0& PerHasta_AA=0& interprete=Queen& album=Queen+ on+ Fire+ -+ Live+
at+ the+ Bowl& LanDesde_MM=0& LanDesde_AA=0& LanHasta_MM=0& LanHasta_AA=0& Galardon=O& Tipo=2& ACCION2=+
Buscar+ & ACCION=Buscar& CO=5& CODOP=ESOP). Argentine Chamber of Phonograms and Videograms Producers. .
[24] "ARIA Charts – Accreditations – 2006 DVDs" (http:/ / www. aria. com. au/ pages/ ARIACharts-Accreditations-2006DVD. htm). Australian
Recording Industry Association. .
[25] "Austrian video certifications – Queen – Queen on Fire" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter
Queen in the field Interpret. Enter Queen on Fire in the field Titel. Select DVD in the field Format. Click Suchen
[26] "French video certifications – Queen – Queen on Fire – Live at the Bowl" (http:/ / www. disqueenfrance. com/ fr/
pag-259165-CERTIFICATIONS. html?year=2005& type=19) (in French). Syndicat National de l'Édition Phonographique. .
[27] "German video certifications – Queen – Queen on Fire - Live at the Bowl" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/
?action=suche& strTitel=Queen+ on+ Fire+ -+ Live+ at+ the+ Bowl& strInterpret=Queen& strTtArt=video& strAwards=checked) (in
German). Bundesverband Musikindustrie. .
[28] "Mexican video certifications – Queen – Queen on Fire - Live at the Bowl" (http:/ / www. amprofon. com. mx/ certificaciones.
php?artista=Queen& titulo=Queen+ on+ Fire+ -+ Live+ at+ the+ Bowl& categoria=MUSIC+ VIDEO& contenido=buscar) (in Spanish).
Asociación Mexicana de Productores de Fonogramas y Videogramas. .
[29] "The Official Swiss Charts and Music Community: Awards (Queen; 'On Fire: Live at the Bowl')" (http:/ / www. swisscharts. com/
search_certifications. asp?search=Queen+ On+ Fire:+ Live+ at+ the+ Bowl). Hung Medien. .
[30] "British video certifications – Queen – Live at the Bowl" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter Live at the Bowl in the field Search. Select Title in the field Search by. Select DVD in the field By Format. Click Go
[31] "American video certifications – Queen – On Fire: Live at the Bowl" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="On+
Fire:+ Live+ at+ the+ Bowl"). Recording Industry Association of America. . If necessary, click Advanced, then click Format, then select
Video Longform, then click SEARCH
External links
• Queen on Fire: Live at the Bowl (http://www.imdb.com/title/tt0451175/) at the Internet Movie Database
• Queen on Fire - Live at the Bowl (http://www.allrovi.com/movies/movie/v315996) at AllRovi
Queen Rock Montreal

Queen Rock Montreal
Live album by Queen

28 October 2007
29 October 2007
30 October 2007
Recorded 24 November and 25 November 1981 in Montreal
Genre Rock
Length 47:15 (CD 1), 50:35 (CD 2)
Label Parlophone (UK)

Producer Justin Shirley-Smith

Kris Fredriksson
Joshua J. Macrae
Queen chronology
Queen on Fire - Live at the Queen Rock Queen: We Will Rock You: The
Bowl Montreal Movie
(2004) (2007) (2010)
Professional
ratings
Review scores
Source Rating
Allmusic [1]
.
Queen Rock Montreal is a live album by English rock band Queen. It was released in 2007 as a double CD / triple
vinyl on 28 October in Australia, 29 October in Europe, and 30 October in the US.[1]
It was recorded in Montreal, Quebec, Canada at the Montreal Forum on 24 November and 25 November 1981, ten
years to the date before lead singer Freddie Mercury died of complications related to AIDS.[2] Allmusic described
Queen's performance in Montreal as being "deliberately theatrical and often majestic".[1]
This marks the first official release of the film soundtrack to the concert film We Will Rock You on an audio-only
format. Unlike the original video release of We Will Rock You, which has been re-released as Queen Rock Montreal,
the album and CD features the full show (including "Flash" and "The Hero") fully remixed.[1] [3]
Track listing
Disc one
1. "Intro" – 1:59
2. "We Will Rock You (Fast)" (Brian May) – 3:06
3. "Let Me Entertain You" (Freddie Mercury) – 2:48
4. "Play the Game" (Mercury) – 3:57
5. "Somebody to Love" (Mercury) – 7:53
6. "Killer Queen" (Mercury) – 1:59
7. "I'm in Love with My Car" (Roger Taylor) – 2:03
9. "Save Me" (May) – 4:14
10. "Now I'm Here" (May) – 5:31
11. "Dragon Attack" (May) – 3:11
12. "Now I'm Here (Reprise)" (May) – 1:53
Disc two
1. "Under Pressure" (Queen, David Bowie) – 3:49
3. "Drum and Tympani Solo" (Taylor) – 3:00
4. "Guitar Solo" (May) – 5:11
5. "Flash" (May) * – 2:11
6. "The Hero" (May) * – 1:51
8. "Jailhouse Rock" (Jerry Leiber, Mike Stoller) – 2:32
11. "Another One Bites the Dust" (John Deacon) – 4:00

15. "God Save the Queen" (tape) (arr. May) – 1:27
* previously unreleased
Personnel
• Freddie Mercury – lead vocals, piano, acoustic guitar on "Crazy Little Thing Called Love"
• Brian May – guitars, vocals, piano on "Save Me" and "Flash", synthesizer on "Flash"
• Roger Taylor – drums, percussion, vocals, lead vocal on "I'm In Love With My Car" and "Another One Bites The
Dust"(chorus), synthesizer on "Intro"
• John Deacon – bass guitar, vocals
• Joshua J. Macrae - mix producer
• Justin Shirley-Smith – mix producer
• Kris Fredriksson – pro tools hd
• Mack – recording engineer
• Richard Gray – artwork
Charts
Chart (2007) Peak
position
[4] 25
[5] 84
[6] 62
[7] 111
[8] 17
German Albums Chart
[9] 54
[10] 22
[11] 35
[12] 27
Chart (2008) Peak

position
[13] 73
Mexican Top 100 Albums
References
[2] 1991: Giant of rock dies (http:/ / news. bbc. co. uk/ onthisday/ hi/ dates/ stories/ november/ 24/ newsid_2546000/ 2546945. stm) BBC.
[3] Queen Rock Montreal (http:/ / www. ultimatequeen. co. uk/ songs/ rockmontreal. htm#flash) Ultimate Queen. Retrieved 16 July 2011
[4] "Queen – Rock Montreal (Album)" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Rock+ Montreal& cat=a) (in German)
(ASP). Austrian Charts. Hung Medien. . Retrieved 1 August 2011.
[5] "Queen – Rock Montreal (Album)" (http:/ / www. ultratop. be/ nl/ showitem. asp?interpret=Queen& titel=Rock+ Montreal& cat=a) (in
Dutch) (ASP). Ultratop. Hung Medien. . Retrieved 1 August 2011.
[6] "Queen – Rock Montreal (Album)" (http:/ / www. ultratop. be/ fr/ showitem. asp?interpret=Queen& titel=Rock+ Montreal& cat=a) (in
French) (ASP). Ultratop. Hung Medien. . Retrieved 1 August 2011.
[7] "Queen – Rock Montreal (Album)" (http:/ / lescharts. com/ showitem. asp?interpret=Queen& titel=Rock+ Montreal& cat=a) (in French)
(ASP). Les Charts. Hung Medien. . Retrieved 1 August 2011.
German). Music Line. Media Control Charts. . Retrieved 1 August 2011.
[9] "Queen – Rock Montreal (Album)" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Rock+ Montreal& cat=a) (in Dutch)
(ASP). Dutch Charts. Hung Medien. . Retrieved 1 August 2011.
[10] "Queen – Rock Montreal (Album)" (http:/ / portuguesecharts. com/ showitem. asp?interpret=Queen& titel=Rock+ Montreal& cat=a) (ASP).
Portuguese Charts. Hung Medien. . Retrieved 1 August 2011.
[11] "Queen – Rock Montreal (Album)" (http:/ / spanishcharts. com/ showitem. asp?interpret=Queen& titel=Rock+ Montreal& cat=a) (ASP).
Spanish Charts. Hung Medien. . Retrieved 1 August 2011.
[12] "Queen – Rock Montreal (Album)" (http:/ / swisscharts. com/ showitem. asp?interpret=Queen& titel=Rock+ Montreal& cat=a) (ASP). Swiss
Charts. Hung Medien. . Retrieved 1 August 2011.
[13] "Queen – Rock Montreal (Album)" (http:/ / mexicancharts. com/ showitem. asp?interpret=Queen& titel=Rock+ Montreal& cat=a) (ASP).
Mexican Charts. Hung Medien. . Retrieved 1 August 2011.
External links
• Official Site (http://www.queenrockmontreal.com)
246
Compilation albums
Greatest Hits
Greatest Hits
Original 1981 edition
Greatest hits album by Queen
Genre Rock
Length 57:20 (UK edition)
Label Parlophone
Producer Queen, various
Queen chronology
Greatest Greatest Hits

Hits II
(1981) (1991)
Alternative covers
Greatest Hits 247
1992 U.S. edition
2011 Universal Remaster
Review scores
Source Rating
Allmusic [1]
Greatest Hits is a compilation album by the British rock group Queen. When released in November 1981, the record
consisted of Queen's best-selling singles since their first chart appearance in 1974 with "Seven Seas of Rhye", until
their most recent album at the time, The Game. There was no universal track listing or cover art for the album, and
each territory's tracks were dependent on what singles had been released there and which were successful. In some
countries "Under Pressure" was included, which had been released as a single earlier in the year.
Queen's Greatest Hits was an instant success, peaking at number one on the UK Album Chart for four weeks. It has
spent 476 weeks in the UK Charts, and is the best-selling album of all time in the UK.[2] [3] [4] It is certified eight
times platinum in the United States, and is Queen's most commercially successful album ever having sold more than
25 million copies, rendering it one of the best-selling albums worldwide.[5] [6] Combined with Greatest Hits II, it
became the definitive Queen compilation.
Greatest Hits 248
History
There was no universal track listing or cover art for the Greatest Hits album, and each territory's tracks were
dependent on what singles were released there and what tracks charted. In some cases, despite the band's popularity,
not enough songs were issued as singles to fill a compilation album, and a few album tracks were used as filler.
Some examples of these were "Sweet Lady" and "Love of My Life", neither was released as a single in any country,
but appear on some regions' 1981 Hits release. In the UK and the U.S., where solid numbers could be collected, the
standard was raised again by only including top 20 hits.
The U.S. ended up with its original edit of Queen's first single release, "Keep Yourself Alive", which had been
re-released in the U.S. in 1975 (original release was 1973) after the success of "Bohemian Rhapsody". Also, because
of the delay in release dates between the UK (out first) and the U.S. (almost a month later), the U.S. was able to add
"Under Pressure" (Queen's duet with David Bowie) to its Hits collection, as it was released during that interim.
In Argentina and Brazil, the LP edition included the same list of UK Greatest Hits minus "Seven Seas of Rhye", and
including "Love of My Life" (Live Killers version). CD version is the same as the British.
In 1991, Queen sought to issue a second Greatest Hits collection worldwide, this time with a standard track listing.
However, the band had just changed record labels in the US, from Capitol to Hollywood Records, who were keen on
a massive promotion of the band's back catalog. The problem was that Elektra still held the US rights to that first
1981 collection (despite being Hollywood's US licencée). Hollywood Records decided to not release Greatest Hits II
to the U.S. market, but instead created their own collection, Classic Queen (1992), peaking at no.4.[7] This
compilation was made up of tracks such as "Bohemian Rhapsody", "Keep Yourself Alive" and "Under Pressure"
(which had already appeared on the Elektra 1981 Hits collection) as well as newer tracks ("A Kind of Magic" and
"Radio Ga Ga").[8] Some tracks were not even singles in the U.S. ("One Year of Love") or anywhere ("Stone Cold
Crazy").[8] Though well received, this collection would eventually pose the problem of overlapping track lists in the
future.
Hollywood Records, later that year, re-released a companion collection Greatest Hits with similar artwork (on a red
background, where Classic Queen was on royal blue). Commonly referred to as the Red Greatest Hits, it features
most of the '70s tracks absent from Classic Queen (including "Another One Bites the Dust" [1980], "We Will Rock
You", "We Are the Champions" and "Killer Queen").
In 2004, to promote the Las Vegas production of the musical We Will Rock You, Hollywood Records released
Greatest Hits: We Will Rock You Edition which was the UK Greatest Hits with three bonus tracks.
Track listing
This section includes the track listings for the original Greatest Hits and closely related albums only. For other
compilations, including the second and third Greatest Hits albums, see the relevant articles. On this album Mercury
has ten songs, Brian May has five and John Deacon has two. Roger Taylor had not released any singles with the
group at that time.
Greatest Hits 249
1981 UK edition (Parlophone) & 2011 UK edition (Island)

Has a photograph of the band as its cover.
1. "Bohemian Rhapsody" (from A Night at the Opera, 1975) Freddie Mercury 5:56
2. "Another One Bites the Dust" (from The Game, 1980) John Deacon 3:36
3. "Killer Queen" (from Sheer Heart Attack, 1974) Mercury 2:57
4. "Fat Bottomed Girls" (single version, from Jazz, 1978) Brian May 3:16
5. "Bicycle Race" (from Jazz, 1978) Mercury 3:01
6. "You're My Best Friend" (from A Night at the Opera, 1975) Deacon 2:52
7. "Don't Stop Me Now" (from Jazz, 1978) Mercury 3:29
8. "Save Me" (from The Game, 1980) May 3:52
9. "Crazy Little Thing Called Love" (from The Game, 1980) Mercury 2:42
10. "Somebody to Love" (from A Day at the Races, 1976) Mercury 4:56
11. "Now I'm Here" (from Sheer Heart Attack, 1974) May 4:10
12. "Good Old-Fashioned Lover Boy" (from A Day at the Races, 1976) Mercury 2:54
13. "Play the Game" (from The Game, 1980) Mercury 3:33
14. "Flash" (single version, from Flash Gordon, 1980) May 2:48
15. "Seven Seas of Rhye" (from Queen II, 1974) Mercury 2:47
16. "We Will Rock You" (from News of the World, 1977) May 2:01
17. "We Are the Champions" (from News of the World, 1977) Mercury 2:59
Total length: 57:20
1981 U.S. and Canada edition
1. "Another One Bites the Dust" 3:37
2. "Bohemian Rhapsody" 5:58
3. "Crazy Little Thing Called Love" 2:44
4. "Killer Queen" 3:02
5. "Fat Bottomed Girls" 3:23
6. "Bicycle Race" 3:01
7. "Under Pressure" (later included on Hot Space, 1982) Queen, David Bowie 4:05
8. "We Will Rock You" 2:02
9. "We Are the Champions" 3:01
10. "Flash" 2:49
11. "Somebody to Love" 4:58
12. "You're My Best Friend" 2:52
13. "Keep Yourself Alive" (single version in mono, from Queen, 1973) May 3:32
14. "Play the Game" 3:30
Total length: 47:58

Greatest Hits 250
1981 Japan edition
1. "Bohemian Rhapsody" 5:55
4. "Fat Bottomed Girls" 3:22
5. "Good Old-Fashioned Lover Boy" 2:32
6. "Don't Stop Me Now" 3:28
7. "Save Me" 3:48
8. "Under Pressure" 4:05
11. "Now I'm Here" 4:15
12. "Teo Torriatte" (single version, from A Day At The Races, 1976) May 5:00
15. "Flash's Theme A.K.A. Flash" 2:47
Total length: 60:37
1992 U.S. edition

Has a red cover with the Queen crest design.
6. "Fat Bottomed Girls (LP version)" 4:16
7. "Bicycle Race" 3:02
10. "Now I'm Here" 4:14
12. "Seven Seas of Rhye" 2:48
13. "Body Language" (from Hot Space, 1982) Mercury 4:33
14. "Save Me" 3:48
15. "Don't Stop Me Now" 3:30

Greatest Hits 251
16. "Good Old-Fashioned Lover Boy" 2:55
17. "I Want to Break Free" (from The Works, 1984) Deacon 4:22
Total length: 58:43
2004 U.S. edition (Greatest Hits: We Will Rock You)

Same track listing as UK 1981 edition, followed by three additional tracks.
18. "I'm in Love with My Car" (From A Night at the Opera, 1975) Roger Taylor 3:12
19. "Under Pressure" (from Queen on Fire - Live at the Bowl, 2004) 3:39
20. "Tie Your Mother Down" (from Queen on Fire - Live at the Bowl, 2004) May 6:22
Total length: 69:17
2011 Japan Reissue Edition

From the bonus track for japan, Available in iTunes.
18. "Teo Torriatte (Let Us Cling Together)" (From A Day at the Races, 1976) May 5:07
Total length: 63:00
In addition to the variations above, the official biography Queen: As It Began by Jacky Gunn and Jim Jenkins states
the following variations on the original UK tracklisting:
Argentina, Brazil, Mexico and Venezuela had Love Of My Life (live) instead of Seven Seas Of Rhye.
Belgium and Spain had Spread Your Wings as an extra track.
Australia had Tie Your Mother Down and Keep Yourself Alive but not Don't Stop Me Now, Save Me, Now I'm Here,
Good Old Fashioned Lover Boy or Seven Seas Of Rhye.
Bulgaria had Death On Two Legs and Sweet Lady as extra tracks.
Australia, Canada, Germany, Israel and Netherlands had Under Pressure as an extra track.
Charts
Chart (1981) Peak
position
[9] 1
[10] 1
German Albums Chart
[11] 1
[12] 1
New Zealand Top 40 Albums
[13] 1
UK Albums Chart
Chart (1982) Peak

position
[14] 21
Norwegian Top 40 Albums
Greatest Hits 252
Chart (1992) Peak

position
[15] 8
Australian Top 50 Albums
[16] 4
Canadian Top Albums
[17] 5
French Compilations
[18] 12
Hungarian Top 40 Albums
[19] 21
Swedish Top 60 Albums
[20] 5
[21] 11
US Billboard 200
Chart (2004) Peak

position
[21] 2
US Catalog Albums
Chart (2007) Peak

position
[21] 5
US Hard Rock Albums
Chart (2008) Peak

position
[22] 63
Chart (2011) Peak

position
[23] 78
[24] 56
[25] 53
Certifications
Greatest Hits 253
[26] 3× Platinum
[27] 14× Platinum

[28] 4× Platinum
[29] Platinum
Brazil (ABPD) 250000*
[30] 3× Platinum
[31] 9× Gold
[32] Gold
Sweden (IFPI Sweden) 50000^
[33] 5× Platinum
[34] 11× Platinum [35]

United Kingdom (BPI) 5,678,610
[36] 8× Platinum
*
^
x
Release history
Date Region Label Format Catalog number
2 November 1981 United Kingdom EMI/Parlophone LP EMTV 30
3 November 1981 United States Elektra Records LP 5E-564
15 September 1992 United States Hollywood Records CD 61265
17 August 2004 United States Hollywood Records CD 2061-62465-2
3 January 2011 United Kingdom Island Records CD 2758364
Notes
[1] Greatest Hits (Queen album) (http:/ / www. allmusic. com/ album/ r413002) at Allmusic
[2] Queen head all-time sales chart (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ 6151050. stm) BBC Retrieved January 23, 2011
[3] "BPI Highest Retail Sales" (http:/ / www. bpi. co. uk/ assets/ files/ top 40 albums. pdf). British Phonographic Industry. . Retrieved
2011-01-17.
[4] Queen becomes longest reigning chart act (http:/ / www. dailymail. co. uk/ tvshowbiz/ article-354650/ Queen-longest-reigning-chart-act.
html) Daily Mail Retrieved January 23, 2011
[5] In Pictures: 50 years of pop (http:/ / news. bbc. co. uk/ hi/ english/ static/ in_depth/ entertainment/ 2002/ jubilee/ popup/ 5. stm) BBC News
[6] RIAA - Gold and Platinum (http:/ / www. riaa. com/ goldandplatinumdata. php?resultpage=2& table=SEARCH_RESULTS& action=&
perPage=50) Recording Industry Association of America Retrieved January 23, 2011
[7] Billboard 25 Jul 1992 (http:/ / books. google. com/ booksid=hxAEAAAAMBAJ& pg=PA8& dq=queen+ waynes+ world#v=onepage& q&
f=false) p.8. Billboard. Retrieved 30 May 2011
[8] Queen Album: Classic Queen (http:/ / www. mtv. com/ music/ artist/ queen/ albums. jhtml?albumId=72769) MTV. Retrieved May 30, 2011
[9] "Queen – Greatest Hits (Album)" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (in German)
(ASP). Austrian Charts. Hung Medien. . Retrieved 25 July 2011.
Greatest Hits 254
[10] "Album – Queen, Greatest Hits" (http:/ / www. charts. de/ album. asp?artist=Queen& title=Greatest+ Hits& cat=a& country=de) (in
German) (ASP). Media Control Charts. . Retrieved 25 July 2011.
[11] "Queen – Greatest Hits (Album)" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (in Dutch) (ASP).
Dutch Charts. Hung Medien. . Retrieved 25 July 2011.
[12] "Queen – Greatest Hits (Album)" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (ASP). New
Zealand Charts. Hung Medien. . Retrieved 25 July 2011.
[13] "All the Number One Albums: 1981" (http:/ / www. theofficialcharts. com/ all-the-number-one-albums-list/ _/ 1981/ ). The Official Charts
Company. . Retrieved 25 July 2011.
[14] "Queen – Greatest Hits (Album)" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (ASP).
Norwegian Charts. Hung Medien. . Retrieved 25 July 2011.
[15] "Queen – Greatest Hits (Album)" (http:/ / australian-charts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (ASP).
Australian Charts. Hung Medien. . Retrieved 25 July 2011.
[16] "100 Albums (CD's & Cassettes)" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?& file_num=nlc008388. 1904&
type=2& interval=50& PHPSESSID=m89iq841abagb37ld9c0fdc1f3) (PHP/PDF). RPM 56 (16). 17 October 1992. ISSN 0315-5994. .
Retrieved 25 July 2011.
[17] "Les "Charts Runs" de chaque Album Classé" (http:/ / www. infodisc. fr/ Albums_ChartRun. php) (in French) (PHP). InfoDisc. . Find
"QUEEN" under the drop-down menu to see statistics.
[18] "Archivum: Top 40 Album" (http:/ / mahasz. hu/ ?menu=slagerlistak& menu2=archivum& lista=top40& ev=1992& het=23&
[19] "Queen – Greatest Hits (Album)" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (ASP).
Swedish Charts. Hung Medien. . Retrieved 25 July 2011.
[20] "Queen – Greatest Hits (Album)" (http:/ / swisscharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (ASP). Swiss
Charts. Hung Medien. . Retrieved 25 July 2011.
[21] "Greatest Hits (Hollywood) – Queen" (http:/ / www. billboard. com/ #/ album/ queen/ greatest-hits/ 101527). Billboard. Prometheus Global
Media. . Retrieved 25 July 2011.
[22] "Queen – Greatest Hits (Album)" (http:/ / spanishcharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (ASP).
Spanish Charts. Hung Medien. . Retrieved 25 July 2011.
[23] "Queen – Greatest Hits (Album)" (http:/ / www. ultratop. be/ fr/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (in French)
(ASP). Ultratop. Hung Medien. . Retrieved 25 July 2011.
[24] "Queen – Greatest Hits (Album)" (http:/ / lescharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (in French) (ASP).
Les Charts. Hung Medien. . Retrieved 25 July 2011.
[25] "Queen – Greatest Hits (Album)" (http:/ / mexicancharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits& cat=a) (ASP).
Mexican Charts. Hung Medien. . Retrieved 25 July 2011.
[26] "Argentinian album certifications – Queen – Greatest Hits" (http:/ / www. capif. org. ar/ Default. asp?PerDesde_MM=0&
PerDesde_AA=0& PerHasta_MM=0& PerHasta_AA=0& interprete=Queen& album=Greatest+ Hits& LanDesde_MM=0&
LanDesde_AA=0& LanHasta_MM=0& LanHasta_AA=0& Galardon=O& Tipo=1& ACCION2=+ Buscar+ & ACCION=Buscar& CO=5&
CODOP=ESOP). Argentine Chamber of Phonograms and Videograms Producers. .
aupagesARIACharts-Accreditations-2007Albums. htm). Australian Recording Industry Association. .
[28] "Austrian album certifications – Queen – Greatest Hits I" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter
Queen in the field Interpret. Enter Greatest Hits I in the field Titel. Select album in the field Format. Click Suchen
[29] "Brazilian album certifications – Queen – Queen Greatest Hits" (http:/ / abpd. org. br/ certificados_interna. asp?sArtista=Queen& tmidia=1)
(in Portuguese). Associação Brasileira dos Produtores de Discos. .
[30] "Canadian album certifications – Queen – Greatest Hits" (http:/ / www. musiccanada. com/ GPSearchResult. aspx?st=Greatest+ Hits&
sa=Queen& smt=0). Music Canada. .
[31] "German album certifications – Queen – Greatest Hits I" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=Greatest+ Hits+ I& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in German). Bundesverband Musikindustrie. .
[32] "Guld- och Platinacertifikat − År 1987−1998" (http:/ / www. ifpi. se/ wp/ wp-content/ uploads/ guld-platina-1987-1998. pdf) (in Swedish)
(PDF). IFPI Sweden. .
[33] "The Official Swiss Charts and Music Community: Awards (Queen; 'Greatest Hits')" (http:/ / www. swisscharts. com/ search_certifications.
asp?search=Queen+ Greatest+ Hits). Hung Medien. .
[34] "British album certifications – Queen – Greatest Hits" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter Greatest Hits in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
[35] 40 albums.pdf "Top 40 Best Selling Albums 28 July 1956 – 14 June 2009" (http:/ / www. bpi. co. uk/ assets/ files/ top). British
Phonographic Industry. 40 albums.pdf. Retrieved August 31, 2011.
[36] "American album certifications – Queen – Greatest Hits" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="Greatest+ Hits").
Greatest Hits II
Greatest Hits II
Recorded 1981–1990
Genre Rock
Length 75:57
Label Parlophone
Queen chronology
Greatest Greatest Hits Classic

Hits II Queen
(1981) (1991) (1992)
Professional
ratings
Review scores
Source Rating
Allmusic [1]
link
Greatest Hits II is a compilation album by the British rock group Queen, released in 1991.[2] It reached #1 on the
UK Album Chart, and is the eighth best-selling album in UK Chart history with sales of 3.7 million copies as of
2009, and has sold 16 million copies worldwide.[3] [4]
The compilation contains most of Queen's European hits from 1981 to 1991. It was released less than a month before
the death of vocalist Freddie Mercury and was the last Queen release of any kind while he was still alive. It was later
made available in the United States in two box sets: Greatest Hits I & II and The Platinum Collection: Greatest Hits
I, II & III. On April 19, 2011, Hollywood Records released the newly-remastered 2011 version of Greatest Hits II in
the USA & Japan.
A companion video release entitled Greatest Flix II was released at the same time, but is currently out of print. Most
of the videos are now available on the DVD Greatest Video Hits 2 with the exception of the videos from the 1991
Innuendo album.
Track listing
1. "A Kind of Magic" (from A Kind Of Magic, 1986) Roger Taylor 4:22
2. "Under Pressure" (edit, from Hot Space, 1982) Queen, David Bowie 3:56
3. "Radio Ga Ga" (from The Works, 1984) Taylor 5:43
4. "I Want It All" (single version, from The Miracle, 1989) Queen (Brian May) 4:01
5. "I Want to Break Free" (single mix, from The Works, 1984) John Deacon 4:18
6. "Innuendo" (from Innuendo, 1991) Queen 6:27
7. "It's a Hard Life" (from The Works, 1984) Freddie Mercury 4:09
8. "Breakthru" (from The Miracle, 1989) Queen (Mercury/Taylor) 4:09
9. "Who Wants to Live Forever" (edit, from A Kind Of Magic, 1986) Brian May 4:57
10. "Headlong" (Single Version, from Innuendo, 1991) Queen (May) 4:33
11. "The Miracle" (early faded, from The Miracle, 1989) Queen (Mercury) 4:54
12. "I'm Going Slightly Mad" (Original Innuendo LP edit) Queen (Mercury) 4:07
13. "The Invisible Man" (from The Miracle, 1989) Queen (Taylor) 3:58
14. "Hammer to Fall" (single version, from The Works, 1984) May 3:40
15. "Friends Will Be Friends" (from A Kind Of Magic, 1986) Mercury, Deacon 4:08
16. "The Show Must Go On" (early faded, from Innuendo, 1991) Queen 4:23
17. "One Vision" (single version, from A Kind Of Magic, 1986) Queen 4:02
2011 Japan Reissue Edition

From the bonus track for japan, Available in iTunes.
18. "I Was Born to Love You" (From Made in Heaven, 1995) Mercury 4:49
Total length: 80:46
Charts
Chart (1991) Peak
position
[5] 4
[6] 1
[7] 1
[8] 1
[9] 1
UK Albums Chart
Chart (1992) Peak

position
[10] 1
[11] 1
French Compilations
[12] 2
German Albums Chart
[13] 1
[14] 4
[15] 2
Chart (2008) Peak

position
[16] 45
Certifications
[17] Diamond
[18] 4× Platinum
[19] 2× Platinum
Brazil (ABPD) 500000*
[20] 7× Platinum [20]

[21] Diamond
[22] 9× Gold
[23] Platinum
[24] 5× Platinum
[25] 8× Platinum [26]

United Kingdom (BPI) 3,746,404
*
^
x
References
[2] Queen; Greatest Hits, Vol. 2 (http:/ / www. allmusic. com/ album/ greatest-hits-vol-2-r299806). All Music. Retrieved January 16, 2011.
[3] BPI - UK Best Selling Albums of All Time (14 June 2009) (http:/ / www. bpi. co. uk/ assets/ files/ top 40 albums. pdf), Retrieved 13 June
2011
[4] Queen Greatest Hits I and II Review (http:/ / www. bbc. co. uk/ music/ reviews/ 5hpn) BBC. Retrieved 17 June 2011
[5] "Queen – Greatest Hits II (Album)" (http:/ / australian-charts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits+ II& cat=a)
(ASP). Australian Charts. Hung Medien. . Retrieved 23 July 2011.
[6] "Queen – Greatest Hits II (Album)" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Greatest+ Hits+ II& cat=a) (in Dutch)
(ASP). Dutch Charts. Hung Medien. . Retrieved 23 July 2011.
[7] "Queen – Greatest Hits II (Album)" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=Greatest+ Hits+ II& cat=a) (ASP). New
Zealand Charts. Hung Medien. . Retrieved 23 July 2011.
[8] "Queen – Greatest Hits II (Album)" (http:/ / swisscharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits+ II& cat=a) (ASP).
Swiss Charts. Hung Medien. . Retrieved 23 July 2011.
[9] "All the Number One Albums: 1991" (http:/ / www. theofficialcharts. com/ all-the-number-one-albums-list/ _/ 1991/ ). The Official Charts
Company. . Retrieved 23 July 2011.
[10] "Queen – Greatest Hits II (Album)" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Greatest+ Hits+ II& cat=a) (in
German) (ASP). Austrian Charts. Hung Medien. . Retrieved 23 July 2011.
[14] "Queen – Greatest Hits II (Album)" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits+ II& cat=a)
(ASP). Norwegian Charts. Hung Medien. . Retrieved 23 July 2011.
[15] "Queen – Greatest Hits II (Album)" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits+ II& cat=a) (ASP).
Swedish Charts. Hung Medien. . Retrieved 23 July 2011.
[16] "Queen – Greatest Hits II (Album)" (http:/ / spanishcharts. com/ showitem. asp?interpret=Queen& titel=Greatest+ Hits+ II& cat=a) (ASP).
Spanish Charts. Hung Medien. . Retrieved 23 July 2011.
[17] "Argentinian album certifications – Queen – Greatest Hits Vol II" (http:/ / www. capif. org. ar/ Default. asp?PerDesde_MM=0&
PerDesde_AA=0& PerHasta_MM=0& PerHasta_AA=0& interprete=Queen& album=Greatest+ Hits+ Vol+ II& LanDesde_MM=0&
[18] "Austrian album certifications – Queen – Greatest Hits II" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter
Queen in the field Interpret. Enter Greatest Hits II in the field Titel. Select album in the field Format. Click Suchen
[19] "Brazilian album certifications – Queen – Greatest Hits II" (http:/ / abpd. org. br/ certificados_interna. asp?sArtista=Queen& tmidia=1) (in
Portuguese). Associação Brasileira dos Produtores de Discos. .
[20] "Finnish album certifications – Queen – Greatest Hits 2" (http:/ / www. ifpi. fi/ tilastot/ artistit/ Queen) (in Finnish). Musiikkituottajat – IFPI
Finland. .
[21] "French album certifications – Queen – Greatest Hits Vol. 2" (http:/ / www. infodisc. fr/ Certif_Album. php) (in French). InfoDisc. . Select
QUEEN and click OK
[22] "German album certifications – Queen – Greatest Hits II" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=Greatest+ Hits+ II& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in German). Bundesverband Musikindustrie. .
[23] "Guld- och Platinacertifikat − År 1987−1998" (http:/ / www. ifpi. se/ wp/ wp-content/ uploads/ guld-platina-1987-1998. pdf) (in Swedish)
(PDF). IFPI Sweden. .
[24] "The Official Swiss Charts and Music Community: Awards (Queen; 'Greatest Hits II')" (http:/ / www. swisscharts. com/
search_certifications. asp?search=Queen+ Greatest+ Hits+ II). Hung Medien. .
[25] "British album certifications – Queen – Greatest Hits (Vol II)" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British
Phonographic Industry. . Enter Greatest Hits (Vol II) in the field Search. Select Title in the field Search by. Select album in the field By
Format. Click Go
[26] "Top 40 Best Selling Albums 28 July 1956 – 14 June 2009" (http:/ / www. bpi. co. uk/ assets/ files/ top 40 albums. pdf) (PDF). British
Phonographic Industry. . Retrieved August 31, 2011.
Classic Queen 259
Classic Queen
Classic Queen
Released March 10, 1992
Recorded 1972-1990
Genre Rock
Length 75:10
Label Hollywood Records

EMI Parlophone
Producer Roy Thomas Baker, David Bowie, David Richards, Mack and Queen
Queen chronology
Greatest Hits '''Classic The 12"

II Queen''' Collection
(1991) (1992) (1992)
Review scores
Source Rating
*Allmusic [1]
link
Classic Queen is a 1992 compilation of songs by the English rock band Queen. It was issued in order to capitalise on
the sudden Queen fever generated in the United States following the release of the movie Wayne's World.[2] The
album reached number four on the Billboard 200, and is certified three times platinum in the U.S, and five times
platinum in Canada.[3] [4] Although critically acclaimed as an excellent compilation, it did not fit in with the previous
Queen compilations. It overlapped both the 1981 Greatest Hits and the 1991 Greatest Hits II, and contained a few
tracks not found in either of the previous releases; to remedy this situation, Hollywood Records re-released Greatest
Hits in the U.S. only, containing two different tracks from the 1981 release but designed specifically to complement
Classic Queen. Accumulated sales (Greatest Hits II and Classic Queen for the U.S. and Canada combined) are in
Classic Queen 260
excess of 19 million worldwide. Many of Queen's biggest hits, such as "Another One Bites the Dust", "We Will
Rock You", and "We Are the Champions", are missing from this compilation.[5]
Track listing
1. "A Kind of Magic" (from A Kind Of Magic, 1986) Roger Taylor 4:23
2. "Bohemian Rhapsody" (from A Night At The Opera, 1975) Freddie Mercury 5:59
3. "Under Pressure" (from Hot Space, 1982) David Bowie, John Deacon, Brian May, Mercury, Taylor 4:02
4. "Hammer to Fall" (from The Works, 1984) May 3:38
5. "Stone Cold Crazy" (from Sheer Heart Attack, 1974) Deacon, May, Mercury, Taylor 2:14
6. "One Year of Love" (from A Kind Of Magic, 1986) Deacon 4:26
7. "Radio Ga Ga" (from The Works, 1984) Taylor 5:49
8. "I'm Going Slightly Mad" (from Innuendo, 1991) Deacon, May, Mercury, Peter Straker, Taylor 4:21
9. "I Want It All" (from The Miracle, 1989) Deacon, May, Mercury, Taylor 4:01
10. "Tie Your Mother Down" (from A Day At The Races, 1976) May 3:44
11. "The Miracle" (from The Miracle, 1989) Deacon, May, Mercury, Taylor 4:24
12. "These Are the Days of Our Lives" (from Innuendo, 1991) Deacon, May, Mercury, Taylor 4:14
13. "One Vision" (from A Kind Of Magic, 1986) Deacon, May, Mercury, Taylor 4:38
14. "Keep Yourself Alive" (from Queen, 1973) May 3:47
15. "Headlong" (from Innuendo, 1991) Deacon, May, Mercury, Taylor 4:38
16. "Who Wants to Live Forever" (from A Kind Of Magic, 1986) May 5:15
17. "The Show Must Go On" (from Innuendo, 1991) Deacon, May, Mercury, Taylor 4:31
Total length: 75:10
(The songs "Under Pressure", "The Miracle" and "One Vision" have been edited or remixed for this compilation.)
Charts
Country Chart Certication Sales
United States 4 [3] 3 000 000+

3× platinum
Canada — [4] 500 000+

5× platinum
References
[2] Billboard 25 Jul 1992 (http:/ / books. google. com/ books?id=hxAEAAAAMBAJ& pg=PA8& dq=queen+ waynes+ world#v=onepage& q&
f=false) p.8. Billboard. Retrieved May 30, 2011
[3] RIAA - Gold and Platinum (http:/ / www. riaa. com/ goldandplatinumdata. php?resultpage=2& table=SEARCH_RESULTS& action=&
perPage=50) Recording Industry Association of America Retrieved 17 June 2011
[4] Recording Industry Association (CRIA): Certification Results (http:/ / www. cria. ca/ cert_db_search. php|title=Canadian) Retrieved 17 June
2011
Classic Queen 261
[5] Queen Album: Classic Queen (http:/ / www. mtv. com/ music/ artist/ queen/ albums. jhtml?albumId=72769) MTV. Retrieved May 30, 2011
The 12" Collection

The 12" Collection
Compilation album by Queen
Released 1992
Recorded 1975 – 1991
Genre Rock
Length 70:04
Label Queen Productions Ltd.

Parlophone
Producer Various
Queen chronology
Classic The 12" Queen

Queen Collection Rocks
(1992) (1992) (1997)
The 12" Collection is a compilation album by British rock band Queen. It features various 12-inch single format
recordings and remixes. "Bohemian Rhapsody" was never released on a 12-inch single and the sleeve notes state that
it is included due to its length.
"The Show Must Go On" did appear on a 12-inch single however it was not extended and appears on this album in
the same format as before. The sleeve notes do not mention why it was included.
The 12" Collection 262
Track listing
1. "Bohemian Rhapsody" - Mercury - 5:58
2. "Radio Ga-Ga" (Extended Version) - Taylor - 6:53
3. "Machines (Or 'Back to Humans')" (12" Instrumental) - Taylor/May - 5:08
4. "I Want to Break Free" (Extended Mix) - Deacon - 7:19
5. "It's a Hard Life" (12" Extended) - Mercury - 5:05
6. "Hammer to Fall" (The Headbanger's Mix) - May - 5:23
7. "Man on the Prowl" (Extended Version) - Mercury - 6:04
8. "A Kind of Magic" (Extended Version) - Taylor - 6:25
9. "Pain Is So Close to Pleasure" (12" Version) - Mercury/Deacon - 6:01
10. "Breakthru" (Extended Version) - Queen - 5:44
11. "The Invisible Man" (12" Version) - Queen - 5:30
12. "The Show Must Go On" - Queen - 4:34
References
1. "Queen - The 12" Collection (1992)" [1]. http://paulmcgarry.com/cdcatalogue/.
References
[1] http:/ / paulmcgarry. com/ cdcatalogue/ details/ 3351. html
Queen Rocks
Queen Rocks
Released November 3, 1997
Genre Rock
Length 70:21
Label Parlophone / Hollywood
Queen chronology
Queen Rocks 263
The 12" Queen The Crown

Collection Rocks Jewels
(1992) (1997) (1998)
Singles from Queen Rocks
1. "No-One but You (Only the Good Die

Young)"
Released: January 5, 1998 (UK)
Professional
ratings
Review scores
Source Rating
Allmusic [1]
Queen Rocks is a compilation album by the English rock band Queen, released in 1997.
The album is a selection of songs from Queen's heavier side. It also contained one new track, "No-One But You
(Only the Good Die Young)", which is a gentle ballad. This song began life as a track for Brian May's solo album
Another World (1998); the remaining members chose to record it as a bookend for their career as Queen. It was the
last original studio recording from the 1990s featuring Brian May, Roger Taylor and John Deacon (and the first
Queen recording without Freddie Mercury).
The album is unique to the Queen catalogue, as it deliberately does not follow the standard "greatest hits" collection
format. Some hits are present ("We Will Rock You", "Fat Bottomed Girls"), while other tracks included were never
released as singles anywhere ("Put Out the Fire" and "Sheer Heart Attack"). The album also contains a remake of the
pop rocker "I Can't Live With You", with a much louder and heavier guitar and more aggressive drumming.
Track listing
1. "We Will Rock You" (from News of the World, 1977) Brian May 2:01
2. "Tie Your Mother Down" (single vesion, from A Day at the Races, 1976) May 3:45
3. "I Want It All" (hybrid album/single version, from The Miracle, 1989) May 4:30
4. "Seven Seas Of Rhye" (from Queen II, 1974) Freddie Mercury 2:47
5. "I Can't Live With You" ((1997 Rocks Retake) from Innuendo, 1991) Queen (May) 4:35
6. "Hammer To Fall" (album version, from The Works, 1984) May 4:30
7. "Stone Cold Crazy" (from Sheer Heart Attack, 1974) May, Mercury, John Deacon, Roger 2:14
Taylor
8. "Now I'm Here" (from Sheer Heart Attack, 1974) May 4:12
9. "Fat Bottomed Girls" (album version, from Jazz, 1978) May 4:18
10. "Keep Yourself Alive" (from Queen, 1973) May 3:44
11. "Tear It Up" (from The Works, 1984) May 3:28
12. "One Vision" (album version, from A Kind of Magic, 1986) Queen (May) 5:09
13. "Sheer Heart Attack" (fromNews of the World, 1977) Taylor 3:26
Queen Rocks 264
14. "I'm in Love with My Car" (hybrid album/single version from A Night at the Opera, Taylor 3:05
1975)
15. "Put Out the Fire" (from Hot Space, 1982) May 3:20
16. "Headlong" (from Innuendo, 1991) Queen (May) 4:33
17. "It's Late" (from News of the World, 1977) May 6:29
18. "No-One but You (Only the Good Die Young)" (1997) May 4:11
Video version
A video version of the album was made. It included slightly different videos for all these songs.
1. “I Want It All” (The original video, except for the fact that it uses clips from the 1986 Wembley concert.)
2. “We Will Rock You” (Uses clips of Queen singing that at Wembley ‘86, Budapest ‘86, Montreal ‘81, Live Aid
‘85, Japan ‘79, Hammersmith ‘79, Houston ‘77, Buenos Aires ‘81, Rio ‘85, Milton Keynes ‘82, and the original
video. Also uses outtakes from the original video.)
3. “Keep Yourself Alive” (Uses clips from two original 1973 videos, and BBC version with footage from
black/white movies.)
4. “Fat Bottomed Girls” (Lengthened version of original video including never-before-seen footage.)
5. “Sheer Heart Attack” (Rare video. Video includes clips of Queen performance at the Rainbow ‘74, Hammersmith
‘75, Earl’s Court ‘76, Houston ‘77, Hammersmith ‘79, Buenos Aires ‘81, Wembley ‘86, and clips from other Queen
videos like Under Pressure and Keep Yourself Alive.)
6. “I’m In Love With My Car” (Rare video. Video includes clips of Queen performing the song at Hammersmith ’79,
along with shots of zooming cars.)
7. “It’s Late” (Rare video. Video includes clips of Queen performance at the Rainbow ‘74, Wembley ‘86, Milton
Keynes ‘82, Hammersmith ‘75, Buenos Aires ‘81, Houston ‘77, Earl’s Court ‘76, Japan ‘79, Rio ‘85, and clips from
other Queen videos like Keep Yourself Alive, Princes of the Universe, Killer Queen, These Are the Days Of Our
Lives, and The Miracle.)
8. “Tie Your Mother Down: Through the Years” (Clips from Japan ‘85, Wembley ‘86, Houston ‘77, Hammersmith
‘79, Earl’s Court ‘77, Budapest ‘86, Japan ‘79, and the Freddie Mercury Tribute Concert.)
9. “Seven Seas of Rhye” (Slightly modified 1992 DoRo video with footage from Tokyo '75 and Tokyo '85)
10. “Put Out the Fire” (Performance at Osaka '82 with clips from old black/white movies.)
11. “One Vision (extended)” (Original video with some never-before-seen footage.)
12. “Makings of No-One But You”
References
Greatest Hits III

Greatest Hits III
Genre Rock
Length 73:41
Label Parlophone
Queen chronology
The Crown Greatest Hits Stone Cold

Jewels III Classics
(1998) (1999) (2006)
Singles from Greatest Hits III
1. "Another One Bites The Dust (Small Soldiers

Remix)"
Released: November, 1998
2. "Under Pressure (Rah Mix)"
Released: December, 1999
3. "Princes of the Universe"
Released: 2000 (Holland only)
Review scores
Source Rating
Allmusic [1]
Chester Chronicle [2]

(Positive)
Classic Rock [3]

(Positive)
Greatest Hits III is a compilation album by English rock band Queen. It is a compilation of latter-day songs, the
band members' solo hits and the band's collaborations with other artists (hence the album's credit to "Queen+"). It
was released on November 8, 1999. Despite being a greatest hits compilation, the first two tracks actually made a
debut on this album (a number of such albums have typically included at least one new track to help drive sales).
Track listing
No. Title Writer(s) Note(s) Length
1. "The Show Must Go On (Live, Theatre National Queen • Performed by Queen + Elton John 4:26
de Chaillot, Paris, 1997 feat. Elton John)" • Live from the premiere of Ballet for Life in Paris
1997
• Originally from Innuendo
2. "Under Pressure (Rah Mix)" Queen, David Bowie • Performed by Queen + David Bowie 4:08
• Originally from Hot Space
3. "Barcelona (Single Version)" Freddie Mercury, • Performed by Freddie Mercury + Montserrat Caballé 4:25
Mike Moran • From Barcelona
4. "Too Much Love Will Kill You (Album Brian May, Frank • From Made in Heaven 4:18
Version)" Musker, Elizabeth
Lamers
5. "Somebody to Love (Live, The Freddie Mercury Mercury • Performed by George Michael + Queen 5:07
Tribute Concert For AIDS Awareness, Wembley, • Live at Wembley Stadium 1992, from the Freddie
April 1992)" Mercury Tribute Concert
• From Five Live
• Originally from A Day at the Races
6. "You Don't Fool Me" Queen • From Made in Heaven 5:22
7. "Heaven for Everyone (Single Version)" Roger Taylor • From Made in Heaven 4:37
8. "Las Palabras de Amor (The Words of Love)" May • From Hot Space 4:29
9. "Driven by You" May • Performed by Brian May 4:09

• From Back to the Light
10. "Living on My Own (Julian Raymond Album Mercury • Performed by Freddie Mercury 3:37
Mix)" • This version erroneously included, as the 1993 No
More Brothers Radio Mix is listed on the
compilation's sleeve notes
• From The Freddie Mercury Album
• Originally from Mr. Bad Guy
11. "Let Me Live" Queen • From Made in Heaven 4:45
12. "The Great Pretender" Buck Ram • Performed by Freddie Mercury 3:26
• non-album single
13. "Princes of the Universe" Mercury • From A Kind of Magic 3:31
14. "Another One Bites The Dust (Small Soldiers John Deacon • Featuring Wyclef Jean, Pras & Free 4:20
Remix)" • Originally from The Game
15. "No-One but You (Only the Good Die Young)" May • From Queen Rocks 4:11
16. "These Are the Days of Our Lives" Queen • From Innuendo 4:22
17. "Thank God It's Christmas" May, Taylor • 1984 non-album single release 4:19
Charts
Chart (1999) Peak
position
[4] 2
[5] 7
[6] 35
Finnish Top 50 Albums
[7] 9
French Compilations
[8] 5
German Albums Chart
[9] 7
[10] 8
[11] 24
[12] 5
[13] 19
[14] 4
[15] 5
UK Albums Chart
Chart (2000) Peak

position
[16] 7
[17] 7
Chart (2008) Peak

position
[18] 89
Certifications
[19] Platinum
[20] Gold
[21] Gold
[22] Gold
New Zealand (RIANZ) 7500^
[23] Platinum
[24] Gold
[25] Gold
[26] Platinum
Summaries
[27] Platinum
*
^
x
References
[1] Queen - Greatest Hits III (http:/ / www. allmusic. com/ album/ r443580) Allmusic. Retrieved 12 August 2011
[2] Greatest Hits III (http:/ / www. queenarchives. com/ index. php?title=Queen_-_11-05-1999_-_Greatest_Hits_III_-_Chester_Chronicle)
Chester Chronicle. Retrieved 13 August 2011
[3] Greatest Hits III (http:/ / www. queenarchives. com/ index. php?title=Queen_-_01-XX-2000_-_Greatest_Hits_III_-_Classic_Rock) Classic
Rock Magazine. Retrieved 13 August 2011
[4] "Queen+ – Greatest Hits III (Album)" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a) (in
[5] "Queen+ – Greatest Hits III (Album)" (http:/ / www. ultratop. be/ nl/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a)
(in Dutch) (ASP). Ultratop. Hung Medien. . Retrieved 24 July 2011.
[6] "Queen+ – Greatest Hits III (Album)" (http:/ / finnishcharts. com/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a)
(ASP). Finnish Charts. Hung Medien. . Retrieved 24 July 2011.
[8] "Album – Queen+, Greatest Hits III" (http:/ / www. charts. de/ album. asp?artist=Queen+ & title=Greatest+ Hits+ III& cat=a& country=de)
(in German) (ASP). Media Control Charts. . Retrieved 24 July 2011.
[10] "Queen+ – Greatest Hits III (Album)" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a) (in
Dutch) (ASP). Dutch Charts. Hung Medien. . Retrieved 24 July 2011.
[11] "Queen+ – Greatest Hits III (Album)" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a) (ASP).
New Zealand Charts. Hung Medien. . Retrieved 24 July 2011.
[12] "Queen+ – Greatest Hits III (Album)" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a)
[13] "Queen+ – Greatest Hits III (Album)" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a)
(ASP). Swedish Charts. Hung Medien. . Retrieved 24 July 2011.
[14] "Queen+ – Greatest Hits III (Album)" (http:/ / swisscharts. com/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a)
(ASP). Swiss Charts. Hung Medien. . Retrieved 24 July 2011.
[16] "Queen+ – Greatest Hits III (Album)" (http:/ / www. ultratop. be/ fr/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a)
(in French) (ASP). Ultratop. Hung Medien. . Retrieved 24 July 2011.
[17] "Queen+ – Greatest Hits III (Album)" (http:/ / italiancharts. com/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a)
(ASP). Italian Charts. Hung Medien. . Retrieved 24 July 2011.
[18] "Queen+ – Greatest Hits III (Album)" (http:/ / spanishcharts. com/ showitem. asp?interpret=Queen+ & titel=Greatest+ Hits+ III& cat=a)
(ASP). Spanish Charts. Hung Medien. . Retrieved 24 July 2011.
[19] "Argentinian album certifications – Queen – Greatest Hits Vol III" (http:/ / www. capif. org. ar/ Default. asp?PerDesde_MM=0&
PerDesde_AA=0& PerHasta_MM=0& PerHasta_AA=0& interprete=Queen& album=Greatest+ Hits+ Vol+ III& LanDesde_MM=0&
[20] "Austrian album certifications – Queen – Greatest Hits III" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. . Enter
Queen in the field Interpret. Enter Greatest Hits III in the field Titel. Select album in the field Format. Click Suchen
[21] "German album certifications – Queen – Greatest Hits III" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=Greatest+ Hits+ III& strInterpret=Queen& strTtArt=alben& strAwards=checked) (in German). Bundesverband Musikindustrie. .
[22] "New Zealand album certifications – Queen – Queen+ Greatest Hits III" (http:/ / www. rianz. org. nz/ rianz/ chart. asp?chartNum=1191&
chartKind=A). Recording Industry Association of New Zealand. .
[23] "Norwegian album certifications – Queen – Greatest Hits Vol III" (http:/ / www. ifpi. no/ sok/ lst_trofeer_sok. asp?type=artist) (in
Norwegian). IFPI Norway. .
[24] "Guld- och Platinacertifikat − År 1999" (http:/ / www. ifpi. se/ wp/ wp-content/ uploads/ ar-19991. pdf) (in Swedish) (PDF). IFPI Sweden. .
[25] "The Official Swiss Charts and Music Community: Awards (Queen; 'Greatest Hits III')" (http:/ / www. swisscharts. com/
search_certifications. asp?search=Queen+ Greatest+ Hits+ III). Hung Medien. .
[26] "British album certifications – Queen – Greatest Hits 3" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter Greatest Hits 3 in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
Stone Cold Classics 270
Stone Cold Classics

Stone Cold Classics
Released April 11, 2006
Genre Rock
Queen chronology
Greatest Hits Stone Cold The A-Z of Queen, Volume

III Classics 1
(1999) (2006) (2007)
Stone Cold Classics is a compilation album by English rock band Queen released on 11 April 2006, in conjunction
with the broadcast of an episode of the U.S. television series American Idol, in which contestants performed songs
from the Queen catalogue.
Track listing
1. "Stone Cold Crazy" (Deacon, May, Mercury, Taylor)
2. "Tie Your Mother Down" (May)
3. "Fat Bottomed Girls" (May)
4. "Another One Bites the Dust" (Deacon)
5. "Crazy Little Thing Called Love" (Mercury)
6. "We Will Rock You" (May)
7. "We Are the Champions" (Mercury)
8. "Radio Ga Ga" (Taylor)
9. "Bohemian Rhapsody" (Mercury)
10. "The Show Must Go On" (Queen (May))
11. "These Are the Days of Our Lives" (Queen (Taylor))
12. "I Want It All" (Queen (May))
13. "All Right Now" - performed live by Queen + Paul Rodgers
14. "Feel Like Makin' Love" - performed live by Queen + Paul Rodgers
The AZ of Queen, Volume 1 271
The A–Z of Queen, Volume 1

The A–Z of Queen, Volume 1
Released July 10, 2007
Genre Rock
Length 42:55
Queen chronology
Stone Cold The A-Z of Queen, Volume The Singles Collection Volume
Classics 1 1
(2006) (2007) (2008)
The A–Z of Queen, Volume 1 is a compilation album by the English rock band Queen, released in 2007.
The album is a 2-disc set available only from Wal-Mart and Amazon.com that features an audio CD and video DVD
with music videos and live performances. Some of the video performances feature Paul Rodgers playing with Brian
May and Roger Taylor as Queen + Paul Rodgers in 2005. To date no further volumes have been released.
CD track listing
1. "A Kind of Magic" (Roger Taylor)
2. "Another One Bites the Dust" (John Deacon)
3. "Bohemian Rhapsody" (Freddie Mercury)
4. "Bicycle Race" (Mercury)
5. "I Want It All" (Single Version) (Brian May)
7. "Don't Stop Me Now" (Mercury)
8. "Fat Bottomed Girls" (Single Version) (May)
9. "Flash" (Single Version) (May)
10. "Innuendo" (Queen)
11. "Good Old-Fashioned Lover Boy" (Mercury)
The AZ of Queen, Volume 1 272
DVD track listing

1. "A Kind of Magic" (from Greatest Video Hits 2)
2. "Another One Bites the Dust" (from Queen on Fire - Live at the Bowl)
3. "Bohemian Rhapsody" (from Greatest Video Hits 1)
4. "I Want It All" (from Return of the Champions)
5. "Crazy Little Thing Called Love" (from Queen at Wembley)
6. "Don't Stop Me Now" (from Greatest Video Hits 1)
7. "Fat Bottomed Girls" (from Return of the Champions)
8. "Innuendo" (original promo video from the album Innuendo)
9. "Wembley Stadium Concert Interview" (from Queen at Wembley)
Absolute Greatest
Absolute Greatest
Released 11 November 2009 (Japan)

13 November 2009 (Germany,
Austria)
16 November 2009 (Europe)
17 November 2009 (US)
Genre Rock
Length 79:29
Label Parlophone (UK)

Producer various
Queen chronology
Singles Collection Absolute Singles Collection

2 Greatest 3
(2009) (2009) (2010)
Review scores
Source Rating
Allmusic [1]
Classic Rock [2]
Q [3]
Absolute Greatest is a compilation album by the British rock band Queen. The album features 20 of their most
famous hits throughout their career on one CD for the very first time and is available in several formats, including
the single CD edition, a 2 CD special edition featuring audio commentaries by Brian May and Roger Taylor, a 52
page hardback book with the 2 CDs, digital download, and an LP edition box set. Each track has been remastered
from the original tapes.[4]
A promotion running on the band's official website, Queen Online, gave fans the opportunity to guess the placings of
the tracks on the album and win a prize if their answer was correct (a new track was revealed daily). The prize
winner was then chosen in a random selection.[5]
Track listing
[1]
1. "We Will Rock You" Brian May 2:02
2. "We Are the Champions" Freddie Mercury 3:01
3. "Radio Ga Ga" Roger Taylor 5:48
4. "Another One Bites the Dust" John Deacon 3:34
5. "I Want It All" (Single Version) Queen 4:00
6. "Crazy Little Thing Called Love" Mercury 2:44
7. "A Kind of Magic" Taylor 4:22
8. "Under Pressure" Queen, David Bowie 4:06
9. "One Vision" (Single Version) Queen 3:58
10. "You're My Best Friend" Deacon 2:52
11. "Don't Stop Me Now" Mercury 3:31
12. "Killer Queen" Mercury 2:58
13. "These Are the Days of Our Lives" Queen 4:16
14. "Who Wants to Live Forever" ('Greatest Hits II' Edit) May 4:55
15. "Seven Seas of Rhye" Mercury 2:44
16. "Heaven for Everyone" (Single Version) Taylor 4:37
17. "Somebody to Love" Mercury 4:48
18. "I Want to Break Free" (Single Version) Deacon 4:22
19. "The Show Must Go On" Queen 4:27

20. "Bohemian Rhapsody" Mercury 5:56
Bonus streaming live performances

Title Writer City / Venue Year
1. "White Queen" Brian May London / Rainbow 1974
2. "Killer Queen" Freddie Mercury London / Earls Court 1977
3. "You Take My Breath Away" Mercury London / Earls Court 1977
4. "The Millionaire Waltz" Mercury Houston / The Summit 1977
5. "My Melancholy Blues" Mercury Houston / The Summit 1977
6. "Dreamer's Ball" May Paris / Pavillon de Paris 1979
7. "We Will Rock You" (fast) May Tokyo / Nippon Budokan 1979
8. "Let Me Entertain You" Mercury Tokyo / Nippon Budokan 1979
9. "I'm in Love With My Car" Roger Taylor London / Hammersmith Odeon 1979
10. "Now I'm Here" May London / Hammersmith Odeon 1979
11. "Save Me" May Montreal / Montreal Forum 1981
12. "Somebody to Love" Mercury Milton Keynes / National Bowl 1982
13. "Tie Your Mother Down" May Rio de Janeiro (Rock in Rio) 1985
14. "Love of My Life" Mercury Rio de Janeiro (Rock in Rio) 1985
15. "One Vision" Queen London / Wembley Stadium 1986
16. "In the Lap of the Gods" (revisited) Mercury London / Wembley Stadium 1986
17. "We Are the Champions" Mercury London / Wembley Stadium 1986
18. "We Will Rock You" May Budapest / Népstadion 1986
Personnel
• John Deacon – bass, piano, guitar, keyboard
• Brian May – guitar, backing vocals, keyboard, lead vocals on "I Want It All" and "Who Wants to Live Forever"
• Freddie Mercury – lead vocals, backing vocals, piano, guitar, keyboard
• Roger Taylor – drums, percussion, keyboard,electronic drums, backing vocals
Guest musicians:
• David Bowie on "Under Pressure"
• Fred Mandel on "Radio Ga Ga" and "I Want to Break Free"
• National Philharmonic Orchestra and Michael Kamen on "Who Wants to Live Forever"
Charts
Chart (2009) Peak

position
[6] 18
[7] 10
[8] 22
[9] 6
Danish Top 40 Albums
[10] 11
French Compilations
[11] 23
German Albums Chart
[12] 4
[13] 22
[14] 6
[15] 4
[16] 20
[17] 5
[18] 15
[19] 3
UK Albums Chart
Chart (2010) Peak

position
[20] 15
[21] 36
[22] 6
Chart (2011) Peak

position
[23] 16
[24] 15
Certifications
[25] Gold
[26] Gold
Denmark (IFPI Denmark) 15000^
[27] Platinum
Hungary (Mahasz) 6000x
[28] Platinum
Ireland (IRMA) 15000x
[29] Platinum
[30] Gold
Poland (ZPAV) 10000*
[31] Gold
Portugal (AFP) 10000x
[32] 2× Platinum
*
^
x
References
[1] Absolute Greatest (http:/ / www. allmusic. com/ album/ r1660992) at Allmusic
[2] Terry Staunton. "Queen - Absolute Greatest" (http:/ / www. brianmay. com/ queen/ queennews/ newspix/ 09/
Classic_Rock-Absolute_Greatest_review_0110. jpg) (JPG). .
[3] "The Official Queen Website" (http:/ / www. queenonline. com/ news/ 1547). QueenOnline.com. . Retrieved 2011-08-04.
[4] Press Release: Absolute Greatest (http:/ / www. queenonline. com/ news/ 1439). Queen online, 3 September 2009. Retrieved 1 January 2010.
[5] Tracklisting Competition (http:/ / www. queenonline. com/ tracklistcomp). Queen online. Retrieved 1 January 2010.
[6] "Queen – Absolute Greatest (Album)" (http:/ / australian-charts. com/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a)
(ASP). Australian Charts. Hung Medien. . Retrieved 29 July 2011.
[7] "Queen – Absolute Greatest (Album)" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a) (in
[8] "Queen – Absolute Greatest (Album)" (http:/ / www. ultratop. be/ fr/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a) (in
French) (ASP). Ultratop. Hung Medien. . Retrieved 29 July 2011.
[9] "Queen – Absolute Greatest (Album)" (http:/ / danishcharts. com/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a) (ASP).
Danish Charts. Hung Medien. . Retrieved 29 July 2011.
[13] "Queen – Absolute Greatest (Album)" (http:/ / mexicancharts. com/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a)
(ASP). Mexican Charts. Hung Medien. . Retrieved 29 July 2011.
[14] "Queen – Absolute Greatest (Album)" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a)
[15] "Queen – Absolute Greatest (Album)" (http:/ / portuguesecharts. com/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a)
(ASP). Portuguese Charts. Hung Medien. . Retrieved 29 July 2011.
[16] "Queen – Absolute Greatest (Album)" (http:/ / spanishcharts. com/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a)
(ASP). Spanish Charts. Hung Medien. . Retrieved 29 July 2011.
[17] "Queen – Absolute Greatest (Album)" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a)
(ASP). Swedish Charts. Hung Medien. . Retrieved 29 July 2011.
[18] "Queen – Absolute Greatest (Album)" (http:/ / swisscharts. com/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a) (ASP).
Swiss Charts. Hung Medien. . Retrieved 29 July 2011.
[20] "Queen – Absolute Greatest (Album)" (http:/ / www. ultratop. be/ nl/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a) (in
Dutch) (ASP). Ultratop. Hung Medien. . Retrieved 29 July 2011.
[21] "Queen – Absolute Greatest (Album)" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a) (in
Dutch) (ASP). Dutch Charts. Hung Medien. . Retrieved 29 July 2011.
[22] "Queen – Absolute Greatest (Album)" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a) (ASP).
New Zealand Charts. Hung Medien. . Retrieved 29 July 2011.
[23] "Queen Album & Song Chart History: Canadian Albums" (http:/ / www. billboard. com/ #/ artist/ queen/ chart-history/ 5473?f=309&
g=Albums). Billboard. Prometheus Global Media. . Retrieved 29 July 2011.
[24] "Queen – Absolute Greatest (Album)" (http:/ / finnishcharts. com/ showitem. asp?interpret=Queen& titel=Absolute+ Greatest& cat=a)
(ASP). Finnish Charts. Hung Medien. . Retrieved 29 July 2011.
aupagesARIACharts-Accreditations-2009Albums. htm). Australian Recording Industry Association. .
[26] "Danish album certifications – Queen – Absolute Greatest" (http:/ / www. hitlisterne. dk/ default. asp?w=50& y=2009& list=a40). IFPI
Denmark. .
[27] "Adatbázis – Arany- és platinalemezek – 2010" (http:/ / www. mahasz. hu/ ?menu=arany_es_platinalemezek& menu2=adatbazis&
ev=2010) (in Hungarian). Mahasz. .
[28] "Irish album certifications – Queen – Absolute Greatest" (http:/ / www. irishcharts. ie/ awards/ platinum09. htm). Irish Recorded Music
Association. .
[29] "New Zealand album certifications – Queen – Absolute Greatest" (http:/ / www. radioscope. net. nz/ index. php?option=com_content&
task=view& id=79). Recording Industry Association of New Zealand. .
[30] "Polish album certifications – Queen – Absolute Greatest" (http:/ / www. zpav. pl/ rankingi/ wyroznienia/ zlote/ index. php) (in Polish).
Polish Producers of Audio and Video (ZPAV). .
[31] "Portuguese album certifications – Queen – Absolute Greatest" (http:/ / www. afp. org. pt/ estatisticas. php) (in Portuguese). Associação
Fonográfica Portuguesa. . Enter 2009 in the field Ano at the bottom of the page. Click Vêr
[32] "British album certifications – Queen – Absolute Greatest" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter Absolute Greatest in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
Deep Cuts, Volume 1 (19731976) 278
Deep Cuts, Volume 1 (1973–1976)

Genre Rock
Length 50:07
Label Universal Music, Island Records
Producer Various
Queen chronology
The Singles Collection Volume Deep Cuts, Volume 1 Deep Cuts, Volume 2
4 (1973–1976) (1977–1982)
(2010) (2011) (2011)
Deep Cuts, Volume 1 (1973–1976) is a compilation of Queen tracks between 1973 and 1976. Unlike other
compilations released by Queen, Deep Cuts contains songs which are largely not as well known as Queen's hits. The
album was released on March 14, 2011 as part of Queen's 40th Anniversary. Deep Cuts Volume 1 was released at
the same time Queen's first five albums (Queen, Queen II, Sheer Heart Attack, A Night at the Opera, A Day at the
Races) were re-released. The songs picked were all personal favourite songs that weren't hits selected by Brian May,
Roger Taylor, and Taylor Hawkins (the drummer for the Foo Fighters). It's the only release to feature the complete
ending of The March of The Black Queen (on Queen II it segues to Funny How Love Is) and of Ogre Battle (on
Queen II it segues to The Fairy Feller's Master-Stroke). The three songs Tenement Funster, Flick of the Wrist and
Lily of the Valley all segue into each other just like on the original Sheer Heart Attack album.
Track listing
1. "Ogre Battle" Freddie Mercury 4:14
2. "Stone Cold Crazy" May, Mercury, Taylor, John Deacon 2:13
3. "My Fairy King" Freddie Mercury 4:08
4. "I'm in Love With My Car" Roger Taylor 3:05
6. "Long Away" May 3:33
7. "The Millionaire Waltz" Mercury 4:54
8. "'39" May 3:30
9. "Tenement Funster" Taylor 2:46
10. "Flick of the Wrist" Mercury 3:17
11. "Lily of the Valley" Mercury 1:45
12. "Good Company" May 3:23
13. "The March of the Black Queen" Mercury 6:38
14. "In the Lap of the Gods... Revisited" Mercury 3:46
Personnel
• Freddie Mercury: lead and backing vocals, piano.
• Brian May: guitars, lead vocals on "39", "Long Away" and "Good Company", vocal bridge on "Keep Yourself
Alive", backing vocals, ukelele, bells.
• Roger Taylor: drums, percussion, lead vocals on "Tenement Funster" and "I'm in Love with My Car", vocal line
in "The March of the Black Queen", vocal bridge on "Keep Yourself Alive".
• John Deacon: bass guitar, acoustic guitar.

Genre Rock
Length 52:09
Producer Various
Queen chronology
Deep Cuts, Volume 1 Deep Cuts, Volume 2 Deep Cuts, Volume 3

(1973–1976) (1977–1982) (1984–1995)
(2011) (2011) (2011)
Deep Cuts, Volume 2 (1977–1982) is a compilation of Queen tracks between 1977 and 1982. Like its predecessor,
(Deep Cuts, Volume 1), it contains Queen songs that are less well known. The album was released on June 27, 2011
as part of Queen's 40th Anniversary. Deep Cuts Volume 2 was released simultaneously as the second five reissues of
the Queen studio albums (News of the World, Jazz, The Game, Flash Gordon and Hot Space). All the songs are
sampled from these five albums.
Track listing
1. "Mustapha" Freddie Mercury 3:01
2. "Sheer Heart Attack" Roger Taylor 3:27
3. "Spread Your Wings" John Deacon 4:34
4. "Sleeping on the Sidewalk" Brian May 3:07
5. "It's Late" May 6:27
6. "Rock It (Prime Jive)" Taylor 4:33
7. "Dead on Time" May 3:23
8. "Sail Away Sweet Sister" May 3:33
9. "Dragon Attack" May 4:18
10. "Action This Day" Taylor 3:34
11. "Put Out the Fire" May 3:18
12. "Staying Power" Mercury 4:12
13. "Jealousy" Mercury 3:13
14. "Battle Theme" May 2:20
Personnel
• Freddie Mercury: lead and backing vocals, piano, synthesizer, keyboards, synth bass on "Staying Power".
• Brian May: lead guitar, lead vocals on "Sail Away Sweet Sister" and "Sleeping on the Sidewalk", falsetto vocals
on "Put out the Fire", backing vocals, synthesizers, percussion.
• Roger Taylor: drums, percussion, lead vocals on "Rock it (Prime Jive), co-lead vocals on "Sheer Heart Attack and
"Action This Day", backing vocals, synthesizer, bass guitar on "Sheer Heart Attack".
• John Deacon: bass guitar, acoustic guitar, synthesizers.

Deep Cuts, Volume 3
(1984–1995)
Released 5 September 2011
Genre Rock
Length 57:01
Producer Various
Queen chronology
Deep Cuts, Volume 2 Deep Cuts, Volume 3

(1977–1982) (1984–1995)
(2011) (2011)
Deep Cuts, Volume 3 (1984–1995) is a compilation of Queen featuring some of their lesser-known tracks between
1984 and 1995. The album was released on September 5, 2011 as part of Queen's 40th Anniversary. Deep Cuts
Volume 3 was released simultaneously as the third five reissues of the Queen studio albums (The Works, A Kind of
Magic, The Miracle, Innuendo and Made in Heaven) from which the songs are sampled. In this release, "Khashoggi's
Ship" has a drum intro (instead of the abrupt beginning in The Miracle) and "It's a Beautiful Day (Reprise)" starts
with 15 seconds of silence and ends with "Yeah" (which is a separate track in Made in Heaven).
Track listing
1. "Made in Heaven" Freddie Mercury 5:27
2. "Machines (Or 'Back to Humans')" Brian May, Roger Taylor 5:07
3. "Don't Try So Hard" Queen (Mercury) 3:40
4. "Tear It Up" May 3:24
7. "Ride the Wild Wind" Queen (Taylor) 4:43
8. "Bijou" Queen (Mercury, May) 3:37
9. "Was It All Worth It" Queen (Mercury) 5:45
10. "One Year of Love" John Deacon 4:27
11. "Khashoggi's Ship" Queen (Mercury) 2:52
12. "Is This The World We Created...?" Mercury, May 2:12
13. "The Hitman" Queen (Mercury, May, Deacon) 4:56
14. "It's A Beautiful Day (Reprise)" Queen (Mercury) 3:21
15. "Mother Love" Mercury, May 4:48

284
Box sets
The Complete Works

The Complete Works
Box set by Queen
Released 1985 (UK)
Genre Hard rock

Progressive rock
Glam rock
Pop rock
Heavy metal
Length 559:35
Label EMI (UK)
Queen chronology
Greatest The Complete Queen at the

Hits Works Beeb
(1981) (1985) (1989)
The Complete Works is a boxed set issued by the rock band Queen in 1985. It contained all of the band's original
studio albums, live album and non-album tracks to that point. It was available in vinyl and cassette formats.
History
Following the 1985 Live Aid concert, Queen found themselves in a creative period. While spending only 20+
minutes onstage before the whole world, some felt that Queen had stolen the show. In the wake of this unexpected
turn, Mercury called on the other band members, to go into the studio and record a song together. Until this point, all
but a handful of songs were written by the individual members (and occasional duo-songwriting credits): "Stone
Cold Crazy", "Under Pressure" (with David Bowie) and "Soul Brother". The result of this enthusiastic session was
"One Vision" and its remixed B-side "Blurred Vision" being released as a single worldwide.
The Complete Works 285
On December 2, Parlophone Records released what was then the definitive Queen boxed set: all of Queen's 11
original studio albums, their live album "Live Killers", and an extra disc titled "Complete Vision", which contained
all the non-album A-sides and B-sides to that point. The band signed only 600 copies (on the "Complete Vision"
sleeve), which have now become collectors' items. This was a 14 LP box; and in addition, the box featured two
books, the first with all the albums' artwork, lyrics and pictures; the other had a color world map showing where
Queen played and charted, and a world tour itinerary up to that time, showing a list of equipment they carried with
them. Each album was digitally remastered and resleeved in white with an embossed Crest and gold Roman
numerals.
As far as boxed sets go, this one was quite comprehensive. Missing from the box (if "missing" is the right word to
use), would be their 1981 "Greatest Hits" album, and the few versions and edits released as singles worldwide.
Queen released four studio albums after The Complete Works; A Kind of Magic (1986), The Miracle (1989),
Innuendo (1991) and Made in Heaven (1995).
Album listing
1. "Queen" (1973)
2. "Queen II" (1974)
3. "Sheer Heart Attack" (1974)
4. "A Night at the Opera" (1975)
5. "A Day at the Races" (1976)
6. "News of the World" (1977)
7. "Jazz" (1978)
8. "Live Killers Vol. 1" (1979)
9. "Live Killers Vol. 2"
10. "The Game" (1980)
11. "Flash Gordon" (1980)
12. "Hot Space" (1982)
13. "The Works" (1984)
14. "Complete Vision" (additional LP)
Complete Vision
Bonus LP that came with the "Complete Works" boxed set in 1985 and tidied up the non-album A-sides and B-sides
at the time. Oddly, both 33rpm and 45rpm versions of the album exist.
Complete Vision track listing

1. See What a Fool I've Been
2. A Human Body
3. Soul Brother
4. I Go Crazy
5. Thank God It's Christmas
6. One Vision (Single Version)
7. Blurred Vision
Box of Tricks 286
Box of Tricks
The 12" Collection
Box set by Queen
Released 1992
Recorded Various locations, 1975-1990
Genre Rock
Label Parlophone
Producer Queen, David Richards, Reinhold Mack
Box Of Tricks is a compilation box set by Queen which was sold in England in 1992 for £50.
Contents
• The 12" Collection
• PAL video tape of Queen - Live at the Rainbow
• Album and single covers poster
• A sew-on cloth Queen patch
• A metal Queen pin
• A soft cover photo book, 32 pages
• A Queen T-Shirt
Ultimate Queen 287
Ultimate Queen
Ultimate Queen
Box set by Queen
Released 1995 (UK)
Genre Hard rock

Progressive rock
Glam rock
Pop rock
Heavy metal
Length 16:54:20
Label EMI (UK)
Producer Queen
Queen chronology
Made in Ultimate Queen

Heaven Queen Rocks
(1995) (1995) (1997)
Ultimate Queen is a boxed collection by the English rock band Queen. It contains all of their albums, in litho-printed
disc form, from 1973 to 1995 (excluding Greatest Hits, Greatest Hits II and Queen at the Beeb).
Box contents
• Queen
• Queen II
• Sheer Heart Attack
• A Night at the Opera
• A Day at the Races
• News of the World
• Jazz
• Live Killers
• The Game
• Flash Gordon
• Hot Space
• The Works
• A Kind of Magic
• Live Magic
• The Miracle
• Innuendo
• Live at Wembley '86
• Made in Heaven
The Crown Jewels 288
The Crown Jewels

The Crown Jewels
Box set by Queen
Recorded 1973 - 1980
Genre Rock
Label Hollywood
Queen chronology
Queen The Crown Greatest Hits

Rocks Jewels III
(1997) (1998) (1999)
The Crown Jewels is a box set by Queen which comprises their first eight studio albums; Queen, Queen II, Sheer
Heart Attack, A Night at the Opera, A Day at the Races, News of the World, Jazz and The Game; in sleeves
replicating the original vinyl packaging. The last three albums in the set, (News of the World, Jazz and The Game) all
have modified packaging with alternative covers. A lyric booklet is also included. All the albums have been
remastered. The box set marks the 25th anniversary of the group's existence dated to the release of their first album.
The Platinum Collection

The Platinum Collection
Box set by Queen
Recorded 1973 - 1999
Genre Rock, progressive rock, hard rock, Heavy metal, pop rock
Length 208:12
Label Parlophone
Queen chronology
Greatest Hits 'The Platinum Collection Queen on Fire - Live at the

III Bowl
(1999) (2004)
Review scores
Source Rating
Allmusic [1]
The Platinum Collection is a box set by British rock band Queen which comprises their three greatest hits albums,
Greatest Hits, Greatest Hits II and Greatest Hits III. The album was originally released on 13 November 2000 on the
Parlophone label. A booklet with song facts and images is also included with the three CD set. The album's US
release was delayed until September 2002 and featured the 2001 Japanese release remastered versions of Greatest
Hits Volumes 1 and 2 on the US and Canadian versions of The Platinum Collection.
The album peaked at #2 in the UK charts, being blocked off the top spot by Moby's album 18.
Track listing
Disc one: Greatest Hits (1981 UK version)
No. Title Writer(s) Original album Length
1. "Bohemian Rhapsody" Freddie Mercury A Night at the Opera 5:55
2. "Another One Bites the Dust" John Deacon The Game 3:36
3. "Killer Queen" Mercury Sheer Heart Attack 2:57
4. "Fat Bottomed Girls" Brian May Jazz 3:15
5. "Bicycle Race" Mercury Jazz 3:01
6. "You're My Best Friend" Deacon A Night at the Opera 2:52
7. "Don't Stop Me Now" Mercury Jazz 3:29
8. "Save Me" May The Game 3:48
9. "Crazy Little Thing Called Love" Mercury The Game 2:42
10. "Somebody to Love" Mercury A Day at the Races 4:56
11. "Now I'm Here" May Sheer Heart Attack 4:10
12. "Good Old-Fashioned Lover Boy" Mercury A Day at the Races 2:54
13. "Play the Game" Mercury The Game 3:33
14. "Flash" May Flash Gordon 2:48
15. "Seven Seas of Rhye" Mercury Queen II 2:47
16. "We Will Rock You" May News of the World 2:01
17. "We Are the Champions" Mercury News of the World 2:59
Disc two: Greatest Hits II (1991)
1. "A Kind of Magic" Roger Taylor A Kind of Magic 4:22
2. "Under Pressure" (with David Bowie) Queen, David Bowie Hot Space 3:56
3. "Radio Ga Ga" Taylor The Works 5:43
4. "I Want It All" Queen The Miracle 4:01
5. "I Want to Break Free" Deacon The Works 4:18
6. "Innuendo" Queen Innuendo 6:27
7. "It's a Hard Life" Mercury The Works 4:09
8. "Breakthru" Queen The Miracle 4:09
9. "Who Wants to Live Forever" May A Kind of Magic 4:57
10. "Headlong" Queen Innuendo 4:33
11. "The Miracle" Queen The Miracle 4:54
12. "I'm Going Slightly Mad" Queen Innuendo 4:07
13. "The Invisible Man" Queen The Miracle 3:58
14. "Hammer to Fall" May The Works 3:40
15. "Friends Will Be Friends" Mercury, Deacon A Kind of Magic 4:07
16. "The Show Must Go On" Queen Innuendo 4:23

17. "One Vision" Queen A Kind of Magic 4:02
Disc three: Greatest Hits III (1999)
1. "The Show Must Go On" (live at Théâtre National de Chaillot in Paris Queen 4:35
with Elton John)
2. "Under Pressure" (with David Bowie; rah mix) Queen, Bowie 4:08
3. "Barcelona" (performed by Freddie Mercury and Montserrat Caballé) Mercury, Mike Moran Barcelona 4:25
4. "Too Much Love Will Kill You" May, Frank Musker, Elizabeth Made in Heaven 4:18
Lamers
5. "Somebody to Love" (live at Wembley Stadium with George Michael) Mercury Five Live (EP) 5:07
6. "You Don't Fool Me" Queen Made in Heaven 5:22
7. "Heaven for Everyone" Taylor Made in Heaven 4:37
8. "Las Palabras de Amor" May Hot Space 4:29
9. "Driven by You" (performed by Brian May) May Back to the Light 4:09
10. "Living on My Own" (performed by Freddie Mercury) Mercury Mr. Bad Guy 3:37
11. "Let Me Live" Queen Made in Heaven 4:45
12. "The Great Pretender" (The Platters cover) Buck Ram The Freddie Mercury 3:26
Album
13. "Princes of the Universe" Mercury A Kind of Magic 3:31
14. "Another One Bites the Dust" (with additional vocals from Wyclef Deacon Small Soldiers 4:20
Jean)
15. "No-One but You (Only the Good Die Young)" May Queen Rocks 4:11
16. "These Are the Days of Our Lives" Queen Innuendo 4:22
17. "Thank God It's Christmas" Taylor, May 1984 Christmas single 4:19
Charts
Chart (2001) Peak
position
[2] 54
German Albums Chart
[3] 5
Chart (2002) Peak

position
[4] 10
[5] 3
[6] 2
UK Albums Chart
[7] 48
US Billboard 200
Chart (2003) Peak

position
[8] 21
[9] 23
[10] 10
Danish Top 40 Albums
[11] 2
[12] 29
Chart (2005) Peak

position
[13] 13
French Compilations
[14] 41
Chart (2006) Peak

position
[15] 21
Chart (2007) Peak

position
[16] 20
[17] 62
Chart (2008) Peak

position
[18] 10
[19] 4
Certifications
[20] Platinum
[21] Platinum
Belgium (BEA) 50000*
[22] Gold
Denmark (IFPI Denmark) 25000^
[23] 2× Gold
[24] Platinum
[25] Platinum
[26] Gold
[27] Gold
[28] 3× Platinum
[29] Platinum
Summaries
[30] 3× Platinum
*
^
x
References
[1] The Platinum Collection (Queen album) (http:/ / www. allmusic. com/ album/ r553148) at Allmusic
[3] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=The+
Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (in Dutch) (ASP). Dutch Charts. Hung Medien. . Retrieved 22 July 2011.
[4] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / www. ultratop. be/ nl/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (in Dutch) (ASP). Ultratop. Hung Medien. . Retrieved 22 July
2011.
[5] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / italiancharts. com/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). Italian Charts. Hung Medien. . Retrieved 22 July 2011.
[6] "Chart Archive: Top 40 Official UK Albums Archive – 25th May 2002" (http:/ / www. theofficialcharts. com/ archive-chart/ _/ 3/
[7] "Queen: Charts & Awards – Billboard Albums" (http:/ / www. allmusic. com/ artist/ p5205/ charts-awards/ billboard-albums). Allmusic.
United States: Rovi Corporation. . Retrieved 22 July 2011.
[8] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / australian-charts. com/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). Australian Charts. Hung Medien. . Retrieved 22 July
2011.
[9] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (in German) (ASP). Austrian Charts. Hung Medien. . Retrieved
22 July 2011.
[10] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / danishcharts. com/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). Danish Charts. Hung Medien. . Retrieved 22 July 2011.
[11] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / norwegiancharts. com/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). Norwegian Charts. Hung Medien. . Retrieved 22 July
2011.
[12] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / portuguesecharts. com/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). Portuguese Charts. Hung Medien. . Retrieved 22 July
2011.
[14] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / swisscharts. com/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). Swiss Charts. Hung Medien. . Retrieved 22 July 2011.
[15] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / www. ultratop. be/ fr/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (in French) (ASP). Ultratop. Hung Medien. . Retrieved 22 July
2011.
[16] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / finnishcharts. com/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). Finnish Charts. Hung Medien. . Retrieved 22 July 2011.
[17] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / spanishcharts. com/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). Spanish Charts. Hung Medien. . Retrieved 22 July 2011.
[18] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / charts. org. nz/ showitem. asp?interpret=Queen& titel=The+
Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). New Zealand Charts. Hung Medien. . Retrieved 22 July 2011.
[19] "Queen – The Platinum Collection – Greatest Hits I, II & III (Album)" (http:/ / swedishcharts. com/ showitem. asp?interpret=Queen&
titel=The+ Platinum+ Collection+ -+ Greatest+ Hits+ I,+ II+ & + III& cat=a) (ASP). Swedish Charts. Hung Medien. . Retrieved 22 July 2011.
Australian Recording Industry Association. .
[21] "Ultratop − Goud en Platina - 2002" (http:/ / www. ultratop. be/ xls/ Awards 2002. htm). Ultratop & Hung Medien / hitparade.ch. .
[22] "Danish album certifications – Queen – Platinum Collection" (http:/ / www. hitlisterne. dk/ default. asp?w=27& y=2008& list=a40). IFPI
Denmark. .
[23] "French album certifications – Queen – The Platinum Collection" (http:/ / www. disqueenfrance. com/ fr/ pag-259165-CERTIFICATIONS.
html?year=2004& type=11) (in French). Syndicat National de l'Édition Phonographique. .
[24] "New Zealand album certifications – Queen – Platinum Collection" (http:/ / www. rianz. org. nz/ rianz/ chart. asp?chartNum=1322&
chartKind=A). Recording Industry Association of New Zealand. .
[25] "Norwegian album certifications – Queen – Platinum Collection" (http:/ / www. ifpi. no/ sok/ lst_trofeer_sok. asp?type=artist) (in
Norwegian). IFPI Norway. .
[26] "Polish album certifications – Queen – The Platinum Collection" (http:/ / www. zpav. pl/ rankingi/ wyroznienia/ zlote/ index. php) (in
Polish). Polish Producers of Audio and Video (ZPAV). .
[27] "The Official Swiss Charts and Music Community: Awards (Queen; 'The Platinum Collection')" (http:/ / www. swisscharts. com/
search_certifications. asp?search=Queen+ The+ Platinum+ Collection). Hung Medien. .
[28] "British album certifications – Queen – Queen Platinum Collection" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British
Phonographic Industry. . Enter Queen Platinum Collection in the field Search. Select Title in the field Search by. Select album in the field By
Format. Click Go
[29] "American album certifications – Queen – The Platinum Collection" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="The+
Platinum+ Collection"). Recording Industry Association of America. . If necessary, click Advanced, then click Format, then select Album,
then click SEARCH
The Singles Collection Volume 1

The Singles Collection, Volume 1
Recorded 1971-1978
Genre Rock
Label Parlophone/EMI
Producer John Anthony

Roy Thomas Baker
Queen
Robin Geoffrey Cable
Mike Stone
Queen chronology
The A-Z of Queen, Volume The Singles Collection Volume The Singles Collection Volume
1 1 2
(2007) (2008) (2009)
The Singles Collection, Volume 1 is a limited edition CD series compilation box set by the English rock band
Queen, released in 2008. The box set contains remastered versions of the first 13 worldwide top-40 charting singles
released by Queen, including b-sides.
Track listing
Disc 1
2. "Son and Daughter"
Disc 2
1. "Seven Seas of Rhye"
2. "See What A Fool I've Been"
Disc 3
1. "Killer Queen"
2. "Flick of the Wrist"
Disc 4
1. "Now I'm Here"
2. "Lily of the Valley"
Disc 5
2. "I'm in Love with My Car"
Disc 6
2. "'39"
Disc 7
1. "Somebody to Love"
2. "White Man"
Disc 8
2. "You and I"
Disc 9
1. "Good Old Fashioned Lover Boy"
2. "Death on Two Legs (Dedicated To...)"
3. "Tenement Funster"
4. "White Queen (As It Began)"
Disc 10
1. "We Are the Champions"
2. "We Will Rock You"
Disc 11
1. "Spread Your Wings"
2. "Sheer Heart Attack"
Disc 12
1. "Bicycle Race"
2. "Fat Bottomed Girls"
Disc 13
1. "Don't Stop Me Now"
2. "In Only Seven Days"
External links
• Album Website [1]
References
[1] http:/ / www. queensinglesbox. com

Recorded 1979-1984
Genre Rock
Producer Queen
Mack
Arif Mardin
David Bowie
Queen chronology
The Singles Collection Volume The Singles Collection Volume Queen: Absolute
1 2 Greatest
(2008) (2009) (2009)
Queen, released in 2009. The box set contains remastered versions of the next thirteen top-40 charting singles
released by Queen that appear subsequent to those in the first volume.
The collection is notable for containing tracks that have never before been officially released on CD, namely A
Human Body (previously only available as a 7" vinyl b-side) and Back Chat (which was remixed for single release,
and has only ever been available on the original 7"). The live tracks are taken from Queen's Live Killers album.
Track listing
Disc 1
1. "Love of My Life" (Live)
2. "Now I'm Here" (Live)
Disc 2
2. "We Will Rock You" (Live)
Disc 3
1. "Save Me"
2. "Let Me Entertain You" (Live)
Disc 4
1. "Play the Game"
2. "A Human Body"
Disc 5
2. "Dragon Attack"
Disc 6
1. "Flash Theme"
2. "Football Fight"
Disc 7
1. "Under Pressure" (with David Bowie)
2. "Soul Brother"
Disc 8
1. "Body Language"
2. "Life Is Real"
Disc 9
1. "Las Palabras de Amor"
2. "Cool Cat"
Disc 10
1. "Calling All Girls"
2. "Put Out the Fire"
Disc 11
1. "Back Chat" (single remix)
2. "Staying Power"
Disc 12
1. "Radio Ga Ga"
2. "I Go Crazy"
Disc 13
2. "Machines (or Back To Humans)"
External links
• Album Website [1]

Recorded 1984-1989
Genre Rock
Producer Queen
Mack
David Richards
Queen chronology
Queen: Absolute The Singles Collection Volume The Singles Collection Volume
Greatest 3 4
(2009) (2010) (2010)
Queen, the third of four sets. The box set contains remastered versions of the next thirteen top-40 charting singles
released by Queen that appear subsequent to those in Queen: The Singles Collection Volume 2.[1]
The set marks the first time that Blurred Vision and the single mix of Pain Is So Close To Pleasure have been made
available on CD.
Track listing
Disc 1
1. "It's A Hard Life"
2. "Is This The World We Created...?"
Disc 2
1. "Hammer To Fall" (Single Version)
2. "Tear It Up"
Disc 3
1. "Thank God It's Christmas"
2. "Man On The Prowl"
3. "Keep Passing The Open Windows"
Disc 4
1. "One Vision" (Single Version)
2. "Blurred Vision"
Disc 5
1. "A Kind Of Magic"
2. "A Dozen Red Roses For My Darling"
Disc 6
1. "Friends Will Be Friends"
2. "Princes Of The Universe"
Disc 7
1. "Pain Is So Close To Pleasure" (Single Remix)
2. "Don't Lose Your Head"
Disc 8
1. "Who Wants To Live Forever" (Single Version)
2. "Forever"
Disc 9
1. "One Year Of Love"
2. "Gimme The Prize"
Disc 10
1. "I Want It All" (Single Version)
2. "Hang On In There"
Disc 11
1. "Breakthru"
2. "Stealin'"
Disc 12
1. "The Invisible Man"
2. "Hijack My Heart"
Disc 13
1. "Scandal"
2. "My Life Has Been Saved"
References
[1] http:/ / www. queenonline. com/ news/ 1651

Released October 18, 2010
Recorded 1989-1999
Genre Rock
Producer Queen
David Richards
Queen chronology
The Singles Collection Volume The Singles Collection Volume Deep Cuts, Volume 1
3 4 (1973-1976)
(2010) (2010) (2011)
Queen, the fourth and last set in the collection. The box set contains remastered versions of the next thirteen top-40
charting singles released by Queen that appear subsequent to those in The Singles Collection Volume 3,[1] excluding
the Five Live EP and the Small Soldiers Remix of "Another One Bites The Dust", the latter of which was not
released by EMI/Parlophone.
It contains the material released from the years 1989 - 1999, and covers the albums The Miracle, Innuendo, Made In
Heaven, Queen Rocks and Greatest Hits III. This was the band's final release on EMI/Parlophone before their back
catalogue was re-issued on Universal's Island label in 2011.
Track listing
Disc 1
1. "The Miracle"
2. "Stone Cold Crazy" (Live At The Rainbow '74)
Disc 2
1. "Innuendo"
2. "Bijou"
Disc 3
1. "I'm Going Slightly Mad"
2. "The Hitman"
Disc 4
1. "Headlong" (Single Version)
2. "All God's People"
Disc 5
1. "The Show Must Go On"
2. "Queen Talks"
Disc 6
2. "These Are the Days of Our Lives"
Disc 7
1. "Heaven for Everyone" (Single Version)
2. "It's A Beautiful Day" (Single Version)
Disc 8
1. "A Winter's Tale"
2. "Rock In Rio Blues" (UK Single Version)
Disc 9
1. "Too Much Love Will Kill You"
2. "I Was Born to Love You"
Disc 10
1. "Let Me Live"
2. "We Will Rock You" (Live At Wembley '86)
3. "We Are the Champions" (Live At Wembley '86)
Disc 11
1. "You Don't Fool Me" (Edit)
2. "You Don't Fool Me" (Album Version)
Disc 12
1. "No-One but You (Only the Good Die Young)"
2. "We Will Rock You (The Rick Rubin 'Ruined' Remix)"
3. "Gimme The Prize (Instrumental Remix for 'The eYe')"
Disc 13
1. "Under Pressure" (Rah Mix) (Radio Edit)
2. "Under Pressure" (Mike Spencer Remix)
3. "Under Pressure" (Live At Knebworth)
References
[1] http:/ / www. queenonline. com/ news/ 1817/
305
Singles

Single by Queen
from the album Queen
B-side "Son and Daughter"
Format 7"
Recorded 1972 at Trident and De Lane Lea Studios in London
Genre Rock
Length 3:45
Label EMI, Elektra
Writer(s) Brian May
Queen singles chronology
"Keep Yourself "Liar"

Alive" (1974)
(1973)
"Keep Yourself Alive" is a song by English rock group Queen. Written by guitarist Brian May, it is the opening
track on the band's debut album Queen (1973). It was released as Queen's first single along with "Son and Daughter"
as the B-side. "Keep Yourself Alive" was largely ignored upon its release; it failed to chart on either side of the
Atlantic.
In 2008, Rolling Stone rated the song thirty-first on its list of "The 100 Greatest Guitar Songs of All Time".[1]
Writing and recording

According to Mark Hodkinson, author of Queen: The Early Years, "Keep Yourself Alive" was conceived on acoustic
guitars during Queen's practice sessions at Imperial College and the garden at Ferry Road in 1970.[2] At the time
Queen had not yet found a permanent bassist; the group consisted of guitarist Brian May, singer Freddie Mercury
and drummer Roger Taylor. In a radio special about their 1977 album News of the World, May said he had penned
the lyrics thinking of them as ironic and tongue-in-cheek, but their sense was completely changed when Freddie
Mercury sang them.
The first version of "Keep Yourself Alive" was recorded in summer 1971 at De Lane Lea Studios. It was produced
by Louie Austin and includes the intro played on Brian May's Hairfred acoustic guitar. All of the song elements were
already present, including call-and-response vocals by Freddie Mercury (verses) and during the break, where Roger
Taylor sang a line and Mercury answered it. This demo version remains Brian May's favourite take of the song.
Subsequently they did several attempts to "recapture the magic" when they went on to do the "real" version at
Trident Studios. The one mixed by Mike Stone was the only one moderately accepted, and it's the one released as
single. It includes Freddie Mercury doing all of the harmony vocals in the chorus (multi-tracking himself) and Brian
May singing the "two steps nearer to my grave" line instead of Mercury (who did it live and in earlier versions). This
recording does not use acoustic guitar; the printed transcription on EMI Music Publishing's Off the Record' sheet
music lists at least seven electric guitar parts, one of which uses a prominent phasing effect. It can also be noted that
this recording includes the line "Come on and get it, get it, get it boy, keep yourself alive," which was not in the
original version.
A third version of the song also exists; the so-called "Long-Lost Retake", recorded in 1975, was originally intended
for an American single release and features what could now be considered a more 'traditional' Queen sound, with
tight, layered vocals and extensively overdubbed guitar parts. However, a slightly shortened version of the original
UK single version was eventually released in the US, and the Long-Lost Retake remained officially unreleased until
the 1991 Hollywood Records US-only remastered version of the band's debut album, and again later on the 2011
2-disc remaster of A Night At The Opera.
Live performances
The newly-formed Queen quickly added "Keep Yourself Alive" to
their live set. Mercury commented that the song "was a very good way
of telling people what Queen was about in those days" (RAM, 21 May
1976, p 17). Indeed, the number included a drum solo by Roger Taylor
and one line sung/spoken by him.
"Keep Yourself Alive" was part of the band's live set until the early
1980s. On the 1980 and 1981 tours, the band would play an
improvisational jam before the start of the song then after the drum
solo, it would morph into Taylor's tympani drum solo followed by
May's echo-plexed guitar solo spot before either segueing into the
"Brighton Rock" finale or a drum and guitar climax or segued into a
Flash Gordon medley (which consisted of "Battle Theme"/"Flash's
Theme"/"The Hero"). The band would not play it again until 1984 on
The Works tour as part of a medley of old songs (with "Somebody to
Love", "Killer Queen", "Seven Seas of Rhye", and "Liar"). Brian May, writer of "Keep Yourself Alive",
performing live with his Red Special guitar in
In live performances, Mercury would often sing the line "all you 1978
people keep yourself alive" (which is sung only two times in the studio
version) in place of the more-repeated line "it'll take you all your time and a money honey you'll survive".
Release and reception

EMI released "Keep Yourself Alive" as a single in the United Kingdom on 6 July 1973, a week before Queen hit the
stores. A few months later, on 9 October 1973, Elektra Records released the single in the United States.[3] However,
"Keep Yourself Alive" received little radio airplay and was largely ignored on both sides of the Atlantic; it failed to
chart in the either the UK or the US.[4] According to Queen biographer Mark Hodkinson, although "[o]n five
separate occasions EMI's pluggers attempted to secure it space on [Britain's Radio 1] play list", they were denied
each time, reportedly because the record "took too long to happen". "Keep Yourself Alive" remains the only Queen
single not to have charted in the UK.[5]
The single received mixed reviews from the British music press. New Musical Express praised the "cleanly recorded"
song, as well as the "[g]ood singer", and quipped that if Queen "look half as good as they sound, they could be
huge".[6] The reviewer for Melody Maker felt that Queen "[made] an impressive debut with a heavily phased guitar
intro and energetic vocal attack"; however, he thought the song to be unoriginal, and unlikely to become a hit.[7] On
the other hand, Disc magazine's critic believed the single "should do well". The review praised "Keep Yourself
Alive"'s drum solo, as well as its "attractively stilted, vaguely Hendrix-y lead riff".[8] The South Yorkshire Times
rated the single as "good"; the newspaper predicted that "[i]f this debut sound from Queen is anything to go by, they
should make very interesting listening in the future."[9] In his album review of Queen for Rolling Stone magazine,
Gordon Fletcher hailed "Keep Yourself Alive" as "a truly awesome move for the jugular".[10]
Retrospectively, "Keep Yourself Alive" is cited as the highlight of Queen's otherwise inconsistent debut album.
Stephen Thomas Erlewine of Allmusic wrote that while Queen "too often . . . plays like a succession of ideas instead
of succinct songs", "[t]here is an exception to that rule — the wild, rampaging opener 'Keep Yourself Alive,' one of
their very best songs".[11] In 2008, Rolling Stone rated the song thirty-first on its list of "The 100 Greatest Guitar
Songs of All Time". The magazine dubbed "Keep Yourself Alive" as "Brian May's statement of purpose: a phalanx
of overdubbed guitars crying out in unison, with rhythm and texture from over-the-top effects. . . . an entire album's
worth of riffs crammed into a single song."[1]
Track listing
7" (1973 UK release)
1. "Keep Yourself Alive" (Brian May) – 3:47
2. "Son and Daughter" (May) – 3:21
7" (1975 US reissue)
2. "Lily Of The Valley" (Freddie Mercury) – 1:43
3. "God Save The Queen" (trad., arr. by May) – 1:11
References
• Hodkinson, Mark. Queen: The Early Years. Omnibus Press (2004). 3rd edition. ISBN 1844490122.
Notes
[1] " The 100 Greatest Guitar Songs of All Time: 31. 'Keep Yourself Alive' (http:/ / www. rollingstone. com/ news/ coverstory/ 20947527/ page/
15)". Rolling Stone. 12 June 2008. Retrieved on 3 October 2009.
[2] Hodkinson, p. 122.
[3] " QOL History—Queen (http:/ / www. queenonline. com/ history/ 13/ )". QueenOnline. Retrieved on 29 June 2009.
[4] Rivadavia, Eduardo. "Keep Yourself Alive" song review (http:/ / www. allmusic. com/ song/ t2372330). Allmusic. Retrieved on 29 June
2009.
[5] Hodkinson, p. 158
[6] "Queen: 'Keep Yourself Alive' (EMI)". New Musical Express. 14 July 1973.
[7] "Queen: 'Keep Yourself Alive' (EMI)". Melody Maker. 21 July 1973.
[8] "Queen: 'Keep Yourself Alive' (EMI 2036)". Disc. 21 July 1973.
[9] "'Keep Yourself Alive'/'Son and Daughter'—Queen (EMI)". South Yorkshire Times. 27 July 1973.
[10] Fletcher, Gordon. " Queen review (http:/ / www. rollingstone. com/ artists/ queen/ albums/ album/ 199416/ review/ 5942941/ queen)".
Rolling Stone. 6 December 1973. Retrieved on 2 August 2009.
[11] Erlewine, Stephen Thomas. " Queen review (http:/ / www. allmusic. com/ album/ r687293)". Allmusic. Retrieved on 2 August 2009.
External links
• Official music video (http://www.youtube.com/watch?v=JofwEB9g1zg) at YouTube
• "Keep Yourself Alive" (http://www.queenpedia.com/index.php?title=Keep_Yourself_Alive) at Queenpedia
"Liar" 309
"Liar"
"Liar"
Single by Queen
from the album Queen
B-side "Doing All Right"
Format 7"
Recorded 1971 – 1972 at Trident and De Lane Lea Studios
Genre Rock
Length 6:26 (album version)

3:01 (single edit)
Label Elektra
Writer(s) Freddie Mercury
"Keep Yourself "Liar" "Seven Seas of

Alive" (1974) Rhye"
(1973) (1974)
"Liar" is a song by British rock group Queen. Written by singer Freddie Mercury in 1970, originally titled "Lover".
The song featured on the band's 1973 debut album Queen. An edited version of "Liar" was released as a
single—backed with "Doing All Right"—in the United States by Elektra Records in February 1974.
In the earlier years of Queen, this song was regarded as one of their most impressive live performances, often going
over eight minutes long. However, over time the song eventually fell off the setlist, with the exception of The Works
Tour (though the song was cut down to three minutes or less). At the Magic Tour, right before "Tear It Up," the
beginning of the "Liar" guitar riff is played by Brian May.
During live performances, it was one of the few songs where bass player John Deacon sang backing vocals at all.
This was done during the part where the band sings "all day long." He mimics the promotional video for the song,
where he stands behind Freddie and sings into his microphone. Also, this song contains a bass solo performed by
"Liar" 310
John Deacon. As confirmed by the transcription on EMI Music Publishing's Off The Record sheet music for the
song, this is one of three Queen tracks, the others being "Now I'm Here" and "Under Pressure" (their collaboration
with David Bowie), to feature a Hammond organ.
Interestingly, this song brought up the issue of song writing credits within the band. Brian May queried which band
members would be credited for developing the music for each song, to which Freddie Mercury concluded the
discussion, stating that the lyricist has basically written the song.
Track listing
7" single (Royal Sound TKR 157)
1. "Liar" (single edit) (Freddie Mercury) – 3:01
2. "Doing All Right" (Brian May, Tim Staffell) – 4:09
7" single (Elektra E-45884)[1]
1. "Liar" (Freddie Mercury)
2. "Liar"
Notes
[1] "QUEEN - LIAR (SONG)" (http:/ / australian-charts. com/ showitem. asp?interpret=Queen& titel=Liar& cat=s). australian-charts.com. .
External links
• "Liar" (http://www.queenpedia.com/index.php?title=Liar_(Queen_song)) at Queenpedia
• "Liar" song review (http://www.allmusic.com/song/t3181257) at Allmusic
"Seven Seas of Rye"

"Seven Seas of Rhye"
Single by Queen
from the album Queen II
B-side See What A Fool I've Been
Format 7"
Recorded August 1973 at Trident Studios
Genre Rock
Length • 2:47 (Queen II)

• 1:15 (Queen - instrumental)
Label EMI (UK), Elektra (US)
"Liar" "Seven Seas of "Killer Queen" /

(1974) Rhye" "Flick of the
(1974) Wrist"
(1974)
"Seven Seas of Rhye" is a song by British rock group Queen. Written by Queen lead vocalist Freddie Mercury, it is
the final track on both the group's debut album Queen (1973) and its follow-up Queen II (1974).[1] However, only a
less-developed instrumental version was featured on the former.[2] The completed version served as the band's
second single, the earliest-released song to appear on their Greatest Hits album, with the exception of some versions
where their first single, "Keep Yourself Alive", is included.
After the band performed it on Top of the Pops it became their first hit, peaking at number 10 on the UK Singles
Chart.[3] The song became a live favourite throughout Queen's existence, and is recorded in 1985's Queen: Live in
Rio, and Queen at Wembley 1986.[2] It features a distinctive arpeggiated piano introduction. The piano runs are
sampled in "It's a Beautiful Day (reprise)", on the album Made In Heaven.[4]
The version on Queen II ends with a cross fade, instruments blending into several people singing "I Do Like to Be
Beside the Seaside", accompanied by a stylophone played by producer Roy Thomas Baker. .[2] Its inclusion here on
the final track of Queen II is briefly mirrored in the first few seconds of "Brighton Rock", which opens their next
album, Sheer Heart Attack.
In a 1977 radio interview, Freddie Mercury described the subject of the song as a "figment of his imagination." In the
Queen musical We Will Rock You, the Seven Seas of Rhye is a place where the Bohemians are taken after they are
brainstormed by Khashoggi.[5]
References
[1] Seven Seas of Rhye (http:/ / www. allmusic. com/ song/ t1181344) Allmusic. Retrieved 5 July 2011
[2] Queen II - Seven Seas Of Rhye (http:/ / www. ultimatequeen. co. uk/ songs/ queenii. htm#seven) Retrieved 5 July 2011
[4] M. Felsani, M. Primi, M. Saita, Queen. Tutti i testi con traduzione a fronte edited (http:/ / books. google. co. uk/ books?id=80i-yJVN2TwC&
pg=PA61),
[5] We Will Rock You - Plot & Photo Gallery (http:/ / www. ultimatequeen. co. uk/ misc/ wewillrockyouplot. htm) Ultimate Queen. Retrieved 5
July 2011
External links
• Queenpedia (http://queenpedia.com/index.php?title=Seven_Seas_Of_Rhye_(single)) - detailed worldwide
release information
• "Seven Seas of Rhye" Song Review (http://www.allmusic.com/song/t1181344) at Allmusic
• "Queen II videos, detailed description" (http://www.btinternet.com/~darren.robins/queen_thevideos/
videos_queen2.htm)
"Killer Queen" 313
"Killer Queen"
"Killer Queen"
Single by Queen
from the album Sheer Heart Attack
A-side "Flick of the Wrist"
Format Vinyl (7")
Recorded 1974
Genre Rock
Length 2:59
"Seven Seas of "Killer Queen" / "Now I'm

Rhye" "Flick of the Here"
(1974) Wrist" (1975)
(1974)
"Killer Queen" (Sample) is a song by British rock band Queen. Written by pianist and lead singer Freddie Mercury,
it featured on their 1974 album Sheer Heart Attack, and also appears on the band's compilation album, Greatest
Hits.[1] When released as a single, "Killer Queen" was Queen's breakthrough hit, reaching number two in the UK and
number 12 in the United States.[2] [3] It was released as a double A-side in the UK, the US and Canada (where it
reached number 15 in the RPM 100 national singles chart),[4] with the song "Flick of the Wrist". In 1986, it was
featured as the B-side to "Who Wants to Live Forever".[5]
Mercury commented that he wrote the lyrics first before adding the musical arrangements. The recording features
elaborate four-part harmonies (particularly in the choruses, and also providing backing parts in the verses), and also
an elaborate multitracked guitar solo by Brian May, including use of the "bell effect". The song, in the first line,
mentions the phrase "Let them eat cake", a phrase attributed Marie Antoinette: Let them eat cake, she said; Just like
"Killer Queen" 314
Marie Antoinette.
Recording sessions
Besides using a grand piano as usual, Mercury overdubbed the song with an upright (credited as "jangle piano"), to
give the track a vaudeville sound. At one point there are two bass guitars, one of which does a descending run.
Contrary to songs for the first two Queen albums, this one was partly recorded outside England, at Rockfield Studios
in Wales.[6]
Queen on the record

Freddie Mercury:[7]
“
People are used to hard rock, energy music from Queen, yet with this single you almost expect Noel Coward to sing it. It's one of those bowler
hat, black suspender belt numbers – not that Coward would wear that. (...) It's about a high class call girl. I'm trying to say that classy people
can be whores as well. That's what the song is about, though I'd prefer people to put their interpretation upon it – to read into it what they like. ”
Brian May:
“
'Killer Queen' was the turning point. It was the song that best summed up our kind of music, and a big hit, and we desperately needed it as a
mark of something successful happening for us... I was always very happy with this song. The whole record was made in a very craftsman-like
manner. I still enjoy listening to it because there's a lot to listen to, but it never gets cluttered. There's always space for all the little ideas to
come through. And of course I like the solo, with that three-part section, where each part has its own voice. What can I say? It's vintage
Queen. The first time I heard Freddie playing that song, I was lying in my room in Rockfield ”
[a residential recording studio in Wales], feeling very sick. After Queen's first American tour I had hepatitis, and then I had very bad stomach
problems and I had to be operated on. So I remember just lying there, hearing Freddie play this really great song and feeling sad, because I
thought, 'I can't even get out of bed to participate in this. Maybe the group will have to go on without me.' No one could figure out what was
wrong with me. But then I did go into the hospital and I got fixed up, thank God. And when I came out again, we were able to finish off 'Killer
Queen.' They left some space for me and I did the solo. I had strong feelings about one of the harmony bits in the chorus, so we had another go
at that too.
Live performances
The song was played from 1974–78 live in a medley.[8] [9] [10] [11] In 1974, the song was played following "In the
Lap of the Gods",[8] and in 1975–76, the song was played after "Bohemian Rhapsody".[9] In 1977, the song was
played as the introduction to a medley, followed by "Good Old Fashioned Lover Boy",[11] and in 1978, preceded
"Bicycle Race".[12] In 1979, the band played most of the song, and after the guitar solo ended, the opening bars of
"I'm in Love With My Car" were played.[13] The song was played at the Montreal Forum, Quebec, Canada in
November 1981, and is recorded in the live album, Queen Rock Montreal.[14] In 1984 and 1985, during The Works
Tour, it was reintroduced in a medley following a truncated version of "Somebody to Love".[15]
"Killer Queen" 315
Personnel
• Freddie Mercury: lead vocal, piano, jangle piano, backing vocals
• Brian May: electric guitar, backing vocals
• John Deacon: bass guitar, backing vocals (on stage only), triangle (on stage only)
• Roger Taylor: drums, backing vocals, triangle, chimes, and Falsetto
References
[1] Queen: Greatest Hits (http:/ / www. allmusic. com/ album/ r413002) Allmusic. Retrieved 31 August 2011
[4] Top Singles - Volume 23, No. 14, May 31 1975 (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?brws_s=1&
file_num=nlc008388. 3969a& type=1& interval=24& PHPSESSID=9cp51krv5nv1bedge0rfmb88d3) Library and Archives Canada
[5] Who Wants To Live Forever (http:/ / www. ultimatequeen. co. uk/ discography/ queensinglesuk2. htm#whowantstoliveforever) Ultimate
Queen. Retrieved 4 September 2011
[6] Mark Hodkinson Queen: The Early Years (http:/ / books. google. com/ books?id=3ZMQXF9O8x0C& pg=PT241& dq=killer+ queen+
recorded+ at+ rockfield+ studios#v=onepage& q& f=false) Omnibus Press 2004. Retrieved 31 August 2011
[7] NME, 2 November 1974 (Queen Archives) (http:/ / www. queenarchives. com/ index. php?title=Freddie_Mercury_-_11-02-1974_-_NME)
[8] Queen live on tour: Sheer Heart Attack: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ sha. html) Queen Concerts. Retrieved 31
August 2011
July 2, 2011
July 2, 2011
[12] Queen live on tour: Jazz (http:/ / www. queenconcerts. com/ live/ queen/ jazz. html) Queen Concerts. Retrieved 30 August 2011
[13] Queen Rock Montreal Killer Queen (http:/ / www. ultimatequeen. co. uk/ songs/ rockmontreal. htm#killer) Ultimate Queen. Retrieved 31
August 2011
[14] Queen Rock Montreal (http:/ / www. allmusic. com/ album/ r1239496) Allmusic. Retrieved 31 August 2011
[15] Queen live on tour: The Works 1984 (http:/ / www. queenconcerts. com/ live/ queen/ works1984. html) Queen Concerts. Retrieved 31
August 2011
"Flick of the Wrist"

"Killer Queen/Flick Of The Wrist"
Single by Queen
A-side "Killer Queen"
Format Vinyl record (7")
Recorded 1974
Genre Rock
Length 3:17
"Seven Seas of "Killer Queen"/ "Now I'm

Rhye" "Flick Of The Here"
(1974) Wrist" (1975)
(1974)
"Flick of the Wrist" is a song by English rock band Queen, released as a Double A-side with "Killer Queen" in the
UK, Canada, the Netherlands, the US and most other territories. It was written by frontman Freddie Mercury for the
album Sheer Heart Attack.
Background
Freddie Mercury never went on record as to whether the unpleasant character in the song is based on anyone in
particular, though then-current manager Norman Sheffield may be one inspiration. The song includes Freddie
Mercury singing octave vocals. When Brian May returned to work having recovered from his hepatitis, he had not
heard the song before he recorded his guitar and backing vocals.
Album version
As it appears on the album, "Flick Of The Wrist" is the middle song of a three-track series of songs which seamlessly
overlap, segueing from one to the other: "Tenement Funster" to "Flick Of The Wrist" to "Lily Of The Valley". Each
song was recorded separately and later mixed together to form the unbroken stretch of music. Because of this
structure, the record company had to select points to separate each track on CD re-issues of the album. "Flick Of The
Wrist," in this way, starts with the crescendo ending of "Tenement Funster" and ends abruptly before the last line of
the song "...baby, you've been had." This last lyric appears at the beginning of the next CD track, "Lily Of The
Valley".
The original, non-segued master recordings of "Tenement Funster," "Flick Of The Wrist" and "Lily Of the Valley"
were used for some singles' flip-sides, such the Japanese 3-inch CD single re-issue of Queen's first EP ("Tenement
Funster"), the Dutch AA-side version of "Flick Of The Wrist" (see below) and the 1975 US-only re-issue of "Keep
Yourself Alive" ("Lily Of The Valley").
Single versions
All the single versions and edits are from the original album recording.
The Dutch AA-side version features the complete song without the seguing, overlapping sections from "Tenement
Funster" and "Lily Of The Valley".[1]
The UK AA-side version features almost the same complete version as the Dutch version, but with a few notes
edited at the beginning. This version also features on the 1991 Japanese 3-inch CD single of "Killer Queen"/"Flick
Of The Wrist."
The US AA-side version (the same as issued in Canada) has a much more pronounced edit at the beginning, with the
first 18 seconds of the song absent. It ends with a fade-out over the segue into "Lily Of The Valley," where the
latter's opening piano is heard.[1]
The UK's 1987 3-inch CD single re-issue starts with the crescendo segue which ends "Tenement Funster." It ends
with a fade-out before the song is properly over, missing the last line "Baby, you've been had."
BBC Version
On October 16, 1974, Queen recorded a BBC session at Maida Vale 4 Studios in London, England. One of the songs
recorded was "Flick Of The Wrist". This performance features parts of the original album backing track with new
vocals by Freddie Mercury and a new guitar solo by Brian May.
Cover versions
Dream Theater covered the entire three-song arc ("Tenement Funster," "Flick Of The Wrist" and "Lily Of The
Valley") for their album Black Clouds & Silver Linings and it appears on the Special Edition.
References
[1] "Queen Vault: Sheer Heart Attack page" (http:/ / www. queenvault. com/ sheerheartattack. html). .
"Now I'm Here" 318
"Now I'm Here"

"Now I'm Here"
Single by Queen
B-side "Lily of the Valley (Single Edit)"
Released 17 January 1975
Recorded 1974
Genre Rock
Length 4:12
Label EMI, Elektra
Writer(s) Brian May
Producer Roy Thomas Baker and Queen
"Killer Queen"/ "Now I'm "Bohemian

"Flick of the Here" Rhapsody"
Wrist" (1975) (1975)
(1974)
"Now I'm Here" is a song by the English rock band Queen. The sixth song on their third album, Sheer Heart Attack,
it was written by lead guitarist Brian May while he was in hospital with hepatitis. The song is noted for its hard riff
and vocal harmonies. In the UK, the song hit #11 on the charts when released as a single in 1975.[1] The song was a
live favourite, performed at virtually every concert from late 1974 through 1986.[2] It is one of few songs that was
not revived for the Queen + Paul Rodgers tour in 2005.
It was featured on the 1981 compilation album Greatest Hits, and the 1997 compilation album Queen Rocks.[3] In
March 2005, Q magazine placed "Now I'm Here" at number 33 in its list of the 100 Greatest Guitar Tracks.[4]
"Now I'm Here" 319
Personnel
• John Deacon: Bass guitar.
• Brian May: Lead and rhythm guitar, backing vocals, Hammond organ and piano.
• Roger Meddows-Taylor: Drums, backing vocals.
• Freddie Mercury: Vocals.
Live recordings
• Concerts for the People of Kampuchea (1979) (recorded at their Christmas concert in Hammersmith Odeon,
London)
• Queen Rock Montreal (1981)
• Queen on Fire - Live at the Bowl (1982)
• Live at Wembley '86 / Live at Wembley Stadium (1986)
• The Freddie Mercury Tribute Concert (1992) (played by Def Leppard and Brian May)
• Live at the Brixton Academy (Brian May album) (1993)
References
[3] Queen Rocks, Vol. 1 (http:/ / www. allmusic. com/ album/ rocks-vol-1-r325812/ review) Allmusic. Retrieved July 10, 2011
[4] Tracks 100 Greatest Guitar Tracks Ever! (http:/ / www. rocklistmusic. co. uk/ qlistspage3. htm#Guitar) Q Magazine. Retrieved July 10, 2011
Review
• Melody Maker, 25 January 1975 (QueenCuttings) (http://www.queencuttings.com/dblog/articolo.
asp?articolo=36)
"Bohemian Rhapsody"
"Bohemian Rhapsody"
Original cover of the UK single release.
Single by Queen
from the album A Night at the Opera
B-side "I'm in Love with My Car"
Format 7" vinyl
Recorded 1975:
Rockfield Studio 1
Roundhouse
SARM (East)
Scorpio Sound
Genre Rock
Length 5:55
Label EMI, Elektra, Parlophone, Hollywood
"Lily of the "Bohemian "You're My Best

Valley" Rhapsody" Friend"
(1975) (1975) (1976)
"The Show Must Go "Bohemian Rhapsody"/"These Are the Days of Our "Heaven for
On" Lives" Everyone"
(1991) (1991) (1995)
A Night at the Opera track listing
12 tracks
Side one
1. "Death on Two Legs (Dedicated to...)"
2. "Lazing on a Sunday Afternoon"
5. "'39"
6. "Sweet Lady"
7. "Seaside Rendezvous"
Side two
• "The Prophet's Song"

2. "Love of My Life"
3. "Good Company"
5. "God Save the Queen"
"Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's
1975 album A Night at the Opera. The song has no chorus, instead consisting of three main parts: a ballad segment
ending with a guitar solo, an operatic passage, and a hard rock section.
When it was released as a single, "Bohemian Rhapsody" became a commercial success, staying at the top of the UK
Singles Chart for nine weeks and selling more than a million copies by the end of January 1976.[1] It reached number
one again in 1991 for five weeks following Mercury's death, eventually becoming the UK's third best selling single
of all time.[2] It topped the charts in several other markets as well, including Canada, Australia, New Zealand, Ireland
and The Netherlands. In the United States the song originally peaked at number nine in 1976; however, it returned to
the chart at number two in 1992 following its appearance in the film Wayne's World which revived its American
popularity.
The single was accompanied by a promotional video, considered ground-breaking.[3] Although critical reaction was
initially mixed, particularly in the United States, "Bohemian Rhapsody" remains one of Queen's most popular songs.
Rolling Stone ranked it as number 166 on their list of "The 500 Greatest Songs of All Time". [4]
History and recording

Freddie Mercury wrote most of "Bohemian Rhapsody" at his home in Holland Road, Kensington, in west London.[5]
The song's producer, Roy Thomas Baker, related how Mercury once played the opening ballad section on the piano
for him: "He played the beginning on the piano, then stopped and said, 'And this is where the opera section comes
in!' Then we went out to eat dinner." Guitarist Brian May says the band thought that Mercury's blueprint for the song
was "intriguing and original, and worthy of work."[6] Much of Queen's material was written in the studio according
to May, but this song "was all in Freddie's mind" before they started.[5] Music scholar Sheila Whiteley suggests that
"the title draws strongly on contemporary rock ideology, the individualism of the bohemian artists' world, with
rhapsody affirming the romantic ideals of art rock."[7] Commenting on bohemianism, Judith Peraino said that
"Mercury intended... [this song] to be a 'mock opera', something outside the norm of rock songs, and it does follow a
certain operatic logic: choruses of multi-tracked voices alternate with aria-like solos, the emotions are excessive, the
plot confusing."[8]
According to Chris Smith (a friend of Mercury's and a keyboard player in Smile for a brief period), Mercury first
started developing "Bohemian Rhapsody" in the late 1960s; Mercury used to play parts of songs he was writing at
the piano, and one of his pieces, known simply as "The Cowboy Song", contained lyrics that ended up in the
completed version produced years later in 1975, specifically, "Mama.... just killed a man."[9]
Recording began at Rockfield Studio 1 near Monmouth on 24 August 1975, after a 3-week rehearsal in
Herefordshire. During the making of the track, an additional four studios (Roundhouse, SARM (East), Scorpion, and
Wessex) were used.[10] According to some band members, Mercury mentally prepared the song beforehand and
directed the band throughout.[5] Mercury used a Bechstein "concert grand" piano, which he played in the
promotional video and the UK tour. Due to the elaborate nature of the song, it was recorded in various different
sections, held together by a drum click to keep all layers synchronized.[11]
May, Mercury, and Taylor reportedly sang their vocal parts continually for ten to twelve hours a day.[5] The entire
piece took three weeks to record, and in some sections featured 180 separate overdubs.[11] Since the studios of the
time only offered 24-track analogue tape, it was necessary for the three to overdub themselves many times and
"bounce" these down to successive sub-mixes. In the end, eighth-generation tapes were used.[10] The various sections
of tape containing the desired submixes had to be spliced (cut with razor blades and assembled in the correct
sequence using adhesive tape). May recalled placing a tape in front of the light and being able to see through it, as
they had been recording so intensely.[12] It was the most expensive single ever made and remains one of the most
elaborate recordings in popular music history.[10]
Composition and analysis

The song consists of six sections:
introduction, ballad, guitar solo, opera,
hard rock and outro. This format, with
abrupt changes in style, tone and The waveform view of "Bohemian Rhapsody" illustrating the vast differences between
tempo, was unusual to rock music. An the sections of the song.
embryonic version of this style had

already been utilized by the band in "My Fairy King" and "The March of the Black Queen".
Intro (0:00–0:49)
The song begins with a close four-part harmony a cappella introduction in B♭—entirely multi track recordings of
Mercury although the video has all four members lip-synching this part. The lyrics question whether life is "real" or
"just fantasy" before concluding that there can be "no escape from reality."
After 15 seconds, the grand piano enters, and Mercury's voice alternates with the other vocal parts. The narrator
introduces himself as "just a poor boy" but declares that he "needs no sympathy" because he is "easy come, easy go";
chromatic side-slipping on "easy come, easy go" highlights the dream-like atmosphere. The end of this section is
marked by the bass entrance and the familiar cross-handed piano vamp in B♭.
Ballad (0:49–2:36)
The piano begins the familiar vamp in B♭ along with the entrance of Deacon's bass guitar, marking the onset of this
section. After it plays twice, Mercury's vocals enter. Over the course of the section, the vocals evolve from a softly
sung harmony to an impassioned solo performance by Mercury. The narrator explains to his mother that he has "just
killed a man," with "a gun against his head" and in doing so, has thrown his life away. This "confessional" section,
Whiteley comments, is "affirmative of the nurturant and life-giving force of the feminine and the need for
absolution."[7] The chromatic bass line brings about a modulation to E♭, underpinning the mood of desperation.[7] It
is at this point (1:19) that Taylor's drums enter (this features the 1-1-2 rhythm of "We Will Rock You" in ballad
form), and the narrator makes the second of several invocations to his "mama" in the new key, reusing the original
theme. The narrator explains his regret over "making you cry" and urging mama to "carry on as if nothing really
matters" to him. A brief, descending variation of the piano vamp phrase connects to a two repeat of the vamp in B♭
once again, ushering in the second verse.
As the ballad proceeds into its second verse, the narrator shows how tired and beaten down he is by his actions (as
May enters on guitar and mimics the upper range of the piano at 1:50). May imitates a bell tree during the line "sends
shivers down my spine", by playing the strings of his guitar on the other side of the bridge. The narrator bids the
world goodbye announcing he has got to go and prepares to "face the truth" admitting "I don't want to die / I
sometimes wish I'd never been born at all." This is where the guitar solo enters, which eventually goes through a
modulation featuring a quick series of bass descents bringing the new tonality to A Major, marking the start of the
"Opera" section.
Guitar solo (2:36–3:03)

As Mercury sings the rising line "I sometimes wish I'd never been born at all", the band builds in intensity, leading
up to a guitar solo played and composed by May that serves as the bridge from ballad to opera. The intensity
continues to build, but once the bass line completes its descent establishing the new key, the entire band cuts out
abruptly at 3:03 except for quiet, staccato A major quaver (eighth-note) chords on the piano. Producer Baker recalls
that May's solo was done on only one track, rather than recording multiple tracks. May stated that he wanted to
compose "a little tune that would be a counterpart to the main melody; I didn't just want to play the melody." The
guitarist said that his better material stems from this way of working: in which he thought of the tune before playing
it: "the fingers tend to be predictable unless being led by the brain."[5]
Opera (3:03–4:07)
A rapid series of rhythmic and harmonic changes introduces a pseudo-operatic midsection, which contains the bulk
of the elaborate vocal multi-tracking, depicting the narrator's descent into hell. While the underlying pulse of the
song is maintained, the dynamics vary greatly from bar to bar, from only Mercury's voice accompanied by a piano,
to a multi-voice choir supported by drums, bass, piano and timpani. The choir effect was created by having May,
Mercury, and Taylor sing their vocal parts continually for ten to twelve hours a day, resulting in 180 separate
overdubs. These overdubs were then combined into successive submixes. According to Roger Taylor, the voices of
May, Mercury and himself combined created a wide vocal range: "Brian could get down quite low, Freddie had a
powerful voice through the middle, and I was good at the high stuff." The band wanted to create "a wall of sound,
that starts down and goes all the way up."[5] The band used the bell effect for lyrics "Magnifico" and "Let me go".
Also, on "Let me go", Taylor singing the top section carries his note on further after the rest of the "choir" have
stopped singing.
Lyrical references in this passage include Scaramouche, the fandango, Galileo Galilei, Figaro and Bismillah, as rival
factions fight over the narrator's soul. Peraino calls the sequence both a "comic courtroom trial and a rite of passage
... one chorus prosecutes, another defends, while the hero presents himself as meek though wily."[13] The song's
introduction is recalled with the chromatic side-slipping on "I'm just a poor boy, nobody loves me." The section
concludes with a full choral treatment of the lyric "Beelzebub has a devil put aside for me!", on a block B♭ major
chord. Roger Taylor tops the final chord with a falsetto B♭ in the fifth octave (B♭5).
Using the 24-track technology available at the time, the "opera" section took about three weeks to finish.[6] Producer
Roy Thomas Baker said "Every time Freddie came up with another 'Galileo', I would add another piece of tape to the
reel."[10] Baker recalls that they kept wearing out the tape, which meant having to do transfers.[6]
Hard rock/Heavy metal (4:07–4:56)

The operatic section leads into an aggressive hard rock/heavy metal musical interlude with a guitar riff written by
Mercury. At 4:15, a double-tracked Mercury sings angry lyrics addressed to an unspecified "you", accusing him/her
of betrayal and abuse and insisting "can't do this to me, baby" – which could be interpreted as a flashback to certain
events that led to the earlier ballad section ("just killed a man"). Three ascending guitar runs follow. Mercury then
plays a similar B♭ run on the piano, as the song builds up to the finale with a ritardando.
Outro (4:56–5:55)
After May plays ascending octaves of notes from the B♭ mixolydian mode (composed of the notes from the E♭
scale), the song then returns to the tempo and form of the introduction, initially in E♭ Major, before quickly
modulating to C minor, only to soon go through an abrupt short series of modulations, bringing it back to C minor
again in time for the final "nothing really matters" section. A guitar accompanies the chorus "ooh, ooh yeah, ooh
yeah." A double-tracked twin guitar melody is played through an amplifier designed by John Deacon, affectionately
nicknamed the "Deacy Amp". Mercury's line "Nothing really matters..." appears again, "cradled by light piano
arpeggios suggesting both resignation (minor tonalities) and a new sense of freedom in the wide vocal span."[14]
After the line "nothing really matters" is repeated multiple times, the song finally concludes in the key of E♭ major.
The last lyric, sung quietly, "Any way the wind blows" is followed by the striking of a gong which marks the ending
of the song.
According to music scholar Judith Peraino, this final section adds "a level of complex resistance to the song's already
charming subversion of macho rock and roll." This resistance is achieved through the "bohemian stance toward
identity, which involves a necessarily changeable self-definition ("Any way the wind blows")."[15] The final line,
"Any way the wind blows", is followed by the quiet sound of a large tam-tam that finally expels the tension built up
throughout the song.
Context
The New York Times commented that "the song's most distinct feature is the fatalistic lyrics". Mercury refused to
explain his composition other than saying it was about relationships; the band is still protective of the song's secret.[6]
Brian May supports suggestions that the song contained veiled references to Mercury's personal traumas. He recalls
"Freddie was a very complex person: flippant and funny on the surface, but he concealed insecurities and problems
in squaring up his life with his childhood. He never explained the lyrics, but I think he put a lot of himself into that
song."[16] May, though, says the band had agreed that the core of a lyric was a private issue for the composer.[6] In a
BBC Three documentary about the making of "Bohemian Rhapsody", Roger Taylor maintains that the true meaning
of the song is "fairly self-explanatory with just a bit of nonsense in the middle."[5]
“It's one of those songs which has such a fantasy feel about it. I think people should just listen to it, think about it, and then make up
their own minds as to what it says to them... "Bohemian Rhapsody" didn't just come out of thin air. I did a bit of research although it
was tongue-in-cheek and mock opera. Why not?”
[17]
—Freddie Mercury
However, when the band released a Greatest Hits cassette in Iran, a leaflet in Persian was included with translation
and explanations (refers to a book published in Iran called "The March of the Black Queen" by Sarah Sefati and
Farhad Arkani, which included the whole biography of the band and complete lyrics with Persian translation (2000)).
In the explanation, Queen states that "Bohemian Rhapsody" is about a young man who has accidentally killed
someone and, like Faust, sold his soul to the devil. On the night before his execution, he calls for God in Arabic,
"Bismillah", and with the help of angels, regains his soul from Shaitan.[18]
Despite this, critics, both journalistic and academic, have speculated over the meaning behind the song's lyrics. Some
believe the lyrics describe a suicidal murderer hunted by demons or depict events just preceding an execution. The
latter explanation points to Albert Camus's novel The Stranger, in which a young man confesses to an impulsive
murder and has an epiphany before he is executed, as probable inspiration. Others believe the lyrics were only
written to fit with the music, and have no meaning; Kenny Everett quoted Mercury as claiming the lyrics were
simply "random rhyming nonsense".[16]
Still others interpreted them as Mercury's way of dealing with personal issues.[6] Music scholar Sheila Whiteley
observes that Mercury reached a turning point in his personal life in the year he wrote "Bohemian Rhapsody".[7] He
had been living with Mary Austin for seven years but had just embarked on his first gay love affair. She suggests that
the song provides an insight into Mercury's emotional state at the time, "living with Mary ('Mamma', as in Mother
Mary) and wanting to break away ('Mamma Mia let me go')."[14]
Release
When the band wanted to release the single in 1975, various executives suggested to them that, at 5 minutes and 55
seconds, it was too long and would never be a hit. According to producer Roy Thomas Baker, he and the band
bypassed this corporate decision by playing the song for Capital Radio DJ Kenny Everett: "we had a reel-to-reel
copy but we told him he could only have it if he promised not to play it. 'I won't play it,' he said, winking..."[10] Their
plan worked – Everett teased his listeners by playing only parts of the song. Audience demand intensified when
Everett played the full song on his show 14 times in two days.[6] Hordes of fans attempted to buy the single the
following Monday, only to be told by record stores that it had not yet been released.[10] The same weekend, Paul
Drew, who ran the RKO stations in the States, heard the track on Everett's show in London. Drew managed to get a
copy of the tape and started to play it in the States, which forced the hand of Queen's USA label, Elektra. In an
interview with Sound on Sound, Baker reflects that "it was a strange situation where radio on both sides of the
Atlantic was breaking a record that the record companies said would never get airplay!"[10] Eventually the unedited
single was released, with "I'm in Love with My Car" as the B-side.
The song became the 1975 UK Christmas number one, holding the top position for nine weeks.[14] "Bohemian
Rhapsody" was the first song ever to get to number one twice with the same version,[19] and is also the only single to
have been UK Christmas number one twice with the same version. The second was upon its re-release (as a double
A-side single with "These Are the Days of Our Lives") in 1991 following Mercury's death, staying at number one for
five weeks.
Across the ocean, the song also went to the high reaches of the charts. In the United States, the single was a success
(although on a smaller scale from that of the UK release). The original single, released in early 1976, reached
number nine on the Billboard Hot 100, while a re-release in 1992 (timed to tie in with the song's appearance in the
hit film Wayne's World) hit number two. In a retrospective interview, Anthony DeCurtis from Rolling Stone
magazine explains the song's relatively poor performance in the US charts by saying that it's "the quintessential
example of the kind of thing that doesn't exactly go over well in America".[5] Its comparatively long chart run of 24
weeks, however, did result in it being listed at number eighteen of the biggest hit singles of 1976 - higher than some
No.1s of the year.[20] The single was also certified gold for sales of over one million copies in the US. [21] With the
Canadian record-buying public, the single fared better, reaching number one in the RPM national singles chart on 1
May 1976.[22]
Promotional video
Though some artists had made video clips to accompany songs (including Queen themselves; for example, "Keep
Yourself Alive", "Seven Seas Of Rhye", "Killer Queen" and "Liar" already had "pop promos", as they were known at
the time), it was only after the success of "Bohemian Rhapsody" that it became regular practice for record companies
to produce promotional videos for artists' single releases.[23] These videos could then be shown on television shows,
such as the BBC's Top of the Pops, without the need for the artist to appear in person. A promo video also allowed
the artist to have their music broadcast and accompanied by their own choice of visuals, rather than dancers such as
Pan's People. According to May, the video was produced so that the band could avoid miming on Top of the Pops,
since they would have looked off miming to such a complex song.[16] He also said that the band knew they would be
set to appear at Dundee's Caird Hall on tour and unable to appear on the programme anyway.[5] The video has been
hailed as launching the MTV age.[5]
The band was signed to a company called Trillian, who supplied sports coverage for ITV. They hired one of their
trucks and got it to Elstree Studios, where the band were rehearsing for their tour. The video was directed by Bruce
Gowers, who had directed a video of the band's 1974 performance at the Rainbow Theatre in London, and was
recorded by cameraman Barry Dodd and assistant director/floor manager Jim McCutcheon. The video was recorded
in just four hours on 10 November 1975, at a cost of £4,500.[11] The director said that the band was involved in the
discussion of the video and the end result, and "was a co-operative to that extent, but there was only one leader."[5]
The video opens with a shot of the four band members in near darkness as they sing the a cappella part. The lights
fade up, and the shots cross-fade into close-ups of Freddie. The composition of the shot is the same as Mick Rock's
cover photograph for their second album Queen II. The photo, inspired by a photograph of actress Marlene Dietrich,
was the band's favourite image of themselves.[5] The video then fades into them playing their instruments. In the
opera section of the video, the scene reverts back to the "Queen II" standing positions, after which they perform once
again on stage during the hard rock segment. In the closing seconds of the video Roger Taylor is depicted stripped to
the waist, striking the tam tam in the manner of the trademark of the Rank Organisation's Gongman, familiar in the
UK as the opening of all Rank film productions.
All of the special effects were achieved during the recording, rather than editing. The visual effect of Mercury's face
cascading away (during the echoed line "go") was accomplished by pointing the camera at a monitor, giving visual
feedback, a glare analogous to audio feedback. The honeycomb illusion was created using a shaped lens. The video
was edited within five hours because it was due to be broadcast the same week in which it was taped. The video was
sent to the BBC as soon as it was completed and aired for the first time on Top of the Pops in November 1975.[5]
After a few weeks at number one, an edit of the video was created. The most obvious difference is the flames
superimposed over the introduction as well as several alternate camera angles.
Critical reaction, acclaim and legacy

Although the song has become one of the most revered in popular music history, some initial critical reaction was
poor. Melody Maker said that Queen "contrived to approximate the demented fury of the Balham Amateur Operatic
Society performing The Pirates of Penzance".[5] The newspaper's critic Allan Jones heard only a "superficially
impressive pastiche" of operatic styles.[16]
Nevertheless the song has won numerous awards, and has been covered and parodied by many artists. In 1977, only
two years after its release, the British Phonographic Industry named "Bohemian Rhapsody" as the best British single
of the period 1952–77.[24] It is a regular entry in greatest-songs polls, and it was named by the Guinness Book of
Records in 2002 as the top British single of all time.[6] In 2004, Rolling Stone magazine placed this song in the 163rd
spot on its list of The 500 Greatest Songs of All Time.[25] The song is also listed in the Rock and Roll Hall of Fame's
500 Songs that Shaped Rock and Roll.[26]
The song also came in tenth in a BBC World Service poll to find the world's favourite song.[27] In 2000 it came
second to "Imagine" by John Lennon in a Channel 4 television poll of The 100 Best Number 1s. It has been in the top
5 of the Dutch annual "Top 100 Aller Tijden" ("All-Time Top 100 [Singles]") since 1977, reaching number one on
eight occasions, more than any other artist.[28] In 1999, the annual "Top 2000" poll commenced to find the best songs
ever made, and "Bohemian Rhapsody" has been ranked number one in all but two years (2005 and 2010 when it was
number two).[29]
In 2004 the song was inducted into the Grammy Hall of Fame.[30] As of 2004, "Bohemian Rhapsody" is the second
most played song on British radio, in clubs and on jukeboxes collectively, after Procol Harum's "A Whiter Shade of
Pale".[31] On 30 September 2007 on the Radio 1 Chart Show, for BBC Radio 1's 40th birthday, it was revealed that
"Bohemian Rhapsody" was the most played song since Radio 1's launch. In 2004, BBC Three featured the song as
part of their The Story of... series of documentaries dedicated to specific songs. First broadcast in December 2004,
the programme charted the history of the song, discussed its credentials, and took Roger Taylor and Brian May of
Queen back to one of the studios in which it was recorded.
In 2004, when the "Greatest Hits" of Queen was released in Iran, the explanatory leaflet accompanying the cassette
tape described the song saying that the hero, "killed a man" by accident, and sold his soul to the devil but regained
his soul by invoking the name of God in Arabic (Bismillah) on the night of his execution.[32]
Wayne's World
The song enjoyed renewed popularity in 1992 as part of the soundtrack to the film Wayne's World. The film's
director, Penelope Spheeris, was hesitant to use the song, as it did not entirely fit with the lead characters, who were
fans of less flamboyant hard rock and heavy metal. However, Mike Myers insisted that the song fit the scene.[33]
According to music scholar Theodore Gracyk, by 1992, when the film was released, even "classic rock" stations had
stopped playing the six-minute song. Gracyk suggests that beginning the tape in the middle of the song after "the
lyrics which provide the song's narrative ... forces the film's audience to respond to its presence in the scene without
the 'commentary' of the lyrics."[24] Helped by the song, the soundtrack album of the film was a major hit.[34]
In connection with this, a new video was released, intercutting excerpts from the film with footage from the original
Queen video, along with some live footage of the band. Myers was horrified that the record company had mixed
clips from Wayne's World with Queen's original video, fearing that this would upset the band. He said, "they've just
whizzed on a Picasso." He asked the record company to tell Queen that the video was not his idea, and that he
apologised to them. The band, though, sent a reply simply saying, "Thank you for using our song." This shocked
Myers, who said it should be more like him telling Queen, "Thank you for even letting me touch the hem of your
garments!"[35]
The Wayne's World video version of "Bohemian Rhapsody" won Queen its only MTV Video Music Award for "Best
Video from a Film".[36] When remaining members Brian May and Roger Taylor took the stage to accept the award,
Brian May was overcome with emotion and said that "Freddie would be tickled." In the final scene of said video, a
pose of the band from the video from the original "Bohemian Rhapsody" clip morphs into an identically posed 1985
photo, first featured in the "One Vision" video. This re-release (with "The Show Must Go On" as a double-A side)
hit #2 in the US in 1992, 16 years after the original 1976 US release peaked at #9.[8]
Live performances
The a cappella opening was too complex to perform live, so Mercury
tried various ways of introducing the song. When the song "Mustapha"
became a live favourite, Mercury would often sub in that song's a
cappella opening, which was easier to reproduce live as it was only
one voice. During the Hot Space Tour, and occasionally at other times,
Mercury would do a piano improvisation (generally the introduction to
"Death on Two Legs") that ended with the first notes of the song.
Often, the preceding song would end, and Mercury would sit at the
piano, say a quick word and start playing the ballad section. From left to right: John Deacon, Roger Taylor
and Brian May in concert in Hanover in 1979.
Initially following the song's release, the operatic middle section
Behind the drum kit is the tam-tam used at the
proved a problem for the band. Because of extensive multi-tracking, it end of "Bohemian Rhapsody".
could not be performed on stage. The band did not have enough of a
break between the Sheer Heart Attack and A Night at the Opera tours to find a way to make it work live, so they split
the song into three sections that were played throughout the night. The opening and closing ballads were played as
part of a medley, with "Killer Queen" and "March of the Black Queen" taking the place of the operatic and hard rock
sections.
Starting with the A Day at the Races Tour in 1977, the band adopted their lasting way of playing the song live. The
opening ballad would be played on stage, and after Brian May's guitar solo, the lights would go down, the band
would leave the stage, and the operatic section would be played from tape. A blast of pyrotechnics after Roger
Taylor's high note on the final "for me" would announce the band's return for the hard rock section and closing
ballad. Queen played the song in this form all through the Magic Tour of 1986. This style was also used for the
Freddie Mercury Tribute Concert, with Elton John singing the opening ballad and then after the taped operatic
section, Axl Rose singing the hard rock section. John and Rose sang the closing ballad part together in a duet.
"Bohemian Rhapsody" was performed by Queen + Paul Rodgers throughout their tours, accompanied by a video of
Mercury.[37] Footage from the Live at Wembley '86 was used for the 2005/6 tour, and the 1981 Montreal
performance used for the Rock the Cosmos Tour. As with the Queen tours, the band went backstage for the operatic
section, which was accompanied by a video tribute to Freddie Mercury. When the hard rock section began, the lights
came back up to the full band on stage, including Rodgers, who took over lead vocals. Rodgers duetted with the
recording of Mercury for the "outro" section, allowing the audience to sing the final "Nothing really matters to me",
while the taped Mercury took a bow for the crowd. Rodgers would then repeat the line, and the final line ("Any way
the wind blows") was delivered with one last shot of Mercury smiling at the audience. Commenting upon this
staging, Brian May says that they "had to rise to the challenge of getting Freddie in there in a way which gave him
his rightful place, but without demeaning Paul in any way. It also kept us live and 'present', although conscious and
proud of our past, as we logically should be."[6]
Chart performance
Weekly charts
Chart (1975) Peak

position
[38] 1
UK Singles (The Official Charts Company)
Chart (1976) Peak

position
[39] 1
Canada (RPM 100)
[40] 1
Netherlands (Mega Single Top 100)
[41] 1
New Zealand (RIANZ)
[42] 9
US Billboard Hot 100
Chart (1992) Peak

position
[42] 2
Year-end charts
UK Singles 22
UK Singles 35
[43] 18
[44] 2
UK Singles
UK Singles 15
[45] 39
Decade-end charts
Chart (1970–79) Position
[46] 7
UK Singles
Chart (1990–99) Position
UK Singles 23
“
I'm going to shatter some illusions, it was just one of those pieces I wrote for the album: just writing my batch of songs. In its early stages I
almost rejected it, but then it grew. We started deciding on a single about halfway through. There were a few contenders - we were thinking of
The Prophets Song at one point - but then 'Bohemian Rhapsody' seemed the one. There was a time when the others wanted to chop it around a
bit, but I refused. If it was going to be released, it would be in its entirety. We knew it was very risky, but we had so much confidence in that
song - I did anyway. I felt, underneath it all, that if it was successful it would earn a lot of respect. People were all going, You're joking, they'll
never play it, you'll only hear the first few bars and then they'll fade it out. We had numerous rows. EMI were shocked - A six-minute single?
You must be joking! The same in America - Oh, you just got away with it in Britain. ”
[47]
—Freddie Mercury
“
When we finished the album, the Night at the Opera album, that was the track on it that we thought we were gonna release as a single in
England first. And when we released it in England we didn't necessarily think it'd be released in America, cause we know even over here, you
know, the AM tastes are even more (hesitates) stricter. Anyway we did have thoughts about even in England, perhaps editing it down at all,
but we listened to it over and over again and there was no way we could edit it. We tried a few ideas, but if you edited it, you always lost some
part of the song, so we had to leave it all in. And luckily it took off anyway. ”
[48]
—John Deacon
Personnel
• Freddie Mercury: lead vocal, piano, accompaniment vocals
• Brian May: lead and rhythm guitar, backing vocals
• John Deacon: bass guitar
• Roger Taylor: drums, timpani, gong
Notes
[1] Hodkinson 2004, p. 194.
[2] Corn 2005, p. 24.
[3] Heatley 2008, p. 109.
[4] http:/ / www. rollingstone. com/ music/ lists/ the-500-greatest-songs-of-all-time-20110407/ queen-bohemian-rhapsody-19691231
[5] BBC 2004b.
[6] Chiu 2005.
[7] Whiteley 2006, p. 252.
[8] Peraino 2005, p. 230.
[9] According to an interview with Chris Smith for the documentary Queen: Days of our Lives (BBC, 2011)
[10] Cunningham 1995.
[11] Hodkinson 2004, p. 192.
[12] Classic Albums 2006.
[13] Peraino 2005, p. 231.
[14] Whiteley 2006, p. 253.
[15] Peraino 2005, p. 232.
[16] Black 2002.

[17] Davis 1993, p. 20.
[18] BBC 2004a.
[19] BBC 2005.
[20] Billboard Top 100 - 1976. "Billboard - end of year charts, 1976" (http:/ / longboredsurfer. com/ charts/ 1976. php). Longboredsurfer.com. .
[21] "Recording Industry Association of America" (http:/ / www. riaa. com/ goldandplatinumdata.
php?content_selector=gold-platinum-searchable-database#). RIAA. . Retrieved 2011-08-10.
[22] "Top Singles – Volume 25, No. 5, 1 May 1976" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e.
php?brws_s=1andfile_num=nlc008388. 4125aandtype=1andinterval=24andPHPSESSID=kjerdnvbvl3a8p4jfufutrc7u6).
[23] On the role and tasks of a record producer. J Muikku – Popular Music and Society, 1990
[24] Gracyk 2007, p. 63.
[25] Rolling Stone 2004.
[26] "The Songs That Shaped Rock and Roll" (http:/ / rockhall. com/ exhibits/ one-hit-wonders-songs-that-shaped-rock-and-roll/ ). Rock & Roll
Hall of Fame. . Retrieved July 13, 2011.
[27] BBC 2002.
[28] Radio Veronica.
[29] Top 2000 (http:/ / top2010. radio2. nl/ lijsten) radio2.nl. Retrieved July 13, 2011
[30] The Recording Academy 2004.
[31] ClashMusic.com 2009.
[32] Connor, Alan Smashed Hits: What is a Bohemian Rhapsody? (http:/ / www. bbc. co. uk/ news/ magazine-13761091) BBC News. Retrieved
16 June 2011
[33] Gracyk 2007, p. 64.
[34] Gracyk 2007, p. 65.
[35] Made in Heaven video documentary "Champions of the World."
[36] Rock and Roll Hall of Fame.
[37] Daily Telegraph 2008.
[38] " December 1975 Archive Chart" (http:/ / www. theofficialcharts. com/ archive-chart/ _/ 1/ 20) UK Singles Chart. The Official Charts
Company.
[39] "RPM Top Singles" (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?andfile_num=nlc008388.
4125aandtype=1andinterval=20andPHPSESSID=m89iq841abagb37ld9c0fdc1f3). RPM 25 (5). 1 May 1976. . Retrieved 23 June 2010.
[40] " Dutchcharts.nl – Queen – Bohemian Rhapsody" (http:/ / www. dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Bohemian+
Rhapsody& cat=s) (in Dutch). Mega Single Top 100. Hung Medien / hitparade.ch.
[41] " Charts.org.nz – Queen – Bohemian Rhapsody" (http:/ / www. charts. org. nz/ showitem. asp?interpret=Queen& titel=Bohemian+
Rhapsody& cat=s). Top 40 Singles. Hung Medien.
[42] " Queen Album & Song Chart History" (http:/ / www. billboard. com/ #/ artist/ Queen/ chart-history/ 5473?f=379& g=Singles) Billboard
Hot 100 for Queen. Prometheus Global Media.
[43] "Billboard Top 100 – 1976" (http:/ / longboredsurfer. com/ charts/ 1976. php). . Retrieved 11 May 2011.
[44] "End of year charts 1991" (http:/ / www. everyhit. com/ chart5. html). Everyhit. . Retrieved 2011-05-28.
[45] "Billboard Top 100 – 1992" (http:/ / longboredsurfer. com/ charts/ 1992. php). . Retrieved 30 July 2010.
[46] "End of decade charts" (http:/ / www. everyhit. com/ chart3. html). Everyhit. . Retrieved 2011-05-28.
[47] "Sounds January 1976" (http:/ / www. queenarchives. com/ index. php?title=Freddie_Mercury_-_01-XX-1976_-_Sounds).
Queenarchives.com. 1975-12-24. . Retrieved 2011-08-10.
[48] "Interview 1977" (http:/ / www. queenarchives. com/ index. php?title=John_Deacon_-_XX-XX-1977_-_Innerview). Queenarchives.com. .
References
• Hodkinson, Mark (2004). Queen: the early years. Music Sales Ltd. ISBN 1844490122.
• Pope, Rob (2002). The English studies book: an introduction to language, literature and culture. Routledge.
ISBN 0-415-25709-3.
• "What is a Bohemian Rhapsody?" (http://www.bbc.co.uk/news/magazine-13761091). BBC News. 15 June
2011. Retrieved June 2011.
• Corn, John (2005). Britain Since 1948. Folens Publishers. ISBN 1-843-03985-0.
• Heatley, Michael (2008). Massive Music Moments. Collins and Brown. ISBN 1-843-40493-1.
• Directed by Carl Johnston (4 December 2004). The Story of Bohemian Rhapsody (http://www.imdb.com/title/
tt0438465/) (Television production). BBC.
• Peraino, Judith (2005). Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig.
University of California Press. ISBN 0-520-21587-7.
• Chiu, David (27 December 2005). "Unconventional Queen Hit Still Rocks After 30 Years" (http://nytimes.com/
2005/12/27/arts/music/27quee.html?ex=1293339600anden=5825caa9f4db1fb0andei=5090). The New York
Times. Retrieved 12 April 2010.
• Allen, Nick (3 December 2009). "Muppets' Bohemian Rhapsody takes YouTube by storm" (http://www.
telegraph.co.uk/news/celebritynews/6714562/Muppets-Bohemian-Rhapsody-takes-YouTube-by-storm.html).
The Daily Telegraph (London). Retrieved 10 April 2010.
• Davis, Andy (1993). "Queen's Bohemian Rhapsody". Record Collector (167): 20.
• Black, Johnny (2002). "The Greatest Songs Ever! Bohemian Rhapsody" (http://www.blender.com/guide/
66831/greatest-songs-ever-bohemian-rhapsody.html). Blender. Retrieved 12 April 2010.
• "Queen album brings rock to Iran" (http://news.bbc.co.uk/2/hi/entertainment/3593532.stm). BBC News. 24
August 2004. Retrieved 12 April 2010.
• Gracyk, Theodore (2007). Listening to Popular Music: Or, How I Learned to Stop Worrying and Love Led
Zeppelin. University of Michigan Press. ISBN 0-472-06983-7.
• "Grammy Hall of Fame Award" (http://www2.grammy.com/Recording_Academy/Awards/Hall_Of_Fame/).
Grammy.com. 2004. Retrieved 20 April 2010.
• "Most Played Song On British Radio" (http://www.clashmusic.com/news/most-played-song-on-british-radio).
ClashMusic.com. 2009. Retrieved 12 April 2010.
• Cunningham, Mark (October 1995). "An Invitation to the Opera" (http://www.soundonsound.com/sos/
1995_articles/oct95/queen.html). Sound on Sound. Retrieved 12 April 2010.
• Directed by Matthew Longfellow (21 March 2006). A Making of 'A Night at the Opera' (http://www.imdb.com/
title/tt0833880/) (DVD). Classic Albums.
• "500 Greatest Songs of All Time" (http://www.metrolyrics.com/rs/). Rolling Stone. 2004. Retrieved 12 April
2010.
• "Irish song voted world's favourite" (http://news.bbc.co.uk/2/hi/entertainment/2591357.stm). BBC News.
20 December 2002. Retrieved 12 April 2010.
• "Top 100 Aller Tijden" (http://www.top100-allertijden.nl/html/diverse/thatarti.htm#Q). Radio Veronica.
• Buckley, Peter (2003). The rough guide to rock. Rough Guides. ISBN 1-85828-457-0.
• Whiteley, Sheila (2006). Queering the Popular Pitch. Routledge. ISBN 0-415-97805-X.
• "Press Release: Queen + The Muppets Single" (http://brianmay.com/queen/queennews/queennewsdec09a.
html#07). BrianMay.com. 2009. Retrieved 12 April 2010.
• "Bohemian Rhapsody" (http://www.bbc.co.uk/radio2/soldonsong/songlibrary/indepth/bohemianrhapsody.
shtml). BBC Radio 2. April 2005. Retrieved 21 April 2010.
• "Queen: inducted in 2001" (http://rockhall.com/inductees/queen). Rock and Roll Hall of Fame. Retrieved 23
April 2010.
• Chael, David (13 October 2008). "Review: Queen and Paul Rodgers on tour" (http://www.telegraph.co.uk/
culture/music/rockandjazzmusic/3562079/Review-Queen-and-Paul-Rodgers-on-tour.html). Daily Telegraph
(London). Retrieved 23 April 2010.
• "Bohemian Rhapsody Chart Entries" (http://tsort.info/music/7qb05m.htm). Tsort.info. Retrieved 20 April
2010.
External links
• Official music video (https://www.youtube.com/watch?v=fJ9rUzIMcZQ&ob=av3e) on YouTube
"You're My Best Friend"

Single by Queen
from the album A Night at the Opera
B-side '39
Format 7"
Recorded 1975
Genre [1]
Pop rock
Length 2:52
Writer(s) John Deacon
Producer Roy Thomas Baker and Queen
"Bohemian "You're My Best "Somebody to

Rhapsody" Friend" Love"
(1975) (1976) (1976)
12 tracks
Side one
5. "'39"
6. "Sweet Lady"
Side two

3. "Good Company"
"You're My Best Friend" is a song by British rock band Queen, written by their bassist John Deacon. It was
originally included on the A Night at the Opera album in 1975, and later released as a single. The song also appeared
on the Live Killers (1979) live album and on the compilation album Greatest Hits (1981).
History
Deacon wrote the song for his wife, Veronica, to whom he remains married to this day. In this song, he plays a
Wurlitzer electric piano in addition to bass guitar.[2] The characteristic "bark" of the Wurlitzer's bass notes plays a
prominent role in the song. During live performances, the band used a grand piano rather than an electric, and it
would be played by Freddie Mercury, while Deacon played the bass guitar.
The music video, directed by Bruce Gowers, shows the band in a huge ballroom surrounded by over one thousand
candles, including a huge chandelier hung from the ceiling.[3] The video was filmed in April 1976.[3] (May later
mentioned that the video was shot in the middle of a very unpleasant heatwave and the ballroom in which they were
filming did not have air conditioning.) Also, Deacon is seen playing a grand piano, even though he plays a regular
electric on the recording.[4]
The Supernaturals covered the song in 1998 as the B-side to their single "Everest". Straight No Chaser, a US a
capella group, also covered the song for their 2010 album With a Twist, a collection of cover songs.
The song was used in promos for FX's Wilfred.
Composition
The song was composed by John Deacon, with a meter of 4/4 (12/8), with one bar in 6/4 during the chorus, and a key
of C-major, (a-minor).[5]
The album A Night at the Opera features songs of numerous styles including this three-minute ballad rock/pop song.
Very unusually for the genre there is no section appearing more than twice. On the other hand, in terms of phrases
and measures, we find numerous repetitions or variants. The form is cyclic and very similar to that of "Spread Your
Wings" (1977). Another similarity between the two songs is the lack of (real) modulation. The arrangement features
3- and 4-part vocal and guitar harmonies (no rhythm guitar), bass (melodic approach), drums, and electric piano.
This is Deacon's second recorded song and the first one released on single (some six months after the album-release).
Mercury's lead vocal features lot of "special effects" (voice, rubato-ized rhythms, ornaments, slided notes).[5]
Queen about the song

The band answered Tom Browne on 24 December 1977 in a live BBC Radio One interview, regarding Deacon's
control of the piano for the recording:
“
Well, Freddie didn't like the electric piano, so I took it home and I started to learn on the electric piano and basically that’s the song that came
out you know when I was learning to play piano. It was written on that instrument and it sounds best on that. You know, often on the
instrument that you wrote the song on. ”
[6]
—John Deacon
“
I refused to play the damn thing (the Wurlitzer). It's tiny and horrible and I don't like them. Why play those things when you’ve got a lovely
superb grand piano? No, I think, basically what he [John] is trying to say is it was the desired effect.
”
[2]
—Freddie Mercury
Personnel
• John Deacon – Wurlitzer electric piano, bass guitar
• Brian May – guitar, backing vocals
• Freddie Mercury – lead and backing vocals
• Roger Taylor – drums, backing vocals
Notes
[1] Prato, Greg. "allmusic" (http:/ / www. allmusic. com/ song/ t5425556). Allmusic. . Retrieved 15 April 2010.
[2] "You're My Best Friend by Queen" (http:/ / www. songfacts. com/ detail. php?id=1507). songfacts.com. . Retrieved 2010-03-10.
[3] Promo Videos: You're My Best Friend (http:/ / www. ultimatequeen. co. uk/ videos/ queenpromo. htm) Ultimate Queen. Retrieved 11
November 2011
[4] You're My Best Friend (http:/ / www. ultimatequeen. co. uk/ songs/ anightat. htm#youre) Ultimate Queen. Retrieved 11 November 2011
[5] Queen Songs: You're My Best Friend (http:/ / www. queensongs. info/ the-book/ songwriting-analyses/ no-synth-era/ a-night-at-the-opera/
youre-my-best-friend. html) Queen Songs. Retrieved 11 November 2011
[6] "You're My Best Friend" (http:/ / www. queenpedia. com/ index. php?title=You're_My_Best_Friend). queenpedia.com. . Retrieved
2010-03-10.
"Somebody to Love"
"Somebody to Love"
Single by Queen
from the album A Day at the Races
B-side "White Man"
Format 7"
Recorded 1976
Genre Rock
Length 4:56
Label EMI, Elektra
Producer Queen
"You're My Best "Somebody to "Tie Your Mother

Friend" Love" Down"
(1976) (1976) (1977)
"Somebody to Love" is a song by British rock band Queen. Written by lead vocalist and pianist Freddie Mercury,
the track featured on their 1976 album A Day at the Races, and also appears on the band's compilation album,
Greatest Hits.[1] When released as a single, the song reached number two in the UK and number 13 in the Billboard
Hot 100 in the United States.[2] [3]
Written by Mercury at the piano, "Somebody to Love" is a soul-searching piece that questions God's role in a life
without love. A song inspired by gospel music, especially that of Aretha Franklin, Mercury, Brian May, and Roger
Taylor multi-tracked their voices to create a 100-voice gospel choir.[4]
Queen played "Somebody to Love" live between 1977 to 1985, and a live performance of the song is recorded in the
album Queen Rock Montreal.[5] The song was played live on April 20, 1992, during The Freddie Mercury Tribute
Concert, performed by George Michael with Queen.[6] Since its release, the song has appeared on television, film,
and has been covered by a number of artists.
Song
Like "Bohemian Rhapsody", the major hit from Queen's previous album A Night at the Opera (1975), "Somebody to
Love" has a complex melody and deep layering of vocal tracks, this time based on a gospel choir arrangement. It was
the first single from the album A Day at the Races, on which band members Freddie Mercury, Brian May and Roger
Taylor multitracked their voices to create the impression of a 100-voice gospel choir.[4] The lyrics, especially
combined with the gospel influence, create a song about faith, desperation and soul-searching; the singer questions
both the lack of love experienced in his life, and the role and existence of God.[1] Staying true to Queen's
guitar-driven style, it was also filled with intricate harmonies and a notable guitar solo by Brian May, and it went to
number 2 in the UK Singles Chart and number 13 on the Billboard Hot 100 in the U.S.[2] [3] The song possesses a
great variety of notes, ranging from F2 in the harmonies on the line "Can anybody find me?", and G#2 to a C5 in full
voice up to an A♭5 in falsetto in the lead vocals, all sung by Mercury.[7] The band have spoken of sections of the
song which were recorded but never made it onto the final mix of the song, some of which have been leaked online.
“
"'Somebody To Love' is Aretha Franklin-influenced. Freddie's very much into that. We tried to keep the track in a loose, gospel-type feel. I
think it's the loosest track we've ever done."
”
[8]
—Roger Taylor
A promotional video was made combining a staged recording session at Sarm East Studios (where the A Day at the
Races album was recorded) and film footage of the band's record breaking performance at Hyde Park that
September.[4] [9] Peter Hince, the head of Queen's road crew, recalled to Mojo magazine: "Aesthetically, you had to
have all four around the microphone, but John (Deacon) didn't sing on the records. By his own admission he didn't
have the voice. He did sing on-stage but the crew always knew to keep the fader very low." [10] The song was
included on their first Greatest Hits, released in 1981.[1]
Live performances
This was also one of few tracks where John Deacon sang backing vocals when performed live. His voice was clearly
heard on bootlegs from the band's performance at Earls Court in June 1977 and at the Houston Summit in December
1977.[11] From 1977 to 1978, it was played about every show.[11] [12] For the Jazz and Live Killer tours, it was also
played consistently.[13] In The Game Tour, it was only played early in the tour. It was also played for South America
Bites The Dust, Live at the Bowl and Queen Rock Montreal.[5] [14] Later in The Works Tour, a shortened version was
played as a medley preceding "Killer Queen".[15] A Live version from the 1984/85 tour was recorded and filmed on
the concert film, Final Live in Japan 1985.[16]
When performed live, Mercury would often alter the melodies of the song, but would generally hit the sustained A♭4
notes throughout the song. The A♭4 at the peak of the building line "can anybody find me" on the studio version was
not part of Mercury's original melody, but the other band members felt that it worked better than his. Mercury sings
his original take on this line when live.
At the 1992 Freddie Mercury Tribute Concert held at Wembley Stadium, the song was performed by George
Michael. Michael's performances of "Somebody to Love" hailed as "one of best performances of the tribute
concert".[17] [18] It was even given serious consideration as to having George Michael take over as full-time lead
singer of Queen.[19] The song was later rereleased in 1993 as the lead track of an EP called Five Live which went to
#1 in the UK. This version is also available on Greatest Hits III, released in 1999.[1]
Personnel
• Freddie Mercury - lead vocals, piano, gospel choir
• Brian May - guitar, backing vocals, gospel choir
• Roger Taylor - drums, backing vocals, gospel choir
Notable covers
• George Michael performed the song with Queen's remaining members at the Freddie Mercury Tribute Concert in
April 1992.[6]
• G4 sang this on 27 November during The X Factor 2004.
• Anne Hathaway sang this song in her role as Ella in the movie Ella Enchanted.[20]
• Elliott Yamin, who placed third in season five of American Idol, sang this song on Week 8 of live performances
• Brittany Murphy sang this song in the movie Happy Feet as her emperor penguin character Gloria.[21]
• Ben Mills sang this on 2 December during Barry Manilow and contestant's choice week of The X Factor 2006.
• Rhydian Roberts sang it on 1 December during Best of British week of The X Factor 2007.
• The cast of Glee covered it in the episode "The Rhodes Not Taken" (2009).[22]
• Joe McElderry sang this on 14 November during Queen week of The X Factor 2009.
• Ednita Nazario, the Puerto Rican diva singer, made a cover of this song in Spanish called "Un Hombre Para Mí"
in her 1992 album Metamorfósis.
• Mia Martini, an Italian singer, made a cover of this song in Italian called "Un uomo per me" in 1977.
• Spandau Ballet frontman Tony Hadley often performs the song live at his solo concerts.
• In the film Late Last Night, Steven Weber's character sings the song during a drug-infused dreamy scene.
• Todrick Hall performed this song on the ninth season of American Idol during the top 16.
• In 2009, the singers at BBC's Children in Need Wales, the song was sung as the finale of the concert at Wales
Millenium Centre in Cardiff. Notable singers included Bonnie Tyler, Only Men Aloud, Kerry Ellis and John
Owen-Jones.
• In 2010, a group of 60 students from The Hebrew University have performed a Lip dub version of the song,[23]
which received critical acclaim, especially after Queen guitarist Brian May published his positive opinion,
writing: "I ... got quite a lump in the throat. It's very well done, with great heart and joy, and I'm sure Freddie
(-Mercury, the late Queen soloist) would love it."[24]
• UK-based car insurance price comparison site Confused.com covered the song for an advert November 2010. The
vocals were sung by west end star Louise Dearman.[25]
References
[1] Queen: Somebody to Love (http:/ / www. allmusic. com/ song/ somebody-to-love-t2415720) Allmusic. Retrieved 6 July 2011
[5] Queen Rock Montreal (http:/ / www. allmusic. com/ album/ r1239496) Allmusic. Retrieved 1 September 2011
[6] The Freddie Mercury Tribute Concert: Somebody to Love (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#somebody)
Retrieved June 25, 2011
[7] Freddie Mercury's highest notes (http:/ / www. youtube. com/ watch?v=BWIaoj4dGq8). YouTube. . Retrieved 2011-01-05
[8] "Somebody To Love" (http:/ / www. queenpedia. com/ index. php?title=Somebody_To_Love). queenpedia.com. . Retrieved 2010-03-13.
[9] Queen play Hyde Park (http:/ / www. bbc. co. uk/ music/ sevenages/ events/ stadium-rock/ queen-play-hyde-park/ ) BBC. Retrieved 1
September 2011
[10] Somebody To Love Songfacts (http:/ / www. songfacts. com/ detail. php?id=6669)
July 2, 2011
[13] Queen live on tour: Jazz (http:/ / www. queenconcerts. com/ live/ queen/ jazz. html) Queen Concerts. Retrieved 1 September 2011
[14] Queen live on tour: S. America Bites The Dust (http:/ / www. queenconcerts. com/ live/ queen/ southam. html) Queen Concerts. Retrieved 1
September 2011
[15] Queen live on tour: The Works 1984 (http:/ / www. queenconcerts. com/ live/ queen/ works1984. html) Queen Concerts. Retrieved 1
September 2011
[16] Final Concert Live In Japan: Somebody To Love (http:/ / www. ultimatequeen. co. uk/ videos/ finaljapan. htm#somebody) Ultimate Queen.
[17] h2g2 – Queen's Greatest Hits 3 (http:/ / www. bbc. co. uk/ dna/ h2g2/ A3818793). BBC (1997-01-17). Retrieved on 2011-04-21.
[18] Queen Greatest Vol 3 (http:/ / www. albumlinernotes. com/ Queen_Greatest_Vol_3. html). Albumlinernotes.com (1997-01-17). Retrieved
on 2011-04-21.
[19] Queen – Television Tropes & Idioms (http:/ / tvtropes. org/ pmwiki/ pmwiki. php/ Main/ Queen). Tvtropes.org (2010-01-01). Retrieved on
2011-04-21.
[20] Ella Enchanted Original Soundtrack (http:/ / www. allmusic. com/ album/ r685405) Allmusic. Retrieved 1 September 2011
[21] Happy Feet Soundtrack (http:/ / www. soundtrack. net/ albums/ database/ ?id=4256) Soundtrack Net. Retrieved 1 September 2011
[22] 'GLEE: The Music, Volume 1' Track Listing Revealed (http:/ / broadwayworld. com/ article/
GLEE_The_Music_Volume_1_Track_Listing_Revealed_20090831) Broadway world. Retrieved 16 July 2011
[23] "Lipdub -somebody to love - GLEE - the Hebrew University of Jerusalem" (http:/ / www. youtube. com/ watch?v=IPo-6kxgiDk) (Video).
Hebrew University of Jerusalem campus, Jerusalem, Israel. 2010-10-10. . Retrieved 2011-02-11.
[24] May, Brian (2010-02). "Letters" (http:/ / www. brianmay. com/ brian/ letters/ lettersoct10. html). . Retrieved 2011-02-05.
[25] Somebody to Love - Confused.com Advert (http:/ / www. brianmay. com/ queen/ queennews/ queennewsnov10. html) BrianMay.com.
External links
• The Sunday Freeman (http://queenarchives.com/index.
php?title=Queen_-_12-05-1976_-_Somebody_to_Love_-_The_Sunday_Freeman,_NY) - review
• Queenpedia (http://queenpedia.com/index.php?title=Somebody_To_Love_(single)) - detailed worldwide
release information

Single by Queen
B-side "You and I"
Format 7"
Recorded 1976
Genre Rock
Length • 3:45 (single)

• 4:48 (album version)
Writer(s) Brian May
Producer Queen
"Somebody to "Tie Your Mother "Teo Torriatte (Let Us Cling

Love" Down" Together)"
(1976) (1977) (1977)
"Tie Your Mother Down" is a song by the English rock group Queen, written by guitarist Brian May. It is the
opening track and the second single from their 1976 album A Day at the Races. On the album, the song is preceded
by a one-minute instrumental intro featuring a Shepard tone melody, which is actually a reprise of the ending of "Teo
Torriatte": this was intended to create a "circle" in the album, typical, for example, of Pink Floyd's albums.
After its release in 1976, it was played by Queen on every subsequent tour.[1] At the 1992 Freddie Mercury Tribute
Concert, the song was co-performed by Queen and guests Joe Elliot and Slash.[2] On several occasions in the recent
years, May and Taylor have played this song live with the Foo Fighters, including performances at Queen's Rock and
Roll Hall of Fame induction ceremony in 2001, and the VH1 Rock Honors in 2006.
History
May started writing the song in Tenerife, while he was working for his Ph.D. as an astronomer. He composed the riff
on a Spanish guitar, and woke up early one morning and played it while singing "tie your mother down," a line he
considered a joke. Queen vocalist Freddie Mercury encouraged him to keep the line, similar to what happened
between John Lennon and Paul McCartney with the line "the movement you need is on your shoulder" from The
Beatles' song "Hey Jude". "Tie Your Mother Down" opens with an ultra-heavy, stripped down Brian May guitar
riff.[3]
A promotional film was made for the song, directed by Bruce Gowers, based on a performance clip shot at Nassau
Coliseum in Long Island, New York in February, 1977 during the band's US arena headlining tour.[4]
Though it was a long-time live favorite and a US FM rock radio favorite, the song had limited chart success, making
#31 in the UK and #49 in the US. Therefore it was included on the band's first Greatest Hits compilation in certain
markets only; however, the song is featured on the Queen Rocks compilation album, together with some of the band's
heaviest songs.[5]
In a BBC Radio 4 tribute program to Rory Gallagher, May stated that a key inspiration for the riff of this song came
from Taste's 'Morning Sun' from their On The Boards (1970) album. The riff is also quite close in sound to the verse
riff from T.Rex's song "Funky London Childhood", from their January 1976 album, Futuristic Dragon.
In a 1976 interview on Capital Radio, Freddie Mercury was asked why "tie your mother down"? He replied: "Well
this one in fact is a track written by Brian (May) actually, I dunno why. Maybe he was in one of his vicious moods. I
think he's trying to out do me after 'Death on Two Legs' actually." [6]
Personnel
• John Deacon: Bass, Backing vocals.
• Brian May: Guitar, Backing vocals.
• Freddie Mercury: Vocals.
• Roger Taylor: Drums, Backing vocals.
Live performances
After its release in 1976, "Tie Your Mother Down" would go on to become the most frequent opening number for
the remainder of the band's long career.[1] [3] At the 1992 Freddie Mercury Tribute Concert, the song was
co-performed by Queen and guests Joe Elliot and Slash.[2] May sang the first verse and chorus before handing over
the vocal part to the Def Leppard singer Joe Elliot.[2] On several occasions in the recent years, Brian and Roger have
played this song live with the Foo Fighters, including performances at Queen's Rock and Roll Hall of Fame
induction ceremony in 2001, VH-1's Rock Honors 2006, and in Foo Fighters London Hyde Park concert for the
encore of the show.[7] [8] [9]
Live recordings
• We Will Rock You / Queen Rock Montreal (1981)
• Queen on Fire - Live at the Bowl (1982)
• Live at Wembley '86 / Live at Wembley Stadium (1986)
• Live Magic (1986)
• Seville Expo 92 concert (1992)
• The Freddie Mercury Tribute Concert (1992)
• Live at the Brixton Academy (Brian May album) (1993)
• Return of the Champions (2005)
• Super Live in Japan (2005)
• Skin and Bones (Foo Fighters album/DVD, on the Hyde Park DVD) (2006)
Covers
• W.A.S.P. - Still Not Black Enough
• L.A. Guns - Rips the Covers Off
• Shinedown - Killer Queen: A Tribute to Queen
• Foo Fighters - Skin and Bones"
• Lynch Mob - Lynch Mob (1992)
References
[2] The Freddie Mercury Tribute Concert: Tie Your Mother Down (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#tieyour)
[3] Tie Your Mother Down (http:/ / www. allmusic. com/ song/ tie-your-mother-down-t2509372) Allmusic. Retrieved 31 August 2011
[4] 1977 A Day At The Races North American Tour (http:/ / www. ultimatequeen. co. uk/ live/ queen2. htm#1977datrnorthamerica) Ultimate
[5] Queen Rocks, Vol. 1 (http:/ / www. allmusic. com/ album/ rocks-vol-1-r325812/ review) Allmusic. Retrieved July 10, 2011
[6] Tie Your Mother Down Songfacts (http:/ / www. songfacts. com/ detail. php?id=1378)
[7] Foo Fighters joined by Queen legends (http:/ / www. nme. com/ news/ foo-fighters/ 23362) NME. Retrieved 31 August 2011
[8] Foos play biggest ever gig (http:/ / www. thesun. co. uk/ sol/ homepage/ showbiz/ bizarre/ 52521/ Foos-play-biggest-ever-gig.
html?print=yes) The Sun. Retrieved 30 August 2011
89881/ queen-foo-fighters-we-will-rock-you-we-are-the-champions-live-at-rock-honors-2006. jhtml) VH1. Retrieved 27 May 2011
"Teo Torriatte (Let Us Cling Together)"

"Teo Torriatte (Let Us Cling Together)"
Single by Queen
from the album A Day At The Races
B-side Good Old-Fashioned Lover Boy
Released March 25, 1977 (Japan only)
Format 7"
Recorded July to November 1976
Genre Rock
Length • 5:57 (album version)

* 4:55 (single edit)
Label Elektra (Japan)
Writer(s) Brian May
Producer Queen
"Tie Your Mother "Teo Torriatte (Let Us Cling "Good Old-Fashioned Lover Boy" (Queen's First
Down" Together)" EP)
(1977) (1977) (1977)
"Teo Torriatte (Let Us Cling Together)" (手をとりあって Te o Toriatte) is a song from the 1976 Queen album A
Day at the Races and is written by guitarist Brian May. It is the closing track on the album.
The song is notable for having two choruses sung entirely in Japanese, and it was released as a single exclusively in
Japan, reaching #49 on the charts.[1] (The B-side was "Good Old-Fashioned Lover Boy".) This song features a piano,
a plastic piano, and a harmonium, all of which are played by Brian May. It is the only point in the album in which
Freddie Mercury does not play piano.
"Teo Torriatte" was covered by Japanese singer Kokia on her 2008 Christmas album Christmas Gift, and by Mêlée
in 2010 and can be found on the Japanese version of their album The Masquerade released in Japan on August 18,
2010. Andre Matos (former Angra singer) covered the song on the Japanese Edition of his 2010 effort Mentalize. It
is also one of 38 songs included on the benefit album, Songs for Japan (compiled in response to the aftermath of the
earthquake and tsunami in Tōhoku), released on March 25, 2011.
References to the song

• Yasumi Matsuno is a fan of Queen, and named Tactics Ogre: Let Us Cling Together as a tribute to this song.
• "Teo Torriatte" was later referenced by Queen in a line ("we'll sing to you in Japanese") from the song "Let Me
Entertain You", featured on their 1978 album Jazz.
Romanization of the title

The song's title in English uses an outdated form of romanisation by applying the particle を ("wo"/"o") to the word
before it. Under more modern convention, "手をとりあって" would be romanized as, "Te o Toriatte," or "Te wo
toriatte."
Live recordings
• Super Live in Japan (2005)
Chorus Translation
The chorus part sung in Japanese goes as follows:
"手を取り合ってこのまま行こう (Te o toriatte Kono mama ikō)
愛する人よ (Aisuru hito yo)
静かな宵に (Shizuka na yoi ni)
光を灯し (Hikari o tomoshi)
愛しき教えを抱き (Itoshiki Oshie o idaki)"
The chorus part sung in English is the rough equivalent:
"Let us cling together as the years go by,
Oh my love, my love,
In the quiet of the night
Let our candles always burn,
Let us never lose the lessons we have learned."
Notes
[1] A Day at the Races album info (http:/ / www. ultimatequeen. co. uk/ Songs/ adayat. htm)
"Long Away" 345
"Long Away"
"Long Away"
Single by Queen
B-side You and I
Released 7 June 1977 (US, Canada, New Zealand)
Format Gramophone record (7")
Recorded 1976
Genre Rock
Length 3:33
Label Elektra
Writer(s) Brian May
Producer Queen
"Good Old-Fashioned Lover Boy" (Queen's First "Long "We Are the Champions"
EP) Away" /
(1977) (1977) "We Will Rock You"
(1977)
"Long Away" is a single by the band Queen; it is the third track on the first side of the 1976 album A Day at the
Races. Brian May wrote the song and sings the lead vocals. It is one of the few songs where May uses a guitar other
than his Red Special, for the rhythm guitar parts he used an electric Burns twelve string guitar (although he used the
Red Special for the second guitar solo in the middle section of the track) Originally Brian May wanted to use a
Rickenbacker guitar (as he admired John Lennon), but he didn't get along well with the Rickenbacker's thin neck.
The song has a sad tone, describing that "for every star in heaven / there's a sad soul here today", and an overall
sense of melancholic nostalgia lies over the song. It is similar in feel to the song '39 from A Night at the Opera,
although without the folk influence. Roger Taylor sings the highest parts of the song. Freddie Mercury only did the
backing vocals.
"Long Away" 346
Personnel
• Brian May: Vocals and guitars.
• Roger Taylor: Drums and backing vocals.
• Freddie Mercury: Backing vocals.
"Good Old-Fashioned Lover Boy"

"Good Old-Fashioned Lover Boy"
Single by Queen
A-side Death on Two Legs
B-side Tenement Funster

White Queen (As It Began)
Recorded 1976
Genre Rock
Length 2:54
Label EMI
Producer Queen
"Teo Torriatte (Let Us Cling "Good Old-Fashioned Lover Boy" (Queen's First "Long
Together)" EP) Away"
(1977) (1977) (1977)
"Good Old-Fashioned Lover Boy" is the third single ("Queen's First EP"), and is the eighth track, from the British
rock group Queen's 1976 album A Day at the Races, written by Freddie Mercury. It was one of several British music
hall-inspired songs written by both Mercury and Brian May that appeared on other Queen albums from the 1970s.
The song starts with a piano and vocal introduction by Mercury, then continues, with the bass and drums adding on,
at the start of the chorus. The second verse is sung, followed by another chorus. At this point, the drums, bass and
guitar drop out, which then leads into the bridge, sung by Freddie Mercury and Mike Stone. Following the Brian
May guitar solo, another verse is sung, and then the chorus ends the track.
The song describes how "a good old-fashioned lover boy" will romance with an unnamed love interest, especially at
night. The BBC version also has drummer Roger Taylor singing Mike Stone's line. It was partially mimed by the
band for BBC and aired on Top of the Pops.
The song was also performed live from A Day at the Races Tour until the end of the News of the World Tour.[1] [2] It
was performed in a medley after "Killer Queen", and was the first two verses, followed by the final chorus.[1] [2]
“
It’s called 'Good Old-Fashioned Lover Boy', and it’s in my ‘ragtime’ mood that I get a chance to do on every album and this time, this is
something I’ve come up with this time around.
”
—Freddie Mercury
Personnel
• Freddie Mercury: lead vocals and piano.
• John Deacon: bass guitar.
• Brian May: guitar and backing vocals.
• Roger Taylor: drums and backing vocals.
• Mike Stone: additional vocals
Tracks
• "Good Old-Fashioned Lover Boy" – 2:53
• "Death on Two Legs" – 3:44
• "Tenement Funster" – 3:00
• "White Queen (As It Began)" – 4:18
Chart position
• #17 (UK)
References
[1] Queen live on tour: A Day At The Races: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ adatreu. html) Queen Concerts. Retrieved 31
August 2011
[2] Queen live on tour: News Of The World: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ notwna. html) Queen Concerts. Retrieved 31
August, 2011
External links
• Queenpedia (http://queenpedia.com/index.php?title=Queen's_First_EP) - detailed worldwide release
information
"We Are the Champions"

"We Are the Champions"
Single by Queen
from the album News of the World
B-side "We Will Rock You"
Format 7", CD single
Recorded 1977
Genre Rock
Length 2:59
Label EMI (UK)

Elektra (US)
Producer Queen, assisted by Mike Stone
"Long "We Are the Champions" / "We Will Rock "Spread Your
Away" You" Wings"
(1977) (1977) (1978)
"We Are the Champions" is a power ballad written by Freddie Mercury, recorded and performed by British rock
band Queen for their 1977 album News of the World.[1] One of their most famous and popular songs, it remains
among rock's most recognisable anthems.[2] The song was a worldwide success, reaching number two in the UK
Singles Chart, and number four on the Billboard Hot 100 in the United States.[3] [4] In 2009, "We Are the
Champions" was inducted into the Grammy Hall of Fame,[5] and was voted the world's favourite song in a 2005
Sony Ericsson world music poll.[6] In 2011, a team of scientific researchers concluded that the song was the catchiest
song in the history of pop music.[7]
"We Are the Champions" has become an anthem for sporting victories,[2] including as official theme song for 1994
FIFA World Cup, and has been often used or referenced in popular culture (see below). The song has been covered
by many artists.
Original Queen version
Music
Written by Freddie Mercury, "We Are the Champions" was built on audience response, with Brian May stating; 'We
wanted to get the crowds waving and singing. It’s very unifying and positive'.[8] Musically, it is based around
Mercury's piano part, with Roger Taylor and John Deacon providing a drums and bass guitar backing. May
overdubbed some guitar sections, initially subtle, but building to a 'solo' played simultaneously with the last chorus.
Mercury employed many jazz chords (major and minor 6th, 7th, 9th, 11th and 13th harmonies), and the choruses
featured these voiced as 4 and 5-part vocal harmonies. The lead vocal is very demanding and strident (highest point
is a C5 both belted and in falsetto), with one of Mercury's most notable performances taking place at the Live Aid
concert, at Wembley Stadium, London in 1985.[9]
The single featured "We Will Rock You" as a B-side, and followed the song on the album. The two songs were often
played consecutively at the close of Queen concerts, and are customarily played together on radio broadcasts (in
album order).[2] Keeping with tradition, it was also used to close the 1992 Freddie Mercury Tribute Concert with all
the show's acts joining in behind the lead vocal of Liza Minnelli.[2]
Chart performances
In 1977-1978, "We Are the Champions" was released as a single in many countries, reaching number 2 on the UK
Singles Chart.[3] number 4 on Billboard in the US.,[4] the top 10 in Ireland, Netherlands, and Norway, and top 15 in
Germany, Austria and Sweden.[10] [11]
In 1992, 1993 and 1998, the single was re-released in France, totalling 45 weeks on the chart and peaking
respectively at #19, #14, and #10 during the 1998 FIFA World Cup.[11]
Personnel
• Freddie Mercury: lead vocals, piano, backing vocals
• Brian May: electric guitar, backing vocals
• John Deacon: bass guitar, backing vocals
• Roger Taylor: drums, backing vocals
Track listings
7" single (1977 release) CD single (1992 release)

1. "We Are the Champions" — 3:00 1. "We Are the Champions" — 2:59
2. "We Will Rock You" — 2:00 2. "We Will Rock You / We Are the Champions" — 5:00
3" CD single (1988 release)
1. "We Are the Champions" — 3:02
2. "We Will Rock You" — 2:02
3. "Fat Bottomed Girls" — 3:23
Certifications
Country Certification Date Sales certified Physical sales
France [12] 1978 500,000 [13]

Gold 624,000+
[14] 30 September 1998 125,000 [13]

Silver 165,000+
US [15] 25 April 1978 2,000,000

Platinum
Charts

position
[11] 12
Austrian Singles Chart
Dutch Top 40 2
[11] 13
German Singles Chart
[10] 3
Irish Singles Chart
[11] 6
Norwegian Singles Chart
[11] 14
Swedish Singles Chart
[3] 2
UK Singles Chart
[4] 4
US Billboard Pop Singles

position
[11] 27
Dutch Mega Top 100
[11] 14
French Singles Chart
Chart (1998) Peak

position
[11] 10
Chart (2006) Peak

position
[4] 61
US Billboard Hot Digital Songs
End of year chart (1978) Position
[16] 25
[17] 72
Cover versions and samplings

Here is a list of cover versions performed by other artists:
• 1996: Musician Scatman John performed "We Are the Champions" along with other artists for the compilation
Queen Dance Traxxx.[18]
• 1997: German band J.B.O. did a parody of the song, called "Wir sind die Champignons" (We are the
champignons).[19]
• 2001: Robbie Williams on vocals with Queen (May/Taylor) for the soundtrack of the 2001 film A Knight's
Tale.[20]
• 2001: Florent Pagny as duet with David Hallyday on his album 2.
• 2003: New York-based thrashcore band Das Oath covered the song for the album Über Alles.[21]
• 2003: Jean-Sébastien Lavoie, a contestant of French TV show Nouvelle Star, in 2003 (#38 in France and #53 in
Switzerland),[22]
• 2004: William Hung for his album Hung for the Holidays.
• 2005: Gavin DeGraw the 2005 album Killer Queen: A Tribute to Queen.[23]
• 2006: Jonathan Coulton, along with "We Will Rock You", as the last two tracks of his Thing a Week project.
• 2010: The cast of the Off-Broadway musical Avenue Q performed covers of "We Will Rock You" and "We Are
The Champions" in a video spoof of the Muppets' "Bohemian Rhapsody".[24]
• 2010: Mayday Parade on the album Punk Goes Classic Rock.
Live performances
• Green Day at Live 8 in 2005.[25]
• The Bad Plus (jazz cover in Blunt Object: Live in Tokyo, 2005)
• Japanese singer-songwriter Angela Aki in her 2006 concert,
• The Jonas Brothers, and the entire tour crew at their final concert for the When You Look Me in the Eyes tour.
• Adam Lambert and Kris Allen, in the season 8 finale of American Idol, on 20 May 2009.
• German parody rock band J.B.O. for "Wir sind die Champignons" (Ger: "We Are the Mushrooms"), in 1997.
• Lily Allen covered it as an A-side to "22" in 2009 which went to number 1.
After the 1981 World Series, Jay Johnstone, Jerry Reuss, Steve Yeager, and Rick Monday of the world champion
Los Angeles Dodgers released a cover version of "We Are the Champions", which they later performed on Solid
Gold, the syndicated music television program.
This song, along with "We Will Rock You", was part of a two song medley sung by Mickey Mouse, Donald Duck
and Goofy on Disney's album Mickey Sports Songs.[26]
The song was also sampled or parodied by producer Rick Rubin, who remixed the song for Hollywood Records.[27]
The song was sampled by Dame Dash, Kanye West, Young Chris, Beanie Sigel, Cam'ron and Twista sampled the for
their song, "Champions".
A cover version by Crazy Frog – "We Are the Champions (Ding a Dang Dong)" featuring Queen vocals was
released in 2006 in time for the 2006 FIFA World Cup and was popular (reaching #1 in France and being certified
gold).[28]
Hank Marvin performed an instrumental of "We Are the Champions" as a duet with Queen guitarist Brian May on
Hank's 1992 album Into the Light.
Uses in popular culture

The song has been regularly played to celebrate sports victories. Formula One drivers Fernando Alonso and Jenson
Button have both sung the song after crossing the finish line to become world drivers champions. Various politicians
around the world have played this as a victory song after winning an election. In the National Hockey League when a
team wins the Stanley Cup, as well as the Premier League when a team wins the league, the song is always played.
The song can be heard in many music video games (Guitar Hero: On Tour series, Pro Evolution Soccer 2, Taiko no
Tatsujin series, The Matrix: Path of Neo and Lego Rock Band), films (including High Fidelity, D2: The Mighty
Ducks, What Happens in Vegas, A Knight's Tale, Kicking & Screaming, Chicken Little, You Again and Revenge of
the Nerds), and TV series (including South Park, The Mighty Ducks trilogy, three episodes of The Simpsons (in "The
War of the Simpsons", "Wild Barts Can't Be Broken" and "She Used to Be My Girl"), Season 5 of The Sopranos,
Drawn Together, Malcolm in the Middle where Hal shows his skating abilities, South Park episode "Stanley's Cup",
So You Think You Can Dance in 2007, The Big Bang Theory, Angel, and a Robot Chicken episode called
"Unionizing Our Labor").
The song was also used as the introductory music prior to Prince's halftime TV performance at Super Bowl XLI on 4
February 2007 in Miami, Florida. When the New York Yankees won the 2009 World Series, the song played as soon
as Mariano Rivera got the last out. The song also features as downloadable content on the multiplatform music video
games, Guitar Hero World Tour, Guitar Hero 5, & re-issued in a RB3 Version for Rock Band 3.
The song was covered by Katie Waissel during the first live show of the 2010 UK The X Factor. The song was also
performed as part of the Closing Ceremony of the Delhi Commonwealth Games. The song was featured in the novel
The Million Dollar Kick when Whisper makes the million-dollar goal.
Catchiest song ever

In 2011, a team of scientific researchers concluded that the song was the catchiest song in the history of pop music.
Dr. Daniel Mullensiefen said of the study, "Every musical hit is reliant on maths, science, engineering and
technology; from the physics and frequencies of sound that determine pitch and harmony, to the hi-tech digital
processors and synthesisers which can add effects to make a song more catchy. We’ve discovered that there’s a
science behind the sing-along and a special combination of neuroscience, maths and cognitive psychology can
produce the elusive elixir of the perfect sing-along song."[7]
References
[1] BRITs 25 Song Award: We Are The Champions - Queen (http:/ / www. bbc. co. uk/ radio2/ soldonsong/ whatson/ wearethechampions.
shtml) BBC Retrieved 21 January 2011
[2] We Are the Champions: Song Review (http:/ / www. allmusic. com/ song/ we-are-the-champions-t2415717) All Music Retrieved 21 January
2011
[3] UK Singles Chart Chartstats.com (http:/ / www. chartstats. com/ songinfo. php?id=7550) (Retrieved 29 July 2008)
[4] Billboard allmusic.com (http:/ / www. allmusic. com/ artist/ p5205/ charts-awards/ billboard-singles) (Retrieved 29 July 2008)
[5] Grammy Hall of Fame Award (http:/ / www. grammy. org/ recording-academy/ awards/ hall-of-fame#w) Grammy.org Retrieved 21 April
2011
[6] Haines, Lester (29 September 2005) 'We Are The Champions' voted world's fave song (http:/ / www. theregister. co. uk/ 2005/ 09/ 29/
world_music_poll/ ) (Sony Ericsson world music poll) Retrieved 21 April 2011
[7] We Are The Champions voted catchiest pop song of all time... by scientists (http:/ / www. dailymail. co. uk/ news/ article-2043089/
Queens-We-Are-The-Champions-voted-catchiest-pop-song-time--scientists. html), The Daily Mail, September 29, 2011
For-time--Queen-Ten-great-hits-sensational-rock-band-todays-The-Mail-Sunday. html) Mail Online Retrieved 21 January 2011
[9] Sacha Baron Cohen to play Freddie Mercury (http:/ / www. bbc. co. uk/ news/ entertainment-arts-11340336) BBC News Retrieved 22 January
2011
[10] Irish Single Chart Irishcharts.ie (http:/ / www. irishcharts. ie/ search/ placement) (Retrieved 29 July 2008)
[11] "We Are the Champions", in various singles charts Lescharts.com (http:/ / lescharts. com/ showitem. asp?key=8012& cat=s) (Retrieved 29
July 2008)
[12] French certifications Chartsinfrance.net (http:/ / www. chartsinfrance. net/ certifications/ artiste-176. htm) (Retrieved 29 July 2008)
[13] Queen's certifications and sales in France See: "Les Ventes" => "Toutes les certifications depuis 1973" => "QUEEN" Infodisc.fr (http:/ /
www. infodisc. fr/ S_Certif. php) (Retrieved 29 July 2008)
[14] French certifications Disqueenfrance.com (http:/ / www. disqueenfrance. com/ fr/ monopage. xml?id=259165& year=1998& type=6)
(Retrieved 29 July 2008)
[15] US certifications riaa.com (http:/ / www. riaa. com/ goldandplatinumdata. php?table=SEARCH) (Retrieved 29 July 2008)
[16] 1978 Austrian Singles Chart Austriancharts.at (http:/ / www. austriancharts. at/ 1978_single. asp) (Retrieved 29 July 2008)
[17] 1998 French Singles Chart Disqueenfrance.com (http:/ / www. disqueenfrance. com/ classements/ singles/ classement_annuel. asp?date=13)
(Retrieved 29 July 2008)
[18] Steffen Hung. "Queen Dance Traxxx" (http:/ / germancharts. com/ showitem. asp?interpret=Queen+ Dance+ Traxx& titel=Queen+ Dance+
Traxx+ 1& cat=a) germancharts.com.
[19] J.B.O - Laut! (http:/ / www. musik-sammler. de/ media/ 1202) Musik Sammler.de
[20] "Soundtrack for "A Knight's Tale" (http:/ / www. imdb. com/ title/ tt0183790/ soundtrack). Internet Movie Database.
[21] Das Oath - Uber Alles (http:/ / terminalnation. blogspot. com/ 2009/ 01/ das-oath-uber-alles-discography. html) Terminal Nation.
[22] "We Are the Champions" by Jean-Sébastien Lavoie, French and Swiss singles charts Lescharts.com (http:/ / lescharts. com/ showitem.
asp?key=5934& cat=s) (Retrieved 29 July 2008)
[23] Killer Queen: A Tribute to Queen (http:/ / www. allmusic. com/ album/ killer-queen-a-tribute-to-queen-r782664) Allmusic. Retrieved 11
July 2011
[24] Avenue Q responds to Muppets Bohemian Rhapsody (http:/ / www. chicagonow. com/ blogs/ whats-a-boy-to-do/ 2010/ 05/
avenue-q-responds-to-muppets-bohemian-rhapsody. html) Chicago now.com
[25] Live 8 accounts: Berlin (http:/ / news. bbc. co. uk/ 1/ hi/ talking_point/ 4644129. stm) BBC. Retrieved 11 July 2011
[26] Mickey Sports Songs (http:/ / www. allmusic. com/ album/ mickey-sports-songs-r238951) Allmusic. Retrieved 11 July 2011
[27] The Rick Rubin Remixes (http:/ / www. ultimatequeen. co. uk/ songs/ rickrubin. htm) Ultimate Queen. Retrieved 11 July 2011
[28] "We Are the Champions (Ding a Dang Dong)", in various singles charts Lescharts.com (http:/ / lescharts. com/ showitem.
asp?interpret=Crazy+ Frog& titel=We+ Are+ The+ Champions+ (Ding+ A+ Dang+ Dong)& cat=s) (Retrieved 16 December 2007)
"We Will Rock You"

"We Will Rock You"
Single by Queen
Format 12"
Genre Rock
Length 2:02
Label Elektra (US)

Writer(s) Brian May
"Long "We Are the Champions" "Spread Your

Away" / Wings"
(1977) "We Will Rock You" (1978)
(1977)
"We Will Rock You"
Single by Five + Queen
from the album Invincible
B-side Megamix
Keep On Movin' (The Five-A-Side Mix)
Format CD single, Cassette single
Recorded 1999
Genre Pop
Length 3:08
Label Sony BMG
Writer(s) Brian May
Producer Richard Stannard, Julian Gallagher
Certification Silver (UK)

Gold (Australia)
Five singles chronology
"Don't Wanna Let You "We Will Rock "Let's

Go" You" Dance"
(2000) (2000) (2001)
"We Will Rock You" is a song written by Brian May and recorded and performed by Queen for their 1977 album
News of the World.[1] Rolling Stone ranked it #330 of "The 500 Greatest Songs of All Time" in 2004,[2] and the
RIAA placed it at #146 on its list of Songs of the Century. In 2009, "We Will Rock You" was inducted into the
Grammy Hall of Fame.[3] [4]

Other than the last 30 seconds containing a guitar solo by May, the song is generally set in a cappella form, using
only stamping and clapping as a rhythmic beat. In 1977, "We Will Rock You" and "We Are the Champions" were
issued together as a worldwide Top Ten single.[5]
Since its release the song has been covered, remixed, sampled, parodied, referenced and used by multiple recording
artists, TV shows, films and other media worldwide.[6] [7]
History
This song and its well-known partner "We Are the Champions" were written in response to an event occurring in the
1977 British Tour. The band had played a gig at Stafford's Bingley Hall, and, says Brian May:[8]
'We did an encore and then went off, and instead of just keeping clapping, they sang "You'll Never Walk
Alone" to us, and we were just completely knocked out and taken aback – it was quite an emotional
experience really, and I think these chant things are in some way connected with that.'
One version was used as the opening track on their 1977 album News of the World. This version consists of a
stomp-stomp-clap-pause beat, and a power chorus, being somewhat of an anthem. The stamping effects were created
by the band overdubbing the sounds of themselves stomping and clapping many times and adding delay effects to
create a sound like many people were participating. The durations of the delays were in the ratios of prime numbers,
a technique now known as non-harmonic reverberation.[9] A tape loop is used to repeat the last phrase of the guitar
solo three times as opposed to Brian May playing it three separate times on the recording.[10]
When performed live, this version is usually followed by "We Are the Champions", another of the album's hits, as
they were designed to run together.[5] The songs are often paired on the radio and at sporting events, where they are
frequently played.[5] The songs are also paired back to back on the album, and they are still played together to this
day on American classic rock radio stations.
Queen also performed the song in another arrangement (known as the "fast version"), which featured a faster tempo
and a full guitar, bass and drums backing track throughout. The band would often open their live sets in the late
1970s and early 1980s with this version, as captured on their 1979 Live Killers double album, on Queen Rock
Montreal (2007), and on the Queen on Fire - Live at the Bowl album released in 2004.
The "fast version" is available in a studio performance. In 1977, it was recorded for John Peel's show on BBC Radio
1. This version is on the 1992 Italian bootleg CD "Queen – We Will Rock You" (On Stage CD 12018). It is part of a
longer cut that starts out with the slow version. In 2002, the fast version was officially released on a promo single
distributed by the tabloid The Sun. The "fast" BBC studio version can also be found on The Best of King Biscuit Live
Volume 4 and online at Wolfgang's Vault. Between the two versions, there is a brief cut of a female voice discussing
Brahmanism, used in a BBC Radio documentary. The "stomp, stomp, clap" sounds were later reused in the Queen +
Paul Rodgers song "Still Burnin'".[11]
Five & Queen Version

"We Will Rock You" is the fifth and final single from British boyband Five's second studio album, Invincible.
Released on 17 July 2000, the song features the three surviving members of Queen on guitar and drums; however,
they do not sing any vocals on the track. Freddie Mercury had died in November 1991, nearly a decade before this
version's release.
The song charted at #1 on the UK Singles Chart, making it Five's second number-one single, and their ninth
consecutive top-ten hit.
Tracklisting
UK CD1
1. "We Will Rock You" (Radio Edit) – 3:08
2. "Keep on Movin'" (The Five-A-Side Mix) – 3:32
3. "We Will Rock You" (Video) – 3:08
UK CD2
2. "Invincible Megamix" (Including "We Will Rock You") – 4:19
3. "Invincible Megamix" (Video) – 4:19
UK Cassette single
2. "Keep on Movin'" (The Five-A-Side Mix) – 3:32
3. "Invincible Megamix" (Including "We Will Rock You") – 4:19
European CD single
2. "Invincible Megamix" (Without "We Will Rock You") – 3:43
3. "We Will Rock You" (Video) – 3:08
Chart performance
Band Country Peak Country Peak Country Peak Country Peak Country Peak Country Peak Country Peak
(year) position position position position position position position
Five Australia 3 [12] 2 [12] 17 [13] 6 29 [12] 18 15

Austria Belgium Ireland New Switzerland The
& [12] [12]
Zealand Netherlands
Queen
(2000)
Queen [14] 10 [14] 49

France Switzerland
(2003)
KCPK [15] 16 [15] 10 [15] 2 [15] 16

Austria Belgium France Switzerland
(2003)
Cover versions
1990s
• 1991: Italian band Kirlian Camera covered the song on their album Todesengel The Fall Of Life.[16]
• 1992: American glam metal band Warrant covered the song for the film Gladiator.[17]
• 1992: Brazilian band Viper covered the fast version of the song in their third album Evolution,[18] and later in a
1993 live album Maniacs in Japan.
• 1996: Nigerian-Canadian singer Carol Jiani covered the song for her album Superstar.[19]
• 1996: American recording artist Linda Ronstadt performed a soft lullaby version for her album Dedicated to the
One I Love.[20]
• 1997: Panamanian reggae artist El General remade the song in Spanish as "Nosotros Te Conmoveremos" for the
compilation Tributo a Queen: Los Grandes del Rock en Espanol.[21] [22]
• 1997: German hard rock band Pink Cream 69 recorded a cover on their album Food for Thought. A recording can
be heard here. [23]
2000s
• 2000: American hip hop producer DJ Hurricane and vocalist Scott Weiland collaborated on a cover of the song
for the album Don't Sleep.[24]
• 2000: Actress Kimberly Williams performs an alternate version of the song for the television miniseries The 10th
Kingdom.
• 2003: John Farnham performed a rendition for his Greatest Hits CD, featuring samples from the original
recording. According to the liner notes for One Voice: The Greatest Hits, Brian May contributed an extended
guitar solo.
• 2003: a remix by KCPK, sung by a chorus of children, was released in a series of animated Evian adverts which
aired in France, Germany and Belgium. The remix was later released as a single and entered the local charts.[25]
• 2004: Houseboyz performed a cover version for the video game Dance Dance Revolution Extreme.[26]
• 2004: American pop singers Britney Spears, Beyoncé Knowles and P!nk used this song in an international
commercial Pepsi campaign and the song was released on Pepsi Music 2004 CD.[27]
• 2005: Canadian rock band Nickelback covered the song as a bonus track, through a promotion with Wal-Mart, for
their album All the Right Reasons.
• 2006: Jonathan Coulton covered the song along with We Are the Champions as the last two tracks of his Thing a
Week project.
• 2008: Japanese singer Kosaka Riyu recorded a trance music version of the song.
• 2009: Australian Idol winner of season 7 Stan Walker did a cover on the show and recorded a version on his
debut album Introducing Stan Walker (2010).[28]
Live cover performances

1990s
• 1992: Guns N' Roses singer Axl Rose performed the song with Queen at the Freddie Mercury Tribute Concert.[29]
[30]
• 1992: U2 used the song as a set list opener before they performed on stage during the Zoo tv tour.[31]
• 1993: Nirvana performed it in São Paulo, Brazil, changing the lyrics to "we will fuck you".[32]
• 1996: Alanis Morissette and her band ended the first encore of her "Can't Not" Tour (following the song, "You
Learn") with a cover of the song. Drummer Taylor Hawkins took the microphone, while Morissette took to the
drums.
2000s
• 2002: Erreway and another actors from Rebelde Way sang it during all their tours. It was released on every live
album of the group.
• 2003: Anastacia performed a version with Queen members Brian May and Roger Taylor at the 46664 Mandela
concert.
• 2007: Prince's performance at the Super Bowl XLI started with a rendition of the song.
• 2007: Japanese singer Kumi Koda covered the song in her a-nation '07 performance.
• 2007: English singer-songwriter Robbie Williams performed the song live at Knebworth.[33]
• 2008: Finnish band Sonata Arctica played "We Will Rock You" in concerts of their 2008 tour, using the crowd as
a human drum kit.
• 2008: KoRn plays "We Will Rock You" as medley with their Coming Undone at their live concerts. The drum
beat for Coming Undone was inspired by the beat from the song.
• 2008: Canadian singer Celine Dion performed a Queen medley with "We Will Rock You" and "The Show Must
Go On" in her Taking Chances Tour.[34]
• 2008: Stone Temple Pilots who recently reunited have played the song at many of their shows.
• 2008: New Kids on the Block interpolated this song with "Hangin' Tough" in live performances on their tour in
support of their comeback album.
• 2009: American guitarist Joe Perry from band Aerosmith and singer Katy Perry covered the song at the MTV's
Video Music Awards 2009.[35]
• 2009: Irish duo John & Edward performed Five's version of "We Will Rock You" on week four of the sixth series
of The X Factor
• 2009/2010: Polish singers Dorota Rabczewska and Maryla Rodowicz both covered the song during New Year's
Eve in Łódź (TVP2).
• 2011: American rock band My Chemical Romance performed the song with Queen guitarist Brian May at the
Reading Festival.[36]
Remixes
• 1991: Rick Rubin did some remixes of "We Will Rock You", released by Hollywood Records. The "Ruined
Remix" also contains contributions by Flea and Chad Smith of the Red Hot Chili Peppers.
• 2003: Japanese techno artist Killingscum remixed 5ive's cover of the song in the track Morning Knifreak.
• Norman Cook performed a Fatboy Slim remix on "We Will Rock You".
• 2009: French electronic duo Daft Punk mixed this song along with their own song "Robot Rock" for the game DJ
Hero to create "We Will (Robot) Rock You".[37]
• 2011: Geddy (a.k.a Armageddon) former member from hip hop group Terror Squad mashed up "I Want It All"
and "We Will Rock You" for the soundtrack to action-drama film Sucker Punch.[38] [39]
Sampling
1990s
• 1992: Ice Cube sampled the "stomp-clap" on his album "The Predator" for the song "When Will They Shoot?".
• 1999: The "stomp-clap" is sampled as Juvenile is introduced on the track "You Dig" from The Hot Boys album
Guerrilla Warfare.
2000s
• 2002: Detroit-based rapper Eminem sampled the "stomp-clap" on his album The Eminem Show for the song "Till
I Collapse".
• 2004: He also sampled it on his song "Puke" from Encore.
• 2010: The song "Cinderella Man" from Recovery, features the "stomp-clap" beat.
• 2005: Edson & Hudson sampled the "stomp-clap" on their hit "Galera Coração".
• 2003: Kid Rock samples the song on "Hillbilly Stomp" from his self titled album. The song uses banjos, dobros
and slide guitar to make it sound unique.
• 2006: American Industrial Metal band Revolting Cocks used the sampled "stomp-clap" for the song "Revolting
Cock au Lait" and its shorter version "RevColution Medley", both of them from the album Cocked and Loaded.
• 2007: Bon Jovi used the song as intro of their song "Summertime" in all the Lost Highway Tour.
• 2007: Japanese J-Rock band LM.C used the "stomp-clap" for the intro "NO.9" from their album "Glitter Loud
Box".
• 2008: Detroit rapper Pick Up used this song as a sample for the track, "Like Me Or Not," off his debut album 8
Milez North.
• 2009: Japanese Rock band Garnet Crow sampled the "stomp-clap" in their song "Doing All Right."
2010s
• 2010: Rapper Charles Hamilton sampled the beat and chorus for the song "Gameday" from his mixtape "Well
This Isn't Awkward".
• 2010: Southern Gospel Group Ernie Haase & Signature Sound Sampled the song in their version of The
Cathedrals song Boundless Love
• 2011: Lady Gaga sampled the "stomp-clap" in her song "You and I", which also features the band's guitarist Brian
May, from Gaga's album Born This Way.[40]
• 2011: American pop singer Katy Perry uses the "stomp-stomp-clap" beat in her song E.T.[41]
Parodies and references to song

• 1987: Henry Rollins did a parody of "We Will Rock You" titled "I Have Come to Kill You".
• 1991: Full House, in the episode "Happy Birthday Babies Part 2", when Becky is breathing to ease her
contractions, she breathes to the stomp/clap rhythm, and Danny jokingly sings "We will, we will rock you."
• 2003: Blondie's song "Good Boys" uses the line "You got me on your face/A big disgrace."
• 2004: Scum of the Earth did a cover version on their debut album Blah...Blah...Blah...Love Songs for the New
Millennium. However, the song title was changed to "Pornstar Champion" with modified lyrics.
• 2007: In "The Storm", an episode of Drake & Josh, all of the people in Drake and Josh's house start singing the
song after the crank-able television breaks.
• 2010: The cast of the Off-Broadway musical Avenue Q performed covers of "We Will Rock You" and "We Are
The Champions" in a video spoof of the Muppets' Bohemian Rhapsody.[42]
Appearances in other media

• The song is featured in a pre-opening credit sketch at the beginning of a Cheers episode from 1990 called 'Severe
Crane Damage'.[43]
• The song is prominently (and anachronistically) featured in the film A Knight's Tale as a crowd chant.
• The song is featured in the music video games Donkey Konga, Pro Evolution Soccer 2 and Lego Rock Band. For
some reason, the stomp-stomp-clap part is listed as notes on Lego Rock Band, although that might be just so
everyone can play, as the only parts otherwise would be Mercury's lyrics and Brian May's solo. It is also featured
in the video game DJ Hero as part of a mashup with Daft Punk's "Robot Rock."
• The song is featured in commercial promotions for the 2010 Disney XD Original Series Kick Buttowski:
Suburban Daredevil.
• The song was used often as a crowd chant, on the UK TV show Gladiators.
• Sol Badguy from the video game series Guilty Gear wears a headband that reads "Rock You", one of several
Queen references in the series.
• The WNY Americorp service corp use the "stomp stomp clap" pause beat to create their "Americorp Theme." The
lyrics were re-written by David Barry and Khahari Daniels.
• Diego Sanchez used this as his entrance song at UFC 95 and The Ultimate Fighter 9 Finale.
• In the Drake & Josh episode "The Storm", near the end of the episode, Helen tells all the girls to pat twice
repeatedly. Then, she tells the men to clap when the girls pause. After the "stomp stomp clap" is derived, Helen
starts singing the first verse of the song while Drake does the second verse and Craig & Eric do the third.
• The beat of the song was used in an election ad by NDP candidate Jack Layton which attacked Stephen Harper for
allowing alleged abuses by big business.
• The song has also been featured in several movies.
• The song was used in the commercial of TEAM Unity for the 2007 Philippine Senatorial Elections.
• Manny Pacquiao used this as his entrance song in the match against Oscar De La Hoya.
• A family in a Wal-Mart commercial sing the song.
• In Friends episode "The One Where Ross Moves In", Ross created a "customized" message for an answer
machine that is basing on the song, the lyrics was changed to 'we will we will call you back'.
• A cover version is featured in the video game Madden NFL 11.
• The song is used in 2011 Super Bowl commercial for Kung Fu Panda 2. In the commercial, the footage of a battle
is cut to the beat of the song such as each opening stomp accompanies a blow by the characters. Furthermore, the
lyrics displayed on screen have the pun of "We will, we will, wok you," as Po wields a large wok on each hand
against multiple assailants.
• In the "Elementary School Musical" episode of South Park, during a school basketball game the audience sings
the song.
• Domino's Pizza used a modified version (changing the lyrics to "Gotta Be, Gotta Be Domino's") for a series of
commercials between 1994 and 1996.
• At WrestleMania XXVII, Chris Masters and Yoshi Tatsu performed a brief humorous version of the chorus with
Masters' pectorial muscles moving up and down to the beat in a parody of American Idol.
• The "stomp stomp clap" beat appeared in commercial of Regular Show on Cartoon Network.
• In the Disney film The Mighty Ducks, the crowd at the Ducks game chants a variant which goes "We will quack
you".
• In the former Sentosa attraction, Magical Sentosa. A song from it`s soundtrack, It`s My World employs the
"stomp-stomp-clap" beat replacing the stomp with a hyperbeat and clap with either a backbeat or a stomp at it's
chorus.
References
[1] News of the World – Queen (http:/ / www. allmusic. com/ album/ news-of-the-world-r15973) Allmusic Retrieved January 22, 2011
[2] "The RS 500 Greatest Songs of All Time" (http:/ / www. rollingstone. com/ news/ story/ 6596175/ we_will_rock_you). RollingStone.com. .
[3] Grammy Hall of Fame Award (http:/ / www. grammy. org/ recording-academy/ awards/ hall-of-fame#w) Grammy.org Retrieved April 21,
2011
[4] Queen enter Grammy Hall of Fame (http:/ / news. bbc. co. uk/ 1/ hi/ 7758704. stm) BBC News Retrieved April 21, 2011
[5] We Are the Champions: Song Review (http:/ / www. allmusic. com/ song/ we-are-the-champions-t2415717) All Music Retrieved January 21,
2011
[6] "We Will Rock You" Still Most Popular Sporting Event Anthem (http:/ / www. fmqb. com/ article. asp?id=2118941) Retrieved July 11, 2011
[7] Greatest Rock Songs (http:/ / www. mysticmadness. com/ greatest-rock-songs. html) Retrieved July 11, 2011
[8] Interview with Tom Browne for BBC Radio One, broadcast Christmas Eve and Boxing Day 1977
[9] May, Brian (22 September 2007). "STAMPING ON PIANO'S?" (http:/ / www. brianmay. com/ brian/ brianssb/ brianssbsep07. html). Bri's
Soapbox. . Retrieved 4 August 2010.
[10] "Queen's Brian May Rocks Out To Physics, Photography" (http:/ / www. npr. org/ templates/ transcript/ transcript.
php?storyId=128935865). Fresh Air. NPR. 3 August 2010. . Retrieved 6 August 2010.
[11] The Cosmos Rocks (http:/ / queenonline. com/ es/ la-banda/ discografia/ cosmos-rocks/ ) Queen Online. Retrieved July 11, 2011
[12] Charts Five+Queen 2000 (http:/ / lescharts. com/ showitem. asp?interpret=Five+ + + Queen& titel=We+ Will+ Rock+ You& cat=s)
[13] The Irish Charts (http:/ / www. irishcharts. ie/ search/ placement)
[14] Charts Queen 2003 (http:/ / lescharts. com/ showitem. asp?interpret=Queen& titel=We+ Will+ Rock+ You& cat=s). Retrieved 28 July 2011
[15] Charts KCPK 2003 (http:/ / lescharts. com/ showitem. asp?interpret=KCPK& titel=We+ Will+ Rock+ You+ (Remix)& cat=s).
[16] Kirlian Camera Official Discography – WWW.KIRLIANCAMERA.COM (http:/ / members. xoom. it/ kirlian/ gfx. htm#todesengel).
Members.xoom.it. Retrieved on 2011-08-19.
[17] We Will Rock You by Warrant (http:/ / www. jomusic. net/ artist-Warrant/ track-We+ Will+ Rock+ You). joMusic.net. Retrieved on
2011-08-19.
[18] We Will Rock You – Viper (http:/ / youmix. co. uk/ track/ 767814). Youmix.co.uk (2010-06-30). Retrieved on 2011-08-19.
[19] Carol Jiani : Superstar | Disco CDs & MP3s (http:/ / www. discomusic. com/ cds-more/ 7546_0_3_0_C/ ). Discomusic.com. Retrieved on
2011-08-19.
[20] Linda Ronstadt Albums (http:/ / www. softshoe-slim. com/ lists/ r/ ronstadt. html#22). Softshoe-slim.com. Retrieved on 2011-08-19.
[21] El General Cover Songs (http:/ / www. coversproject. com/ artist/ el general/ ). The Covers Project. Retrieved on 2011-08-19.
[22] We Will Rock You / Nostros Te Conmoveremos (http:/ / www. kazaa. com/ #/ Various-Artists/ Queen:-Los-Grandes-Del-Rock-En-Espanol/
We-Will-Rock-You-Nostros-Te-Conmoveremos) Retrieved July 11, 2011
[23] http:/ / www. youtube. com/ watch?v=4eYCkzqueBI
[24] DJ Hurricane – Don't Sleep CD Album (http:/ / www. cduniverse. com/ search/ xx/ music/ pid/ 1019050/ a/ Don't+ Sleep. htm).
Cduniverse.com (2001-04-03). Retrieved on 2011-08-19.
[25] WWRY Singles (http:/ / www. queencollector. com/ Monthly/ WWRY/ wwry. htm). Queencollector.com. Retrieved on 2011-08-19.
[26] Dance Dance Revolution Extreme (http:/ / www. amazon. com/ dp/ B0002RQ37U/ ) @ amazon.com
[27] Britney Spears Beyonce Pink-We will rock you (http:/ / au. video. yahoo. com/ watch/ 288736/ 2024315) Yahoo! Retrieved January 22,
2011
[28] Stan Walker's Official Site (http:/ / stanwalker. com. au/ music/ home. do). Stanwalker.com.au. Retrieved on 2011-08-19.
[29] Queen Concertography 1992–2011 (http:/ / www. ultimatequeen. co. uk/ live/ queen4. htm#1992freddietribute). Ultimatequeen.co.uk.
[30] Video's van Rock & metal: Axl Rose (Freddie Mercury cover) -We Will Rock You(Live Wembley) (http:/ / www. facebook. com/ video/
video. php?v=106063326072298). Facebook. Retrieved on 2011-08-19.
[31] U2 ZOO TV Tour – U2 on tour (http:/ / www. u2gigs. com/ ZOO_TV_Tour. html). U2gigs.com. Retrieved on 2011-08-19.
[32] "Há 18 anos, Nirvana realizava show histórico em São Paulo" (http:/ / www1. folha. uol. com. br/ livrariadafolha/
855848-ha-18-anos-nirvana-realizava-show-historico-em-sao-paulo. shtml) (in Portuguese). Folha de S. Paulo. 2011-01-16. .
[33] We Will Rock You (Live) | Robbie Williams Song – Yahoo! Music (http:/ / new. music. yahoo. com/ robbie-williams/ tracks/
we-will-rock-you-live--217792952). New.music.yahoo.com. Retrieved on 2011-08-19.
[34] Celine Dion: Taking Chances World Tour: The Concert (http:/ / hmv. com/ hmvweb/ displayProductDetails. do?sku=281346) HMV.
[35] Katy Perry Performs "We Will Rock You" to Intro Russell Brand (http:/ / www. mtv. com/ videos/ shows/ vma-09/ 435992/
katy-perry-performs-we-will-rock-you-to-intro-russell-brand. jhtml) MTV Retrieved January 22, 2011
[36] My Chemical Romance joined by Queen's Brian May at Reading Festival (http:/ / www. nme. com/ news/ my-chemical-romance/ 58869)
NME. Retrieved 27 August 2011
[37] Daft punk vs. Queen – Robot Rock vs. We Will Rock You – Video, Musik hören & Statistiken bei Last.fm (http:/ / www. lastfm. de/ music/
Daft+ punk+ vs. + Queen/ _/ Robot+ Rock+ vs. + We+ Will+ Rock+ You). Lastfm.de. Retrieved on 2011-08-19.
[38] Wisniewski, Dan. (2011-03-14) Queen’s “I Want It All/We Will Rock You” Mash-up featured on Sucker Punch Soundtrack | mxdwn.com
News (http:/ / www. mxdwn. com/ 2011/ 03/ 14/ news/ queens-i-want-it-allwe-will-rock-you-mash-up-featured-on-sucker-punch-soundtrack/
). Mxdwn.com. Retrieved on 2011-08-19.
[39] Sucker Punch Soundtrack: Queen “I Want It All”/”We Will Rock You” Mash-Up ft. Armageddon Aka Geddy **mp3** « Raw Drive- The
Vice President of Soul (http:/ / www. rawdrive. com/ 2011/ 03/ 02/
sucker-punch-soundtrack-queen-i-want-it-allwe-will-rock-you-mash-up-ft-armageddon-aka-geddy-mp3/ ). Rawdrive.com (2011-03-02).
[40] Rainbird, Ashley (18 April 2011). "Lady Gaga to collaborate with Queen guitarist Brian May" (http:/ / www. mirror. co. uk/ celebs/ news/
2011/ 04/ 18/ lady-gaga-to-collaborate-with-queen-guitarist-brian-may-115875-23068887/ ). Daily Mirror. . Retrieved 7 August 2011.
[41] Sterdan, Darryl (August 22, 2010). "Album Review: Teenage Dream" (http:/ / jam. canoe. ca/ Music/ Artists/ P/ Perry_Katy/
AlbumReviews/ 2010/ 08/ 22/ 15105106. html). JAM! Music. Canadian Online Explorer. QMI Agency. . Retrieved March 9, 2011.
[42] Avenue Q responds to Muppets Bohemian Rhapsody | What's a Boy To Do (http:/ / www. chicagonow. com/ blogs/ whats-a-boy-to-do/
2010/ 05/ avenue-q-responds-to-muppets-bohemian-rhapsody. html). Chicagonow.com. Retrieved on 2011-08-19.
[43] Video (https:/ / www. youtube. com/ watch?v=iR6ICOyOnEY) on YouTube
"Spread Your Wings"

"Spread Your Wings"
Single by Queen
B-side Sheer Heart Attack
Format 7"
Recorded 1977 at Sarm West and Wessex Studios
Genre Rock
Length 4:26
Label EMI, Elektra (US)
"We Are the Champions" "Spread Your "It's

/ Wings" Late"
"We Will Rock You" (1978) (1978)
(1977)
"Spread Your Wings" is a rock ballad by Queen, from their 1977 album News of the World.[1] Written by bassist
John Deacon, it was released as the A side of the single Spread Your Wings/Sheer Heart Attack in 1978. It features
Deacon on guitar and bass, Freddie Mercury on piano and vocals, Brian May on guitar and Roger Taylor on drums.
A live version of the song appears in the band's 1979 album Live Killers.[1] The song peaked at number 34 in the UK.
The song is in 4/4 meter, and starts with a simple piano motif in D. It is written in D Major, then modulating up to
D's relative minor, B minor in the bridge, coming down to D in the chorus.
The lyrics of the song describe a troubled young man named Sammy who works at The Emerald Bar, sweeping the
floor.[2] The narrator (Mercury) of the song encourages Sammy to pursue his dreams, telling him to "spread your
wings and fly away".[2]
Personnel
• Freddie Mercury - vocals and piano.
• John Deacon - acoustic guitar, bass guitar.
• Brian May - electric guitar.
• Roger Meddows-Taylor - drums.
Cover versions
This song was covered by German power metal band Blind Guardian on their 1992 album Somewhere Far Beyond.
The same recording reappeared on their 1996 album The Forgotten Tales.
References
[1] Your Wings News of the World: Spread Your Wings (Track 5) (http:/ / www. ultimatequeen. co. uk/ songs/ newsof. htm#Spread) Ultimate
Queen. Retrieved July 11, 2011
[2] Spread Your Wings (http:/ / www. allmusic. com/ song/ spread-your-wings-t1528964) Allmusic. Retrieved July 11, 2011
"It's Late" 365
"It's Late"
"It's Late"
Single by Queen
B-side Sheer Heart Attack (commercial single) / It's late (long ver)/ (US promo single)
Released 1978 (Canada, the United States, New Zealand and Japan only)
Format 7"
Recorded 1977
Genre Rock
Length 6:22 (long ver aka album ver)

4:28 (short ver promo single version)
Label EMI, Elektra
Writer(s) Brian May
Producer Queen and Mike Stone
"Spread Your "It's "Bicycle Race" /

Wings" Late" "Fat Bottomed
(1978) (1978) Girls"
(1978)
"It's Late" is a song written by Queen guitarist Brian May and performed by the band for their 1977 album News of
the World. The song was May's idea of treating a song as a three-act theatrical play, and the verses are called "acts"
in the lyrics sheet. It makes use of the tapping technique one year before Eddie Van Halen's use of the tapping
technique on the Van Halen album. May told Guitar Player Magazine[1] that his use of the tapping technique was
inspired by an unnamed bar-band guitarist from Texas. The song is notable for its length and heavy, wide vocal
range (E3-E6), bluesy guitar riff, using the previously mentioned technique.
The song was released as a single in the US in 1978, albeit in heavily edited form, and peaked at #72 on the
Billboard charts. The song was later included on the Queen Rocks compilation in 1997, and a new video was
produced using footage of Las Vegas and prostitutes, intercut with live performances of the song.
"It's Late" 366
The song appears in the 2006 documentary film Kurt Cobain: About a Son. The song also plays over the credits in
the Jody Hill film Observe and Report.
“
It's another one of those story-of-your life songs. I think it's about all sorts of experiences that I had, and experiences that I thought other
people had, but I guess it was very personal, and it's written in three parts, it's like the first part of the story is at home, the guy is with his
woman. The second part is in a room somewhere, the guy is with some other woman, that he loves, and can't help loving, and the last part is
he's back with his woman. ”
[2]
—Brian May
Personnel
• Freddie Mercury - vocals.
• John Deacon - bass guitar.
• Brian May - guitar and backing vocals.
• Roger Taylor - Drums .
References
[1] http:/ / www. guitarplayer. com/ article/ queens-brian-may/ jan-08/ 32483 Brian May Guitar Player Interview
[2] Queenpedia - It's Late (http:/ / www. queenpedia. com/ index. php?title=It's_Late)
"Bicycle Race" 367
"Bicycle Race"
"Bicycle Race"
Single by Queen
from the album Jazz
A-side Fat Bottomed Girls
Released October 13, 1978
Format 7"
Recorded 1978
Genre Rock
Length 3:01
Label EMI, Elektra
Producer Queen and Roy Thomas Baker
"It's "Bicycle Race" / "Don't Stop Me

Late" "Fat Bottomed Now"
(1978) Girls" (1979)
(1978)
"Bicycle Race" is a single by the English rock band Queen. It was released on their 1978 album Jazz and written by
Queen's frontman Freddie Mercury. It was released as a double A-side single together with the song "Fat Bottomed
Girls". The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium, which
was edited or even banned in several countries. The song has a very unusual chord progression with numerous
modulations, a change of meter (from 4/4 to 6/8) in the bridge, and the multitracked vocal and guitar harmonies.
"Bicycle Race" 368
Song and video

The song was written by Mercury and was supposedly inspired by his observing a leg of Tour de France.[1] [2] It
starts with a chorus unaccompanied by instruments. The chorus is followed by two verses connected with a bridge,
both followed by a chorus. Around the middle of the song there is a solo played with numerous bicycle bells. During
the live performances, it was often played by the audience who specially brought the bells for this purpose. The song
has a very unusual chord progression with numerous modulations, a change of meter (from 4/4 to 3/4) in the bridge,
and the multitracked vocal and guitar harmonies.[3]
The video for the song became scandalously famous for featuring 65 naked women, all professional models, racing
at Wimbledon Greyhound Stadium. It was filmed by Dennis de Vallance. The group rented the stadium and several
dozen bikes for one day for filming the scene; however, when the renting company became aware of the way their
bikes were used, they requested the group to purchase all the bicycle seats.[1] [4] [5] The original video uses special
effects to hide the nudity.[6]
Distribution
The song was released as a single and also included in the following albums and box sets: Queen, Bohemian
Rhapsody, 15 Of The Best, Queen Live In Concert, Greatest Hits and The Singles Collection Volume 1.[7]
The single was mostly distributed in 1978, on 7-inch vinyl records, with "Fat Bottomed Girls" on the B-side and
EMI record label. In Argentina, the titles were translated as "Carrera de Bicicletas" and "Chicas Gordas",
respectively. The labels were changed to Pepita in Hungary and to Elektra in the US, Canada, Australia, New
Zealand and Japan. The Polish issue had the label of Tonpress[8] and either "Spread Your Wing" or nothing on the
B-side. Both 7-inch and 12-inch records were issued in the US; there the song also appeared in 1979, on the B-side
of the single "Crazy Little Thing Called Love". In nearly all countries, the covers featured a backside photo of a
naked woman on a racing bike, with red bikini painted over the original photo.[1] [9] A bra was added to the US
covers.[10]
Personnel
Country Peak Held during Charted
position for (weeks)
Australia [11] 9
28
Austria [12] Jan 1979 4

21
Germany [13] 11–18 Dec 1978 12

27
Ireland [14] 7
10
New Zealand [12] 8

20
The Netherlands [12] [15] 25 Nov – 2 Dec 1978 11

5
Norway [12] 9
7
UK [11] [16] 25 Nov – 2 Dec 1978 12

11
US [11] [17]
24
• Freddie Mercury – lead and backing vocals, piano, bicycle bells[18]

• Brian May – guitars, backing vocals, bicycle bells
• John Deacon – bass guitar, bicycle bells
"Bicycle Race" 369
• Roger Taylor – drums, backing vocals, bicycle bells
Chart performance and cover versions

The song was covered by
• Blümchen (1996) in a version that samples the original track
• Upsilon Acrux (2002) on Queen tribute album released by Three One G records
• Lemon Demon (2005) on the bonus tracks to his Damn Skippy album
• Be Your Own Pet (2005) on a Queen Tribute album
• Between the Buried and Me (2006) on their covers album The Anatomy Of
• Mamas Gun (2011) as a bonus track on their second album The Life and Soul
Gallery
A bicycle race with nude women was held to promote

the single and "Fat Bottomed Girls". This photo was
included as a fold-out poster with the album "Jazz".
Bicycle Race/Fat Bottomed Girls Back cover
References
[1] Phil Sutcliffe; Peter Hince; Reinhold Mack (15 November 2009). Queen: The Ultimate Illustrated History of the Crown Kings of Rock (http:/
/ books. google. com/ books?id=adNONbUWLjgC& pg=PT122). MBI Publishing Company. pp. 122–. ISBN 9780760337196. . Retrieved 23
February 2011.. Sutcliffe counters a popular belief that Mercury was inspired by seeing the Tour through a hotel window in Nice by that the
Tour did not pass through Nice that year.
[2] M. Felsani; M. Primi; M. Saita (1997). Queen. Tutti i testi con traduzione a fronte (http:/ / books. google. com/ books?id=80i-yJVN2TwC&
pg=PA16). Taylor & Francis. pp. 16–. ISBN 9788809024182. . Retrieved 23 February 2011.
[3] Queen Songs – The Book: Bicycle Race (http:/ / www. queensongs. info/ the-book/ songwriting-analyses/ modern-era-queen/ the-works/
Bicycle-race. html). Queensongs.info. Retrieved on 2011-02-20.
[4] The great rock and roll tour | Mail Online (http:/ / www. dailymail. co. uk/ travel/ holidaytypeshub/ article-588680/ The-great-rock-roll-tour.
html). Dailymail.co.uk. Retrieved on 2011-02-24.
[5] Peter Buckley (28 October 2003). The rough guide to rock (http:/ / books. google. com/ books?id=haEfq-nKqjgC& pg=PR7-IA782). Rough
Guides. pp. 7–. ISBN 9781843531050. . Retrieved 23 February 2011.
[6] Queen Promo Videos - Bicycle Race (http:/ / www. ultimatequeen. co. uk/ videos/ queenpromo. htm) Ultimate Queen. Retrieved 3 September
2011
[7] Queen Non-UK Albums Discography (http:/ / www. ultimatequeen. co. uk/ discography/ queenalbumsnonuk. htm). Ultimatequeen.co.uk.
[8] Nielsen Business Media, Inc. (1 September 1979). Billboard (http:/ / books. google. com/ books?id=DyQEAAAAMBAJ& pg=PT97).
Nielsen Business Media, Inc.. pp. 97–. ISSN 0006-2510. . Retrieved 24 February 2011.
[9] BICYCLE RACE as an a-side (http:/ / www. pcpki. com/ cgi-bin/ discography. cgi?qs:BICYCLE+ RACE), pcpki.com
[10] Bicycle Race (Велогонка) — Queen (http:/ / music-facts. ru/ song/ Queen/ Bicycle_Race/ ), Music-facts.ru
"Bicycle Race" 370
[11] Queen International Singles Chart Positions (http:/ / www. pcpki. com/ queen/ singles. html). Pcpki.com. Retrieved on 2011-02-20.
[12] Queen – Bicycle Race (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=BICYCLE+ RACE& cat=s). austriancharts.at.
[13] Die ganze Musik im Internet: Charts, News, Neuerscheinungen, Tickets, Genres, Genresuche, Genrelexikon, Künstler-Suche, Musik-Suche,
Track-Suche, Ticket-Suche (http:/ / www. musicline. de/ de/ chartverfolgung_summary/ title/ QUEEN/ Bicycle+ Race/ single). musicline.de.
[15] Queen – Bicycle Race (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=BICYCLE+ RACE& cat=s). dutchcharts.nl.
[16] Queen – Bicycle Race (http:/ / www. chartstats. com/ release. php?release=7798). Chart Stats. Retrieved on 2011-02-20.
[17] Nielsen Business Media, Inc. (26 June 1982). Billboard (http:/ / books. google. com/ books?id=jyQEAAAAMBAJ& pg=PT95). Nielsen
Business Media, Inc.. pp. 95–. ISSN 0006-2510. . Retrieved 23 February 2011.
[18] Bicycle Race (http:/ / queenpedia. com/ index. php?title=Bicycle_Race), queenpedia
"Fat Bottomed Girls"

Single by Queen
from the album Jazz
A-side Bicycle Race
Format 7"
Recorded 1978
Genre Rock
Length • 4:16 (Album version)

• 3:22 (Single edit)
Label EMI, Elektra
Writer(s) Brian May
"It's "Fat Bottomed Girls" "Don't Stop Me

Late" / Now"
(1978) "Bicycle Race" (1979)
(1978)
"Fat Bottomed Girls" (sample) is a song by the English rock band Queen. Written by guitarist Brian May, the track
featured on their 1978 album Jazz, and also appears on the band's compilation album, Greatest Hits.[1] When
released as a single with "Bicycle Race", the song reached number 11 in the UK Singles Chart, and number 24 in the
Billboard Hot 100 in the United States.[2] [3]
The song is based on a detuned guitar riff that is both bluesy and metallic, and the song begins with its chorus.[4] It
was one of the few Queen songs played in an alternative guitar tuning, being played in drop D tuning.[5] The song's
music video was filmed at the Dallas Convention Center, Texas in October 1978.[6]
Queen performed "Fat Bottomed Girls" in concert between 1978 to 1982.[7] [8] [9]
Since its release, the song has
appeared on television, film, and has been covered by a number of artists.
Versions
Vocal arrangements are quite different between the studio version and the live version. In live performances, the lead
vocals during the chorus were sung by Freddie Mercury and harmonised with an upper voice (Roger Taylor) and a
lower voice (Brian May). In the studio version, there is no higher harmony. The lead vocals on the verses are sung
by Freddie Mercury, while Brian May sings lead on the chorus.
The single version (which can be found on Greatest Hits) omits the extended guitar interludes between the verses as
well as fading out before the ending.[10]
"Fat Bottomed Girls" was released as a double A-side with the song "Bicycle Race", and includes the line "Get on
your bikes and ride".[10] Bicycle Race contains the line "Fat bottomed girls, they'll be riding today, so look out for
those beauties, oh yeah",[11] completing a double cross-reference between the two songs.
Personnel
• Brian May: guitar, lead[12] and backing vocals.
• Freddie Mercury: lead and backing vocals.
Live recordings
• Queen on Fire - Live at the Bowl
• Return of the Champions
• Super Live in Japan
• Live in Ukraine
Cover versions
• Kid Rock did a southern rock version of the song on 2004's CMT Outlaws concert special.[13]
• On the Ozzfest 2006 tour, Atreyu used the intro to open their set.[14]
• Mark Salling, as his character Puck, covered the song on the TV series Glee in the second season episode "Silly
Love Songs".[15] [16]
• Actor Jack Black and Idol finalist Casey Abrams sang this song, in a medley on the last episode of American Idol
on May 25, 2011.[17]
• Alternative rock band, House of Heroes, used to cover the song during Live Shows.
• The band Antigone Rising covered the song on the 2005 tribute album Killer Queen: A Tribute to Queen.[18]
• The song was covered by American Idol season five contestant Bucky Covington during Queen week.
• Hayseed Dixie covered it in bluegrass style on their 2002 album A Hillbilly Tribute to Mountain Love.[19]
• Pop band The Feeling performed this song on their 2007 UK tour.[20]
• Kevin Fowler covered the song on his 2002 album High on the Hog.[21]
• Eric Church uses this song now as his intro to "I Pledge Allegiance To The Hag" in his live performances.
• Country singer Stephen Cochran closes his live performances with a remake of Fat Bottomed Girl's.
• A song set to the same tune "Triple D's" was featured in an episode of Rick & Steve.
• Amos Lee occasionally covers the song as an encore while touring.[22]
• A Japanese pop duo, Kirinji covers the song in folk style on their 2002 album Omnibus.
• The cover band Jeffster covered this song at the 2009 Comic Con panal for Chuck
Featured appearances
• The song was used in the second season of the series My Name is Earl in episode seventeen.[23]
• The song was used as the opening theme for Morgan Spurlock's 2004 documentary Super Size Me.
• The song was also played during surgery on episode 40 of Nip/Tuck (2005).[24]
• The song was mentioned in the song "Mix Tape" from the Broadway musical Avenue Q.
• Part of the song is sung at the end of the Father Ted episode, "The Mainland" by Fr. Noel Furlong.
• The song was released for Guitar Hero: World Tour as downloadable content on March 26, 2009.[25]
• The song was released as downloadable content for Rock Band on October 20, 2009.[26]
• The song was the opening salvo in a karaoke war that resulted in Sven and Faye finally going to bed in
Questionable Content.[27]
• Actors Vik Sahay and Scott Krinsky of Chuck performed this song to open a panel discussion about the show
during San Diego Comic-Con 2009.
Chart performance
Chart (1978) Peak
position
Austrian Singles Chart 21
[3] 11
British Singles Chart
Dutch Singles Chart 7
French Singles Chart 7
German Singles Chart 27
Irish Singles Chart 10
Norwegian Singles Chart 7
[2] 24
U.S. Billboard Hot 100
References
[1] Queen - Greatest Hits (http:/ / www. allmusic. com/ album/ r413002) Allmusic. Retrieved 4 September 2011
[4] Prato, Greg. "Fat Bottomed Girls". Allmusic. Retrieved 4 September 2011
[5] Queen Songs - Fat Bottomed Girls (http:/ / www. queensongs. info/ the-book/ songwriting-analyses/ no-synth-era/ jazz/ fat-bottomed-girls.
html) Retrieved 4 September 2011
[6] Queen Promo Videos - Fat Bottomed Girls (http:/ / www. ultimatequeen. co. uk/ videos/ queenpromo. htm) Ultimate Queen. Retrieved 4
September 2011
[7] Queen live on tour: Jazz (Setlist) (http:/ / www. queenconcerts. com/ live/ queen/ jazz. html) Queen Concerts. Retrieved 4 September 2011
[8] Queen live on tour: The Game (world) (http:/ / www. queenconcerts. com/ live/ queen/ gamena. html) Queen Concerts. Retrieved 4
September 2011
[9] Queen live on tour: Hot Space (world) (http:/ / www. queenconcerts. com/ live/ queen/ hotspaceus. html) Queen Concerts. Retrieved 4
September 2011
[10] Fat Bottomed Girls (http:/ / www. ultimatequeen. co. uk/ songs/ jazz. htm#fat) Ultimate Queen. Retrieved 4 September 2011
[11] Bicycle Race (http:/ / www. ultimatequeen. co. uk/ songs/ jazz. htm#bicycle) Ultimate Queen. Retrieved 4 September 2011
[12] Fat Bottomed Girls (http:/ / queenpedia. com/ index. php?title=Fat_Bottomed_Girls). Queenpedia.com (2009-03-25). Retrieved on
2011-02-23.
[13] Kid Rock - "Fat Bottom Girls" Live On CMT Outlaws (http:/ / www. kidrock. com/ video/
kid-rock-fat-bottom-girls-live-on-cmt-outlaws-9-7-04-fan/ ) KidRock.com. Retrieved 4 September 2011
[14] Vans Warped Tour 2005 (http:/ / www. review-mag. com/ archive/ 590-599/ 598/ VansWarpedTour. htm) Review Mag. Retrieved 4
September 2011
[15] 'Glee' Salutes 'Fat Bottomed Girls,' St. Valentine With 'Silly Love Songs' (http:/ / www. billboard. com/ news/
glee-salutes-fat-bottomed-girls-st-valentine-1005027682. story#/ news/ glee-salutes-fat-bottomed-girls-st-valentine-1005027682. story)
Billboard. Retrieved 4 September 2011
[16] Glee: Fireworks fly for fat bottomed girls and everyone else, too (http:/ / blog. chron. com/ tubular/ 2011/ 02/
glee-fireworks-fly-for-fat-bottomed-girls-and-everyone-else-too/ ) Houston Chronicle. Retrieved 4 September 2011
[17] 'Idol': Casey Abrams sings Queen with Jack Black (http:/ / content. usatoday. com/ communities/ idolchatter/ post/ 2011/ 05/
idol-casey-abrams-sings-queen-with-jack-black/ 1) USA Today. Retrieved 4 September 2011
September 2011
[19] A Hillbilly Tribute to Mountain Love (http:/ / www. allmusic. com/ album/ a-hillbilly-tribute-to-mountain-love-r579841) Allmusic.
[20] The Feeling, The Fray (http:/ / www. thisislondon. co. uk/ music/ review-23387732-lovely-feelings-save-the-day. do) London Evening
Standard. Retrieved 4 September 2011
[21] High on the Hog (http:/ / www. allmusic. com/ album/ high-on-the-hog-r600910) Allmusic. Retrieved 4 September 2011
[22] Gorgeous-voiced Amos Lee makes the women shout at the Majestic (http:/ / www. thedailypage. com/ daily/ article. php?article=28980)
The Daily Page. Retrieved 4 September 2011
[23] My Name is Earl - The Birthday Party (http:/ / www. tv. com/ my-name-is-earl/ the-birthday-party/ episode/ 967278/ trivia. html) TV.com.
[24] Nip/Tuck Season 3, Episode 11 (http:/ / www. tv. com/ nip-tuck/ abby-mays/ episode/ 537370/ trivia. html) TV.com. Retrieved 4 September
2011
[25] Home (http:/ / community. guitarhero. com/ news_posts/ 154). Community.guitarhero.com. Retrieved on 2011-02-23.
[26] Killer Queen! British Rock Royalty Hit Rock Band with a Mighty Ten-Pack // Blog // Rock Band® (http:/ / www. rockband. com/ zine/
queen-dlc). Rockband.com (2009-10-13). Retrieved on 2011-02-23.
[27] New comics every Monday through Friday (http:/ / questionablecontent. net/ view. php?comic=1072). Questionable Content. Retrieved on
2011-02-23.
"Don't Stop Me Now"

"Don't Stop Me Now"
Single by Queen
from the album Jazz
B-side "In Only Seven Days"

"More of That Jazz"
Format 7", Cassette tape
Recorded August – September 1978
Genre Rock
Length 3:29
Label EMI, Elektra
"Bicycle Race" / "Don't Stop Me "Jealousy

"Fat Bottomed Now" "
Girls" (1979) (1979)
(1978)
"Don't Stop Me Now" (Sample) is a song by English rock group Queen, featured on their 1978 album Jazz. Written
by vocalist Freddie Mercury, it was recorded in August/September 1978 at Super Bear Studios in Berre-les-Alpes
(Alpes-Maritimes), France, and is the twelfth track on the album.[1]
Musically, the song is based around Mercury's piano playing, with John Deacon and Roger Taylor providing a bass
guitar and drums backing track. The song also provides an example of Queen's trademark style of multitrack
harmony vocals for the chorus lines.[2]
On the studio version, Brian May's only guitar playing is in his guitar solo, but on live versions performed on the
band's 1979 Jazz and Crazy tours, May would also play rhythm guitar throughout the rest of the song to give more of
a rock feeling to it. A live version of the song features in the band's 1979 album Live Killers.[3] The song also
appears in the band's 1981 compilation album Greatest Hits, and in June 2011, as part of Queen's 40th anniversary
celebrations, an old take of the song containing more guitar parts was included on the bonus EP of the re-released
and remastered Jazz album.[4] [5]
The single reached number 9 in the UK charts but only number 86 in the US. Viewed at the time of release as one of
the lesser songs in the Queen canon, it was only performed live during 1979, with the last performance in the Crazy
Tour.[6] Despite this the song has grown in stature with time and has been popularised not only by consistent airplay,
but by its use in advertisements, television programmes and films, and through cover versions. It has subsequently
become one of Queen's most popular songs.[7] It was the first single by Queen to be released on a cassette tape.
Previously, each single was released on a Vinyl Record or 7".
In popular culture
• Popular darts player Ronnie Baxter uses the song as his walk-on song as well as BDO player Brian Woods
• In 2005, this song was voted as "The Greatest Driving Song Ever" by viewers of the BBC television program Top
Gear, but the trophy given to Roger Taylor was mis-engraved, reading Stop Me Now.[8]
• The 2004 horror/comedy Shaun of the Dead features the song near the middle of the film. The song is played on a
jukebox in the Winchester pub as three of the main characters circle around the zombie pub landlord while hitting
him over the head with pool cues in rhythm with the song, leading Shaun to utter the line; "David, kill the
Queen!" Also, during the song, various things happen to the beat of the music, such as lights flashing.
Thematically, the song is ironic, as its upbeat feel completely contradicts the protagonists' no-win scenario when
it accidentally is played on jukebox. On the DVD Scene Selection the scene is called Killer Queen, another one of
Queen's songs. "You're My Best Friend" was also featured in the film during the closing credits.
• The song is featured in a Panasonic commercial in Australia during coverage of the 2008 Summer Olympics,
featuring Australian Olympians in their childhood on home videos
• The song was also featured in FOX's cartoon series American Dad! during the first season episode "Roger 'n'
Me".[9]
• The song also featured in the credits of a British television show on the history of the Concorde aircraft
• The song was featured in a series of Gatorade Propel advertisements
• The song was used in a commercial for Cadbury Dairy Milk chocolate, showing airport trucks having a race along
the runway to a background of the song playing. This was later changed to Bon Jovi's "Living on a Prayer"
• This song was used in the Australian Queensland Motorways Ad for their new tolling system
• It was used by M-Net in an advertising campaign in the early 1990s
• In 2009, the song was used on E4's show Skins on the series three episode "Cook".[10]
• This song was used for the opening of the Youth Olympic Games.
• In 2011, Top Gear attempted to do a stunt driving show during the Four-Seater Convertibles Challenge in
synchronisation with the song.
• In 2011, the song featured in the opening playlist of WFMU's The Best Show with Tom Scharpling.[11]
• In 2011, on what would have been Freddie Mercury's 65th birthday, this song was used by Google in their Google
Doodle homage to him.[12]
Cover versions
Notable cover versions include:
• McFly, the cover is the official song for Sport Relief 2006. It reached Number 1 in the UK Singles Chart on the
week ending 29 July 2006.[13]
• The Vandals, on their 2004 album Hollywood Potato Chip. A music video filmed for the song features guitarist
and producer Warren Fitzgerald busking in front of Grauman's Chinese Theatre while in costume as Freddie
Mercury.[14]
• In the European release of the drumming game Donkey Konga (2004)
• The Royal Philharmonic Orchestra.[15]
• Katy Perry performed the song twice on her Hello Katy Tour.[16]
• Unibet in Scandinavia featured a cover by Fibes, Oh Fibes! in autumn 2009 [17]
• Olly Murs sang this on 14 November during "Queen Week" of The X Factor 2009
• Parts of the "Weird Al" Yankovic song, "Ringtone" resemble this song's melody, along with several other Queen
songs.[18]
• Sally Chatfield covered this song in the Australian version of the X-Factor.
Chart positions
• Number 9 (UK)
• Number 10 (Ireland)
• Number 14 (Netherlands)
• Number 35 (Germany)
• Number 37 (Sweden)
• Number 86 (US)
References
[1] Jazz - Don't Stop Me Now (http:/ / www. ultimatequeen. co. uk/ songs/ jazz. htm#dont) Ultimate Queen. Retrieved 2 July 2011
[2] Donald A. Guarisco, "Don't Stop Me Now". Allmusic. Retrieved July 12, 2011
[3] Live Killers (http:/ / www. allmusic. com/ album/ r15976/ review) Allmusic. Retrieved July 12, 2011
[4] Queen Greatest Hits, Vols. 1 & 2 (http:/ / www. allmusic. com/ album/ greatest-hits-vols-1--2-r220568) Allmusic. Retrieved July 12, 2011
[5] Jazz (Remastered) Queen (http:/ / itunes. apple. com/ gb/ album/ jazz-remastered/ id440499309) iTunes. Retrieved July 12, 2011
[6] Queen live on tour: Crazy tour (http:/ / www. queenconcerts. com/ live/ queen/ crazy. html) Queen Concerts. Retrieved 2 July 2011
[7] Official: Top 25 karaoke songs (http:/ / www. telegraph. co. uk/ news/ 6736491/ Official-Top-25-karaoke-songs. html) The Telegraph.
Retrieved May 28, 2011
[8] Queen win Top Gears Best Driving Song ever poll (http:/ / www. queenzone. com/ news/ queen-win-top-gears-best-driving-song-ever-poll.
aspx) Queen Zone. Retrieved May 28, 2011
[9] Queen On "American Dad" (http:/ / www. brianmay. com/ queen/ queennews/ queennewsapr06. html) BrianMay.com. Retrieved 2 July 2011
[10] Skins Music guide: series 3, episode 2 (http:/ / www. e4. com/ skins/ music/ series3-episode2. html) E4. Retrieved 6 September 2011
[11] Playlist for The Best Show on WFMU with Tom Scharpling (http:/ / wfmu. org/ playlists/ shows/ 40457) WFMU. Retrieved 5 September
2011
[12] Inc, Google. "Freddie Mercury Google Doodle" (http:/ / www. youtube. com/ watch?feature=player_embedded& v=KX2BQM0D01M).
Video. . Retrieved 5 September 2011.
[13] Unstoppable McFly top music chart (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ 5208294. stm) BBC News. Retrieved May 28, 2011
[14] "The Vandals - 'Don't Stop Me Now' Kung Fu Records" (http:/ / www. youtube. com/ watch?v=bUXyBAsVr6o& feature=related). Youtube.
Kung Fu Records. . Retrieved 2010-04-29.
[15] Don't Stop Me Now (http:/ / www. youtube. com/ watch?v=FUjsdglgNp8& feature=related) Royal Philharmonic Orchestra
[16] Katy Perry - Don't stop me now, seattle showbox (http:/ / www. youtube. com/ watch?v=XKTuDQzE-Hw& fmt=18) YouTube
[17] Katy Perry - Don't stop me now, seattle showbox Unibet Love The Game TVC 30 Sec Swe (http:/ / www. youtube. com/
watch?v=AsY5XOB4Z1Y) YouTube
[18] Weird Al Yankovic releases a Queen-influenced song (http:/ / www. queenzone. com/ news/
weird-al-yankovic-releases-a-queen-influenced-song. aspx) Queen Zone. Retrieved 6 September 2011
"Mustapha" 378
"Mustapha"
"Mustapha"
Single by Queen
from the album Jazz
B-side Dead on Time

In Only Seven Days (Yugoslavia)
Released 1979 (Bolivia, West Germany, Spain and Yugoslavia only)
Format vinyl record (7")
Recorded 1978
Genre Rock
Length 3:01
Label EMI
"Jealousy" "Mustapha" "Love of My Life"

(1979) (1979) (live)
(1979)
"Mustapha" is a song written by Freddie Mercury and recorded by English rock band Queen. It is the first track of
their 1978 album Jazz. "Mustapha" was released as a single in Germany, Spain, Yugoslavia and Bolivia in 1979.
In live performances, Mercury would often sing the opening vocals of "Mustapha" in place of the complex
introduction to "Bohemian Rhapsody", going from "Allah will pray for you" to "Mama, I just killed a man...".
However, sometimes the band performed an almost full version of the song from the Crazy Tour in late 1979 to The
Game Tour in 1980, with Mercury at the piano. They dropped the second verse and went from the first chorus to the
third. Also notable is that the song was often requested by the audience, as can be heard on Live Killers.
"Mustapha" 379
Possible Islamic meaning

• Although Mercury was not a Muslim, he did spend his formative years in Zanzibar and in India, both of which
have large Muslim populations.[1] [2]
• In the song, he demonstrates a familiarity with the pronunciation and meaning of traditional Islamic words,
phrases, and even the Islamic call to prayer - the Adhan - which his opening a cappella vocal flourishes seem to
recall.[3]
• Mustafa (Arabic: ‫ﻣﺼﻄﻔﻰ‬, Muṣṭafā) is an Arabic word which is an epithet of Muhammad, the prophet of Islam and
which means "Chosen One".
• Ibrahim (Arabic: ‫ﺇﺑﺮﺍﻫﻴﻢ‬, Ibrāhīm) is the Arabic name for Abraham, the biblical patriarch, who is also a revered
prophet in Islam.
• The phrase "Mustapha, Ibrahim. Mustapha, Ibrahim. Allah, Allah, Allah will pray for you" is similar to the
supplication that Muslims make during the last portion of the Salah (the compulsory prayer performed five times
each day). In this supplication, the petitioner asks God (Allah) to bestow prayers and blessings upon Muhammad
(Mustapha), just as He has bestowed prayers and blessings upon Abraham (Ibrahim).[4]
• Every one of the five daily prayers ends with "as-salaamu alaykum" (peace be upon you) [5] and Mercury ends
Mustapha with "alaykum salaam", which is the correct response to "as-salaamu alaykum".
Freddie Mercury said that the song has no meaning. Some say they would not play the song among Muslims because
of the controversial line "Allah will pray for you" as it is usually people praying to Allah, not Allah praying for
people. Sputnik reviews also suggested that the song "Mustapha" has no meaning.
References
[1] "Africa :: Tanzania" (https:/ / www. cia. gov/ library/ publications/ the-world-factbook/ geos/ tz. html). CIA - The World Factbook. .
[2] "South Asia :: India" (https:/ / www. cia. gov/ library/ publications/ the-world-factbook/ geos/ in. html). CIA - The World Factbook. .
[3] "Adhan" (https:/ / secure. wikimedia. org/ wikipedia/ en/ wiki/ Athan). Wikipedia.org. .
[4] "Salah" (https:/ / secure. wikimedia. org/ wikipedia/ en/ wiki/ Salah). Wikipedia.org. .
[5] "Salah" (https:/ / secure. wikimedia. org/ wikipedia/ en/ wiki/ Salat). Wikipedia.org. .
"Love of My Life"
"Love of My Life"
Song by Queen from the album A Night at the Opera
Recorded 1975 at various studios
Genre Rock
Length 3:39

Writer Freddie Mercury
Producer Queen
Roy Thomas Baker
12 tracks
Side one
5. "'39"
6. "Sweet Lady"
Side two

3. "Good Company"
"Love of My Life (live)"

Single by Queen
from the album Live Killers
B-side Now I'm Here (live)
Recorded 1979
Genre Rock
Length 4:59
Label EMI
"Mustapha" "Love of My Life" "Crazy Little Thing Called

(1979) (live) Love"
(1979) (1979)
"Love of My Life" is a ballad by the English rock band Queen from their 1975 album A Night at the Opera.[1] The
song was written by Freddie Mercury about Mary Austin, with whom he had a long term relationship in the early
1970s.[2] After performing the song in South America, a live release of the single reached number 1 in Argentina and
Brazil in 1981, and stayed in the charts in Argentina for an entire year.[3]
Freddie Mercury wrote it on the piano and guitar first, Brian May rearranged the song for acoustic 12-string guitar to
facilitate live performances. May contributed occasional guitar phrases to the original recording and played the
swooping harp glissandos by pasting together multiple takes of single chords. The song is an example of Mercury's
familiarity with rubato phrasing, showcasing his classical piano influences, notably by Chopin and Beethoven. An
acoustic version of the song features in the band's 1979 album Live Killers.[1]
With its similar lyrical theme, later single "These Are the Days of Our Lives" would hark back to "Love of My Life",
twice using the line "I still love you". At the end of "These Are the Days of Our Lives", Mercury simply speaks the
words, as he would often do in live versions of "Love of My Life."[4]
Live performances
Introduced during the News of the World Tour in 1977, "Love of My Life" was such a concert favourite that
Mercury frequently stopped singing and allowed the audience to take over. It was especially well received during
concerts in South America, and the band released the song as a single there.[1]
After Mercury's death, Brian May usually dedicated the song to him. A notable exception is the Sheffield show
which yielded the Return of the Champions CD and DVD. At that show, May announced that Mercury's mother was
at the show and he dedicated the song to her. In the Queen + Paul Rodgers Tour, May would sing a few lines of the
song, then let the audience take over for every verse, as Mercury used to. When played at the Glasgow SECC in the
2008 Cosmos Rocks tour, May dedicated the song to his recently deceased mother. The song was played on the
guitar by Brian May on concerts, unlike on the album A Night at the Opera.[5]
Personnel
• Freddie Mercury: Lead Vocals, Backing Vocals, Piano
• John Deacon: Bass Guitar
• Brian May: Acoustic Guitar, Electric Guitar, Harp
• Roger Meddows-Taylor: Cymbals
Cover versions
Other versions
Numerous other artists have released a cover of "Love of My Life" commercially, including Scorpions, Michael
Burgess, Extreme (which featured Brian May)[5] Rose Marie, Declan Galbraith, Elaine Paige, Mark Slaughter,
Antonio Vega, Norma Waterson, Iris and the ladies gold medal winning quartet NoteOrious.
References
[1] Love of My Life (http:/ / www. allmusic. com/ song/ love-of-my-life-t686819) Allmusic. Retrieved 7 July 2011
[2] 'A Night At The Opera' (http:/ / www. queenonline. com/ features/ night-opera-review-rhys-thomas/ ) Queen. Retrieved 7 July 2011
pg=PT167& lpg=PT167& dq=Love+ of+ My+ Life+ CHARTS+ -+ ARGENTINA#v=onepage& q& f=false) p.164. Voyageur Press.
[4] Queen's Greatest Videos. Channel 4. 1999. No. 1/1. 50 minutes in. (Roger Taylor)
[5] Love Of My Life (http:/ / www. ultimatequeen. co. uk/ songs/ anightat. htm#love) Ultimate Queen. Retrieved 7 July 2011
"Crazy Little Thing Called Love"

Single by Queen
from the album The Game
B-side Spread Your Wings
Format Vinyl record (7" / 12")
Recorded 1979
Genre [1]
Rockabilly
Length 2:42
"Love of My "Crazy Little Thing Called "Save

Life" Love" Me"
(live) (1979) (1980)
(1979)
"Crazy Little Thing Called Love" is a song by the rock band Queen. Written by Freddie Mercury in 1979, the track
featured on their 1980 album The Game, and also appears on the band's compilation album, Greatest Hits. The song
peaked at number two in the UK Singles Chart in 1979, and hit number one on the Billboard Hot 100 in the US on
23 February 1980, remaining there for four consecutive weeks.[2] [3] It topped the Australian ARIA Charts for seven
weeks.[4]
Having composed "Crazy Little Thing Called Love" on guitar, Mercury played rhythm guitar while performing the
song live, which was the first time he played guitar in concert.[5] Queen played the song live between 1979 to 1986,
and a live performance of the song is recorded in the albums Queen Rock Montreal and Queen at Wembley.[6] [7]
Since its release, the song has been covered by a number of artists. The song was played live on 20 April 1992
during The Freddie Mercury Tribute Concert, performed by Robert Plant with Queen.[8]
Composition
As reported by Freddie Mercury in Melody Maker, 2 May 1981, he composed "Crazy Little Thing Called Love" on
the guitar in just five to ten minutes.
“
'Crazy Little Thing Called Love' took me five or ten minutes. I did that on the guitar, which I can't play for nuts, and in one way it was quite a
good thing because I was restricted, knowing only a few chords. It's a good discipline because I simply had to write within a small framework.
I couldn't work through too many chords and because of that restriction I wrote a good song, I think. ”
[9]
—Freddie Mercury
The band's drummer Roger Taylor added in an interview that Mercury wrote it in 10 minutes while lounging in a
bath in the Bayerischer Hof Hotel in Munich during one of their extensive Munich recording sessions.[10] Mercury
took it to the studio shortly after writing it and presented it to Roger Taylor and John Deacon.[5] [11] The three of
them, with their new producer Mack, recorded it at Musicland Studios in Munich. The entire song was reportedly
recorded in less than half an hour (although Mack says it was six hours).[12] Having written "Crazy Little Thing
Called Love" on guitar and played rhythm on the record, for the first time ever Mercury played guitar in concerts, for
example at Live Aid at Wembley Stadium, London in 1985.[5] [13]
Personnel
• Freddie Mercury: lead vocal, rhythm guitar, backing vocals, handclaps
• Brian May: lead guitar, handclaps
• John Deacon: bass guitar, handclaps
• Roger Taylor: drums, backing vocals, handclaps
Although Mercury would play an electrified twelve-string on stage (and later a six-string electric), in the studio he
recorded it with a six-string acoustic with external mics. Freddie Mercury also played the original guitar solo on a
version which has been lost.[14]
Single release
The "Crazy Little Thing Called Love" single hit number two in the UK Singles Chart in 1979, and became the first
U.S. number-one hit for the band, topping the Billboard Hot 100 for four weeks.[2] [3] The song also topped the
Australian ARIA charts for seven consecutive weeks from 1 March to 12 April 1980.[4] Some copies contain an
alternate b-side; Spread Your Wings (live)
Charts
Country Peak position Certification
Australia 1 platinum
Canada 1
Mexico 1
Netherlands 1 gold
New Zealand 1
U.S. 1 [15]
gold
Ireland 2
UK 2 [16]
gold
Switzerland 5
Norway 8
Austria 9
Germany 13
Dwight Yoakam version

Single by Dwight Yoakam
from the album Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's
B-side "Let's Work Tegether"/"Doin' What I Did"
Format CD single
Genre Country
Length 2:22
Label Reprise
Producer Pete Anderson
Dwight Yoakam singles chronology
"These "Crazy Little Thing Called "Thinking About

Arms" Love" Leaving"
(1998) (1999) (1999)
American country music singer Dwight Yoakam included a cover of the song on his 1999 album Last Chance for a
Thousand Years: Dwight Yoakam's Greatest Hits from the 90's.[17] Yoakam's version was released as a single,
peaking at #12 on the U.S. country singles charts in 1999. It was also used in a television commercial for clothing
retailer Gap at the time of the album's release. The music video was directed by Yoakam.
Charts
"Crazy Little Thing Called Love" debuted at #65 on the U.S. Billboard Hot Country Singles & Tracks for the week
of 1 May 1999.
Chart (1999) Peak

position
U.S. Billboard Hot Country Singles & Tracks 12
U.S. Billboard Hot 100 64
Canadian RPM Country Tracks 1
Canadian RPM Adult Contemporary Tracks 19
UK Singles Chart 43
Other cover versions

• In 1980 by The Chipmunks on their comeback album, Chipmunk Punk.[18]
• Canadian Pop/big band singer Michael Bublé covered the song for his self-titled 2003 debut album.[19]
• American singer Josh Kelley recorded a cover for the 2005 album Killer Queen: A Tribute to Queen.[20]
• British pop rock/pop punk band McFly covered the song for their Room on the Third Floor album.[21]
• Diana Ross covered the song on her 2007 album I Love You. Brian May plays guitar on this version.[22]
• Performed on season 5 of American Idol by Fantasia Barrino, David Radford, Taylor Hicks, and Tim Urban.
• American pop-rock band Maroon 5 covered the song and it came out as a bonus track in some versions of the
album Hands All Over.[23]
References
[1] Coryat, Karl (1999). The Bass Player Book. San Francisco: Backbeat Books. p. 59.
[6] Queen Rock Montreal (http:/ / www. allmusic. com/ album/ r1239496) Allmusic. Retrieved 4 September 2011
[7] Live At Wembley 1986 (http:/ / www. ultimatequeen. co. uk/ songs/ wembley. htm#under) Ultimate Queen. Retrieved 4 September 2011
[8] The Freddie Mercury Tribute Concert: Crazy Little Thing Called Love (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd.
htm#crazy) Retrieved 4 September 2011
[9] Melody Maker 2 May 1981 (http:/ / www. queenarchives. com/ index. php?title=Freddie_Mercury_-_05-02-1981_-_Melody_Maker)
[10] ROGER SPEAKS: COLOGNE AUDIO PRESS KIT (http:/ / www. brianmay. com/ queen/ queennews/ queennewsnov04. html)
BrianMay.com. Retrieved 29 June 2011
[11] Billboard 18 Jul 1980 (http:/ / books. google. com/ books?id=TyQEAAAAMBAJ& pg=PT32& dq=CRAZY+ LITTLE+ THING+
CALLED+ LOVE+ -+ MERCURY+ -+ Elvis+ -+ Billboard+ -+ 12+ July+ 1980#v=onepage& q& f=false) p.33. Billboard. Retrieved 29 June
2011
[12] Interview with Reinhold Mack, Esq. (http:/ / www. izotope. com/ artists/ reinhold_mack. asp). iZotope.
[13] Crazy Little Thing Called Love (http:/ / www. ultimatequeen. co. uk/ songs/ game. htm#crazy) UltimateQueen. Retrieved 29 June 2011
[14] May confirms Mercury played solo (http:/ / www. queencuttings. com/ images/ solo/ Guitar& Bass_jan2008_p05. jpg). Guitar & Bass.
[15] RIAA. Gold & Platinum (http:/ / www. riaa. com/ goldandplatinum. php).
[17] Erlewine, Stephen Thomas. "Last Chance for a Thousand Years review" (http:/ / www. allmusic. com/ album/ r420881). Allmusic. .
[18] Chipmunk Punk (http:/ / www. allmusic. com/ album/ r80719) Allmusic. Retrieved 10 July 2011
[19] Michael Bublé (http:/ / www. allmusic. com/ album/ r626675) Allmusic. Retrieved 10 July 2011
July 2011
[21] Room on the 3rd Floor, Pt. 1 (http:/ / www. allmusic. com/ album/ room-on-the-3rd-floor-pt-1-uk-r746880) Allmusic. Retrieved 10 July
2011
[22] "Crazy Little Thing Called Love" With Diana Ross (http:/ / www. brianmay. com/ brian/ brianssb/ brianssbaug06a. html) BrianMay.com.
[23] Maroon 5 (http:/ / www. allmusic. com/ artist/ maroon-5-p529962/ songs/ all-songs) Allmusic. Retrieved 10 July 2011
External links
• Song analysis (www.queensongs.info) (http://www.queensongs.info/the-book/songwriting-analyses/
modern-era-queen/the-game/crazy-little-thing-called-love.html)
"Save Me"
"Save Me"
Single by Queen
B-side "Let Me Entertain You" (live)
Recorded 1979
Genre Rock
Length 3:52
Label EMI, Elektra
Writer(s) Brian May
"Crazy Little Thing Called "Save "Play the

Love" Me" Game"
(1979) (1980) (1980)
"Save Me" is a rock ballad by English rock band Queen from their 1980 album The Game. Written by guitarist Brian
May, it was recorded in 1979, and released in the UK on January 25, 1980, nearly six months prior to the release of
the album. "Save Me" spent six weeks on the UK Singles Chart, peaking at number eleven.[1]
The song was played live from 1979-1982.[2] [3] [4] [5] One of the Mercury's most notable performances of "Save Me"
took place at the Montreal Forum, Quebec, Canada in November 1981, and the song is recorded in the live album,
Queen Rock Montreal.[6] The song also features in Queen's compilation album, Greatest Hits.[7]
"Save Me" 388
History
Brian May wrote "Save Me" about a friend whose relationship had ended, and played piano, synths and guitars
(electric and twelve-string acoustic) on it. Played live, the song would typically feature a short piano introduction
absent from the studio version. This introduction can be found in a May solo composition "My Boy" which can only
be found much later on the 1998 compilation album "Lullabies With A Difference". The general melody could have
been conceived by May as early as 1980 as the intro to the live version of "Save Me" exhibits.
In addition, the lyrics "I'm naked and I'm far from home" were uttered near the end of the pilot episode of the
television series Highlander (whose theme was another Queen song, "Princes of the Universe") by Christopher
Lambert's character.
A version of the song is performed by stage actress and singer, Kerry Ellis, on her debut album Anthems.[8]
Personnel
• Brian May: rhythm and acoustic twelve-string guitars, piano, synthesizer, backing vocals.
• Roger Taylor: Drums, backing vocals.
• Freddie Mercury: Lead and backing Vocals.
• John Deacon: bass.
Charts
Country Peak position
Netherlands 5
Norway 7
Ireland 8
Italy 10
UK 11
Germany 42
Japan 96
References
[2] Queen live on tour: Crazy tour: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ crazy. html) Queen Concerts. Retrieved 5 July 2011
[3] Queen live on tour: The Game (world): Setlist (http:/ / www. queenconcerts. com/ live/ queen/ gamena. html) Queen Concerts. Retrieved 5
July 2011
[4] Queen live on tour: Japan 1981: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ japan81. html) Queen Concerts. Retrieved 5 July 2011
[5] Queen live on tour: Hot Space (world): Setlist (http:/ / www. queenconcerts. com/ live/ queen/ hotspaceus. html) Queen Concerts. Retrieved 5
July 2011
[7] Greatest Hits (http:/ / www. ultimatequeen. co. uk/ discography/ queenalbums. htm#greatesthits) Ultimate Queen. Retrieved 16 July 2011
[8] The Game - Save Me (http:/ / www. ultimatequeen. co. uk/ songs/ game. htm#save) Ultimate Queen. Retrieved 16 July 2011
"Play the Game" 389
"Play the Game"

"Play the Game"
Single by Queen
B-side "A Human Body"
Recorded 1980
Genre Rock
Length 3:30
Label EMI, Elektra
"Save "Play the "Another One Bites the

Me" Game" Dust"
(1980) (1980) (1980)
"Play the Game" is a song by Queen, written by Freddie Mercury. It is the first track on the first side of their 1980
album The Game. It commences with a series of overlapping rushing noises on an Oberheim OB-X synthesizer,
heralding the band's acceptance of electronic instruments into their once explicitly "no synths" sonic repertoire. They
played it in their live shows from 1980 to 1982. The single was a hit in Queen's home country reaching #14 in the
charts. In America, however, it gained small response at reaching only #42.
The song features a soft vocal by Mercury including a strong G4 rising in pitch all the way to C5 in chest voice,
contrary to the other C5s being hit in falsetto. He also played piano on the track.
The B-side, "A Human Body", has never appeared on any Queen album, but was finally released on CD format in
the 2009 box set Queen Singles Collection Volume 2.
The cover of the single, as well as its promotional video, marked the first time Freddie Mercury appeared in either
format with what later became his trademark moustache. The video is also notable in that Brian May did not use his
"Play the Game" 390
trademark Red Special guitar, instead using a Fender Stratocaster replica made by Satellite. This was likely due to
the risk of damage involved in the shot in which Mercury snatches the guitar away from May, then appears to throw
it back to him.
Later singles "It's a Hard Life" and "You Don't Fool Me" revisit the theme presented in "Play the Game", with
Mercury writing from the same lover's perspective years later in the former song, and reflecting on the memories of
the failed relationship in the latter. Both "Play the Game" and "It's A Hard Life" are of a similar structure, revolving
around Mercury's piano playing and the band's multi-layered harmonies.[1]
Personnel
• Freddie Mercury: lead and backing vocals,piano and synthesiser.
• Brian May: Lead guitar and backing vocals.
Charts
Norway 6
Switzerland 8
UK 14
Netherlands 15
Germany 40
U.S. 42
Beach House cover

The Baltimore, Maryland indie rock duo Beach House recorded a cover of Play the Game that was contributed for
the iTunes Store release of the Red Hot Organization's 2009 compilation, Dark Was The Night. The track was
released as an iTunes only bonus track.
References
[1] Queen's Greatest Videos. Channel 4. 1999. No. 1/1. 30 minutes in.
"Another One Bites the Dust"

Single by Queen
B-side "Don't Try Suicide" in US
Released 22 August 1980
Format 7" vinyl
Recorded 1980
Genre [1]
Funk rock
Length 3:36
"Play the "Another One Bites The "Need Your Loving

Game" Dust" Tonight"
(1980) (1980) (1980)
"Another One Bites the Dust" is a song by the English rock band Queen. Written by bass guitarist John Deacon, the
song featured on the group's eighth studio album The Game (1980). The song was a worldwide hit, charting number
one on the United States Billboard Hot 100, number two on the R&B charts and the Disco Top 100, and number
seven in the United Kingdom Singles Chart.[2] [3] The song is credited as Queen's best selling single, with sales of
over 7 million copies. This version was ranked at number 34 on Billboard's All Time Top 100.[4]
History
The bass line was inspired by the song "Good Times" by the Disco group Chic.[5] [6] In an interview with New
Musical Express, Chic co-founder Bernard Edwards stated, "...that Queen record came about because that Queen
bass player... spent some time hanging out with us at our studio".[7]
Recording sessions were produced by Reinhold Mack at Musicland Studios in Munich (West Germany) and
consisted of Deacon playing almost all the instruments: bass, piano, rhythm and lead guitars and handclap
percussion. Roger Taylor added a drum loop and Brian May contributed some noises with his guitar and an Eventide
Harmonizer. There are no synthesisers used in the song: all effects are created with pianos, guitars, and drums, with
subsequent tape playback performed in reverse at various speeds. Finally, some sound effects were run through the
harmonizer for further processing. The effect of the harmoniser can be heard clearly in the "swirling" nature of the
sound immediately before the first lyric. After attending a Queen concert in Los Angeles, Michael Jackson suggested
to Freddie Mercury backstage that "Another One Bites the Dust" be released as a single.[8] The earlier live
performances of the song had drummer Roger Taylor on lead vocals during the chorus, as opposed to the album
version which was sung by Mercury in its entirety. In later performances, parts of the chorus were sometimes not
sung by any member of the band, letting the audience sing it instead.
The song garnered Queen a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal.[9] The
band lost to Bob Seger's album Against the Wind.[9] The music video for "Another One Bites the Dust" was filmed at
Reunion Arena in Dallas, Texas.[10]
Alleged backward masking

In the early 1980s, "Another One Bites the Dust" was one of many popular rock songs that Christian evangelists
alleged contained subliminal messages through a technique called backward masking. It was claimed that the chorus,
when played in reverse, will be heard as "decide to smoke marijuana." or "It's fun to smoke marijuana".[11] A
spokeswoman for Hollywood Records (Queen's current US label) has denied that the song contains a backward
message.[12]
“
I'd been wanting to do a track like 'Another One Bites The Dust' for a while, but originally all I had was the line and the bass riff. Gradually, I
filled it in and the band added ideas. I could hear it as a song for dancing but had no idea it would become as big as it did. The song got picked
up off our album and some of the black radio stations in the US started playing it, which we've never had before. Michael Jackson actually
suggested we release it as a single. He was a fan of ours and used to come to our shows. ”
[13]
—John Deacon
Personnel
• John Deacon – bass, lead and rhythm guitars, hand-claps, piano and tape effects
• Roger Taylor – drums and backing vocals (live only)
• Freddie Mercury – lead and backing vocals
• Brian May – guitar
Charts
Argentina 1
Canada 1
Guatemala 1
Spain 1
US 1 [14]
Platinum
New Zealand 2
US R&B 2
Ireland 4
Australia 5
Austria 6
Germany 6
UK 7
Switzerland 8
Italy 10
Netherlands 14
France 22
Finland 4
Re-Releases & Remixes
Wyclef Jean version

Single by Queen & Wyclef Jean featuring Pras and Free
from the album Greatest Hits III, Small Soldiers O.S.T, Ghetto Supastar and The Ecleftic: 2 Sides II a Book
Format CD single, 12" single, cassette
Recorded 1998
Genre Hip-hop
Length 4:20
Label Dreamworks
Producer Queen, Mack, Wyclef Jean, Jerry 'Wonder' Duplessis
"No-One but You (Only the Good Die "Another One Bites the Dust (Small "Under Pressure (Rah
Young)" Soldiers)" Mix)"
(1997) (1998) (1999)
In 1998, American rapper Wyclef Jean covered and remixed the song for the film Small Soldiers. His version also
features rap verses from Pras Michel and Free, and music by Queen. The track appears on Queen's compilation
Greatest Hits III released in 1999.[15] It enjoyed the most success in the UK, where it entered the chart at #5, it's
highest chart position, going on to spend six weeks on the chart.[16] It also reached the top ten in Finland. It charted
#18, #23, #50 and #62 in New Zealand, Austria, Sweden and France, respectively. The music video for this version
was directed by Michel Gondry. The song became Pras' third UK Top 10 hit from his debut solo album Ghetto
Supastar, following the title track and follow-up single Blue Angels. However, Pras was not available for the filming
of the video, and rapper Canibus recorded a new verse to take his place. This version was used only for the
promotional video.
Tracklisting
American CD Single
1. "Another One Bites the Dust" (Radio Edit) (4:00)
2. "Another One Bites the Dust" (LP version) (4:20)
3. "Another One Bites the Dust" (Instrumental) (4:17)
4. "Another One Bites the Dust" (Acappella) (4:45)
UK CD Single
1. "Another One Bites the Dust" (LP Version) (4:20)
2. "Another One Bites the Dust" (Team 1 Black Rock Star Main Pass Mix) (4:46)
3. "Another One Bites the Dust" (Team 1 Black Rock Star Radio Edit) (4:17)
The Miami Project Remixes

The song was remixed again in 2006. The single reached the UK top 40, credited to Queen vs The Miami Project.[17]
1. "Another One Bites the Dust" (Cedric Gervais & Second Sun Radio Edit) - 3:22
2. "Another One Bites the Dust" (Cedric Gervais & Second Sun Vocal Mix) - 7:17
3. "Another One Bites the Dust" (Oliver Koletzki Remix) - 6:14
4. "Another One Bites the Dust" (A Skillz Remix) - 5:34
5. "Another One Bites the Dust" (Soul Avengerz Remix) - 7:12
6. "Another One Bites the Dust" (DJ Pedro & Olivier Berger Mix) - 6:29
Cover Versions
In 1980, Jimmy "Spider-Man" Allen of the Detroit Lions did a parody of the song. Their version came after the
Lions, who went 2-14 in 1979, started the 1980 season 3-0.
In 1981, parodist "Weird Al" Yankovic wrote a parody of the song titled, "Another One Rides the Bus". This version
was recorded live on the Dr. Demento Show and was released on his debut album.[18]
In 1993, American street gangs the Bloods & Crips collaborated on and album called Bangin' on Wax in which the
Crips did a cover entitled "Another Slob Bites the Dust" about the Bloods. Slob being a degrading name for the
Bloods.
In 1997, the original track was sampled by Foxy Brown and Jay-Z on the Trackmasters Remix of her single "I'll Be".
In 2004, the song was covered by Greek-American singer Kalomoira for her debut self titled album.
In 2010, the song was covered by the cast of Glee.[19] The episode "Funk" aired June 1.[20]
References
[1] Schaffner, Nicholas (1982). The British Invasion: From the First Wave to the New Wave. New York: McGraw-Hill. p. 254.
[4] "The Billboard Hot 100 All-Time Top Songs (40-31)" (http:/ / www. billboard. com/ bbcom/ specials/ hot100/ charts/ top100-titles-40.
shtml). Billboard. . Retrieved 2010-04-11.
[5] "Queen Biography" (http:/ / www. rollingstone. com/ artists/ queen/ biography). Rolling Stone. . Retrieved 2010-04-11.
[6] "Biography - Chic". Billboard. Archive copy (http:/ / web. archive. org/ */ http:/ / web. archive. org/ web/ 20070929124127/ http:/ / www.
billboard. com/ bbcom/ bio/ index. jsp?pid=4281) at the Wayback Machine
[7] "Good Times" (http:/ / www. superseventies. com/ sw_goodtimes. html). www.superseventies.com. . Retrieved 2010-04-11. Excerpt from
Bronson, Fred (1988). The Billboard Book of Number One Hits. Billboard.
pg=PT158& dq=Michael+ Jackson+ -+ Another+ One+ Bites+ the+ Dust#v=onepage& q=Michael Jackson - Another One Bites the Dust&
f=false) p.155. Voyageur Press, 2009. Retrieved May 29, 2011
[9] 23rd Grammy Awards (http:/ / www. rockonthenet. com/ archive/ 1981/ grammys. htm) Rock On The Net. Retrieved 3 July 2011
[10] 1980 The Game North American Tour (http:/ / www. ultimatequeen. co. uk/ live/ queen2. htm#1980gamenorthamerica) Ultimate Queen.
[11] Luman, Betty. (UPI) " Subliminal smut hidden in rock-record lyrics (http:/ / news. google. com/ newspapers?id=KstFAAAAIBAJ&
sjid=DPgMAAAAIBAJ& pg=5706,4343580& dq=queen+ subliminal+ smut& hl=en)" Telegraph Herald October 30, 1981: E11
[12] Searcey, Dionne (January 9, 2006). "Behind the Music: Sleuths Seek Messages In Lyrical Backspin" (http:/ / online. wsj. com/ article_email/
SB113677367081541303-lMyQjAxMDE2MzA2OTcwNzkzWj. html). The Wall Street Journal. . Retrieved 2010-04-11.
[13] Bassist and Bass Techniques April 1996 (http:/ / www. queenarchives. com/ index. php?title=John_Deacon_-_04-XX-1996_-_Bassist_&
_Bass_Techniques)
[14] "RIAA - Gold & Platinum" (http:/ / www. riaa. com/ goldandplatinum. php). Recording Industry Association of America. . Retrieved
2010-04-11.
[15] Queen - Greatest Hits III (http:/ / www. allmusic. com/ album/ r443580) Allmusic. Retrieved 12 August 2011
[16] Queen/Wyclef Jean - Another One Bites The Dust ft Pras And Free (http:/ / www. chartstats. com/ release. php?release=26630) Chart Stats.
[17] Queen Vs The Miami Project (http:/ / www. chartstats. com/ artistinfo. php?id=10885) Chart Stats. Retrieved 13 August 2011
[18] Palmer, Robert (1980-09-26). "The Pop Life; Confident disk from Jerry Lee Lewis". The New York Times (New York City, USA: Arthur
Ochs Sulzberger, Jr.): p. C14.
[19] 'Another One Bites The Dust (Glee Cast Version) (http:/ / www. billboard. com/ album/ glee/ another-one-bites-the-dust-glee-cast-version/
1382773#/ album/ glee/ another-one-bites-the-dust-glee-cast-version/ 1382773) Billboard. Retrieved 3 July 2011
[20] "Funk: Featured Music". Fox Retrieved 3 July 2011
External links
• polyhex.com UK Singles Chart runs (http://www.polyhex.com/music/chartruns/chartruns.php)
"Need Your Loving Tonight"

"Need Your Loving Tonight"
Single by Queen
B-side "Rock It (Prime Jive)"
Released November 1980 (USA, Japan)
Recorded 1980
Genre Rock
Length 2:49
Label Elektra
"Another One Bites the "Need Your Loving "Flash"

Dust" Tonight" (1980)
(1980) (1980)
"Need Your Loving Tonight" is a song by the band Queen and written by bassist John Deacon. It is the fourth track
on the first side of their 1980 album The Game and the second song on the album by Deacon (the other being
Another One Bites the Dust).
The melody is very Beatles-influenced, although it has more of a rocking guitar riff, thus giving the song a power
pop sound. "Need Your Loving Tonight" was released as a single in November 1980 and peaked at #44 in the United
States.
Live performances
It was played only scarcely during The Game Tour during the early 1980s; it only lasted this one tour. Also during
live performances of the song, Brian May and Roger Taylor sang backing vocals and Freddie Mercury played piano
during Brian's guitar solo (both of which were absent in the studio version).
Personnel
• Freddie Mercury - Lead vocals, piano (live).
• Brian May - Lead guitar, backing vocals (live).
• John Deacon - Bass ,acoustic and electric guitars.
• Roger Taylor - Drums
External links
• Lyrics [1]
References
"Flash" 399
"Flash"
"Flash"
Single by Queen
from the album Flash Gordon
B-side "Football Fight"
Released 24 November 1980 (UK)

January 1981 (US)
Format 7" vinyl
Recorded 1980
Genre Rock
Length 2:46 (single version)

3:29 (album version)
Label EMI, Elektra
Writer(s) Brian May
Producer Brian May, Mack
"Need Your Loving "Flash" "Under

Tonight" (1980) Pressure"
(1980) (1981)
"Flash" is a song by British rock group Queen. Written by guitarist Brian May, "Flash" is the theme song of the
1980 film Flash Gordon. The soundtrack released to coincide with the film contained only the music composed and
performed by Queen.
There are two versions of the song. The album version ("Flash's Theme") is in fact the start to the movie, with all
the dialogue from the first scene. The single version features dialogue cut from various parts of the movie, most
memorably, Brian Blessed's character exclaiming "Gordon's alive!" This version was also included on the Greatest
Hits compilation from 1981.
Flash is sung as a duet between Freddie Mercury and Brian May, with Roger Taylor adding the high harmonies. May
plays all of the instruments except for the rhythm section. He used a Bösendorfer Imperial Grand Piano (with 97
keys instead of 88, having an extra octave on the low range), Oberheim OBX synth (which he plays in the video) and
"Flash" 400
his homemade Red Special guitar.
Remixes and covers

• UK DJ Vanguard remixed the theme and released as single during the early DVD release of the film. The single
managed to peak at #15 on the UK singles charts at that time.
• In 1988, Public Enemy used a sample of "Flash" for their song "Terminator X to the Edge of Panic", released on
the album It Takes a Nation of Millions to Hold Us Back.
• Chicago-based band Tub Ring has been known to cover the song at concerts.
• The song was played by My Chemical Romance on the Projekt Revolution tour, in several shows.
• Garage rock band Louis XIV covered the song on the 2007 EP The Distances from Everyone to You.
• Noise rock/Grindcore band The Locust played a version of the song on the compilation Dynamite With a
Laserbeam: Queen As Heard Through the Meat Grinder Of Three One G
• Tenacious D starts their concert with Flash on the DVD The Complete Master Works.
• MaxNormal.TV used "Flash" in their song "Rap Fantasy". Instead of "Flash" they changed the words to, "Max
Normal".
Uses in popular culture

• A segment of the song is often played at Miami Heat home games when superstar Dwyane Wade, who is
nicknamed "Flash," makes a spectacular play.
• The song was played at Philadelphia Phillies home games when Phillies reliever Tom Gordon, whose nickname is
"Flash Gordon", entered the game.
• The song is played in the film Blades of Glory when Will Ferrell and Jon Heder do their final competition
together, with the song as the background and basis for their routine at the end of the movie.
• "Flash" is the opening song that Tenacious D plays in their Complete Masterworks DVD.
• Some Sci Fi Channel teaser-advertisements for the 2007 Flash Gordon series play the signature beats from the
song over a simple logo. The song is not used in the actual show.
• Mark Dudbridge, an English darts player from Bristol, uses it as his entrance music on stage. A take on his
nickname Flash.
• "Flash" has been used as the opening theme song for Fuji TV's Formula One coverage in Japan since the 2007
season.
• This song has been played on Toy Story 2 advert on ABC1 and Disney Channel using "Buzz" instead of "Flash".
• NBA superstar Shaquille O'Neal sung the song during a press-conference but replaced flash with "Shaq, ahhh,
he's the saviour of the universe"
• The song also can be listened in the anime "Macademi Wasshoi!", more specifically in the chapter 5, is the theme
of presentation of one character.
• The song was featured in the Family Guy episode "Not All Dogs Go To Heaven", when Brian wonders why
nobody has even seen God and what does he do up there.
• The song was used in a 2011 commercial for the Blackberry Playbook, with "Flash" referring to the tablet
computer's inclusion of Adobe Flash Player.
• The song has recently been used in the UK Innocent smoothie advertising campaign replacing "Flash" with
"Fruit"
• The song was used on a promo for the CBS reality show The Amazing Race, replacing "Flash" with "Phil",
referring to the show's host Phil Keoghan.
"Flash" 401
Live recording
• Queen on Fire - Live at the Bowl
• Queen Rock Montreal
"Under Pressure"
"Under Pressure"
Single by Queen & David Bowie
from the album Hot Space
B-side Soul Brother
Format 7" vinyl / 12" / CD single
Recorded Mountain Studios, Montreux, July 1981
Genre Rock
Length 4:02
Label EMI, Elektra
Writer(s) Queen and David Bowie
Producer Queen and David Bowie
"Flash" "Under "Body

(1980) Pressure" Language"
(1981) (1982)
David Bowie singles chronology
"Up the Hill "Under "Wild Is the

Backwards" Pressure" Wind"
(1981) (1981) (1981)
"Under Pressure" is a 1981 song recorded by Queen and David Bowie. It marked Bowie's first released
collaboration with another recording artist as a performer, and is featured on Queen's 1982 album Hot Space. The
song reached #1 on the UK Singles Chart. It was also number 31 on VH1's 100 Greatest Songs of the '80s.[1]
The song was played live at every Queen concert between 1982-1986.[2] [3] [4] It is recorded in the live albums
Queen Rock Montreal and Queen at Wembley.[5] [6] The song was included on Queen's first Greatest Hits
compilations, such as the original 1981 Elektra release in the US. It is currently included on the band's compilation
albums Greatest Hits II, Classic Queen, and Absolute Greatest[7] as well as the compilation Best of Bowie.
Creation
Queen had been working on the song under the title "Feel Like" but were not yet satisfied with the result.[8] [9] David
Bowie had originally come to Mountain Studios in order to sing backing vocals on another Queen song, "Cool Cat",
which would end up being edited out since he was not satisfied with it. Once he got there, they worked together for a
while and wrote the song.[10] The final version that became "Under Pressure" evolved from a jam session the band
had with Bowie at his studio in Montreux, Switzerland; therefore it was credited as co-written by the five musicians.
The scat singing that dominates much of the song is evidence of the jam-beginnings as improvisation. According to
Queen bassist John Deacon (as quoted in a French magazine in 1984), however, the song's primary musical
songwriter was Freddie Mercury — though all contributed to the arrangement. Brian May recalled to Mojo magazine
in October 2008 that "It was hard, because you had four very precocious boys and David, who was precocious
enough for all of us. David took over the song lyrically. Looking back, it's a great song but it should have been
mixed differently. Freddie and David had a fierce battle over that. It's a significant song because of David and its
lyrical content."[11] The earlier, embryonic version of the song without Bowie, "Feel Like", is widely available in
bootleg form, and was written by Queen drummer Roger Taylor.
There has been some confusion about who created the song's bassline. John Deacon said (in Japanese magazine
Musiclife in 1982, and in the previously mentioned French magazine) that David Bowie had created it. In more
recent interviews, Queen guitarist Brian May and drummer Roger Taylor have credited the bass riff to Deacon.
Bowie, on his website, said that the bassline was already written before he became involved.[12] Roger Taylor, in an
interview for the BBC documentary Queen: the Days of Our Lives, stated that Deacon had indeed created the
bassline, stating that all through the sessions in the studio he had been playing the riff over and over; he also claims
that when the band returned from dinner Deacon had, amusingly, forgotten the riff, but fortunately Taylor was still
able to remember it.[13] It would later be sampled by Vanilla Ice in his 1990 single "Ice Ice Baby". Queen and Bowie
did not receive songwriting credit or royalties until after the single had become a hit.[14] [15]
Music video
The video for the song features neither Queen nor David Bowie due to touring commitments.[16] Taking the theme of
pressure, director David Mallet edited together stock footage of traffic jams, commuter trains packed with
passengers, explosions, riots, cars being crushed and various pieces of footage from silent films of the 1920s, most
notably Sergei Eisenstein's influential Soviet film Battleship Potemkin, and F.W. Murnau's chilling Nosferatu, a
master work of the German Expressionist movement.[16] [17] The video celebrates the pressure-cooker mentality of a
culture willing to wage war against political machines, and at the same time love and have fun (there is also footage
of crowds enjoying concerts, and lots of black and white kissing scenes), the video remains a powerful collage to this
day.[17]
Track listing
1981 single
1. "Under Pressure" (Mercury, Taylor, Deacon, May, Bowie) – 4:02
2. "Soul Brother" (Mercury, Taylor, Deacon, May) – 3:38
EMI released a 3-inch CD version of the single in 1988 with "Body Language" as an additional B-side.
Production credits
• Producers:
• Queen
• David Bowie
• Musicians:
• Freddie Mercury: Vocals, piano, Hammond organ
• David Bowie: Vocals, hand claps, finger snaps, keyboards
• Brian May: Guitar
• John Deacon: Bass
• Roger Taylor: Drums
Reception
The September 2005 edition of online music magazine Stylus singled out the bassline as the best in popular music
history.[18] In November 2004, Stylus music critic Anthony Miccio commented that 'Under Pressure' "is the best
song of all time" and described it as Queen's 'opus'.[19]
Live performances
Although very much a joint project, only Queen incorporated the song into their live shows at the time. Bowie chose
not to perform the song before an audience until the 1992 Freddie Mercury Tribute Concert, when he and Annie
Lennox sang it as a duet (backed by the surviving Queen members).[20] However, since Mercury's death and the
Outside tour in 1995, Bowie has performed the song at virtually every one of his live shows, with bassist Gail Ann
Dorsey taking Mercury's vocal part. The song also appeared in setlists from A Reality Tour mounted by Bowie in
2004, when he frequently would dedicate it to Freddie Mercury. Queen + Paul Rodgers have recently performed the
song as well. While Bowie was never present for a live performance of the song with Mercury, Roger Taylor instead
filled for back-up vocals usually in unison with Mercury, as Mercury would take over most of Bowie's parts.
Live recordings
• Queen first recorded a live version of the song at The Montreal Forum in Canada on November 24, 1981. This
was included in the concert films We Will Rock You and Queen Rock Montreal.[21] Incidentally it is one of the
few times in concert where Mercury used falsetto in the song on the line "these are the days it never rains but it
pours".
• A second live version of the song was recorded at Milton Keynes, England, in 1982. This was released in 2004 on
the live album/DVD Queen on Fire - Live at the Bowl. Prior to the concert, rumours circulated that Bowie would
appear with Queen to sing his parts onstage, but it is probable that he did not even attend the concert.
• Later, Queen recorded a third live version of the song at Wembley Stadium, London, in 1986. This was released
on the live album/DVD Live at Wembley Stadium. Another rendition from this same tour (from Queen's concert in
Budapest) appeared in edited form on the album Live Magic in 1986.
• During the Freddie Mercury Tribute Concert in 1992, the surviving members of Queen along with Bowie and
Annie Lennox (filling in for Mercury) performed the song.[20] The concert was later released on DVD in 2002 for
the 10th anniversary.[20]
• A version recorded by David Bowie's live band in 1995 was released on the bonus disc included with some
versions of Outside - Version 2. This live version was also released on the single "Hallo Spaceboy" in 1996.
• David Bowie's DVD A Reality Tour (2003) includes a live version with Bowie's bassist Gail Ann Dorsey singing
Mercury's parts.
• The 2006 VH1 Rock Honors at the Mandalay Bay Events Center in Las Vegas, featured Queen + Paul Rodgers
performing "Under Pressure" along with "The Show Must Go On", "We Will Rock You" and "We Are The
Champions" as a live broadcast.[22]
Other releases
"Under Pressure (Rah Mix)"
Single by Queen and David Bowie
from the album Greatest Hits III
B-side • The Song Of The Millennium/Bohemian Rhapsody

• Thank God It's Christmas
Format CD single, Digital download
Genre Rock
Length 4:08
Label EMI, Parlophone
Writer(s) Queen and David Bowie
Producer Queen and David Bowie
"Another One Bites The Dust (Small Soldiers "Under Pressure (Rah "We Will Rock
Remix)" Mix)" You"
(1998) (1999) (2000)
Rah Mix
A remixed version (called "Rah Mix") was issued in December 1999 to promote Queen's Greatest Hits III
compilation, reaching #14 on the UK Singles Chart. This remix includes new recording work by Brian May and
Roger Taylor.
Track listing
Two CD singles (one multimedia enhanced) released 6 December 1999 and 7" picture disk released 13 December
1999. As Bohemian Rhapsody wins The Song of The Millennium award, this released as b-side under the title "The
Song of The Millenium/Bohemian Rhapsody"[23]
CDS #1
1. Under Pressure (Rah Mix)
2. The Song Of The Millennium / Bohemian Rhapsody
3. Thank God It's Christmas
CDS #2
1. Under Pressure (Rah Mix - Radio Edit)
2. Under Pressure (Mike Spencer Mix)
3. Under Pressure (Knebworth Mix)
4. Enhanced section
7"
1. Under Pressure (Rah Mix)
2. The Song Of The Millennium / Bohemian Rhapsody
• Was initially released in US on the Elektra Records US and Canadian versions of Queen's Greatest Hits as a new
track.
• The song was released as a bonus track on the Virgin Records reissue of Bowie's Let's Dance in 1995.
• Hollywood Records remixed the song for their 1992 release, Classic Queen. This version features improved
sound quality, but removes Mercury's interjection "that's okay!" at about 0:53.
• It also appeared on some Bowie compilations, most of which used the Hollywood Records remix:
• Bowie: The Singles 1969-1993 (1993)
• The Singles Collection (1993)
• Best of Bowie (2002)
• The original single version appears on disc three of Bowie's The Platinum Collection (2005), marking the first
appearance of this version on a Bowie compilation.[24] This disc was later released separately as The Best of
David Bowie 1980/1987 (2007).
• An instrumental version appears in the DVD menu for the Hot Space section of Greatest Video Hits 2.
• Was released in UK on Queen's Greatest Hits II (which would later be included in The Platinum Collection (2000
and 2002)) removing the second time David Bowie sings, "This is our last dance."
• Has also been performed, but without the lyrics, by the Royal Philharmonic Orchestra.[25] [26]
• Was featured nearly in its entirety in the 2010 film It's Kind of a Funny Story, initially as a 'cover' by the patients
in a music therapy class at a New York City psychiatric ward, which the film transformed into the authentic song
'performed' by the patients, dressed in glam, in a near music-video style imaginary sequence (with David Bowie
and Queen's original vocals and instrumentation).
Chart positions
Under Pressure (1981):
Argentina 1
Netherlands 1
UK 1 Silver
Ireland 2
Canada 3
South Africa 4
Norway 5
New Zealand 6
Australia 8
Austria 10
Sweden 10
Switzerland 10
Germany 21
U.S. 29
Japan 88
Under Pressure – Rah Mix (1999):
UK 14
Netherlands 19
Cover versions
My Chemical Romance and The Used version
"Under Pressure"
Single by My Chemical Romance and The Used
from the album In Love and Death
Format Digital download
Recorded 2005
Genre [27]
Alternative rock
Length 3:32
Label Reprise
Writer(s) David Bowie, John Deacon, Brian May, Freddie Mercury, Roger Taylor
Producer Howard Benson
My Chemical Romance chronology
"Helena" "Under "The Ghost of

(2005) Pressure" You"
(2005) (2005)
The Used chronology
"I Caught "Under "The Bird and the

Fire" Pressure" Worm"
(2005) (2005) (2007)
The song was covered in 2005 by American Alternative rock bands The Used and My Chemical Romance for
tsunami relief. The cover was originally released as an Internet download track but has subsequently been featured as
a bonus track on the 2005 re-release of The Used's second studio album In Love and Death, and received wide
airplay in 2005.
On the Billboard charts, the single reached number 28 on Modern Rock and Pop 100 charts and number 41 on the
Hot 100.[28]
Chart (2005) Country Chart Peak
Billboard Hot Modern Rock Tracks United States 28
Billboard Pop 100 United States 28
Billboard Hot 100 United States 41

Other cover versions

1980's
• In 1982, British orchestra Royal Philharmonic Orchestra recorded a classical cover of the song for an album, The
Queen Collection, dedicated to the band.[29]
1990's
• In 1994, London Symphony Orchestra recorded an album Plays the Music of Queen, which contains classical
covers of the Queen's hit singles, including "Under Pressure" and "The Show Must Go On".[30]
• In 1996, Culture Beat, a German Eurodance project, covered "Under Pressure" for a compilation album, Queen
Dance Traxx I.[31]
• In 1997, Fobia, a Mexican rock band, covered "Under Pressure" for a compilation album, Tributo a Queen: los
grandes del rock en español.[32]
2000's
• Crooked Fingers, a indie rock band, recorded "Under Pressure" for the EP Reservoir Songs (2002).[33]
• The American bands Small Brown Bike (from Marshall, Michigan) and The Casket Lottery (from Kansas City,
Missouri) recorded a cover for a split EP.[34]
• In 2005, English soul singer-songwriter Joss Stone sung the song on the tribute album Killer Queen: A Tribute to
Queen[35]
• Stone played the song at the Concert for Diana on July 1, 2007.
• In 2007, English band Keane released their "Under Pressure" version for the Radio 1. Established 1967
compilation. In Mexico, it was released as an A-side from "The Night Sky".
• In 2007, Chicago-based band Kill Hannah covered the song for the movie soundtrack of The Invisible.[36]
• In 2008, Finnish ensemble Rajaton and the Lahti Symphony Orchestra performed an a cappella version of "Under
Pressure" on Rajaton sings Queen with Lahti Symphony Orchestra [37].[38]
• Group Xiu Xiu covered the song, featuring Michael Gira, for their album Women as Lovers (2008).[39]
• In 2009, Ben Harper played the song as his Like A Version cover for Australian radio station triple j.
2010's
• In 2010, Irish pop duo Jedward released a mashup of "Under Pressure" and "Ice Ice Baby" as their debut single,
entitled "Under Pressure (Ice Ice Baby)" (on which Vanilla Ice is featured), from their debut album Planet
Jedward.[40]
2011
• The song, mashed up together with Vanilla Ice' Ice Ice Baby, was used as one of the featured song in the reality
show, The Glee Project.
Live cover performances

1990's
• In 1994, rock band The Flaming Lips live recorded their cover version, for the 23rd volume of Warner Brothers
Recordings promo series Soil X Samples, which released the following year.[41] [42]
2000's
• In 2002, post-hardcore band The Blood Brothers live covered "Under Pressure" for the 31G Queen tribute album
Dynamite With a Laser Beam: Queen as Heard Through the Meat Grinder of Three One G.[43] [44]
• Musician Keller Williams released his version on his live album Stage (2004).[45]
• Ben Harper and Relentless7 performed this song on several occasions including a performance with Eddie Vedder
at David Lynch's benefit concert, Change Begins Within, at the Radio City Music Hall on April 4, 2009 and with
Jack Black on The Jay Leno Show October 8, 2009.
2010's
• In 2011, Wakefield trio The Cribs, who have expressed an interest in having latter-day Queen producer David
Richards helm their fifth studio album, covered the song live in a session for the Brazilian website Popload.
• In June 28, 2011, The Voice (U.S.) coaches Adam Levine, Cee Lo Green, Christina Aguilera and Blake Shelton
performed a live rendition to open that night's show.
Remixes/Sampling
• In 1990, Texas-based rapper Vanilla Ice sampled the song's bass line for his hit "Ice Ice Baby".[46]
• In 1999, female rapper Charli Baltimore recorded a rap track called "Ice" featuring rapper Mase, (based on
Vanilla Ice's sample) for her album Cold As Ice.[47] Which however, wasn't included, as sample clearance could
not be secured.
• Scottish group Tigerstyle released a mash-up, called "Nachna Onda Nai", of Michael Jackson's "Billie Jean" and
"Under Pressure" featuring Kaka Bhainiwala with covering vocals.
• In May 2008, dance act Signature used Tigerstyle's version in Britain's Got Talent in their audition and again
in their performance in the final.
References
[1] Rock On The Net: VH1: 100 Greatest Songs of the 80's" (http:/ / www. rockonthenet. com/ archive/ 2006/ vh180s. htm)
[2] Queen live on tour: Hot Space (world) (http:/ / www. queenconcerts. com/ live/ queen/ hotspaceus. html) Queen Concerts. Retrieved 23 July
2011
2011
[4] Queen live on tour: Magic tour (http:/ / www. queenconcerts. com/ live/ queen/ magic. html) Queen Concerts. Retrieved 23 July 2011
[6] Live At Wembley 1986 (http:/ / www. ultimatequeen. co. uk/ songs/ wembley. htm#under) Ultimate Queen. Retrieved 23 July 2011
[7] Queen Album: Classic Queen (http:/ / www. mtv. com/ music/ artist/ queen/ albums. jhtml?albumId=72769) MTV. Retrieved July 2, 2011
[8] Unreleased Queen Tracks - Feel Like (http:/ / www. ultimatequeen. co. uk/ songs/ unreleasedqueen. htm#feellike) Ultimate Queen. Retrieved
29 August 2011
[9] Queen - Feel Like demo (pre-Under Pressure) (http:/ / www. youtube. com/ watch?v=ttfslaPrlDI) Retrieved January 15, 2011
[10] Peter Freestone (2001) Freddie Mercury: an intimate memoir by the man who knew him best (http:/ / books. google. com/
books?id=AH8zZsbmB98C& pg=PA78& dq=queen+ and+ bowie+ under+ pressure+ montreux#v=onepage& q=queen and bowie under
pressure montreux& f=false) p.78. Omnibus Press. Retrieved January 15, 2011
[11] Mojo Magazine, October 2008, http:/ / www. queencuttings. com/ dblog/ articolo. asp?articolo=407, Mojo_october2008_p11.jpg
[12] Bowie Talks About Under Pressure (http:/ / www. queenzone. com/ news/ bowie-talks-about-under-pressure. aspx) Retrieved January 15,
2011
[13] O'Casey, Matt, dir. (2002) Queen - Days of Our Lives. Part 2. Queen Productions Ltd. Retrieved 9 June 2011
[14] Westfahl, Gary (2000). "Legends of the Fall: Behind the Music". Science Fiction, Children's Literature, and Popular Culture. Greenwood
Publishing Group. p. 100. ISBN 0313308470.
[15] Feature: Has Vanilla Ice been stealing other people's songs?". Smash Hits (EMAP Metro) (12–25 December 1990): 59.
[16] Queen Promo Videos - Under Pressure (http:/ / www. ultimatequeen. co. uk/ videos/ queenpromo. htm) Ultimate Queen. Retrieved 20
September 2011
[17] Queen and David Bowie, "Under Pressure" (David Mallet and Andy Morahan) (http:/ / www. slantmagazine. com/ music/ feature/
100-greatest-music-videos/ 205/ page_8) Slant Magazine. Retrieved 20 September 2011
[18] "Stylus Magazine's Top 50 Basslines of all Time" (http:/ / www. stylusmagazine. com/ feature. php?ID=1843). Stylus. September 12, 2005. .
Retrieved July 23, 2010.
[19] http:/ / www. stylusmagazine. com/ articles/ on_second_thought/ queen-hot-space. htm
[20] Under Pressure - The Freddie Mercury Tribute Concert (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#under) Ultimate
[21] Queen Rock Montreal (http:/ / www. allmusic. com/ album/ r1239496) Allmusic. Retrieved 29 August 2011
[22] 2006 VH1 Rock Honours (http:/ / www. ultimatequeen. co. uk/ live/ queenpr. htm#2006vh1) Ultimate Queen. Retrieved 29 August 2011
[23] Queenpedia.com (http:/ / www. queenpedia. com/ index. php?title=Under_Pressure_(rah_mix)_(single))
[24] David Bowie - Illustrated db Discography > Compilations: CDs (2004-2007) (http:/ / www. illustrated-db-discography. nl/ Compi6.
htm#bob3)
[25] "The Queen Collection" (http:/ / www. allmusic. com/ album/ queen-collection-played-by-the-royal-philharmonic-orchestra-r209730).
AllMusic. . Retrieved 3 August 2011.
[26] "Performance by Royal Philharmonic Orchestra" (http:/ / www. youtube. com/ watch?v=6BDSikB6Bh8). YouTube. . Retrieved 3 August
2011.
[27] "((( Under Pressure > Overview )))" (http:/ / www. allmusic. com/ album/ r1036627). allmusic. 2005-04-12. . Retrieved 2010-04-26.
[28] Artist Chart History - The Used - Singles (http:/ / www. billboard. com/ bbcom/ retrieve_chart_history. do?model.
chartFormatGroupName=Singles& model. vnuArtistId=488046& model. vnuAlbumId=825364), Billboard.com
[29] http:/ / www. cduniverse. com/ search/ xx/ music/ pid/ 1026429/ a/ Queen+ Collection. htm
[30] http:/ / www. answers. com/ topic/ the-london-symphony-orchestra-plays-the-music-of-queen
[31] http:/ / www. discogs. com/ Various-Queen-Dance-Traxx-I/ release/ 688087
[32] http:/ / www. youtube. com/ watch?v=LxBBl6W8Jnw
[33] http:/ / hypem. com/ #!/ item/ 12ykw/ Crooked+ Fingers+ -+ Under+ Pressure+ (Queen+ Cover)
[34] http:/ / www. punknews. org/ review/ 1339
[35] http:/ / www. kat. ph/ va-killer-queen-a-tribute-to-queen-t555474. html
[36] http:/ / www. soundtrackinfo. com/ title/ tracks. asp?invisible
[37] http:/ / www. rajaton. net/ main. site?action=siteupdate/ view& id=58
[38] http:/ / www. emusic. com/ album/ Rajaton-Rajaton-Sings-Queen-With-Lahti-Symphony-Orchestra-MP3-Download/ 11292915. html
[39] http:/ / www. crackedactor. com/ 2008/ 03/ 01/ xiu-xiu-covers-under-pressure/
[40] http:/ / www. unrealitytv. co. uk/ x-factor/ watch-jedward-vanilla-ices-under-pressure-ice-ice-baby-music-video/
[41] http:/ / www. lastfm. de/ music/ The+ Flaming+ Lips/ _/ Under+ Pressure
[42] http:/ / www. discogs. com/ Flaming-Lips-Soil-X-Samples-23/ release/ 1283726
[43] http:/ / www. rockzone. com/ interviews/ thebloodbrothers. shtml
[44] http:/ / www. discogs. com/ Various-Dynamite-With-A-Laserbeam-Queen-As-Heard-Through-The-Meat-Grinder-Of-Three-One-G/ master/
84596
[45] http:/ / www. jambase. com/ Articles/ 5429/ KELLER-WILLIAMS---STAGE(-I)
[46] http:/ / www. songfacts. com/ detail. php?id=1414
[47] http:/ / hiphopisntdead. blogspot. com/ 2010/ 11/ charli-baltimore-cold-as-ice-scheduled. html
"Body Language" 411
"Body Language"
"Body Language ↑⇇"
Single by Queen
B-side "Life is Real (Song for Lennon)"
Released 19 April 1982
Format Vinyl record (7" / 12")
Recorded 1982
Genre Rock
Length 4:29
Label EMI, Elektra
"Under "Body Language "Las Palabras de

Pressure" ↑⇇" Amor"
(1981) (1982) (1982)
"Body Language ↑⇇" is a 1982 dance/funk hit from the English rock band Queen. It was written by lead singer
Freddie Mercury and was a fairly big hit in North America, where it received extensive radio-play. However, the
single only received a luke-warm response in the United Kingdom. The track was the second single released from
their 1982 album Hot Space.
"Body Language" 412
History
The massive success of "Another One Bites the Dust" inspired Queen to temporarily abandon their glam and
experimental rock roots in the early 1980s, and experiment with disco, funk and soul music. "Body Language" and
more importantly, its parent album Hot Space were the results of this change. "Body Language" is notable for its
near lack of guitar; atmospheric guitar chords sparingly dot the body of the song, while a brief two-note riff is heard
during the fade out. The song's key feature was its minimal, sparse production, with the emphasis of "suggestive"
lyrics, a "slinky" synth bass (Played on an Oberheim OB-X), and writer Freddie Mercury's moans and groans. This
song was played few times during the European Leg, with the first performance being in Vienna on May 13. It often
got a lukewarm reaction, although the live arrangement was much different from the studio. The song was played
much more frequently on the U.S leg, where the song achieved more commercial success.
Reaction
The drastic change caused the single to stall at #25 on the UK charts. However, it did far better in the US, where
Americans appeared to be a lot more supportive of Queen's forays into dance music. "Body Language peaked at #11
on the Hot 100 and number thirty on the soul chart [1] . The B-side is "Life Is Real (Song for Lennon)", this single
was released just a little over a year after John Lennon's assassination.
In the US the accompanying music video caused a considerable amount of controversy. Due to thinly veiled
homoerotic undertones plus lots of skin and lots of sweat (but apparently not enough clothing, save that worn by the
fully clothed members of Queen themselves), it was deemed unsuitable for a television audience in 1982. It was not
accepted by MTV, becoming the first ever music video to be banned from that television station, and also one of the
most controversial music videos of all time.
Popular culture references

• "Body Language ↑⇇" was danced to in solo performances by both Blake McGrath and Jessica Fernandez on So
You Think You Can Dance. "Body Language" was danced to in the Top 12 performances as a Jazz routine by
Pasha Kovalev and Sara Von Gillern on So You Think You Can Dance (Season 3).
• "Body Language ↑⇇" can be briefly heard in the 1984 documentary film Stripper, being performed to by dancer
Sara Costa.
Trivia
• A sample from "Body Language ↑⇇" is used for an ad-infinitum ending on Nine Inch Nails's Head Like a Hole
single, on the 'Copper' mix of the title track.
• Roger Taylor is visibly bored in the music video, sarcastically raising his eyebrows and giving a fake grin as he
clashes his cymbal close to the end of the video. Taylor has often stated that he found the process of filming
music videos frustrating and boring, especially in this video where he had next to nothing to do.
• "Body Language ↑⇇" is used to support a viral video (Hot Buns) to announce the Foo Fighters' tour Wasting
Light.
References
[1] Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 478.
"Las Palabras de Amor"

"Las Palabras de Amor (The Words of Love)"
Single by Queen
B-side Cool Cat
Genre Rock
Length 4:29
Label EMI
Writer(s) Brian May
"Body "Las Palabras de Amor (The Words of "Calling All

Language" Love)" Girls"
(1982) (1982) (1982)
"Las Palabras de Amor (The Words of Love)" is a rock ballad by English rock band Queen. It was released as the
third single from their 1982 album Hot Space. Written by guitarist Brian May, the song proved more popular in the
United Kingdom than their previous single ("Body Language"), reaching #17 in the UK Singles Chart.[1]
Background
The song's lyrics were written by guitarist Brian May.[2] Vocals were provided by lead singer Freddie Mercury with
May on the high harmony vocal. The song was inspired by the band's close relationship with their Ibero-American
fans. It marked the band's fourth appearance on Top of the Pops (the first, second and third being for "Seven Seas of
Rhye", "Killer Queen" and "Good Old-Fashioned Lover Boy" respectively). For this mimed performance May is
seen playing a grand piano and, on the recording, he plays both piano and synths in addition to acoustic and electric
guitars. May also sang lead vocals for the harmonized line "this time and evermore" throughout the song. At one
point Mercury is seen miming incorrect words.
During the Freddie Mercury Tribute Concert at Wembley Stadium in 1992, this was the third song of the second
half, performed by Zucchero and Queen.[3] In Queen + Paul Rodgers Rock The Cosmos-tour 2008 it was played in
the Spanish speaking countries, sung by Brian.
This song also made it onto 1999 Queen's Greatest Hits III after Made in Heaven song "Heaven for Everyone" but
before Brian May's single "Driven by You".[2]
The baby's face image of the single's cover would reappear on The Cross single for their song "New Dark Ages".
Charts
UK 17
References
[2] Palabras De Amor Las Palabras De Amor (The Words Of Love) (http:/ / www. ultimatequeen. co. uk/ songs/ hotspace. htm#Las) Ultimate
[3] The Freddie Mercury Tribute Concert: Las Palabras De Amor (The Words Of Love) (http:/ / www. ultimatequeen. co. uk/ videos/
fmtributedvd. htm#laspal) Ultimate Queen. Retrieved 5 July 2011
"Calling All Girls"

"Calling All Girls"
Single by Queen
B-side Put out the fire
Released July 1982 (Canada, USA)
Genre Rock
Length 3:50
Label Elektra
Writer(s) Roger Taylor
"Las Palabras de "Calling All "Staying

Amor" Girls" Power"
(1982) (1982) (1982)
"Calling All Girls" is a song by English rock band Queen. It is the third track on the second side of the album Hot
Space and it was written by Roger Taylor. It was the fourth single from the album. It was released as a single in the
US in the Summer of 1982 where it peaked at #60.
Music video
The video is a parody of the George Lucas film THX 1138, and was rarely seen before being released on Greatest
Video Hits 2 and the band's official YouTube page. Both Taylor and May openly expressed disdain for the video in
their commentary for it, with Taylor claiming the song's message had nothing to do with "fucking robots".
Personnel
• John Deacon: Bass guitar
• Roger Taylor: Guitar, keyboards, drums and backing vocals
• Brian May: Lead guitar
• Freddie Mercury: Vocals
Live recording
• Queen on Fire - Live at the Bowl (DVD)
"Staying Power" 417
"Staying Power"
"Staying Power"
Single by Queen
B-side Calling all girls
Format Vinyl record
Genre Rock
Length 4:10
Label Elektra (Japan)
"Calling All "Staying "Back

Girls" Power" Chat"
(1982) (1982) (1982)
"Staying Power" is the first track on the first side of Queen's 1982 album Hot Space. It was written by lead singer
Freddie Mercury and is notable as being the only Queen song to have a horn section which was arranged by Arif
Mardin. The song is driven by a funk-styled synth-bass riff (played by Mercury on an Oberheim OB-X) beginning in
D minor and modulating to E minor throughout the song. John Deacon does not play bass on this song—instead
playing rhythm guitar on a Fender Telecaster. Roger Taylor programmed a drum machine for the track. Brian May
of course is on his Red Special.
The song was released as a single in Japan only.
"Staying Power" 418
Live performances
This song was played throughout the Hot Space Tour and to an extent, on The Works Tour. The live version of
Staying Power is slightly different than the album version. Morgan Fisher would take over the keyboard parts and
replace the Oberheim with the Roland Jupiter 8. Taylor would replace the drum machine with acoustic drums. Also
of note is that it would be the only song played live in which Deacon played rhythm guitar, as the bass was done via
keyboard. With the electronics scaled back on the live version, the song is transformed into a funk rock song—rather
than a disco-influenced rock song that stays strong to its disco influences. The live version can be found on Queen
Greatest Video Hits II DVD, Queen On Fire: Live At The Bowl album and DVD and on the Hot Space 2011 deluxe
CD album.
Personnel
• Freddie Mercury: Lead Vocals, Oberheim OB-X
• Brian May: Lead guitar, backing vocals
• Roger Taylor: Drum machine, percussion, backing vocals
• John Deacon: Rhythm guitar
Additional credits
• Arif Mardin: "Hot and spacey" horn arrangement
• Morgan Fisher: Roland Jupiter 8 (during live performances)
External links
• Lyrics [1]
References
"Back Chat" 419
"Back Chat"
"Back Chat"
Single by Queen
B-side Staying Power
Released August 9, 1982
Format Vinyl record (7", 12")
Genre Rock

• 4:10 (Single remix)
• 6:58 (12" extended version)
Label EMI; Elektra (USA)
"Staying "Back "Radio Ga

Power" Chat" Ga"
(1982) (1982) (1984)
"Back Chat", written by bassist John Deacon, is the track most influenced by black music on the 1982 Queen album
Hot Space. Deacon (who differed from his band-mates, in that he was the only one raised on soul instead of rock and
roll) had chosen a no-compromise method of eliminating any rock elements from his songs for Hot Space. This act
of defiance caused friction amongst fellow band members, particularly Brian May, who fought to retain at least some
rock sensibilities in their funk diversions.[1] The band finally decided to include a guitar solo on "Back Chat" after
heated debate. It reached #40 on the UK singles chart. The track would be performed on the Hot Space tour at a
faster tempo, with a more rock-orientated arrangement. "Back Chat", the title, is an English idiom referring to a
teasing argument between two people.[2]
"Back Chat" 420
References
[1] Obrecht, Jas. "Brian May Interview" (http:/ / web. archive. org/ web/ 20070102131812/ http:/ / www. pemcom. demon. co. uk/ queen/
articles/ bhm8301. html). Guitar Player (January 1983), archived at (http:/ / www. guitarplayer. com/ article/ gp-flashback-/ April-2010/
111745). Archived from on 2007-01-02. . Retrieved 2011-02-18.
[2] http:/ / www. dict. org/ bin/ Dict?Form=Dict2& Database=wn& Query=backchat
"Radio Ga Ga" 421
"Radio Ga Ga"
"Radio Ga Ga"
Single by Queen
from the album The Works
B-side "I Go Crazy"
Released January 23, 1984
Recorded 1983
Genre Rock
Length • 5:44 (Album/video version)

• 4:23 (US radio edit)
• 6:01 (12" instrumental version)
Label EMI / Capitol
"Back "Radio Ga "I Want to Break

Chat" Ga" Free"
(1982) (1984) (1984)
"Radio Ga Ga" is a 1984 song performed and recorded by the British rock band Queen, written by their drummer
Roger Taylor. It was released as a single with "I Go Crazy" by Brian May on the original B-side (3:42) and was
included on the album The Works. The song also features on the band's compilation albums, Greatest Hits II, and
Classic Queen.[1]
The single was a worldwide success for the band, reaching number one in 19 countries, number two in the UK
Singles Chart, and number 16 on the Billboard Hot 100 in the U.S.[2] [3] The band performed the song at every
concert between 1984 to their last with Mercury in 1986, with their most notable performance at Live Aid in 1985.[4]
[5] [6]
"Radio Ga Ga" 422
Meaning
Recorded in 1983 and released in January 1984, the song was a commentary on television overtaking radio's
popularity and how one would listen to radio for a favourite comedy, drama, or science fiction programme. It also
pertained to the advent of the music video and MTV. Ironically, the video for "Radio Ga Ga" would become a
regular staple on MTV in 1984, and was nominated for an MTV Video Music Award that year.[7] Taylor originally
conceived of it as "Radio caca" (from something his toddler son once said),[8] which doubled as a criticism of radio
for the decrease in variety of programming and the type of music being played.[2] "Radio Ga Ga" in one of the
original cassette boxes is called 'radio ca ca'.[9]
The song makes reference to two important radio events of the 20th century; Orson Welles' 1938 broadcast of H.G.
Wells' The War of the Worlds in the verse "through wars of worlds/invaded by Mars", and Winston Churchill's 18
June 1940 "This was their finest hour" speech from the House of Commons, in the verse "You've yet to have your
finest hour".[10]
Development
The inspiration for this song came when Roger Taylor heard his son utter the words "radio ca-ca" while listening to a
bad song on the radio while they were in Los Angeles. After hearing the phrase, Taylor began writing the song when
he locked himself in a room with a Roland Jupiter 8 and a drum machine. He thought it would fit his solo album, but
when the band heard it, John Deacon wrote a bass-line and Freddie Mercury reconstructed the track, thinking it
could be a big hit. Taylor then took a skiing holiday and let Mercury polish the lyrics, harmony, and arrangements of
the song. Recording sessions began at Record Plant Studios and included session keyboardist Fred Mandel, who later
on would work with Supertramp and Elton John. Mandel programmed the Jupiter's arpeggiated synth-bass parts. The
recording features prominent use of the Roland VP330+ vocoder. The bassline was produced by a Roland Jupiter 8,
using the built-in arpeggiator.[11]
Video
David Mallet's music video for the song features scenes from Fritz Lang's 1927 science fiction movie Metropolis.[12]
Freddie Mercury's solo song "Love Kills" was used in Giorgio Moroder's restored version of the film, and in
exchange Queen were granted the rights to use footage from it in their "Radio Ga Ga" video. However, Queen had to
buy performance rights to the film from the communist East German government, which was the copyright holder at
the time.[13]
The video also features footage from earlier Queen promo videos (such as "Bohemian Rhapsody", "We Are the
Champions", "Don't Stop Me Now" and "Flash") in a photo album.[12] A different version of Bohemian Rhapsody is
also shown.
Live versions
Queen finished their sets before the encores on The Works Tour with "Radio Ga Ga" and Mercury would normally
sing "you had your time" in a lower octave and modify the deliveries of "you had the power, you've yet to have your
finest hour" while Roger Taylor sang the pre-chorus in the high octave. Live versions from the 1984/85 tour were
recorded and filmed on the concert films Queen Rock in Rio 1985, and Final Live in Japan 1985.[14]
Queen played a shorter, uptempo version of "Radio Ga Ga" during the Live Aid concert in July 1985 at Wembley
Stadium, where Queen's "show-stealing performance" had 72,000 people clapping in unison.[4] [15] It was the second
song the band performed at Live Aid after opening with "Bohemian Rhapsody".[16] "Radio Ga Ga" became a live
favourite thanks largely to the audience participation potential of the clapping sequence prompted by the rhythm of
the chorus (copied from the video).
"Radio Ga Ga" 423
The song was played for the Magic Tour a year later, including twice more at Wembley Stadium; it was recorded for
the live album Live at Wembley '86, VHS Video and DVD on 12 July 1986, the second night in the venue.[6]
Paul Young performed the song with Queen at the Freddie Mercury Tribute Concert again at Wembley Stadium on
20 April 1992.[17]
At the "Party at the Palace" concert, celebrating Queen Elizabeth II's Golden Jubilee in 2002, "Radio Ga Ga" opened
up Queen's set with Roger Taylor on vocals and Phil Collins on the drums.
This song was played on the Queen + Paul Rodgers Tour in 2005/2006 and sung by Roger Taylor and Paul Rodgers.
It was recorded officially at the Hallam FM Arena in Sheffield, England, on 5 May 2005. The result, Return of the
Champions, was released on CD and DVD on 19 September 2005 and 17 October 2005, respectively.
It was also played on the Rock the Cosmos Tour during the fall of 2008, this time with only Rodgers on lead vocals.
The concert Live in Ukraine came as a result of this tour, yet the song is not available on the CD or DVD versions
released 15 June 2009. This performance of "Radio Ga Ga" is only available as a digital download from iTunes.
Chart performance
Country Peak Certification
position
Australia 3
Austria 2
Belgium 1
Canada 11
France 24
Germany 2
Ireland 1
Italy 1
The Netherlands [18]

1
Sweden 1
Norway 2
Poland 2
South Africa 4
New Zealand 4
Spain 6
Switzerland 3
UK 2 silver
US 16
"Radio Ga Ga" 424
Cover versions
• Roger Taylor performed the song with Spike Edney's SAS Band.
• A heavily modified version of the song serves as the introductory number for We Will Rock You, a musical
composed of Queen songs.
• The song was covered in 2004 by Electric Six. The band recorded the song against their wishes under pressure
from their label at the time. The video depicts Electric Six frontman, Dick Valentine, as the ghost of Freddie
Mercury dancing near his own grave. It was widely misinterpreted that Valentine (as Mercury) was dancing on
his grave. He explains on his website's video section "Though some have claimed this video portrays me dancing
on Freddie Mercury's grave, actually it's more like we are resurrecting Mr. Mercury for the duration of the song
and his grave is the logical starting point." [19]
• Sophie Ellis-Bextor has made a live-cover of this single at the Al Murray's Happy Hour, on ITV.
Influences
• American pop star Lady Gaga credits her stagename to this song.[20] [21] She stated: "I adored Freddie Mercury
and Queen had a hit called 'Radio Gaga'. That's why I love the name."[22]
• "Radio Ga Ga" is the name of a radio station in Târgu Mureş, Romania, on 88 FM (in the region).[23]
• "Radio Gaga" is also a Norwegian cartoon published in the Norwegian cartoon album Pondus.[24]
• "Radio Ga Ga" is also a radio programme broadcast on Melbourne's (Australia) 3WBC-FM - 94.1FM locally.[25]
• "Radio Ga Ga" is also a Macintosh computer programme for listening to and recording Internet radio.
• "Radio Ga Ga" is the name of a radio programme in Melbourne Australia on community radio station 88.3
Southern FM hosted by Shaun Stokie.
• "Radio Ga Ga" is the name and the theme song of a political satire radio show on the Slovenian national radio -
Radio Slovenija 1.[26]
• A Malaysian sitcom was named after this song. Radio Ga Ga was aired on TV1.
References
[2] Barry Lazell (1989) Rock movers & shakers p.404. Billboard Publications, Inc., Retrieved January 14, 2011
[3] Queen Biography 1984 (http:/ / www. queenzone. com/ queenzone/ bio_view. aspx?q=16) QueenZone.com
[4] Queen win greatest live gig poll (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ music/ 4420308. stm) BBC News. 9 November 2005
2011
[6] Queen live on tour: Magic tour (http:/ / www. queenconcerts. com/ live/ queen/ magic. html) Queen Concerts. Retrieved 23 July 2011
[7] Rock On The Net: 1984 MTV Video Music Awards (http:/ / www. rockonthenet. com/ archive/ 1984/ mtvvmas. htm) Retrieved 14 January
2011
[8] Roger Taylor speaking in the documentary Queen – Days of Our Lives
[9] Peter Freestone (2001) Freddie Mercury: an intimate memoir by the man who knew him best (http:/ / books. google. com/
books?id=AH8zZsbmB98C& pg=PA80& dq=queen+ -+ radio+ ga+ ga+ -+ radio+ ca+ ca#v=onepage& q& f=false) p.80. Omnibus Press,
[10] Avery, Todd (2006) Radio modernism: literature, ethics, and the BBC, 1922-1938 (http:/ / books. google. com/ books?id=G5H7x-OnqpEC&
pg=PA137& dq=radio gaga hg wells#v=onepage& q& f=false) p.137. Ashgate Publishing, Ltd., Retrieved January 14, 2011
[11] "Queen Concerts, The Works Tour II" (http:/ / www. queenconcerts. com/ instruments/ 1985-works. html). . Retrieved 2008-02-25.
[12] Queen Promo Videos - Radio Ga Ga (http:/ / www. ultimatequeen. co. uk/ videos/ queenpromo. htm) Ultimate Queen. Retrieved 3
September 2011
[13] The Works Album Review (http:/ / queenonline. com/ en/ the-band/ discography/ works/ ) Queen Online. Retrieved 3 September 2011
[14] Georg Purvis (2007) Queen: Complete Works p.321. Reynolds & Hearn, 2007
[15] Minchin, Ryan, dir. (2005) The World's Greatest Gigs (http:/ / www. youtube. com/ watch?v=Ob5NpdkH5Dw) Initial Film & Television.
[16] Wembley Stadium, London, UK (Live Aid festival) (http:/ / www. queenconcerts. com/ live/ queen/ other. html) Queen Concerts. Retrieved
23 July 2011
"Radio Ga Ga" 425
[17] The Freddie Mercury Tribute Concert: Radio Ga Ga (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#radio) Retrieved May
25, 2011
[18] "De Nederlandse Top 40, week 8, 1984" (http:/ / www. radio538. nl/ web/ show/ id=44685/ chartid=6325). . Retrieved 2008-02-25.
[19] Electric Six - Music + Videos (http:/ / www. electricsix. com/ music. php)
[20] Martin, Gavin (2009-01-08). "Lady GaGa the new Princess of Pop" (http:/ / www. mirror. co. uk/ tv-entertainment/ music/ 2009/ 01/ 08/
lady-gaga-the-new-princess-of-pop-115875-21026283/ ). Mirror.co.uk. . Retrieved 2009-03-16.
[21] Rose, Lisa (2010-01-21). "Lady Gaga's outrageous persona born in Parsippany, New Jersey" (http:/ / www. nj. com/ entertainment/ music/
index. ssf/ 2010/ 01/ lady_gaga_her_outrageous_perso. html). The Star-Ledger (Advance Publications). . Retrieved 2010-01-23.
[22] Dingwall, John (2009-11-27). "The Fear Factor; Lady Gaga used tough times as inspiration for her new album" (http:/ / www. thefreelibrary.
com/ THE+ FEAR+ FACTOR;+ Lady+ Gaga+ used+ tough+ times+ as+ inspiration+ for+ her. . . -a0213005824). Daily Record: pp. 48–49. .
[23] Radio Gaga - Marosvásárhely 88 FM (http:/ / www. radiogaga. ro)
[24] Radio Gaga - Norway (http:/ / www. radiogaga. no/ )
[25] Radio Gaga - Australia (http:/ / www. radiogaga. org. au)
[26] Radio ga ga in Sašo Hribar (http:/ / www. rtvslo. si/ modload. php?c_id=43& c_menu=1& c_mod=rtvoddajeradio& func=read& op=show)
External links
• Radio Ga Ga performed by Prisoners in the Cebu Provincial Detention and Rehabilitational Centre (http://www.
youtube.com/watch?v=lAVVVMcTShQ)
"I Want to Break Free"

Single by Queen
B-side "Machines (or 'Back to Humans')"
Released 2 April 1984 (UK)
Format Vinyl records (7", 12"), CDs (3", 5")
Recorded 1983
Genre Rock

• 4:21 (Single mix)
• 7:16 (Extended mix)
Label EMI, Capitol, Toshiba Records
"Radio Ga "I Want to Break "It's a Hard

Ga" Free" Life"
(1984) (1984) (1984)
Alternative cover
"I Want to Break Free" (sample) is a song by the British rock band Queen, which was written by its bassist John
Deacon. The song was featured on the Queen's 1984 album The Works and distributed as a single on 7-inch and
12-inch vinyl records and 3-inch and 5-inch CDs. The song had three versions: album, single and extended, differing
in length by a more than a factor of 2. It was included in most live concerts by the group, in several videos, and in
The Freddie Mercury Tribute Concert where it was sung by Lisa Stansfield.
The song is largely known for its music video for which all the band members dressed in women's clothes, a concept
proposed by Roger Taylor, which parodied the long-running British soap opera Coronation Street. The second part
of the video included a composition rehearsed and performed with the Royal Ballet and choreographed by Wayne
Eagling. Whereas the parody was acclaimed in the UK, it was considered controversial in the US and banned by
MTV and other stations. After its release in 1984 the single of the song was well received all over Europe and South
America, where it was listed within top ten and regarded as an anthem of fight against oppression. The single
reached only the 45th position in the US charts, but reached number 3 in the UK and was certified gold with
400,000+ copies sold.
Song
The song was written in 1983 by John Deacon and released at the beginning of April in 1984.[1] It was influenced by
male attitudes to the women's liberation movement. The main idea of the song lies in its title which is repeated
through the text. A love theme is also present as the protagonist "has fallen in love", "can't get over the way you love
me like you do" and "don't want to live alone". Most of the song follows the traditional 12 bar blues progression in E
Major. It has three verses with one bridge, no chorus and relatively little section repetition.[2] There are three
versions of the song: album, single and extended.
The album version is 3 minutes 20 seconds long. Its first 6 seconds repeat the basic rhythm played with the drums
(Ludwig), an acoustic guitar (Gibson), a bass guitar (Fender) and an electric guitar (Fender Telecaster). This rhythm
continues through most of the song, stopping only for its first line. The first verse ends at 0:37 and is followed by a
very similar second verse, which is however shorter by one line. A stacked guitar accompaniment (Red Special)
appears at the end of the second verse (1:03), and between 1:15 and 1:17 it is replaced by a synthesizer. A
synthesizer solo starts at 1:33 that mimics the sound of brass instruments, it is assisted by a guitar. The last verse
starts in the second minute, it additionally features a synthesizer and a Fender Stratocaster guitar. The song pauses at
the final line "I've got to break free", followed by the fade out. This version was released on the album The Works
and on some singles.
The regular single version lasts 4 minutes 21 seconds and differs from the album version by the 40-second
introduction and a longer synthesizer solo which starts at 2:33. The introduction is played on an electronic keyboard
and is assisted by cymbals, drums and a guitar (Red Special). Otherwise, the composition copies that of the album
version.
The extended version lasts 7 minutes 16 seconds and features longer introduction and ending. It lasts until 6:04, and
the remaining minute contains fragments of other songs from The Works, namely "Radio Ga Ga", "It's a Hard Life",
"Man on the Prowl", "Machines (or "Back to Humans")", "Keep Passing the Open Windows", "Hammer to Fall",
"Tear It Up" and "Is This the World We Created ...?". The extended version was mostly distributed as 12-inch vinyl
records and then reissued on the CD of The Works in 1991.
Besides The Works, the song was featured in the albums Greatest Hits II, Box of Tricks, Greatest Hits (1992 U.S.
edition) and Absolute Greatest and in the box-sets The Complete Works, The Crown Jewels and The Platinum
Collection.[3]
Charts and live performance

Country Peak Held Charted
position during for (weeks)
Australia [4] [5] [6] 13

9 July
Austria [7] 1 June – 1 July 14

1
France [8] 8–15 December 16

9
Germany [9] 11–17 June 20

4
Ireland [10] 10
2
New Zealand [7] 19

6
The Netherlands 1[4] [11] 12

26 May – 2 June
Switzerland [12] 17–24 June 16

2
UK [13] 28 April – 19 May [4] [13]

3 15
US [14] [15] [4] [5]

45 May 8
The single was received very positively over most of the world except for North America. In April 1984, it became
No 3 in the United Kingdom, and was within top 10 in many European and Latin American countries, but only
peaked at #45 in the US charts. The single was certified gold in the UK.[16] The video for the song, featuring
Mercury in women's outfit with a thick moustache, and its ban by MTV and some other US stations played a role in
the low US ranking.[14] The ban was lifted in 1991 when the song was aired on VH1's My Generation two-part
episode devoted to Queen hosted by guitarist Brian May. According to May in an interview about Queen's Greatest
Hits, whereas the video was understood and taken as a joke in UK, the US audience failed to see the soap-opera
connection and might have interpreted the video as an open declaration of transvestitism and Mercury's
bisexuality.[17] [18]
In some other countries, especially in South Africa and South America, the song was praised because it was seen as
an anthem of fight against oppression, and was treated separately with the video.[1] [19] Illustrative in this regard was
the live performance of the song in Rio de Janeiro in 1985. When Mercury appeared in front of an audience of
325,000 and started singing "I want to break free", stones were thrown into him. He quickly realized that his female
outfit was the reason and removed his wig and false breast thereby calming down the public. This incident however
puzzled and disappointed the singer.[20] [21]

After the release of The Works, the song was performed at almost every live concert of the group. Spike Edney
usually played the synthesizer introduction, after which Mercury appeared on the scene, often in the outfit of the
video – dark bobbed wig, pink blouse and false breast, which he would remove later during the song.[20] [22] Brian
May played the guitar solo on his Red Special. Some lines were let sung by the audience, and "God Knows" was
chanted by the whole group. Live recording of the song appeared on the concert albums Live Magic, Live at
Wembley '86 and Return of the Champions. In addition, the song was performed at the concerts which were then
included in the Queen's videos such as Queen at Wembley, We Are the Champions: Final Live in Japan, The Freddie
Mercury Tribute Concert and Return of the Champions.[23]
Lisa Stansfield led the song in The Freddie Mercury Tribute Concert.[24] She appeared on stage with a vacuum
cleaner, dressed as a housewife, as in the original video. The song was also performed in many concerts of the
project Queen + Paul Rodgers, where Paul Rodgers took vocals, Danny Miranda played the bass guitar and Spike
Edney was at the keyboard.[25]
Starting in July 2004, a remixed one-minute version of the song was leading a Coca-Cola C2 video
advertisement.[26]
Video
The music video "I Want to Break Free"
was directed by David Mallet. It was shot on
22 March and 4 May 1984 in the studio
"Limehouse Studios"[27] and cost about 100
thousand pounds.[20] It was included in the
collections Greatest Video Hits 1, and
Greatest Video Hits 2. Footage from the
video was later used for the song "The Show
Must Go On".
The first part of the video was a spoof of the

northern British soap opera Coronation
Street, as proposed by Roger Taylor.
"We had done some really serious,
epic videos in the past, and we just
thought we'd have some fun. We
wanted people to know that we didn't
take ourselves too seriously, that we
could still laugh at ourselves. I think
The musicians dressed in female characters of Coronation Street. Left to right: we proved that."[28]
Roger Taylor, Brian May Freddie Mercury and John Deacon based on the
The video depicts Mercury as a housewife,
characters from Coronation Street: Suzie Birchall, Hilda Ogden, Bet Lynch and
Ena Sharples, respectively. loosely based on Bet Lynch, who wants to
"break free" from his life. Although Lynch
was a blonde in the soap opera, Mercury thought he would look too silly as a blonde and chose a dark wig. May
plays another, more relaxed housewife based on Hilda Ogden. Deacon appears as a conservative 'grandma', while
Taylor plays a schoolgirl, who like Mercury wants a different life.[14] [27]
At the beginning, during the synthesizer prelude, the clip shows a common British brick house (as featured in
Coronation Street) and then moves into May's bedroom. May is woken up by a Teasmade. He gets up, dressed in a
pink shirt, pink socks and pink bunny-shaped slippers, with hair rollers in his head. The camera moves to the living
room and the kitchen where Mercury is vacuuming the floor. He wears a black wig, pink earrings, pink blouse with a
sizeable false breast under it, black leather miniskirt, tights and heeled shoes. During the trials Mercury realised that
he couldn't walk freely in high-heeled shoes and settled on 2-inch ones.[27] His own thick moustache remains in
place. May descends the staircase and goes to the kitchen. He passes Deacon, who is sitting on a couch, dressed in a
black cloak, gloves, grey wig and a hat. Deacon reads a newspaper, constantly snorting and shaking his head. Taylor
is busy with dishwashing in the kitchen, dressed as a stereotypical schoolgirl - blonde wig, white blouse, grey
miniskirt, coloured tie and a straw hat behind his back. Mercury stops vacuuming and starts singing.[20]
During the first verse, Mercury opens the door of a storage room that briefly reveals a dark place, which is further
used in the second verse; it appears to be a coal mine. There, the group features in their normal-life look (with
Mercury naked above the waist that was common for his live and studio performances). It is surrounded by a crowd
wearing black robes and miner's helmets with headlamps. The crowd moves in sync with the music. The camera is
constantly closing up on the musicians who are arranged in the same pattern as in the video for the song "Bohemian
Rhapsody". Mercury sings, while Deacon, May and Taylor just stand around him with their heads down. During the
third verse, Mercury moves to another set and hides behind a big white box. In the beginning of the synthesiser solo,
the box "explodes" and falls apart revealing a large stone. Mercury sits at the top of the stone, playing on a copper
pipe, though the sound is of electric guitar. He is surrounded by two men and two women, all wearing the same
spotty tights. In the second part of the solo, more people wearing the same outfit join in and together they perform a
choreographic composition. In its first part, Mercury is carried through a row of people who pass his body over their
heads. He then climbs the stone and dives in between two rows of people who catch him on the fly. After that,
Mercury moves over a group of people who lie parallel on the ground and roll him over their bodies by turning
around, as on a lineshaft roller conveyor. This part is finalized by a static scene of Mercury with a female dancer in a
dry ice smoke.[20]
The composition was choreographed by Wayne Eagling – a friend of Mercury who had helped him before with the
choreography of the "Bohemian Rhapsody".[29] Eagling was then a leader of the Royal Ballet which was involved in
the video[30] (one of the dancers was Jeremy Sheffield). Specially for this part, Mercury shaved his trademark
moustache to portray Nijinsky as a faun in the ballet L'après-midi d'un faune. The shooting took much practice,
especially the conveyor rolling episode.[20] According to Eagling, despite being a natural performer on stage,
Mercury could not stand performing any choreographed act himself, which is why he was mostly picked up and
moved around in the ballet part of the video. The rehearsals with the Royal Ballet were organised by Eagling secretly
from his superiors, that put him into a serious trouble when this was discovered later.[31]
The fourth verse, with the words "but life still goes", returns to the Coronation Street set of the first part, with some
minor changes. May, Taylor and Deacon sit in the living room; May and Deacon are reading and Taylor is doing
"her" school homework beside a table. Mercury walks around them and goes up the stairs, while singing. In the final,
the action moves back into the coal mine set of the second part, but this time the miners surrounding the Queen
musicians move erratically.
Distribution
The song became the second single from the album The Works, after the song "Radio Ga Ga". The single was
released in 1984 on 7-inch and 12-inch records and the 3-inch and 5-inch CDs.[32] [33]
The 7-inch records were distributed in 16 countries. In most countries the other side of the disk contained the album
version of the song "Machines (or 'Back to Humans')", in the US and Canada there was an instrumental version of
this song, and in Brazil the other side featured the song "It's a Hard Life". The label also depended on the country:
Capitol Records in the US and Canada, Toshiba Records in Japan, and EMI in other countries. In UK, US, Portugal
and South Africa several records of the song were sold at the same time, differing only by covers. There were special
editions, such as a record with empty side B in UK. The song title Argentina song on was "Quiero Ser Libre".[32] [33]
In all countries except for US the A side contained the extended version of the song, side B featured "Machines" and
the disk had EMI label. In the US, side B had either an instrumental version of "Machines" or the album version of "I
Want to Break Free" and the label was from Capitol Records.[32] [33]
The single was also distributed on the 3-inch and 5-inch CDs. In the UK the 3-inch CD featured "I Want to Break
Free" (album version), "Machines" and "It's a Hard Life" and had a Parlophone Records label. In Germany, the
5-inch CD had an EMI label and contained "I Want to Break Free" and "It's a Hard Life", as well as the video of "I
Want to Break Free".[32] [33]
Single covers contained pictures of the group from the cover of the album The Works. In countries where the single
went in four different versions, each version had a picture of one Queen member, otherwise four images were placed
together. The inscription "Queen. I Want to Break Free" was red, white, gold or black and the frame was red or
white. The German 5-inch CD had the cover for the single of "Radio Ga Ga". The reverse side was the same – a
photo of the group on a red background, except for CDs which had a white background and no pictures.[32] [33] [34]
[35]
Personnel
• John Deacon: bass guitar (Fender), electric guitars (Fender Telecaster and Fender Stratocaster), acoustic guitar
(Gibson) and synthesizers (Kurzweil K250, and Oberheim OB8).
• Brian May: electric guitar Red Special
• Roger Taylor: drums (Ludwig)
• Freddie Mercury: synthesizer (Oberheim OBX-a)
• Fred Mandel: synthesizer (Roland Jupiter 8)
References
[1] Sky, Chapter 3 (http:/ / www. queen. org. ua/ books/ freddie/ chapter3. shtml)
[2] Queen Songs – The Book: I Want To Break Free (http:/ / www. queensongs. info/ the-book/ songwriting-analyses/ modern-era-queen/
the-works/ i-want-to-break-free. html). Queensongs.info. Retrieved on 2011-02-20.
[3] Queen Non-UK Albums Discography (http:/ / www. ultimatequeen. co. uk/ discography/ queenalbumsnonuk. htm). Ultimatequeen.co.uk.
[4] I Want To Break Free (http:/ / www. pcpki. com/ queen/ works/ brkfree. html). Pcpki.com. Retrieved on 2011-02-20.
[5] Queen International Singles Chart Positions (http:/ / www. pcpki. com/ queen/ singles. html). Pcpki.com. Retrieved on 2011-02-20.
[6] Nielsen Business Media, Inc. (21 July 1984). Billboard (http:/ / books. google. com/ books?id=j5I4br0t7cwC& pg=PT127). Nielsen Business
Media, Inc.. p. 127. ISSN 0006-2510. . Retrieved 20 February 2011.
[7] Queen – I Want To Break Free (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=I+ Want+ To+ Break+ Free& cat=s).
austriancharts.at. Retrieved on 2011-02-20.
[8] Queen – I Want To Break Free (http:/ / lescharts. com/ showitem. asp?interpret=Queen& titel=I+ Want+ To+ Break+ Free& cat=s).
lescharts.com. Retrieved on 2011-02-20.
Track-Suche, Ticket-Suche (http:/ / www. musicline. de/ de/ chartverfolgung_summary/ title/ QUEEN/ I+ Want+ To+ Break+ Free/ single).
musicline.de. Retrieved on 2011-02-20.
[11] Queen – I Want To Break Free (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen& titel=I+ Want+ To+ Break+ Free& cat=s).
dutchcharts.nl. Retrieved on 2011-02-20.
[12] Queen – I Want To Break Free (http:/ / hitparade. ch/ showitem. asp?interpret=Queen& titel=I+ Want+ To+ Break+ Free& cat=s).
hitparade.ch. Retrieved on 2011-02-20.
[13] Queen – I Want To Break Free (http:/ / www. chartstats. com/ songinfo. php?id=11526). Chart Stats. Retrieved on 2011-02-20.
[14] Sutcliffe, p. 180
[15] Barry Lazell (1 April 1989). Rock movers & shakers (http:/ / books. google. com/ books?id=L2kGAQAAMAAJ). Billboard Publications,
Inc.. ISBN 9780823076086. . Retrieved 20 February 2011.
[16] "Queen albums and singles certifications" (http:/ / www. queenmuseum. com/ index. php?option=content& task=view& id=262). Queen
Museum. .
[18] Brian May with Terry Gross on 'Fresh Air' (http:/ / www. brianmay. com/ brian/ briannews/ briannewsaug10a. html), NPR Radio Interview,
3 August 2010
[21] Phil Sutcliffe Brian May Interview – Q Magazine (http:/ / www. queenarchives. com/ index.
php?title=Brian_May_-_03-XX-1991_-_Q_Magazine), March 1991
[22] Freestone, p. 66
[24] Freddie Mercury Tribute (http:/ / queenarchives. com/ index. php?title=Queen_-_04-26-1992_-_The_Times_-_Freddie_Mercury_Tribute),
The Times, 26 April 1992
[25] 29.11.2008 – Queen + Paul Rodgers live in HSBC Arena, Rio De Janeiro, Brazil (http:/ / www. queenconcerts. com/ detail/ live/ 1821/
queen-paul-rodgers-live-29-11-2008-hsbc-arena-rio-de-janeiro-brazil. html). Queen Concerts (2008-11-29). Retrieved on 2011-02-20.
[26] Coca-Cola Unveils U.S. Launch Plans for its New Lower-Carb, Lower-Cal Cola, Coca-Cola C2 (http:/ / www. prnewswire. com/
news-releases/ coca-cola-unveils-us-launch-plans-for-its-new-lower-carb-lower-cal-cola-coca-cola-c2-74187422. html), PR Newswire, 24
May 2004
[27] Freestone, p. 119
[28] "Queen Biography 1984" (http:/ / www. queenzone. com/ queenzone/ bio_view. aspx?q=16). QueenZone.com. .
[29] Queen News April 2006 (http:/ / www. brianmay. com/ queen/ queennews/ queennewsapr06. html). Brianmay.com. Retrieved on
2011-02-20.
[31] Liz Bouttell Wayne Eagling – Artistic Director, English National Ballet (http:/ / www. ballet. co. uk/ magazines/ yr_10/ feb10/
interview_wayne_eagling. htm), Interview by David Bain
[32] I WANT TO BREAK FREE as an a-side (http:/ / www. pcpki. com/ cgi-bin/ discography. cgi?qs:I+ WANT+ TO+ BREAK+ FREE)
[33] Single covers from various countries (http:/ / web. archive. org/ web/ 20080610070148/ http:/ / queenpicturehall. com/ singles/ q25iwtbf.
shtml)
[34] I Want To Break Free covers (http:/ / www. ultimatequeen. co. uk/ discography/ queensinglesuk1. htm#iwanttobreakfree), Queen UK
Singles Discography (1973–1984)
[35] I Want To Break Free (single) – Queenpedia.com – Freddie Mercury, Brian May, Roger Taylor, John Deacon, Discography, Bibliography,
Charts (http:/ / queenpedia. com/ index. php?title=I_Want_To_Break_Free_(single)). Queenpedia.com. Retrieved on 2011-02-20.
Bibliography
• Freestone, Peter & Evans, David (2001). Freddie Mercury: An Intimate Memoir by the Man who Knew Him Best
(http://books.google.co.uk/books?id=AH8zZsbmB98C&pg=PA119). Omnibus Press. ISBN 9780711986749.
• Sky, Rick (1994). The show must go on: the life of Freddie Mercury. Carol Pub. Group. ISBN 0806515066.
• Sutcliffe, Phil; Hince, Peter and Mack, Reinhold (15 November 2009). Queen: The Ultimate Illustrated History of
the Crown Kings of Rock (http://books.google.com/books?id=adNONbUWLjgC&pg=PT183). MBI
Publishing Company. ISBN 9780760337196.
External links (youtube)

• Video (http://www.youtube.com/watch?v=EVYgRPfC9nQ)
• Live performance in Japan (http://www.youtube.com/watch?v=y8fG2k1vDeA)
• Concert Live at Wembley 1986 (http://www.youtube.com/watch?v=T7xmH-Amt2k)
• Lisa Stansfield singing "I want to break free" at the Freddie Mercury Tribute Concert (http://www.youtube.
com/watch?v=4UE4y3mEubg)
• Queen + Paul Rodgers (http://www.youtube.com/watch?v=Sj2aPiwqegw)
• Coca Cola C2 Commercial (http://www.youtube.com/watch?v=1RvQu4X6Xz8)
"It's a Hard Life"

"It's a Hard Life"
Single by Queen
B-side "Is This the World We Created...?"
Recorded 1983
Genre Rock
Length 4:08 (Album version)

5:05 (12" extended version)
Label EMI / Capitol
"I Want to Break "It's a Hard "Hammer to

Free" Life" Fall"
(1984) (1984) (1984)
"It's a Hard Life" is a song by the British rock band Queen, written by lead singer Freddie Mercury. It was featured
on their 1984 album The Works, and it was the third single from that album. It reached number 6 in the UK Singles
Chart and was their third consecutive Top 10 single from the album. It also reached number 2 in ireland and number
20 in the Netherlands
The opening lyric and melody of "It's a Hard Life" is based on the line "Ridi, Pagliaccio, sul tuo amore infranto!"
(Laugh, Pagliaccio, at your broken love!) from "Vesti la giubba", an aria from Ruggiero Leoncavallo's opera
Pagliacci.
Musically, the song recreates the feel of "Play the Game" in order to update the story,[1] utilising Mercury's piano
playing and the band's characteristic technique of layered harmonies. It is recorded very much with the ethos of
earlier Queen albums in that it features 'no synthesizers'. By that time the band had been using synths on record since
1980's The Game and the gesture of returning to the traditional Queen sound was comforting to some fans.
Promotional video
Tim Pope's video which accompanies the song has been created in an operatic "style," with the band and extras
appearing in period "operatic-style" costume. The video also featured an unusual "skull and bones"-themed guitar
that cost more than £1,000 [2] played by May, which can be seen on the single cover.
The band found the costumes hot and uncomfortable, and the "eyes" on Mercury's outfit were ridiculed by the others,
saying he looked "like a giant prawn".[2] Both Roger Taylor and Brian May[3] groaned out loud when shown this
video during their commentary for the Greatest Video Hits 2 collection. Taylor said it was "the worst music video
ever." May pointed out more positively that the video was a thematic joke, as it portrayed Mercury as a wealthy man
singing about how hard life and love are, and at that point Mercury in real life possessed great wealth but was still
searching for love.
Roger Taylor, by his side, remarked that he'd "actually loved the song, hated the video." Despite this, the video was
posted on the band's official YouTube channel.
One of the extras in the clip is Mercury's then-lover, Barbara Valentin.
Personnel
• Freddie Mercury: Lead and backing vocals and piano.
• Brian May: Lead guitar and backing vocals.
• John Deacon: Bass guitar and backing vocals.
• Roger Taylor : Drums and backing vocals.
Live recordings
• Live in Rio (VHS)
• We Are the Champions: Final Live in Japan (DVD)
References
[1] Queen's Greatest Videos. Channel 4. 1999. No. 1/1. 30 minutes in.
[2] Queen, Box of Flix, 1991, Picture Music International, liner notes p. 7
[3] See also Mark Blake. "Cash for Questions. Answered in Brian's living room, Windlesham, Surrey on 29 April 98." Q, July 1998. ( Queen
Archives (http:/ / www. queenarchives. com/ viewtopic. php?t=12))
External links
• "It's a Hard Life" at Queen Picture Hall (http://www.queenpicturehall.com/singles/q26iahl.shtml)
"Hammer to Fall"
"Hammer to Fall"
Single by Queen
B-side Tear It Up
Released 10 September 1984 (UK etc.)
Recorded 1983
Genre Rock

• 3:40 (Single edit)
• 5:25 (12" Headbanger's Mix)
Label EMI / Capitol
Writer(s) Brian May
"It's a Hard "Hammer to "Thank God It's

Life" Fall" Christmas"
(1984) (1984) (1984)
Withdrawn cover
"Hammer to Fall" is a 1984 song by the British rock group Queen. Written by guitarist Brian May, the song is the
eighth track on their 1984 album The Works.[1]
It was the fourth and final single to be released from that album, although the single version was edited down by
thirty seconds in contrast to the version on the album. Different sleeves were used to package this single and the live
picture sleeve is now a collector's item. The song was also the subject of a popular music video directed by David
Mallet, containing footage of a performance of the song in Brussels during The Works Tour.[2] The song harks back
to the Queen of old, with a song being built around a hard angular and muscular riff. The song features Freddie
Mercury on lead vocals, doing a call and response with May, who sings the chorus.
"Hammer to Fall" was a concert favourite, and was the third song the band performed at Live Aid in 1985.[3] [4] The
song features in the setlist of both The Works Tour and Magic Tour.[5] [6] The full album version of the song appears
on Queen Rocks while the single version appears on Greatest Hits II and Classic Queen.[1]
Interpretation
The lyrics at several points refer to the Cold War era in which the band members grew up, fuelling the popular
conception that the song was about nuclear war:
For we who grew up tall and proud
In the shadow of the mushroom cloud
Convinced our voices can't be heard
We just wanna scream it louder and louder and louder
What the hell are we fighting for
Just surrender and it won't hurt at all
The term "waiting for the hammer to fall" in the song was taken to refer to the anticipation by the public that Cold
War would turn "hot" - or, alternatively, as a reference to the Soviet Hammer and Sickle. The song also contains
references to death and its inevitability:
Rich or poor or famous
For your truth it's all the same (oh no oh no)
Lock your door but the rain is pouring
Through your window pane (oh no)
Baby now your struggle's all in vain, yeah, yeah.
The question of the meaning of the song was effectively settled when May wrote on his website that Hammer to Fall
is really about life and death, and being aware of death as being part of life. "The Hammer coming down is only a
symbol of the Grim Reaper doing his job!"[7]
Live performances
A concert favourite, "Hammer to Fall" was the third song on the band's setlist at Live Aid, after "Bohemian
Rhapsody" and "Radio Ga Ga".[3] Live versions of the song in the 1980s also usually served as an opportunity for
touring keyboardist Spike Edney to appear onstage playing rhythm guitar (he was usually not visible from his
keyboard stack.) "Hammer to Fall" features in the setlist of both The Works Tour and Magic Tour.[5] [6]
At the Freddie Mercury Tribute Concert in 1992, Extreme singer Gary Cherone performed the song with Queen and
Tony Iommi of Black Sabbath, having earlier done a medley of other Queen songs with his own group.[8]
A different version of the song with the first part played in the style of a ballad was played by Queen + Paul Rodgers
in 2005. The song peaked at number 3 in South America, and 13 in the UK.[9] The song was featured in the film
Highlander.
References
[1] The Works (http:/ / www. ultimatequeen. co. uk/ songs/ works. htm) Ultimate Queen. Retrieved July 11, 2011
[2] Queen Biography 1984 (http:/ / www. queenzone. com/ queenzone/ bio_view. aspx?q=16) Queen Zone. Retrieved July 11, 2011
[3] Queen Concerts: 13 July 1985 Wembley Stadium, London, (Live Aid) (http:/ / www. queenconcerts. com/ live/ queen/ other. html) Retrieved
July 11, 2011
[4] Live Aid: Hammer to Fall (http:/ / www. ultimatequeen. co. uk/ videos/ liveaid. htm) Ultimate Queen. Retrieved July 11, 2011
[5] Queen live on tour: The Works 1985 (http:/ / www. queenconcerts. com/ live/ queen/ works1985. html) Queen Concerts. Retrieved July 11,
2011
[6] Queen live on tour: Magic tour (http:/ / www. queenconcerts. com/ live/ queen/ magic. html) Queen Concerts. Retrieved July 11, 2011
[7] Brian May: Brian's Soapbox, April 2004, brianmay.com (http:/ / www. brianmay. com)
[8] The Freddie Mercury Tribute Concert: Hammer to Fall (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#hammer) Retrieved
May 25, 2011
External links
• "Hammer to Fall" at discogs (http://www.discogs.com/master/14241)
• Lyrics at Queenonline.com (http://www.queenonline.com/q_history/Music/TheWorks/
HammerToFall_lyrics.php)
"Thank God It's Christmas"

"Thank God It's Christmas"
Single by Queen
B-side "Man on the Prowl"

"Keep Passing the Open Windows"
Format 7" vinyl, 12" vinyl
Recorded 1984
Genre Rock, Christmas
Length 4:19
Label EMI/Capitol
Writer(s) Brian May and Roger Taylor
"Hammer to "Thank God It's "One

Fall" Christmas" Vision"
(1984) (1984) (1985)
"Thank God It's Christmas" is a Christmas single by British rock band Queen. It was written by guitarist Brian
May and drummer Roger Taylor.
Released on 26 November 1984, the single spent six weeks in the UK charts over Christmas 1984 and new year of
1985, and reached number 21.[1]
Though not released on any Queen studio album, the song appears on Queen's Greatest Hits III, released in 1999.
The song was also released as the B-side of the single "A Winter's Tale" from the 1995 album Made in Heaven.
No promotional video was filmed for the track, hampering its future use on music TV channels. For that reason it is a
lesser known Christmas single. It also appears on several Christmas compilation albums. One of them is the original
Now That's What I Call Christmas compilation released in 1985 but deleted in 1989.
Track listings
7" vinyl
EMI / QUEEN 5
Side one
1. "Thank God It's Christmas" Brian May, Roger Taylor
Side two
1. "Man on the Prowl" Freddie Mercury
2. "Keep Passing the Open Windows" Mercury
12" vinyl
EMI / 12QUEEN 5
Side one
1. "Thank God It's Christmas" May, Taylor
2. "Man on the Prowl" (Extended version) Mercury
Side two
1. "Keep Passing the Open Windows" (Extended version) Mercury
Chart performance
Chart (1984) Peak
position
[2] [3] 21
UK Singles Chart
[4] 8
Irish Singles Chart
Chart (1985) Peak

position
[5] 21
[6] 57
References
[1] "Chart Stats - Queen - Thank God It's Christmas" (http:/ / www. chartstats. com/ songinfo. php?id=12124). . Retrieved 24 February 2009.
[2] "everyhit.com search results" (http:/ / www. everyhit. com). . Retrieved 24 February 2009.
[3] "Chart Stats -" (http:/ / www. chartstats. com). . Retrieved 24 February 2009.
[4] "irishcharts.ie search results" (http:/ / www. irishcharts. ie). . Retrieved 24 February 2009.
[5] "Queen - Thank God It's Christmas - austriancharts.at" (http:/ / austriancharts. at/ showitem. asp?interpret=Queen& titel=Thank+ God+ It's+
Christmas& cat=s). . Retrieved 24 February 2009.
[6] "charts-surfer.de search results" (http:/ / www. charts-surfer. de). . Retrieved 24 February 2009.
"One Vision" 441
"One Vision"
"One Vision"
Single by Queen
from the album A Kind of Magic
B-side Blurred Vision
Recorded September 1985
Genre Rock
Length • 4:02 (Single version)

• 6:28 (12" 'extended vision')
• 5:11 (Album version)
• 4:38 (Classic Queen version)
Label EMI / Capitol
Writer(s) Queen (Music: Roger Taylor/Queen, Lyrics: Queen)
"Thank God It's "One "A Kind of

Christmas" Vision" Magic"
(1984) (1985) (1986)
"One Vision" is a song written and recorded by the rock band Queen, first released as a single in November 1985
and then included on their 1986 album A Kind of Magic. It was originally conceived by Roger Taylor, and was the
first song that was co-written by all four bandmembers.[1] [2]
The song has been speculated to be inspired by either the band's "show-stopping" performance at Live Aid earlier in
1985, or by the life and exploits of Martin Luther King, with the lyrics recounting a man battling and overcoming the
odds.[2] In the 2011 BBC documentary, "Queen: Days of Our Lives," Roger Taylor stated his lyrics were "sort of
half nicked off Martin Luther King's famous speech."[3] The song's music video featured a "morphing" effect of the
band's famous pose in 1975's "Bohemian Rhapsody" video to a 1985 version of the same pose. The song was
"One Vision" 442
included in all Queen's live concert performances of the 1986 Magic Tour, as the very first song of each concert.[4]
They claimed they chose "One Vision" as the introduction song because its intro made a perfect concert introduction.
Oddities
Distorted vocals
The song contains mysterious and distorted beginning vocals (which on the album and extended versions, also
appear throughout Roger Taylor's drum section and in the end), most prominently the vocals retained in the single
version.
Forward message
The garbled vocals at the start of the song relay new lyrics when played forwards—they say, "God works in
mysterious ways... mysterious ways...". It is clearly shown during the portions of the studio recording session of
"One Vision" on both the Magic Years documentary and the DVD Greatest Video Hits II that Mercury sings the line.
"Fried chicken"
The final line of the song (in both the studio and live versions) is "fried chicken", although the lyrics say "one
vision". This was the result of trying to come up with vocal ideas to put into the song. One set of ideas included
dishes from a Chinese takeaway menu which they had had for dinner that day—all the rest was scrapped but the
fried chicken survived. Jim Hutton, Freddie Mercury's lover, says in his book, that the singer was not sure whether to
include it in the final cut or not. Hutton encouraged him, saying "You are big enough" (to get away with this).
Live performances
What is notable that the live performances of the song added an additional section in the beginning of the song, right
after the guitar riffs without the percussion, and a big finale, which included ad-libbed vocals by Freddie Mercury.
The ad-libbed vocals were not present on all performances though, the most notable being the performance at the
Maimarktgelände in Mannheim, on 21 June 1986.
Also, the live versions of the song included a different version of the intro, which starts like the single version intro,
but later changes into the album version intro, but repeats the section after the vocals "Ii" near the end. It also
features the initial distorted vocals as they were in the single version.
However, the version used on the Wembley shows was yet different from the one mentioned above - basically it had
the complete initial distorted vocals, and the first part was also like in the one in the album and extended versions,
but the transition to the second part was just like in the version, mentioned above, and it did include the repeated
section in the end. The VHS version of the July 12th Wembley show has the first part of the middle instrumental
section of the studio version of Brighton Rock instead of the initial distorted vocals. The version of the song from the
11 July Wembley show is now included on the Queen Live At Wembley Stadium 25th Anniversary Edition DVD
and the A Kind Of Magic 2011 Deluxe CD. Interestingly enough, none of the two versions of the intro has been used
with a studio version of the song so far.
Single B-side
An extensively remixed version of the song, titled "Blurred Vision" appears as the B-side of both the 7" and 12"
single releases. This is primarily an extended and completely different (but not in structure) version of Roger
Taylor's drum section from the A-side. However, it retains the original ending, albeit with a longer version of the
music from the end of the original's intro plus an additional non-distorted sound over the final vocals "Vision vision
vision vision..." (which are like those in the single version). It also repeats the existing famous distorted vocals, and
"One Vision" 443
adds new, less-prominent distorted vocals.
Cover versions
"One Vision" has been covered by many artists, the most notable is the German-language cover by the industrial
music band Laibach, titled "Geburt einer Nation" ('Birth of a Nation'), which changed the song's feel and mood from
the somehow light-hearted and optimistic original to the feel and mood of a Nazi propaganda song. This version also
starkly revealed the ambiguity of lines like "One race one hope/One real decision". It was released in 1987, on the
album Opus Dei. A video was also shot for this version, directed by Daniel Landin. There is also a version covered
by Melanie C live.
Music video
The music video to "One Vision" mainly showed the band recording the song at Musicland Studios in Munich and
was the first to be directed and produced for Queen by Austrian directors Rudi Dolezal and Hannes Rossacher, also
collectively known as DoRo. DoRo and Queen developed a fruitful working relationship which would result in
numerous acclaimed and award-winning videos (for "Innuendo" and "The Show Must Go On", among others).
The video also featured a "morphing" effect of the band's famous pose in 1975's "Bohemian Rhapsody" video to a
1985 version of the same pose. The video even shows John Deacon on the drums. It is not known if he actually
played some drum parts in the song or if it is just a joke. There was also a video made to match the 12" inch version
of the song which appears on Queen Rocks The Video VHS and Queen Greatest Video Hits II DVD.
Chart performance
"One Vision" became another hit single for Queen in many countries, usually reaching the Top 40, where it did in
the Netherlands (#21), Switzerland (#24), and Germany (#26). It also had very minor chart success on the Billboard
Hot 100, where it peaked at #61. It became a big hit in the band's native UK, peaking at #7 in the singles chart, a
strong showing for a rock band at a time when pop music was by far the more dominant genre in Britain. It also
made #10 on Australia's ARIA Chart.
Other uses
The song is featured in the movie Iron Eagle and is on the soundtrack. The version on the Iron Eagle soundtrack is
the original single version, which preceded the album version by nearly a year. The song was recorded in September
1985 (according to the "One Vision" documentary found on The Magic Years Vol. 1 VHS and the Greatest Video
Hits Vol. 2 DVD, chronicling the recording of the song). The single was released November 4, 1985, the soundtrack
album was released in January 1986, and the song was remixed for the album, which came out June 2, 1986.
The song also appears on the Grand Theft Auto IV soundtrack, and in-game on the radio station "Liberty Rock Radio
97.8".
During the 2008-09 season it was used as the official song of Rotherham United F.C.
It is also used in Ricky Gervais Fame DVD as he enters the stage.
The song is available as downloadable content for the Rock Band series and is the hardest song on drums of the
Queen pack.
Actor Ricky Groves and his dance partner Erin Boag performed a paso doble to the song in the seventh series of
Strictly Come Dancing.
It was also recently featured on an advert for British Gas's merger with Nectar.
"One Vision" 444
References
[1] A Kind Of Magic: Album Details (http:/ / queenonline. com/ en/ the-band/ discography/ kind-magic/ ) QueenOnline. Retrieved July 3, 2011
[2] Queen - One Vision (http:/ / allmusic. com/ song/ one-vision-t1543719) Allmusic. Retrieved July 3, 2011
[3] O'Casey, Matt, dir. (2002) Queen - Days of Our Lives. Part 2. Queen Productions Ltd. Retrieved 29 August, 2011
[4] Queen live on tour: Magic tour: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ magic. html) Queen Concerts. Retrieved 8 July 2011
"A Kind of Magic"

"A Kind of Magic"
Single by Queen
B-side "A Dozen Red Roses for My Darling"

"Gimme the Prize (Kurgan's Theme)" (USA)
Format 7"/12" vinyl single
Genre Rock

• 3:37 (CD bonus track: "A Kind of 'A Kind of Magic'")
• 4:10 (Original Highlander version)
Label EMI, Capitol
Producer Queen and David Richards
"One "A Kind of "Princes of the

Vision" Magic" Universe"
(1985) (1986) (1986)
"A Kind of Magic" is a rock song written by Roger Taylor for the film Highlander, for which Queen wrote the
music. The song reached number three in the UK Singles Chart, top ten in a number of European countries, and
number forty-two on the U.S. Billboard Hot 100. The song is the opening track on the band's compilation albums,
Greatest Hits II, and Classic Queen.[1]
Recording
Name
The phrase "a kind of magic" is actually used in the film by Christopher Lambert and impressed Taylor so much that
he made it into a full song. There are references to the film in the lyrics – "one prize, one goal"; "no mortal man":
"there can be only one".
Composition
Taylor wrote the melody and chords for the version that appeared in the film. Freddie Mercury composed a new bass
line, added instrumental breaks, and changed the song's order. Mercury and David Richards produced this new
version. The song was still credited only to Taylor. Whilst Taylor's version is at the end of the film, Mercury's
version appears on the album.
Live performances
The song was a live favourite on Magic Tour of the same year, which proved to be Queen's last with the original
foursome.
On the Rock the Cosmos Tour of Europe, Roger Taylor took lead vocals for the song at some concerts.
Music video
The music video for this song was directed by Russell Mulcahy, director of Highlander. Notable is that guitarist
Brian May did not use his famous Red Special guitar in the music video, instead he used a 1984 copy. Mercury is
dressed as a magician type of figure. He enters an abandoned theatre (The Playhouse Theatre in London) where
Brian May, Roger Taylor, and John Deacon (all dressed as stereotypical tramps) are asleep until awakened by
Mercury's entrance. Mercury, dressed as a magician, transforms the hobos into the Queen members dressed regularly
with their instruments, and back to hobos again as he leaves. Throughout the video, cartoon images dance to the beat
of the song.
Chart positions
1986 Charts Position
UK Singles Chart 3
Irish Singles Chart 3
Swiss Singles Chart 3
Dutch Singles Chart 4
French Singles Chart 5
Australian Singles Chart 6
U.S. Singles Chart 42
The single was certified platinum in Brazil for more than 100,000 digital downloads of the single.
Queen's compilations The Platinum Collection, Classic Queen, and Greatest Hits II all make an unsubstantiated
claim that the song reached number-one in 35 countries around the world,[2] but to date, there is no known territory
where the song did reach the top position.
Personnel
• Freddie Mercury: Lead vocals
• Brian May: Electric guitar, backing vocals
• Roger Taylor: Drums, backing vocals
• John Deacon: Bass.
Additional musicians:
• Spike Edney: Keyboards
Usage in other media

• The music was used in the trailer for the film The Adventures of Pinocchio.
• A promotional music video, made by Boeing, was released called, Hornet Magic was released on VHS. The video
was music video of the song set to video footage of F/A-18E/F Super Hornet fighter planes. In the video, the word
"magic" appeared on screen every time it was mentioned in the song.
• A shortened version of the song is used in the opening credts of the children's animated series A Kind of Magic.
• The song was heard on a launch promo of Disney Channel in the UK in 1995. But also in 2009 for the launch in
the Netherlands and Flanders.
• A sample of Freddie saying "Ha ha ha ha ha, it's magic" also appears in the Queen version of the song "I Was
Born to Love You" from the album Made in Heaven.
• M-Net have used the song in promo's several times, as their motto is "we call it magic".
• The BBC used the song as the background music for the 1986 edition of the The Rock 'n' Roll Years (aired in
1994) when featuring footage from the all-Merseyside FA Cup final of that year, in which Liverpool beat Everton
3-1 at Wembley Stadium.
• The BBC also used the song in a montage showing clips from Series 1 of Merlin.
• The Brazilian telephony company Claro used the song in the launch campaign for their first 3G cellphones. The
commercials depicted people using the new features only possible with 3G technology with "A Kind of Magic" as
the background music.
• The song's title will be used to headline the upcoming Freddie Mercury bio-pic, based on the late singer's life and
times with Queen.
References
[2] Jenkins, Jim; Smith, Jacky; Davis, Andy; Symes, Phil (2000). Album notes for The Platinum Collection by Queen, p. 11 [CD booklet].
Parlophone (7243 5 29883 2 7).
1. "A Kind Of Magic by Queen Songfacts" (http://www.songfacts.com/detail.php?id=4851). Songfacts.

"Princes of the Universe"

"Princes of the Universe"
Single by Queen
B-side A Dozen Red Roses for My Darling"

"Who Wants to Live Forever" (Japan)
"Gimme the Prize (Kurgan's Theme)" (Australia)
"Was It All Worth It" (2000 Dutch CD Single)
Released March 1986 (US, Canada, Australia, New Zealand; Japan)
Genre Rock
Length 3:32
Label Capitol, EMI
"A Kind of "Princes of the "Friends Will Be

Magic" Universe" Friends"
(1986) (1986) (1986)
"Princes of the Universe" is a song written by Freddie Mercury and performed by Queen. The song was written for
the soundtrack of the movie Highlander and released on the A Kind of Magic album in 1986.[1] This song is the only
song which Mercury receives sole credit for on the entire album. Later it was also used for the Highlander: The
Series as its theme song.[2] The song was never released as a single in the United Kingdom, and while it never truly
charted, it is considered a cult favorite because of its relation to the film. In the movie, the guitar solo in the
beginning is cut out.
The music video was directed by Russell Mulcahy and was shot on the Silvercup rooftop stage used for the film,
featuring a sword fight between Connor MacLeod (Christopher Lambert) and Freddie Mercury (Freddie wielding his
trademark bottomless mic stand instead of a sword) intercut with scenes from the movie. During the video, guitarist
Brian May appears without his Red Special, but instead with a white Washburn RR11V. The video was actually
played quite a bit on music video stations (in the US) when this single came out, despite not charting. Up until its
eventual release on Greatest Flix III (VHS, 1999) and Greatest Video Hits 2 (DVD, 2003), it was rarely seen by fans
outside North America, elevating its possession to collector's item status.
The lyrics are from the perspective of the immortals, about the state of being immortal, the superiority it gives them
to normal humans, and the test that they all always have to face because of this. The lyrics can also be interpreted as
regarding Queen themselves: "People talk about you, people say you've had your day / I'm a man that will go far,
find the moon and reach for the stars." The song "Who Wants to Live Forever" is the foil of this song, and features in
the film.[3]
References
[1] Freestone, Peter (2001) Freddie Mercury: an intimate memoir by the man who knew him best (http:/ / books. google. com/
books?id=AH8zZsbmB98C& pg=PA96& dq=princes+ of+ the+ universe+ highlander#v=onepage& q=princes of the universe highlander&
f=false) p.96.Omnibus Press, Retrieved January 22, 2011
[2] Bartkowiak, Mathew J. (2010) Sounds of the Future: Essays on Music in Science Fiction Film (http:/ / books. google. com/
books?id=i5mKZT5D3TMC& pg=PA19& dq=princes+ of+ the+ universe+ highlander#v=onepage& q=princes of the universe highlander&
f=false) p.19. Retrieved January 22, 2011
[3] Who Wants To Live Forever (http:/ / www. ultimatequeen. co. uk/ Songs/ akindof. htm) UltimateQueen.co.uk

Single by Queen
Format vinyl record (7"/12")
Genre Rock

5:58 (CD bonus track: "Friends Will Be Friends Will Be
Friends")
6:19 (12" extended version)
4:14 (video version)
Label EMI

John Deacon
Producer Queen
Mack
"Princes of the "Friends Will Be "Pain Is So Close to

Universe" Friends" Pleasure"
(1986) (1986) (1986)
"Friends Will Be Friends" is a song performed by Queen and written by Freddie Mercury and John Deacon,
included on the album A Kind of Magic. It was the band's 30th single in the UK upon its release on 9 June 1986,
reaching number 14 in the UK.
"Friends Will Be Friends" was performed live in Magic Tour concerts. It is remarkable that it was the first and only
song that was sung at the end of concerts between "We Will Rock You" and "We Are the Champions" since the
News of the World Tour in 1977.[1]
The song was included in various greatest hits compilations by Queen such as Greatest Hits II, Greatest Flix II and
Greatest Video Hits II.
Music video
The video was directed by DoRo and filmed at JVC Studios, Wembley in May 1986 and features the band
performing the song in front of fan club members.
Chart performance
Chart (1986) Peak Total

position weeks
[2] 16 9
Dutch Singles Chart
[3] 20 10
[4] 4 5
Irish Singles Chart
[5] 50 1
New Zealand Singles Chart
[6] 19 5
Swiss Singles Chart
[7] 14 12
UK Singles Chart
References
[1] Information about Queen's concerts with typical setlists (http:/ / www. queenconcerts. com/ live/ queen/ )
[2] Dutchcharts.nl (http:/ / www. dutchcharts. nl/ )
[3] Musiconline.de (http:/ / www. musicline. de/ )
[4] Irishcharts.ie (http:/ / www. irishcharts. ie/ )
[5] Charts.org.nz (http:/ / charts. org. nz/ )
[6] Swisscharts.com (http:/ / www. swisscharts. com/ )
[7] Chartstats.com (http:/ / www. chartstats. com/ )
External links
• A Kind of Magic at UltimateQueen.co.uk (http://www.ultimatequeen.co.uk/Songs/akindof.htm)
"Pain Is So Close to Pleasure"

"Pain Is So Close to Pleasure"
Single by Queen
B-side "Don't Lose Your Head"
Format 7"/12" vinyl single
Genre Rock
Length 4:19
• 4:38 (Album version)
• 4:17 (Single remix)
• 5:56 (12" extended mix)
Label EMI, Capitol
Writer(s) Freddie Mercury, John Deacon
"Friends Will Be "Pain Is So Close to "Who Wants to Live

Friends" Pleasure" Forever"
(1986) (1986) (1986)
"Pain Is So Close to Pleasure" is a song by Queen, released only in Canada, Germany, the Netherlands and the
USA as the second single from their 1986 album A Kind of Magic.
The song began as a riff idea by Brian May. Then John Deacon and Freddie Mercury turned that into a song, with
Deacon playing rhythm guitar. The single reached #26 on the Dutch charts. The title also appears as a line in "One
Year of Love". As with most Mercury songs, it has prominent keyboards and, like most Deacon songs, it has a
prominent bass line.
The version which appears on the single is a remix, rearranging much of the backing track from the original
elements. The 12" single features an extended version of this remix, rather than an extended version of the track as it
appears on the album.
"Who Wants to Live Forever"

Single by Queen Produced with David Richards
B-side "Killer Queen"

"Forever" (12" single only)
Released September 15, 1986
Format Vinyl record (7"/12")
Genre Rock

• 4:00 (Single version)
• 4:57 (Greatest Hits II version)
Label EMI
Writer(s) Brian May
Queen Produced with David Richards singles chronology
"Pain Is So Close to "Who Wants to Live "One Year of

Pleasure" Forever" Love"
(1986) (1986) (1986)
"Who Wants to Live Forever" is a song by the English rock band Queen. The song is the sixth track on the album A
Kind of Magic, released in June 1986, and was written by guitarist Brian May for the soundtrack to the film
Highlander, directed by Russell Mulcahy.[1] The song peaked at No 24 in the UK charts.[2]
The song is used to frame the scenes in the film where Connor MacLeod must endure his beloved wife Heather
growing old and dying while he, as an Immortal, remains forever young. (It was later used in the episodes "The
Gathering", "Revenge is Sweet", "The Hunters", "Line of Fire", and "Leader of the Pack" of the Highlander
television series.) The song's title is taken from a line in another movie scored by Brian May and Queen, Flash
Gordon (the line can be heard on Battle Theme from Queen Flash Gordon soundtrack album).
May sings lead vocals on the first verse, before Freddie Mercury takes over for most of the rest of the song, with
May singing "But touch my tears with your lips" during Mercury's verse and then the final line of the song, "Who
waits forever anyway?". An instrumental version of the song, titled "Forever", was included as a bonus track on the
CD version of the album. This instrumental featured only a piano, with keyboard accompaniment during the chorus
sections. The piano track was recorded solely by Brian May. Queen was backed up by an orchestra, with
orchestrations by the co-composer of the film's score, Michael Kamen.[1] Since its release, the song has been covered
by a number of artists.
Music video
The video was directed by David Mallet and filmed in a (now demolished) warehouse at Tobacco Wharf at London's
East End in September 1986.[3] It featured the National Philharmonic Orchestra with forty choirboys and hundreds
and hundreds of candles which remain lit throughout filming as well as Mercury wearing a tuxedo suit.[3] It is the
only Queen video to feature bassist John Deacon playing an upright bass.
An alternate version with clips from the film Highlander (which the song appears in) appears on the video single
with A Kind Of Magic in October 1986 and later as a hidden music video on Queen Greatest Video Hits II DVD in
November 2003.[3]
Cover versions
• In 1988, Elaine Paige, recorded an album of Queen songs, and included a strong 'power ballad' version of the
song.[4]
• Seal performed a live version of this song at The Freddie Mercury Tribute Concert in 1992, noting that the song
made him cry when he first heard it.[5]
• In 1995, Jennifer Rush recorded a version with Brian May on her Out of My Hands album. It featured May on
lead-vocals for a verse plus backing vocals and guitar work.[6]
• Luciano Pavarotti called Giorgia for his charity concert Pavarotti & Friends where she performed the song. The
recorded Live-CD was released in 1995.
• Shirley Bassey covered this song on her 1995 album Sings the Movies, and performed it on "A Royal Gala" at the
Royal Albert Hall in 1996.
• Dune recorded an orchestrated version on the 1997 album Forever. It was also released as the first single from the
album.
• The song is featured in the Queen jukebox musical We Will Rock You. The version that appears on the original
London cast recording is sung by Tony Vincent and Hannah Jane Fox.
• The symphonic metal band After Forever recorded a cover of this song and released it with their single
"Emphasis" in 2002.
• Sarah Brightman covered this track on her 1997 album, Time to say Goodbye.[7]
• Polish singer Edyta Górniak recorded a cover called "Nieśmiertelni" in 2003, released on Moja i Twoja muzyka,
RMF FM compilation album.
• In 2005, the song was covered by Breaking Benjamin on the album Killer Queen: A Tribute to Queen.[8]
• The Ten Tenors recorded a version on their album Here's to the Heroes, released in 2006.
• Rock Star: INXS finalist, MiG Ayesa covered the song on his debut album MiG in 2007.
• Katharine McPhee covered this song on the "Queen" themed week on American Idol's fifth season.
• Eva Avila covered this song on the "1980's" themed week on Canadian Idol's fourth season.
• In 2007, the song was covered by the band Gregorian on their album Masters of Chant Chapter VI.
• Kady Malloy covered this song during "80's" week on American Idol's seventh season.
• Dutch diva Karin Bloemen did a cover in her 2007/2009 show "Overgang", in a translation by Jan Rot, "Wie wil
die leeft voor eeuwig" .
• Jonathan Ansell covered this song for his 2nd album Forever, released in 2008
• Rhydian Roberts covered this song on his debut album Rhydian, released on the 24th of November 2008.
• Katherine Jenkins covered this song on her seventh album Believe, released on the 26th of October 2009.
• Stacey Solomon performed the song on the sixth series of The X Factor.
• David Garrett covered this song for his 8th album David Garrett, released in 2009.
• Kitty Brucknell performed the song on series eight of The X-Factor
Dune version
Single by Dune
from the album Forever
Format CD
Dune singles chronology
"Million Miles From "Who Wants to Live "Nothing Compares 2

Home" Forever" U"
(1996) (1996) (1997)
German band Dune released their cover of "Who Wants to Live Forever", from their album Forever, as a single in
October 1996.
Dune's version of "Who Wants to Live Forever" sold more than 500.000 copies in Germany. The single peaked at #3
in the Austrian singles charts, at #9 in the Swiss Charts, at #12 in the Dutch Charts and at #59 in the Swedish charts.
Track listing
1. Who Wants To Live Forever (Sixtysix Radio Mix) (3:54)
2. Who Wants To Live Forever (South Bound Mix) (3:58)
3. Highland Trilogy: One Day In Glencoe (4:49)
4. Highland Trilogy: Valley Of Tears (4:58)
5. Highland Trilogy: In The Air, Part 2 (10:29)
Remixes
1. Who Wants To Live Forever (Komakino Remix) (5:32)
2. Who Wants To Live Forever (Future Breeze Remix) (7:03)
3. In The Air, Part 1 (5:13)
Music video
The music video was shot in the Scottish Highlands.
Sarah Brightman version
Single by Sarah Brightman
from the album Time to Say Goodbye
Released 1997
Format CD
Producer Frank Peterson
Sarah Brightman singles chronology
"Just Show Me How to Love "Who Wants to Live "Tu Quieres

You" Forever" Volver"
1997 (1997) (1997)
Soprano Sarah Brightman released her cover of "Who Wants to Live Forever", from her album Timeless/Time to
Say Goodbye, as a single in 1997 (See 1997 in music). The single peaked at #45 in the UK singles chart.
Track listing
CD single
1. "Who Wants to Live Forever" (Album version)
2. "Who Wants to Live Forever" (Xenomania club mix)
Maxi CD single
1. "Who Wants to Live Forever"
2. "A Question of Honour"
3. "Heaven Is Here"
4. "I Loved You"
12" vinyl
1. "Who Wants To Live Forever (Trouser Enthusiasts 'Cybernetic Odalisque' Mix)"
2. "Who Wants To Live Forever (Xenomania Club Mix)"
3. "Who Wants To Live Forever (Xenomania Dub Mix)"
4. "Who Wants To Live Forever (X-Citing Mix)
Edyta Górniak version
"Nieśmiertelni"
Single by Edyta Górniak
Released 2003
Format CD
Label Pomaton EMI
Writer(s) Ryszard Kunce
Producer Edyta Górniak
Edyta Górniak singles chronology
"Impossible" "Nieśmiertelni" "The Story So

(2003) (2003) Far"
(2003)
Polish singer Edyta Górniak released a cover of "Who Wants to Live Forever" in 2003 called "Nieśmiertelni"
(Immortals). She recorded the cover with Polish lyrics for the cover compilation album RMF FM - Moja i Twoja
muzyka by Polish radio station RMF FM.
It was released as a promo radio single by Pomaton EMI. The image on the cover was shot by photographer Robert
Wolański
Track listing
1. Nieśmiertelni (3:26)
References
[1] Who Wants To Live Forever (http:/ / www. ultimatequeen. co. uk/ Songs/ akindof. htm) UltimateQueen.co.uk
[3] Queen Promo Videos: Who Wants To Live Forever (http:/ / www. ultimatequeen. co. uk/ videos/ queenpromo. htm) Ultimate Queen.
Retrieved 11 November 2011
[4] Elaine Paige: The Queen Album (http:/ / www. allmusic. com/ album/ the-queen-album-r367779) Allmusic. Retrieved 30 August 2011
[5] The Freddie Mercury Tribute Concert: Who Wants To Live Forever (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#who)
Ultimate Queen. Retrieved 20 August 2011
[6] Jennifer Rush: Out of My Hands (http:/ / www. allmusic. com/ album/ out-of-my-hands-r209424) Allmusic. Retrieved 30 August 2011
[7] Sarah Brightman: Time to Say Goodbye (http:/ / www. allmusic. com/ album/ r332098) Allmusic. Retrieved 30 August 2011
[8] Killer Queen: A Tribute to Queen (http:/ / www. allmusic. com/ album/ killer-queen-a-tribute-to-queen-r782664) Allmusic. Retrieved August
30, 2011
"One Year of Love" 459
"One Year of Love"

"One Year of Love"
Single by Queen
Released 25 October 1986 (France, Spain)
Format vinyl record (7")
Genre Rock
Length 4:26
Label EMI
"Who Wants to Live "One Year of "I Want It

Forever" Love" All"
(1986) (1986) (1989)
"One Year of Love" is a song by Queen from their 1986 album A Kind of Magic and also the film Highlander.
Written by bassist John Deacon, it was released as a single in France and Spain. Like his other composition, "You're
My Best Friend", this song has some of Deacon's most notable instrumental playing, with him playing Bass guitar
and Keyboards. It has a saxophone solo replacing Brian May's usual guitar solos.
The song features a string orchestra conducted by Lynton Naiff and a saxophone played by Steve Gregory. Guitarist
Brian May is absent in this song.
Covers
"One Year of Love" was covered by Elaine Paige in 1986 and later by Dutch singer Stevie Ann in 2006.
"I Want It All" 460
"I Want It All"

"I Want It All"
Single by Queen
from the album The Miracle
B-side "Hang on in There"
Released 2 May 1989
Format 7" vinyl, 12" vinyl, CD single, Compact Cassette
Recorded 1988
Genre Rock
Length 4:42 (album), 3:57 (single)
Label Parlophone, Capitol
Writer(s) Brian May
"One Year of "I Want It "Breakthru"

Love" All" (1989)
(1986) (1989)
"I Want It All" 461
The Miracle track listing
"The "I Want It "The Invisible

Miracle" All" Man"
(3) (4) (5)
Greatest Hits II track listing
"Radio Ga "I Want It "I Want to Break

Ga" All" Free"
(3) (4) (5)
Queen Rocks track listing
"Tie Your Mother "I Want It "Seven Seas of

Down" All" Rhye"
(2) (3) (4)
"I Want It All" (sample) is a song by English rock band Queen, featured on their 1989 twelfth studio album The
Miracle. Written by guitarist and backing vocalist Brian May (but credited to Queen) and produced by David
Richards, the song was released as the lead single from the album on 2 May 1989.[1] "I Want It All" reached number
three on both the UK Singles Chart[2] and the American Billboard Hot Mainstream Rock Tracks chart,[3] number 50
on the Billboard Hot 100 chart[3] and number one in other European territories, including Spain, where Los 40
Principales regularly played the song during the month of July 1989.[1]
The song was first played live on 20 April 1992, three years after its release, during The Freddie Mercury Tribute
Concert, performed by the three remaining members of Queen, with Roger Daltrey singing lead vocals and Tony
Iommi playing rhythm guitar.[4] Mercury himself never performed the song live, as he died in November 1991 from
AIDS at the age of 45, and his final performance with Queen was at the end of the Magic Tour, in 1986. The song is
sung mainly by Mercury, with May singing on the choruses, and the middle eight.
There are at least two versions of this song. The longer one is the album version, while the shortest one is used in the
music video and in the Greatest Hits II compilation. The sample on the top of this article is the beginning from the
short version. Compared to the album version, the video version features a different beginning, omitting the
acoustic/electric guitar part and the short rhythmic-electric guitar part immediately following. It starts with the band
singing the chorus a cappella, and then, after a 1/8 + 2/4 A5 power chord, it picks up on the first electric guitar riff by
Brian May that follows the short rhythmic guitar part mentioned before. The guitar solo section is different as well:
the album version features an extra solo, done at the same tempo as the rest of the song, just before the faster main
solo. Freddie Mercury's vocals after the middle eight are also slightly different and are positioned on the "extra" solo
on the album version, and on the main solo on the video version.
"I Want It All" 462
Background
The song is notably heavy and features themes relating to rebellion and social upheaval. Songwriter May, however,
claims that it is about having ambitions and fighting for one's own goals; because of this, the song became an
anti-apartheid song in South Africa and has also been used as a gay rights protest theme and a rallying anthem for
African-American youth.[1]
Style and reception

In reviewing The Miracle for Allmusic, Greg Prato suggested that the song, like title track "The Miracle", "reflect[s]
on [...] the state of the world in the late '80s," summarising the song stylistically as "heavy rock."[5] Melville-based
newspaper Newsday mentioned "I Want It All" as one of "The best" of the album, describing it as "colored by May's
rocking guitar rolls and Mercury's rough-boys vocals."[6] In reviewing the album, The Dallas Morning News
described "I Want It All" in some depth, explaining how it "starts off with a Bowiesque guitar part, picks up a heavy
cargo of steel, quickly lays down the hard line implied by the title, then takes flight along Mr. May's greased
fretboard."[7]
Music video
The music video features the band performing in a studio that used halogen lighting. It was directed by David Mallet.
In the Greatest Video Hits 2 DVD audio commentary, Brian May and Roger Taylor recall that Freddie Mercury's
health was already quite bad when the video's shooting took place, and it was remarkable that it didn't show up in the
video, with Freddie Mercury performing with all the energy he had.
Video game appearances
Guitar Hero series

The song is available as a playable track in the 2009 music video game Guitar Hero: Van Halen.
Rock Band series

The song was made available as downloadable content for the Rock Band series of music video games as part of the
10 song Queen pack on 20 October 2009. It was later re-released on 5 December 2010 with support for the new
instruments featured in Rock Band 3.
SingStar
The song is featured in the music video game SingStar Queen.
Chart performance
"I Want It All" 463

position weeks
[8] 10 12
Australian Singles Chart
[9] 11 14
[10] 34 13
Canadian Singles Chart
[11] 2 14
Dutch Singles Chart
[12] 9 17
[13] 3 5
Irish Singles Chart
[14] 4 ?
Italian Singles Chart
[15] 3 10
[16] 4 7
[17] 14 4
[18] 8 14
Swiss Singles Chart
[19] 3 7
UK Singles Chart
[20] 50 10
U.S. Billboard Hot 100
[21] 3 ?
U.S. Mainstream Rock Charts
References
[1] Jenkins, Jim; Smith, Jacky; Davis, Andy; Symes, Phil (2000). Album notes for The Platinum Collection by Queen, p. 12 [CD booklet].
Parlophone (7243 5 29883 2 7).
[2] "Queen" (http:/ / www. chartstats. com/ artistinfo. php?id=400). Chart Stats. . Retrieved 7 May 2009.
[3] "Queen > Charts & Awards > Billboard Singles" (http:/ / www. allmusic. com/ artist/ p5205/ charts-awards/ billboard-singles). allmusic. .
[4] The Freddie Mercury Tribute Concert: I Want It All (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#iwantit) Ultimate
[5] Prato, Greg. "The Miracle > Review" (http:/ / www. allmusic. com/ album/ r15983/ review). allmusic. . Retrieved 7 May 2009.
[6] "06-25-1989 – The Miracle – Newsday (Melville, NY)" (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_06-25-1989_-_The_Miracle_-_Newsday_(Melville,_NY)). Queen Music Reviews. Queen Archives (originally published
by Newsday). 25 June 1989 (original publication). . Retrieved 7 May 2009.
[7] "07-02-1989 – The Miracle – The Dallas Morning News" (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_07-02-1989_-_The_Miracle_-_The_Dallas_Morning_News). Queen Archives (originally published by The Dallas
Morning News). 7 February 1989 (original publication). . Retrieved 7 May 2009.
[8] Australian charts portal (http:/ / www. australian-charts. com/ ). australian-charts.com. Retrieved on 2011-03-01.
[9] Austria Top 40 – Hitparade Österreich (http:/ / www. austriancharts. at/ ). austriancharts.at. Retrieved on 2011-03-01.
[10] "Welcome to the LIBRARY AND ARCHIVES CANADA website | Bienvenue au site Web BIBLIOTHÈQUE ET ARCHIVES CANADA"
(http:/ / www. collectionscanada. gc. ca/ ). Collectionscanada.gc.ca. . Retrieved 2011-08-03.
[11] Dutch charts portal (http:/ / www. dutchcharts. nl/ ). dutchcharts.nl. Retrieved on 2011-03-01.
Track-Suche, Ticket-Suche (http:/ / www. musicline. de/ ). musicline.de. Retrieved on 2011-03-01.
[13] The Irish Charts – All there is to know (http:/ / www. irishcharts. ie/ ). Irishcharts.ie (1962-10-01). Retrieved on 2011-03-01.
[14] "Hit Parade Italia - Indice per Interprete: Q" (http:/ / www. hitparadeitalia. it/ indici/ per_interprete/ aq. htm). Hitparadeitalia.it. . Retrieved
2011-08-03.
[15] New Zealand charts portal (http:/ / charts. org. nz/ ). charts.org.nz. Retrieved on 2011-03-01.
[16] Norwegian charts portal (http:/ / www. norwegiancharts. com/ ). norwegiancharts.com (2006-06-15). Retrieved on 2011-03-01.
[17] Swedish Charts Portal (http:/ / www. swedishcharts. com/ ). swedishcharts.com. Retrieved on 2011-03-01.
"I Want It All" 464
[18] Die Offizielle Schweizer Hitparade und Music Community (http:/ / www. swisscharts. com/ ). swisscharts.com. Retrieved on 2011-03-01.
[19] UK Singles & Albums Chart Archive (http:/ / www. chartstats. com/ ). Chart Stats. Retrieved on 2011-03-01.
[20] Music News, Reviews, Articles, Information, News Online & Free Music (http:/ / www. billboard. com/ ). Billboard.com. Retrieved on
2011-03-01.
[21] AllMusic (http:/ / www. allmusic. com/ ). AllMusic. Retrieved on 2011-03-01.
"Breakthru"
"Breakthru"
Single by Queen
B-side Stealin'
Format Vinyl record (7", 12"), cassette tape, 5"CD
Recorded 1988
Genre Rock

Label Parlophone, EMI, Capitol
Writer(s) Roger Taylor/Freddie Mercury (credited to Queen)
"I Want It "Breakthru" "The Invisible

All" (1989) Man"
(1989) (1989)
"Breakthru" is a song by British rock band Queen. Credited as being written by Queen, it was released in June 1989
from the album The Miracle. The single reached #7 in the UK, and peaked at number 6 in the Netherlands and
Ireland, but failed to chart in the US. The song is remarkable by its video where the group is performing the song on
an open platform of a fast-moving steam train.
"Breakthru" 465
Song
The album version of the song begins with 30 seconds of slow vocal harmony. It was apparently written by Freddie
Mercury for a different song which ended up never being released, "A New Life Is Born".[1] [2] It then abruptly
changes to a fast-paced rocker, that was written by Roger Taylor. Other song versions were created by either
extending or cutting the introduction.[3] On the Queen for an Hour interview conducted in 1989, Mercury said that
this was a great example of two separate bits coming together to make a final track. He commented on how the band
had about 30 tracks to work with and only completed a handful, working on all of them at least somewhat.[4]
Video
The video of the song was filmed within two days on the preserved
Nene Valley Railway, near Peterborough in Cambridgeshire, England.
The group members mentioned in the interviews that despite the hot
summer weather, the event brought a nice refreshment to their studio
work. It also helped heighten guitarist Brian May's spirits, as he was
going through a bout of depression from the intense scrutiny
surrounding his second marriage and Freddie Mercury's health starting
to falter as a result of AIDS. The steam locomotive No. 3822[5] and an
open platform were rented by Queen from the Didcot Railway Centre
A regular (demonstration) run of loco 3822 along
in Oxfordshire and repainted for the video. In particular, the group
Didcot Railway Centre's main demonstration line.
named the train "The Miracle Express", and this name was reflected in
large red letters on the sides of the locomotive.[6] The idea of using a
train in the video was suggested by Taylor and was inspired by the rhythm of the rapid part of the song. During the
introduction ("new life is born"), the video features Taylor's then-girlfriend Debbie Leng, with a black mask painted
around her eyes, waking up and getting up on the rail track. The commencing of the fast part coincides with the
scene of the train breaking through a polystyrene wall painted as a brick wall; the wall was constructed in a tunnel,
under an arch of a stone bridge. The group was dissatisfied with this part because polystyrene could not stand the
enormous air pressure buildup in the tunnel from the incoming train and the wall started breaking before the physical
impact. The rest of the clip mostly shows the moving train with an attached open platform whereon the group
performs the song. May, Deacon and Taylor are playing guitars and drums, whereas Mercury is moving around the
whole platform with his trademark bottomless microphone stand while singing. Leng appears in some scenes on the
platform and further in the clip.[7] The train was reportedly going at a speed of between 30[7] and 60 mph[8]
(intermediate values were mentioned in interviews), and thus the group has insured itself for 2 million pounds
against bodily damage. The clip cost 300,000 pounds to make.[8]
Distribution
The single was distributed in 1989 as 7-inch and 12-inch records, 5-inch CDs and tapes, with a Parlophone label in
most countries. The label was from Capitol in the US. The B-side either contained the song "Stealin'", was only used
as an addition to "Breakthru",[9] or was blank as in some UK 12" records. Other 12" records and 5" CDs contained
two versions of "Breakthru" and one of "Stealin'". Most covers contained a photomorph of four heads of the group
members; the faces were merged at one eye of each face creating a five-eyed merged face. A strip showing eyes only
was cut of this picture for most covers.[10]
The song was included into the following albums and compilations: The Miracle, Greatest Hits II, The Platinum
Collection, Box of Tricks, Greatest Video Hits 2 (disk 1), Greatest Flix II (VHS) and Queen: The eYe (electronic
video game released in 1998 by Electronic Arts).
"Breakthru" 466
Chart performance
position weeks
[11] 45 1
[12] 80 3
[13] 6 14
Dutch Singles Chart
[14] 24 12
[15] 6 4
Irish Singles Chart
[16] 24 ?
[17] 45 1
[18] 28 4
Swiss Singles Chart
[19] 7 8
UK Singles Chart
References
[1] Sutcliffe, Phil; Hince, Peter and Mack, Reinhold (15 November 2009). Queen: The Ultimate Illustrated History of the Crown Kings of Rock
(http:/ / books. google. com/ books?id=adNONbUWLjgC& pg=PT183). MBI Publishing Company. ISBN 9780760337196. .
[2] Unreleased Queen Tracks (http:/ / www. ultimatequeen. co. uk/ songs/ unreleasedqueen. htm#anewlife). Ultimatequeen.co.uk. Retrieved on
2011-03-02.
[3] The Miracle (http:/ / www. queenvault. com/ themiracle. html). QueenVault.com (1989-03-15). Retrieved on 2011-03-02.
[4] 1989 Radio Interview with Queen hosted by Mike Read
[5] Didcot Railway Centre (http:/ / didcot-railway-centre. co. tv/ ). Didcot Railway Centre. Retrieved on 2011-03-02.
[6] Peterborough Tourist Attractions: Sightseeing and Attractions in Peterborough Area, England, UK (http:/ / www. peterborough. world-guides.
com/ peterborough_attractions. html). Peterborough.world-guides.com. Retrieved on 2011-03-02.
[7] Freestone, Peter & Evans, David (2001). Freddie Mercury: An Intimate Memoir by the Man who Knew Him Best (http:/ / books. google. co.
uk/ books?id=AH8zZsbmB98C& pg=PA119). Omnibus Press. p. 129. ISBN 9780711986749. .
[8] Sky, Rick (1994). "4" (http:/ / www. queen. org. ua/ books/ freddie/ chapter4. shtml). The show must go on: the life of Freddie Mercury. Carol
Pub. Group. ISBN 0806515066. .
[9] Georg Purvis (1 April 2007). Queen: Complete Works (http:/ / books. google. com/ books?id=okE5AQAAIAAJ). Reynolds & Hearn.
ISBN 9781905287338. . Retrieved 2 March 2011.
[10] Breakthru as an a-side (http:/ / www. pcpki. com/ cgi-bin/ discography. cgi?qs:BREAKTHRU). Pcpki.com. Retrieved on 2011-03-02.
[11] Australian-charts.com (http:/ / www. australian-charts. com/ )
[12] Collectionscanada.gc.ca (http:/ / www. collectionscanada. gc. ca/ )
[13] Dutchcharts.nl (http:/ / www. dutchcharts. nl/ )
Track-Suche, Ticket-Suche (http:/ / www. musicline. de/ de/ chartverfolgung_summary/ title/ QUEEN/ Breakthru/ single). musicline.de.
[15] The Irish Charts – All there is to know (http:/ / www. irishcharts. ie/ search/ placement). Irishcharts.ie. Retrieved on 2011-03-02.
[16] http:/ / www. hitparadeitalia. it/ indici/ per_interprete/ aq. htm
[17] Charts.org.nz (http:/ / charts. org. nz/ )
[18] Swisscharts.com (http:/ / www. swisscharts. com/ )
[19] Queen – Breakthru' (http:/ / www. chartstats. com/ release. php?release=16341). Chart Stats (1989-08-26). Retrieved on 2011-03-02.
"Breakthru" 467
External links
• Youtube video (http://www.youtube.com/watch?v=Q22oGInO-uo)
• Behind the scenes video (http://wn.com/Queen__Breakthru_behind_the_scenes)
"The Invisible Man"

"The Invisible Man"
Single by Queen
B-side "Hijack My Heart"
Released August 7, 1989
Format Vinyl record (7", 12"), cassette tape, CD
Recorded 1988
Genre Rock

• 4:17 (Video version)
Label Parlophone, EMI
"Breakthru" "The Invisible "Scandal"

(1989) Man" (1989)
(1989)
"The Invisible Man" is a song by English rock band Queen, written by drummer Roger Taylor. The song is sung
mostly by Freddie Mercury, but Taylor sings on parts of the song. Originally released on the album The Miracle, it
was released as a single in 1989. Taylor claims that he got the inspiration to create the song while reading a book
(possibly the book of the same name), and the bassline instantly came to his head. This song marks the only time in
any of Queen's songs that all four band members names are mentioned in the lyrics. The first being Freddie Mercury,
followed by John Deacon. Brian May's name is then mentioned twice (just before his guitar solo starts), and lastly
"The Invisible Man" 468
Mercury sings "RRRoger Taylor", rolling the "r" to emulate the drums at the end of the verse.
In the music video, a video game called "The Invisible Man" plays a large part, as a small child is playing a game
while the band (all dressed in black), who are the "bad guys" in the game, enter the real world and perform the song
in his room, while the boy is trying to shoot them with the game controller. From time to time, Mercury appears in
various places in the child's room, vanishing before the boy can shoot him with the video controller. After Mercury
emerges from the child's closet with his band in tow, John Deacon removes his cowboy hat and throws it to the floor.
In perhaps a futile attempt to emulate him, the boy removes his baseball cap, and dons the other. The screen then
shows an image of the band in the game once more, Deacon without a hat, and the child walks underneath them.
A cover of the song has been done by Scatman John, in which many of the lyrics and instrumentals are replaced with
scat singing.
Butch Hartman, the creator of Danny Phantom has said the show's theme song was inspired by the bass line of The
Invisible Man.[1]
The video features a then-15-year-old Danniella Westbrook who joined soap opera EastEnders the following year .
Chart performance
position weeks
[2] 6 12
Dutch Singles Chart
[3] 31 12
[4] 10 3
Irish Singles Chart
[5] 21 ?
[6] 15 9
[7] 30 1
Swiss Singles Chart
[8] 12 6
UK Singles Chart
References
[1] Interview with Butch Hartman, March 30th 2006 (http:/ / web. archive. org/ web/ 20080102092951/ http:/ / hometown. aol. com/ zcat6/
IntBH2006p8. html)
[2] http:/ / www. dutchcharts. nl/
[3] http:/ / www. musicline. de/
[4] http:/ / www. irishcharts. ie/
[6] http:/ / charts. org. nz/
[7] http:/ / www. swisscharts. com/
[8] http:/ / www. chartstats. com/
"Scandal" 469
"Scandal"
"Scandal"
Single by Queen
B-side "My Life Has Been Saved"

Cassette tape
CD
Recorded 1988
Genre Rock

Label Parlophone, EMI, Capitol
Writer(s) Brian May (credited to Queen)
"The Invisible "Scandal" "The

Man" (1989) Miracle"
(1989) (1989)
"Scandal" is a song by the British rock group Queen. It was released as the fourth single from their 1989 album The
Miracle and peaked at #25 in the UK. The single was released in the United States but failed to chart.
"Scandal" 470
Composition
"Scandal", written by Brian May but credited to Queen, is about the unwanted attention May and singer Freddie
Mercury received from the press in the late 1980s involving May's divorce and marriage to actress Anita Dobson and
Mercury's growing health problems (he had yet to make it public that he had tested positive for HIV).[1]
Recording
May recorded the keyboards and guitars in one take. Mercury's vocal was also done in one take.[1]
Music video
The video for the song featured the band performing on stage designed to look like a newspaper and was filmed at
Pinewood Studios in September 1989.
Chart performance
position weeks
[2] 12 10
Dutch Singles Chart
[3] 14 2
Irish Singles Chart
[4] 25 4
UK Singles Chart
References
[1] "Scandal - Queenpedia" (http:/ / www. queenpedia. com/ index. php?title=Scandal). http:/ / www. queenpedia. com/ . . Retrieved 2008-01-26.
"The Miracle" 471
"The Miracle"
"The Miracle"
Single by Queen
B-side "Stone Cold Crazy" (live)
Format Vinyl record (7", 12"), cassette tape, CD
Genre Rock
Length 5:02
Label Parlophone, EMI
Writer(s) Queen
"Scandal" "The "Innuendo"

(1989) Miracle" (1991)
(1989)
"The Miracle" is the fifth and last single from Queen's 1989 album The Miracle. It was composed by the entire
band, though Freddie Mercury was the main driving force.[1] It was released as a single in late November 1989, some
six months after the album. It was the last of the singles from that album to be released, and the first 5th single
released from any of Queen's albums from EMI.
The song uses the album's artwork inverted with a hologram-like fashion.
Mercury began writing the song after he and John Deacon made some chords and decided which one would be the
theme. All four contributed to the lyrics and musical ideas, and the song was still credited to the entire band because
they had agreed to do so during the album recording, regardless of who had been the actual writer. While both
Mercury and May regarded this as one of their favourites, Taylor said in the audio commentary of Greatest Video
Hits II that although it was not a favourite of his, he respected it as "an incredibly complex track".
The song describes several of "God's creations, great and small", such as great buildings like the Taj Mahal and the
Tower of Babel, all described as "miracles" in the song. The song also references such well-known figures as
"The Miracle" 472
Captain Cook, Cain and Abel, and Jimi Hendrix.
Music video
The music video for the song features four young boys - Paul Howard as Brian May, James Currie as John Deacon,
Adam Gladdish as Roger Taylor, and a then-unknown Ross McCall as Freddie Mercury – performing as Queen on
stage. Throughout the video, McCall appears dressed as four different incarnations of Mercury: '70s era (long hair
and harlequin leotard), early '80s (thick mustache, leather jacket and pants), the mid-80s Live Aid outfit, and Magic
Tour '86 (the iconic yellow leather jacket, white pants and Adidas sneakers). Queen themselves appear only near the
end of the video. According to Roger Taylor, Mercury joked about sending the boys out on tour instead of them
because of how well they did in the video. According to a story in a 2011 issue of rock magazine NME, the boy
playing the part of Brian May (Howard) is currently fronting London rock band Silvery.
Trivia
• On the B-side of the original single a live version of the song "Stone Cold Crazy" can be found.
Chart performance
position weeks
[2] 16 9
Dutch Singles Chart
[3] 78 4
[4] 23 1
Irish Singles Chart
[5] 21 5
UK Singles Chart
References
[1] QUEEN + PAUL RODGERS TOUR SPRING 2005 (http:/ / www. brianmay. com/ queen/ tour05/ interviews/ bm_classicq_mar05pt5. html).
Brianmay.com. Retrieved on 2011-02-16.
"Innuendo" 473
"Innuendo"
"Innuendo"
Single by Queen
from the album Innuendo
B-side Bijou
Format 7"/12" single, CD single
Genre Rock
Length 6:30 (Album version)

6:46 (12" explosive version)
Label Parlophone
Writer(s) Queen
(Freddie Mercury/Roger Taylor)
"The "Innuendo" "I'm Going Slightly

Miracle" (1991) Mad"
(1989) (1991)
"Innuendo" is a 1991 song by the English rock band Queen. It is the opening track on the album of the same name,
and was released as the first single from the album. At six and a half minutes, it is one of Queen's longest songs, and
their longest ever released as a single, exceeding "Bohemian Rhapsody" by 35 seconds. The single went straight to
#1 in the UK Singles Chart. Featured is a flamenco guitar section performed by Yes guitarist Steve Howe and Brian
May,[1] [2] an operatic interlude that harks back to the Queen of old, sections of heavy metal, and lyrics inspired in
part by lead singer Freddie Mercury's illness. Accompanied by a music video featuring animated representations of
the band on a cinema screen akin to Nineteen Eighty-Four, eerie plasticine figure stop-motion and harrowing
imagery, it has been described as one of the band's darkest and most moving works.[3] Allmusic described the song
as a "superb epic", which deals with "mankind's inability to live harmoniously."[4]
"Innuendo" 474
Songwriting
"Innuendo" was pieced together "like a jigsaw puzzle". The recurring theme (with the Boléro-esque beat) started off
as a jam session between May, Deacon and Taylor. Mercury then added the melody and some of the lyrics, which
were then completed by Taylor.
The middle section was primarily Mercury's work, according to an interview with May in October 1994's Guitar
Magazine. It features a flamenco guitar solo, followed by a classically influenced bridge, and then the solo again but
performed with electric guitars. This section is especially complex, featuring a pattern of three bars in 5/4 time
(reasonably uncommon in popular music) followed by four bars in the more often used 3/4 time. The end of the
flamenco-guitar style is based on the 5/4 bar, but is in 6/4 time.
The "You can be anything you want to be" section features sophisticated orchestration, created by Mercury and
producer David Richards using the popular Korg M1 keyboard/synth/workstation. Mercury had arranged and
co-arranged orchestras in his solo career, and closed the previous Queen album with the track "Was It All Worth It",
which included a Gershwin-esque interlude also coming from an M1 synth. The bridge section in "Innuendo" is in
3/4, showing once again Mercury's affection for trinary metres: "Bicycle Race" is another one with main sections in
4/4 and middle-eight in 3/4, and some of his best-known pieces (namely "We Are the Champions" and "Somebody
to Love") were in 12/8, as would be his last ever composition, "A Winter's Tale".
Steve Howe's involvement

Howe and Mercury had been friends for several years, since they ran into each other quite often at the Townhouse
Studios in London. Yes had recorded Going for the One at Mountain Studios in 1976 - 1977 shortly before Queen
bought the Swiss studio, and Asia's debut album was produced by Queen's engineer, Mike Stone.
On a break from a recording session in Geneva, Howe drove to Montreux and stopped to have lunch. There he ran
into Martin Gloves who had worked for Yes before and by this time was Queen's equipment supervisor. Gloves told
him that Queen were in the studio at the moment.
As soon as Steve Howe went into the studios, Mercury asked him to play some guitar (according to producer David
Richards, who had worked with Yes in the past as well). Another version is that Brian May was the one who asked
him to play the flamenco bit.[5]
Promotional video
A very elaborate music video was created to accompany the single, combining stop motion animation with live
action and digital mask replacement and featuring plasticine figures reminiscent of the album artwork in a detailed
miniature cinema set. The band members only appear as illustrations and images, mainly taken from earlier Queen
music videos (such as "The Miracle", "Scandal", "Breakthru", "The Invisible Man", "I Want It All", and clips from
"Live at Wembley Stadium 1986"), on a cinema screen in the same manner as in the film Nineteen Eighty-Four, with
Mercury drawn in the style of Leonardo da Vinci, May in the style of Victorian etchings, Taylor in the style of
Jackson Pollock, and Deacon in the style of Pablo Picasso.[6] It also featured a montage of historical images and
photographs. The video won production company DoRo (who also produced the videos to all other singles from the
Innuendo album) a Monitor Award for Best Achievement in Music Video.
An early draft of the video for "Innuendo" was banned from American television due to the inclusion of footage
from the Gulf War. An alternate video (without the footage) was released and received moderate airplay in the
United States.
"Innuendo" 475
Other versions
The song and parts of the Led Zeppelin songs "Kashmir" and "Thank You" were performed by that band's lead
singer Robert Plant with the three surviving members of Queen (May, Taylor and Deacon) at The Freddie Mercury
Tribute Concert in 1992 at Wembley Stadium. "Kashmir" had been one of the inspirations for "Innuendo", making
Plant's performance all the more fitting. However, the song was left off the DVD release at Plant's request, as he
forgot part of the lyrics and his vocal was, in his admission, not in the best shape. As in "Kashmir", the title of the
song appears in the lyrics only once.
The 12" Explosive Version of "Innuendo" features a noise similar to an atomic bomb after Mercury sings the line
"until the end of time".Queen began their final album together in an appropriately regal style with this track, a
complex epic that harkened back to their 1970's classics like "Bohemian Rhapsody." The lyrics present a message of
hope: in a world where "we live according to race, color or creed" and where leaders rule by "blind madness and
pure greed," hope can still be found if one has the will to do better: "Yes, we’ll keep on trying/Tread that fine
line/Oh, we’ll keep on trying/’Til the end of time." It also adds a shot of pure hope during the song’s midsection:
"You can be anything you want to be/Just turn yourself into anything you think that you could ever be." The music
lends this ambitious lyric the grandiosity it needs, marrying verses that make a determined ascent from minor-key
depths to a rousing chorus that reaches for the sky. It also works in a fanciful, delicate bridge whose fluttery phrases
add a shot of pure pop to an otherwise rock oriented song. Queen’s recording of "Innuendo" delivers their
personalized mix of pomp and power in high style: the main part of the song is built on a mixture of spooky
synthesizers and guitar-anchored rock but also works in an unexpected flamenco guitar instrumental break played by
guest guitarist Steve Howe and a stunning bridge where cascades of synthesizers and glossy vocal harmonies give
way to an electric jam. Freddie Mercury providess a lead vocal that matches power with grace and Brian May and
Roger Taylor add lush harmonies that add a final layer of richness to the sound. The resulting combination of power
chords and ear candy didn’t make much of a chart impression in the U.S. but became a #1 hit in the U.K. and did
similarly well elsewhere in Europe. It remains a favorite with Queen fans everywhere and one of their most inspired
latter day efforts.
Cover versions
• Cover version of the song appeared on 1997 album Ball of the Damned by speed metal band Scanner.
• American Idol contestant Chris Daughtry performed "Innuendo" on Queen Night in April 2006.
• The progressive metal band Queensrÿche also covered the song for their 2007 album Take Cover.
In popular culture
• The song is included in the competitive karaoke videogame SingStar Queen for PlayStation 2 and PlayStation 3.
Chart performance
"Innuendo" 476

position weeks
[7] 28 6
[8] 12 10
[9] 4 11
Dutch Singles Chart
[10] 5 16
[11] 4 4
Irish Singles Chart
[12] 4 ?
[13] 10 8
[14] 3 12
Swiss Singles Chart
[15] 1 6
UK Singles Chart
[16] 17 ?
References
[1] from Queenitalia.it (http:/ / www. queenitalia. it/ Queen/ Discografia/ innuendo. htm)
[2] interview from stevehowe.com (http:/ / www. stevehowe. com/ archives/ archives1. html)
[3] Queen's Greatest Videos. Channel 4. 1999. No. 1/1.
[4] Prato, Greg. Innuendo review (http:/ / www. allmusic. com/ album/ r15963). Allmusic. Retrieved 12 April, 2011.
[5] interview from stevehowe.com (http:/ / www. stevehowe. com/ archives/ archives1. html)
[6] Queen - Champions of the World video (1995)
[7] http:/ / www. australian-charts. com/
[8] http:/ / www. austriancharts. at/
[13] http:/ / charts. org. nz/
[14] http:/ / www. swisscharts. com/
[16] http:/ / www. allmusic. com/
"I'm Going Slightly Mad"

"I'm Going Slightly Mad"
Single by Queen
B-side Lost Opportunity

The Hitman
Format 7"/12" vinyl record, CD, cassette
Recorded 1990
Genre Rock
Length 4:22
Label Parlophone
Writer(s) Queen
(Freddie Mercury/Peter Straker)
"Innuendo" "I'm Going Slightly "Headlong"

(1991) Mad" (1991)
(1991)
"I'm Going Slightly Mad" is a song by the British rock band Queen. Written by Freddie Mercury, it was released as
the second single from the band's 1991 album Innuendo. The lyrics and the accompanying music video project the
song as quirky, humorous and light-hearted,[1] but the eerie keyboards and the unsettling instrumentation as well as
part of the lyrics, plus some of Mercury's lowest vocals, may hint at gloomier undertones, most notably Mercury's
declining health. The song also features a slide guitar solo performed by Brian May.
The single cover was inspired by a Grandville illustration (as are the others from the album).
Video
The accompanying video — like all other Innuendo videos directed by Rudi Dolezal and Hannes Rossacher of DoRo
Productions — was filmed in February 1991 at Limehouse Studios and it features the band dressed and acting in an
absurd manner, including guitarist Brian May dressed as a penguin (a reprise of his outfit featured in the booklet of
the first Queen album[2] ), drummer Roger Taylor wearing a tea kettle on his head and riding a tricycle while
Mercury sneaks up on him and is chasing him, a man in a gorilla suit, bassist John Deacon as a jester, and Mercury
wearing a bunch of bananas as a wig (corresponding with the line "I think I'm a banana tree").
"I'm Going Slightly Mad" is the last Queen video to feature significant creative input from Mercury. Although he
was already considerably ill at the time, "I'm Going Slightly Mad" features him very mobile and expressive in the
final clip, as well as actively co-directing some of the video's storyboards. This was not the case in "These Are the
Days of Our Lives", the last video Mercury ever filmed (in May 1991), where he hardly moves around at all, as his
condition had deteriorated further. The video is shot in black and white.[3]
Personnel
• Freddie Mercury: Lead Vocals, Backing vocals, Keyboards, Piano
• Brian May: Slide Guitars
• John Deacon: Bass Guitars
• Roger Meddows-Taylor: Drums, Maracas, Chimes
Chart performance
position weeks
[4] 20 9
Dutch Singles Chart
[5] 42 10
[6] 19 2
Irish Singles Chart
[7] 22 5
UK Singles Chart
References
[1] 02-15-1991 LA Times "Innuendo" review, retrieved from the Queen archives at http:/ / www. queenarchives. com/ index.
php?title=Queen_-_02-15-1991_-_Innuendo_-_LA_Times
[2] http:/ / www. brianmay. com/ brian/ brianssb/ brianssboct09a. html#07
[3] The Queen Phenomenon. 1995.
"Headlong" 479
"Headlong"
"Headlong"
Single by Queen
B-side "Mad the Swine"

"All God's People"
Released 14 January 1991 (US)

13 May 1991 (UK)
Format 7"/12", CD, cassette
Recorded 1990
Genre Rock
Length 4:38
Label Parlophone; Hollywood Records
Writer(s) Queen
(Brian May)
"I'm Going Slightly "Headlong" "I Can't Live With

Mad" (1991) You"
(1991) (1991)
"Headlong" 480
Alternative cover
USA promo CD for "Headlong".
"Headlong" is a song by the British rock band Queen. Written by guitarist Brian May, but credited to Queen, it was
released as the third single from their 1991 album Innuendo.
The song was initially to be recorded by Brian May for his then-upcoming solo album Back to the Light (1992), but
when he heard Queen vocalist Freddie Mercury sing the track, he allowed it to become a Queen song.
The song was the first single to be released in the United States under their contract with Hollywood Records on 14
January 1991, though it was not released in the United Kingdom for another four months (the first single in the
United Kingdom was "Innuendo", which Hollywood eventually released in the US as a promotional single for radio
stations). The song charted on the Hot Mainstream Rock Tracks chart in the United States at #3. The line "And
you're rushin' headlong" from the chorus is somewhat lifted from the second verse of "Breakthru", a single from
Queen's previous album The Miracle, which contains the lyrics "I wanna rush headlong into this ecstasy".
The cover of one of the CD singles is inspired by Grandville illustrations, as are all of the other singles from the
album.
Promotional video
The music video for "Headlong" was one of the final Queen videos shot with lead singer Freddie Mercury, though it
was actually shot before the "I'm Going Slightly Mad" video (released as the second single in the UK). The video
showed the band in the studio performing the song (in a stage-like setup), as well as shots of the band working in the
studio. The version of the song in the video includes an extra short section after the second chorus not released in
any audio format to date.
The performance footage (Mercury wearing a yellow sweater) was shot in February 1991, while the other footage (of
Mercury wearing two different blue shirts) was shot in late 1990 at Metropolis Studios in London (the exterior of
which is shown at the beginning and the end of the video). This is also the last colour video of Freddie Mercury,
whose health was declining due to the AIDS which would claim his life on 24 November that year. The next video,
"These Are the Days of Our Lives", was recorded during May 1991 in black-and-white.
Like all other videos for the Innuendo album, the "Headlong" clip was directed by Austrian director team DoRo,
consisting of Rudi Dolezal and Hannes Rossacher, who had been regularly working for Queen since the video to the
1986 single "Friends Will Be Friends". They also directed the video to the only new output of the group as a
three-piece, "No-One but You (Only the Good Die Young)", released in 1997.
"Headlong" 481
Chart performance
position weeks
[1] 25 11
[2] 43 8
Dutch Singles Chart
[3] 25 2
Irish Singles Chart
[4] 14 4
UK Singles Chart
[5] 3 ?
References
[1] http:/ / www. collectionscanada. gc. ca/
[2] http:/ / www. dutchcharts. nl/ showitem. asp?interpret=Queen& titel=Headlong& cat=s
[5] http:/ / www. allmusic. com/
1. "Queen - Headlong (single) (1991)" (http://paulmcgarry.com/cdcatalogue/details/3142.html). http://

paulmcgarry.com/cdcatalogue/.
"I Can't Live With You"

"I Can't Live With You"
Single by Queen
Released 1991
Format CD single
Recorded 1990
Genre Rock
Length 4:35
Writer(s) Queen
(Brian May)
""Headlong" "I Can't Live With "The Show Must Go

(1991) You" On"
(1991) (1991)
"I Can't Live With You" is a song by the British rock group Queen. It was released a promo single from their 1991
album Innuendo. The single was released in the United States only, peaking at #28 on the Mainstream Rock Chart.
The song was written by Brian May but credited to all four members of Queen. "I Can't Live with You" was
originally written for May's solo album. He gave it to the band since all three other members of Queen were fond of
the track. Drums were programmed on synth by May, and the keyboard-pads were added by the producer David
Richards.
For this promotional single, American producer Brian Malouf remixed the original album track. The remix was titled
"I Can't Live With You (Malouf Mix)". Despite the promo sleeve only displaying one track, there are two on the
single, the other being "I Can't Live With You (Malouf Mix Edit)".[1] [2]
The Malouf Mix uses slightly different lead vocal tracks by Freddie Mercury, louder and tighter harmony tracks, and
reprogrammed synth drums, resulting in a much more punchy and "over the top" poppy version than included on the
album.
An alternative version of this song appeared on the 1997 compilation album Queen Rocks, billed as the "'97 Rocks
Retake". it was said to be more along the lines of how May and Taylor originally wanted the track to sound, with a
harder, guitar-driven rock edge. The original versions vocal was used in this retake.
Writing
In August 1991, May was interviewed by Guitar World where he spoke of the song. "As time goes by I find I'm more
concerned with the lyrics than ever. A lot of people say you can only create when you're in pain. But when I was
really in pain, I couldn't create anything. I couldn't even get out of bed. When you're climbing out and beginning to
get things in the right boxes again, that's when you can put it into music. There's quite a bit of that sort of thing on
this album. There's some in 'I Can't Live With You'; it's very personal, but I tried not to make it autobiographical
because that narrows things too much. I tried to express it in a form that everyone can relate to."[3]
Recording
In the August 1991 Guitar World interview, May spoke about the mixing of song. "For some reason, 'I Can't Live
With You' was almost impossible to mix. It was one of those things where you put all the faders up and it sounds
pretty good, and you think, 'We'll work on this for a couple of hours.' Then it gets worse and worse and worse. We
kept going back to the rough mix. It's got an atmosphere to it. I think it sounds so special because we kept a lot of the
demo stuff on it. Usually it all gets replaced."[3]
Reception
Allmusic wrote "I Can't Live With You shows the band's pop sensibilities in full force."[4]
The Orange County Register wrote "Unfortunately, too much of "Innuendo" is given over to would-be arena
roof-raisers such as "Headlong," "I Can't Live With You" and "Hitman," all ordinary rockers."[5]
The Record (NJ) wrote "If you can wade through the pompous muck of such heavy-handed tunes as "Don't Try So
Hard," "I Can't Live With You," and "The Show Must Go On," you'll find several songs that are worth the effort."[6]
Track listing
CD Promo Single
1. "I Can't Live With You (Malouf Mix)"
2. "I Can't Live With You (Malouf Mix Edit)"
Chart performance
Chart (1991) Peak
position
[7] 28
U.S. Billboard Mainstream Rock Chart
Personnel
Queen:
• Freddie Mercury: lead vocals, backing vocals
• Brian May: backing vocals, guitar, drum programming
• Roger Taylor: percussion
• John Deacon: bass guitar
• David Richards: keyboard-pads
References
[1] "Queen I Can't Live With You USA Promo 5" CD SINGLE (7744)" (http:/ / eil. com/ shop/ moreinfo. asp?catalogid=7744). Eil.com.
1992-08-06. . Retrieved 2011-08-30.
[2] "I Can't Live With You (promo)" (http:/ / www. ultimatequeen. co. uk/ gallery/ queenpromos/ icantlive. htm). Ultimatequeen.co.uk.
2011-03-05. . Retrieved 2011-08-30.
[3] "Queen Interviews - Brian May - 08-XX-1991 - Guitar World - Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John Deacon,
Interviews, Articles, Reviews" (http:/ / www. queenarchives. com/ index. php?title=Brian_May_-_08-XX-1991_-_Guitar_World). Queen
Archives. . Retrieved 2011-08-30.
[4] Prato, Greg (1991-02-05). "Innuendo - Queen" (http:/ / www. allmusic. com/ album/ innuendo-r15963). AllMusic. . Retrieved 2011-08-30.
[5] "Queen Interviews - Queen - 02-01-1991 - Innuendo - The Orange County Register - Queen Archives: Freddie Mercury, Brian May, Roger
php?title=Queen_-_02-01-1991_-_Innuendo_-_The_Orange_County_Register). Queen Archives. . Retrieved 2011-08-30.
[6] "Queen Interviews - Queen - 02-21-1991 - Innuendo - The Record (NJ) - Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John
php?title=Queen_-_02-21-1991_-_Innuendo_-_The_Record_(NJ)). Queen Archives. 1991-02-21. . Retrieved 2011-08-30.
[7] "Queen" (http:/ / www. allmusic. com/ artist/ queen-p5205/ charts-awards/ billboard-singles). AllMusic. . Retrieved 2011-08-30.
"The Show Must Go On"

Single by Queen
Released 14 October 1991 (UK)

6 February 1992 (USA)
Format 7" / 12" · CD single
Recorded 1990
Genre Rock
Length 4:31

Hollywood (USA)
Writer(s) Queen (primarily Brian May)
"I Can't Live With "The Show Must Go "Bohemian Rhapsody" / "These Are the Days of Our
You" On" Lives"
(1991) (1991) (1991)
"The Show Must Go On" is a song by English rock band Queen, featured as the twelfth and final track on their
1991 album Innuendo. It is credited to Queen, but written primarily by Brian May. The song chronicles the effort of
Freddie Mercury continuing to perform despite approaching the end of his life.[1] Mercury was so ill and could
barely walk when the band recorded the song in 1990, that May had concerns as to whether he was physically
capable of singing it.[2] Recalling Mercury's performance, May states; "he went in and killed it, completely lacerated
that vocal".[2]
It was released as a single in the United Kingdom on 14 October 1991 in promotion for the Greatest Hits II album,
just six weeks before Mercury died. Following Mercury's death in November 1991, the song re-entered the British
charts and spent as many weeks in the top 75 (five) as it did upon its original release, initially reaching a peak of 16.
A live version with Elton John on vocals appeared on Queen's Greatest Hits III album.
The song was first played live on April 20, 1992, during The Freddie Mercury Tribute Concert, performed by the
three remaining members of Queen, with Elton John singing lead vocals and Tony Iommi playing rhythm guitar.[3] It
has since been played live by Queen + Paul Rodgers with Rodgers citing one of the performances as the best of his
career. Since its release, the song has appeared on television, film, and has been covered by a number of artists.
Songwriting and recording process

After listening to John Deacon and Roger Taylor playing the chord sequence that later on would be the basis for
almost the entire song, Brian May sat down with Freddie Mercury and the two of them decided the theme of the song
and wrote some lyrics. May wrote down the rest of the words as well as the melody, and added a bridge with a chord
sequence inspired by Pachelbel's Canon.
Demo versions featured May singing, having to sing some parts in falsetto because they were too high. When Brian
May presented the final demo to Mercury, he had doubts that Mercury would be physically capable of singing the
song's highly demanding vocal line, due to the extent of his illness at the time. To May's surprise, when the time
came to record the vocals, Mercury consumed a measure of vodka and said "I'll fuckin do it, darling!" then
proceeded to nail the vocal line in one take without problems.[2]
For the record, May sang most of the backing vocals (including the very last line) and played Yamaha DX7
synthesiser as well as guitar. Producer David Richards suggested the key-shift in the third verse.
“ "'The Show Must Go On' came from Roger and John playing the sequence, and I started to put things down. At the beginning, it was just this
chord sequence, but I had this strange feeling that it could be somehow important, and I got very impassioned and went and beavered away at
it. I sat down with Freddie, and we decided what the theme should be and wrote the first verse. It's a long story, that song, but I always felt it
would be important because we were dealing with things that were hard to talk about at the time, but in the world of music, you could do
it."
[4]
”
—Brian May - 1994
The lyrics are full of allusions, metaphors and other figures of speech, making it somewhat difficult to understand.
Thinly disguised tragedy ahead is announced. In the end, the text refers to the determination, the furious desire to
live ("I Have to Find the Will to carry it on with the show ...") in spite of vanishing strength ("inside my heart is
breaking").[5] From the perspective of harmony, the song begins in B minor; then there is a modulation to C # Minor
as if the song implied a hope (an increase of tone); but eventually it falls back to B minor.[6]
Jim Hutton, Freddie's partner who was with him for the last 6 years until his death, mentions the lyric that refers to
the use of make up[7] during his last days:
“ To me, the most autobiographical line was: 'My make-up may be flaking but my smile still stays on.' That was true. No matter how ill Freddie
felt, he never grumbled to anyone or sought sympathy of any kind. It was his battle, no one else's, and he always wore a brave face against the
ever-increasing odds against him.
[8]
”
—Jim Hutton - 1994
Personnel
• Freddie Mercury - lead vocals, backing vocals
• Brian May - guitar, keyboards, backing vocals
• Roger Taylor - drums, backing vocals
Promotional video
Due to Mercury's deteriorating health at the time, no new footage of the lead singer was shot. The music video
instead consisted of a montage of clips spanning Queen's music videos from 1981 to '91 as a precursor to the
imminent release of the band's Greatest Hits II album spanning that period.[9] Footage from all promo videos from
the 1980s are shown in the montage, apart from "Under Pressure" and "Hammer To Fall".[9]
The music video was compiled and edited by Austrian director team DoRo, consisting of Rudi Dolezal and Hannes
Rossacher.[5]
Live recordings
• During the Freddie Mercury Tribute Concert at Wembley Stadium, London in 1992, the surviving members of
Queen along with Elton John and Tony Iommi of Black Sabbath performed "The Show Must Go On".[3] The
concert was later released on DVD in 2002 for the 10th anniversary.[3]
• At the National Theatre De Challiot, Paris in 1997, Queen performed the song with Elton John and the Béjart
Ballet, which is available in Queen's Greatest Hits III'.[5]
• The 2006 VH1 Rock Honors at the Mandalay Bay Events Center in Las Vegas, featured Queen + Paul Rodgers
performing "The Show Must Go On", along with "Under Pressure", "We Will Rock You" and "We Are The
Champions" as a live broadcast.[10]
• At the 2011 MTV Europe Music Awards, Queen closed the awards ceremony, with Adam Lambert on vocals,
performing "The Show Must Go On", "We Will Rock You" and "We Are The Champions".[11]
Chart performance
position weeks
[12] 7 12
Dutch Singles Chart
[13] 2 21
[14] 7 26
[15] 17 3
Irish Singles Chart
[16] 10 2
Italian Singles Chart 6 1
[17] 20 5
Polish Singles Chart 3 1
[18] 30 6
[19] 11 11
Swiss Singles Chart
[20] 16 10
UK Singles Chart
[21] 40 11
Cover versions
• The song was one of many used in the 2001 film Moulin Rouge!, performed by Jim Broadbent and Nicole
Kidman.[22]
• Shirley Bassey recorded a version of the song for her 2001 album Show Must Go On.
• The music was recorded in 2006 by Divinefire for their album Hero.
• Elton John performed the song on his 1992 tour; the song appears on the DVD Live In Barcelona.[23]
• It is one of the last songs Grégory Lemarchal premonitorily sang before his death.
• Celine Dion sang this song in her 2008-2009 Taking Chances Tour.[24]
• It was also covered by Michael Ball on his album Music.
• It also appears on Pet Shop Boys album Back To Mine as a Chris Lowe selection.[25]
• It has also been covered by German power metal band Metalium on their album Nothing to Undo: Chapter Six.
• Extracts from the song appear in the first movement of The Queen Symphony by Tolga Kashif
• DC Comics character Pied Piper used this song, thinking it would be the final thing he played, to destroy the
planet Apokolips in Countdown to Final Crisis.
• The song was covered on the Danish final of their edition of X-Factor in 2008, with several of the "rejects" and
"outsiders" who never made it far, but made a lasting impression on many viewers, performed the song together.
• Paris Bennett performed an abridged version of the song on the fifth season of American Idol.
• Carly Smithson performed an abridged version of the song, and recorded a lyrically complete studio version, for
the seventh season of American Idol.
• Hip-Hop/Rock group Twiztid made their version called "It Don't Stop", which featured the original song's sample
and sped up chorus. It was released on their seventh studio album W.I.C.K.E.D. as a bonus track.
• Israeli singer Dana International recorded a version sung in Hebrew/English for her debut album Danna
International in 1993 called "Ha-Hatzga Chayyevet L-Hamshikh".
• The song was performed by Patrick Fiori, Liane Foly, Garou and Lââm during the annual Les Enfoires concert in
2010.
• Tom Chaplin of alternative rock band Keane covered the song in celebration of Freddie Mercury's 65th Birthday,
at an event titled 'Freddie For a Day' held at the Savoy Hotel in London.
• The song was covered by Amelia Lily upon her comeback performance of the eighth UK series of the X
Factor.[26]
References
[1] Donald A. Guarisco. Queen – The Show Must Go On (http:/ / allmusic. com/ song/ the-show-must-go-on-t2359477) Allmusic. Retrieved 23
May 2011
[2] "100 greatest singers of all time — Freddie Mercury" (http:/ / www. rollingstone. com/ music/ lists/
100-greatest-singers-of-all-time-19691231/ freddie-mercury-19691231). Rolling Stone. . Retrieved 2011-10-01.
[3] The Freddie Mercury Tribute Concert: The Show Must Go On (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#show)
[4] "The Show Must Go On" (http:/ / www. queenpedia. com/ index. php?title=The_Show_Must_Go_On). queenpedia.com. . Retrieved
2010-03-10.
[5] The Show Must Go On (http:/ / www. ultimatequeen. co. uk/ songs/ innuendo. htm#show) Ultimate Queen. Retrieved 29 August 2011
[6] Queen Songs - The Show Must Go On (http:/ / www. queensongs. info/ the-book/ songwriting-analyses/ modern-era-queen/ innuendo/
the-show-must-go-on. html) Retrieved 3 September 2011
[7] "Final Freddie Mercury performance discovered" (http:/ / www. independent. co. uk/ arts-entertainment/ music/ news/
final-freddie-mercury-performance-discovered-2290788. html). The Independent. . Retrieved 2011-08-19.
[8] "Freddie and Jim: A Love Story" (http:/ / mr-mercury. co. uk/ weekend_94_page_3. htm). mr-mercury.co.uk. . Retrieved 2011-08-19.
[9] Queen Promo Videos - The Show Must Go On (http:/ / www. ultimatequeen. co. uk/ videos/ queenpromo. htm) Ultimate Queen. Retrieved 3
September 2011
[10] 2006 VH1 Rock Honours (http:/ / www. ultimatequeen. co. uk/ live/ queenpr. htm#2006vh1) Ultimate Queen. Retrieved 29 August 2011
[11] Katy and Adam Honour Queen (http:/ / www. mtv. com. au/ news/ 61c139e8-katy-perry-adam-lambert-honour-queen/ ) MTV. Retrieved 7
October 2011
[12] Steffen Hung (2011-07-30). "Dutch charts portal" (http:/ / www. dutchcharts. nl/ ). dutchcharts.nl. . Retrieved 2011-08-03.
[13] Steffen Hung. "Les charts français" (http:/ / www. lescharts. com/ ). lescharts.com. . Retrieved 2011-08-03.
[14] musicline.de / PhonoNet GmbH. "Die ganze Musik im Internet: Charts, News, Neuerscheinungen, Tickets, Genres, Genresuche,
Genrelexikon, Künstler-Suche, Musik-Suche, Track-Suche, Ticket-Suche" (http:/ / www. musicline. de/ ). musicline.de. . Retrieved
2011-08-03.
[15] Jaclyn Ward - Fireball Media Ltd. (1962-10-01). "The Irish Charts - All there is to know" (http:/ / www. irishcharts. ie/ ). Irishcharts.ie. .
[16] "Hit Parade Italia - Indice per Interprete: Q" (http:/ / www. hitparadeitalia. it/ indici/ per_interprete/ aq. htm). Hitparadeitalia.it. . Retrieved
2011-08-03.
[17] Steffen Hung. "New Zealand charts portal" (http:/ / charts. org. nz/ ). charts.org.nz. . Retrieved 2011-08-03.
[18] Steffen Hung. "Swedish Charts Portal" (http:/ / www. swedishcharts. com/ ). swedishcharts.com. . Retrieved 2011-08-03.
[19] Steffen Hung. "Die Offizielle Schweizer Hitparade und Music Community" (http:/ / www. swisscharts. com/ ). swisscharts.com. . Retrieved
2011-08-03.
[20] "UK Singles & Albums Chart Archive" (http:/ / www. chartstats. com/ ). Chart Stats. . Retrieved 2011-08-03.
[21] "AllMusic" (http:/ / www. allmusic. com/ ). AllMusic. . Retrieved 2011-08-03.
[22] Moulin Rouge, Music from the Motion Picture (http:/ / www. allmusic. com/ album/ r573176) Allmusic. Retrieved 30 August 2011
[23] Elton John: Live in Barcelona (http:/ / www. allmusic. com/ album/ live-in-barcelona-1-r615067) Allmusic. Retrieved 30 August 2011
[24] Celine Dion: Taking Chances World Tour: The Concert (http:/ / hmv. com/ hmvweb/ displayProductDetails. do?sku=281346) HMV.
[25] Pet Shop Boys: Back to Mine (http:/ / www. allmusic. com/ album/ back-to-mine-anniversary-edition-r738082) Allmusic. Retrieved 30
August 2011
[26] Holly Thomas (13 November 2011) And Amelia's back! (http:/ / www. dailymail. co. uk/ tvshowbiz/ article-2060836/
X-Factor-2011-Amelia-Lily-puts-rest-shame-showstopping-return. html) Daily Mail. Retrieved 14 November 2011
"These Are the Days of Our Lives"

Single by Queen
B-side "Bohemian Rhapsody"
Released September 5, 1991 (US) December 9, 1991 (UK)
Format 7" single, CD
Recorded 1990
Genre Rock
Length 4:13
Label Parlophone (Europe),

Hollywood Records (U.S.)
Writer(s) Queen (Roger Taylor)
Certification Platinum (UK)
"The Show Must Go "These Are the Days of Our "Heaven for
On" Lives" Everyone"
(1991) (1991) (1995)
"These Are the Days of Our Lives" is a song by English rock band Queen. It was written largely by their drummer
Roger Taylor, and is the eighth track on the band's 1991 album Innuendo.[1] It is harmonically and structurally one of
the simplest songs of the band's catalogue. Keyboards were programmed by the four band members in the studio,
and conga percussion (a synthesised conga) was recorded by their producer David Richards (although it was mimed
in the video by Roger Taylor).
It was issued as a single in the United States on Freddie Mercury's 45th birthday, 5 September 1991, and as double
A-side single in the UK three months later on 9 December, in the wake of Mercury's death, with the seminal Queen
track "Bohemian Rhapsody". The single debuted at #1 on the UK Singles Chart, and remained at the top for five
weeks.[2] The song was awarded a BRIT Award for "Best Single" in 1992.[3]
"These Are the Days of Our Lives" harks back to similarly themed 1975 Queen song "Love of My Life", twice using
the line "I still love you". At the end of the song, Mercury simply speaks the words, as he would often do in live
versions of "Love of My Life."[4]
Music video
The accompanying video was the last to feature front man Freddie Mercury as he was in the final stages of his battle
with AIDS. The majority of the footage used in the video was filmed by Rudi Dolezal and Hannes Rossacher of
DoRo Productions on 30 May 1991.[5]
For the promotional video, Mercury, Taylor and John Deacon were present at the shoot, with additional footage of
guitarist Brian May filmed some weeks later and edited into the footage, as he was out of the country on a radio
promotional tour at the time of the principal film shoot. The video was shot in black and white to hide the full extent
of Mercury's faltering condition from AIDS, following rumours about his health had been at the centre of much
media and public speculation for over a year, following on from its use in the video for "I'm Going Slightly Mad"
earlier in 1991.[5]
Color footage of the band filming the video later emerged, showing just how frail Mercury really looked, and
justifying the band's decision to film in black and white out of respect for him. In this music video, Mercury is
wearing a waistcoat with pictures of cats that was made for him by a close friend, and which he loved. With his
knowing farewell look straight at the camera, Mercury whispers "I still love you" at the end of the song, which are
his last words on camera.[4] [5] [6]
The version of the finished video serviced to the U.S. market also featured some animated footage produced by
animators for the Walt Disney Studios, as Queen's North American record label, Hollywood Records, is a subsidiary
of The Walt Disney Company.[7] In Europe, a different, 'clean' version of the video without the animated sequences
was released. Then another video version was released in 1992 to promote the Classic Queen compilation album in
the US, combining old footage of the band from 1973 to 1991 plus the performances of the band from the US aired
video.[8]
Tributes
The song was played live in April 1992 at the Freddie Mercury Tribute Concert, sung by George Michael and Lisa
Stansfield.[9] This live version was later included in the 1993 "Five Live (EP)", credited to 'George Michael with
Queen & Lisa Stansfield', but mostly featuring George Michael live songs plus Dear Friends, a short track sung by
Freddie Mercury taken from the 1974 Sheer Heart Attack album, closing the EP.
The song was played on the 2005/06 Queen + Paul Rodgers tours with vocals by Roger Taylor. On stage the song
was accompanied by a video of the band in their early days in Japan.
The song was used on July 1, 2007, at the Concert for Diana.[10] It was a concert held at the new Wembley Stadium
in London, England, United Kingdom in honour of Diana, Princess of Wales, who had died 10 years earlier. At the
end of the performances, a video montage of Diana as a child was presented and this song was playing in the
background.[10]
A cover version by Petula Clark is included on her 2008 compilation album Then & Now.
References
[1] Innuendo - These Are The Days Of Our Lives (http:/ / www. ultimatequeen. co. uk/ songs/ innuendo. htm#these) UltimateQueen. Retrieved
25 June 2011
[2] Bohemian Rhapsody/These Are The Days Of Our Lives (http:/ / www. chartstats. com/ release. php?release=19196) Chartstats. Retrieved 24
June 2011
[3] The Highs and Lows of the Brit Awards (http:/ / news. bbc. co. uk/ hi/ english/ static/ events/ brit_awards/ freddy. htm) BBC. Retrieved 24
June 2011
[4] Queen's Greatest Videos. Channel 4. 1999. No. 1/1. 50 minutes in. (Roger Taylor)
[7] DVD Docum - These Are The Days Of Our Lives (http:/ / queencollection. com/ meny_hoved. asp?id=46) Queen Collection. Retrieved 16
July 2011
[8] Queen Album: Classic Queen (http:/ / www. mtv. com/ music/ artist/ queen/ albums. jhtml?albumId=72769) MTV. Retrieved 16 July 2011
[9] The Freddie Mercury Tribute Concert: These Are the Days of Our Lives (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd.
htm#these) Retrieved 24 June 2011
[10] Old and new stars celebrate Diana (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ 6259822. stm) BBC. Retrieved 16 July 2011
"Heaven for Everyone"

Single by The Cross
from the album Shove It
B-side "Love on a Tightrope"

"Contact" (12" single only)
Released 1988
Format 7" single, 12" single, CD single
Genre Rock
Length 5:08
Label Parlophone
Producer Roger Taylor, David Richards
The Cross singles chronology
"Shove "Heaven for "Manipulator"

It" Everyone" (1989)
(1988) (1988)
Single by Queen
from the album Made in Heaven
B-side "It's a Beautiful Day"
Released 1995
Format 7" single, CD single
Genre Rock

4:37 (single version)

Hollywood Records (U.S.)
Producer Queen
"Bohemian Rhapsody"/"These Are the Days of Our "Heaven for "A Winter's
Lives" Everyone" Tale"
(1991) (1995) (1995)
"Heaven for Everyone" is a song written by Roger Taylor. It appeared originally in his band's (The Cross) album
Shove It, with Freddie Mercury as a guest vocalist, and it's the album's fourth track. It was reworked with Queen's
music and appeared in the 1995 album Made in Heaven, where it was the seventh track and released as the first
single. The song reached number two on the UK Singles Chart.[1] The music video contains footage of Georges
Méliès seminal 1902 silent film A Trip to the Moon.[2]
Background and writing

Some reports have Roger Taylor writing the song in 1986 as part of Queen's A Kind of Magic album sessions, after
their work on Highlander was complete. If he did, the song was not used, or was left incomplete when the album
was finished. When Taylor started working on the material for the album Shove It, he recruited Freddie Mercury to
record the backing vocals on the song. Two versions were recorded, one with Mercury doing only backing vocals to
Taylor's lead vocals, and another with Mercury singing the lead vocals. The backing track of each was re-recorded as
well, instead of the two lead vocals being recorded over the same instrumental backing. The Taylor-vocal version is
about twenty seconds longer than the Mercury-vocal version.
The Cross versions also feature a spoken intro by Taylor, as well as a spoken refrain in the middle. The refrain in the
Taylor vocal has an extra lyric not sung in the Mercury-vocal version (though it appears in the printed lyrics). Both
versions end with Taylor saying "And that. Is the end. Of this section." It's unclear if he means 'section' as that half of
the album, or the serious-issues section of the album (this song being the only serious song on the album).
The UK edition of the album Shove It featured Mercury's vocal version, while the UK single featured Taylor's vocal
version. In the US, the album featured Taylor's vocal version and neither were released as a single.
Track listings
1988 The Cross single releases

March 20
UK 7" single
1. "Heaven for Everyone" (Roger Taylor vocals)
2. "Love on a Tightrope"
UK 12" single
1. "Heaven for Everyone" (Roger Taylor vocals)
2. "Love on a Tightrope"
3. "Contact"
After Freddie Mercury's death, as Queen prepared to complete their posthumous album, Made in Heaven, this song
was selected to be re-done by the band as a Queen song. The lead vocal Mercury recorded in 1987 was given a new
backing track and new backing vocals. A significant difference between The Cross versions and the Queen version is
that there's no spoken introduction, refrain or "end" as done by Taylor on the original. Queen has offered no
explanation as to why these elements were dropped, but it can be argued that without the spoken parts throughout,
the song is more radio/listener friendly.
It was the first UK single (Cat. # QUEEN21) off the new album on October 23, 1995, two weeks before the album's
release. A planned two-part single, the same song with different B-side tracks was issued October 30, 1995, one
week before the album's release. For the single releases, a single version was prepared, editing some instrumental
portions of the song (almost a full minute's worth).
1995 Queen single releases

UK CD1
2. "It's a Beautiful Day" (Single Version)
3. "Heaven for Everyone" (Album Version)
UK CD2
3. "The Seven Seas of Rhye"
4. "Killer Queen"
UK Cassette
2. "It's a Beautiful Day" (Single Version)
US CD single
2. "Soul Brother" (recorded in 1981)
UK Promo CD / 12"
UK 7"
• A. "Heaven for Everyone" (Single Version)
• B. "Heaven for Everyone" (Album Version)
Music video
A music video to commemorate Freddie Mercury was directed by David Mallet and released in 1995.[2] It shows
footage from the films A Trip to the Moon (Le Voyage dans la Lune, 1902), The Impossible Voyage (Le Voyage à
travers l'impossible, 1904) and The Eclipse (L'éclipse du soleil en pleine lune, 1907) by Georges Méliès.[2]
The music video for The Cross version involved Taylor singing the song on a beach-like setting, while elderly
people walked past the band and climbed up ladders to reach heaven.
Charts and sales
Peak positions
Chart (1995) Peak

position
[3] 15
Australian ARIA Singles Chart
[3] 4
[3] 8
Belgian (Flanders) Singles Chart
[3] 4
Belgian (Wallonia) Singles Chart
[4] 3
Dutch Top 40
[3] 5
Finnish Singles Chart
[3] 8
French SNEP Singles Chart
[5] 15
[6] 7
Irish Singles Chart
[3] 25
New Zealand RIANZ Singles Chart
[3] 18
[3] 29
[3] 9
Swiss Singles Chart
[7] 2
UK Singles Chart
End of year charts
[8] 69
[9] 52
[4] 73
Dutch Top 40
[10] 67
Certifications
Country Certification Date Sales certified
[11] Silver 1996 125,000

France
[12] Silver November 1, 1995 200,000

UK
References
[2] Queen Promo Videos: Heaven For Everyone (http:/ / www. ultimatequeen. co. uk/ videos/ queenpromo. htm) Ultimate Queen. Retrieved 14
November 2011
[3] "Heaven for Everyone", in various singles charts Lescharts.com (http:/ / lescharts. com/ showitem. asp?key=3112& cat=s) (Retrieved
December 29, 2008)
[4] "Single top 100 over 1995" (http:/ / www. top40. nl/ pdf/ Top 100/ top 100 - 1995. pdf) (in Dutch) (pdf). Top40. . Retrieved 17 April 2010.
[5] "Queen singles, German Singles Chart" (http:/ / www. musicline. de/ de/ chartverfolgung_summary/ artist/ Queen/ single) (in German).
musicline. . Retrieved 18 April 2010.
[6] Irish Single Chart Irishcharts.ie (http:/ / www. irishcharts. ie/ search/ placement) (Retrieved December 28, 2008)
[7] UK Singles Chart Chartstats.com (http:/ / www. chartstats. com/ songinfo. php?id=23513) (Retrieved September 28, 2008)
[8] "1995 Belgian (Flanders) Singles Chart" (http:/ / www. ultratop. be/ nl/ annual. asp?year=1995) (in Dutch). Ultratop. . Retrieved 18 April
2010.
[9] "1995 Belgian (Wallonia) Singles Chart" (http:/ / www. ultratop. be/ fr/ annual. asp?year=1995) (in French). Ultratop. . Retrieved 18 April
2010.
[10] 1995 French Singles Chart Disqueenfrance.com (http:/ / www. disqueenfrance. com/ fr/ monopage. xml?id=259376& year=1995) (Retrieved
January 30, 2009)
[11] French certifications Disqueenfrance.com (http:/ / www. disqueenfrance. com/ fr/ monopage. xml?id=259165& year=1996& type=6)
(Retrieved December 28, 2008)
[12] UK certifications Bpi.co.uk (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx) (Retrieved December 28, 2008)
"A Winter's Tale"

"A Winter's Tale"
Single by Queen
B-side "Thank God It's Christmas"

"Rock in Rio Blues"
Released 18 December 1995
Format CD single, 7" single
Recorded 1991-1995
Genre Rock, psychedelic rock
Length 3:49
Label Parlophone
Writer(s) Queen
(Freddie Mercury)
Producer Queen, David Richards, Justin Shirley-Smith, Joshua J. Macrae
"Heaven for "A Winter's "I Was Born to Love

Everyone" Tale" You"
(1995) (1995) (1996)
"A Winter's Tale" is a song by Queen, from the album Made in Heaven, released in 1995 after Freddie Mercury's
death in 1991. It was written after the Innuendo sessions, inspired as Mercury was staring out the windows of their
recording studio, at Lake Geneva. The song has a psychedelic, dreamy feel, and describes what Mercury saw outside
the windows.
It was said to have been recorded two weeks before Mercury's death. He wrote, composed, and did the vocals and
keyboards for it. In the documentary "Queen - Champions of the World", it was stated that this was if not the first
then an extremely rare style of recording for Freddie, as it was all performed in one take live in the studio. It was
stated in the film that Freddie had always insisted upon music being completed prior to the vocal arrangement
beginning, but acknowledged that he had little time left and there was not enough time to work on it differently.
The song was released as the second single from the album. In the UK the single was also available in a special
limited edition green paper CD case which resembled Christmas wrapper.
Music video
The music video, produced after his death, was an epitaph, as Mercury's actual written song notes were displayed
alongside imagery and clips of Mercury's past performances.
Chart performances
Chart Peak
position
Netherlands Singles Chart 25
UK Singles Chart 6
Australian Singles Chart 71
"I Was Born to Love You"

Single by Freddie Mercury
from the album Mr. Bad Guy
B-side "Stop All the Fighting"
Format 7" single
Recorded 1984
Genre Rock
Length 3:37 (7" and album version) 7:03 (12" extended version)
Label CBS
Producer Freddie Mercury and Mack
Freddie Mercury chronology
"Love "I Was Born to Love "Made in

Kills" You" Heaven"
(1984) (1985) (1985)

Single by Queen
Released [1]
February 28, 1996
(Japan only)
Format CD single
Recorded 1985, 1995
Genre Rock
Length 4:49
Label EMI
Producer Queen
Queen chronology
"A Winter's "I Was Born to Love "Too Much Love Will Kill
Tale" You" You"
(1995) (1996) (1996)
"I Was Born to Love You" is a 1985 song by Freddie Mercury, and was released as a single and on the Mr. Bad
Guy album. After Mercury's death, Queen remixed this song for their album Made in Heaven in 1995, by having the
other members play their instrumental parts over the original track.
The song received its live debut on the 2005 Queen + Paul Rodgers tour of Japan. Roger Taylor and Brian May
performed the song acoustically.
The Queen version from the Made In Heaven album also includes samples of Mercury's ad-lib vocals taken from "A
Kind of Magic" from the 1986 album of the same name and from "Living On My Own" from his Mr. Bad Guy
album.
Brazilian legendary singer, dancer, actress and model Gretchen has recorded a cover version. It is featured on her
compilation "Charme, Talento e Gostosura". Brazilian singer Danni Carlos recorded a cover version in 2003.
Appearances in other media

The song has been featured in the multiple television advertisements, mainly in Japan. The original version recorded
by Mercury was featured in the TV commercial of Japanese cosmetics company Noevia in the mid 1980s. The
Queen version was released as a single exclusively in Japan in February 1996, because the song was used in a TV ad
for Kirin Ichiban Shibori,[1] one of the best-selling liquors of the country produced by the Kirin Brewery Company.
The single became their first song that entered the Japanese chart since "Teo Torriatte (Let Us Cling Together)",
released in 1977.
In 2004, Queen's version was used as the theme for Pride, the successful Japanese drama starring Takuya Kimura
and Yūko Takeuchi, aired on Fuji Television, that featured the songs by the band. Jewels, their tie-in compilation
album featured "I Was Born to Love You" and released only in Japan, and the song re-entered the Japanese chart.
A cover version of this song – based around the Queen version – is featured in the fourth level of the Nintendo DS
video game Elite Beat Agents.
This song was featured in episode 29 of Pretty Guardian Sailor Moon, during a competitive game of gym-class
volleyball.
This song was also released as a Japan only release by rocker Andrew W.K. in February 2011.
Chart position
Freddie Mercury version
Charts (1985) Peak

positions
German Media Control Chart 10
UK Singles Chart 11
Japanese Oricon Singles Chart 55
U.S. Billboard Hot 100 76
Queen version
Year Charts Peak positions
1996 Japanese Oricon Chart 45
2004 40 (Re-Entry)
References
[1] "クイーンアイ・ワズ・ボーン・トゥ・ラヴ・ユー - goo 音楽 (Release information - Queen - I Was Born to Love You)" (http:/ / music.
goo. ne. jp/ cd/ CDDORID270723-1/ index. html) (in Japanese). music.goo.ne.jp. . Retrieved 2008-06-28.
"Too Much Love Will Kill You"

Single by Brian May
from the album Back to the Light
Released 1992
Format CD single, 7"
Recorded 1988-1992
Genre Rock
Length 4:26

Hollywood (US)
Writer(s) Brian May

Frank Musker
Elizabeth Lamers
Producer Brian May, Justin Shirley-Smith
Brian May chronology
"Driven by "Too Much Love Will Kill "Back to the

You" You" Light"
(1992) (1992) (1992)
Single by Queen
B-side "We Will Rock You"/"We Are the

Champions"
"Spread Your Wings"
Format CD single, 7"
Recorded 1988-1995
Genre Rock
Length 4:20

Hollywood (US)
Writer(s) Brian May

Frank Musker
Elizabeth Lamers
Producer Queen
Queen chronology
"I Was Born to Love "Too Much Love Will Kill "Let Me
You" You" Live"
(1996) (1996) (1996)
"Too Much Love Will Kill You" is a song written by Queen guitarist Brian May, Frank Musker, and Elizabeth
Lamers.[1] The song was recorded by Queen around 1988 or before, and was intended to be on the band's The
Miracle album in 1989, but did not make the cut. After Freddie Mercury's death in 1991, May arranged a solo
version, which he performed at the Freddie Mercury Tribute Concert in 1992,[2] and subsequently included on his
solo album Back to the Light that same year. Released as a single, it reached #5 on the UK Singles Chart.
Queen version
In 1995, the remaining members of Queen elected to include the original recording of "Too Much Love Will Kill
You", with Mercury on vocals, on the Made in Heaven album, released four years after Mercury's death.[3] Queen's
version is a power ballad characteristic of the late 1980s time period in which it was recorded, with heavy use of
keyboards and electric guitar. It reached #15 on the UK Singles Chart in 1996. Although it failed to duplicate the
chart success of May's solo version, Queen's version of the song has since come to be regarded as the definitive
version, after being awarded "Best Song Musically and Lyrically" at the 1997 Novello Awards (May said later that if
there was one song that he would have wanted to win an award for, it was this one[1] ), and included on Queen's
Greatest Hits III.[4]
Other versions
In 2003, May and Luciano Pavarotti performed a rendition of "Too Much Love Will Kill You", at the tenor's benefit
concert held in Modena, Italy.[5]
Myleene Klass, Jovit Baldivino, Katie Melua, Claire Sweeney and Arnel Pineda of Journey have also performed the
song.
References
[1] Billboard 21 Jun 1997 (http:/ / books. google. co. uk/ books?id=KBAEAAAAMBAJ& pg=PA48& dq=too+ much+ love+ will+ kill+
you#v=onepage& q=too much love will kill you& f=false) Billboard. Retrieved January 16, 2011
[2] The Freddie Mercury Tribute Concert: Too Much Love Will Kill You (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#toom)
Ultimate Queen. Retrieved 2 July 2011
[3] Made in Heaven (Track 8) (http:/ / www. ultimatequeen. co. uk/ songs/ madein. htm#too) Ultimate Queen. Retrieved 2 July 2011
[4] Brian May interview. BBC Radio 2. Broadcast 12 September 2005.
[5] Pavarotti and Friends 2003; Press and News (http:/ / www. brianmay. com/ queen/ pavarotti2003/ press. html) Retrieved January 21, 2011
"Let Me Live" 504
"Let Me Live"
"Let Me Live"
Single by Queen
B-side "My Fairy King ('Live At The BBC' Session 1973)"

"Doing All Right ('Live At The BBC' Session
1973)"
"Liar ('Live At The BBC' Session 1973)"
Genre Rock
Length 4:45
Label Parlophone
Writer(s) Queen
Producer Queen
"Too Much Love Will Kill "Let Me "You Don't Fool

You" Live" Me"
(1996) (1996) (1996)
"Let Me Live" is a song by Queen, from the album Made in Heaven. Freddie Mercury, Roger Taylor and Brian May
share lead vocals, with Mercury singing the first verse, Taylor singing the second and May singing the last. During
the choruses, all of the band members sing, as well as a background choir, giving it quite a gospel sound.
"Let Me Live" 505
History
There are rumours that this song was originally recorded with Rod Stewart in 1983, and was intended to be on
Queen's The Works album in 1984. The original "Made in Heaven" version had to be changed due to copyright
problems because it resembled the song "Piece of My Heart". The song peaked at #9 on the UK singles chart.[1]
Additional musicians
Rebecca Leigh-White, Gary Martin, Catherine Porter, and Miriam Stockley - backing vocals
Alternate version
• Made in Heaven – The Film's Edit (0:29) (on the DVD only, on the 'Song Select' screen) (an edit of the album
version from 0:25 to 0:55, fading out over three seconds)
References
[1] "Made In Heaven" (http:/ / www. ultimatequeen. co. uk/ Songs/ madein. htm#letme). Ultimatequeen.co.uk. . Retrieved 2010-12-13.
"You Don't Fool Me"

"You Don't Fool Me"
Single by Queen
Format 7" single, CD single

CD maxi, 12" maxi
Genre Rock

3:54 (single version)
Label Parlophone
Writer(s) Queen
Producer Queen
"Let Me "You Don't Fool "No-One But You (Only The Good Die
Live" Me" Young)"
(1996) (1996) (1997)
"You Don't Fool Me" is a song by Queen, from the 1995 album Made in Heaven. It was released as a single in
1996, containing various remixes of the song. The song is one of the few which were actually written and recorded
after the Innuendo sessions, and was written and composed by the band, under David Richards supervision. It was a
worldwide hit and reached the peak of the single charts in Italy.
Music video
The video is set in a night club where a young man encounters his former girlfriend and recounts the memories of
their brief relationship. The theme of the song could possibly be a continuation of the story set up by earlier Queen
songs Play the Game and It's A Hard Life.
Track listings
Original version
CD single
1. "You Don't Fool Me" (edit) — 3:54
2. "You Don't Fool Me" (album version) — 5:25
CD maxi
3. "You Don't Fool Me" (Sexy Club Mix) — 10:18
4. "You Don't Fool Me" (Dancing Divaz Club Mix) — 7:07
12" maxi - Europe
1. "You Don't Fool Me" (Sexy Club Mix)
2. "You Don't Fool Me" (Dancing Divaz Club Mix)
3. "You Don't Fool Me" (B.S. Project Remix)
4. "You Don't Fool Me" (Dancing Divaz Instrumental club mix)
12" maxi - U.S.
1. "You Don't Fool Me" (Freddy's Club Mix) — 7:02
3. "You Don't Fool Me" (Freddy's Revenge Dub) — 5:53
4. "You Don't Fool Me" (Queen for a Day mix) — 6:33
Some US 12" promos do not feature the album version.
Remixes
CD single
1. "You Don't Fool Me" (B.S. Project remix - edit) — 3:15
CD maxi - UK release only
3. "You Don't Fool Me" (Sexy Club mix) — 10:53
4. "You Don't Fool Me" (Late Mix) — 10:34
12" maxi - UK release only
2. "You Don't Fool Me" (Late Mix) — 10:34
3. "You Don't Fool Me" (Sexy Club Mix) — 10:53
Cassette single (plays the same on both sides)

The Sexy Club Mix is the nearly the same on all formats. The UK CD and 12" versions list the wrong time of 10:53,
when it should only be 10:18 like the other formats list it. The UK CD version has a mastering error and the first 4
seconds are lost, bringing the running time down to 10:14.
1995 remixes
• "B.S. Project Remix" (Remix by M. Marcolin and Bob Salton)
• "B.S. Project Remix - Edit" (Remix by M. Marcolin and Bob Salton)
• "Dancing Divaz [Instrumental] Club Mix" (Remix by Dancing Divaz)
• "Dancing Divaz Rhythm Mix" (Remix by Dancing Divaz)
• "Dub Dance Single Mix" (Remix by David Richards)
• "Freddy's Club Mix" (Remix by Freddy Bastone)
• "Freddy's Revenge Dub" (Remix by Freddy Bastone)
• "Late Mix" (Remix by David Richards)
• "Queen For A Day Mix" (Remix by Freddy Bastone)
• "Queen Forever Megamix" (Remix by Freddy Bastone)
• "Sexy Club Mix" (Remix by Jam & Spoon)
The "Queen Forever Megamix" features vocal samples from a few different Queen songs, but not "You Don't Fool
Me". It was only released on the limited edition orange promo vinyl disc in the UK.[1]
Charts
Chart (1996) Peak End of year chart (1996) Position

position
[6] 58
[2] 23
[7] 70
[2] 13
[2] 14
[2] 21
Dutch Singles Chart
[2] 14
French SNEP Singles Chart
[3] 26
[4] 23
Irish Singles Chart
[2] 52
[2] 27
Swiss Singles Chart
[5] 1 17
UK Singles Chart
1
Remixes
References
[1] The complete list of all "You Don't Fool Me" remixes and their sources can be found on this Queenpedia.com article (http:/ / queenpedia.
com/ index. php?title=You_Don't_Fool_Me_remixes)
[2] "You Don't Fool Me", in various singles charts Lescharts.com (http:/ / lescharts. com/ showitem. asp?key=3196& cat=s) (Retrieved
November 23, 2008)
[3] German Singles Chart Charts-surfer.de (http:/ / www. charts-surfer. de/ musiksearch. php) (Retrieved November 23, 2008)
[4] Irish Single Chart Irishcharts.ie (http:/ / www. irishcharts. ie/ search/ placement) (Retrieved November 23, 2008)
[5] UK Singles Chart Chartstats.com (http:/ / www. chartstats. com/ songinfo. php?id=24730) (Retrieved September 3, 2008)
[6] 1996 Belgian (Flanders) Singles Chart Ultratop.be (http:/ / www. ultratop. be/ nl/ annual. asp?year=1996) (Retrieved November 23, 2008)
[7] 1996 Belgian (Wallonia) Singles Chart Ultratop.be (http:/ / www. ultratop. be/ fr/ annual. asp?year=1996) (Retrieved November 23, 2008)
"No-One but You (Only the Good Die Young)"

"No-One but You (Only the Good Die Young)"
Single by Queen
from the album Queen Rocks
B-side Tie Your Mother Down, We Will Rock You 'The Rick Rubin 'Ruined' Remix, Gimme The Prize 'Instrumental Remix For 'The Eye'
Released 1997 (Europe, Japan, US),

January 5, 1998 (UK)
Format CD
Vinyl record (7")
Cassette tape
Recorded August, 1997
Genre Rock
Length 4:13
Label Parlophone
Writer(s) Brian May
Producer Queen

"You Don't Fool "No-One but You (Only the Good Die "Another One Bites The Dust (Small Soldiers
Me" Young)" Remix)"
(1996) (1997) (1998)
"No-One But You (Only the Good Die Young)" is a song recorded by the remaining three members of the British
rock band Queen following the death of singer Freddie Mercury. Guitarist Brian May – the writer of the song – and
drummer Roger Taylor share lead vocals. The song was released on the album Queen Rocks and it was also released
as a single.
The impetus for the song came after the death of Diana, Princess of Wales in August 1997, but is largely a eulogy to
Freddie Mercury. It was originally written for a potential Brian May solo project, which eventually evolved into the
album Another World. He sent the demo of the song to Roger Taylor who according to Taylor himself put it in a
drawer and forgot about it.[1] After eventually hearing it Taylor suggested that it could be turned into a Queen song.
Roger Taylor's contribution was to change the tempo and make the lyrics less specific to Mercury.
The song features only the remaining three members of Queen, the final new recording to be released under the
Queen name alone. This is also the last new recording to feature John Deacon, who subsequently retired from public
life.
Music Video
The music video was directed by the DoRo and filmed at Bray Studios, London on 29 November 1997, the home of
Hammer Horror in the 1960s and also where the Rocky Horror Picture Show was shot. It was shot in black and white
lifted by excellent lighting and a high-class sheen on the finished article. There are two versions of the promo video.
The black and white promo video which was shown across the world featured only the three remaining members of
Queen in the studio. The second version is a completely different edit and featured a new ending and also sepia
tinted footage of Freddie through all his years with the band. This version was featured on Queen Rocks: The Video
in 1998 and on Greatest Flix III VHS in 1999.
Personnel
• John Deacon: bass guitar.
• Brian May: vocals, piano, guitar.
• Roger Taylor: vocals, drums.
Chart position
• #13 (UK)
• #75 (German Singles Charts)
Kerry Ellis version

"No-One but You"
Single by Kerry Ellis
from the album Wicked in Rock
Format digital download
Recorded 2002
Genre Orchestral
Length 5:20
Label Duck Productions
Writer(s) Brian May
Producer Brian May, Steve Sidwell, Justin Shirley-Smith
Kerry Ellis singles chronology
"No-One but "Defying

You" Gravity"
(2005) (2008)
In 2002, Brian May worked with stage actress and singer, Kerry Ellis, to record an orchestral version of the song as
it appears in the musical, We Will Rock You, where Ellis played the role of Meat. In the musical, it is sung by a
female, who after the ensemble have recalled the names of a number of musicians who died young, will culminate in
saying the name "Freddie" as a tribute to Freddie Mercury. This version of the song was made only available to
download on the official Queen website on 19 March 2005 and failed to chart. However, it was later included on her
extended play Wicked in Rock and subsequently featured on her debut album Anthems.
In 2004, the Spanish stage actress and singer Eva María Cortés recorded the same orchestral version in Spanish to
promote the Original Madrid Cast Recording of We Will Rock You.
Credits and personnel

• Kerry Ellis - vocals
• Brian May - writer, producer, arranger, piano, guitars, bass
• Justin Shirley-Smith - co-producer, engineer, mixer
• Kris Fredriksson - protools
• Joshua J. Macrae - additional protools
Track recorded at Sphere Studios, Olympic Studios and Allerton Hill
• Steve Sidwell - orchestra arranger and conductor
• The London Session Orchestra - orchestra
• Gavyn Wright - orchestra leader
• Isobel Griffiths - orchestra contractor
Orchestra recorded at Air Studios, Lydhurst Hall
• Steve Price - engineer
• Tom Jenkins - protools
• Jake Jackson - assistant
• Roger Taylor - sticks
• Keith Prior - brushes
References
[1] Queen Rocks EPK
513
Songs
List of songs by Queen

This is a list of all songs performed by Queen.
1971-1997
Title Year Recorded Album Author(s) Lead vocal(s)
'39 1975 A Night At The Opera May May
Action This Day 1982 Hot Space Taylor Taylor & Mercury
All Dead, All Dead 1977 News of The World May May
All God's People 1991 Innuendo Queen/Mike Moran Mercury

(Mercury/Moran)
Another One Bites the Dust 1980 The Game Deacon Mercury
Arboria (Planet of Tree Men) 1980 Flash Gordon Deacon Instrumental
Back Chat 1982 Hot Space Deacon Mercury
Battle Theme 1980 Flash Gordon May Instrumental
Bicycle Race 1978 Jazz Mercury Mercury
Bijou 1991 Innuendo Queen (May/Mercury) Mercury
Blurred Vision 1985 Single Queen Mercury, with May & Taylor
Body Language 1982 Hot Space Mercury Mercury
Bohemian Rhapsody 1975 A Night At The Opera Mercury Mercury
Breakthru 1989 The Miracle Queen (Taylor/Mercury) Mercury
Brighton Rock 1974 Sheer Heart Attack May Mercury and May (lead vocal on
one line)
Bring Back That Leroy Brown 1974 Sheer Heart Attack Mercury Mercury
Calling All Girls 1982 Hot Space Taylor Mercury
Chinese Torture 1989 The Miracle Queen (May) Instrumental
Coming Soon 1980 The Game Taylor Taylor & Mercury
Cool Cat 1982 Hot Space Deacon/Mercury Mercury
Crash Drive On Mingo City 1980 Flash Gordon May May
Crazy Little Thing Called Love 1980 The Game Mercury Mercury
Dancer 1982 Hot Space May Mercury
Dead On Time 1978 Jazz May Mercury
Dear Friends 1974 Sheer Heart Attack May Mercury
Death On Two Legs 1975 A Night At The Opera Mercury Mercury
Delilah 1991 Innuendo Queen (Mercury) Mercury
Doing All Right 1973 Queen May, Tim Staffell Mercury

Don't Lose Your Head 1986 A Kind of Magic Taylor Taylor & Mercury
Don't Stop Me Now 1978 Jazz Mercury Mercury
Don't Try So Hard 1991 Innuendo Queen (Mercury/Deacon) Mercury
Don't Try Suicide 1980 The Game Mercury Mercury
A Dozen Red Roses For My 1986 Single Taylor Instrumental

Darling
Dragon Attack 1980 The Game May Mercury
Dreamer's Ball 1978 Jazz May Mercury
Drowse 1976 A Day At The Races Taylor Taylor
Escape From The Swamp 1980 Flash Gordon Taylor Instrumental
Execution of Flash 1980 Flash Gordon Deacon Instrumental
The Fairy Feller's Master Stroke 1974 Queen II Mercury Mercury
Fat Bottomed Girls 1978 Jazz May Mercury & May
Father To Son 1974 Queen II May Mercury
Feelings, Feelings 1977 News of the World May Mercury

(2011 bonus ep)
Fight From The Inside 1977 News of The World Taylor Taylor
Flash 1980 Flash Gordon May May & Mercury
Flash To The Rescue 1980 Flash Gordon May Instrumental (chorus from May,
Mercury, Taylor)
Flash's Theme Reprise (Victory 1980 Flash Gordon May Mercury, May, Taylor
Celebrations)
Flick of the Wrist 1974 Sheer Heart Attack Mercury Mercury
Football Fight 1980 Flash Gordon Mercury instrumental
Forever 1986 A Kind of Magic May Instrumental
Friends Will Be Friends 1986 A Kind of Magic Mercury/Deacon Mercury
Fun It 1978 Jazz Taylor Taylor & Mercury
Funny How Love Is 1974 Queen II Mercury Mercury
Get Down, Make Love 1977 News of The World Mercury Mercury
Gimme The Prize (Kurgan's 1986 A Kind of Magic May Mercury

Theme)
God Save the Queen 1975 A Night At The Opera Traditional, Arr. May instrumental
Good Company 1975 A Night At The Opera May May
Good Old-Fashioned Lover Boy 1976 A Day At The Races Mercury Mercury & Mike Stone
Great King Rat 1973 Queen Mercury Mercury
Hammer to Fall 1984 The Works May Mercury (verses) and May
(chorus)
Hang On In There 1989 The Miracle Queen Mercury
Headlong 1991 Innuendo Queen (May) Mercury
Heaven for Everyone 1995 Made in Heaven Taylor Mercury
The Hero 1980 Flash Gordon May Mercury, May & Taylor
Hijack My Heart 1989 Single Queen Taylor
The Hitman 1991 Innuendo Queen (Mercury/May) Mercury
A Human Body 1980 Single Taylor Taylor
I Can't Live With You 1991 Innuendo Queen (May) Mercury
I Go Crazy 1984 Single/The Works May Mercury & May (bridge)
I Want It All 1989 The Miracle Queen (May) May & Mercury
I Want to Break Free 1984 The Works Deacon Mercury
I Was Born To Love You 1985 Mr. Bad Guy Mercury Mercury
I'm Going Slightly Mad 1991 Innuendo Queen (Mercury) Mercury
I'm In Love With My Car 1975 A Night At The Opera Taylor Taylor
If You Can't Beat Them 1978 Jazz Deacon Mercury
In Only Seven Days 1978 Jazz Deacon Mercury
In The Death Cell (Love Theme 1980 Flash Gordon Taylor Instrumental
Reprise)
In The Lap of The Gods 1974 Sheer Heart Attack Mercury Mercury (lyrics), Taylor
(shrieking)
In The Lap of The Gods... 1974 Sheer Heart Attack Mercury Mercury
Revisited
In The Space Capsule (The Love 1980 Flash Gordon Taylor instrumental
Theme)
Innuendo 1991 Innuendo Queen (Mercury/Taylor) Mercury
The Invisible Man 1989 The Miracle Queen (Taylor) Taylor & Mercury
Is This The World We Created... 1984 The Works Mercury/May Mercury

?
It's A Beautiful Day/Reprise 1995 Made In Heaven Queen (Mercury/Deacon) Mercury
It's a Hard Life 1984 The Works Mercury Mercury
It's Late 1977 News of The World May Mercury
Jealousy 1978 Jazz Mercury Mercury
Jesus 1973 Queen Mercury Mercury
Keep Passing the Open Windows 1984 The Works Mercury Mercury
Keep Yourself Alive 1973 Queen May Mercury, May (one line), Taylor
(one line)
Khashoggi's Ship 1989 The Miracle Queen (Mercury) Mercury
Killer Queen 1974 Sheer Heart Attack Mercury Mercury
A Kind of Magic 1986 A Kind of Magic Taylor Mercury
The Kiss (Aura Resurrects Flash) 1980 Flash Gordon Mercury Instrumental
Las Palabras de Amor 1982 Hot Space May Mercury
Lazing On A Sunday Afternoon 1975 A Night At The Opera Mercury Mercury
Leaving Home Ain't Easy 1978 Jazz May May
Let Me Entertain You 1978 Jazz Mercury Mercury
Let Me Live 1995 Made In Heaven Queen May, Mercury, Taylor

Liar 1973 Queen Mercury Mercury
Life Is Real (Song For Lennon) 1982 Hot Space Mercury Mercury
Lily of the Valley 1974 Sheer Heart Attack Mercury Mercury
Long Away 1976 A Day At The Races May May
Loser In The End 1974 Queen II Taylor Taylor
Lost Opportunity 1991 Single May May
Love of My Life 1975 A Night At The Opera Mercury Mercury
Machines (or 'Back To Humans') 1984 The Works May/Taylor Mercury
Mad The Swine 1973 Single/Queen Mercury Mercury
Made In Heaven 1995 Made In Heaven Mercury Mercury
Man On The Prowl 1984 The Works Mercury Mercury
The March of The Black Queen 1974 Queen II Mercury Mercury & Taylor (two lines)
Marriage of Dale & Ming (And 1980 Flash Gordon May/Taylor Instrumental
Flash Approaching)
The Millionaire Waltz 1976 A Day At The Races Mercury Mercury
Ming's Theme (In The Court of 1980 Flash Gordon Mercury Instrumental
Ming The Merciless)
The Miracle 1989 The Miracle Queen (Mercury/Deacon) Mercury
Misfire 1974 Sheer Heart Attack Deacon Mercury
Modern Times Rock & Roll 1973 Queen Taylor Taylor
More of That Jazz 1978 Jazz Taylor Taylor
Mother Love 1995 Made In Heaven May/Mercury Mercury & May
Mustapha 1978 Jazz Mercury Mercury
My Baby Loves Me 1989 The Miracle Queen (Deacon/Mercury) Mercury
My Fairy King 1973 Queen Mercury Mercury
My Life Has Been Saved 1989 (single)/1995 Made In Heaven Deacon Mercury
(album)
My Melancholy Blues 1977 News of The World Mercury Mercury
Need Your Loving Tonight 1980 The Game Deacon Mercury
Nevermore 1974 Queen II Mercury Mercury
The Night Comes Down 1973 Queen May Mercury
No-One But You (Only the Good 1997 Queen Rocks May May & Taylor
Die Young)
Now I'm Here 1974 Sheer Heart Attack May Mercury
Ogre Battle 1974 Queen II Mercury Mercury
One Vision 1986 A Kind of Magic Queen (Taylor) Mercury
One Year of Love 1986 A Kind of Magic Deacon Mercury
Pain Is So Close to Pleasure 1986 A Kind of Magic Mercury/Deacon Mercury
Party 1989 The Miracle Mercury/Deacon/May Mercury
Play the Game 1980 The Game Mercury Mercury
Princes of the Universe 1986 A Kind of Magic Mercury Mercury

Procession 1974 Queen II May instrumental
The Prophet's Song 1975 A Night At The Opera May Mercury
Put Out the Fire 1982 Hot Space May Mercury and May
Radio Ga Ga 1984 The Works Taylor Mercury & Taylor
Rain Must Fall 1989 The Miracle Queen (Deacon/Mercury) Mercury
Ride The Wild Wind 1991 Innuendo Queen (Taylor) Mercury
The Ring (Hypnotic Seduction of 1980 Flash Gordon Mercury Instrumental

Dale)
Rock It (Prime Jive) 1980 The Game Taylor Taylor & Mercury
Sail Away, Sweet Sister 1980 The Game May May
Save Me 1980 The Game May Mercury
Scandal 1989 The Miracle Queen (May) Mercury
Seaside Rendezvous 1975 A Night At The Opera Mercury Mercury
See What A Fool I've Been 1974 Single/Queen II May Mercury
Seven Seas of Rhye... 1973 Queen Mercury Instrumental
Seven Seas of Rhye 1974 Queen II Mercury Mercury
She Makes Me (Stormtrooper In 1974 Sheer Heart Attack May May

Stilettoes)
Sheer Heart Attack 1977 News of The World Taylor Mercury(verses) &
Taylor(chorus)
The Show Must Go On 1991 Innuendo Queen (May) Mercury
Sleeping On The Sidewalk 1977 News of The World May May
Some Day, One Day 1974 Queen II May May
Somebody to Love 1976 A Day At The Races Mercury Mercury
Son & Daughter 1973 Queen May Mercury
Soul Brother 1981 Single Queen Mercury
Spread Your Wings 1977 News of The World Deacon Mercury
Staying Power 1982 Hot Space Mercury Mercury
Stealin' 1989 Single Queen Mercury
Stone Cold Crazy 1974 Sheer Heart Attack Deacon, May, Mercury, Mercury
Taylor
Sweet Lady 1975 A Night At The Opera May Mercury
Tear It Up 1984 The Works May Mercury
Tenement Funster 1974 Sheer Heart Attack Taylor Taylor
Teo Torriate (Let Us Cling 1976 A Day At The Races May Mercury
Together)
Thank God It's Christmas 1984 Single Taylor/May Mercury
These Are The Days of Our 1991 Innuendo Queen (Taylor) Mercury
Lives
Tie Your Mother Down 1976 A Day At The Races May Mercury
Too Much Love Will Kill You 1995 Made In Heaven May, Frank Musker, Mercury
Elizibeth Lamers
Under Pressure 1981 Hot Space Queen/David Bowie Mercury & David Bowie
Vultan's Theme (Attack of The 1980 Flash Gordon Mercury instrumental

Hawk Men)
Was It All Worth It? 1989 The Miracle Queen (Mercury) Mercury
We Are the Champions 1977 News of The World Mercury Mercury
We Will Rock You 1977 News of The World May Mercury
The Wedding March 1980 Flash Gordon Arr. May Instrumental
White Man 1976 A Day At The Races May Mercury
White Queen (As It Began) 1974 Queen II May Mercury
Who Needs You? 1977 News of The World Deacon Mercury
Who Wants to Live Forever 1986 A Kind of Magic May May & Mercury
A Winter's Tale 1995 Made In Heaven Queen (Mercury) Mercury
Yeah 1995 Made In Heaven Queen Mercury (spoken)
You & I 1976 A Day At The Races Deacon Mercury, with Taylor
You Don't Fool Me 1995 Made In Heaven Queen (Mercury/Taylor) Mercury
You Take My Breath Away 1976 A Day At The Races Mercury Mercury
You're My Best Friend 1975 A Night At The Opera Deacon Mercury
Unreleased Queen songs 1970-1990

Title Year Author(s) Lead vocal(s) Notes
Recorded
A New Life is 1989 Mercury Mercury Featured in song Breakthru

Born
Assassin 1990 Unknown Mercury Recorded in the Innuendo sessions
Dog With a 1988 Queen Taylor and Played at 1988 Queen fan club convention
Bone Mercury
Face it Alone 1988 Mercury Mercury Originally recorded during The Miracle sessions, later reworked on during the
Innuendo sessions. It is 10 minutes long. In 2011, the track was leaked onto
YouTube.
Feel Like 1981 Queen Mercury Later became Under Pressure

(Taylor)
Hangman 1970 May/Mercury Mercury Performed live between 1970 and 1973
I Guess We're 1988 May Mercury Recorded in The Miracle Sessions

Falling Out
My Secret 1990 Queen Mercury Recorded in the Innuendo sessions

Fantasy (Deacon)
Robbery 1990 Queen Mercury Recorded in Innuendo sessions

(Taylor)
Sandbox 1979 Unknown Instrumental Recorded during The Game sessions
Self Made Man 1990 May May and Recorded in Innuendo sessions
Mercury
Silver Salmon 1973 Tim Staffel Mercury Written when Smile was around, recorded for Queen
Since 2003 (May/Taylor)

• "C-lebrity" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Call Me" – Queen + Paul Rodgers (Paul Rodgers), 2008 (The Cosmos Rocks)
• "Cosmos Rockin'" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Invincible Hope" – internet download
• "Runaway" (cover song) – Del Shannon/Max Crook, 2008 (The Cosmos Rocks, iTunes store exclusive bonus
track)
• "Say It's Not True" – Queen + Paul Rodgers (Taylor), 2007 (The Cosmos Rocks, 2008)
• "Small" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Small Reprise" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Some Things That Glitter" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Still Burnin'" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Surf's Up... School's Out!" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Through the Night" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Time to Shine" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Voodoo" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
• "Warboys" – Queen + Paul Rodgers (Rodgers), 2008 (The Cosmos Rocks)
• "We Believe" – Queen + Paul Rodgers, 2008 (The Cosmos Rocks)
Songs only performed live
1971–1986 (original line-up)

• "Bama Lama Bama Loo" – originally recorded by Little Richard (1964).
• "Be-Bop-A-Lula" – originally performed by Gene Vincent & The Blue Caps (1956).
• "Big Spender" – recorded by Shirley Bassey (1967); written by Cy Coleman and Dorothy Fields for the musical
Sweet Charity.
• "Danny Boy" – first recorded by Ernestine Schumann-Heink (1915).
• "Gimme Some Lovin'" – originally performed by the Spencer Davis Group (1966); written by Steve Winwood,
Muff Winwood and Spencer Davis.
• "Hangman" – unreleased song by Queen, performed live in the 1970s.
• "Hello Mary Lou (Goodbye Heart)" – originally performed by Ricky Nelson (1961); written by Gene Pitney.
• "I'm a Man" – originally performed by the Spencer Davis Group (1967); written by Jimmy Miller and Steve
Winwood.
• "Imagine" – written and originally performed by John Lennon (1971).
• "Immigrant Song" – originally performed by Led Zeppelin (1970); written by Jimmy Page and Robert Plant.
• "Jailhouse Rock" – originally performed by Elvis Presley (1957); written by Jerry Leiber and Mike Stoller.
• "Lucille" – originally performed by Little Richard; written by Albert Collins and Richard.
• "Mannish Boy" – originally performed by Muddy Waters (1955); Waters' "Mannish Boy" is an adaptation of Bo
Diddley's song "I'm a Man".
• "Mull of Kintyre" – originally performed by Wings (1977); written by Paul McCartney and Denny Laine.
• "Not Fade Away" – originally performed by Buddy Holly; also covered by The Rolling Stones (1964); written by
Holly and Norman Petty.
• "Rock in Rio Blues" – song by Queen, played live at Rock in Rio in 1985.
• "Saturday Night's Alright For Fighting" – originally performed by Elton John (1973); written by Bernie Taupin
and John.
• "Shake, Rattle and Roll" – first recorded by Big Joe Turner in 1954; covered by Bill Haley & His Comets in the
same year; also recorded by Elvis Presley in 1956; written by Jesse Stone.
• "Silent Night" – first performed in 1818; written by Josef Mohr and Franz Gruber. *
• "Stupid Cupid" – originally performed by Connie Francis.
• "Tavaszi szél vízet áraszt" – traditional Hungarian song.
• "Tutti Frutti" – originally performed by Little Richard (1955); written by Penniman (Little Richard) and
LaBostrie.
• "White Christmas" – originally recorded by Bing Crosby (1942); written by Irving Berlin. *
• "Whole Lotta Shakin' Goin' On" – also performed by Jerry Lee Lewis (1957).
• "(You're So Square) Baby I Don't Care" – originally performed by Elvis Presley (1957) and Buddy Holly (1961);
written by Jerry Leiber and Mike Stoller.
1992 (Deacon/May/Taylor)
Played live at the Freddie Mercury Tribute Concert:
• "All the Young Dudes" – originally performed by Mott the Hoople (1972); written by David Bowie. *
• "Heaven and Hell" (intro). *
• "Heroes" – originally performed by David Bowie (1977); written by Bowie and Brian Eno. *
• "Kashmir" (excerpt) – originally performed by Led Zeppelin (1975); written by Jimmy Page, Robert Plant and
John Bonham. *
• "Pinball Wizard (intro) – performed by The Who (1969); written by Pete Townshend. *
• "Thank You" (excerpt) – originally performed by Led Zeppelin (1969); written by Plant and Page. *
1999–2006 (May/Taylor)
• "All Right Now" – originally performed by Free (1970); written by Andy Fraser and Paul Rodgers.
• "Amandla" – song by Queen, Dave Stewart and Anastacia.
• "Bad Company" – originally performed by Bad Company (1974); written by Simon Kirke and Paul Rodgers.
• "Can't Get Enough" – originally performed by Bad Company (1974); written by Mick Ralphs.
• "Feel Like Makin' Love" – originally performed by Bad Company (1975); written by Paul Rodgers and Mick
Ralphs.
• "Fire and Water" – originally performed by Free (1970); written by Andy Fraser and Paul Rodgers.
• "46664 - The Call" – unreleased song by Queen.
• "Last Horizon" – written and originally performed by Brian May (1992: Back to the Light)
• "Let There Be Drums" – originally performed by Sandy Nelson (1961); written by Nelson and Richard Podolor.
• "Little Bit of Love" – originally performed by Free (1972); written by Paul Rodgers, Andy Fraser, Paul Kossoff
and Simon Kirke.
• "Molly Malone" (part of May's guitar solo) – Irish song. *
• "Reaching Out" – originally recorded by "Rock Therapy" featuring Brian May, Paul Rodgers and Charlie Watts,
released as a single in 1996 (in aid of Nordoff-Robbins Music Therapy Centre); written by Hill/Black.
• "Red House" – written and performed first by Jimi Hendrix. *
• "Rock 'n' Roll Fantasy" – originally performed by Bad Company (1979); written by Rodgers.
• "Sakura" (part of May's guitar solo) – traditional Japanese folk song. *
• "Seagull" – originally performed by Bad Company (1974); written by Mick Ralphs and Paul Rodgers.
• "Shooting Star" - originally performed by Bad Company (1974); written by Rodgers.
• "Sunshine of Your Love" (excerpt) – originally performed by Cream (1967); written by Jack Bruce, Pete Brown
and Eric Clapton. *
• "Take Love" – unreleased song by 'Queen + Paul Rodgers', written by Rodgers.
• "The Blue Danube" (part of May's guitar solo) – written by Johann Strauss II in 1867. *
• "Wishing Well" – originally performed by Free (1972); written by Paul Rodgers, Simon Kirke, Tetsu Yamauchi,
Paul Kossoff and John Bundrick.
(* played only once.)
References
External links
• Queen Concerts (http://www.queenconcerts.com/live/queen.html)
"Clebrity" 522
"C–lebrity"
"C-lebrity"
Single by Queen + Paul Rodgers
from the album The Cosmos Rocks
B-side "Fire and Water" (Live in Japan)
Released 8 September 2008
Format CD, Download, 7" vinyl
Recorded 2007
Genre Hard rock
Length 3:38
Producer Queen + Paul Rodgers

Joshua J Macrae
Justin Shirley Smith
Kris Fredriksson
Queen + Paul Rodgers singles chronology
"Say It's Not "C-lebrity"

True" (2008)
(2007)
"C-lebrity" is the second single from The Cosmos Rocks album by Queen + Paul Rodgers. It received its live debut
on the series finale of ITV's Al Murray's Happy Hour. The song tells the story from the point of view of an aspiring
celebrity, who does not let their apparent lack of talent hold them back. It was released on September 8, 2008[1] and
is available on CD, 7" Vinyl and digital downloadable formats[2] . Taylor Hawkins of Foo Fighters sings backing
vocals.[3] Brian May plays bass guitar on the track.[4]
On August 4, 2008 the track was premiered for the first time on Ken Bruce's radio show on BBC Radio 2. The song
has so far reached number 1 on the UK Rock Singles Chart.
"Clebrity" 523
The song was released as downloadable content as part of a Queen Track Pack for Guitar Hero: World Tour on
March 26, 2009.
Queen + Paul Rodgers on the single
“
C-lebrity was born of a great lyrical idea from Roger—a theme very relevant right now—the current obsession with fame, the cult of
Celebrity. I threw in some riffs to hang it on, and some arrangement ideas, and Paul tore in and tore it up! It was Paul’s idea to present things
from the point of the view of the aspiring Talent Show contestant, in a positive way. We chose this track as a first taster from the album,
performing it live on Al Murray’s TV show. It got a great reaction, so we went back in, roughed up the studio version a bit… and there it is.
I think it gives a fair idea of the kind of energy on the album—our first studio creation together. I think we sound like a group ! These things
have to happen organically. ”
“
C-lebrity is really a comment on the current concept of fame, success, and all that goes with it. Getting your face on TV is enough—talent
doesn’t really enter into the equation. "Celebrity" is an overused and devalued word today.
”
“ I see the song as Roger's take on the increasing emphasis on fame for its own sake. It’s quite ironic that Andy Warhol's statement that
everyone will have fifteen minutes of fame is becoming something of a reality, although it may be down to fifteen seconds in today’s world of
instant communication.
[2]
”
Chart positions
Chart Position
UK Singles Chart 33
UK Rock Chart 1
References
[1] http:/ / www. queenonline. com/ qpr/ news/ 637/
[4] Brian May (5 August 2008). "C-lebrity: Bass guitar question" (http:/ / www. brianmay. com/ brian/ letters/ lettersaug08. html). brianmay.com.
Retrieved on 2009-01-10
"Say It's Not True"

"Say It's Not True"
Single by Queen as Queen + Paul Rodgers
from the album The Cosmos Rocks
Released 1 December 2007 (Download)

31 December 2007 (CD single)
Format CD, download
Recorded 2007
Genre Hard Rock
Length 4:02
Writer(s) Queen + Paul Rodgers

(Roger Taylor)
Producer Queen + Paul Rodgers

Joshua J Macrae
Kris Fredriksson
Queen as Queen + Paul Rodgers singles chronology
"Under Pressure (Rah "Say It's Not "C-lebrity"

Mix)" True" (2008)
(1999) (2007)
Original Cover
"Say It's Not True" is the first studio single by Queen + Paul Rodgers, It was released on World AIDS Day 1
December 2007. The song was available as a free download from QueenOnline.com. The track is written by
drummer Roger Taylor and features all 3 members on vocal. The song was performed live on the Queen + Paul
Rodgers 2005/06 world tour, however the live rendition was acoustic and only featured Taylor on vocal. When
played on the Rock the Cosmos Tour, the song was sung by Taylor, May and Rodgers as on the single. The song was
written for Nelson Mandela's AIDS foundation "46664".
On 31 December 2007, the song was released as a CD single, with all proceeds going to "46664".
Live recordings
• Return of the Champions CD/LP/DVD (2005)
• Super Live in Japan DVD (2006) (Japan Only)
• Live in Ukraine CD/DVD/DOWNLOAD (2009)
Chart positions
Due to the singles availability to download for free, chart positions were severely affected particularly in Germany,
France, The Netherlands and the U.K. where the sale of downloads account for much of a songs chart positioning.
• #5 (Italy, airplay/download)
• #62 (Netherlands) [1]
• #68 (Romania)
• #75 (France) [2]
• #82 (Germany)[3]
• #90 (UK)
References
[1] dutchcharts.nl (http:/ / dutchcharts. nl/ showitem. asp?interpret=Queen+ + + Paul+ Rodgers& titel=Say+ It's+ Not+ True& cat=s)
[2] lescharts.com (http:/ / lescharts. com/ showitem. asp?interpret=Queen+ + + Paul+ Rodgers& titel=Say+ It's+ Not+ True& cat=s)
[3] Charts-Surfer (http:/ / www. charts-surfer. de/ musiksearch. php)
"See What A Fool I've Been"

See What A Fool I've Been was the B-side to Queen's 1974 single "Seven Seas Of Rhye." It was inspired by "That's
How I Feel," a blues song by Sonny Terry and Brownie McGhee.[1] Originally released in 1974, it was re-released in
1991 as one of the bonus tracks on the re-release of Queen II.[2] It was described as "a slow crawl that's the closest
Queen ever came to blues".[2]
Details
The "Seven Seas of Rhye" single featured the first of several non-album B-sides released during Queen's recording
career. This song dated from the pre-Queen band Smile. Brian May heard the song "The Way I Feel" by Sonny Terry
and Brownie McGhee on a TV program, but at the time he never caught the name of the song or band. He
remembered the riff and some lyrics and brought them to the band, then proceeded to write "See What A Fool I've
Been" around it.
It was not recorded until the Queen II sessions, though it was a live staple since Queen's formation. The B-side
version features a vocal delivery from Freddie Mercury that could be best described as burlesque in nature, rather
than the more straightforward delivery of the live and BBC versions which were officially released in 2011. Also,
there are lyric changes between the B-side, BBC and live versions (with references to a "train to Georgia" and a
"Greyhound bus at dawn" not heard in B-side version, whereas the live versions have no "sailor boy" or "barking
dog" lyrics). The reason for these differences has never been explained.
In 2004, May was contacted by a fan who had discovered which song "See What A Fool I've Been" had been based
on, as it had long been a mystery. May officially confirmed "The Way I Feel" as the inspiration after the fan sent him
the recently released CD containing the song (along with a note explaining how it was tracked down by looking up
song lyrics rather than listening to every recording by Sonny Terry and Brownie McGhee). The explanation of the
song's history appears on the February 2004 Soapbox entry of May's official website.[3] May said he planned to
contact their estates to work out the long-overdue royalty issues.
References
[1] Hodkinson, Mark (2004). Queen The Early Years (http:/ / books. google. com/ ?id=n84WbO8wiTQC& pg=PA82& dq="See+ What+ A+
Fool+ I've+ Been"& q="See What A Fool I've Been"). London: Omnibus Press. p. 82. ISBN 978-1-84449-012-7.
[2] Woodstra, Christopher. All Music Guide Required Listening : Classic Rock (All Music Guide Required Listening Classic Rock). Backbeat.
ISBN 978-0-87930-917-6.
[3] http:/ / www. brianmay. com/ brian/ brianssb/ brianssbfeb04. html#06
• C. Strong, Martin; Peel, John (1998). The Great Rock Discography: Complete Discographies Listing Every Track
Recorded by More Than 1,200 Artists (http://books.google.com/?id=2C6I4KfgJ1kC&pg=RA1-PA665&
dq="See+What+A+Fool+I've+Been"+queen). Canongate U.S.. p. 665. ISBN 978-1-84195-615-2.
"Stone Cold Crazy"

"Stone Cold Crazy"
Song by Queen from the album Sheer Heart Attack
Recorded July - September 1974
Genre Rock
Length 2:12
Label EMI / Elektra
Writer Freddie Mercury, Brian May,

Roger Taylor, John Deacon
Producer Roy Thomas Baker

Queen
Sheer Heart Attack track listing
"In the Lap of the "Stone Cold "Dear

Gods" Crazy" Friends"
(7) (8) (9)
"Stone Cold Crazy"

Single by Metallica
from the album Garage Inc.
A-side Enter Sandman
B-side Enter Sandman (Demo)/Stone Cold Crazy
Released 1991
Recorded 1990
Genre Heavy metal, speed metal
Length 2:17
Label Elektra Records

Brian May
Roger Taylor
John Deacon
Producer Metallica
Metallica singles chronology
"One" "Enter "Don't Tread on

(1989) Sandman" Me"
(1991) (1991)
"Stone Cold Crazy" is a song by English rock band Queen from their successful 1974 album Sheer Heart Attack.[1]
The song is the eighth track on the album. Although the song was never released as a single, it was played live at
almost every Queen concert between 1974-1978.[2] [3] [4] [5] "Stone Cold Crazy" also features on the band's 1992
compilation album, Classic Queen.[6]
The song credit is shared between all the members of the band, although Freddie Mercury played it with his band
Wreckage before Queen was created in the late 1960s. It was the first song Queen performed live in 1970, but the
song underwent many changes musically and lyrically before getting recorded, resulting in credit going to the entire
band. Early versions of the song were much slower, according to the band, although no bootlegs exist. "Stone Cold
Crazy" is known for its fast tempos and heavy distortion, thus being a precursor to speed metal.[7] Music magazine Q
described "Stone Cold Crazy" as "thrash metal before the term was invented".[8] In 2009, it was named the 38th best
hard rock song of all time by VH1.[9] The song is featured in the music video games Guitar Hero: Metallica and
Rock Revolution.[10] [11]
Remixes
Three different remixes were created in 1991. The first two, by Michael Wagener, were issued on different pressings
of 1991 Hollywood Records Sheer Heart Attack remaster, and on the Encino Man soundtrack.[12] [13] The third one,
by Trent Reznor, has been released on several promo CDs in 1991/1992 and 1999.[14] Wagener remixes are not very
different to the original and features slight remixing of backing track. Reznor's version mixes the Queen sound with
the industrial metal sound of Nine Inch Nails.[14] Reznor's remix includes studio sound bites from Queen at the
beginning and end of the track.[14]
Cover versions
Metallica covered the song as their contribution to the 1990 compilation album Rubáiyát – Elektra's 40th
Anniversary. This cover version was later used as a B-side of their "Enter Sandman" single and subsequently won a
Grammy Award; it also appeared on their covers/b-sides album Garage Inc. The Metallica version of the song is
more aggressive than the original; they also slightly altered the lyrics, adding two uses of the word "fuck" and
changing the more humorous lines for more violent lyrics, such as "walking down the street/shooting people that I
meet/with my fully loaded tommy gun".
James Hetfield once performed it together with Queen & Tony Iommi of Black Sabbath fame (singing Metallica's
altered lyrics) at the Freddie Mercury Tribute Concert.[15] [16] Metallica also played the song as an encore during
their 1991-'93 Black Album tour; it appears on the live CD Live Shit: Binge & Purge and the 2009 Live DVD
Français Pour Une Nuit. Hellyeah played Metallica's version of "Stone Cold Crazy" on the 2007 Family Values
Tour, sometimes referring to it under the title "Stone Cold Wasted".
Extreme also included part of the song during their medley at the same Freddie Mercury Tribute Concert. The band
Eleven has also recorded a cover, lending the spot of lead vocals to friend and Queens of the Stone Age front man
Josh Homme (Killer Queen: A Tribute to Queen).[17]
Rock band Sum 41 began covering a version of this song in their live shows in 2010.[18]
References
[1] Legends of rock guitar: the essential reference of rock's greatest guitarists (http:/ / books. google. com/ books?id=60Jde3l7WNwC&
pg=PA106& dq=queen+ ii+ mick+ rock#v=onepage& q& f=false) p.106. Hal Leonard Corporation, 1997
[2] Queen live on tour: Sheer Heart Attack: Setlist (http:/ / www. queenconcerts. com/ live/ queen/ sha. html) Queen Concerts. Retrieved July 2,
2011
July 2, 2011
July 2, 2011
[7] Jones, Chris (2007-06-07). "Queen: Sheer Heart Attack Review" (http:/ / www. bbc. co. uk/ music/ reviews/ xxhj). BBC. . Retrieved May 25,
2011.
[8] Queen News: February 2011 (http:/ / www. brianmay. com/ queen/ queennews/ queennewsfeb11a. html) BrianMay.com. Retrieved May 25,
2011
[9] "Vh1 Top 100 Hard Rock Songs" (http:/ / music. spreadit. org/ vh1-top-100-hard-rock-songs/ ). . Retrieved 7 February 2009.
[10] Guitar Hero Songs: Queen - Stone Cold Crazy (http:/ / www. guitarherosongs. co. uk/ guitar-hero-songs. php?track-id=00421& version=8)
Guitar Hero. Retrieved 16 August 2011
[11] Fahey, Mike (August 4, 2008). The Full Rock Revolution Setlist (http:/ / kotaku. com/ 5032751/ the-full-rock-revolution-setlist). Kotaku.
[12] Michael Wagener discography (http:/ / www. michaelwagener. com/ html/ discography. html) Retrieved 3 September 2011
[13] Encino Man Original Soundtrack (http:/ / www. allmusic. com/ album/ encino-man-r123566) Allmusic. Retrieved 3 September 2011
[14] Sheer Heart Attack - Stone Cold Crazy (http:/ / www. queenvault. com/ sheerheartattack. html) Queen Vault. Retrieved 3 September 2011
[15] McIver, Joel (2004) Justice for all: the truth about Metallica (http:/ / books. google. com/ books?id=6LwTMoqykcYC& pg=PA217&
dq=freddie+ mercury+ tribute+ concert+ metallica#v=onepage& q=freddie mercury tribute concert metallica& f=false) Omnibus Press, 2004
[16] The Freddie Mercury Tribute Concert: Stone Cold Crazy (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm#stone) Retrieved
May 25, 2011
[17] Killer Queen: A Tribute to Queen (http:/ / www. allmusic. com/ album/ killer-queen-a-tribute-to-queen-r782664) Allmusic. Retrieved July
10, 2011
[18] Sum 41 Concert at The Hoodwink, East Rutherford, NJ, USA Setlist (http:/ / www. setlist. fm/ setlist/ sum-41/ 2009/
the-hoodwink-east-rutherford-nj-4bd66b9a. html) Retrieved May 25, 2011
530
Videography
Queen videography
This is the videography of the British rock band Queen.
Information
Greatest Flix
• Released:2 November 1981
• Format(s): VHS, Laserdisc
Live in Japan
• Released:(Japan only)
• Format(s):
We Will Rock You

• Released:10 September 1984
• Format(s): VHS, DVD (30 October 2001)
• Chart position(s): USA (2x platinum)
The Works Video EP

• Format(s): VHS
Live in Rio
• Released:13 May 1985
• Format(s): VHS
Who Wants to Live Forever

• Released:20 October 1986
• Format(s): VHS
Live in Budapest
• Released:16 February 1987
• Format(s): VHS
Bohemian Rhapsody
• Released:30 March 1987
• Format(s): VHS
The Magic Years

• Format(s): VHS, DVD
Rare Live
• Released:21 August 1989
• Format(s): VHS
The Miracle Video EP

• Format(s): VHS
Queen at Wembley
• Released:3 December 1990
• Format(s): VHS, DVD (17 June 2003)
• Chart position(s): #1: Australia, Austria, Germany, Italy, Netherlands, Portugal (11x platinum, 44.000 copies), Spain, UK (4x platinum); #2:
Greece, Ireland; #3: Norway, Sweden; #4: Denmark, France; #?(diamond): US (5x platinum)
Greatest Flix II
• Format(s): VHS
Box of Flix
• Format(s): VHS
Live at the Rainbow

• Released:May 1992
• Format(s): VHS
Classic Queen
• Released:13 October 1992 (United States only)
• Format(s): VHS
Greatest Hits
• Released:13 October 1992 (United States only)
• Format(s): VHS
Final Concert Live in Japan

• Released:1992 (Japan only)
• Format(s): VHS
The Freddie Mercury Tribute Concert

• Format(s): VHS, DVD (April 2002)
• Chart position(s): #1: UK, #5: Germany
Champions of the World

• Format(s): VHS
Made in Heaven
• Format(s): VHS, DVD (2003)
Greatest Karaoke Flix

• Released:1998
• Format(s): VHS
Queen Rocks
• Released:1999
• Format(s): VHS
Greatest Flix III

• Released:6 December 1999
• Format(s): VHS
Party at the Palace (various artists)

• Released:2002
• Format(s): DVD
Greatest Video Hits 1

• Format(s): DVD
• Chart position(s): #1: Germany, Spain, UK, USA (platinum); #2: Australia, Denmark, Sweden; #3: Italy

• Format(s): DVD
• Chart position(s): #1: Ireland, UK (2x platinum, 100.000); #2: Spain; #4: Germany, Italy
Jewels
• Released:28 April 2004 (Japan only)
• Format(s): DVD
• Chart position(s): #1: Japan
We Are the Champions: Final Live in Japan

• Released:7 June 2004 (Japan only)
• Format(s): DVD
• Chart position(s): #1: Japan
46664 – The Event (various artists)

• Released:2004
• Format(s): DVD
Queen on Fire - Live at the Bowl

• Format(s): DVD
• Chart position(s): #1: Austria, Belgium, Germany (4 weeks), Italy, Japan (on international charts), Sweden, UK (2 weeks, 3x platinum,
150.000); #2: New Zealand, Portugal (2x platinum, 8.000); #4: Norway; #5: France; #?(3x platinum) US (platinum)
Live Aid (various artists)

• Format(s): DVD
• Chart position(s): #1: UK
Return of the Champions (Queen + Paul Rodgers)

• Format(s): DVD
• Chart position(s): #1: Japan (on international charts), UK (platinum); #2: Austria, Germany, Netherlands; #3: Sweden; #4: Italy; #7: Portugal
The Making of A Night at the Opera — Classic Albums

• Released:20 March 2006
• Format(s):
• Chart position(s): #3: UK
Super Live in Japan (Queen + Paul Rodgers)

• Released:28 April 2006 (Japan only)
• Format(s): DVD
Queen Rock Montreal

• Format(s): DVD, HD DVD, Blu-Ray
• Chart position(s): #1 Portugal, Sweden, Italy, Holland #2 Switzerland, Japan, UK #3 Germany #4 Austria, Belgium, Mexico, Hong Kong #5
Canada (2xPlatinum), Australia / New Zealand #6 Denmark #9 Norway #13 France #23USA
We Will Rock You

We Will Rock You
Directed by Saul Swimmer
Produced by Saul Swimmer, Jim Beach

Brian May
Freddie Mercury
Roger Taylor
Music by Queen
We Will Rock You is a concert film by English band Queen. It was filmed in Montreal, Quebec, Canada at the
Montreal Forum on November 24 and 25, 1981.
A new official release of the concert (Retitled Queen Rock Montreal) digitally remastered by Queen was released on
October 29, 2007 on DVD (by Eaglevision) double CD (by Hollywood Records for the U.S. and Canada and by
Parlophone Records for Europe and EMI for the rest of the world) and triple vinyl LP.[1]
A special double DVD ('Queen Rock Montreal & Live Aid') included Queen's performance at Live Aid as well as
never before seen interviews and rehearsal footage. It is unclear if the royalties from the Live Aid section went to
charity. HD-DVD and Blu-Ray versions were released on December 4, 2007.
List of songs
1. We Will Rock You (fast) (May)
2. Let Me Entertain You (Mercury)
3. Play the Game (Mercury)
4. Somebody to Love (Mercury)
5. Killer Queen (Mercury)
6. I'm in Love With My Car (Taylor)
7. Get Down, Make Love (Mercury)
8. Save Me (May)
9. Now I'm Here (May)
10. Dragon Attack (May)
11. Now I'm Here (reprise) (May)
12. Love of My Life (Mercury)
13. Under Pressure (Queen/Bowie)
14. Keep Yourself Alive (with impromptu jam before the song) (May)
15. Drum Solo/Tympani Solo (Queen/Taylor)
16. Guitar Solo/Guitar and Drum Duel (May)
17. Crazy Little Thing Called Love (Mercury)

18. Jailhouse Rock (Leiber, Stoller)
19. Bohemian Rhapsody (Mercury)
20. Tie Your Mother Down (May)
21. Another One Bites the Dust (Deacon)
22. Sheer Heart Attack (Taylor)
23. We Will Rock You (May)
24. We Are the Champions (Mercury)
25. God Save the Queen (tape) (arr. May)
The tracks "Flash's Theme" and "The Hero" (both written by May) were also performed at these concerts but were
deleted from the film. However, the tracks do appear on the CD and vinyl issues of Queen Rock Montreal. A
commentary by Roger Taylor and Brian May is an optional feature of "Queen Rock Montreal" whereas a
commentary by Saul Swimmer (the director/producer) was an optional feature of the DVD re-release of "We Will
Rock You".
Tracklisting (Double Disc Live Aid footage)
Live Aid
2. "Radio Ga Ga"
3. "Hammer To Fall"
6. "We Are The Champions"
7. "Is This The World We Created"
• all tracks recorded live at Wembley Stadium, 13 July 1985.
Commentaries
Director Saul Swimmer recorded a commentary for the original laserdisc release of the concert. In it, he describes the
process by which he and the band went about organizing and recording the concerts which eventually became this
video. He is complimentary of the band and spoke positively about the experience. Specifically, he talked about the
lengths he went to in order to convince the band to make the video at the end of their then-current tour. Swimmer
said the deciding moment came when he took Freddie Mercury to the Smithsonian in Washington, D.C. and showed
him the three-storey IMAX screen, and told him to imagine himself five stories tall. Having convinced Freddie, the
rest of the band followed suit.
When Queen eventually acquired the rights to the video, Brian May and Roger Taylor recorded a new commentary
track, on which they discuss their feelings about the original process of making the concert video. May describes
Swimmer's behaviour in trying to get the band to agree to the project in very negative terms. He says the director
effectively hounded them and that when they relented, he was not easy to work with during the actual two nights of
recording. Unlike Swimmer's earlier commentary track, which paints a generous picture of the relationship between
himself and the band, May and Taylor's commentary track indicates very directly that this was not the case.
Charts
Chart (2007) Peak

position
[2] 9
Australian Top 40 Music DVDs
[3] 4
Austrian Top 10 Music DVDs
[4] 3
Belgium (Flanders) Top 10 Music DVDs
[5] 4
Belgium (Wallonia) Top 10 Music DVDs
[6] 3
Danish Top 10 Music DVDs
[7] 4
Finnish Top 5 Music DVDs
[8] 1
Italian Top 20 Music DVDs
[9] 8
New Zealand Top 10 Music DVDs
[10] 1
Portuguese Top 30 Music DVDs
[11] 1
Swedish Top 20 DVDs
Chart (2008) Peak

position
[12] 2
Norwegian Top 10 DVDs
Certifications
[13] Platinum
[14] Gold
[15] 2× Platinum
[16] Platinum
[17] Platinum
New Zealand (RIANZ) 5000x
[18] Platinum
[19] Platinum
Portugal (AFP) 8000x
[20] Gold
[21] Platinum
[22] 2× Platinum
*
^
x
References
[1] http:/ / queenonline. com/ news_item. php?article=1672377
[2] "The ARIA Report (Issue 924)" (http:/ / pandora. nla. gov. au/ pan/ 23790/ 20071120-0000/ issue924. pdf) (PDF). Pandora Archive.
Australian Recording Industry Association. p. 25. . Retrieved 1 August 2011.
[3] "Austria Top 40 – Musik-DVD Top 10" (http:/ / austriancharts. at/ weekchart. asp?cat=d& year=2007& date=20071116) (in German) (ASP).
Austrian Charts. Hung Medien. . Retrieved 1 August 2011.
[4] "Ultratop 10 Muziek-DVD" (http:/ / www. ultratop. be/ nl/ weekchart. asp?cat=d& year=2007& date=20071110) (in Dutch) (ASP). Ultratop.
Hung Medien. . Retrieved 1 August 2011.
[5] "Ultratop 10 Musicaux" (http:/ / www. ultratop. be/ fr/ weekchart. asp?cat=d& year=2007& date=20071117) (in French) (ASP). Ultratop.
Hung Medien. . Retrieved 1 August 2011.
[6] "Musik DVD Top-10: Uge 52 – 2007" (http:/ / www. hitlisterne. dk/ lister. asp?w=52& y=2007& list=v10) (in Danish) (ASP). Hitlisten. IFPI
Denmark. . Retrieved 1 August 2011.
[7] "Suomen virallinen lista – Musiikki DVD:t 45/2007 [Finland's Official List – Music DVDs 45/2007]" (http:/ / www. ifpi. fi/ tilastot/
virallinen-lista/ dvd/ 2007/ 45) (in Finnish). Musiikkituottajat – IFPI Finland. . Retrieved 1 August 2011.
[8] "Archivio: DVD Musicali: Settimana 45, 2007 [Archive: Music DVDs: Week 45, 2007]" (http:/ / www. fimi. it/ classifiche_result_dvd.
php?anno=2007& mese=11& id=35) (in Italian) (PHP). Federation of the Italian Music Industry. . Retrieved 1 August 2011.
[9] "Top 10 Music DVDs" (http:/ / rianz. org. nz/ rianz/ chart. asp?chartNum=1594& chartKind=D) (ASP). Recording Industry Association of
New Zealand. . Retrieved 1 August 2011.
[10] "Top 30 DVD's Musicais – Semana 45 De 2007" (http:/ / www. afp. org. pt/ top. php?top=topdvd& qano=2007& sem=45) (in Portuguese)
(PHP). Associação Fonográfica Portuguesa. . Retrieved 1 August 2011.
[11] "Sverigetopplistan" (http:/ / www. sverigetopplistan. se/ ) (in Swedish). Sverigetopplistan. . Search for Queen and click Sök.
[12] "Topp 10 DVD Audio: 2008 – Uke 48" (http:/ / lista. vg. no/ liste/ dvd-audio/ 10/ dato/ 2008/ uke/ 48) (in Norwegian). VG-lista. . Retrieved
1 August 2011.
[13] "Argentinian video certifications – Queen – Rocks Montreal" (http:/ / www. capif. org. ar/ Default. asp?PerDesde_MM=0&
PerDesde_AA=0& PerHasta_MM=0& PerHasta_AA=0& interprete=Queen& album=Rocks+ Montreal& LanDesde_MM=0&
[14] "ARIA Charts – Accreditations – 2007 DVDs" (http:/ / www. aria. com. au/ pages/ httpwww. aria. com.
aupagesARIACharts-Accreditations-2007DVD. htm). Australian Recording Industry Association. .
[15] "Canadian video certifications – Queen – Queen Rock Montreal & Live Aid" (http:/ / www. musiccanada. com/ GPSearchResult.
aspx?st=Queen+ Rock+ Montreal+ & + Live+ Aid& sa=Queen& smt=0). Music Canada. .
[16] "German video certifications – Queen – Rock Montreal & Live Aid" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/
?action=suche& strTitel=Rock+ Montreal+ & + Live+ Aid& strInterpret=Queen& strTtArt=video& strAwards=checked) (in German).
Bundesverband Musikindustrie. .
[17] "New Zealand video certifications – Queen – Rock Montreal & Live Aid" (http:/ / www. radioscope. net. nz/ index.
php?option=com_content& task=view& id=75). Recording Industry Association of New Zealand. .
[18] "Polish video certifications – Queen – Rock Montreal & Live Aid" (http:/ / www. zpav. pl/ rankingi/ wyroznienia/ platynowe/ dvd. php) (in
[19] "Portuguese video certifications – Queen – Rock Montreal & Live Aid" (http:/ / www. artistas-espectaculos. com/ topafp/ pt/ 200748. htm)
(in Portuguese). Associação Fonográfica Portuguesa. .
[20] "The Official Swiss Charts and Music Community: Awards (Queen; 'Rock Montreal & Live Aid')" (http:/ / www. swisscharts. com/
search_certifications. asp?search=Queen+ Rock+ Montreal+ & + Live+ Aid). Hung Medien. .
[21] "British video certifications – Queen – Rock Montreal" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter Rock Montreal in the field Search. Select Title in the field Search by. Select DVD in the field By Format. Click Go
[22] "American video certifications – Queen – We Will Rock You" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="We+ Will+
Rock+ You"). Recording Industry Association of America. . If necessary, click Advanced, then click Format, then select Video Longform,
then click SEARCH
External links
• Official Site (http://www.queenrockmontreal.com/)
The Freddie Mercury Tribute Concert

The Freddie Mercury Tribute Concert for AIDS Awareness was an
open-air concert held on Easter Monday, 20 April 1992 at London's
Wembley Stadium, for an audience of 72,000.[1] The concert was
produced for television by Ray Burdis and broadcast live on television
and radio to 76 countries around the world, with an audience of up to
one billion.[2] [3] The concert was a tribute to the life of the late Queen
frontman, Freddie Mercury, with all proceeds going to AIDS research.
The show marked bassist John Deacon's final concert with Queen (save
one live appearance with Brian May, Roger Taylor and Elton John in
1997). The profits from the concert were used to launch The Mercury
Phoenix Trust AIDS charity organisation.
History
Following Freddie Mercury's death on 24 November 1991 from AIDS,
the remaining members of Queen (John Deacon, Brian May and Roger
Taylor) came together with Queen Manager Jim Beach to organise an
open air concert to celebrate the life and legacy of Mercury, as well as
raise money for AIDS research, and spread awareness about the Freddie Mercury Tribute Concert poster
disease.[4] In February 1992, at the annual BRIT Awards ceremony,

May and Taylor announced plans for the concert. When tickets finally went on sale, all 72,000 tickets sold out in just
three hours, even though no performers were announced apart from remaining members of Queen.[4]
Concert
"Good evening Wembley and the world. We are here tonight to celebrate the life, and work, and dreams, of one Freddie Mercury.
We're gonna give him the biggest send off in history"
[5]
—Queen guitarist Brian May.
The concert opens with a message from the three remaining members of Queen in tribute to Mercury.[5] The music
then commences with short sets from bands that were influenced by the music of Queen, including Metallica,
Extreme (playing a Queen medley), Def Leppard (who brought Brian May onstage for a faithful version of "Now I'm
Here"), and Guns N' Roses. Between bands, several video clips honouring Freddie Mercury were shown, while the
roadies changed the stage for the following act's performance.
The second half of the concert featured the three remaining Queen members - John Deacon (on bass), Brian May (on
guitar) and Roger Taylor (on drums) - along with guest singers and guitarists, including Elton John, Roger Daltrey
(of The Who), Tony Iommi (of Black Sabbath), David Bowie, Mick Ronson (of Spiders from Mars), James Hetfield
(of Metallica), George Michael, Seal, Paul Young, Annie Lennox, Lisa Stansfield, Robert Plant (Led Zeppelin), Joe
Elliott and Phil Collen (of Def Leppard), Axl Rose and Slash (of Guns N' Roses), Liza Minnelli, and others. This
was the second high-profile project with both Elton John and George Michael in as many years; the year before, they
did a live reworking of John's song "Don't Let the Sun Go Down on Me". Via satellite from Sacramento, California,
U2 dedicated a live performance of "Until the End of the World" to Mercury.[6]
Home releases
The concert was originally released in VHS form (usually in two tape releases worldwide), but due to time
limitations, the last two songs by Extreme, the first two of Def Leppard, and the song of Spinal Tap "The Majesty of
Rock" were deleted (along with Robert Plant's "Innuendo") in the original release. The US release also omitted Bob
Geldof's performance of "Too Late God" and Zucchero's performance of "Las Palabras De Amor".
In April 2002, for the 10th anniversary of the Mercury Phoenix Trust, the concert was released on DVD and entered
the UK charts at number 1.[7] "Innuendo" was not included on the DVD, at the request of Robert Plant. In addition,
the original 4:3 footage had been cropped down to widescreen.
An EP of the George Michael performances with Queen were released as Five Live in April 1993. It entered the UK
singles chart at #1. Metallica's 3-song performance was made into a UK tour edition single for Nothing Else Matters,
entitled "Live at Wembley Stadium" and released in Europe just one week after the concert, on April 27, 1992.
Additionally, the Guns N' Roses performance of "Knockin' on Heaven's Door" was released in August 1992 as a
Double A-side with the original Guns N' Roses studio recording of the song. This single entered the UK singles chart
at #2.
Performances
Without Queen
• Metallica - "Enter Sandman", "Sad But True", "Nothing Else Matters"
• Extreme - Queen Medley, "Love of My Life" (Gary Cherone & Nuno Bettencourt), "More Than Words" (Gary
Cherone & Nuno Bettencourt)
• Def Leppard - "Animal", "Let's Get Rocked", "Now I'm Here" (w/Brian May)
• Bob Geldof - "Too Late God"
• Spinal Tap - "The Majesty of Rock"
• U2 - "Until the End of the World" - played via satellite from Sacramento, California
• Guns N' Roses - "Paradise City", "Knockin' on Heaven's Door"
• Mango Groove - "Special Star" - played via satellite from Johannesburg, South Africa
• Elizabeth Taylor - AIDS Prevention Speech
• Freddie Mercury - compilation of various interactions with the audience
With Queen
1. Queen + Joe Elliott/Slash - "Tie Your Mother Down"
2. Queen + Roger Daltrey/Tony Iommi - "Heaven and Hell" (intro), "Pinball Wizard" (intro), "I Want It All"
3. Queen + Zucchero - "Las Palabras de Amor"
4. Queen + Gary Cherone/Tony Iommi - "Hammer to Fall"
5. Queen + James Hetfield/Tony Iommi - "Stone Cold Crazy "
6. Queen + Robert Plant - "Innuendo", "Thank You" (intro), "Crazy Little Thing Called Love"
7. Brian May with Spike Edney - "Too Much Love Will Kill You"
8. Queen + Paul Young - "Radio Ga Ga"
9. Queen + Seal - "Who Wants to Live Forever"
10. Queen + Lisa Stansfield - "I Want to Break Free"
11. Queen + David Bowie/Annie Lennox - "Under Pressure"
12. Queen + Ian Hunter/David Bowie/Mick Ronson/Joe Elliot/Phil Collen - "All The Young Dudes"
13. Queen + David Bowie/Mick Ronson - "Heroes"
14. David Bowie - "The Lord's Prayer"
15. Queen + George Michael - "'39"
16. Queen + George Michael/Lisa Stansfield - "These Are the Days of Our Lives"
17. Queen + George Michael - "Somebody to Love"
18. Queen + Elton John/Axl Rose - "Bohemian Rhapsody"
19. Queen + Elton John/Tony Iommi - "The Show Must Go On"
20. Queen + Axl Rose - "We Will Rock You"
21. Queen + Liza Minnelli/Cast - "We Are the Champions"
22. Queen - God Save The Queen (taped outro)
Backing musicians
Queen were backed by the following musicians:
• Spike Edney - keyboards, piano, backing vocals
• Mike Moran - piano on "Who Wants to Live Forever" and "Somebody to Love"
• Josh Macrae - percussion in some Queen tracks
• Chris Thompson - backing vocals, acoustic guitar on "I Want It All", "Crazy Little Thing Called Love" and
"Heroes", additional percussion
• Maggie Ryder - backing vocals
• Miriam Stockley - backing vocals
• The London Community Gospel Choir - backing vocals on "Somebody to Love" and "We Are the Champions"
• John Jones - organ and backing vocals on "We are the Champions"
Reviews
• The Times, 26 April 1992 [8]
• The Denver Post, 23 May 1993 (VHS review) [9]
References
[1] 1991: Giant of rock dies (http:/ / news. bbc. co. uk/ onthisday/ hi/ dates/ stories/ november/ 24/ newsid_2546000/ 2546945. stm) BBC News.
[2] Freddie Mercury: The Tribute Concert (http:/ / www. abc. net. au/ tv/ guide/ abc2/ 200708/ programs/ ZY9027A001D20082007T210000.
htm) ABC Television (20 August 2007). Retrieved August 29, 2011
[3] Discography: The Freddie Mercury Tribute Concert VHS (http:/ / queen. musichall. cz/ en/ discography/
the-freddie-mercury-tribute-concert-vhs. html)
[4] Freddie Mercury Tribute (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_04-21-1992_-_The_Times_-_Freddie_Mercury_Tribute) The Times. Retrieved 27 August 2011
[5] Queen Introduction: The Freddie Mercury Tribute Concert (http:/ / www. ultimatequeen. co. uk/ videos/ fmtribute. htm#godsave) Ultimate
Queen. Retrieved August 27, 2011
[6] 1992 The Freddie Mercury Tribute Concert (http:/ / www. ultimatequeen. co. uk/ live/ queen4. htm#1992freddietribute) Ultimate Queen.
Retrieved August 29, 2011
[7] The Freddie Mercury Tribute Concert (Special 10th Anniversary Reissue) (http:/ / www. ultimatequeen. co. uk/ videos/ fmtributedvd. htm)
[8] http:/ / queenarchives. com/ index. php?title=Queen_-_04-26-1992_-_The_Times_-_Freddie_Mercury_Tribute
[9] http:/ / queenarchives. com/ index. php?title=Queen_-_05-23-1993_-_Freddie_Tribute_Concert_Video_-_The_Denver_Post
External links
• Freddie Mercury Tribute Concert (http://www.imdb.com/title/tt0103999/) at the Internet Movie Database
• Transcript of the DVD edition (http://www.ultimatequeen.co.uk/Videos/fmtributedvd.htm)

Produced by Simon Lupton and Rhys Thomas
Starring Freddie Mercury

Brian May
Roger Taylor
John Deacon
Music by Queen
Distributed by EMI (Europe)

Universal Music Distribution (North America)
Release date(s) 2002
Running time 200 minutes
Language English
Greatest Video Hits 1 was the first Queen video collection on DVD. Most of the content was released previously on
the VHS cassette Greatest Flix in 1981. It was released in October 2002, and included video hits of the band
between 1973 and 1981. There is also a Greatest Video Hits 2.
The DVD peaked at number one in UK, with sales of more than 90,000 copies. It was also the best selling DVD of
the year in 2002. It was also number one in USA (platinum), Germany (gold), Spain and other countries. It was also
4 times platinum in Australia, 3 times platinum in Canada, platinum in Poland, and other places.
Most music videos on the DVD have been converted to 16:9 widescreen. This was achieved by cropping large
amounts of picture from the top and bottom of the original 4:3 frame. This has caused much controversy among
many fans who want the videos presented in their original aspect ratio, and see the conversion as unnecessary and
detrimental to the original material.
Disc 1
1. Bohemian Rhapsody
3. Killer Queen (live Top of the Pops version)
4. Fat Bottomed Girls
5. Bicycle Race
6. You're My Best Friend
7. Don't Stop Me Now
8. Save Me
10. Somebody to Love
11. Spread Your Wings
12. Play the Game
13. Flash
14. Tie Your Mother Down
15. We Will Rock You
Audio:
• PCM Stereo
• DTS 5.1
Disc 2
1. Now I'm Here
2. Good Old Fashioned Lover Boy (live Top of the Pops version)
3. Keep Yourself Alive
4. Liar
5. Love of My Life
6. We Will Rock You (Live Fast Version)
The second disc also contains some extras, such as a documentary about 'Bohemian Rhapsody' called 'Inside the
Rhapsody' and a photo gallery.
It is also possible to access audio commentaries to the initial 16 tracks of this release. Commentaries by Freddie
Mercury and John Deacon are taken from previously recorded interviews whilst Brian May and Roger Taylor have
recorded new commentaries for the DVD. Both confessed they have few memories of many of the videos due to a
long time in each seeing them prior to the DVD being recorded.
Trivia
• The videos for We Will Rock You and Bicycle Race on the DVD version are noticeably different from those
found on the original VHS version.
• The track order on the DVD version is the same as the corresponding album but the order is chronological on the
original VHS version.
• On Disc Two, if you press Up, Up, Right, Right, Left, Left at the "Rhapsody" menu, the "flames" version of
Bohemian Rhapsody will start to play.
Charts
Chart (2002) Peak

position
[1] 42
German Albums Chart
Chart (2005) Peak

position
[2] 8
Certifications
[3] Platinum
[4] 6× Platinum
[5] 3× Platinum
[6] 2× Platinum
[7] 3× Gold
[8] Gold
[9] Platinum
[10] Platinum
*
^
x
References
[2] "Archivum: DVD Top 20" (http:/ / mahasz. hu/ ?menu=slagerlistak& menu2=archivum& lista=dvd& ev=2005& het=15& submit_=Keresés)
(in Hungarian). MAHASZ. . Retrieved 30 July 2011.
[3] "Argentinian video certifications – Queen – Greatest Hits Video" (http:/ / www. capif. org. ar/ Default. asp?PerDesde_MM=0&
PerDesde_AA=0& PerHasta_MM=0& PerHasta_AA=0& interprete=Queen& album=Greatest+ Hits+ Video& LanDesde_MM=0&
[4] "ARIA Charts – Accreditations – 2006 DVDs" (http:/ / www. aria. com. au/ pages/ ARIACharts-Accreditations-2006DVD. htm). Australian
[5] "Canadian video certifications – Queen – Greatest Video Hits 1" (http:/ / www. musiccanada. com/ GPSearchResult. aspx?st=Greatest+
Video+ Hits+ 1& sa=Queen& smt=0). Music Canada. .
[6] "French video certifications – Queen – Greatest Video Hits 1" (http:/ / www. disqueenfrance. com/ fr/ pag-259165-CERTIFICATIONS.
[7] "German video certifications – Queen – Greatest Video Hits 1" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=Greatest+ Video+ Hits+ 1& strInterpret=Queen& strTtArt=video& strAwards=checked) (in German). Bundesverband
Musikindustrie. .
[8] "Mexican video certifications – Queen – Greatest Video Hits (The DVD Collection)" (http:/ / www. amprofon. com. mx/ certificaciones.
php?artista=Queen& titulo=Greatest+ Video+ Hits+ (The+ DVD+ Collection)& categoria=MUSIC+ VIDEO& contenido=buscar) (in
Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas. .
[9] "Polish video certifications – Queen – Greatest Video Hits 1" (http:/ / www. zpav. pl/ rankingi/ wyroznienia/ platynowe/ dvd. php) (in
[10] "American video certifications – Queen – Greatest Video Hits, Vol. 1" (http:/ / www. riaa. com/ goldandplatinumdata.
php?artist="Greatest+ Video+ Hits,+ Vol. + 1"). Recording Industry Association of America. . If necessary, click Advanced, then click
Format, then select Video Longform, then click SEARCH
Queen at Wembley
Queen at Wembley
Directed by Gavin Taylor
Produced by Simon Lupton

Rhys Thomas

Brian May
Freddie
Mercury
Roger Taylor
Spike Edney
Music by Queen
Running time 300 min
Language English
Queen at Wembley is a video recorded at the original Wembley Stadium, England on Saturday 12 July 1986 during
Queen's Magic Tour. It was first released in December 1990 as an edited VHS (missing 11 songs), then as an audio
CD in 1992, followed by a DVD release as Queen: Live at Wembley Stadium (in its entirety) to coincide with the
CD rerelease in 2003. The DVD has gone five times platinum in the United States, four times platinum in the United
Kingdom, and achieved multi platinum status around the world. On September 5, 2011, Queen Live At Wembley
Stadium 25th Anniversary Edition was released in a standard 2-DVD set and a deluxe 2-DVD and 2-CD set.
Disc one
1. One Vision
3. In the Lap of the Gods...Revisited
4. Seven Seas of Rhye
5. Tear It Up
6. A Kind of Magic
7. Under Pressure
9. Who Wants to Live Forever
10. I Want to Break Free
11. Impromptu
12. Brighton Rock Solo
13. Now I'm Here
14. Love of My Life
15. Is This the World We Created?
16. (You're So Square) Baby I Don't Care
17. Hello Mary Lou
18. Tutti Frutti
19. Gimme Some Lovin'
21. Hammer to Fall
23. Big Spender

24. Radio Ga Ga
26. Friends Will Be Friends
Disc two
Road to Wembley
• Brian May and Roger Taylor interview (2003) (28 mins)
• Gavin Taylor (Director) and Gerry Stickles (Tour Manager) interview (19 mins)
• A Beautiful Day – Rudi Dolezal's backstage documentary about the whole day (30 mins)
• Tribute to the Wembley Towers – including timelapse demolition footage set to 'These Are the Days of Our Lives
(Instrumental)' (5 mins)
Unseen Magic
• Features 'Friday Concert Medley' – highlights package of the previous night's show (28 mins):
1. A Kind Of Magic
2. Another One Bites The Dust
3. Tutti Frutti
5. We Are The Champions (ending)
6. God Save The Queen
• Rehearsals (10 mins)
• Picture Gallery (5 mins) (The background music for this extra is the full, unreleased original version of "A Kind
of Magic" used in the Highlander film)
Queen Cams
4 tracks presented in multi-angle Brian, Roger, John and Freddie cams:
1. One Vision
2. Under Pressure
3. Now I'm Here
Audio
DTS Surround Sound & PCM Stereo
The Original Concert

The concert started at 4.00pm with tickets costing £14.50, Four bands performed in the following order:
1. INXS
2. The Alarm
3. Status Quo
4. Queen
Charts
Chart (2003) Peak

position
[1] 1
Australian Top 40 DVDs Chart
[2] 5
Austrian Top 10 DVDs Chart
[3] 3
Norwegian Music DVDs Chart
Chart (2005) Peak

position
[4] 7
Certifications
[5] Platinum
[6] 4× Platinum
[7] Gold
[8] Diamond
[9] 4× Platinum
[10] Platinum
[11] Platinum
New Zealand (RIANZ) 5000x
[12] Platinum
[13] 4× Platinum
[14] 5× Platinum
*
^
x
References
[1] "ariaNET: The ARIA Report! (Issue 707)" (http:/ / pandora. nla. gov. au/ pan/ 23790/ 20031007-0000/ Issue707. pdf) (PDF). Pandora
Archive. Australian Recording Industry Association. p. 19. . Retrieved 30 July 2011.
[2] "Austrian Top 10 DVDs Chart" (http:/ / charts. orf. at/ oe3/ dvd/ 2003/ woche30/ main) (in German). Ö3 Austria Top 40. 24 July 2003. .
[3] "Hovedmeny: SØK I BASE" (http:/ / www. ifpi. no/ sok/ index_charts. htm) (in Norwegian). IFPI Norway. . Search for Queen under Søk på
artist i alle listene to see search results.
[5] "Argentinian video certifications – Queen – Live at the Wembley Stadium" (http:/ / www. capif. org. ar/ Default. asp?PerDesde_MM=0&
PerDesde_AA=0& PerHasta_MM=0& PerHasta_AA=0& interprete=Queen& album=Live+ at+ the+ Wembley+ Stadium&
LanDesde_MM=0& LanDesde_AA=0& LanHasta_MM=0& LanHasta_AA=0& Galardon=O& Tipo=2& ACCION2=+ Buscar+ &
ACCION=Buscar& CO=5& CODOP=ESOP). Argentine Chamber of Phonograms and Videograms Producers. .
[6] "ARIA Charts – Accreditations – 2005 DVDs" (http:/ / www. aria. com. au/ pages/ aria-charts-accreditations-dvd-2005. htm). Australian
[7] "Austrian video certifications – Queen – Live at Wembley Stadium" (http:/ / www. ifpi. at/ ?section=goldplatin) (in German). IFPI Austria. .
Enter Queen in the field Interpret. Enter Live at Wembley Stadium in the field Titel. Select DVD in the field Format. Click Suchen
[8] "French video certifications – Queen – Queen at Wembley" (http:/ / www. disqueenfrance. com/ fr/ pag-259165-CERTIFICATIONS.
[9] "German video certifications – Queen – Live at Wembley Stadium" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/
?action=suche& strTitel=Live+ at+ Wembley+ Stadium& strInterpret=Queen& strTtArt=video& strAwards=checked) (in German).
Bundesverband Musikindustrie. .
[10] "Mexican video certifications – Queen – Live at the Wembley Stadium" (http:/ / www. amprofon. com. mx/ certificaciones.
php?artista=Queen& titulo=Live+ at+ the+ Wembley+ Stadium& categoria=MUSIC+ VIDEO& contenido=buscar) (in Spanish). Asociación
Mexicana de Productores de Fonogramas y Videogramas. .
[11] "New Zealand video certifications – Queen – Live at Wembley" (http:/ / www. rianz. org. nz/ rianz/ chart. asp?chartNum=1407&
chartKind=D). Recording Industry Association of New Zealand. .
[12] "Polish video certifications – Queen – Queen at Wembley" (http:/ / www. zpav. pl/ rankingi/ wyroznienia/ platynowe/ dvd. php) (in Polish).
[13] "British video certifications – Queen – Live at Wembley" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British Phonographic
Industry. . Enter Live at Wembley in the field Search. Select Title in the field Search by. Select DVD in the field By Format. Click Go
[14] "American video certifications – Queen – Live at Wembley" (http:/ / www. riaa. com/ goldandplatinumdata. php?artist="Live+ at+
Wembley"). Recording Industry Association of America. . If necessary, click Advanced, then click Format, then select Video Longform, then
click SEARCH
External links
• Queen at Wembley (http://www.imdb.com/title/tt0158874/) at the Internet Movie Database

Produced by Simon Lupton and Rhys Thomas
Starring Freddie Mercury

Brian May
Roger Taylor
John Deacon
Music by Queen
Release date(s) 2003
Language English
Greatest Video Hits 2 is the second DVD of music videos from the English band, Queen. It was released in
November 2003, and included video hits of the band between 1982 to 1989. It was at number one in UK, in its first
week. It also peaked at number 1 in Ireland. In that same year the DVD was number 2 in Spain, and number 4 in
Italy. It was certified 2 platinum awards in UK, platinum in France and Australia, gold in Germany, Spain, Poland
and other countries.
It features an option for audio commentary from both Brian May and Roger Taylor on each music video, reflecting
on their memories and opinions of each video.
The music videos from Innuendo were not included in the DVD. They were replaced with the songs, "Las Palabras
de Amor", "Body Language", "Princes of the Universe", and "Scandal."
Disc one
1. A Kind of Magic
2. I Want It All
3. Radio Ga Ga
5. Breakthru
6. Under Pressure
7. Scandal
9. The Miracle
10. It's a Hard Life
11. The Invisible Man
12. Las Palabras de Amor

14. Body Language
15. Hammer to Fall
16. Princes of the Universe
17. One Vision
Disc two
Hot Space section

• Back Chat
• Calling All Girls
• Staying Power; live from Milton Keynes, 1982
The Works section

• Montreux Golden Rose Pop Festival
• Interviews, including one with Freddie Mercury.
A Kind of Magic section

• Montreux Golden Rose Pop Festival
• Interviews
• One Vision documentary
• 'Extended Vision' video
The Miracle section

• Interviews
• 'Making of The Miracle' documentary
• 'Making of The Miracle Album Cover' documentary
• Bonus video: Who Wants to Live Forever for the Bone Marrow Donor Appeal
Audio
• PCM Stereo
• DTS 5.1 (for Disc 1 only and those marked with an asterisk on Disc 2)
• Commentary from Roger Taylor and Brian May on each Music Video.
Charts
Chart (2003) Peak

position
[1] 69
German Albums Chart
Chart (2005) Peak

position
[2] 16
Certifications
[3] Platinum
[4] Platinum
[5] Platinum
[6] Platinum
[7] Gold
[8] Gold
Poland (ZPAV) 5000*
[9] 2× Platinum
*
^
x
References
[3] "Argentinian video certifications – Queen – Greatest Video Hits Vol. 2" (http:/ / www. capif. org. ar/ Default. asp?PerDesde_MM=0&
PerDesde_AA=0& PerHasta_MM=0& PerHasta_AA=0& interprete=Queen& album=Greatest+ Video+ Hits+ Vol. + 2& LanDesde_MM=0&
[4] "ARIA Charts – Accreditations – 2004 DVDs" (http:/ / www. aria. com. au/ pages/ aria-charts-accreditations-dvd-2004. htm). Australian
[5] "French video certifications – Queen – Greatest Video Hits 2" (http:/ / www. disqueenfrance. com/ fr/ pag-259165-CERTIFICATIONS.
[6] "German video certifications – Queen – Greatest Video Hits 2" (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ?action=suche&
strTitel=Greatest+ Video+ Hits+ 2& strInterpret=Queen& strTtArt=video& strAwards=checked) (in German). Bundesverband
Musikindustrie. .
[7] "Mexican video certifications – Queen – Greatest Video Hits II" (http:/ / www. amprofon. com. mx/ certificaciones. php?artista=Queen&
titulo=Greatest+ Video+ Hits+ II& categoria=MUSIC+ VIDEO& contenido=buscar) (in Spanish). Asociación Mexicana de Productores de
Fonogramas y Videogramas. .
[8] "Polish video certifications – Queen – Greatest Video Hits 2" (http:/ / www. zpav. pl/ rankingi/ wyroznienia/ zlote/ dvd. php) (in Polish).
[9] "British video certifications – Queen – Greatest Video Hits Vol 2" (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). British
Phonographic Industry. . Enter Greatest Video Hits Vol 2 in the field Search. Select Title in the field Search by. Select DVD in the field By
Format. Click Go
We Are the Champions: Final Live in Japan

We Are the Champions: Final Live
in Japan

Brian May
Freddie Mercury
Roger Taylor
Music by Queen
We Are the Champions: Final Live in Japan is a live concert video of English rock band Queen's performance at
the Yoyogi National Gymnasium, Tokyo on May 11, 1985 as part of the Japanese leg of The Works Tour.
The film's title is slightly inaccurate, as Queen actually performed two more shows in Japan (in Nagoya on May 13,
and in Osaka on the 15th). The 90-minute film is not the full concert, leaving out Brian May's guitar solo and Dragon
Attack. The video is also edited for time by cutting away setup waits between songs.
Only officially released in Japan, it first appeared as a video release in 1992, then as a laserdisc release, before a
DVD release in 2004 with new artwork, and a 2006 under the title Live in Japan 1985.[1] [2] The concert footage has
not been studio-corrected to remove errors in sound, unlike other Queen concert video releases.
It features an extensive synth playing.
Track List
1. Tear It Up
3. Under Pressure
4. Somebody to Love
5. Killer Queen
8. Liar
9. Impromptu
10. It's A Hard Life
11. Now I'm Here
12. Is This The World We Created?
13. Love of My Life
15. Hammer to Fall

18. Radio Ga Ga
Encore:
2. Jailhouse Rock
3. We Will Rock You
The concert opens with "Machines, Or Back to Humans (Intro)" which is not credited on the video.
Retrieved
[1] Queen: Live in Japan 1985 (http:/ / www. allrovi. com/ movies/ movie/ release/ queen-live-in-japan-1985-e144944?r=allmovie) AllMovie.
[2] Final Concert Live In Japan / Live In Japan 1985 (http:/ / www. ultimatequeen. co. uk/ videos/ finaljapan. htm) Ulimate Queen. Retrieved
June 2, 2011
553
Tours
Queen live performances

The English rock band Queen is well known for its prowess as a live musical act. A diverse catalogue of songs,
massive sound systems, huge lighting rigs, an arsenal of pyrotechnics and many extravagant costumes helped turn
shows into entertaining, theatrical events. As both lead vocalist and front man, Freddie Mercury was able to immerse
himself in the audience's adulation and thrived on their excitement – an ability for which many artists, such as Bob
Geldof, David Bowie, George Michael, Kurt Cobain (in his possible suicide note), and Robbie Williams have
expressed great admiration.
Queen wrote a number of songs, "We Will Rock You" and "We Are the Champions", for example, with the specific
goal of audience participation. Songs such as "Radio Ga Ga" came to inspire actions like synchronised
hand-clapping (this particular hand-clapping routine, originating from the song's video, was actually the invention of
the video's director, David Mallet). This contributed to Queen's memorable appearance at Live Aid, where the
75,000 strong crowd at Wembley Stadium sang at a loud volume and clapped their hands in unison to the song.
Queen's performance at Live Aid was voted by a large selection of musicians and critics to be the greatest live show
of all time.[1]
1970s
Queen played approximately 700 live performances during their career with roughly two-thirds during the seventies.
Their early performances were essentially hard rock, often heavy metal, but the band later developed a more pop
rock sound as the years went by. Many of their future trademarks first appeared in these early shows although some
could be traced back to the members' previous bands and artistic outlets (e.g., Smile, Ibex and Wreckage).
Freddie Mercury dressed in an overtly flamboyant, Thespian manner and acted with great camp and extravagance
while dry ice and banks of colourful lights were used with considerable effect. During the concerts, it was typical for
both Brian May and Roger Taylor to have impromptu, instrumental interludes and Mercury to engage in a crowd
'shout-along' whereas it was traditional for Taylor to sing one song. Brian May and John Deacon sang backup vocals.
Other recognisable trademarks were Mercury's microphone, which featured only the upper part of the stand with no
base (which allegedly first came about while Mercury was with his band "Wreckage" where the bottom of his stand
accidentally broke off), a grand piano, and May's hand-built electric guitar, the Red Special, with his inimitable curly
hair. The lengthy guitar solo by May showcased his unique skills and creativity at using a multiple-delay effect
which gave rise to a layered, orchestral atmosphere. Only on very rare occasions did Queen allow a non-member to
perform, or even appear, on stage with them, the most notable being keyboardist Spike Edney who performed with
the band during the eighties. A semi-informal medley of 50's rock 'n roll songs (especially "Big Spender" and
"Jailhouse Rock") was also a staple and usually formed the backbone of an encore. The band's logo, which was
designed by Mercury shortly before the release of the first album is made up of their star signs and was usually
displayed on the front of Taylor's bass drum during their early tours. Some stage costumes worn by Mercury and
May on their earliest tours and a few subsequent tours were created by fashion designer Zandra Rhodes.
The concert duration and set-list for each Queen show evolved significantly during its career, eventually leading to
shows that exceeded two hours. Queen performed most of the songs released on their catalogue of studio albums
during live performances. Queen is remembered for stand-out performances during tours in the seventies which were
mainly recorded on videotape. Examples include shows in: Rainbow Theatre (1974), Hammersmith Odeon (1975),
Hyde Park (1976), Earls Court (1977), Houston (1977), and the Hammersmith Odeon (1979). None of these
recordings have officially been released. Footage from other seventies shows exist, especially from Japan in
1975/1976 and Europe in 1978/1979, but most of this footage is of inferior quality compared to the aforementioned
recordings, due to poor camera angles, inadequate lighting and unbalanced sound mixing. Filming of rock concerts
was still in its formative stages, and most rock acts placed little importance on how well their shows could be
captured on film. In addition, like many acts at the time, most of its early promotional videos featured the band
performing the song on-stage as a quasi-live rendition, which could not capture Queen's full live experience.
Lisa Marie Presley stated that the first rock concert she attended was by Queen in Los Angeles in the late seventies.
After the show, she gave Mercury a scarf that belonged to her late father.[2]
Queen - Queen II
With the release of their first two albums Queen & Queen II, the band began live performing in earnest, essentially
following the traditional 'album-tour' cycle throughout the seventies. The embryonic Queen played numerous gigs in
and around London in the early seventies, but evidence suggests that its first performance was on 27 June 1970 at
Truro in England, while still billed as "Smile". The band's first major step toward becoming a recognized live act
came when Queen was a support act to Mott the Hoople on its UK tour. Despite being young and inexperienced,
Queen's performances were quite impressive, and they consistently received an enthusiastic reception from
audiences. This led to Mott the Hoople's inviting Queen to be its support act for Hoople's US tour. Here, the band
was able to hone its on-stage presentations in front of large crowds, try out different songs and arrangements, and
gain valuable experience with state-of-the-art light and sound systems. The friendly relationship between Mott the
Hoople and Queen still remains strong to this day. The Queen song "Now I'm Here" was written by Brian May as a
tribute to Mott The Hoople.
Jim Kerr from Simple Minds first saw Queen when they opened for Mott the Hoople during the 1974 UK tour. At
the launch party of the Innuendo album, Kerr stated that Queen "blew Hoople off the stage!". Similarly, Richie
Sambora from Bon Jovi saw Queen open for Hoople three times in New York in 1974, and stated that they were
"absolutely fantastic", and that he "never forgot" the performances. On this same US tour, a show in Pennsylvania
also featured a then-relatively unknown Aerosmith, which was at a similar stage as Queen in its lengthy career.
Sheer Heart Attack

The Sheer Heart Attack Tour of 1974 was particularly memorable for the fanatical excitement Queen encountered,
especially in Japan, despite a substantial number of shows getting cancelled due to health problems of Brian May.
Mercury was so impressed by the band's experiences on the Japanese leg that he would sometimes wear a kimono on
stage during the encores at shows in other countries. The Australian shows, however, were not so well received. This
was the first time where the UK national anthem, "God Save the Queen", was used as the concert finale, and this tour
also marked the first instance where the band employed pyrotechnics (during "In the Lap of the Gods...Revisited"),
making Queen one of the earliest bands to experiment with this "new" live effect. The regular inclusion of a song
called "Hangman" into sets of this time became a talking point among fans, because no studio recording has ever
been unearthed. For light humour and novelty, Deacon would play a single note on a triangle, Mercury would sip
champagne, and May would play a handful of chords on a ukulele. The song "Liar", which often clocked in at over 8
minutes, was a highlight for many fans, and was perpetually demanded by the audience. During "Keep Yourself
Alive", Mercury would frantically shake a tambourine, and, more often than not, throw it into the crowd. On 20
November 1974, Queen was filmed while performing at the Rainbow Theatre in London. This show appears in the
1992 box-set called "Box of Tricks", and clearly represents Queen's blend of stand-out lead vocals, powerful
rhythm-section and backing harmonies, and the rich guitar tone that is characteristic of the band's textured live
sound. These qualities are especially evident in renditions of Liar and Stone Cold Crazy. Plus, on the credits of the
Live At The Rainbow Video, John Deacon is credited, "Bass Guitar, Vocals, Triangle", since he sung on Liar.

The Night at the Opera Tour of 1975/76 coincided with "Bohemian Rhapsody" dominating the singles charts, and the
band performed sections of it on three occasions during the course of a typical show. It was perhaps fitting that,
given his passionate efforts in promoting the Bohemian Rhapsody single on the radio, the concert opened with a
recorded introduction by Kenny Everett followed by the operatic section, during which the band waited in the wings.
This was followed by the hard rock section, which would typically lead into "Ogre Battle". The opening two verses
and the closing ballad would be played later in the show as part of a piano-based medley with "Killer Queen",
"March of the Black Queen", and sometimes "You're My Best Friend". This arrangement allowed the band to avoid
the logistical nightmare of performing the entire rhapsody live, and they could simply allow the operatic section to
roll from tape. Most of the so-called Christmas Eve gig was broadcast on the Old Grey Whistle Test – a television
music show on BBC 2. At the end of many shows, Mercury tossed roses and/or carnations into the audience.
Free Hyde Park Concert 1976

Queen live in Hyde Park 1976 was a famous concert by the band. The concert took place on 18 September, during
the hot summer of 1976, it was part of a brief summer tour of the UK by the band, they also played in Edinburgh and
Cardiff on this tour.
The Hyde Park gig was in fact a free concert, which drew in a crowd of about 150,000. The free concert was
organised by Richard Branson, an entrepreneur at the time.
There is more than one audio source of this concert as well as a video.
A Day at the Races

The Day at the Races Tour of 1977 incorporated the first acoustic, or 'unplugged' renditions of songs (e.g. "'39").
Shortly before the album came out, the band played a handful of UK concerts, at which several tracks were played
before being officially released. This was followed by a free show at Hyde Park in London that coincided with the
anniversary of the death of Jimi Hendrix. On the tour proper, the band opened their shows with "Tie Your Mother
Down", which became a standard opening or closing song on subsequent tours. The band also adopted what would
become the standard arrangement for Bohemian Rhapsody on this tour: performing the first two verses on stage, then
exiting and allowing the operatic section to be played over the PA system, and finally returning to the stage to play
the hard rock section through the end. At this time, Queen first began to experiment with moving and tilting lighting
rigs, which required some degree of unseen, mechanical wizardry. The USA leg was double-billed with Thin Lizzy,
and their performances were, perhaps unsurprisingly, noticeably heavier. This was also the first US tour that Queen
performed at the legendary Madison Square Garden in New York City. Some of Mercury's leotards were inspired by
the stage costumes of the legendary ballet dancer Vaslav Nijinsky. A filming of this show at Earls Court in London
remains a favourite of many long-term fans. This was the final tour during which the band played the encore staple
"Rock 'n Roll Medley" in its original form, although individual songs from it (most frequently "Jailhouse Rock")
continued to appear in later tours.
News of the World

Queen began the News of the World Tour in the U.S. in late 1977, and in Europe in early 1978. This show featured
the first performances of "We Will Rock You" and "We Are the Champions," whose compositions had been largely
inspired by Queen's substantial live reputation. The two songs were used as the first encore during this tour and
followed by "Sheer Heart Attack" and a "Jailhouse Rock" cover. Later, "We Will Rock You" and "We Are the
Champions" ended virtually every Queen concert. The up-tempo version of "We Will Rock You," which was never
officially released on a studio album, was the opening song for this tour and many tours to come. Possibly as a
response to the punk explosion, Mercury regularly became maniacal and destructive during the performance of
"Sheer Heart Attack" near the end of the show. It was on this tour that "I'm in Love with My Car", featuring Taylor
on lead vocals, was initially introduced to the setlist. This was also the first time in which "Love of My Life" was
performed live, as a reworked acoustic version, and it became a highlight of the show almost instantly. The fans
often took control of the lead vocals of this song, while Mercury conducted the audience as a choir. To make way for
the new material, most songs from the first two Queen albums were omitted.
Jazz
On the exhausting Jazz Tour in late 1978 for the US and early 1979
through Europe and Japan, most European dates were recorded and
then later spliced together to make up the Live Killers double-album.
This tour featured their "Pizza Oven" lighting rig which consisted of
320 par lights arranged on a massive moveable rig above the band. It
was nicknamed the "Pizza Oven" due to the massive amount of heat
that the lights generated. When introducing the song "Death on Two
Legs", Mercury often swore profusely about the bands previous
managers which had to be dubbed over on the album. This tour saw Hannover, Germany, 1979
Mercury start to wear full leather/vinyl outfits instead of glam-inspired
leotards (which drew a public jibe from Rob Halford of Judas Priest) and, in keeping with a theme of their latest
singles "Bicycle Race" and "Fat Bottomed Girls", a group of topless women riding bicycles sometimes appeared on
stage. To some observers, there seemed to be a 'sex theme' deliberately integrated into the shows and this tour first
saw the now infamous Brian-Brian chant from the audience. Another unexpected feature of many shows was the
requests for the seemingly inconspicuous song "Mustapha" by numerous members of the crowd. On this tour,
Mercury would sing only the opening few bars a cappella as on the album version, but the band would perform the
song in full on the next few tours. On the Japanese shows, the band played "Teo Torriatte" with May playing piano.
Crazy Tour
The small-scale Crazy Tour in late 1979, which was only preceded by a big-selling single and not an album, saw
Mercury with short hair and it was the first time that Mercury played the acoustic guitar (i.e. "Crazy Little Thing
Called Love") on stage. The band would typically drop "Brighton Rock" from the shows on this, and future, tours so
that the guitar solo by May (which had its genesis in "Son and Daughter") effectively became a stand-alone
performance. In some concerts, Mercury would appear on stage near the closing of the show sitting on the shoulders
of Superman or Darth Vader although this would lead to some minor legality problems. Because of the many small
venues used on this tour, the road crew often encountered problems when constructing the band's stages and so the
stages, and sometimes the venues themselves, had to be altered substantially. One noteworthy show on this particular
tour was their Boxing Day gig at the Concerts for the People of Kampuchea in London which was also filmed.
1980s
The eighties were to be later acknowledged as the decade dominated by 'pop' music (with heavy use of synthesisers)
and the subsequent arrival of the MTV generation and Queen, along with many other bands of their generation, were
not immune to these new influences. Hence their live sound would take on a more pop-oriented flavour which
alienated a number of their long-term fans and critics alike. In 1980 Queen had reached a high point in their
worldwide popularity as this would be the only time that Queen would top both the US singles and albums charts.
This popularity partially inspired the 1981 simultaneous release of the Greatest Hits album, the Greatest Flix video,
and the Greatest Pix book. The video included live recordings of "Love of My Life" and the fast version of "We Will
Rock You" while the re-release on DVD included "Now I'm Here" from the Rainbow show. Although various
members of the band released solo material in the eighties, there is no reported instances of this non-Queen material
being performed in a Queen concert.
The Game
The Game Tour in 1980 coincided with Queen being at their most popular with massive sales of their latest album
both inside and outside of the United States. One surprise, however, to many concert-goers was the prominent
moustache that Mercury had grown which resulted in some diehard fans throwing razors and shaving cream cans
onto the stage. Also Mercury's stage costumes appeared to be more casual and less flamboyant (e.g. T-shirts and
sport shoes) than in the earlier tours. Moreover the band, and Mercury in particular, would emphasise the funk/dance
sound when performing the songs "Another One Bites the Dust" and "Dragon Attack" although many of their loyal
hard-rock fans were rather indifferent. It is noted that a small selection of material from the Flash Gordon album was
also included in the play list.
The Gluttons for Punishment Tour in 1981 heralded in a largely untapped frontier for live rock music. In this case,
Queen embarked on a short, yet frantic, tour of South America that included a number of dates at some of the world's
biggest football stadiums. No major rock band had ever seriously toured this area of the globe. Queen's album sales
in South America had been quite high from quite early on in the bands career which provided the main inspiration
for the tour. Overall Queen played to approximately 700,000 people in the space of just 13 concerts with the show at
São Paulo in Brazil setting the world record for the biggest paying audience at 131,000 people. As a point of note,
football star Diego Maradona appeared on stage with the band in Argentina. Some of the shows were filmed and the
two Canadian gigs at Montreal were filmed and released as the We Will Rock You video, and DVD at a later date,
but sometimes referred to as just Live In Concert. In this era, Mercury appeared onstage naked except for some white
shorts. Producer Saul Swimmer asked Queen to wear the same clothes in both nights, however, the band were fairly
angry with the producers, so the band decided to ruin the continuity by constantly changing clothes during the course
of the two nights. This was confirmed by Brian May on the Queen Rock Montreal DVD commentary. This tour is
also the last tour where Queen performed without additional musicians, singers or backing track. The live-output of
all the bandmembers microphones could be doubled however in 'real-time', creating up to 32 voices. The only
playback part is and has always been the opera part in Bohemian Rhapsody where the band is offstage.
Hot Space
The Hot Space Tour in 1982 came on the heels of an interesting, yet controversial, studio album. A highlight of the
tour was a massive, open-air concert at the Milton Keynes Bowl near Northampton – the show was released as the
Queen On Fire CD and DVD several years later. To many concert-goers ears, the band's sound as well as Mercury's
vocal performances now had a distinctive soul/funk tone. It is worth noting that this was the tour that Queen started
employing the services of another musician, a keyboardist, on stage. Hence keyboards would become a prominent
feature of Queen's live sound from this point onwards although the piano, played by Mercury, was still retained.
Almost no material from this album would be played on future tours -- "Staying Power" saw some play early in the
next tour, and only "Under Pressure" would become a lasting addition to the setlist. The band performed two songs
live, namely "Crazy Little Thing Called Love" along with "Under Pressure", on Saturday Night Live as well. Also
one of the Japan gigs was filmed although it did not receive an international release. However some live footage
from this Japan show, as well as some footage from an Austrian gig, does appear in the special features section of the
Queen on Fire release. The 'Hot Space Tour' was to be Queen's last tour of America.
The Works
The Works Tour in 1984/1985 was one of Queens largest tours and included the huge Rock in Rio festival in Brazil
(which was released as the Live in Rio video but has not been globally released on DVD to date) where they
appeared on stage at 2 a.m. in the morning. However this tour was also the first time that Queen did not perform in
North America. The lack of US dates seems quite surprising given that Mercury had started living in New York
around this time, the album was partially recorded in Los Angeles, and Queen had changed their US label from
Elektra to Capitol. One persistent rumour was that there would be too much strain on Mercury's voice on a full-scale
US tour. In fact, it is fair to say that both media reports (e.g. covering the Wembley Arena show) and bootleg
recordings of some concerts did show that Mercury would sometimes have vocal difficulties. Usually Mercury wore
scant leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of
occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was
being performed – although this sometimes received a rather mixed reception. Audiences also reproduced the
synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song.
Moreover it was during this tour that the band began to resurrect some of the material from their first three albums
into the setlist as part of a 'flash-back' medley. Again one of the Japan shows was filmed, and titled Final Live in
Japan, but was not released internationally. Rick Parfitt from Status Quo also appeared on-stage with the band during
one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their one
and only New Zealand concert.
Queen were to partake in two music festivals (in 1984 and 1986) at Montreux in Switzerland where they lip-synched
(i.e. mimed on-stage to the recorded songs) a small selection of their latest material. This surprised many onlookers
as the band had often spoken out strongly against this style of performance. The concerts were filmed and then
broadcasted to many millions of people throughout Europe and can be found on the Greatest Video Hits 2 DVD. To
their fans particularly, it seemed obvious that the band, as well as some members of the audience, were dis-oriented
and somewhat confused during these faked performances.
The performances at Sun City in South Africa in 1984 were to land the band in hot water. Many well-known acts,
both before and after Queen, have played at the luxurious holiday resort in the desert and were not subsequently
criticised for it. However the international deploration of apartheid would reach a high-point shortly after the band
performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly
condemned Queen (and some other acts) for their performances at the exclusive resort. To try and calm the waters,
Queen officially released a statement saying how much they despised racism and that they had absolutely no wish to
promote racial prejudice.
Live Aid
The performance at Live Aid at Wembley Stadium in 1985 is often regarded as, arguably, Queen's greatest single
live performance. Their set lasted 21 minutes and comprised "Bohemian Rhapsody" (ballad section and guitar solo),
"Radio Ga Ga", crowd singalong, "Hammer to Fall", "Crazy Little Thing Called Love", "We Will Rock You" (1st
verse), and "We Are the Champions". Mercury and May returned later on to perform a version of "Is This the World
We Created?" As the band would later admit, the audience reaction to Queen's condensed segment was quite
astonishing and their performance would be remembered for decades to come. Ironically the band were only
lukewarm about performing when they were first approached by Geldof. Fans had to wait patiently for almost twenty
years before the concert became publicly available on the official Live Aid DVD. The appreciation they received
after their performance led to them writing, collectively, the song One Vision which was then released as a single.
A Kind of Magic
The Magic Tour in 1986 was to be Queen's last tour. On this occasion the tour did not extend beyond Europe and
included two back-to-back shows at Wembley Stadium in London (where INXS and Status Quo were the supporting
acts) as well as one concert at Budapest in Hungary. One striking image of Mercury from the Wembley show would
be regularly used for promotional purposes (e.g. the Tribute Concert posters, the memorial statue at Montreux, the
cover of the Greatest Hits III album, the Musical billboards). Throughout the tour, Mercury would regularly make an
impromptu statement on stage that denounced the rumour that Queen were about to split up. As "God Save the
Queen" played over the PA system at the end of each show, Mercury would come on stage wearing a cloak and a
replica of the crown jewels. After this tour, Queen were credited as being one of the first rock acts to employ the
over-sized screen (or Jumbotron) at live concerts. Many of the shows were recorded and a heavily edited album,
titled Live Magic, was released shortly afterwards. Similarly the Budapest concert was released as the Live In
Budapest video (but has not been released on DVD to date) and one of the Wembley concerts would be released as
the Live At Wembley album/CD and video/DVD many years later. For the record, the final show of the tour was
held on 9 August 1986 at Knebworth Park in England (with Status Quo as support act) and drew an estimated
150,000 in attendance.
Shortly after the completion of the Magic Tour, a three-video rockumentary was released called The Magic Years
which had footage from various live shows. Following on from this, a compilation of entirely live material was
released by way of the Rare Live – A Concert Through Time and Space video. However neither of these have been
re-released on DVD to date. The last albums to be released while Mercury was still alive were The Miracle (1989),
Innuendo (1991), and Greatest Hits II (1991) and no tours were made. According to the Mercury and Me book,[3]
Mercury was diagnosed with AIDS in the year following the Magic Tour (i.e. 1987) which may explain why they
stopped touring so abruptly. However Taylor did form a band called The Cross, that went on to release three studio
albums, who performed a number of live concerts with Taylor adopting the role of lead vocalist and not drummer.
No live recordings were ever released although some bootlegs do exist.
1990s
Queen did not perform any concerts in the nineties with their original lineup. After the death of Freddie Mercury in
November 1991, the next performance was at The Freddie Mercury Tribute Concert in April 1992 at Wembley
Stadium. The three remaining members (in one of the very, very few concerts they played together after Mercury's
death) and a host of special guests staged a lengthy and emotional show billed as the Concert For AIDS Awareness
(as well as Concert for Life) that was televised worldwide. Due to various complications, the video, and then DVD,
of the concert would be released quite sometime afterwards. One track from the concert appeared on the Greatest
Hits III album, namely "Somebody to Love", and it should also be mentioned here that some tracks have been
released by the artists (i.e. their particular performance) under their own name e.g. George Michael, Lisa Stansfield.
May recorded two studio albums in the nineties as well as forming his own band, called The Brian May Band which
included Cozy Powell and Spike Edney, that went on tour after their releases. The bands first live performances were
supporting Guns N' Roses in 1993 on some legs of their world tour and the group also performed an abbreviated
version of the classic Queen track "Tie Your Mother Down", with a guest appearance by Slash, on The Tonight
Show with Jay Leno. This version was released as the B-side of a single shortly thereafter. The band then made a
small headlining world tour and one show from London was subsequently released on both CD and DVD – Live At
The Brixton Academy.
Made in Heaven, released in 1995, was the last studio album by the band, and "No-One but You (Only the Good Die
Young)", which appeared on the "Queen Rocks" compilation album in 1997, was the final song to feature John
Deacon. However the final occasion where all remaining members of Queen performed on stage was in January
1997 at Paris in France for the world premiere of Bejart Ballet For Life. Joining the surviving trio were Spike Edney
on keyboards/backing-vocals and Elton John who sang lead vocals. They only performed one song, namely "The
Show Must Go On" which was one of the two songs they had performed together at The Freddie Mercury Tribute
Concert, and this was the last reported appearance of John Deacon on stage. The song also appears on the Greatest
Hits III album.
Queen's line-up (live)

Smile/Queen • Brian May - guitar, vocals
(1970–1971) • Freddie Mercury - lead vocals, piano
• Roger Taylor - percussion, vocals
• Mike Grose - bass (June–July 1970)
• Barry Mitchell - bass (August 1970 – January 1971)
• Doug Bogie - bass (February 1971)
Queen • John Deacon - bass, triangle, vocals

(1971–1981) • Brian May - guitar, vocals, piano, ukelele/banjo
• Freddie Mercury - lead vocals, piano, tambourine, guitar
Queen • John Deacon - bass, vocals, guitar

(1982–1986) • Brian May - guitar, vocals, piano, keyboards
• Freddie Mercury - lead vocals, piano, guitar
With
• Morgan Fisher - keyboards (April–June 1982)
• Fred Mandel - keyboards (July–November 1982)
• Spike Edney - keyboards, vocals, guitar (1984–1986)
Queen + • John Deacon - bass

(1992–1997) • Brian May - guitar, vocals
With
• Spike Edney and various others
References
[1] BBC (9 November 2005). "Queen win greatest live gig poll" (http:/ / news. bbc. co. uk/ 2/ hi/ entertainment/ 4420308. stm). BBC News. .
[2] Ken Sharp. "lisapresley.com" (http:/ / www. lisapresley. com/ news/ interviews/ pop_ent. htm). .
[3] Jim Hutton and Tim Waspshott. Mercury and Me. Bloomsbury, 1994. ISBN 0-7475-1922-6
Further reading
• Greg Brooks, Chris Charlesworth. Queen Live: A Concert Documentary. London: Omnibus Press, 1995. ISBN
0711948143
Sheer Heart Attack Tour 561
Sheer Heart Attack Tour

Sheer Heart Attack Tour
World tour by Queen
Associated album Sheer Heart Attack
Start date 10 October 1974
End date 19 November 1975
Legs 3
Shows 77
Queen tour chronology
Sheer Heart Attack A Night At The Opera

Tour Tour
(1974-1975) (1975-1976)
The Sheer Heart Attack Tour was the first world tour by the British rock band Queen, and supported their 1974
album Sheer Heart Attack.
The supporting bands consisted of: Styx, Kansas, Hustler, and Mahogany Rush.
This was their first tour of Japan, and the band was met at the airport by "more than 3,000 screaming fans."[1]
References
[1] "Queen timeline" (http:/ / www. accessmylibrary. com/ coms2/ summary_0286-11853836_ITM). Music Week. 2005-11-12. .
A Night at the Opera Tour

A Night at the Opera Tour
World tour by Queen
Associated album A Night at the Opera
Start date 14 November 1975
End date 18 September 1976
Legs 4
Shows 78
Sheer Heart Attack A Night at the Opera A Day at the Races

Tour Tour Tour
(1974-1975) (1975-1976) (1977)
A Night at the Opera Tour was a concert tour in 1975 by Queen to promote their album A Night at the Opera. It
spanned from 1975 to 1976 and covered Europe, the United States, Japan, and Australia.
Setlist
1. "Procession"
2. "Bohemian Rhapsody (rock section, live)"
3. "Ogre Battle"
4. "Sweet Lady"
5. "White Queen (As It Began)"
6. "Flick of the Wrist"
7. "In the Lap of the Gods'
8. "Killer Queen"
9. "The March of the Black Queen"
10. "Bohemian Rhapsody (outro)"
11. "Bring Back That Leroy Brown"
13. "Son and Daughter"
14. "The Prophet's Song"
15. "Stone Cold Crazy"
17. "Modern Times Rock and Roll"
18. "Liar"
19. "In the Lap of the Gods... Revisited"
20. "Now I'm Here"
21. "Big Spender"
22. "Jailhouse Rock"
23. "God Save the Queen" (tape)
Concert Film
No official concert film has been released, yet. But the Christmas Eve concert at the Hammersmith Odeon was
filmed and broadcast live on the long running BBC music programme The Old Grey Whistle Test. In 2009, the
concert was rebroadcast on the BBC. This version included a newly recorded intro by Bob Harris (infront of the
Hammersmith Odeon) and was slightly edited. Fans still hope for an official DVD of this somewhat legendary
performance.
Tour dates
First Leg – Europe
14 November 1975 Liverpool England Empire Theatre
15 November 1975
16 November 1975 Coventry Belgrade Theatre
17 November 1975 Bristol Colston Hall
18 November 1975
19 November 1975 Cardiff Wales Capitol
21 November 1975 Taunton England Odeon
23 November 1975 Bournemouth Winter Gardens
24 November 1975 Southampton Gaumont Theatre
26 November 1975 Manchester Free Trade Hall

(2 shows)
29 November 1975 London Hammersmith Odeon
30 November 1975
1 December 1975
2 December 1975
3 December 1975
7 December 1975 Wolverhampton Civic Hall
8 December 1975 Preston Guildhall
9 December 1975 Birmingham Odeon
10 December 1975
11 December 1975 Newcastle upon Tyne City Hall
13 December 1975 Dundee Scotland Caird Hall
14 December 1975 Aberdeen Capitol Theatre
15 December 1975 Glasgow Apollo Theatre
16 December 1975
24 December 1975 London England Hammersmith Odeon
Second Leg – America

27 January 1976 Waterbury United States Palace Theatre
29 January 1976 Boston Music Hall
30 January 1976
31 January 1976 Upper Darby Tower Theater
1 February 1976
2 February 1976
5 February 1976 New York City Beacon Theatre
6 February 1976
7 February 1976
8 February 1976
11 February 1976 Detroit Masonic Temple
12 February 1976
13 February 1976 Cincinnati Riverfront Coliseum
14 February 1976 Cleveland Public Hall
15 February 1976 Toledo Toledo Sports Arena
18 February 1976 Saginaw Civic Center
19 February 1976 Columbus Veterans Memorial Auditorium
20 February 1976 Pittsburgh Stanley Theater
23 February 1976 Chicago Auditorium Building
24 February 1976
26 February 1976 St. Louis Kiel Auditorium
27 February 1976 Indianapolis Market Square Arena
28 February 1976 Madison Dane County Coliseum
29 February 1976 Fort Wayne Allen County War Memorial Coliseum
1 March 1976 Milwaukee Milwaukee Auditorium
3 March 1976 Saint Paul Roy Wilkins Auditorium
7 March 1976 Berkeley Berkeley Community Theatre
9 March 1976 Santa Monica Santa Monica Civic Auditorium

(2 shows)
10 March 1976
11 March 1976
12 March 1976
13 March 1976 San Diego San Diego Sports Arena
Third Leg – Japan

22 March 1976 Tokyo Japan Nippon Budokan
23 March 1976 Nagoya Aichi Prefectural Gymnasium
24 March 1976 Himeji Himeji Kosei Nenkin Hall
26 March 1976 Fukuoka Kyuden Kinen Taiikukan
29 March 1976 Osaka Festival Hall
31 March 1976 Tokyo Nippon Budokan
1 April 1976
2 April 1976 Sendai Miyagi Prefectural Sport Center
4 April 1976 Tokyo Ryogoku Nihon University Auditorium
Fourth Leg – Australia
11 April 1976 Perth Australia Perth Entertainment Centre
14 April 1976 Adelaide Apollo Stadium
15 April 1976
17 April 1976 Sydney Hordern Pavilion
18 April 1976
19 April 1976 Melbourne Festival Hall
20 April 1976
22 April 1976 Brisbane Festival Hall
Summer Gigs 1976
1 September 1976 Edinburgh Scotland Edinburgh Playhouse
2 September 1976
10 September 1976 Cardiff Wales Cardiff Castle
18 September 1976 London England Hyde Park

Summer Gigs 1976

Summer Gigs of 1976
Local tour by Queen
Start date September 1, 1976
End date September 18, 1976
Legs 1
Shows 4
A Night at the Opera A Night at the Opera Tour/Summer Gigs A Day at the Races
Tour 1976 Tour
(1975-1976) (1976) (1977)
The Summer Gigs of 1976 was a short tour by Queen, consisting of four gigs. This was before A Day at the Races
was released.
Setlist
1. A Day at the Races intro
2. Bohemian Rhapsody (Opera and Rock sections)
3. Ogre Battle
4. Sweet Lady
5. White Queen (As It Began)
6. Flick Of The Wrist
9. Killer Queen
10. The March Of The Black Queen
11. Bohemian Rhapsody (Reprise)
12. Bring Back That Leroy Brown
13. Brighton Rock
14. Son And Daughter (Reprise)
15. '39
16. You Take My Breath Away
17. The Prophet's Song
18. Stone Cold Crazy
19. Doing All Right
20. Liar
21. In The Lap Of The Gods... Revisited
Tour dates
September 1, 1976 Edinburgh Scotland Playhouse Theatre
September 2, 1976
September 10, 1976 Cardiff Wales Cardiff Castle
September 18, 1976 London England Hyde Park
Trivia
This would be the last tour in which Mercury would sport long hair and his trademark black nail polish.
External links
• Queen Concerts [1]
References
[1] http:/ / www. queenconcerts. com/ live/ queen/ summer76. html
A Day at the Races Tour

A Day at the Races Tour
World tour by Queen
Associated album A Day at the Races
Start date January 13, 1977
End date June 7, 1977
Legs 2
Shows 59
Summer Gigs A Day at the Races News of the World

1976 Tour Tour
(1976) (1977) (1977-1978)
The A Day at the Races Tour was a concert tour by the British rock band Queen, and supported their late 1976
album A Day at the Races.
This tour was the first to use the song Somebody to Love and many others. Plus Brighton Rock and Bohemian
Rhapsody were performed in full for the first time. Also, singer Freddie Mercury would perform a vocal canon to
segue between "White Man" and "The Prophet's Song".
The opening act on most of the North American leg was Thin Lizzy. In New York City, the concert at Madison
Square Garden was sold out within moments of tickets going on sale.[1]
The final two shows on the tour at Earls Court was filmed and is widely traded among fans. These shows were of
note as the band used an expensive lighting rig in the shape of a crown for the very first time.[2] Both shows were
also officially recorded on video and the first show was also released on many bootlegs in almost excellent quality.
Both gigs included a Rock'n'Roll Medley (this medley is also the only bootleg recording from the second night).
Tour dates
First Leg – North America
January 13, 1977 Milwaukee United States Milwaukee Auditorium
January 15, 1977 Columbus St. John Arena
January 16, 1977 Indianapolis Indiana Convention Center
January 18, 1977 Detroit Cobo Hall
January 20, 1977 Saginaw Saginaw Civic Center
January 21, 1977 Louisville Louisville Gardens
January 22, 1977 Kalamazoo Wings Stadium
January 23, 1977 Richfield Richfield Coliseum
January 25, 1977 Ottawa Canada Ottawa Civic Centre
January 26, 1977 Montreal Montreal Forum

January 28, 1977 Chicago United States Chicago Stadium
January 30, 1977 Toledo Toledo Sports Arena
February 1, 1977 Toronto Canada Maple Leaf Gardens
February 3, 1977 Springfield United States Springfield Civic Center
February 4, 1977 College Park Cole Field House
February 5, 1977 New York City Madison Square Garden
February 6, 1977 Uniondale Nassau Coliseum
February 8, 1977 Buffalo War Memorial Auditorium
February 9, 1977 Boston Boston Garden
February 10, 1977 Providence Providence Civic Center
February 11, 1977 Philadelphia The Spectrum
February 19, 1977 Pembroke Pines Hollywood Sportatorium
February 20, 1977 Lakeland Lakeland Civic Center
February 21, 1977 Atlanta Omni Coliseum
February 22, 1977 Birmingham Boutwell Memorial Auditorium
February 23, 1977 St.Louis Kiel Auditorium
February 25, 1977 University Park Moody Coliseum
February 26, 1977 Houston Sam Houston Coliseum
March 1, 1977 Phoenix Veterans Memorial Coliseum
March 2, 1977 Inglewood The Forum
March 3, 1977
March 5, 1977 San Diego San Diego Sports Arena
March 6, 1977 San Francisco Winterland
March 11, 1977 Vancouver Canada Pacific Coliseum
March 12, 1977 Portland United States Paramount Theater
March 16, 1977 Calgary Canada Jubilee Auditorium
March 17, 1977
March 18, 1977 Edmonton Northlands Coliseum
Second Leg - Europe
May 8, 1977 Stockholm Sweden Civic Auditorium
May 10, 1977 Gothenburg Scandinavium
May 12, 1977 Copenhagen Denmark Brondby Stadium
May 13, 1977 Hamburg West Germany Congresscentrum
May 14, 1977 Frankfurt Festhalle
May 16, 1977 Düsseldorf Philipshalle
May 17, 1977 Rotterdam Netherlands Ahoy Rotterdam
May 19, 1977 Basle Switzerland Sporthalle

May 23, 1977 Bristol England Hippodrome
May 24, 1977
May 26, 1977 Southampton Gaumont Theatre
May 27, 1977
May 29, 1976 Stafford Bingley Hall
May 30, 1977 Glasgow Scotland Apollo Theatre
May 31, 1977
June 2, 1977 Liverpool England Empire Theatre
June 3, 1977
June 6, 1977 London Earls Court
June 7, 1977
References
[1] Tiven, Jon (1977). "Queen's Live Act Stuns City" (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_XX-XX-1977_-_Circus_-_Madison_Square_Garden). Circus. .
[2] Hilburn, Robert (1978-12-20). "Pop Music Review: Putting Queen in Audio Seat Queen for a Night" (http:/ / pqasb. pqarchiver. com/ latimes/
access/ 649614822. html?dids=649614822:649614822& FMT=ABS& FMTS=ABS:AI& date=Dec+ 20,+ 1978& author=ROBERT+
HILBURN& pub=Los+ Angeles+ Times& desc=POP+ MUSIC+ REVIEW). Los Angeles Times. .
External links
• Queen Concerts (North America) (http://www.queenconcerts.com/live/queen/adatrna.html)
• Queen Concerts (Europe) (http://www.queenconcerts.com/live/queen/adatrna.html)
News of the World Tour

News of the World Tour
World tour by Queen
Associated album News of the World
Start date October 6, 1977
End date May 13, 1978
Legs 2
Shows 46
A Day at the Races News of the World Jazz Tour

Tour Tour (1978-1979)
(1977) (1977-1978)
The News of the World Tour was a concert tour by the British rock band Queen, and supported their successful
1977 album News of the World.
This tour was the first to use the songs We Will Rock You, We Are the Champions and Love of My Life, three of
the famous anthems that helped make Queen well-known for their concerts. The tour also marked the first time
where a song (I'm In Love With My Car) would not have Mercury on lead vocals, which were, instead, provided by
Taylor. It was also the first time the band toured without an opening act.[1]
In the book The Show I'll Never Forget: 50 Writers Relive Their Most Memorable Concertgoing Experience, novelist
Tracy Chevalier recalls attending one of this tour's concerts at the age of 15:
The band wisely didn’t dare attempt to reproduce in its entirety the long, baroque confection that is Bohemian
Rhapsody. For the infamous operatic middle section, the band members left the stage as the studio recording
played. Freddie and Brian then changed costume, and, at the word “Beelzebub”, all four men popped out of a
door in the stage floor and joined live again for the heavy metal section, fireworks going off, dry ice pouring
out, everyone going berserk, me in tears of excitement. It was one of the best live moments I’ve ever
witnessed. Indeed, I was spoiled by seeing Queen play live before anyone else; for sheer exuberant
theatricality, no one else has come close.[2]
Robert Hilburn of the Los Angeles Times called this concert tour the band's "most spectacularly staged and finely
honed show yet".[1]
One of the shows on the North American leg at The Houston Summit was filmed and is widely traded among fans.
Also, that show saw the band not play "Spread Your Wings" and was the one show where Brian May did his guitar
solo spot in normal tuning as the solo would segue into "Now I'm Here" instead of "The Prophet's Song (Reprise)".
Tour dates
First Leg
October 6, 1977 London England New London Theatre
November 11, 1977 Portland United States Cumberland County Civic Center
November 12, 1977 Boston Boston Garden
November 13, 1977 Springfield Springfield Civic Center
November 15, 1977 Providence Providence Civic Center
November 16, 1977 New Haven Memorial Coliseum
November 18, 1977 Detroit Cobo Hall
November 19, 1977
November 21, 1977 Toronto Canada Maple Leaf Gardens
November 23, 1977 Philadelphia United States The Spectrum
November 24, 1977
November 25, 1977 Norfolk Norfolk Scope
November 27, 1977 Richfield Richfield Coliseum
November 29, 1977 Landover Capital Centre
December 1, 1977 New York City Madison Square Garden
December 2, 1977
December 4, 1977 Dayton University of Dayton Arena
December 5, 1977 Chicago Chicago Stadium
December 8, 1977 Atlanta Omni Coliseum
December 10, 1977 Fort Worth Fort Worth Convention Center
December 11, 1977 Houston The Summit
December 15, 1977 Paradise Aladdin Hotel
December 16, 1977 San Diego San Diego Sports Arena
December 17, 1977 Oakland Boston Garden
December 20, 1977 Long Beach Long Beach Arena
December 21, 1977
December 22, 1977 Inglewood The Forum
February 19, 1978 Pembroke Pines Hollywood Sportatorium
February 20, 1978 Lakeland Lakeland Civic Center
February 21, 1978 Atlanta Omni Coliseum
February 22, 1978 Birmingham Auditorium
February 25, 1978 University Park Moody Coliseum
February 26, 1978 Huntsville Sam Houston
March 1, 1978 Phoenix Coliseum
March 2, 1978 Inglewood The Forum
March 3, 1978
Second Leg
April 12, 1978 Stockholm Sweden Ice Stadium
April 13, 1978 Copenhagen Denmark Folketeatret
April 14, 1978 Hamburg West Germany Ernst-Merck Halle
April 16, 1978 Brussels Belgium Forest National
April 17, 1978
April 19, 1978 Rotterdam Netherlands Ahoy Hall
April 20, 1978
April 23, 1978 Paris France Pavillon de Paris
April 24, 1978
April 26, 1978 Dortmund West Germany Westfalenhalle
April 28, 1978 Berlin Deutschlandhalle
April 30, 1978 Zürich Switzerland Hallenstadion
May 2, 1978 Vienna Austria Stadthalle
May 3, 1978 Munich West Germany Olympiahalle
May 6, 1978 Stafford England New Bingley Hall
May 7, 1978
May 11, 1978 London Empire Pool
May 13, 1978
References
[1] Hilburn, Robert (1977-12-20). "Pop Music Review: Queen's Royal Achievement" (http:/ / pqasb. pqarchiver. com/ latimes/ access/
650333162. html?dids=650333162:650333162& FMT=CITE& FMTS=CITE:AI& date=Dec+ 20,+ 1977& author=& pub=Los+ Angeles+
Times& desc=POP+ MUSIC+ REVIEW). Los Angeles Times. .
[2] Chevalier, Tracy (2007-01-27). "These were the gigs of our lives" (http:/ / entertainment. timesonline. co. uk/ tol/ arts_and_entertainment/
music/ article1272040. ece). The Times. .
External links
• Queen Concerts (North America) (http://www.queenconcerts.com/live/queen/notwna.html)
• Queen Concerts (Europe) (http://www.queenconcerts.com/live/queen/notweu.html)
Jazz Tour 574
Jazz Tour
Jazz Tour
Queen performing in Hanover on January 23, 1979 during the Jazz Tour.
World tour by Queen
Associated album Jazz
Start date October 28, 1978
End date August 18, 1979
Legs 4
Shows 79
News of the World Jazz Tour Crazy

Tour (1978-1979) Tour
(1977-1978) (1979)
The Jazz Tour was a concert tour made by the British rock band Queen. This tour supported the album Jazz. This
tour was memorable for the spectacle created by the band. As James Henke of Rolling Stone said about the band's
Halloween 1978 concert in New Orleans:
...when they were launching a U.S. tour in support of their Jazz, album, Queen threw a bash in New Orleans
that featured snake charmers, strippers, transvestites and a naked fat lady who smoked cigarettes in her
crotch.[1]
Part of the European leg was recorded and then released as the band's first live album, Live Killers.
Tour dates
Jazz Tour 575
First Leg – North America
October 28, 1978 Dallas United States Dallas Convention Center
October 29, 1978 Memphis Mid-South Coliseum
October 31, 1978 New Orleans Civic Auditorium
November 3, 1978 Pembroke Pines Hollywood Sportatorium
November 4, 1978 Lakeland Lakeland Center
November 6, 1978 Landover Capital Centre
November 7, 1978 New Haven New Haven Coliseum
November 9, 1978 Detroit Cobo Arena
November 10, 1978
November 11, 1978 Kalamazoo Wings Stadium
November 13, 1978 Boston Boston Garden
November 14, 1978 Providence Providence Civic Center
November 16, 1978 New York City Madison Square Garden
November 17, 1978
November 19, 1978 Uniondale Nassau Coliseum
November 20, 1978 Philadelphia The Spectrum
November 22, 1978 Nashville Municipal Auditorium
November 23, 1978 St. Louis Checkerdome
November 25, 1978 Richfield Richfield Coliseum
November 26, 1978 Cincinnati Riverfront Coliseum
November 28, 1978 Buffalo War Memorial Auditorium
November 30, 1978 Ottawa Canada Ottawa Civic Centre
December 1, 1978 Montreal Montreal Forum
December 3, 1978 Toronto Maple Leaf Gardens
December 4, 1978
December 6, 1978 Madison United States Dane County Coliseum
December 7, 1978 Chicago Chicago Stadium
December 8, 1978 Kansas City Kemper Arena
December 12, 1978 Seattle Seattle Coliseum
December 13, 1978 Portland Portland Coliseum
December 14, 1978 Vancouver Canada PNE Coliseum
December 16, 1978 Oakland United States Coliseum Arena
December 18, 1978 Inglewood Forum
December 19, 1978
December 20, 1978
Second – Europe (Live Killers)

Jazz Tour 576
January 17, 1979 Hamburg West Germany Ernst-Merck Halle
January 18, 1979 Kiel Ostseehalle
January 20, 1979 Bremen Stadthalle
January 21, 1979 Dortmund Westfalenhalle
January 23, 1979 Hanover Coliseum
January 24, 1979 Berlin Messesportspalace
January 26, 1979 Brussels Belgium Forest National
January 27, 1979
January 29, 1979 Rotterdam Netherlands Ahoy
January 30, 1979
February 1, 1979 Cologne West Germany Sporthalle
February 2, 1979 Frankfurt Festhalle
February 4, 1979 Zürich Switzerland Hallenstadion
February 6, 1979 Zagreb Yugoslavia Dom Sportova
February 7, 1979 Ljubljana Hala Tivoli
February 10, 1979 Munich West Germany Rudi-Sedlmayer-Halle
February 11, 1979
February 13, 1979 Stuttgart Sporthalle
February 15, 1979 Saarbrücken Saarlandhalle
February 17, 1979 Lyon France Palais des Sports
February 19, 1979 Barcelona Spain Palacio de los Deportes
February 20, 1979
February 21, 1979
February 23, 1979 Madrid Pabellon de Real Madrid
February 25, 1979 Poitiers France Les Arenes
February 27, 1979 Paris Pavillon de Paris
February 28, 1979
March 1, 1979
Third Leg – Japan

Jazz Tour 577
April 13, 1979 Tokyo Japan Nippon Budokan
April 14, 1979
April 19, 1979 Osaka Festival Hall
April 20, 1979
April 21, 1979 Kanazawa Jissen-rinri Memorial Hall
April 23, 1979 Tokyo Nippon Budokan
April 24, 1979
April 25, 1979
April 27, 1979 Kobe Kobe Central Gymnasium
April 28, 1979 Nagoya International Display
April 30, 1979 Fukuoka Kyuden Memorial Gymnasium
May 1, 1979
May 2, 1979 Yamaguchi Prefectural Athletic Association
May 5, 1979 Sapporo Makomanai Ice Arena
May 6, 1979
Fourth Leg – Germany
August 18, 1979 Saarbrücken West Germany Ludwigspark Stadion
References
[1] Henke, James (1981-06-11). "Queen Holds Court in South America" (http:/ / www. rollingstone. com/ news/ story/ 23501689/
queen_holds_court_in_south_america/ print). Rolling Stone. .
External links
• Queen Concerts (http://www.queenconcerts.com/live/queen/jazz.html)
Crazy Tour 578
Crazy Tour
Crazy Tour
Local tour by Queen
Start date November 22, 1979
End date December 26, 1979
Legs 1
Shows 20
Jazz Tour Crazy The Game

(1978-1979) Tour Tour
(1979) (1980-1981)
Crazy Tour was a short tour by the English rock band Queen during November and December 1979.
After the release of the single "Crazy Little Thing Called Love", the band decided to change the concert dynamic
they used to do the last years. In this tour Queen would revisit smaller venues, many which held less than two
thousand seats. Nonetheless, it was the highly awaited UK leg of the successful Jazz Tour. The last concert of this
tour at the Hammersmith Odeon was also the first concert of the Concerts for the People of Kampuchea.[1] A bootleg
recording of this concert exists as the 2-CD set Crazy Tour of London.[2]
Setlist
1. Intro
2. We Will Rock You (Fast)
3. Let Me Entertain You
4. Somebody To Love
5. If You Can't Beat Them
6. Mustapha
7. Death On Two Legs
8. Killer Queen
9. I'm In Love With My Car
10. Get Down Make Love
12. Save Me
13. Now I'm Here
14. Don't Stop Me Now
15. Spread Your Wings
16. Love of My Life
17. '39
19. Drum solo
20. Guitar solo
21. Liar (Manchester, Glasgow and Newcastle only)
Crazy Tour 579

Encores:
1. Sheer Heart Attack
2. We Will Rock You
3. We Are The Champions
4. God Save the Queen (tape)
Other songs:
• Jailhouse Rock
• Fat Bottomed Girls
• Mull of Kintyre (December 7, 1979 Liverpool)
• Silent Night (December 26, 1979 London)
• Danny Boy (November 22, 1979 Dublin)
Tour dates
November 22, 1979 Dublin Ireland RDS Arena
November 24, 1979 Birmingham England National Exhibition Centre
November 26, 1979 Manchester Apollo Theatre
November 27, 1979
November 30, 1979 Glasgow Scotland Apollo Theatre
December 1, 1979
December 3, 1979 Newcastle England City Hall
December 4, 1979
December 6, 1979 Liverpool Empire Theatre
December 7, 1979
December 9, 1979 Bristol Hippodrome
December 10, 1979 Brighton Brighton Centre
December 11, 1979
December 13, 1979 London Lyceum Theatre
December 14, 1979 Rainbow Theatre
December 17, 1979 Purley Tiffany's
December 19, 1979 Tottenham Mayfair
December 20, 1979 Lewisham Odeon
December 22, 1979 Alexandra Palace
December 26, 1979 Hammersmith Odeon

Crazy Tour 580
References
[1] Freestone, Peter; David Evans (2001). Freddie Mercury: An intimate memoir by the man who knew him best (http:/ / books. google. com/
books?id=AH8zZsbmB98C& pg=PA18). Omnibus Press. p. 18. ISBN 0711986746. .
[2] "Crazy Tour of London" (http:/ / www. allmusic. com/ album/ r552285). Allmusic. . Retrieved 2009-04-09.
External links
• Queen Concerts (http://www.queenconcerts.com/live/queen/crazy.html)
The Game Tour 581
The Game Tour

The Game Tour
World tour by Queen
Associated album The Game
Start date 30 June 1980
Legs 6
Shows 83
Crazy The Game Hot Space

Tour Tour Tour
(1979) (1980–1981) (1982)
The Game Tour was a concert tour by the English rock band Queen to support their successful 1980 album The
Game. This tour saw the band being the first to play in South American stadiums in early 1981. In Buenos Aires,
Queen drew a crowd of 30,000—the largest single concert crowd in Argentine history as of 1982.[1] In Sao Paulo,
the attendance was 131,000 and 120,000 on two consecutive nights.[2]
Tour dates
North America
June 30, 1980 Vancouver Canada PNE Coliseum
July 1, 1980 Seattle United States Seattle Center Coliseum
July 2, 1980 Portland, Oregon Memorial Coliseum
July 5, 1980 San Diego San Diego Sports Arena
July 6, 1980 Phoenix Compton Terrace
July 8, 1980 Inglewood The Forum
July 9, 1980
July 11, 1980
July 12, 1980
July 13, 1980 Oakland Oakland Arena
July 14, 1980
August 5, 1980 Memphis Mid-South Coliseum
August 6, 1980 Baton Rouge Riverside Centroplex

The Game Tour 582
August 8, 1980 Oklahoma City The Myriad
August 9, 1980 Dallas Reunion Arena
August 10, 1980 Houston The Summit
August 12, 1980 Atlanta The Omni
August 13, 1980 Charlotte Charlotte Coliseum
August 14, 1980 Greensboro Greensboro Coliseum
August 16, 1980 Charleston Charleston Civic Center
August 20, 1980 Hartford Hartford Civic Center
August 22, 1980 Philadelphia The Spectrum
August 23, 1980 Baltimore Baltimore Civic Center
August 24, 1980 Pittsburgh Pittsburgh Civic Arena
August 26, 1980 Providence Providence Civic Center
August 27, 1980 Portland, Maine Cumberland County Civic Center
August 29, 1980 Montreal Canada Montreal Forum
August 30, 1980 Toronto CNE Coliseum
August 31, 1980 Rochester United States Rochester War Memorial
September 10, 1980 Milwaukee MECCA Arena
September 11, 1980 Indianapolis Market Square Arena
September 12, 1980 Kansas City Kemper Arena
September 13, 1980 Omaha Omaha Civic Auditorium
September 14, 1980 St. Paul St. Paul Civic Center
September 16, 1980 Ames Hilton Coliseum
September 17, 1980 St. Louis Checkerdome
September 19, 1980 Rosemont Rosemont Horizon
September 20, 1980 Detroit Joe Louis Arena
September 21, 1980 Cleveland Richfield Coliseum
September 23, 1980 Glens Falls Glens Falls Civic Center
September 24, 1980 Syracuse Onondaga War Memorial
September 26, 1980 Boston Boston Garden
September 28, 1980 New York City Madison Square Garden
September 29, 1980
September 30, 1980
Europe
November 23, 1980 Zürich Switzerland Hallenstadion
November 25, 1980 Paris France Le Bourget La Rotonde
November 26, 1980 Cologne Germany Cologne Sporthalle
November 27, 1980 Leiden Netherlands Groenoordhallen

The Game Tour 583
November 29, 1980 Essen Germany Grugahalle
November 30, 1980 Berlin Deutschlandhalle
December 1, 1980 Bremen Stadthalle
December 5, 1980 Birmingham England National Exhibition Centre
December 6, 1980
December 8, 1980 London Wembley Arena
December 10, 1980
December 12, 1980 Brussels Belgium Forest National
December 13, 1980
December 14, 1980 Frankfurt Germany Festhalle Frankfurt
December 16, 1980 Strasbourg France Rhénus Hall
December 18, 1980 Munich Germany Olympiahalle
Asia
February 12, 1981 Tokyo Japan Nippon Budokan
February 13, 1981
February 16, 1981
February 17, 1981
February 18, 1981
February 19, 1981
South America Bites the Dust
February 28, 1981 Buenos Aires Argentina Estadio José Amalfitani
March 1, 1981
March 4, 1981 Mar del Plata Estadio José María Minella
March 6, 1981 Rosario Estadio Gigante de Arroyito
March 8, 1981 Buenos Aires Estadio José Amalfitani
March 20, 1981 São Paulo Brazil Estádio do Morumbi
March 21, 1981
Gluttons for Punishment
September 25, 1981 Caracas Venezuela Poliedro de Caracas
September 26, 1981
September 27, 1981
October 9, 1981 Monterrey Mexico Estadio Universitario
October 17, 1981 Puebla Estadio Zaragoza
October 18, 1981
We Will Rock You/Rock Montreal
November 24, 1981 Montreal Canada Montreal Forum
November 25, 1981

The Game Tour 584
Set lists
North America
1. Intro
2. "We Will Rock You (Fast)"
3. "Let Me Entertain You"
4. Need Your Loving Tonight
5. "Play the Game"
6. "Mustapha"
7. "Death on Two Legs"
8. "Killer Queen"
10. Somebody to Love
11. "Get Down, Make Love"
12. Rock It (Prime Jive)
13. "Save Me"
14. "Now I'm Here"
15. Dragon Attack
18. Under Pressure
20. "Instrumental Inferno"
21. Flash
22. The Hero
27. "Sheer Heart Attack"
28. Jailhouse Rock
Europe
1. Intro
2. Jailhouse Rock
5. Play the Game
6. Mustapha
7. Death on Two Legs
8. Killer Queen
9. I'm in Love with My Car
10. Get Down, Make Love
The Game Tour 585

12. Save Me
13. Now I'm Here
14. Dragon Attack
17. Love of My Life
19. Instrumental Inferno
20. Battle Theme
21. Brighton Rock (Reprise)
Japan
1. Intro
4. Play the Game
5. Mustapha
6. Death on Two Legs
7. Killer Queen
8. I'm in Love with My Car
11. Rock It (Prime Jive)
12. Save Me
13. Now I'm Here
14. Dragon Attack
16. Love of My Life
18. Drum Solo
19. Guitar Solo
20. Vultan's Theme
21. Battle Theme
22. Flash
23. The Hero
25. Jailhouse Rock
The Game Tour 586

30. Teo Torriate
Personnel
• John Deacon: Bass guitar
• Brian May: Guitar, backing vocals, piano.
• Freddie Mercury: Lead vocals, piano, guitar ("Crazy Little Thing Called Love"), tambourine.
• Roger Taylor: Drums, percussion, lead vocals ("I'm in Love With My Car"), backing vocals.
References
The Washington Post. 1982-07-27. .
[2] Henke, James (1981-06-11). "Queen Holds Court in South America" (http:/ / www. rollingstone. com/ news/ story/ 23501689/
queen_holds_court_in_south_america/ print). Rolling Stone. .
External links
• Queen Concerts (http://www.queenconcerts.com/live/queen/gamena.html)
• Queen Live: 1980-1982 (http://www.queencollector.com/Newlive/Queenlive80/index.htm)
Hot Space Tour 587
Hot Space Tour

Hot Space Tour
World tour by Queen
Associated album Hot Space
Start date April 9, 1982
End date November 3, 1982
Legs 3
Shows 69
The Game Hot Space The Works

Tour Tour Tour
(1980–1981) (1982) (1984-1985)
The Hot Space Tour was a concert tour by the English rock band Queen, supporting their 1982 album Hot Space. A
DVD documenting the band's June 5, 1982 concert at the Milton Keynes Bowl outside London was released in 2004
as Queen on Fire - Live at the Bowl. Concerts in Japan and Austria were recorded and added to the DVD as extras.
The Hot Space Tour was the last tour of the band that took them to United States until the Queen + Paul Rodgers
Tour in 2006 (the band stopped touring completely in 1986 due to Freddie Mercury's health, and did not tour again
until the Queen + Paul Rodgers Tour commenced in 2005).[1] [2] The Hot Space Tour comprised 69 shows and three
legs.
Billy Squier was the opening act during the North American leg of the tour.[3] [4]
Personnel
• John Deacon: Bass, Guitar (on "Staying Power")
• Brian May: Guitars, Backing vocals, Piano
• Freddie Mercury: Vocals, Piano, Guitar (on "Crazy Little Thing Called Love")
• Roger Taylor: Drums, Backing vocals
Extras
• Morgan Fisher: Keyboards (during the European leg)
• Fred Mandel: Keyboards (during the rest of the tour)
Hot Space Tour 588
Track listing
1. Flash's Theme (tape)
2. Rock It
3. We Will Rock You (fast)
6. Action This Day
7. Play the Game
8. Staying Power
9. Somebody to Love
10. Now I'm Here
11. Dragon Attack
12. Now I'm Here (reprise)
13. Love of My Life
14. Save Me
15. Back Chat
16. Body Language
18. Instrumental Inferno
19. Guitar Solo
20. Under Pressure
21. Life Is Real
25. Liar
Encore:
2. Jailhouse Rock
3. Teo Torriate
4. We Will Rock You
6. God Save The Queen
Tour dates
Hot Space Tour 589
First Leg – Europe
April 9, 1982 Gothenburg Sweden Scandinavium
April 10, 1982 Stockholm Stockholm Isstadion
April 12, 1982 Drammen Norway Drammenshallen
April 16, 1982 Zurich Switzerland Hallenstadion
April 17, 1982
April 19, 1982 Paris France Paris Palais des Sports
April 20, 1982 Lyon Palais des Sports de Gerland
April 23, 1982
April 24, 1982 Leiden Netherlands Groenoordhallen
April 25, 1982
April 28, 1982 Frankfurt Germany Festhalle
May 1, 1982 Dortmund Westfalenhalle
May 3, 1982 Paris France Palais des Sports
May 5, 1982 Hannover Germany AWD-Arena
May 6, 1982 Cologne Cologne Sporthalle
May 7, 1982
May 9, 1982 Würzburg Carl-Diem-Halle
May 10, 1982 Stuttgart Sporthalle
May 12, 1982 Vienna Austria Stadthalle
May 13, 1982
May 15, 1982 Berlin Germany Waldbühne
May 16, 1982 Hamburg Ernst-Merck-Halle
May 18, 1982 Kassel Eissporthalle
May 21, 1982 Munich Olympiahalle
May 22, 1982
May 29, 1982 Leeds England Elland Road
June 1, 1982 Edinburgh Scotland Royal Highland Showground
June 2, 1982
June 5, 1982 Milton Keynes England National Bowl
Second Leg – North America
July 21, 1982 Montreal Canada Montreal Forum

Hot Space Tour 590
July 23, 1982 Boston United States Boston Garden
July 24, 1982 Philadelphia The Spectrum
July 25, 1982 Washington, D.C. Capital Centre
July 27, 1982 New York City Madison Square Garden
July 28, 1982
July 31, 1982 Cleveland Richfield Coliseum
August 2, 1982 Toronto Canada Maple Leaf Gardens
August 3, 1982
August 5, 1982 Indianapolis United States Market Square Arena
August 6, 1982 Detroit Joe Louis Arena
August 7, 1982 Cincinnati Riverfront Coliseum
August 9, 1982 East Rutherford Brendan Byrne Arena
August 10, 1982 New Haven New Haven Coliseum
August 13, 1982 Hoffman Estates Poplar Creek Music Theater
August 14, 1982
August 15, 1982 Saint Paul Saint Paul Civic Center
August 19, 1982 Biloxi Mississippi Coast Coliseum
August 20, 1982 Houston Summit
August 21, 1982 Dallas Reunion Arena
August 24, 1982 Atlanta Omni Coliseum
August 27, 1982 Oklahoma City Myriad
August 28, 1982 Kansas City Kemper Arena
August 30, 1982 Denver McNichols Arena
September 2, 1982 Portland Portland Coliseum
September 3, 1982 Seattle Seattle Coliseum
September 4, 1982 Vancouver Canada Pacific Coliseum
September 7, 1982 Oakland United States Oakland Coliseum
September 10, 1982 Phoenix Arizona Veterans Memorial Coliseum
September 11, 1982 Irvine Irvine Meadows
September 12, 1982
September 14, 1982 Inglewood Forum
September 15, 1982
Third Leg – Japan
October 19, 1982 Fukuoka Japan Kyuden Memorial Gymnasium
October 20, 1982
October 24, 1982 Nishinomiya Hankyu Nishinomiya Stadium
October 26, 1982 Nagoya Port Messe Nagoya
October 29, 1982 Sapporo Tsukisamu Green Dome
November 3, 1982 Tokorozawa Seibu Lions Stadium

Hot Space Tour 591
References
[2] Cohen, Howard (2006-02-26). "Carrying on without mercurial star" (http:/ / www. accessmylibrary. com/ coms2/
summary_0286-32360045_ITM). The Miami Herald. .
The Washington Post. 1982-07-27. .
[4] "You're My Best Friend - Billy Squier & Queen" (http:/ / www. geocities. co. jp/ HeartLand-Sumire/ 1293/ English/ queen. html). exo!
project. 1999. .
External links
• Queen Concerts (http://www.queenconcerts.com/live/queen/hotspaceeu.html)
The Works Tour 592
The Works Tour

Queen Works! Tour
World tour by Queen
Associated album The Works
Start date 24 August 1984
End date 15 May 1985
Legs 5
Shows 48
Hot Space The Works Magic

Tour Tour Tour
(1982) (1984-1985) (1986)
The Works Tour was one of the largest tours by the English rock band Queen. During this tour, Queen participated
in the Rock in Rio festival in 1985; the concert was released on VHS but there has not been a worldwide DVD
release as of 2011. The band released a DVD from a concert in Tokyo titled We Are the Champions: Final Live in
Japan, but the name had no relation to the context, because after Tokyo there were two more gigs at Nagoya and
Osaka.
Stage design
The stage design was based on a scene from Fritz Lang's Metropolis with huge rotating cog-wheels at the rear of the
stage and a brightly lit cityscape.[1] Due to a prior ligament damage in his knee, it was somewhat of a challenge for
Mercury to navigate the complex set of multiple levels and stairs. Eventually, in Hanover, Mercury fell down the
stairs during the performance of "Hammer to Fall".[2] He was only able to play "Bohemian Rhapsody", "We Will
Rock You", and "We Are the Champions" afterwards, shortening the concert somewhat. Due to Mercury's injury,
May played the first bars of "We Will Rock You" out of anxiety in order to get Mercury to hospital.
Personnel
• John Deacon – Bass guitar, Rhythm guitar, Vocals
• Brian May – Lead guitar, Vocals
• Freddie Mercury – Lead vocals, Piano, Rhythm Guitar
• Roger Taylor – Drums, Vocals
Extras
• Spike Edney – Keyboards, Vocals, Rhythm guitar
The Works Tour 593
Setlist (Europe and South Africa)

1. Machines (intro)
2. Tear It Up
4. Under Pressure
5. Somebody to Love
6. Piano Improvisation: The March Of The Black Queen / My Fairy King (Sun City only)
7. Killer Queen
10. Liar
11. Improvisation
13. Dragon Attack
14. Now I'm Here
16. Love of My Life
17. Stone Cold Crazy
18. Great King Rat
19. Spike Edney Keyboard Solo
20. Guitar Solo
21. Brighton Rock (finale)
22. Radio Ga Ga
26. Hammer To Fall
Encore
27. I Want To Break Free
28. Jailhouse Rock
31. God Save the Queen [tape]
The Works Tour 594
Other songs
• Staying Power (approx. half of the
gigs)
• Saturday Night's Alright For
Fighting
• Rock You Like a Hurricane
• Sheer Heart Attack
• Mustapha (intro)
• Not Fade Away (London, 4
September 1984)
• '39 (part, Leiden)
• A Day At The Races (outro)
(Dublin only)
Setlist (outside Europe

and South Africa)
1. Machines (intro) Queen performing during the Works Tour
2. Tear It Up
4. Under Pressure
5. Somebody to Love
6. Killer Queen
9. Liar
11. Dragon Attack
12. Now I'm Here
14. Love of My Life
15. Guitar solo
16. Brighton Rock finale
18. Hammer to Fall
21. Radio Ga Ga
Encore
23. Jailhouse Rock
The Works Tour 595
Other songs
• Rock You Like a Hurricane
• Whole Lotta Shakin' Going On
Setlist (Hannover 1984)

1. Machines (intro)
2. Tear It Up
4. Under Pressure
5. Somebody to Love
6. Killer Queen
9. Liar
11. Dragon Attack
12. Now I'm Here
14. Love of My Life
15. Guitar solo
16. Brighton Rock finale
18. Hammer to Fall
21. We Are The Champions
Tour dates
Europe
24 August 1984 Brussels Belgium Forest National
28 August 1984 Dublin Ireland RDS Simmons Hall
29 August 1984
31 August 1984 Birmingham United Kingdom National Exhibition Centre
1 September 1984
2 September 1984
4 September 1984 London Wembley Arena
5 September 1984
7 September 1984
8 September 1984
10 September 1984 Dortmund Germany Westfalenhalle

The Works Tour 596
14 September 1984 Milan Italy Palasport di San Siro
15 September 1984
16 September 1984 Munich Germany Olympiahalle
18 September 1984 Paris France Palais Omnisports de Paris-Bercy
20 September 1984 Leiden Netherlands Groenoordhallen
21 September 1984 Brussels Belgium Forest National
22 September 1984 Hannover Germany Europahalle
24 September 1984 Berlin Deutschlandhalle
26 September 1984 Frankfurt Festhalle
27 September 1984 Stuttgart Schleyerhalle
29 September 1984 Vienna Austria Stadthalle
30 September 1984
Africa
5 October 1984 Sun City South Africa Sun City Super Bowl
6 October 1984
7 October 1984
12 October 1984
13 October 1984
14 October 1984
18 October 1984
19 October 1984
20 October 1984
South America
11 January 1985 Rio de Janeiro Brazil Rock in Rio
18 January 1985
Oceania
11 April 1985 Hawke Bay New Zealand Hawke's Bay Winery

[3]
Cancelled
13 April 1985 Auckland Mount Smart Stadium
14 April 1985 Christchurch Queen Elizabeth II Park

[4]
Cancelled
16 April 1985 Melbourne Australia Sports & Entertainments Centre
17 April 1985
19 April 1985
20 April 1985
25 April 1985 Sydney Sydney Entertainment Centre
26 April 1985
28 April 1985
29 April 1985
Fifth Leg – Japan

The Works Tour 597
8 May 1985 Tokyo Japan Nippon Budokan
9 May 1985
11 May 1985 Yoyogi National Gymnasium
13 May 1985 Nagoya Aichi Prefectural Gymnasium
15 May 1985 Osaka Osaka Castle Hall
Other
• On 7 October in Sun City, the concert came to an end early after Mercury lost his voice and left in tears after the
third song in the set "Under Pressure".[5]
• Queen performed before 325,000 people in Rio de Janeiro.[6] Despite rumours, Mercury was not pelted with
stones during "I Want To Break Free" (Whilst dressed as a Woman). However, as a professional, he did stop a
fight during "Jailhouse Rock" saying " No fighting. Rock and Roll to the music".
• In Hannover, after the end of Hammer to Fall, Mercury fell and injured his leg. This can be seen on the bootleg
cover "Hannover is Dangerous". Mercury was helped to the piano to continue the concert by his assistant,
however the set was shortened because Freddie suffered from the pain to his leg.
References
[1] Bell, Mike (8 September 1984). "Body but no soul" (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_09-08-1984_-_The_Times_-_Wembley_Arena). The Times. .
[2] Freestone, Peter; David Evans (2001). Freddie Mercury: An intimate memoir by the man who knew him best (http:/ / books. google. com/
books?id=AH8zZsbmB98C& pg=PA65). Omnibus Press. pp. 65–66. ISBN 0711986746. .
[3] (http:/ / www. queenlive. ca/ ) queenlive.ca, Retrieved 20 September 2011
[4] (http:/ / www. queenlive. ca/ ) queenlive.ca, Retrieved 20 September 2011
[5] "Queen concertography: The Works 1984" (http:/ / www. queenconcerts. com/ live/ queen/ works1984. html). QueenConcerts.com. .
[6] Morse, Steve (25 May 1989). "Abundant Offerings" (http:/ / nl. newsbank. com/ nl-search/ we/ Archives?p_product=BG& p_theme=bg&
p_action=search& p_maxdocs=200& p_topdoc=1& p_text_direct-0=0EADEEE0E5DD4CA5& p_field_direct-0=document_id&
p_perpage=10& p_sort=YMD_date:D). Boston Globe. .
External links
• Queen Concerts (http://www.queenconcerts.com/live/queen/works1984.html)
Magic Tour 598
Magic Tour
Magic Tour
Europe tour by Queen
Associated album A Kind of Magic
Start date 7 June 1986
End date 9 August 1986
Legs 1
Shows 26
The Works Magic Queen + Paul Rodgers

Tour Tour Tour
(1984-1985) (1986) (2005-2006)
The Magic Tour was the final tour by the English rock band Queen with their lead singer Freddie Mercury, which
took place in 1986.[1] [2] The band would not tour again until 19 years later, when the Queen + Paul Rodgers Tour
began in 2005, after the death of Freddie Mercury on 24 November 1991, and the retirement of John Deacon in
1997.[2] [3] The Magic Tour took in 26 dates around Europe's stadiums, in support of their latest album A Kind of
Magic.
In 1987, Mercury was diagnosed with HIV and the band together made the decision to cease touring, making the
concert at Knebworth on 9 August 1986 the last time the four members of Queen would perform on stage together.[4]
Over a million people attended the Queen tour, making it one of the largest ever. Support acts included The Alarm,
Big Country, INXS, Level 42, Marillion, Gary Moore, The Bangles and Status Quo.[5]
From this tour Queen have since released Live at Wembley Stadium on DVD, CD & VHS, Live Magic on CD and
Live in Budapest on VHS & Laserdisc.
Setlist
1. One Vision
3. In the Lap of the Gods...Revisited
5. Tear It Up
6. A Kind of Magic
7. Under Pressure
11. Impromptu
12. Guitar solo
13. Now I'm Here
14. Love of My Life
15. Is This the World We Created...?
16. (You're So Square) Baby I Don't Care
Magic Tour 599
17. Hello Mary Lou (Goodbye Heart)

18. Tutti Frutti
19. Bohemian Rhapsody (sung after I Want To Break Free in Stockholm)
20. Hammer to Fall
Encore
1. Radio Ga Ga
2. We Will Rock You
Other songs
• Gimme Some Lovin'
• Big Spender
• Immigrant Song (Berlin only)
• Tavaszi Szel Vizet Araszt (Budapest only)
• Mustapha (intro)
• Mustapha (full song - soundcheck in Manchester only)
• Keep Yourself Alive (part)
• Impromptu (featuring bits and pieces of Get Down Make Love) (Stockholm only)
• Get Down, Make Love (part in guitar solo)
• Molly Malone (part in guitar solo) (Slane Castle only)
• Chinese Torture (part in guitar solo)
• I Feel Fine (guitar riff only - Mannheim)
Tour dates
Europe
June 7, 1986 Stockholm Sweden Råsunda Stadium
June 11, 1986 Leiden Netherlands Groenoordhallen
June 12, 1986
June 14, 1986 Paris France Hippodrome de Vincennes
June 17, 1986 Brussels Belgium Forest National
June 19, 1986 Leiden Netherlands Groenoordhallen
June 21, 1986 Mannheim Germany Maimarkt-Gelände
June 26, 1986 Berlin Waldbühne
June 28, 1986 Munich Olympiahalle
June 29, 1986
July 1, 1986 Zurich Switzerland Hallenstadion
July 2, 1986
July 5, 1986 Slane Ireland Slane Castle

Magic Tour 600
July 9, 1986 Newcastle United Kingdom St James' Park
July 11, 1986 London Wembley Stadium
July 12, 1986
July 16, 1986 Manchester Maine Road
July 19, 1986 Cologne Germany Müngersdorfer Stadion
July 21, 1986 Vienna Austria Stadthalle
July 22, 1986
July 27, 1986 Budapest Hungary Népstadion
July 30, 1986 Fréjus France Amphitheatre
August 1, 1986 Barcelona Spain Mini Estadi
August 3, 1986 Madrid Rayo Vallecano
August 5, 1986 Marbella Estadio Municipal
August 9, 1986 Stevenage United Kingdom Knebworth Park
Personnel
• John Deacon – Bass Guitar, Vocals
• Brian May – Lead Guitar, Vocals, Synthesizer (Who Wants to Live Forever)
• Freddie Mercury – Lead Vocals, Piano, Rhythm Guitar (Crazy Little Thing Called Love)
• Roger Taylor – Drums, Vocals
Extras
• Spike Edney – Keyboards, Vocals, Rhythm Guitar (Hammer to Fall)
References
[1] Queen live on tour: Magic tour (http:/ / www. queenconcerts. com/ live/ queen/ magic. html) Queen Concerts. Retrieved June 4, 2011
[2] We Will Rock You (Again)! (http:/ / www. queenarchives. com/ index.
php?title=Queen_-_12-17-2004_-_Daily_Mail_-_We_Will_Rock_You_(Again)!) Daily Mail. Retrieved June 4, 2011
[4] August 9, 1986 - QUEEN LIVE (http:/ / www. queenlive. ca/ queen/ 86-08-09. htm) Retrieved June 4, 2011
[5] http:/ / www. queenconcerts. com/
External links
• Queen Concerts (http://www.queenconcerts.com/live/queen/magic.html)
601
Related articles
"Another One Rides the Bus"

"Another One Rides the Bus"
Single by "Weird Al" Yankovic
from the album "Weird Al" Yankovic
B-side "Gotta Boogie"
Released November 28, 1981 and March 1982
Format 7" single
Recorded September 14, 1980
Genre Comedy rock, polka
Length 4:57
Label TK Records
Producer "Weird Al" Yankovic
"Weird Al" Yankovic singles chronology
"My "Another One Rides the "Ricky"

Bologna" Bus" (1983)
(1979) (1981/1982)
"Weird Al" Yankovic track listing
• "Ricky"
• "Gotta Boogie"
• "I Love Rocky Road"
• "Buckingham Blues"
• "Happy Birthday"
• "Stop Draggin' My Car Around"
• "My Bologna"
• "The Check's in the Mail"
• "Another One Rides the Bus"
• "I'll Be Mellow When I'm Dead"
• "Such a Groovy Guy"
• "Mr. Frump in the Iron Lung"
"Another One Rides the Bus" is a parody of Queen's "Another One Bites the Dust" by "Weird Al" Yankovic. It
originally was released on Yankovic's first EP and was later re-released on Yankovic' debut album.
Track listing
The following tracks are on the single:
1. "Another One Rides the Bus" – 4:56
2. "Gotta Boogie" – 2:21
The promo single only contains "Another One Rides the Bus".
Lyrics
The lyrics describe a person riding in a crowded public bus. In the first verse, the speaker in the song is riding in a
crammed bus, then the bus stops to pick up more people. The second verse talks about various things touching the
person, such as a suitcase and an elbow. In the third verse, the speaker is trying to get fresh air but the fan is broken
and the window does not open.
Development and writing

Yankovic wrote the parody and debuted it live on the Dr. Demento Show. While practicing the song outside the
sound booth, Yankovic ran into Jon "Bermuda" Schwartz who told Yankovic he was a drummer. Schwartz agreed to
drum on Yankovic's accordion case to keep a good steady beat to the song. "Another One Rides the Bus" became so
popular that it got Yankovic his first appearance on a TV show, The Tomorrow Show with Tom Snyder. On the
show, Yankovic played his accordion and Schwartz banged on Yankovic's accordion case and played the bulb horns.
Yankovic desired to release the song on a record label, although no one wanted to sign him. Thus, Yankovic released
the Another One Rides the Bus EP on his own label, Placebo. After the song started to become an underground hit,
TK Records agreed to sign Yankovic and release the "Another One Rides the Bus" as a single. The rush-released 45
charted on the Bubbling Under Hot 100 singles, but TK abruptly closed due to financial troubles and the single fell
off the charts.[1]
Music video
There is no music video for this single, though The Tomorrow Show performance is included on the "Weird Al"
Yankovic: The Ultimate Video Collection DVD, as a bonus feature.
Chart positions
Chart (1981) Peak
Position
U.S. Billboard Bubbling Under Hot 100 Singles 4
References
[1] Hansen, Barret (1994). Album notes (http:/ / dmdb. org/ al/ booklet. html) for Permanent Record: Al in the Box by "Weird Al" Yankovic
[liner]. California, USA: Scotti Brothers Records.
Jim Beach
Jim Beach MA LLB (born 1942) is the long-time manager of the English rock band Queen and its individual
members. He took over as manager of the band in 1978 after he had acted on their behalf as a lawyer. He is also a
film and TV producer. His son Ol Beach is the keyboard player for the rock band Wire Daisies, discovered by
Queen's Roger Taylor. Jim Beach is co-founder of Transistor Project, a digital pump put together with Blur's Dave
Rowntree. Jim Beach lives in Montreux, Switzerland.
Titles
• Director of 46664 Concerts[1]
• Trustee of the Mercury Phoenix Trust, the EMI Music Sound Foundation and START.[1]
References
[1] Jim Beach (http:/ / musicsoundfoundation. com/ biog_jimbeach. html) - EMI Music Sound Foundation.
Deacy Amp 604
Deacy Amp
The Deacy Amp is a small, one-watt, roughly 5-inch amplifier created by and named after Queen bassist John
Deacon and used by guitarist Brian May. The amplifier produces a trumpet-like or orchestral sound when plugged
into a guitar.
It was created in the early 1970s using an amplifier found in a skip by Deacon and a treble booster, constructed by
May. Also used was an amplifier circuit board stationed into a Hi-Fi speaker cabinet, powered by a 9-volt battery.
The amp was used along with May's Red Special guitar and his treble booster.
KAT Deacy Amp Replica
In 1998, Greg Fryer with the help of UK amp guru Dave Petersen undertook the job of trying to make 3 copies of the
Deacy Amp with May's full backing. These amps produced a similar compressed and saturated sound but lacked the
tonal characteristics that were so crucial to the unique Deacy sound. In 2003 Nigel Knight became involved in the
amp's development. Several prototype amps were built that were continually edging ever closer to the sound of the
original but all fell short of the mark when compared side by side with the real amp. It was only in 2008 when
Knight was given permission to take the original Deacy Amp apart and test and analyse each individual component
that he finally began to understand the intricate workings.
With this new information in hand, Knight called on the vast experience of speaker manufacturers Celestion, who
developed and produced nearly 30 protoypes for testing and analysis over a two year period. Custom transformers
were produced to exact winding and laminate specs, obsolete components were sourced and made RoHS compliant
and bespoke cabinets were constructed at great expense from Sapele veneered chipboard, exactly as the original.
In 2010, some 12 years after the project commenced, the Brian May Deacy Amp Replica was given the official
approval and blessing of both Brian May and John Deacon.
The first production run of KAT Deacy Amp replicas were shipped in March 2011 and sold out within one month.
External links
• Greg Fryer: History and background of the Legendary Deacy Amp [1] (brianmay.com)
• A Strings: KAT Deacy Amp product page [2] (astrings.co.uk)
References
[1] http:/ / www. brianmay. com/ brian/ briannews/ briannewsjun05. html#32
[2] http:/ / www. astrings. co. uk/ kat_deacy_amp
Spike Edney 605
Spike Edney
Philip 'Spike' Edney (born 11 December 1951) is a British musician who, since early 1970s, has performed with a
number of bands, most notably, Queen, where his participation, starting in 1984, has been so extensive that some
writers have described him as the "fifth member of Queen". In the earlier phase of his career, during mid-1970s, he
recorded and toured with The Tymes and Ben E. King, playing keyboards, bass, guitar and trombone, subsequently,
in the late 1970s, he was musical director for Edwin Starr and, during early 1980s, worked with Duran Duran, the
Boomtown Rats, Dexys Midnight Runners, Bucks Fizz, Haircut One Hundred and the Rolling Stones.
Spike Edney's collaboration with Queen included mostly keyboards (his main instrument), plus rhythm guitar and
backing vocals. Accompanying the band on its tours since 1984, he was an obvious choice for Roger Taylor's
side-project The Cross as well as for Brian May's Band when they toured in 1993 and 1998.
He can be seeing playing piano and later guitar (during the track "Hammer To Fall"), dressed in a pink top, onstage
with Queen on their Queen Live At Wembley 86 DVD.
In 1994, he formed SAS (Spike's All Stars), a band with constantly fluctuating personnel sometimes, but not always,
including musicians from Queen, Whitesnake, Free, Roxy Music, Toto, Spandau Ballet and solo artists including
Fish, Roy Wood, Leo Sayer, Kiki Dee and Paul Young[1] .
After the death of Freddie Mercury, who was also Queen's primary pianist, he took over Mercury's role as such
during Queen + Paul Rodgers 2005, 2006 and 2008 tours, playing all piano parts on a Korg Triton keyboard, in
addition to all other keyboard parts.[2] During the 2005–06 tour, he was often referred to as "The Wizard" by Roger
Taylor. He has also been the keyboardist for the London production of We Will Rock You since it opened in 2002.[3] .
Selected discography
Albums
• Queen: A Kind of Magic (1986)
• Queen: Live Magic (1986)
• The Cross: Shove It (1987)
• The Cross: Mad, Bad and Dangerous to Know (1990)
• The Cross: Blue Rock (1991)
• Lucio Battisti: Cosa succederà alla ragazza (1992)
• Queen: Live at Wembley '86 (1992)
• The Brian May Band: Live at the Brixton Academy (1994)
• SAS Band: SAS Band (1997)
• Brian May: Another World (1998; keyboards on "Slow Down")
• Queen + Paul Rodgers: Return of the Champions (CD/DVD, 2005)
• Queen + Paul Rodgers: Live in Ukraine (CD/DVD, 2009)
Videos:
• Queen: Live in Rio (VHS/DVD, 1985)
• Queen: Live in Budapest (VHS/DVD, 1986)
• The Brian May Band: Live at the Brixton Academy (VHS, 1994)
• Queen+: The Freddie Mercury Tribute Concert (DVD, 2002)
• Queen: Live at Wembley Stadium (DVD, 2003)
• 46664 – The Event (DVD, 2004)
• Live Aid (DVD, 2004)
• Queen + Paul Rodgers: Return of the Champions (CD/DVD, 2005)
• Queen + Paul Rodgers: Super Live in Japan (DVD, 2006)
Spike Edney 606
• Queen + Paul Rodgers: Live in Ukraine (CD/DVD, 2009)
References
[1] Website of SAS (http:/ / www. sasband. com/ )
[2] "Spike Edney brings his band to the Bisley Pavillion in Brookwood, Woking, on Friday, December 7" (Get Surrey, December 2007) (http:/ /
www. getsurrey. co. uk/ entertainment/ music/ s/
2018313_spike_edney_brings_his_band_to_the_bisley_pavillion_in_brookwood_woking_on_friday_december_7_)
[3] Goguen, Paul. "Daltrey’s $7,500 Rent-a-Rocker Camp Sells Power Jams to Boomers" (Bloomberg News, 2 February 2011) (http:/ / www.
bloomberg. com/ news/ 2011-02-02/ daltrey-s-7-500-rent-a-rocker-camp-sells-power-jams-to-boomers-with-dough. html)
External links
• Spike Edney (http://www.imdb.com/name/nm0249628/) at the Internet Movie Database
• SAS Band website (http://www.sasband.com/)
• Spike Edney interviewed on RadioLIVE, New Zealand, following Sacha Baron Cohen to play Freddie Mercury
announcement (http://www.radiolive.co.nz/Sacha-Baron-Cohen-to-play-Freddie-Mercury/tabid/506/
articleID/16296/Default.aspx)
"In My Defence" 607
"In My Defence"
"In My Defence"
Single by Freddie Mercury
from the album Time, The Great Pretender and The Freddie Mercury Album
Released 1986 (Original)

1992 (remix)
Recorded October 1985
Genre Rock
Length 3:48 (original)

3:52 (remix)
Label EMI
Writer(s) Dave Clark
In My Defence is a song performed by Queen lead vocalist, Freddie Mercury.
Background
The song was written by Dave Clark, David Soames and Jeff Daniels for the musical Time. During the musical,
Mercury performed the song as a duet with Cliff Richard; this was last time Freddie sung live in concert; his last
performance would be Barcelona in 1988 with Montserrat Caballé, but this performance was lip-synced. Recorded as
a solo project was recorded at Abbey Road in October 1985, about six months after Mr. Bad Guy was released. The
producers expected that if Mercury was not satisfied with the final song, they would let him record with the rest of
Queen, but Mercury found the final version satisfactory. "In My Defence" was first released on the "Time" LP in
1986. Other versions include '(Ron Nevison Mix)' - released on "The Freddie Mercury Album" and instrumental
version (with vocals for the last line) released also on The Solo Collection. The Ron Nevison mix is very similar to
the original, but has stronger bass and drums, while some string parts were added and others were removed. The
2000 Remix is similar to the Ron Nevison mix with slightly different instrumentation.
"In My Defence" 608
Music video
The music video, made after Mercury's death, was directed by Rudi Dolezal and was a montage featuring outtakes of
past music videos, numerous private shots, as well as highlights of Freddie's career. Dolezal wanted the video that
showed Mercury being happy and having a good time. It also features several quotations from interviews with
Mercury, and ends with the line "I still love you" from These Are The Days Of Our Lives.
Tracklisting
UK 7"/Cassette
• A. In My Defence
• B. Love Kills (Wolf Euro Mix)
UK CD1
1. In My Defence
2. Love Kills (Wolf Euro Mix)
3. She Blows Hot And Cold (Single Version)
4. In My Defence (Original Version)
UK CD2
1. In My Defence
2. Love Kills (Original Wolf mix)
3. Mr. Bad Guy
4. Living On My Own (Underground Solutions Mix)
Musicians
• Piano - Mike Moran
• Guitars - Paul Vincent
• Drums - Graham Jarvis
• Bass - Andy Pask
• Synthesizers - Peter Banks
• Backing vocals - John Christie
• Lead vocals - Freddie Mercury
Larry Lurex 609
Larry Lurex
Larry Lurex
Genres Pop rock
Years active 1973
Labels EMI
Larry Lurex was the artist name used for a musical project by Trident Studios’ house engineer Robin Geoffrey
Cable, in 1972.
The name is a pun on the stage name of glam rock star Gary Glitter and the metallic yarn Lurex.
Cable was experimenting with re-creating the "Wall of Sound" style favoured by Phil Spector. He recorded cover
versions of the following two songs:
• "I Can Hear Music" (written by Jeff Barry, Ellie Greenwich and Phil Spector, which had been a hit for The
Ronettes and The Beach Boys)
• "Goin' Back" (written by Carole King and Gerry Goffin, which had been a hit for Dusty Springfield and The
Byrds )
Cable enlisted singer Freddie Mercury from the band Queen to perform lead vocals on these tracks. (Queen were
recording their debut album in Trident Studios at the time.) Mercury in turn suggested bringing his band-mates
Roger Meddows-Taylor and Brian May to add percussion, guitar and backing vocals to the recordings.
The tracks were released as a 7" vinyl single on EMI in 1973 (catalogue number EMI 2030); it did not chart in the
UK, but it did manage to hit #115 on the US Bubbling Under The Hot 100 chart. This pre-dated the release of the
first Queen album. They have subsequently been included on the 1995 Italian bootleg Queen In Nuce and the
Freddie Mercury solo compilation albums The Solo Collection and Lover of Life, Singer of Songs.
Let the Cosmos Rock 610
Let the Cosmos Rock

Let The Cosmos Rock is a feature film by Queen + Paul Rodgers. It was released in US and British theatres for one
night only, and features their concert in Kharkiv's Freedom Square, where the band played to some 350,000 fans to
raise AIDS awareness.
The film was later released on DVD titled Queen and Paul Rodgers Live in Ukraine, reaching #2 in the UK charts.
The Mercury Phoenix Trust

The Mercury Phoenix Trust is a charity organisation that fights AIDS worldwide.
After the death of Freddie Mercury from AIDS-related causes in London in 1991, the remaining members of Queen
and Jim Beach, their manager, organised The Freddie Mercury Tribute Concert for AIDS Awareness, the proceeds of
which were used to launch The Mercury Phoenix Trust. The organisation has been active ever since.
The current Trustees are: Brian May, Jim Beach, Mary Austin (Freddie Mercury's longtime friend) and Roger
Taylor.
External links
• www.mercuryphoenixtrust.com - Official website [1]
References
[1] http:/ / www. mercuryphoenixtrust. com
Mountain Studios
Mountain Studios is a recording studio previously located in Montreux, now located in Attalens, Switzerland. It
was owned by the rock band Queen from 1979 until 1993. Since then, it has been owned by David Richards - long
time producer of Queen.
Albums recorded at the studio

• Queen
• Jazz (1978)
• Hot Space (1982)
• A Kind of Magic (1986)
• The Miracle (1989)
• Innuendo (1991)
• Made in Heaven (1995)
• Brian May
• Back to the Light (1992)
• Freddie Mercury & Montserrat Caballé
• Barcelona (1988)
• Roger Taylor
• Fun in Space (1981)
• Strange Frontier (1984)
• The Cross
• Shove It (1988)
• Mad, Bad, and Dangerous to Know (1990)
• AC/DC
• Fly on the Wall (1985)
• David Bowie
• "Heroes" (1977)
• Lodger (1979)
• Tonight (1984)
• Never Let Me Down (1987)
• Black Tie White Noise (1993)
• The Buddha of Suburbia (1993)
• Outside (1995)
• Iggy Pop – Blah Blah Blah (1986)
• Chris Rea
• Water Sign (1983)
• Wired to the Moon (1984)
• Shamrock Diaries (1985)
• On the Beach (1986)
• The Rolling Stones - Black and Blue (1976)
• Yes - Going for the One (1977)
• Magnum – Vigilante (1986)
External links
• Official website [1]
References
[1] http:/ / www. mountainstudios. com
A Night at the Hip Hopera

A Night at the Hip Hopera
Remix album by The Kleptones
Released 2004
Genre Bastard pop
Length 78:18
Producer The Kleptones
The Kleptones chronology
Yoshimi Battles the Hip-Hop A Night at the Hip From Detroit to

Robots Hopera J.A.
(2003) (2004) (2005)
A Night at the Hip Hopera was The Kleptones' breakthrough and remains their most highly acclaimed album, which
fused Queen's rock music with rap vocals and many sound bites from movies (such as Ferris Bueller's Day Off) and
other sources.
On November 8, 2004, Waxy, the main site that hosted A Night At The Hip Hopera, received a cease & desist notice
from the Walt Disney Company (Hollywood Records) for illegal sampling of songs by Queen, similar to the banning
of DJ Danger Mouse's The Grey Album. However, the album is still widely available for download.
Track listing
1. "Precession" – 2:06
• Samples – Queen, "Procession"
• Sound bites – Flash Gordon
• Sound bites – Introduction from a live GG Allin show featured in the Documentary, "Hated".
• Interview – Frankie Goes to Hollywood
2. "See" – 4:14
• Samples – Queen, "One Vision"
• Samples – Quentin Harris, "Let's Be Young"
• Samples – KRS-One, "Hip Hop v. Rap"
• Samples – Grandmaster Flash & The Furious Five, "The Message"

• Samples – Kelis, "Milkshake"
• Sound bites – Aqua Teen Hunger Force
• Sound bites – Ferris Bueller's Day Off
3. "Live" – 3:10
• Samples – Queen, "Keep Yourself Alive"
• Samples – Afrika Bambaataa & Family, "Got to Get Up/Just Get Up and Dance"
• Sound bites – Calvert DeForest, Run DMC video – "King of Rock"
4. "Bite" – 4:02
• Samples – Queen, "Another One Bites the Dust"
• Samples – Justin Timberlake, "Like I Love You"
• Samples – Ol' Dirty Bastard w/Kelis, "Got Your Money"
• Samples – Missy Elliott, "Pass That Dutch"
• Sound bites – Lee Ving, The Decline of Western Civilization, TV Offal's "Honest Obituary"
5. "Jazz" – 4:48
• Samples – Queen, "More Of That Jazz"
• Samples – Queen, "We Will Rock You"
• Samples – Task Force, "Tears on my Pillowcase"
6. "Rock" – 2:45
• Samples – Queen, "We Will Rock You"
• Samples – Peaches, "Rock Show"
• Samples – Killa Kela, "Heavy Artillery"
7. "Love" – 0:31
• Samples – Queen, "Tenement Funster"
8. "Fight" – 3:20
• Samples – Queen, "Fight from the Inside"
• Samples – Dilated Peoples, "Marathon"
9. "Fuck" – 1:09
• Samples – Queen, "Seven Seas of Rhye"
• Samples – Queen, "Keep Yourself Alive"
• Sound bites – Stereophile Test CD, "Pink Noise At -20dB"
10. "Play" – 3:41
• Samples – Queen, "Play the Game"
• Samples – De La Soul, "Much More"
• Samples – Electric Six, "Gay Bar"
• Samples – Meat Loaf, "You Took the Words Right Out of My Mouth"
11. "Ride" – 3:10
• Samples – Queen, "Bicycle Race"
• Samples – Eminem, "My Name Is..."
• Sound bites – Britney Spears
12. "Sniff" – 4:20
• Samples – Queen w/David Bowie, "Under Pressure"
• Samples – Belinda Carlisle, "Heaven Is A Place on Earth"
• Samples – Vanilla Ice, "Ice Ice Baby"
• Samples – Prince Paul w/De La Soul, "More Than U Know"

• Samples – The Avalanches, "Flight Tonight"
• Samples – Adam Freeland, "We Want Your Soul"
• Sound bites – Lil' Jon & the Eastside Boyz "Weedman Skit"
13. "Ridicule" – 0:36
• Samples – Queen, "Queen Talks"
14. "Plan" – 4:49
• Samples – Queen, "I'm Going Slightly Mad"
• Samples – Herbaliser w/Latyrx, "8-Point Agenda"
15. "Break" – 3:11
• Samples – Queen, "I Want to Break Free"
• Samples – Aaliyah w/Timbaland, "Try Again"
• Samples – Beastie Boys, "Shake Your Rump"
• Samples – Beastie Boys, "Body Movin'"
• Samples – Beastie Boys, "Alive"
16. "Listen" – 3:59
• Samples – Queen, "Radio Ga Ga"
• Samples – Beastie Boys, "Shake Your Rump"
• Samples – Beastie Boys, "Intergalactic"
• Samples – Beastie Boys, "Root Down"
• Samples – Beastie Boys, "Sure Shot"
17. "Work" – 2:21
• Samples – Queen, "Machines (Back to Humans)"
• Samples – Missy Elliott, "She's A Bitch"
• Sound bites – The Gift
• Sound bites – Richard Hamming, IBM slogan "Machines should work, people should think" (From Raymond
Scott's "IBM MT/ST: The Paperwork Explosion")
18. "Come" – 4:26
• Samples – Queen, "Spread Your Wings"
• Samples – Common w/Erykah Badu & Q-Tip, "Come Close"
19. "Expose" – 3:15
• Samples – Queen, "Flash"
• Samples – Brandy, "The Boy Is Mine"
• Samples – Beats International, "Dub Be Good to Me"
• Samples – Jethro Tull, "The Third Hoorah"
20. "Jerk" – 5:04
• Interview – The Kinks, BBC Sessions 1964-1977
• Samples – Queen, "A Kind of Magic"
• Samples – Morris Day & The Time, "Jerk Out"
• Samples – Detroit Grand Pubahs, "Sandwiches"
• Sound bites – Neon Genesis Evangelion (English dub)
21. "Save" – 4:13
• Samples – Queen, "Save Me"
• Samples – DJ Vadim w/Atmosphere, "Edie Brickell"

22. "Stop" – 3:28
• Samples – Queen, "Don't Stop Me Now"
• Samples – Looptroop w/Chords & Timbuktu, "Heads Day Off"
• Sound bites – Kanye West, The College Dropout
23. "Question" – 5:28
• Samples – Queen, "Who Wants to Live Forever"
• Sound bites – Aqua Teen Hunger Force
• Sound bites – The Big Lebowski
• Sound bites – Blade Runner
• Sound bites – The Decline of Western Civilization
• Sound bites – Fight Club
• Sound bites – Head
• Sound bites – Hugh Hefner
• Sound bites – Neon Genesis Evangelion
Related track
• "Bo Rhap" – 6:50
• Although not part of the A Night At The Hip Hopera album, this unique track mashes up multiple versions of
Queen's legendary song, Bohemian Rhapsody. It was released as a Christmas 2004 single (after the album),
and since Bohemian Rhapsody was not among the songs sampled by the Kleptones for the album, it's possible
that "Bo Rhap" was meant to be part of it, or at the very least a bonus track.
• "Kill" & "Smash"
• While neither are on the album, they are included on the unreleased tracks compilation Shits & Giggles.
External links
• A Night At The Hip-Hopera download page [1]
• Waxy [2]
• Cease and desist letter from EMI #1 [3]
• DownHill Battle [4]
• Download "Bo Rhap" [5]
• Podcast of discussion among John Batelle, Eric Kleptone, and EMI executive David Munns [6]
References
[1] http:/ / www. kleptones. com/ pages/ downloads_hiphopera. html
[2] http:/ / www. waxy. org/ archive/ 2004/ 09/ 23/ kleptone. shtml
[3] http:/ / www. waxy. org/ archive/ 2004/ 11/ 17/ disney_s. shtml
[4] http:/ / downhillbattle. org/ node/ view/ 383
[5] http:/ / www. kleptones. com/ music/ bo. mp3
[6] http:/ / www. oreillynet. com/ pub/ a/ network/ 2007/ 03/ 14/ web-20-pirate. html
The Official International Queen Fan Club 617
The Official International Queen Fan Club

The Official International Queen Fan Club is the official fan club for the rock band Queen. Based in London, it
was founded in 1973 by Pat and Sue Johnstone shortly after the release of the band's first album. At one stage, the
world-wide membership of the club reached 20,000 people. Magazines are put out quarterly, contain information on
the band, offer band merchandise, and feature a letter to the club members by one band member. In the late 1980s,
the club started to put on annual conventions at different venues in England and these get-togethers are still
continuing to this day.
According to Guinness World Records, the club is the "Longest-Running Rock Group Fan Club" in the world.[1]
References
[1] Folkard, Claire (2003). Guinness World Records 2004: Hundreds of New Records Inside.. Bantam Books. ISBN 0553587129.
External links
• Official website (http://www.queenworld.com)
• OIQFC (http://www.myspace.com/oiqfc) on Myspace
The Cross 618
The Cross
The Cross
The Cross onstage in Germany, 1990.
Origin England
Genres Rock
Dance
Labels Virgin Records

Parlophone Records
EMI Electrola
Past members
Roger Taylor
Spike Edney
Clayton Moss
Peter Noone
Josh Macrae
The Cross were a side project of Queen's Roger Taylor that existed from 1987 to 1993 and released three albums.
Although the drummer in Queen, Taylor fronted The Cross as rhythm guitarist and lead vocalist. On its debut
release, the classic rock band incorporated dance influences which they dropped on their remaining two albums. The
band never enjoyed much commercial success.
History
Taylor formed The Cross while Queen were on hiatus after the Magic Tour in 1986. He recruited Queen's tour
keyboardist, Spike Edney, but advertised for the remaining musicians. When the band was formed, guitarist Clayton
Moss, bassist Peter Noone (not to be confused with the Herman's Hermits singer of the same name), and drummer
Josh Macrae were unestablished in the field. Taylor himself never played the drums in The Cross.[1]
The band's albums and singles were not commercially successful, although they did manage to reach the British
charts with several and they enjoyed moderate success in Germany. The first album, Shove It, was released on Virgin
Records in 1988. Largely a solo project for Taylor, who had written the songs prior to forming the band, the album
and the three singles it spawned did reach the charts in the UK, where it also received some positive press. The band
toured in support of the album before Taylor took a short break for the 1989 Queen album The Miracle, for which
there was no tour.
The Cross 619
First album: Shove It

After Queen's 1986 Magic Tour, the band members went their separate ways to do various solo work. Taylor decided
to form a new band with whom he could tour. He had already written and recorded the album himself before finding
a band to play the songs with. He eventually placed an ad for band members in a national newspaper, hinting he was
a famous rock musician. The position of keyboard player was duly offered to Spike Edney after two successful
Queen tours with him handling the keys. When the auditions were over, the line-up was completed by Peter Noone
on Bass, Clayton Moss on Guitar, and Josh Macrae on Drums. Taylor himself would take the responsibility on lead
vocalist and rhythm guitarist.
The first album, Shove It, was released in 1988. In Europe, Heaven for Everyone (later a Queen song) contained
Freddie Mercury on lead vocals and Taylor on backing vocals. However, on the single version and the American
album version the roles were reversed. The European CD contained an extra track (compared to cassette and LP) in
The 2nd Shelf Mix, the US version having "Feel The Force" as its extra track. The band promoted hard in Germany
especially, with many TV performances of singles including an appearance at the Montreux Golden Rose festival in
1988. The tour took in dates in the UK and Germany. Three singles were released from the album: "Cowboys and
Indians", "Heaven for Everyone" and "Shove It". Another single, "Manipulator," was released in 1988, but it was not
included on any album. It was also the only song from the time that had joint writing credits, Taylor sharing them
with Spike Edney and Steve Strange.
The second single from Shove It, "Heaven for Everyone", whose album version featured lead vocals by Freddie
Mercury, would be re-released as a Queen single from the 1995 album Made in Heaven with Taylor's vocals edited
out, and become a chart hit in many countries.
Second album: Mad, Bad and Dangerous to Know

After finishing Queen's 1989 album The Miracle, Taylor went into the
studio with the rest of The Cross for the first time to record Mad, Bad
and Dangerous to Know. The band composed the opening track "Top
Of The World Ma". The rest of the album consisted mainly of
individually written songs, except for "Power To Love" which was a
joint venture by Macrae, Noone and Moss. Clayton Moss sang lead
vocals on his own track "Better Things", and Spike Edney played
mandolin on "Final Destination", which was written by Taylor. "Final
Destination" was released as a single, as were "Liar" and "Power To
Love", the latter being the last single to be released in the UK by the
group. "Final Destination" came with a live rendition of Taylor's song
"Man On Fire" as a B-side, and "Liar" (Noone) had a brand new track,
"In Charge Of My Heart", which was also penned by Taylor. The 12"
single and CD of "Liar" also included extended remixes of both "Liar"
and "In Charge Of My Heart". The instrumental section at the
beginning of "In Charge Of My Heart" was used as the opening to
concerts on the accompanying tour. "Closer To You" (Edney) had been
Taylor performing with The Cross in 1990.
planned to be released in America, but the idea was never discussed
again. The group having seemingly given up on the UK market, the
accompanying tour only included dates in Germany, Austria, Switzerland and Ibiza. Unusual for such tours, every
song from the new album was played live.
The Cross 620
Third album: Blue Rock

Made at a time when Taylor's efforts were concentrated on Queen and Mercury himself, Blue Rock gave the other
members of the band a chance to take control of the upcoming album. It was in fact mostly written by Edney, who
contributed three of his own tracks and contributed to four more. Once again the opening track was penned by the
entire band, "Bad Attitude" was written (although not complete) by the Christmas fan club party of 1990. Blue Rock
itself was only released in Germany (although promo copies were released in Italy and Japan), so it is pretty rare to
find on the market. "New Dark Ages" (Taylor) was released in Germany with another live version of "Man On Fire",
whilst "Life Changes" was released with the B-side "Heartland". It was however immediately withdrawn, due to the
death of Freddie Mercury. The tour was in support of Magnum, so the concert lengths were short (45 mins.) and very
few bootlegs survived. The tour was rapid, covering 20 dates in one month.
Afterward, Taylor signed to EMI Records and resumed work with The Cross. The band's second album, Mad, Bad
and Dangerous to Know (1990), was a collaborative effort with the band pitching in to write all tracks except the CD
bonus track, a cover of the Jimi Hendrix song "Foxy Lady". In terms of musical style, The Cross dismissed the dance
elements found on their first album and replaced them with a classic rock sound. Because the first album had not
succeeded in America, the second was not released there; however, this album was not as commercially successful in
Britain as the first had been. The album did not chart, although the first single, "Power to Love", did.
EMI Records refused to release a third album by the band. However, as the band had enjoyed moderate success in
Germany, EMI's German branch EMI Electrola still released their third effort, Blue Rock (1991), in that country.
Break Up
The band broke up in 1993 after performing a final show. Taylor continued working with Queen and produced solo
albums. Drummer Macrae accompanied Taylor on his solo tours and also played percussion at the Freddie Mercury
Tribute Concert. Both Taylor and keyboardist Edney participated in the Queen + Paul Rodgers tours, while Macrae
worked behind the scenes as a sound engineer and Pro Tools engineer for them. In the late 1990s, Edney formed the
SAS Band ("Spike's All Stars"), a group with an ever-changing lineup of 80s rock stars.
Tours
Shove It: 1988

• 19/02/88: Leeds University (Leeds, UK)
• 20/02/88: Glasgow University (Glasgow, UK)
• 21/02/88: Leicester Polytechnic (Leicester, UK)
• 23/02/88: Sheffield Polytechnic (Sheffield, UK)
• 24/02/88: Rock City (Nottingham, UK)
• 26/02/88: Manchester University (Manchester, UK)
• 27/02/88: Bradford University (Bradford, UK)
• 28/02/88: The Mayfair (Newcastle, UK)
• 01/03/88: The Mayfair Suite (Southampton, UK)
• 02/03/88: Cardiff University (Cardiff, UK)
• 04/03/88: U.E.A (Norwich, UK)
• 05/03/88: The Hummingbird (Birmingham, UK)
• 06/03/88: Leeds University (Leeds, UK)
• 07/03/88: Bristol Studio (Bristol, UK)
• 09/03/88: Civic Hall (Guildford, UK)
• 10/03/88: Town & Country Club (London, UK)
• 11/04/88: Modernes (Bremen, Germany)
The Cross 621
• 12/04/88: Markthalle (Hamburg, Germany)

• 13/04/88: Metropol (Berlin, Germany)
• 14/04/88: Theaterfabrik (Munich, Germany)
• 16/04/88: E-Werk (Erlangen ,Germany)
• 17/04/88: Music Hall (Frankfurt ,Germany)
• 18/04/88: Capitol (Hannover ,Germany)
• 19/04/88: Club Music & Action (Esslingen ,Germany)
• 20/04/88: Capitol (Mannheim ,Germany)
• 21/04/88: Tor 3 (Düsseldorf ,Germany)
• 23/04/88: Westfallenhalle II (Dortmund ,Germany)
• 24/04/88: Biskuithalle (Bonn ,Germany)
Mad, Bad & Dangerous To Know: 1990

• 01/04/90: Festival For Life (Geneva, Switzerland)
• 21/05/90: Capitol (Hannover, Germany)
• 22/05/90: Biskuithallen (Bonn, Germany)
• 23/05/90: Blickpunktstudios (Dortmund, Germany)
• 24/05/90: Outpost (Göttingen, Germany)
• 26/05/90: Docks (Hamburg, Germany)
• 27/05/90: Max Music Hall (Kiel, Germany)
• 28/05/90: Metropol (Berlin, Germany)
• 29/05/90: De Melkweg (Amsterdam, Netherlands)
• 30/05/90: Hugennottenhalle (Neu-Isenburg, Germany)
• 01/06/90: Ku Club (Ibiza, Spain)
• 02/06/90: Ku Club (Ibiza, Spain)
• 03/06/90: Bosenbachstadion (St. Wendel, Germany)
• 04/06/90: Serenadenhof (Nuremberg, Germany)
• 05/06/90: Akantz (Tuttlingen, Germany)
• 06/06/90: Alte Feuerwache (Mannheim, Germany)
• 07/06/90: PC69 (Bielefeld, Germany)
• 08/06/90: Theaterhaus Wangen (Stuttgart, Germany)
• 15/06/90: Donauinsel (Vienna, Germany)
Blue Rock: 1991

• 03/10/91: Tavastia Club (Helsinki, Finland)
• 05/10/91: Hagadal (Hultsfred, Sweden)
• 07/10/91: Konserthuset (Gothenburg, Sweden)
• 09/10/91: Music Hall (Hannover, Germany)
• 10/10/91: Rock Heaven (Herford, Germany)
• 11/10/91: Docks (Hamburg, Germany)
• 12/10/91: Astoria (Bremen, Germany)
• 13/10/91: Tempodrom (Berlin, Germany)
• 14/10/91: Freiheitshalle (Hof, Germany)
• 15/10/91: Circus Krone (Munich, Germany)
• 16/10/91: Stadthalle (Memmingen, Germany)
• 18/10/91: Volkshaus (Zurich, Switzerland)
• 20/10/91: Schwarzwaldhalle (Appenweiher, Germany)
The Cross 622
• 21/10/91: Maintauberhalle (Wertheim, Germany)

• 22/10/91: Stadthalle (Offenbach, Germany)
• 23/10/91: Philipshalle (Düsseldorf, Germany)
• 24/10/91: Stadthalle (Erlengen, Germany)
• 25/10/91: Festhalle (Dietenheim, Germany)
• 26/10/91: Sporthalle Birkelbach (Erntebrück, Germany)
• 27/10/91: Forum (Ludwigsburg, Germany)
Discography
Studio albums
Year Title UK DE
[2] [3]
1988 Shove It 58 -
1990 Mad, Bad and Dangerous to Know - 48
1991 Blue Rock - -
Singles
Year Title Album

UK DE
[2] [3]
1987 "Cowboys and Indians" 74 - Shove It
1988 "Shove It" 83 -
"Heaven for Everyone" 84 68
"Manipulator" - - non-album single
1990 "Power to Love" 83 - Mad, Bad and Dangerous to Know
"Liar" - -
"Final Destination" - -
1991 "New Dark Ages" - - Blue Rock
"Life Changes"
External links
• Queenpedia – The Cross complete song list [4]
• Russian Fan Site [5]
• The Cross Fan Site [6]
References
[1] Queen - Royal Legend (http:/ / queen. musichall. cz/ index_en. php?s=ro& d=roger91)
[2] QueenOnline Message Board :: View topic - Queen / Solos UK & US (Y MORE) Chart History (http:/ / queenforum. parlophone. co. uk/
viewtopic. php?t=13285& postdays=0& postorder=asc& start=0)
[3] Charts-Surfer (http:/ / www. charts-surfer. de/ musiksearch. php).
[4] http:/ / www. queenpedia. com/ index. php?title=Song_List#The_Cross_Studio_Songs
[5] http:/ / thecross. queenrocks. ru/ en/ index. html
The Cross 623
[6] http:/ / eva. aws-it. at/ english/ the_cross. html

Queen + Paul Rodgers at the NEC, Birmingham, 5/6/05.

L-R: Danny Miranda, Roger Taylor, Brian May, Jamie Moses and Paul Rodgers.
Origin England
Genres Rock
Labels Hollywood (US/Canada)

Parlophone (rest of the world)
Associated acts Queen, Bad Company, Free, Smile, The Cross
Website [1]
queenpluspaulrodgers.com
Past members
Brian May
Roger Taylor
Paul Rodgers
Queen + Paul Rodgers (sometimes referred to as Q+PR or QPR) was a supergroup collaboration between Brian
May and Roger Taylor of Queen and Paul Rodgers (formerly of Bad Company, Free, The Firm and The Law).
Guitarist May had previously performed with Rodgers on several occasions, including a performance at the Royal
Albert Hall.
It was made clear that Rodgers would not be replacing Queen's former lead singer, Freddie Mercury, who died in
1991. He would simply be "featured with" former Queen members. Former Queen bass guitarist John Deacon
declined to participate in the collaboration due to his retirement in 1997. The group's three principal members May,
Taylor and Rodgers were supplemented on tour by Queen's former touring keyboard player Spike Edney, rhythm
guitarist Jamie Moses, and bass guitarist Danny Miranda who had previously worked with Blue Öyster Cult.
Throughout their career the band completed two world tours, issued the first studio album for Queen in nearly 15
years entitled The Cosmos Rocks, and released two live DVDs and a live album.
Rodgers announced in May 2009 that the 'Queen + Paul Rodgers' collaboration had come to an end, saying "it was
never meant to be a permanent arrangement". He did, however, leave open the possibility for future collaborations.[2]
Beginnings (2004)
The origins of the collaboration came when May played at the Fender Strat Pack concert in 2004. As he had done
many times before (but beforehand nothing really happened as far as Queen were concerned), he joined Rodgers for
a rendition of Free's classic, "All Right Now". After this, May spoke of a chemistry between the two of them.
Following this, May invited Rodgers to play with Queen at their induction to the UK Music Hall of Fame where they
played "We Will Rock You", "We Are the Champions" and "All Right Now". Again citing a new excitement with
Rodgers, the three announced their world tour in 2005.
Return of the Champions Tour (2005–2006)

The group's first public performance was at a concert in South Africa in March 2005 in support of Nelson Mandela's
46664 AIDS awareness campaign. The tour began properly with a concert at the Brixton Academy venue in London,
with tickets sold primarily to members of the official Queen fan club. An arena tour of Europe followed in spring
2005, with dates at venues such as Wembley Pavilion, Cardiff International Arena and Le Zénith in France. Four
outdoor stadium dates were scheduled for the first time in Portugal at Estadio do Restelo (Att: 30,000), at
Rhein-Energie Stadion in Cologne, Germany (Att:27,500), Gelredome in Arnhem, the Netherlands (Att:25,000) and
at Hyde Park in the UK (Att:65,000) in the summer of 2005.
The Estadio do Restelo concert took place on 2 July 2005. The Queen + Paul Rodgers concert was planned to be one
of the stages for Live 8 but only a message was sent before "'39". Two songs were dedicated to Live 8. "Say It's Not
True", a song by Taylor for Nelson Mandela's fight against HIV/AIDS in Africa, was introduced by Taylor in
Lisbon: "This is a song from Nelson Mandela and for HIV/AIDS Africa, especially today on Live 8 day. This is a
song to Lisbon." After this song, May dedicated "'39" to Bob Geldof and introduced the song: "Olá Lisboa! I would
like to make a salute to all our comrades and friends who are doing such a wonderful job and trying that children
throughout the world are no longer hungry; let's make a big noise for Bob Geldof and Live 8".
The Hyde Park concert took place on 15 July 2005. The band and management gave away thousands of free tickets
to emergency services people for helping in the aftermath of the 7 July 2005 London bombings, which caused the
concert to be postponed by a week. British comedian Peter Kay, who had also appeared during the encore at their
Manchester gig in May that year, warmed up the crowd, with the band Razorlight as the support act. The concert was
attended by some 65,000 people, and Queen + Paul Rodgers performed for over 2 hours.
A typical set list mainly focused on Queen's
best-known hits, with songs such as "Crazy Little
Thing Called Love", "We Will Rock You", "We
Are the Champions", and "Bohemian Rhapsody". In
an interview published in the San Jose Mercury
News, Rodgers said that the one song they would
not be able play while on tour was "Killer Queen",
due to the fact that "the melodies are just too on the
spot". The typical set also included some songs
from the back catalogues of Free and Bad
Company, such as "All Right Now", "Wishing
Well", "Feel Like Making Love", and "Bad
Company". May and Taylor sang lead on some
From the 2005 Queen + Paul Rodgers Tour
songs. May: "Hammer to Fall" (the first part only),
"Love of My Life", "'39" (on which he sang lead on
the studio version originally). Taylor: "Radio Ga Ga" (both verses and first two choruses), "These Are the Days of
Our Lives", "Say It's Not True" (a new song), and "I'm in Love with My Car" (on which he sang lead on the studio
version originally as well). Taylor often left the drum kit (the exception being "I'm in Love with My Car") while a
drum machine played on "Radio Ga Ga" and "These Are the Days of Our Lives". For "Say It's Not True", he would
be accompanied by auxiliary band members Miranda and Moses, who both played acoustic guitars (except for the
46664 concert, in which Taylor was accompanied by May and Moses – which was the only time May played guitar
on this song during the tour).
In addition to well known favourites and hits, there were a number of occasional "surprise" additions to the setlist,
including: "I Was Born to Love You" (Japan only), "Imagine" (John Lennon cover, Hyde Park only), "Teo Torriatte"
(Japan only), "Too Much Love Will Kill You" (feat. Katie Melua, South Africa only), '"Long Away" (selected shows
only), "Tavaszi Szel" (Budapest only) and "Let There Be Drums" (Sandy Nelson cover performed at most gigs).
"Sunshine of Your Love" was played in Newcastle as testament to the Cream reunion gig in London going on at the
same time (3 May). May had been present at the Cream show on 2 May, which possibly inspired him to do it. The
band also added "Dragon Attack" to a number of shows on the 2006 North American tour.
Queen + Paul Rodgers followed the European tour with a series of performances in fall 2005, in such diverse
locations as Aruba, Japan and the United States of America. Slash, former lead guitarist of the band Guns N' Roses
and currently of Velvet Revolver, joined the band for "Can't Get Enough" during their show at the legendary
Hollywood Bowl, the second of their two-show trial run in North America (22 October 2005).
In early 2006, Queen + Paul Rodgers played a 23-date tour of North America. The tour started at the American
Airlines Arena in Miami (first Florida date since 1978, first USA shows since 1982) and ended with a sold-out
performance in Vancouver, Canada (where they also covered the Jimi Hendrix song "Red House" – the only
performance of this song on the tour).
The Cosmos Rocks (2006–2008)

On 15 August 2006, May confirmed through his website and fan club that Queen + Paul Rodgers would begin
producing their first studio album beginning in October, to be recorded at a "secret location".[38] The album, titled
The Cosmos Rocks, was released in the European Union on 12 September 2008 and in the United States on 28
October 2008. This was to be Queens 16th studio album and the first since 1995's Made in Heaven.
Rock the Cosmos Tour (2008)

On 27 June 2008, Queen + Paul Rodgers performed at Hyde Park in London for Nelson Mandela's 90th birthday
celebration. The performance included a portion of "One Vision", "Tie Your Mother Down", "Show Must Go On",
"We Will Rock You", "We Are the Champions", and "All Right Now". Following this, the group embarked on the
Rock The Cosmos Tour, opening on 12 September with an AIDS-benefit concert to an audience of over 350,000
people in Kharkiv, Ukraine. The tour then moved to Russia, before continuing around Europe. The concert in
Ukraine was later made into a film for world AIDS day and subsequently DVD Live in Ukraine. This tour did
include a rare performance of Las Palabras de Amor and the first ever live performance of Bijou.
Split (2009)
With a summer reunion tour with Bad Company looming, the singer told Billboard.com that the Queen + Paul
Rodgers collaboration is, in effect, over, and without animosity.[2] "At this point we're gonna sit back from this,"
Rodgers says. "My arrangement with (Queen's Brian May and Roger Taylor) was similar to my arrangement with
Jimmy (Page) in The Firm in that it was never meant to be a permanent arrangement.
"I think we made a huge success of it, actually. We did two world tours and a couple of live recordings, and...made a
studio album [...] which was pretty historical for (Queen's Brian May and Roger Taylor) because they hadn't really
gone in the studio with anybody and recorded something like that for a very long time. So it was quite an
achievement, I think."
Rodgers does not rule out the possibility of working together again, however. "It's kind of an open book, really. If
they approach me to do something for charity, for instance, or something like that...I'd be very much into doing that,
for sure."[2]
Possible reunion
In May 2011, Jane's Addiction vocalist Perry Farrell noted that Queen are currently scouting their once former and
current live bassist Chris Chaney to join the band. Farrell stated: "I have to keep Chris away from Queen, who want
him and they're not gonna get him unless we're not doing anything. Then they can have him."[3]
In the same month, Rodgers stated he may tour with Queen again in the near future, stating that he enjoyed the
collaboration and may work with them again soon. However, on June 3, Brian May denied rumours of a reunion,
saying: "There is no talk of that happening.[4]
Other performances
Queen + Paul Rodgers performed at the VH1 Rock Honors Show in 2006 performing "The Show Must Go On", "We
Will Rock You" (with Dave Grohl and Taylor Hawkins on drums), "We Are the Champions" and"Under Pressure".
Queen + Paul Rodgers appeared on Al Murray's Happy Hour in April (2008) performing "C-lebrity" for the first time
from their debut album The Cosmos Rocks.
Queen + Paul Rodgers appear on Eminem's 2009 album Relapse. The song "Beautiful" samples "Reaching Out"
which was used as Queen + Paul Rodgers's live show opener on the 2005-06 tour. "Reaching Out" was originally
released as a charity single by Rock Therapy, a band which contained both Rodgers and May.
Media releases
Queen + Paul Rodgers released a single for World AIDS Day (1 December) in 2007. The track, "Say It's Not True",
written by Roger Taylor became first available for free download on 30 November, and was subsequently released as
a proper CD single on 31 December.
Previously, Queen + Paul Rodgers have released a live CD called Return of the Champions and a DVD of the same
name. Both featured recordings from their Sheffield Hallam FM Arena concert on 9 May 2005. The DVD also
features a cover of John Lennon's "Imagine" from Hyde Park. A single featuring "Reaching Out"/"Tie Your Mother
Down"/"Fat Bottomed Girls" was also released. In addition, an American promo featuring two tracks taken from the
Italian leg of the European tour was available with some copies of Return of the Champions.
Soundboard recordings exist of all European shows, except those in Ireland and Sweden. Sheffield, Lisbon, Hyde
Park and possibly Budapest concerts were professionally filmed. The Tokyo show on 26 October 2005 was also
professionally filmed and televised, and later released on DVD exclusively in Japan in April 2006, entitled "Super
Live in Japan". Many soundboard recordings of tracks were released for download on the Queen official website,
with blank Q+PR CD-Rs to burn these tracks available for purchase.
There are also many bootlegs from nearly every show of the 2005/2006 tour in audio, and some video.
Members
• Brian May - lead guitars
• Roger Taylor - drums, percussion
• Paul Rodgers - lead vocals
Touring musicians
• Spike Edney - keyboards
• Danny Miranda - bass
• Jamie Moses - rhythm guitars
Discography
Studio albums

(sales thresholds)
UK AUS AUT FRA GER NL NZ SWE SWI US
[5] [6] [7] [8] [9] [10] [11] [12] [13] [14]
2008 The Cosmos Rocks 5 49 11 28 4 8 — — 5 47 UK: Platinum

• Released: September 2008
• Label: EMI
"—" denotes the album chart unknown or wasn't released in that country
Live albums
UK AUT FRA GER NL SWI US

[5] [7] [8] [9] [10] [13] [14]
2005 Return Of The Champions 12 19 80 13 19 42 84

• Released: October 2005
2006 Super Live In Japan N/A — — — — — N/A

• Released: June 2006 (Japan Only)
• Label: EMI
2009 Live In Ukraine — 65 171 43 49 — —

• Released: June 15, 2009 (CD+DVD)
Singles
• Reaching Out / Tie Your Mother Down (Live from Sheffield Arena) - 29 August 2005 #27 NL
• Bohemian Rhapsody (Live from Hyde Park) - October 2005
• Say It's Not True - 31 December 2007 #90 UK
• C-Lebrity - August 2008 #33 UK, #1 UK Rock
• We Believe (Promo Single) [Italy Only]
Videography
US UK
[14] [5]
2005 Return Of The Champions — 1

• Released: October 2005
2006 Super Live In Japan — N/A

• Released: June 2006 (Japan Only)
• Label: EMI
2009 Live In Ukraine — 2

• Released: June 15, 2009 (CD & DVD)
Film
• Let the Cosmos Rock – Film, 2008
Produced by NCM Fathom and Disney’s Hollywood Records. A concert movie captured live 12 September from
Ukraine in Kharkiv's Freedom Square before 350,000 fans. It was shown in U.S. movie theatres one night only –
Thursday, 6 November 2008.
References
[1] http:/ / www. queenpluspaulrodgers. com
[2] "Queen, Paul Rodgers Split Up" (http:/ / www. billboard. com/ bbcom/ news/ queen-paul-rodgers-split-up-1003972472. story).
Billboard.com, 13 May 2009. Retrieved 2010-01-21.
[3] "Perry Farrell Battles Queen for a Bassist, Plots Dream Lineup for Lollapalooza 2012" (http:/ / www. spinnermusic. co. uk/ 2011/ 05/ 20/
perry-farrell-janes-addiction-dave-sitek-queen). Spinner. .
[4] Paul Rodgers to tour with Queen again? (http:/ / www. queenzone. com/ news/ paul-rodgers-to-tour-with-queen-again. aspx) QueenZone.
[5] "The Official Charts Company – Featured Artists: Queen" (http:/ / www. theofficialcharts. com/ artist/ _/ queen/ ). Official Charts Company. .
[6] "Australian Charts > Queen" (http:/ / australian-charts. com/ showinterpret. asp?interpret=Queen). australian-charts.com Hung Medien. .
[7] "Austrian Charts > Queen" (http:/ / austriancharts. at/ showinterpret. asp?interpret=Queen). austriancharts.at Hung Medien. . Retrieved
2011-06-01.
[8] "Les Charts > Queen" (http:/ / lescharts. com/ showinterpret. asp?interpret=Queen). lescharts.com Hung Medien. . Retrieved 2011-06-01.
[9] "Charts.de - Albums - Queen »» Mehr Treffer anzeigen" (http:/ / charts. de/ search. asp?search=queen& x=0& y=0& cat=a& country=de).
[10] "Dutch Charts > Queen" (http:/ / dutchcharts. nl/ showinterpret. asp?interpret=Queen). dutchcharts.nl Hung Medien. . Retrieved 2011-06-01.
[11] "New Zealand Charts > Meat Loaf" (http:/ / charts. org. nz/ showinterpret. asp?interpret=Meat+ Loaf). charts.org.nz Hung Medien. .
[12] "Swedish Charts > Meat Loaf" (http:/ / swedishcharts. com/ showinterpret. asp?interpret=meat+ loaf). swedishcharts.com Hung Medien. .
[13] "charts.de > Queen in den Schweizer Charts (Albums) »» Mehr Treffer anzeigen" (http:/ / charts. de/ search. asp?search=queen& x=1&
y=7& cat=a& country=ch). charts.de / hitparade.ch. . Retrieved 2011-06-01.
[14] "Meat Loaf > Charts & Awards > Billboard Album" (http:/ / www. allmusic. com/ artist/ p4882). Allmusic. Macrovision. . Retrieved
2010-04-19.
External links
• Queen + Paul Rodgers official site (http://www.queenpluspaulrodgers.com)
• Brian May's official site (http://www.brianmay.com)
• Official Paul Rodgers site (http://www.paulrodgers.com)
Queen Hyde Park 1976

Queen live in Hyde Park 1976 was a famous concert by the band. The concert took place on the 18th September,
during the hot summer of 1976. It was part of a brief summer tour of the UK by the band; they also played in
Edinburgh and Cardiff on this tour.
The Hyde Park gig was in fact a free concert, which drew in a crowd of over 150,000, which was one of the largest
audiences for any concert in London.[1] [2] The free concert was organised by Richard Branson, an entrepreneur at
the time.[3]
There is more than one audio source of this concert as well as a video. According to Roger Taylor, the drummer of
Queen, the complete show was supposed to be shown on TV in early 1976 but was never aired. Since then, the
footage has leaked out to collectors, though in terrible quality. Over the years, some of the footage has been showed
in various documentaries and there are rumors of a future official release.
The rest of the day's music was provided by Steamturd, The Kiki Dee Band, Supercharge, The Rich Kids (not to be
confused with Midge Ure's band of the same name), Broken Wreck Chords and Steve Hillage. Elton John was
backstage but did not appear duetting with Kiki Dee for "Don't go breaking my heart" as she felt it would scupper
her moment of glory, despite his pleading to guest appear. She sang to a life-sized cardboard cut-out of Elton instead.
Video footage exists of him calling her all sorts of nasty names backstage. A severe swarm of bees caused a near riot
during Steve Hillage's set, causing all sorts of violence to erupt. The band was over an hour late to come on stage so
they were unable to play their encore due to time restraints.
References
[1] Erlewine, Stephen Thomas. "Queen: Full Biography" (http:/ / www. mtv. com/ music/ artist/ queen/ artist. jhtml). MTV.com. . Retrieved
2009-04-09. "In the summer of 1976, they performed a free concert at London's Hyde Park that broke attendance records..."
[2] "Win Tickets To See Queen & Paul Rodgers; Concert Week In The Evening Standard." (http:/ / www. highbeam. com/ doc/ 1G1-131014961.
html). Evening Standard. 2005-03-30. .
[3] "Queen play Hyde Park" (http:/ / www. bbc. co. uk/ music/ sevenages/ events/ stadium-rock/ queen-play-hyde-park/ ). BBC. . Retrieved
2009-04-09.
Queen I Tour 630
Queen I Tour
Queen I Tour
UK tour by Queen
Associated album Queen
Start date 13.09.1973
End date 02.02.1974
Legs 1
Shows 35
Background
This was Queen's first tour in 1973 covering most major cities in the UK in support of their first studio album Queen.
The tour un-officially started with a recorded concert and the Golders Green Hippodrome which was recorded for
and by the BBC. This concert is widely bootlegged.
Set list
1. Procession
2. Father To Son
3. Son And Daughter
4. Ogre Battle
5. Hangman
7. Liar
8. Jailhouse Rock
9. Shake, Rattle and Roll
10. Stupid Cupid
11. Be Bop A Lula
12. Jailhouse Rock (Reprise)
13. Big Spender
14. Bama Lama, Bama Loo
Queen Live at Golders Green Hippodrome

Queen Will Be Crowned
Live album bootleg by Queen
Recorded 9/13/73
Genre Rock
Label Digital Queen Archives
Queen Live at Golders Green Hippodrome is a live performance of the band Queen which was recorded at the
Golders Green Hippodrome in London on 13 September 1973,[1] and broadcast on BBC Radio 1 as part of its In
Concert series on 20 October 1973.[2]
There are several bootleg soundboard recordings of this broadcast known variously as Live at Golders Green
Hippodrome 1973 and Queen Will Be Crowned. Some of the songs of this broadcast have been released by the band
in the virtual albums Cry Argentina and Rogues & Scandals, part of the official Top 100 Bootlegs series.[3]
Tracks
1. Introduction/Procession (Brian May) - 1:33
2. Father to Son (May) - 5:24
3. Son and Daughter (May) - 7:06
4. See What a Fool I've been (May) - 4:40
5. Ogre Battle (Freddie Mercury) - 4:38
6. Band Introduction - 0:36
7. Liar - 7:19
8. Jailhouse Rock/Shake, Rattle and Roll/Stupid Cupid/Be-Bop-A-Lula/Jailhouse Rock (Reprise) (Jerry Leiber,
Mike Stoller, Howard Greenfield, Neil Sedaka, Gene Vincent, Donald Graves, Jesse Stone) - 3:47
9. Big Spender/Bama Lama Bama Loo (Cy Coleman, Dorothy Fields, Richard Penniman) - 3:16
Trivia
• During the band introduction John Deacon is referred to as Deacon John, same as on the Queen album sleeve
• This is the earliest known soundboard recording of Queen
References
[1] Hodkinson, Mark (2004). Queen: the early years (http:/ / books. google. com/ books?id=n84WbO8wiTQC& pg=PA167). Omnibus Press.
p. 167. ISBN 1844490122. .
[2] Rock, Mick (2007). Classic Queen (http:/ / books. google. com/ books?id=imoqEuJwJhMC& pg=PA180). Sterling Publishing. p. 180.
ISBN 1402751923. .
[3] "The Top 100 Bootlegs" (http:/ / www. ultimatequeen. co. uk/ Songs/ bootlegs. htm). UltimateQueen.co.uk. . Retrieved 2009-04-10.
External links
• Queen Concerts (http://www.queenconcerts.com/detail/live/40/13.09.1973 - Concert: Queen in Golders
Green Hippodrome, London, UK/)
• Live at Golders Green Hippodrome (http://rateyourmusic.com/release/unauth/queen/
live_at_golders_green_hippodrome/) at Rate Your Music
Queen at the Ballet

Queen at the Ballet is a rock ballet created by Sean Bovim as a tribute to Freddie Mercury, that brings the music of
Queen vividly back to life - interpreting the stories behind classic tracks such as Bohemian Rhapsody, Radio Ga Ga
and Killer Queen.
Venues
1. July 6 to 15 July 2006:[1] The Point Theatre, Dublin, Ireland.
2. 24 - 28 and 31 January and 1 February 2006:[2] Spier Amphitheatre
3. 30 August - 11 September 2005: Montecasino
4. 30 April - 15 May 2005: Artscape Opera House, Cape Town, South Africa.
5. 30 September - 9 October 2004:[3] Artscape Opera House, Cape Town, South Africa.
Songs
Act One
1. "Death on Two Legs" (Mercury)
2. "Lazing on a Sunday Afternoon" (Mercury)
3. "Killer Queen" (Mercury)
4. "Under Pressure" (Queen, David Bowie)
5. "Good Old-Fashioned Lover Boy" (Mercury)
6. "Bicycle Race" (Mercury)
7. "Who Wants to Live Forever" (May)
9. "Don’t Try So Hard" (Queen)
10. "Don't Stop Me Now" (Mercury)
11. "The Millionaire Waltz" (Mercury)
Queen at the Ballet 633
Act Two
1. "Innuendo" (Queen)
3. "Play the Game" (Mercury)
4. "Seaside Rendezvous" (Mercury)
5. "Love of My Life" (Mercury)
7. "Take My Breath Away" (Mercury)
8. "Bohemian Rhapsody" (Mercury)
9. "God Save the Queen" (Arr. May)
10. "Barcelona" (Mercury)
References
[1] (anonymous), Jacky (22 May 2006), QUEEN AT THE BALLET (http:/ / www. queenworld. com/ artman/ publish/ article_384. shtml), Official
International Queen Fan Club, , retrieved 29 July 2009
[2] Brommert, Beverley (31 January 2006), "Queen At The Ballet" (http:/ / www. tonight. co. za/ index. php?fArticleId=3089910&
fSectionId=358& fSetId=251), TONIGHT, Western Cape (South Africa: Independent Online (part of Independent News & Media)), , retrieved
29 July 2009
[3] Sewpersad, Roshan (21 October 2004), "Too little balls for balletomanes" (http:/ / www. oulitnet. co. za/ teater/ queen_ballet. asp), LitNet,
Teater (South Africa), , retrieved 29 July 2009
John Reid
John Reid is a Scottish manager and music industry figure, currently living and working in Australia.
Between 1975 and 1978, Reid was the manager of British rock group Queen[1] and Kevin Ayers. For some 25 years
he was the manager of Elton John, but their relationship ended with acrimonious legal action in 2000[2] over a leaked
letter from his accountants detailing Elton's spending which was found by Benjamin Pell and published in the Daily
Mirror.
In Australia, he is best known for being a judge on the local version of The X Factor.
Early life
Reid was born in Paisley, the son of John Reid, a welder, and Betty, a supermarket worker. Apart from 3 years in
New Zealand, he was brought up in the tough Gallowhill district of the royal burgh, and educated at St Mirin's
Academy, where he was a fellow pupil of singer Gerry Rafferty and writer John Byrne, and Stow College in
Glasgow, where he studied marine engineering. After a failed attempt to launch a band with his brother Robert, a
painter and decorator, he moved to New Zealand and then London.
References
[1] "Turning raw talent into TV stars" (http:/ / www. theage. com. au/ news/ TV--Radio/ Turning-raw-talent-into-TV-stars/ 2005/ 05/ 13/
1115843369792. html). The Age. 14 May 2005. . Retrieved 6 April 2011.
[2] "Leaked letter 'enraged' Sir Elton" (http:/ / news. bbc. co. uk/ 1/ hi/ uk/ 1054206. stm). BBC. 4 December 2000. . Retrieved 6 April 2011.
David Richards 634
David Richards
David Richards is an English-born Swiss-based record producer, engineer and musician. In the Mountain Studios in
Montreux, owned by the rock band Queen, and in Attalens he engineered and co-produced many albums by Queen,
David Bowie and other artists. Richards also played keyboards on some records. He also deals with live music
recording in such events as Montreux Jazz Festival.[1]
Selected discography
Albums (co-)produced by David Richards:
• Roger Taylor – Strange Frontier (1984)
• Jimmy Nail – Take It or Leave It (1985; single: "Love Don't Live Here Anymore")
• Feargal Sharkey – Feargal Sharkey (1985; single: "Loving You")
• Queen – A Kind of Magic (1986)
• Iggy Pop – Blah Blah Blah (1986)
• Magnum – Vigilante (1986)
• Virginia Wolf – Virginia Wolf (1986)
• David Bowie – Never Let Me Down (1987)
• The Cross – Shove It (1988)
• Freddie Mercury and Montserrat Caballé – Barcelona (1988)
• Queen – The Miracle (1989)
• Queen – Innuendo (1991)
• David Bowie – The Buddha of Suburbia (1993)
• David Bowie – Outside (1995)
• Queen – Made in Heaven (1995)
Others:
• Queen – Live Killers (1979; assistant engineer)
• Yes – Going for the One (1977; assistant engineer)
• Roger Taylor – Fun in Space (1981)
• Queen – Live Magic (1986; recorded by Mack and Richards)
• Brian May – Back to the Light (1992; engineer, recording, mixing: "Driven by You", "Last Horizon", "Just One
Life")
• Brian May – Another World (1998; additional recording: "Why Don't We Try Again"; mixing: "Another World")
• Samael – Eternal (1999; recording, mixing)
External links
• www.mountainstudios.com [2]
David Richards' Full Discography [3]
References
[1] http:/ / www. tubechop. com/ watch/ 70722
[2] http:/ / www. mountainstudios. com/
[3] http:/ / www. discogs. com/ artist/ David+ Richards
SingStar Queen 635
SingStar Queen
SingStar Queen
Developer(s) London Studio
Publisher(s) Sony Computer Entertainment Europe
Platform(s) PlayStation 3, PlayStation 2
Release date(s) March 20, 2009 (UK)

August 4, 2009 (NA)
Genre(s) Karaoke
Mode(s) Single-player, multiplayer
Rating(s) ESRB: Teen
Media/distribution Blu-ray Disc
SingStar Queen is a competitive karaoke video game for the PlayStation 3 and PlayStation 2, developed by London
Studio and published by Sony Computer Entertainment Europe. The game features the music of rock band Queen. It
was released on March 20, 2009 in United Kingdom and on August 4, 2009 in North America.
Gameplay
SingStar games require players to sing along with music in order to score points. Players interface with their console
via SingStar USB microphones while a music video plays in the background. The pitch players are required to sing
is displayed as horizontal grey bars, which function similar to a musical stave, with corresponding lyrics displayed at
the bottom of the screen. The game analyses a player's pitch and compares it to the original track, with players
scoring points based on how accurate their singing is. Different modes of SingStar may vary this basic pattern, but
the principle is similar throughout.
SingStar includes a variety of game modes. The standard singing mode allows one or two people to sing
simultaneously, either competitively or in a duet.
The PlayStation 3 version of the game supports trophies, however older versions of the game will need to go online
to get the latest patch. Future SingStar games will include the trophy patched game on the Singstar disc.
SingStar Queen 636
Track list
"Bicycle Race"
"Bohemian Rhapsody"
"Breakthru"
"Don't Stop Me Now"
"I Want It All"
"Innuendo"
"One Vision"
"Play the Game"
"Somebody to Love"
"Under Pressure"
"We are the Champions"
"We Will Rock You"
Exclusive tracks for the PS3 version:
"A Kind of Magic"
"Hammer to Fall"
"Killer Queen"
"Radio Ga Ga"
[1]
References
[1] [PlayStation.com - Singstar Queen Description http:/ / us. playstation. com/ games-and-media/ games/ singstar-queen-ps3. html]
Smile 637
Smile
Smile
Brian May, Tim Staffell, Roger Taylor.
Genres Blues-rock, psychedelic rock
Years active 1968–1970, 1992
Labels Mercury
Past members
Brian May
Tim Staffell
Roger Taylor
Smile were a London-based blues rock band best known as the predecessor to renowned rock band Queen. The band
was formed in 1968 by Brian May, who was to become Queen's guitarist. The group included Tim Staffell as singer
and bassist, and, later, drummer Roger Taylor, who also went on to play for Queen. The group disbanded in 1970.
History
In 1968, guitarist Brian May, a student at London's Imperial College, and bassist Tim Staffell formed a group when
May placed an advertisement on the college notice board for a "Ginger Baker type" drummer, and a young medical
student named Roger Taylor auditioned and got the job. Smile were signed to Mercury Records in 1969, and had
their first experience of a recording studio in Trident Studios that year. Staffell was attending Ealing Art College
with Farrokh Bulsara, and introduced him to the band. Bulsara soon became a keen fan.
The group's biggest public performance was on February 27, 1969 at the National Council for the Unmarried Mother
and Her Child. Held at the Royal Albert Hall, May, Taylor and Staffell performed as a trio on guitar, drums and bass
respectively. Keyboardist Chris Smith had been fired the day before, according to Staffell. (According to Smith, he
was only briefly in the band and left of his own accord because he was interested in different styles.)[1]
Smile gigged quite a bit on the London scene, according to Time Out's listings. On April 19, they played at the
Speakeasy and on May 31, they appeared at the Whisky A Go Go.
In March 1969, the band played at a venue known as PJ's, using claims to have previously been played on radio
station BBC Radio 1 to secure an audience. It seems likely that the claims were fictitious, however.[1] [2] Shortly
after they were given a one-off recording deal by Mercury Records to record three tracks, "Earth" (Staffell), "Step
On Me" (May), and "Doin' All Right" (May/Staffell). These were recorded in June 1969 at Trident Studios in Soho.
Smile 638
Ultimately this US promotional recording was never published commercially.

However, in September of the same year, Mercury Records commissioned them to record three more songs: "April
Lady" (Stanley Lucas), "Blag", a May instrumental, and "Polar Bear", a "gentle song about a polar bear"[2] written
and led by May, at De Lane Lea Studios. Again, the record was not released at the time.
When Staffell left Smile in 1970 to join another band, Humpy Bong, Smile effectively disbanded.[3] Bulsara
persuaded May and Taylor to continue, changing the band's name from "Smile" to "Queen" in the process.[3] Bulsara
soon joined the band as lead vocalist. The band had a number of bass players during this period, namely Mike Grose,
Barry Mitchell and Doug Bogie, who did not fit with the band's chemistry. It was not until February 1971 that they
settled on John Deacon and began to rehearse for the first album.[4] This definitively created the Queen lineup which
lasted until Mercury's death in 1991.
For their debut album, Queen recorded "Doing All Right". According to the book "Queen: The Early Years", Staffell
has been well compensated through royalties from the sale of the album, given his co-songwriting credit for the song
with Brian May. Queen also recorded the song for their first BBC recording session with John Peel. That session,
along with their third session, have been released in the UK as At the Beeb (Band of Joy Records) in 1989, and in the
U.S. as Queen at the BBC (Hollywood Records) in 1995. Also in 1995, Queen issued their Let Me Live singles, one
of which features three of the first session BBC recordings, including "Doing Alright".
Smile reunited for several songs on 22 December 1992. Taylor's band The Cross were headliners and he brought
May and Staffell on to play "Earth" and "If I Were a Carpenter".[5] May also performed several other songs that
night.
Discography
Two legitimate releases of the six Smile tracks have since been issued:
Gettin' Smile (LP) from Japan, released September 23, 1982, on Mercury Records. The sleeve contains notoriously
inaccurate lyrics and songwriting credits for the songs. This release was used for all subsequent bootlegs which
contain the songs.
Ghost of a Smile (CD) from Holland, released in 1997, on Pseudonym Records. The CD booklet is comprehensive
and features new liner notes by Tim Staffell. All the tracks were newly remastered. The album also features two
versions of the Eddie Howell/Freddie Mercury collaboration "The Man From Manhattan" (no relation to Smile,
except that Brian May plays guitar on it).
There is a bootleg album of their early tracks circa the Smile era titled Pre-Ordained. Most of them also appeared on
the 1995 Italian bootleg In Nuce.
Songs
The following songs have been confirmed by the members of the band as being part of their repertoire, either live or
in their short-lived studio time.
• "Earth" (Staffell)
• "Step On Me" (Staffell/May) originally from May and Staffell's band 1984.
• "Doin' Alright" (Staffell/May)
• "Blag" (May)
• "Polar Bear" (May)
• "Silver Salmon" (Staffell)
• "See What A Fool I've Been" (May, based on the song "That's How I Feel" by Sonny Terry and Brownie
McGhee)
• "If I Were a Carpenter" (Tim Hardin) a cover regularly featuring in their live set.
• "April Lady" (Lucas) a song presented to the band by Mercury Records during their second studio session.
Smile 639
Smile songs recorded by other artists

• "Step On Me": Two versions were recorded by the pre-Smile band, 1984, as part of a demo tape made at ITV
Studios, London, England, March 31, 1967.
• "April Lady": Southern Comfort (the band remaining after Iain Matthews left Matthews Southern Comfort)
recorded this on their Frog City album (Harvest SHSP 4012; 1971) although it is not included on the CD version).
On the record label this song is mistakenly credited to Carl Barnwell. It may have come to them via Fritz Freyer,
who produced the Smile version, who had connections with Matthews Southern Comfort?
• "April Lady" and "Earth": Staffell joined the band Morgan and title track of their first album Nova Solis (1972)
incorporates exceprts from "April Lady" and all of "Earth".
• "Doin' Alright": Recorded by Queen for their first BBC session on February 5, 1973. This version appears on At
the Beeb (1989) in the UK, and Queen at the BBC (1995) in the US, as well as on the CDQUEEN24 single "Let
Me Live" as a B-side. Queen also recorded this song for their debut album, Queen (1973), with the slightly altered
title, "Doing All Right". This version also appears on the US-only 7" single for their song "Liar" on Elektra
Records (1974).
• "Polar Bear" and "Silver Salmon" : Queen recorded these as demo tracks, yet unreleased, during their debut
album sessions.
• "See What a Fool I've Been": Queen recorded this in August 1973, during their second album sessions (Queen II).
It did not appear on the album, but was released as the B-side to the album's single "Seven Seas of Rhye" (1974).
This version later appeared on the Queen boxed set The Complete Works bonus LP Complete Vision. Hollywood
Records re-issued Queen II in the US in 1991, with this song as a bonus track. The UK and Japanese CD3 singles
(1987 and 1990 respectively) include the song again as the B-side for "Seven Seas of Rhye". Queen also recorded
this song as part of their fourth BBC session with John Peel.
• "Blag": Though never recorded again as such, the featured solo evolved (and continues to evolve) through Brian
May's career both with Queen and as a solo artist. Recorded versions of the solo include: "Son And Daughter"
(third Queen BBC session, 1974, released on the aforementioned BBC album), "Brighton Rock" (from Queen's
third album Sheer Heart Attack in 1974), "Brighton Rock" (from Queen's live album Live Killers in 1979), as
"Guitar Solo" (from Queen on Fire - Live at the Bowl recorded 1982), "Brighton Rock Solo" (recorded in 1986,
on Live At Wembley '86, released 1992), as "Guitar Extravagance" (from The Brian May Band live album Live at
the Brixton Academy in 1993), and recently again as "Guitar Solo" (on the Queen + Paul Rodgers live album
Return of the Champions in 2005).
• "Polar Bear": Valensia recorded this for his album Queen Tribute in 2003.
• "Earth" and "Doin' Alright": Tim Staffell recorded these songs for his solo album aMIGO (2003). Both tracks
feature Brian May on guitar and vocals. "Earth" features Morgan Fisher (formerly of Morgan) on keyboards.
References
[1] "Smit's Smile". (http:/ / web. archive. org/ web/ 20050525180542/ http:/ / www. queenfans. com/ articles/ pics/ chrissmith. jpg) Originally
from Queenfans.com. (Currently offline, retrieved through web archive on 2007-11-08.)
[2] "Pre-Queen - Smile!" (http:/ / web. archive. org/ web/ 20040530091352/ http:/ / www. queenfans. com/ articles/ prequeen2. shtml).
Web.archive.org. 2004-05-30. . Retrieved 2011-10-29.
[3] Queen Biography 1970 (http:/ / queenzone. com/ queenzone/ bio_view. aspx?q=2), Queen Zone,
[4] Queen Biography 1971 (http:/ / queenzone. com/ queenzone/ bio_view. aspx?q=3), Queen Zone,
Smile 640
External links
• http://www.bbc.co.uk/dna/h2g2/A3507879
The Story of Bohemian Rhapsody

The Story of Bohemian Rhapsody is a 2004 documentary about the song "Bohemian Rhapsody", written by the lead
singer of Queen, Freddie Mercury.
The programme
The story of Bohemian Rhapsody is narrated by Richard E. Grant, and runs for approximately 57 minutes.
Throughout the programme, Brian May and Roger Taylor revisit the place where they recorded the 1975 album A
Night at the Opera, and discuss the song and the video.
External links
• The Story of Bohemian Rhapsody [1] at the Internet Movie Database
References
[1] http:/ / www. imdb. com/ title/ tt0438465/
We Will Rock You

We Will Rock You
The Japanese We Will Rock You placard.

Music Queen
Lyrics Queen and Ben Elton
Book Ben Elton
Productions 2002 West End

2003 Melbourne
2003 Madrid
2004 Australia tour
2004 Las Vegas
2004 Moscow
2004 Spain tour
2005 Cologne
2005 Tokyo
2006 South Africa
2006 Japan tour
2006 Zürich
2007 Madrid revival
2007 Toronto
2007 Australasian tour
2008 Vienna
2008 Stuttgart
2009 UK tour
2010 Berlin
2010 Italy tour
2010 Netherlands
2010 Sweden (Stockholm)
2011 Denmark (Copenhagen and
Herning)
2011 Norway (Oslo)
2011 Belgium (Antwerp)
We Will Rock You (often abbreviated as WWRY) is a jukebox musical, based on the songs of Queen and named after
their hit single of the same name. The musical was written by British comedian and author Ben Elton in
collaboration with Queen members Brian May and Roger Taylor. The musical was first produced in London by
Queen Theatrical Productions, Phil McIntyre Entertainment and Tribeca Theatrical Productions, with Christopher
Renshaw as director, Mark Fisher as the production designer, Willie Williams as the lighting designer, Williams &
Fisher as co-video directors, Tim Goodchild as the costume designer, Arlene Phillips as choreographer and Bobby
Aitken as sound designer.
The musical opened in the West End at the Dominion Theatre on 14 May 2002, with Tony Vincent, Hannah Jane
Fox, Sharon D. Clarke and Kerry Ellis in principal roles. The musical was panned by critics, but was an audience
favourite, and has since been played to packed houses around the world, and has become the longest-running musical
at the Dominion Theatre.[1] The story takes place in a tongue-in-cheek dystopian future where originality and
individualism are shunned, and a lone "Dreamer" appears who can fulfill a prophecy that will enable the return of
rock 'n roll.
A number of international productions have followed the original, and We Will Rock You has been seen in Ireland,
Australia, Canada, Russia, Spain, Japan, South Africa, Zürich, Vienna, New Zealand, South Korea, Singapore,
Bangkok and Hong Kong. As of July 2009, productions are still active in Great Britain, Italy and Germany. The
Dutch production premiered at the end of summer 2010 and the Swedish production in autumn 2010.
A sequel is currently in the works, and as of March 2009 a draft has been completed.[2] [3]
Development
According to Brian May, Queen's manager Jim Beach had spoken with the band about creating a jukebox musical
with Queen's songs since the mid-1990s. Initially, the intent was to create a biographical story of Freddie Mercury.
About this time, Robert De Niro's production company Tribeca expressed interest in a Queen musical, but it found
the original idea difficult to work with.[4]
In the year 2000, Ben Elton was approached to start talks with May and Queen drummer Roger Taylor on the
project. Elton suggested taking the musical down a different path than initially imagined, creating an original story
that would "capture the spirit of much of [their] music". He worked closely with May and Taylor to incorporate
Queen's songs into the story. Elton has also stated that he was in part inspired by the computer-controlled dystopia of
the science-fiction film The Matrix. The script was eventually completed midway through 2001.[4] Before working
on We Will Rock You, neither May nor Taylor liked the musical genre.[4]
The original London production began previews on 26 April 2002 and opened on 14 May 2002 at the Dominion
Theatre. The show is currently still playing there, and on 31 May 2011 celebrated its 9th anniversary.
Critical reception
London's critics almost uniformly panned the show, criticising the concept and direction. The Guardian wrote that
the premise "really is as sixth form as it sounds", called the production "ruthlessly packaged and manufactured" and
opined that the "sometimes funny" libretto exists mainly to "devise more unlikely ways to wring out another Queen
song."[5] The Daily Mirror wrote that "Ben Elton should be shot for this risible story."[6] However, some individual
performances received praise[6] and the production remains a popular success. In their popular book Is It Just Me Or
Is Everything Shit, Steve Lowe and Alan MacArthur derided the show as having "a plot similar to a Yes concept
album".
Productions
West End and UK tour

The original production of We Will Rock You opened on 12 May 2002
at the Dominion Theatre in London, England. Tony Vincent played the
lead role of Galileo, with Hannah Jane Fox as Scaramouche, Sharon D.
Clarke as Killer Queen, Nigel Planer as Pop and Kerry Ellis as Meat.
For her performance, Clarke was nominated for "Best Performance in a
Supporting Role in a Musical or Entertainment" at the 2003 Olivier
Awards.
On 17 August 2005 We Will Rock You became the longest running

musical at that venue, surpassing the previous record-holder Grease.[7]
This is notable because the Dominion Theatre is one of the largest
theatrical venues in West End, with a seating a capacity of 2,000
people. The show recently extended its booking date, meaning that it is
now set to run until March 2012.[8]
Notable cast replacements include Mig Ayesa, who played Galileo;

Mazz Murray, who took over the role of Killer Queen from Sharon D. The statue of Freddie Mercury above the entrance
to the Dominion Theatre
Clarke in April 2004 and left it in August 2011, making her the longest
running principal cast member, though she went on maternity leave in
September 2010. Brenda Edwards (semi-finalist in X-Factor in 2005) is currently covering for a limited season in the
West End. Rachel Tucker, a semi-finalist in BBC's I'd Do Anything, played the role of Meat from 22 September
2008 until 19 September 2009, this role was taken over in September 2009 by Irish born Louise Bowden (Mama Mia
/Guys and Dolls / Mary Poppins).[9] However, an unexpected departure of Bowden in May 2010 led to the role of
Meat being taken over by Amanda Coutts who was previously understudying the part. The show features a live band
with Elliott Ware as musical director.[10]
A national UK tour was launched in 2009 at the Palace Theatre, Manchester.[11] [12] The 2009 tour cast initially
included, Alex Gaumond as Galileo, Sarah French-Ellis as Scaramouche, Brenda Edwards as Killer Queen, Georgina
Hagen as Meat, Jonathan Wilkes as Khashoggi, Kevin Kennedy as Pop. Gaumond and French-Ellis returned to play
their characters in the West End and are the current Galileo and Scaramouche. [13]
A second UK tour launched in December 2010 starting at the Palace Theatre, Manchester and is currently due to run
through until early 2012.[14]
Australia and Japan

The first international production premiered at the Regent Theatre in Melbourne, Australia on 7 August 2003.[15]
The cast included Michael Falzon as Galileo, Kate Hoolihan as Scaramouche and Annie Crummer as Killer Queen.
Amanda Harrison, who originated Oz in this Melbourne production, had previously been in the ensemble of the
original London production. The production closed at this venue on 4 March 2004 to make way for Australian tour
stops at Burswood Theatre, Perth (27 April to June 2004), Queensland Performing Arts Centre, Brisbane (27 July to
25 September 2005), and Star City Lyric Theatre, Sydney (9 October 2004 to 13 March 2005).[15] [16] The same
production then made an international tour stop at the Shinjuku Koma Theater in Tokyo, Japan where it ran from 27
May to 24 August 2005.[17] [18]
Due to the success of the Japan tour stop, another Australian tour group was put together in 2006. They performed at
the same venue: the Shinjuku Koma Theatre in Tokyo, from 14 November to 17 December 2006.[19] Some of the
actors of the 2005 tour returned for the 2006 tour, including Peter Murphy as Galileo, Daniel Fletcher as Brit, Ross
Givern as Khashoggi and Robert Grubb as Pop. Kate Hoolihan, who had played Scaramouche in the 2005 tour,
chose to switch to the role of Oz in the 2006 tour.[20] The tour group then performed in Osaka from 5 January 2007
at the Umeda Arts Theater.[21]
Spain
A Spanish production ran from 3 November 2003 to 30 May 2004 at Teatro Calderón, Madrid. The lead role of
Galileo was shared by José Luis Cortés and Miguel Fernández. The rest of the cast included María Blanco as
Scaramouche, Sheilah Cuffey as Killer Queen and Eva María Cortés (sister of José Luis Cortés) as Meat.[22] The
Madrid production had all spoken dialogue and the lyrics translated into Spanish, except for the songs "We Will
Rock You", "We Are the Champions" and "Bohemian Rhapsody", which retained their English lyrics.[23] After
closing at Teatro Calderón, the show began a tour through Spain with stops at Barcelona (12 November to 12
December 2004), Bilbao (17 December 2004 to 16 January 2005) and Valencia (3 February to 27 February 2005).
In 2007 the production returned to Calderón Theatre, Madrid with previews from 23 January and an official opening
on 12 February.[24] This stage featured an entirely new cast, with Daniel Diges and Julian Fontalvo sharing the role
of Galileo, Ruth Calvo and Elena Medina sharing the role of Scaramouche, Maria Lopez and Lara Alcazar sharing
the role of Meat, as well as Nieves Val and Tessa sharing the role of Killer Queen.[24] The production finally closed
on 6 January 2008.
Las Vegas, North America

A US tour had originally been planned for 2004, with initially announced stops in Connecticut and Seattle.[25]
However, due to scheduling conflicts of the creative team, the US tour was scrapped and replaced with a production
housed at the Paris Las Vegas hotel and casino in Las Vegas, Nevada, which is the musical's first North American
venue.
The Las Vegas production had previews from 4 August and officially opened on 8 September 2004.[25] [26] Tony
Vincent, who had originated the role of Galileo in the London production, reprised the role, which he alternated with
Jason Wooten. Aspen Miller and Kacie Sheik shared the role of Scaramouche, Patti Russo was Killer Queen, and Ty
Taylor was Brit.[27] The Las Vegas production "trimmed" down the book into a single act show.[25] This production
closed on 27 November 2005.[28]
Russia
A Russian production opened in the Estrada Theatre, Moscow on 17 October 2004. The production's dialogue and all
songs but three were translated into Russian, by Evgeny Margulis of Mashina Vremeni.[29] This production closed
only four months after its opening due to disagreements between the show's producers, despite fan protests to keep
the show going.[29]
Germany
A German production opened in the Musical Dome, Cologne on 12 December 2004. The Cologne production had
the spoken dialogue translated to German, but the musical numbers consisted of a mix of translated German
language lyrics and the original English language lyrics. According to Brian May, the language combination was
intentional by writer Ben Elton, with German representing the show's "present day" and English representing the
distant past.[30] The production closed at this venue on 30 September 2008 to be transferred to Stuttgart.[31] The
Stuttgart transfer opened at the Apollo Theatre on 13 November 2008 after previews from 7 November 2008.[32] [33]
The production opened in Berlin on 21 October 2010.
South Africa
A South African production opened at the Civic Theatre in Johannesburg on 9 May 2006.[34] The production starred
Francois Schreuder as Galileo, Helen Burger as Scaramouche, Vicky Sampson as Killer Queen, and Helen Goldberg
as Oz.[35] This production made tour stops at the Artscape in Cape Town (from 25 July) and the Playhouse Opera in
Durban (29 September to 29 October 2006) before closing.[34] [36]
Switzerland and Austria

A German-language production opened in Zürich, Switzerland on 3 December 2006 at Theatre Stadthof 11, Oerlikon
using the book of the bilingual Cologne production.[37] The Swiss production starred Jessica Kessler as
Scaramouche, Brigitte Oelke as Killer Queen and Rachel Fischer as Ozzy. This production closed at the end of 2007
to be transferred to Vienna.[38] The transfer opened in Vienna, Austria on 24 January 2008, at the Raimund Theatre
where it ran until 13 July 2008.[39]
Canada
A Canadian production began previews on 14 March and officially opened on 10 April 2007 at the Canon Theatre,
Toronto.[40] [41] Mig Ayesa, who played the lead role in the London production, had been offered the role in the
Canadian production by Brian May and Ben Elton, but the Canadian producers wanted an all-Canadian cast and
Quebec native Yvan Pednault was given the role.[42] The rest of the cast included Erica Peck as Scaramouche, Alana
Bridgewater as Killer Queen, Suzie McNeil as Oz and Evan Buliung as Khashoggi. McNeil had been a participant of
the reality show Rockstar: INXS, in which she had competed against Ayesa and former Las Vegas We Will Rock You
cast member Ty Taylor.
This production closed at the Canon Theatre on 11 May 2008[43] to be transferred to the Panasonic Theatre, where it
opened on 16 July 2008.[44] The new Toronto production underwent major rewrites in order to trim the show before
its reopening. Changes include: there is no longer any dialogue between "Ga-Ga" and "I Want to Break Free"; "One
Vision" has been cut; the Act Two song sequence is now "Fat Bottomed Girls", "Who Wants to Live Forever",
"Seven Seas of Rhye", "Hammer to Fall" and then "Another One Bites the Dust" before leading to the finale. In
October 2008, Camilla Scott took over the role of Khashoggi, a character that had previously been portrayed as a
male, though her understudies remain male. Erica Peck, who originated the role of Scaramouche in this production,
is scheduled to reprise her role from 29 May.[45] This production closed on 28 June 2009.[46]
Australasian tour
An Australasian tour was launched on at the end of 2007 in New Zealand, in which previous We Will Rock You cast
members MiG Ayesa (London cast), Annie Crummer (original Australian cast), Neels Clasen (original South
African cast) and Malcolm Terry (original South African cast) reprise their roles as Galileo, Killer Queen,
Khashoggi and Pop respectively.[47] Talia Kodesh, who had played Oz in the South African production, played the
role of Scaramouche in the New Zealand tour stop.[48] After the tour left New Zealand, the role was taken over by
Sivan Raphaely, who had been in the ensemble of the original South African production.
The tour performed in Auckland, New Zealand at The Civic, The Edge (26 October to 2 December 2007), in Seoul,
South Korea at the Seongnam Arts Centre (2 February to 24 February 2008),[49] [50] in Singapore at the Esplanade
Theatre (28 March to 27 April 2008),[51] in Hong Kong at The Lyric Theatre of The Hong Kong Academy for
Performing Arts (16 May to 22 June 2008)[52] and in Bangkok, Thailand at the Muangthai Ratchadalai Theatre (12
July to 27 July 2008).[53]
Italy
An Italian production opened on 4 December 2009 at the Allianz Teatro in Milan, Italy. Starring Gianluca Merolli
and Salvo Vinci as Galileo, Marta Rossi and Martina Ciabatti as Scaramouche, Valentina Ferrari as Killer Queen,
Salvo Bruno and Carlo Spano as Khashoggi, Paolo Barillari as Brit, Loredana Fadda and Mary Dima as Oz and
Massimiliano Colonna as Pop. WWRY Italy is produced by Barley Arts and directed by Maurizio Colombi. The
musical director is Roberto Zanaboni followed by Davide Magnabosco (keyboard), Giovanni Maria Lori (keyboard),
Linda Pinelli (bass), Alex Polifrone (drums), Marco Scazzetta (percussions), Andrea Cervetto (guitar) and the lead
guitarist is Tristan Avakian, who had a successful run with WWRY Toronto. All the dialogues are in Italian and
almost all the songs are in English expect for Radio Ga Ga and Noone but you. The translation and adaptation of the
Italian script were made by Raffaella Rolla with the cooperation of Alice Mistroni. The show is scheduled to tour
across Italy over the year, so far visiting Milan, Bologna, Trieste and Rome .[54] The second season is due to start in
Bergamo on 4 November and it will be on tour until March 2011. The double cast has been dropped therefore this
year the leading roles are : Galileo (Salvo Vinci), Scaramouche (Martha Rossi), Oz (Loredana Fadda), Brit (Paolo
Barillari), Khashoggi (Salvo Bruno), Killer Queen (Valentina), Pop (Massimiliano Colonna). The new lead guitarist
is Marco Gerace.
Sweden
12 September through 18 December 2010 a big production of WWRY were played in Stockholm, Sweden at the
venue Cirkus. The spoken dialogue is translated to Swedish by Anders Albien. Cast: Killer Queen: Tina Lejonberg,
Galileo: Bruno Mitsogiannis, Scaramouche: Marie Haugen Smistad, Ozzy: Anna Lidman, Brit: Henrik Orwander,
Khashoggi: Daniel Engman, Peps: Simon Bengtsson Tibblin, Teacher: Linda Holmgren, Christer: Tomas
Marcotte.[55]
Norway
January 2011, the Stockholm Production of WWRY moved to Oslo, Norway. The production opened 23 January at
Folketeateret. The spoken dialogue (and some of the songs) was translated to Norwegian by Kjetil Indregard. Cast:
Killer Queen: Reidun Sæther, Galileo: Espen Grjotheim, Scaramouche: Marie Haugen Smistad, Ozzy: Anna Lidman,
Brit: Eivind Dundas, Khashoggi: Daniel Engman, Oddi (Pop): Mads Henning Jørgensen, Big Macca: Håvard Bakke,
Teacher: Linda Holmgren.[56] The production closed 16 April 2011.
Belgium
On the first of september 2011 WWRY opened in Antwerp. It was an amazing spectacle and they are still playing
every single day for a full theatre. A big part of the cast already played the musical in the Netherlands, but the
challenge was that they had to learn the 'Belgian language'. But there was a small change in the cast:
Cast
• Galileo - Tim Driesen
• Scaramouche - Marjolein Teepen
• Killer Queen - Goele De Raedt
• Khashoggi - Paul Donkers
• Brit - Martin van der Starre
• Ozzy - Floortje Smit
• Arno - Karel Deruwe
Other productions
From 2006, the show has been licensed for amateur productions in the UK, with proceeds going to the Mercury
Phoenix Trust.[57] This license also extends to school performances, under the title "Schools Will Rock You".
In early 2007 Queen Theatrical granted the rights for a non-equity production of We Will Rock You at the Jedlicka
Performing Art Centre in Chicago from April, making it the first North American production since the Las Vegas
show closed.[58]
An externally-licensed production was staged in Varberg, Sweden from February to July 2007. A Dutch production
was opened at 3 December 2010.
Summary: Original London production
Act One
The story is set exactly 300 years in the future in a vaguely Orwellian world. Earth has been renamed as "Planet
Mall" (the "iPlanet" as of October 2011), and is controlled by the Globalsoft Corporation. ("Innuendo") On Planet
Mall, mainstream commercial conformity reigns, in which Ga Ga Kids watch the same movies, listen to
computer-generated music, wear the same clothes and hold the same thoughts and opinions. Musical instruments are
forbidden, and rock music is unknown. ("Radio Ga Ga")
In the newest graduating class is black sheep Galileo, who has dreams and hears strange words in his head, most of
which are lyrics of songs long since lost, though he does not understand their significance. Despite his teacher's
advice, Galileo refuses to conform like the rest of his classmates. ("I Want to Break Free") Galileo is captured by
Khashoggi, commander of Globalsoft's police. The teacher also reveals a second anomaly, a young goth woman who
is openly mocked and derided by her peers ("Somebody to Love"). She too is arrested by Khashoggi.
Ruling Globalsoft Corporation is the Killer Queen. ("Killer Queen") She has heard of a prophecy that instruments
have been hidden somewhere on Planet Mall in the "place of living rock", and a "bright star" will show the way to
them. She orders Khashoggi to get to the bottom of the matter and crush the rebel Bohemians who believe in the
prophecy. Killer Queen then basks in her power over Planet Mall. ("Play the Game")
Galileo and the young woman wake up in a hospital ("Death on Two Legs" (intro)). They realize that they are kindred
spirits, feared by the rest of their society. ("Under Pressure") They flee together from the hospital.
Killer Queen has blown up all the rocks on Planet Mall, but cannot find any supposed hidden instruments. She insists
that they have won, and the prophecy will not come to pass. ("A Kind of Magic")
On the streets, Bohemians Brit and Meat climb out of the sewers, where they have been gathering materials to make
musical instruments. Brit is a believer in the Dreamer who will fulfil the prophecy, and insists to the cynical Meat
that it's the key to bringing real music back into the world. ("I Want It All") Brit and Meat hear footsteps
approaching, and hide.
Galileo and the woman arrive, with Galileo talking about his belief that he has a destiny. He says that he has a name
for the woman: "Scaramouche". Brit and Meat reveal themselves, and accuse Galileo and Scaramouche of being
spies, because Galileo keeps spouting words of the "sacred text". Galileo insists that he only hears those words in his
head. Brit tests Galileo, singing the first few lines of "Bohemian Rhapsody". Galileo responds correctly with the
subsequent lines, and Brit realises that he is the Dreamer of the prophecy. They bring Galileo and Scaramouche to
the Heartbreak Hotel, which is located at the ruins of the Tottenham Court Road tube station, where the Bohemians
have made their home. ("Headlong") Of note, the original London production is staged at the Dominion Theatre,
which is located above the real Tottenham Court Road tube station.
The Bohemians explain that they take their names after singers long gone, and mourn the deaths of those who died
young. ("No-One but You (Only the Good Die Young)") The group then celebrate the reason rock bands started
playing music in the first place, which was for love. ("Crazy Little Thing Called Love")
Khashoggi and his police suddenly arrive at the Heartbreak Hotel, where they round up the Bohemians for capture.
Brit breaks free and battles the police in order to enable Galileo and Scaramouche to escape, but in the process is
killed. ("Ogre Battle")
Act Two
The Ga Ga Kids of Planet Mall move on in their regular fashion. ("One Vision")
Galileo and Scaramouche have escaped the Heartbreak Hotel, and realise that back at the hospital, tracking devices
were installed in their heads. They remove them, and upon realizing that they are all that's left of the rebels, they
confess their love for each other. ("Who Wants to Live Forever")
The surviving Bohemians have been rounded up by Khashoggi to be tortured. ("Flash") When he cannot get any
information from them about the prophecy, he has them brain-drained. ("Seven Seas of Rhye"—interpolating
"Lazing on a Sunday Afternoon")
Galileo wakes up, and tells Scaramouche that he had a dream that the Bohemians were sent to the Seven Seas of
Rhye. Scaramouche agrees they have to go there, but then Galileo insists that she stay because she's a "chick", to
which Scaramouche takes offense. They argue, and decide that both of them will go to the Seven Seas of Rhye, but
their relationship will be purely professional.
Back at Globalsoft headquarters ("Fat Bottomed Girls") Khashoggi reports that the Bohemians are no longer a
problem. Killer Queen prematurely starts to celebrate. ("Don't Stop Me Now") Khashoggi interrupts her, explaining
that Galileo and Scaramouche escaped. Killer Queen declares this is the last time Khashoggi has disappointed her,
and has him brain-drained. ("Another One Bites the Dust")
Galileo and Scaramouche are making their way to the Seven Seas of Rhye, arguing all the way. ("Hammer to Fall")
At the Seven Seas of Rhye pub, Pop the librarian is serving drinks to the lifeless Bohemians. ("These Are the Days
of Our Lives") When Galileo and Scaramouche arrive, Pop explains the full nature of the prophecy to them as
inscribed by the three remaining members of the band Queen just before they were sentenced to death. Scaramouche
figures out that the bright shining star of the prophecy is rock star Freddie Mercury's statue, and that it's pointing to
Wembley Stadium, the "place of living rock". After initially preparing to travel by bicycle, (opening of "Bicycle
Race")Scaramouche protests that the method "isn't very cool", and so they travel there by motorcycle. ("Headlong
(reprise)")
Wembley Stadium is in ruin, with no instruments to be found. Reconciling and their love for each other rekindled
("Love of My Life"), Scaramouche inspires Galileo to perform the opening of "We Will Rock You", and an electric
guitar is revealed. Galileo cannot play it, but Scaramouche can. ("Brighton Rock solo") Pop hacks into Globalsoft's
network so their music can be heard by everyone on Planet Mall, and Killer Queen is defeated. ("Tie Your Mother
Down", "We Will Rock You / We Are the Champions")
After the curtain calls ("We Will Rock You (fast version)"), a question appears that says "Do you want "Bohemian
Rhapsody"?" Everybody in the audience is supposed to shout yes, and the answer appears as "Oh...alright then" and
the entire cast perform "Bohemian Rhapsody" as an encore.
Variations
International productions of the musical feature changes in the story and song line-up in order to better reach target
audiences. All the main characters retain their general personalities across productions, but the names vary
depending on the production. (See characters section below).
The dialogue contains many references to popular culture, with lyrics from numerous non-Queen songs and albums
inserted into the text. These references are constantly changing, and according to writer Elton, this is to keep the
show "fresh".[4] Songs that have been referenced include The Beatles' "Help!", "Strawberry Fields Forever", "Penny
Lane", "Lucy in the Sky with Diamonds", "I Am the Walrus" and "Hello, Goodbye", Little Richard's "Tutti Fruitti"
and "Long Tall Sally", the theme from The Wombles, The Goodies' "Funky Gibbon", Bruce Springsteen's "Born to
Run", David Bowie's "Rebel Rebel" and "Space Oddity", The Wild Ones' "Wild Thing", Rolling Stones' "Honky
Tonk Women", Bob Dylan's "Mr. Tambourine Man", ABBA's "Dancing Queen" and "Fernando", Oasis' "(What's the
Story) Morning Glory?", Eminem's "The Real Slim Shady", Spice Girls' "Wannabe", Elton John's "Goodbye Yellow
Brick Road", Black Lace's "Agadoo", The Clash's "Complete Control", Teletubbies and "Michael Jackson"
Special shows
May often performs with the London production on special occasions such as anniversaries[59] and Freddie
Mercury's birthday.[60]
Hannah Jane Fox, who originated Scaramouche, was the last original principal cast member to remain with the show.
She gave her final performance on 28 January 2006, four years after the musical opened at the Dominion Theatre,
and the event was celebrated with May appearing on stage to perform the guitar solo during the "Bohemian
Rhapsody" encore.[61]
On 5 September 2006, the London show celebrated what would have been Freddie Mercury's 60th birthday. During
the song "Don't Stop Me Now", ordinarily sung by Killer Queen, the band "McFly" (who were at #1 with the song
on the singles charts the previous week) emerged onto the stage to sing it instead.[62] Brian May and Roger Taylor
joined the encore, performing Taylor's "Say It's Not True" as a duo. Ben Elton also addressed the audience on this
special occasion. The following week, tickets to the London show were sold from £19.46, Mercury's birth year.
On 14 May 2007, the London show celebrated its fifth anniversary with a special show featuring both May and
Taylor playing in the final section of the show. Writer Ben Elton also made an appearance to present a special plaque
to the cast, May and Taylor. During the portion of the show based in Pop's bar, the line "But the Pub Landlord has a
Bike" was followed by a cameo appearance of British comedian Al Murray, who came up through the stage on a
motorcycle.[63]
The London show's sixth anniversary performance was held on 21 May 2008, a week after its actual anniversary due
to the unavailability of Brian May. For the first time since the show opened, the Killer Queen character performed
the entire song "Don't Stop Me Now", a musical number which is normally interrupted by the Khashoggi character.
This unique performance is acknowledged by Killer Queen's dialogue: "No, you didn't let me finish, you never let
me finish. For six long years, night after night, week after week, year after year. Well, tonight, I'm going to finish."
To which Khashoggi replied: "It's not in the script?" Additionally, May joined Killer Queen and the dancers on stage
for the performance. After the encore, Elton made a thank you speech, after which the entire cast performed "The
Show Must Go On", accompanied by May on guitar.
The seventh anniversary of the London Show was celebrated on Monday 18 May 2009. The show contained a
special appearance from Brian May and Ben Elton who emerged together in a cloud of smoke during the encore
rendition of "Bohemian Rhapsody" with May playing guitar. As with the year before, Elton gave a thank you speech
and the entire cast performed "The Show Must Go On", accompanied by May on guitar.
On Saturday 12 September 2009 at the early matinee performance Brian May again emerged in a cloud of smoke
playing the guitar in "Bohemian Rhapsody". What was the occasion for this appearance is not clear. He did the same
again on Saturday 14 November 2009 (Brian May birthday)at the matinee.

On Sunday 31 January 2010 in The O2 Dublin, Brian May once again played Bohemian Rhapsody with the company
during the finale of both the matinee and evening shows to celebrate the end of their year long tour.
On Saturday 5 September 2010 Brian also appeared though a cloud of smoke, again to play "Bohemian Rhapsody".
This was due to the annual cast change, as well as a celebration of what would have been Freddie Mercury's 64th
birthday, and afterwards Brian gave a farewell speech to the cast that were leaving.
Characters
Galileo Figaro - The central character of the musical; a dreamer who hears strange words in his head. He is
eventually revealed to be a reincarnation of Freddie Mercury. The character's name is a reference to the lyrics in the
Queen song "Bohemian Rhapsody".
Scaramouche – A sarcastic, cynical character and Galileo's love interest. In the finale she shows talent playing the
electric guitar, and Galileo declares that she is a reincarnation of Brian May, only this time "he's a babe". The
character's name is a reference to the lyrics in the Queen song "Bohemian Rhapsody".
Killer Queen – The villain of the musical, she rules over Planet Mall with an iron fist. The character's name is a
reference to the Queen song "Killer Queen".
Brit (alternately Paris, Duff, Vic and J.B.) – Brit, short for Britney Spears, is the main male Bohemian rebel. In
other productions, his name is either Paris (short for Paris Hilton), Duff (short for Hilary Duff), Vic (short for
Victoria Beckham) or J.B. (short for Jeanette Biedermann).
Meat (alternately Oz, Ozzy) – Meat, short for Meat Loaf, is the main female Bohemian. In some productions, the
character is named Oz after Ozzy Osbourne.
Commander Khashoggi – Killer Queen's second-in-command, he is head of Globalsoft's police and carries out
Killer Queen's dirty work. The character's name is a reference to the Queen song "Khashoggi's Ship" (which is about
the real life Saudi arms dealer Adnan Khashoggi).
Pop (alternately Polo, Bap, DJ) – An elderly librarian trying to figure out the "exact date the music died", in some
productions in love with Scaramouche, believed to be named after the creation of reality television talent shows (the
example given varies depending on the production, but includes Popstars, Pop Idol, The X Factor, or the relevant
regional variant). Probably named for Iggy Pop or simply a diminutive for "Grandfather".
Other Bohemians – The other Bohemians have constantly changing names following media trends. These are
usually music-related, and have included Paul McCartney, Bruce Springsteen, Robbie Williams, Beyoncé, Madonna,
Amy Winehouse, Bob the Builder, Cheeky Fairy, Boy George, Cliff Richard, Spice Girls, Elton John, Jackson Five,
Prince, Burton Cummings, John Farnham, Charlotte Church, Crazy Frog, Eddie Cochran, Avril Lavigne, Shania
Twain, Lily Allen, Kelly Osbourne and Clay Aiken, Cheeky Girls, Kurt Cobain and recently Michael Jackson.
Music
As a jukebox musical, the show's music consists entirely of Queen material. The musical numbers of the original
London production are as follows.
Act I Act II
• Innuendo – Freddie Mercury and ensemble • One Vision/Radio Ga Ga (reprise) – Ga Ga Kids
• Radio Ga Ga – Ga Ga Kids • Who Wants to Live Forever – Galileo and Scaramouche
• I Want to Break Free – Galileo • Flash – Bohemians
• I Want to Break Free (reprise) – Scaramouche • Seven Seas of Rhye – Khashoggi and Bohemians
• Somebody to Love – Scaramouche and Teen Queens • Fat Bottomed Girls* – Queen, Killer Queen and Sex
• Killer Queen – Killer Queen and Yuppies Yuppies
• Play the Game – Killer Queen and Yuppies • Don't Stop Me Now (reprise) – Killer Queen
• Death on Two Legs* (instrumental) • Another One Bites the Dust – Killer Queen
• Under Pressure – Galileo and Scaramouche • Hammer to Fall – Galileo and Scaramouche
• A Kind of Magic – Killer Queen, Khashoggi and Yuppies • These Are the Days of Our Lives – Pop and Bohemians
• Here Comes Santa! / Don't Stop Me Now - Ga Ga Kids • Bicycle Race* – Bohemians
• I Want It All – Brit and Meat • Headlong (reprise)* – Galileo, Scaramouche and Pop
• Headlong – Brit, Meat, Galileo and Scaramouche • Brighton Rock solo* (instrumental)
• No-One but You (Only the Good Die Young) – Meat and Bohemians • Tie Your Mother Down* (instrumental)
• Crazy Little Thing Called Love* – Brit, Meat, Galileo, Scaramouche and • We Will Rock You – Galileo and Bohemians
Bohemians • We Are the Champions – Galileo and ensemble
• Ogre Battle (instrumental) • Encore: We Will Rock You (fast version) – Ensemble
• Encore: Bohemian Rhapsody – Entire cast
Later in the London production, the "One Vision" sequence was changed to include Freddie Mercury's recorded
vocals for the bridge. Previously, the bridge had been sung by the ensemble.
In the original London production, "Fat-Bottomed Girls" was a short instrumental interlude prior to "Another One
Bites the Dust". Subsequent international productions expanded the song into a full song and dance sequence. Due to
the positive response, the change was transferred back to the London production.
For the single-act Las Vegas production, "Who Wants to Live Forever" is replaced by "You're My Best Friend".
For the Australasian tour and Canadian production, "Play the Game" is replaced by "Now I'm Here".
For the revamped Canadian production, "One Vision" is removed.
On special occasions, "The Show Must Go On" is added to the encore.[59] [63]
Other media
Recordings
A cast recording of the original London production was released in
November 2002.[64] Not all songs in the show were included in the
album, the omitted tracks have been marked* in the above list. In
August 2003, the London cast recording was given an Australian
edition re-release, containing a bonus track of the original Australian
Killer Queen, Annie Crummer, singing a studio version of "Another
One Bites the Dust".
In 2004, Kerry Ellis, who was the original Meat in the London
production, worked with Brian May to record an instrumental studio
version of "No One but You (Only the Good Die Young)". This
version is available through the official Queen website and in Ellis'
limited-release CD single titled Wicked in Rock.[65] [66] The cover of the original London cast album,
[4]
featuring Tony Vincent.
A Madrid cast recording was released in 2004. The recording includes
a bonus second disc containing an extended Spanish-translated studio
version of "No-One But You" ("Solo Por Ti") sung by the original Meat, Eva María Cortés, and video clips of the
original Madrid production.
A Cologne cast recording was released in 2005. It is the only We Will Rock You cast recording to contain "Fat
Bottomed Girls".
Discography
Release Peak chart positions Certifications Album

Year Format (sales
UK AUS AUT FRA GER IRE NL US thresholds)
2002 "We Will Rock You" Album — — — — — — — —

(The Original London Cast)
2003 We Will Rock You: Australasian Album — — — — — — — —

Edition
(The Origninal London Cast,
Queen & Annie Crummer)
2003 "Another One Bites The Dust" Single — — — — — — — — We Will Rock You:
(Queen + Annie Crummer) Australasian Edition
2004 We Will Rock You: Spanish Cast Album — — — — — — — —

(The Spanish Cast)
2004 "Solo Por Ti (No One But You)" Single — — — — — — — — We Will Rock You:
(Queen + Eva Maria) Spanish Cast
2005 We Will Rock You: German Cast Album — — — — — — — —

(The Köln Cast)
Alana Bridgewater recorded version of Fat Bottomed Girl on her debut album "Horizon".
Proposed film adaptation

At the time of launching the musical, Robert de Niro referred to the possibility of a film version.[67]
In a 2009 interview with the BBC, Brian May said that a film version was proposed, and that Ben Elton had written a
full script with a "grittier" storyline. He emphasised that a lot more action can be included during the songs in a film
than in a stage musical.[68] [69] [70]
Awards and nominations

2003 Olivier nominations
• Best Performance in a Supporting Role in a Musical or Entertainment - Sharon D. Clarke
2003 Theatregoers' Choice Awards nominations[71]
• Best New Musical (WINNER)
• Best Actor in a Musical - Tony Vincent (WINNER)
• Best Actress in a Musical - Hannah Jane Fox (WINNER)
• Best Supporting Actress in a Musical - Sharon D. Clarke (WINNER)
• Best Director - Christopher Renshaw (WINNER)
2004 Helpmann Award nominations
• Best Musical
• Best Direction of a Musical - Ben Elton
• Best Choreography in a Musical - Arlene Phillips
• Best Male Actor in a Musical - Michael Falzon
• Best Female Actor in a Musical - Kate Hoolihan (WINNER)
• Best Male Actor in a Supporting Role in a Musical - Robert Grubb (WINNER)
• Best Female Actor in a Supporting Role in a Musical - Amanda Harrison (WINNER)
• Best Music Direction - Mike Dixon, Brian May and Roger Taylor (WINNER)
• Best Sound Design - Bobby Aitken (WINNER)
2006 Naledi Theatre Awards nominations[72] [73]
• Best Performance in a Musical (Male) - Neels Calsen
• Best Performance in a Musical (Female) - Helen Burger
• Best Comedy Performance (Male) (Play, Musical or Revue) - Malcolm Terrey
• Best Musical Director / Score / Arrangement - Bryan Schimmel
• Best Theatre Sound Design - Mark Malherbe (WINNER)
2007 Dora Mavor Moore Awards nominations[74]
• Outstanding Production of a Musical (WINNER)
• Outstanding Direction of a Musical - Ben Elton
• Outstanding Performance by a Male in a Principal Role (Musical) - Yvan Pedneault
• Outstanding Performance by a Female in a Principal Role (Musical) - Erica Peck
• Outstanding Costume Design - Tim Goodchild
• Outstanding Sound Design/Composition - Bobby Aitken
• Outstanding Musical Direction - Rick Fox
• Outstanding Choreography in a Play or Musical - Arlene Phillips
2010 Olivier Awards nominations
• Audience Award for Most Popular Show [75]
2011 Olivier Awards nominations
• BBC Radio 2 Olivier Audience Award (WINNER) [76]
References
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[2] We Will Rock You Sequel Being Planned, by Mark Shenton, dated 15 April 2008 (http:/ / www. playbill. com/ news/ article/ 116795. html) -
playbill.com
[3] WWRY: Queen of the musicals? by Dave Cunnignham ,25 February 2009 (http:/ / www. whatsonstage. com/ blogs/ manchester/ 2009/ 02/
25/ wwry-queen-of-the-musicals/ ) - WhatsOnStage.com
[4] We Will Rock You The Musical by Queen and Ben Elton: The Official Book. pp. 10-27
[5] Logan, Brian (15 May 2002). ""We Will Rock You" Guardian Unlimited Arts" (http:/ / arts. guardian. co. uk/ reviews/ story/ 0,,766309,00.
html). The Guardian (London). .
[6] BBC News. Reviews. "Raspberries for Queen's Rhapsody" (http:/ / news. bbc. co. uk/ 1/ hi/ entertainment/ 1988767. stm)
[7] "We Will Rock You becomes longest running show at the Dominion." (http:/ / londontheatredirect. com/ information/ ltdItem.
asp?lngID=69& lngCategory=1& datItem=Wed Aug 17 00:00:00 UTC+ 0100 2005). .
[8] http:/ / www. wewillrockyoutickets. org
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title=IDAs+ Rachel+ Tucker+ Joins+ Queen+ We+ Will+ Rock+ You). Whatsonstage.com. 10 July 2008. . Retrieved 10 July 2008.
[10] http:/ / www. wwry-london. co. uk/ index. php?page=band
[11] Shenton, Mark (22 August 2008). "We Will Rock You to Kick Off U.K. National Tour in 2009" (http:/ / www. playbill. com/ news/ article/
120655. html). Whatsonstage.com. . Retrieved 24 August 2008.
[12] (http:/ / www. wewillrockyou. co. uk/ tour/ ) - We Will Rock You tour, Official website
[13] Cast: We Will Rock You UK tour, 9 February 2009 (http:/ / www. whatsonstage. com/ blogs/ manchester/ 2009/ 02/ 09/ cast-wwry-uk-tour/
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[14] We Will Rock You UK Tour | Venues - Where to see We Will Rock You, 13 March 2011 (http:/ / www. wewillrockyou. co. uk/ tour/
venues/ ) - WWRY Tour Page
[15] We Will Rock You Australia (http:/ / www. brianmay. com/ queen/ wwry/ OZ/ pressrelease. html) - Queen Press Release
[16] Stage Credits, including We Will Rock You Australia tour (http:/ / www. robertgrubb. com/ Credits-Stage. htm) - Robert Grubb website
[17] We Will Rock You, by Dave Grunebaum (http:/ / metropolis. co. jp/ tokyo/ 586/ stage. asp) - Metropolis.co.jp
[18] We Will Rock You Tokyo (http:/ / www. arts. australia. or. jp/ english/ events/ 0505/ wwry/ ) - Arts Australia Japan
[19] We Will Rock You returns to Japan (http:/ / arts. australia. or. jp/ english/ events/ 0611/ wwry/ ) - Arts Australia Japan
[20] November 2006 archive (http:/ / www. brianmay. com/ queen/ queennews/ queennewsnov06a. html) - Official Queen news website
[21] WWRY JAPAN MOVES TO OSAKA IN JANUARY, entry 2 December 2006 (http:/ / www. brianmay. com/ queen/ queennews/
queennewsdec06a. html) - Official Queen news website
[22] MADRID REVISITED ..., entry 18 February 2007 (http:/ / www. brianmay. com/ brian/ brianssb/ brianssbfeb07. html) - Brian May's blog
[23] Original Madrid Cast Recording (http:/ / castalbumcollector. com/ recordings/ 5120) – Original Madrid Cast Recording
[24] We Will Rock You Madrid (http:/ / www. wewillrockyou. es) - Official website
[25] We Will Rock You Las Vegas press releases (http:/ / www. brianmay. com/ queen/ wwry/ lasvegas/ news. html) - Official Queen website
[26] Smash-Hit Musical 'We Will Rock You' Premieres at Paris Las Vegas on 8 Sept. with Star-Studded Gala and Special Rock Walk Induction
(http:/ / findarticles. com/ p/ articles/ mi_m0EIN/ is_2004_Sept_8/ ai_n6184975) - Business Wire
[27] We Will Rock You Las Vegas cast (http:/ / www. brianmay. com/ queen/ wwry/ lasvegas/ cast. html) - Official Queen website
[28] We Will Rock You to Close on 27 November in Las Vegas (http:/ / www. broadway. com/ gen/ Buzz_Story. aspx?ci=520513) -
Broadway.com
[29] Unhappy Ending, by Anna Malpas 4 March 2005 (http:/ / context. themoscowtimes. com/ stories/ 2005/ 03/ 04/ 103. html) - The Moscow
Times
[30] FIRST ANNIVERSARY WWRY COLOGNE!, entry 11 December 2005 (http:/ / www. brianmay. com/ brian/ brianssb/ brianssbdec05.
html) - Brian May's blog
[31] WWRY DECEMBER IN STUTTGART, entry 8 March 2008 (http:/ / www. brianmay. com/ queen/ queennews/ queennewsmar08a. html) -
Official Queen news website
[32] WWRY STUTTGART OPENING, entry 30 July 2008 (http:/ / www. brianmay. com/ queen/ queennews/ queennews. html) - Official Queen
news website
[33] We Will Rock You, Stuttgart tickets (https:/ / www. topticketline. de/ tickets. aspx?shop=WWRY) - Official ticket vendor website, accessed
on 1 August 2008
[34] We Will Rock You (announcement) (http:/ / www. artsmart. co. za/ miscellaneous/ archive/ 1402. html) - ArtSmart
[35] We Will Rock You South Africa Cast (http:/ / www. brianmay. com/ queen/ wwry/ southafrica/ cast. html) – Queen website
[36] WE WILL ROCK YOU review by Caroline Smart, 4 October 2006 (http:/ / www. artsmart. co. za/ drama/ archive/ 1914. html) - ArtSmart
[37] WWRY ZURICH PRESS LAUNCH PRESS (http:/ / www. brianmay. com/ queen/ queennews/ queennewsnov06. html) - Official Queen
news website
[38] ZURICH PRODUCTION MOVING TO ViENNA, entry 23 November 2007 (http:/ / www. brianmay. com/ queen/ queennews/
queennewsnov07. html) - Official Queen news website
[39] "We Will Rock You coming to Vienna" (http:/ / www. musicalvienna. at/ en/ shows/ t2_756/ t2cat369/ t6_835). .
[40] Queen-Size Musical We Will Rock You Begins Toronto Run, by Kenneth Jones, 14 March 2007 (http:/ / www. playbill. com/ news/ article/
106482. html) - Playbill.com
[41] Coverage of WWRY Toronto's Opening Night, 10 April 2007 (http:/ / www. digitalhit. com/ galleries/ 25) - Digitalhit.com
[42] Mig had lead on We Will Rock You role, by Jane Stevenson, 10 April 2007 (http:/ / www. edmontonsun. com/ Entertainment/ Music/ 2007/
04/ 10/ 3970767-sun. html) - Edmonton Sun; reproduced by Queen News April 2007 (http:/ / www. brianmay. com/ queen/ queennews/
queennewsapr07a. html) - Official Queen website
[43] Toronto Hit We Will Rock You Will Close 11 May; Canadian Tour Planned, by Kenneth Jones, 12 March 2008 (http:/ / www. playbill.
com/ news/ article/ 115834. html) - Playbill.com
[44] Rocking On! Toronto Hit We Will Rock You Re-Opens at Panasonic Theatre, by Kenneth Jones, dated 16 July 2008 (http:/ / www. playbill.
com/ news/ article/ 119491. html) - Playbill.com
[45] Mirvish Extends Toronto WE WILL ROCK YOU Thru 5/3, 3 May 2009 (http:/ / www. broadwayworld. com/ article/
Mirvish_Extends_Toronto_WE_WILL_ROCK_YOU_Thru_53_20090503) - BroadwayWorld.com
[46] We Will Rock You Canada (http:/ / www. wewillrockyou. ca/ ) - Official website
[47] Ayesa will rock you, by Faridal Anwar Farinordin, dated 2 March 2008 (http:/ / www. nst. com. my/ Current_News/ NST/ Monday/
Features/ 20080302170447/ Article/ indexF_html) - New Straits Times
[48] KILLER QUEEN CRUMMER HEADS STELLAR CAST, entry dated 29 October 2007 (http:/ / www. brianmay. com/ queen/ queennews/
queennewsoct07. html) - Archived by Official Queen News website
[49] Concerts to Watch for in 2008, 31 December 2007 (http:/ / www. koreatimes. co. kr/ www/ news/ art/ 2007/ 12/ 135_16435. html) - The
Korea Times
[50] We Will Rock You to Hit Stage in Korean, by Chung Ah-young, 13 January 2008 (http:/ / www. koreatimes. co. kr/ www/ news/ art/ 2008/
01/ 145_17201. html) - The Korea Times
[51] We Will Rock You tour (http:/ / www. lunchbox-productions. com/ show_wwry/ overview. shtm) - Lunchbox Productions
[52] WWRY WITH ANNIE CRUMMER/MiG AYESA - AUCKLAND/SINGAPORE/HONG KONG, entry 18 April 2007 (http:/ / www.
brianmay. com/ queen/ queennews/ queennewsmay07b. html) - Official Queen News website
[53] We Will Rock You tickets (http:/ / www. thaiticketmajor. com/ performance/ we_will_rock_you_eng. php) - ThaiTicketMajor official
website (Thailand)
[54] We Will Rock You Italy (http:/ / www. wewillrockyou-themusical. it/ ) - Official website
[55] We Will Rock You Sweden (http:/ / www. wewillrockyou. nu/ ) - Official website
[56] (http:/ / queen-musical. de/ #/ 0/ 879) - Official website
[57] The Mercury Phoenix Trust - Initiatives (http:/ / www. mercuryphoenixtrust. com/ )
[58] We Will Rock You Gets Chicagoland Run 20 April-5 May, by Kenneth Jones, 28 February 2007 (http:/ / www. playbill. com/ news/ article/
106132. html) - Playbill.com
[59] WWRY ANNIVERSARY, entry 13 May 2006 (http:/ / www. brianmay. com/ brian/ brianssb/ brianssbmay06a. html) – Brian May's blog
[60] September 2006 (http:/ / www. brianmay. com/ brian/ brianssb/ brianssbsep06a. html) – Brian May's blog
[61] HANNAH JANE FOX'S LAST NIGHT, entry 29 January 2006 (http:/ / www. brianmay. com/ brian/ brianssb/ brianssbjan06. html) - Brian
May's blog
[62] 'We Will Rock You’ Charity Performance (http:/ / popdirt. com/ we-will-rock-you-charity-performance/ 52293/ )
[63] Queen's May & Taylor Rock Fifth Birthday, by Terri Paddock, 15 May 2007 (http:/ / www. whatsonstage. com/ index. php?pg=207&
story=E8821179224111) - WhatsOnStage.com
[64] London's We Will Rock You Releases Cast Recording, 12 November 2002 (http:/ / www. playbill. com/ news/ article/ 73353. html) -
Playbill.com
[65] Kerry Ellis performs No-One But You (http:/ / queenonline. com/ kerryellisdownload/ )
[66] Kerry Ellis' "Wicked in Rock" single (http:/ / www. dresscircle. co. uk/ product. asp?StockID=33943) - Dress Circle website, exclusive
distributor
[67] Producer De Niro Flies In to Launch We Will Rock You (http:/ / www. whatsonstage. com/ news/ theatre/ london/ E8821017151572/
Producer+ De+ Niro+ Flies+ In+ to+ Launch+ We+ Will+ Rock+ You. html), What's On Stage, 26 March 2002
[68] May talks about We Will Rock You (http:/ / news. bbc. co. uk/ local/ bristol/ hi/ people_and_places/ arts_and_culture/ newsid_8261000/
8261903. stm), BBC Bristol, 17 September 2009
[69] "Queen’s "We Will Rock You" Musical Being Made into Movie" (http:/ / www. therockdose. com/
queens-we-will-rock-you-musical-being-made-into-movie/ ). The Rock Dose. September 20, 2009. . Retrieved 8 February 2010.
[70] ""We Will Rock You" movie in the works...." (http:/ / www. queenzone. com/ news/ we-will-rock-you-movie-in-the-works-. aspx). Queen
Zone. 20 September 2009. . Retrieved 8 February 2010.
[71] "WE WILL ROCK YOU TORONTO!" (http:/ / www. queenworld. com/ artman/ publish/ article_499. shtml). .
[72] "Finalists 2006 Naledi Theatre Awards" (http:/ / www. litnet. co. za/ cgi-bin/ giga. cgi?cmd=cause_dir_news_item& cause_id=1270&
news_id=8092& cat_id=305#*). .
[73] Naledi Theatre Awards 2006 winners (http:/ / www. naleditheatreawards. org. za/ winners2006. htm) - Naledi Theatre Awards
[74] Scorched, We Will Rock You, Four Horsemen Are Among 2007 Dora Winners in Toronto, by Kenneth Jones, June 25, 2007 (http:/ / www.
playbill. com/ news/ article/ 109113. html) - Playbill.com
[75] 2010 Nominations (http:/ / www. olivierawards. com/ about/ previous-winners/ view/ item110508/ Olivier-Winners-2010) - Olivier Awards
[76] 2011 BBC Radio 2 Olivier Audience Award (http:/ / www. olivierawards. com/ nominations/ view/ item114066/
BBC-Radio-2-Olivier-Audience-Award) - Olivier Awards
External links
• Official website (http://www.queenonline.com/wewillrockyou)
• Official UK website (http://www.wewillrockyou.co.uk/)
• Video: Brian May speaks about We Will Rock You (http://www.bbc.co.uk/mediaselector/check/wear/
realmedia/brianmay?size=16x9&bgc=C0C0C0&nbram=1&bbram=1)(requires Real Player)
The Cosmos Rocks

The Cosmos Rocks
Studio album by Queen + Paul Rodgers
Released Germany, Austria: 12 September 2008

Europe: 15 September 2008
[1]
Japan: 17 September 2008
US: 28 October 2008
Recorded 2006–2008, The Priory recording studio
Genre Rock
Length 58:46
Label Parlophone, Hollywood
Producer Brian May

Paul Rodgers
Roger Taylor
co-producers:
Joshua J Macrae
Kris Fredriksson
Queen + Paul Rodgers chronology

Return of the The Cosmos Live in

Champions Rocks Ukraine
(2005) (2008) (2009)
Singles from The Cosmos Rocks
1. "Say It's Not True"

2. "C-lebrity"
3. "We Believe"
Released: 8 September 2008 (promo single, Italy only)
The Cosmos Rocks is the debut studio album by Queen + Paul Rodgers released on 15 September 2008 in Europe
and 28 October 2008 in North America.[2] It contains 14 new tracks written by Brian May, Paul Rodgers and Roger
Taylor. This is the first studio album of new material from the two remaining members of Queen since 1995's Made
in Heaven, and is the only studio collaboration to date with Paul Rodgers.[3] The album hit #5 in the UK and #1 in
Estonia, where it stayed for ten weeks.
History
The band entered Roger Taylor's Priory studio in late 2006 having completed the American leg of their world tour.
Sessions were initially scheduled around Rodgers' other touring commitments. On the previous tour the band had
debuted a new song, "Take Love", which did not make the album. Throughout the promotion for his solo tour,
Rodgers' also debuted songs such as "Warboys", and "Voodoo". John Deacon's continued retirement meant that bass
duties are shared between Rodgers and May. The first single, "Say It's Not True" was released nine months before
the album was released. The second single, "C-lebrity" was previewed on Al Murray's Happy Hour in April, five
months before the album was released. The album's release came 17 years after the death of Queen's lead singer,
Freddie Mercury, in 1991.
Review scores
Source Rating
Classic Rock [4]
Financial Times [5]

link
Mojo [6]
link (Queen Cuttings)
Record Collector [7]
Rolling Stone [8]

link
The Guardian [9]

link
Total Guitar [10]

Track listing
All songs written and composed by Queen + Paul Rodgers.
No. Title Length
1. "Cosmos Rockin'" (Roger Taylor) 4:10
2. "Time to Shine" (Paul Rodgers) 4:23
3. "Still Burnin'" (Brian May) 4:04
4. "Small" (Taylor) 4:39
5. "Warboys" (Rodgers) 3:18
6. "We Believe" (May) 6:08
7. "Call Me" (Rodgers) 2:59
8. "Voodoo" (Rodgers) 4:27
9. "Some Things That Glitter" (May) 4:03
10. "C-lebrity" (Taylor) 3:38
11. "Through the Night" (Rodgers) 4:54
12. "Say It's Not True" (Taylor) 4:00
13. "Surf's Up... School's Out!" (Taylor) 5:38
14. "Small (Reprise)" (Taylor) 2:05
15. "Runaway" (Del Shannon/Max Crook, iTunes exclusive bonus track) 5:28
Limited edition bonus DVD (Super Live in Japan – Highlights)

1. "Reaching Out" (Hill/Black)
2. "Tie Your Mother Down" (May)
3. "Fat Bottomed Girls" (May)
5. "Fire and Water" (Rodgers/Andy Fraser)
7. "Teo Torriatte (Let Us Cling Together)" (May)
8. "These Are the Days of Our Lives" (Queen)
10. "Can’t Get Enough" (Mick Ralphs)
11. "I Was Born to Love You" (Mercury)
12. "All Right Now" (Rodgers/Fraser)
14. "We Are the Champions" (Mercury)
15. "God Save the Queen" (Trad.)
Note: The Japanese edition includes a CD audio version instead of the DVD.
Song information
Cosmos Rockin'
This is a song dealing with partying and generally having a good time. Its working title was "Whole House Rockin'".
May confirmed it was written by Taylor. Rodgers sings all the lead, with the chorus vocals dominated by Taylor.
The introductory distortion is reminiscent of the 1985 hit "One Vision", and of the film dialogues from the beginning
of the Flash Gordon album.
Time to Shine
This track was written by Rodgers, according to an interview with the three of them published on May's website. It
also features him singing all vocals.
Still Burnin'
This song was written by May. It briefly samples the famous "stomp, stomp, clap" of the band's previous 1977 hit
"We Will Rock You" from the album News of the World, also written by May. The song features Rodgers on lead
vocals, coupled with Taylor who also sings during the 'call and response' style chorus. It is probable that Queen +
Paul Rodgers recreated the 1-1-2 beat, as the sample does not sound identical to the 1977 version.
Small
This song was written by Taylor, and is a commentary on nature.
Warboys
"Warboys" was written by Rodgers as a protest song against war. It was given the subtitle "A Prayer for Peace" to
make it clear as to what the intention of the song was. It was debuted as one of two new songs by Rodgers on his
2007 tour of Britain, although it was unclear whether this new song had been written for the then upcoming Queen +
Paul Rodgers album. It first appeared on Rodgers' solo live album and DVD Live in Glasgow, and was later
performed solely by Rodgers on acoustic guitar on a radio show after listeners called in to request something to be
played from the new album. It was officially revealed as an album track in August 2008. It features Rodgers playing
acoustic guitar, and also samples many rifle noises. Taylor also sings additional vocals on this track along with
Rodgers' lead.
We Believe
"We Believe" was written by May. It is the longest song on the album. It is mainly sung solely by Rodgers, but the
end does feature singing from all three band members. An edited version of the song has been released as a promo
single in Italy.
Call Me
Written and sung solely by Rodgers, this song is a bluesy rocker. The vocals are a lighthearted take on love.
Voodoo
Rodgers wrote this song and, like "Warboys", it debuted on his 2007 tour of the UK.
Some Things That Glitter

This love song/piano ballad was penned by May. The track features Rodgers on piano.
An alternate version of the song is performed by stage actress and singer Kerry Ellis. It is featured on her debut
album Anthems under the name of "I Loved a Butterfly". May produced the track and also contributed guitar.
C-lebrity
Taylor wrote the song about obsession with instant stardom. It received its live debut on the series finale of ITV's Al
Murray's Happy Hour. It was released as the second single from the album on 8 September 2008. Rodgers sings lead
vocals, Taylor Hawkins of Foo Fighters sings additional backing vocals, and May plays bass guitar on the track.
On 4 August 2008 the track was premiered for the first time on Ken Bruce's radio show on BBC Radio 2. The single
reached #33 in the UK pop singles chart and #1 on the UK Rock Charts.
Through the Night

Written by Rodgers, this song is about someone who believes their life is almost at an end, and asks the person they
are in love with to help them through their hardship.
Say It's Not True

"Say It's Not True" was originally written by Taylor for Nelson Mandela's 46664 anti-AIDS campaign, and was
debuted at the November 2003 concert. It features Taylor, May and Rodgers on vocals. It was released as a single on
New Year's Eve 2007, but despite the fact that all proceeds went to 46664, it only peaked at #90 in the UK charts.
Surf's Up... School's Out!

Written by Taylor, this harks back to the old Roger Taylor-written songs about youth and rebellion.
The song is sung as a duet between Rodgers and Taylor, and also features Rodgers playing harmonica (a skill
showcased on several Paul Rodgers-era Bad Company songs, including "Oh, Atlanta" from 1979's Desolation
Angels). It is also the only Queen song to feature this instrument.
Small Reprise
This is a slower, shorter, mostly instrumental version of the earlier album track.
Runaway
Originally written by Del Shannon and Max Crook and released as Shannon's hit debut single in 1961, this was
originally planned to feature on the album but was later omitted, instead featuring as an iTunes store exclusive bonus
track. The track was recorded during a jam session which lasted 12 minutes long but was later cut for the album.
Omitted tracks
Take Love
Believed to have been written by Rodgers, this song was debuted on the North American and Japanese legs of
2005/2006 Queen + Paul Rodgers Tour. The band attempted to record it for the album but could not quite get it to
sound right, so they decided to leave it unrecorded.
Singles
Three singles were released from the album:
• "Say It's Not True" was the lead single from the album, released in the UK on 31 December 2007; it reached #90
in the British charts although had been available as free download for some time. Its video features many clips of
the suffering in South Africa as well as clips from Nelson Mandela's 46664 concerts. The single was released for
the 46664 charity, with all proceeds being donated there.
• "C-lebrity" was released as the album's second single on 8 September 2008, reaching #33 in the UK singles
charts. Its B-side was a recording of "Fire and Water" live in Japan.
• "We Believe" was released as a promo single in Italy, and reached #1 in th Virgin radio charts. It was edited down
from its original 6 minute album version to a more manageable 3 minutes.
Critical reaction
Cosmos Rocks received a Metacritic score of 42/100.[11] According to Metacritic, the Cosmos Rocks holds the 28th
place in the 'worst-reviewed' albums list.[12] A review on website Pop and Rock gave it two out of five stars "the
lyrics were stupid, trite, a bit offensive and bound to have an undermining effect on whatever musical efforts they
put behind it".[13] Critic website Pop Matters gave it a largely positive review, stating "Paul Rodgers breathes new
life into Queen, while still keeping the band's tremendous legacy intact as they soldier forth with new material into
the 21st century". Pop Matters gave the Album a 70/100.[14] Mojo gave it a 60/100, stating "Occasionally they
stumble, as on the clunky 'Warboys.' But with Rodgers' imperious, Queen's second coming is vindicated".[15]
Personnel
• Brian May – guitar, bass, vocals, keyboards, piano
• Paul Rodgers – lead vocals, bass, guitar, keyboards, harmonica
• Roger Taylor – drums, percussion, vocals, keyboards
• Taylor Hawkins – backing vocals on "C-lebrity"[16]
Charts
Estonia 1 10 - -
Czech Republic 4 7 - -
Germany 4 7 - -
[17] 5 7 - -
Switzerland
United Kingdom 5 6 - -
Italy 6 5 - -
[17] 8 7 - -
Netherlands
Greece 9 1 - -
[17] 11 8 - -
Austria
Hungary 15 1 - -
[17] 15 2 - -
Finland
[17] 16 7 - -
Belgium Wa
[17] 18 8 - -
Belgium Vl
[17] 20 6 - -
Spain
[17] 24 1 - -
Denmark
[17] 24 5 - -
Sweden
[17] 25 1 - -
Portugal
[17] 28 4 - -
France
[17] 31 1 - -
Norway
Canada 33 1 - -
Japan 40 6 - -
Malta 20 2 - -
United States 47 2 - 37,144
Ireland 47 1 - -
[17] 49 1 - -
Australia
Formats
• Standard CD
• Special Edition CD and DVD
• Tour Edition (Queen Online only)
• Gatefold Vinyl
• iTunes Music Store edition
Tour
The "Rock the Cosmos Tour" began in September 2008 to promote the release of this album. The opening date was
recorded for a DVD release, and was broadcast across digital video theatres across the United States on 6 November
2008 under the title "Let the Cosmos Rock". The tour included one of the largest open air concerts in Kharkiv,
Ukraine which garnered 350,000 people. Over the course of the tour, Queen played to just short of a million viewers.
External links
• Queen Archives [18] – The Cosmos Rocks interviews and reviews
References
[1] EMI Music Japan (http:/ / www. emimusic. jp/ queen/ index_j. htm)
[2] "New North American Release Date." queenonline.com, 15 August 2008 (http:/ / www. queenonline. com/ qpr/ news/ 653)
[3] "Queen plot return with new album." BBC, 20 March 2008 (http:/ / newsvote. bbc. co. uk/ 1/ hi/ entertainment/ 7306006. stm)
[4] Classic Rock, October 2008.
[5] http:/ / www. ft. com/ cms/ s/ 0/ 81b56d46-812d-11dd-82dd-000077b07658. html
[7] Record Collector, November 2008.
[8] http:/ / www. rollingstone. com/ reviews/ album/ 23506959/ review/ 23589020/ the_cosmos_rocks?rating=3
[9] http:/ / www. guardian. co. uk/ music/ 2008/ sep/ 12/ popandrockreview. queen
[10] Total Guitar, October 2008.
[11] metacritic.com: Cosmos Rocks by Queen + Paul Rodgers (http:/ / www. metacritic. com/ music/ artists/ queenpluspaulrodgers/
cosmosrocks)
[12] metacritic.com: Bottom 100 Scores: The Worst-Reviewed Albums (http:/ / www. metacritic. com/ music/ bests)
[13] http:/ / www. guardian. co. uk/ music/ 2008/ sep/ 12/ popandrockreview. queen
[14] http:/ / www. popmatters. com/ pm/ review/ queen-paul-rodgers-the-cosmos-rocks
[15] http:/ / www. metacritic. com/ music/ artists/ queenpluspaulrodgers/ cosmosrocks
[16] "Foo Fighters Taylor Hawkins Guests On Upcoming Queen + Paul Rodgers Album." Komodo Rock, 3 September 2008 (http:/ / www.
komodorock. com/ new-releases/ cd-releases/ foo-fighters-taylor-hawkins-guests-on-upcoming-queen-+ -paul-rodgers-album-200809037288)
[17] swisscharts.com. Queen + Paul Rodgers – The Cosmos Rocks (http:/ / swisscharts. com/ showitem. asp?interpret=Queen+ + + Paul+
Rodgers& titel=The+ Cosmos+ Rocks& cat=a). Retrieved 21 January 2010.
[18] http:/ / www. queenarchives. com/ index. php?title=The_Cosmos_Rocks_Press
• http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003602379
• http://www.thewebisode.com/blog/2006/08/queen-to-record-new-studio-album.html
Five Live
Five Live (EP)
EP by George Michael and Queen with Lisa Stansfield
Released 19 April 1993
Recorded April 1992
Genre Pop rock, dance-pop
Length 28:46
Label Hollywood (U.S./Canada)

Parlophone (Rest of world)
Five Live 664
Producer Queen
George Michael
Roy Thomas Baker
George Michael chronology
Listen Without Prejudice Vol. Five Live Older

1 (EP) (1996)
(1990) (1993)
Queen chronology
Live at Wembley Five Live Made in

'86 (EP) Heaven
(1992) (1993) (1995)
Lisa Stansfield chronology
Real Five Live So

Love (EP) Natural
(1991) (1993) (1993)
Professional
ratings
Review scores
Source Rating
Allmusic [1]
Five Live, released in 1993, features five (in some countries, where it is considered to be a reduced-length
long-playing album, six) tracks, performed by George Michael, Queen, and Lisa Stansfield. "Somebody to Love"
and "These Are the Days of Our Lives" (both also available on video) were recorded at the Freddie Mercury Tribute
Concert, held on 20 April 1992, at Wembley Stadium.
All proceeds from the sale of the EP benefited the Mercury Phoenix Trust. Sales of the record were in fact very
strong throughout Europe, where it debuted at Number One, in the UK Singles Chart, and several European
countries, either considered as a single, an extended play, or an LP. Chart success in the U.S. was far less
spectacular, but the EP still peaked at Number 30 on the Billboard 200.
An edited shorter version of "Killer" and "Papa Was a Rollin' Stone," a live medley performed by Michael at the
Wembley Arena, was released as a further independent single, in some territories only. The singer also shot a video
for it, where he did not appear personally though (it was during the time when the artist refused to exploit his
outward look, which he thought would distract the audience from the music, his main concern). The video was
directed by Marcus Nispel.
While "These Are the Days of Our Lives," played by Queen, is actually a duet between George Michael and Lisa
Stansfield, the sixth optional track is represented by a short performance by Queen, entitled "Dear Friends,"
originally sung by Freddie Mercury himself. Recorded in 1974, this constitutes the one studio recording on the
record.
Usually, countries where the six-track work is distributed consider it to be as a short LP, whereas those where the
five-track (hence, its title) work is available generally tend to see it as an EP or even (if "Killer/Papa Was a Rollin'
Stone" was not marketed independently in those same territories) as a particularly long or content-rich single.
Five Live 665
However, no matter its status, whether an EP, a short album or a long single, the work as a whole sold an estimated 5
million copies worldwide.
Track listing
1. "Somebody to Love" (Freddie Mercury) – 5:17 (U.S. #30)
• Performed by Queen and George Michael
2. "Killer" (Adam Tinley/Seal-Henry Samuel) – 5:58
• Performed by George Michael
3. "Papa Was a Rollin' Stone" (Norman Whitfield/Barrett Strong) – 5:24
4. "These Are the Days of Our Lives" (Queen) – 4:43
• Performed by Queen, George Michael and Lisa Stansfield
5. "Calling You" (Bob Telson) – 6:17
6. "Dear Friends" (Brian May) – 1:07 (some releases only)
• Performed by Queen (1974 studio recording)
• Note: On some CD releases in the UK, tracks 2 and 3 are grouped together as one.
Five Live 666
Charts Certifications
Chart (1993) Peak Country Certification

position
Austria [12]
Gold
[2] 17
France [13]
Gold
[2] 2
Germany [14]
Gold
[3] 32
Canadian RPM Top Albums
Netherlands [15]
Platinum
[2] 2
Dutch Albums Chart
Switzerland [16]
Gold
[4] 12
French Albums Chart
United Kingdom [17]
Gold
[5] 8
German Albums Chart
[6] 11
Hungarian Albums Chart
[7] 1
Irish Singles Chart
[8] 35
[2] 9
[2] 19
[9] 18
Spanish Albums Chart
[2] 45
[2] 6
Swiss Albums Chart
[10] 1
UK Singles Chart
[11] 46
US Billboard 200
Release details
Country Date Label Format Catalog
The Netherlands 1993 EMI CD 0777 7 89418 2 8
France PM 517
References
[1] Allmusic review (http:/ / www. allmusic. com/ album/ r177656/ review)
[2] Peak positions (http:/ / australian-charts. com/ showitem. asp?interpret=George+ Michael+ And+ Queen+ with+ Lisa+ Stansfield&
titel=Five+ Live& cat=a). Retrieved 4 May 2011.
[3] Top Albums/CDs - Volume 57, No. 18, 15 May 1993 (http:/ / www. collectionscanada. gc. ca/ rpm/ 028020-119. 01-e. php?brws_s=1&
file_num=nlc008388. 1761& type=2& interval=24& PHPSESSID=j1iht2pthc1l2l46a8t2hqlbk3). Retrieved 4 May 2011.
[4] Les "Charts Runs" de chaque Album Classé (http:/ / infodisc. fr/ Albums_ChartRun. php). Retrieved 4 May 2011.
[5] Charts.de - George Michael And Queen with Lisa Stansfield - Five Live (http:/ / charts. de/ search. asp?search=five+ live& x=4& y=9&
cat=a& country=de). Retrieved 1 June 2011.
Five Live 667
[6] Hungarian Albums Chart (http:/ / www. mahasz. hu/ ?menu=slagerlistak& menu2=archivum& lista=top40& ev=1993& het=20&
submit_=Keresés). Retrieved 4 May 2011.
[7] The Irish Charts (http:/ / www. irishcharts. ie/ search/ placement). Retrieved 4 May 2011.
[8] George Michael albums sales ranking (http:/ / www. oricon. co. jp/ prof/ artist/ 88084/ ranking/ cd_album/ ). Retrieved 4 May 2011.
[9] Spanish Albums Chart (http:/ / afyvecharts. blogspot. com/ 2007/ 08/ 1993-albumes-1-parte. html). Retrieved 4 May 2011.
[10] Top 75 Releases (http:/ / www. theofficialcharts. com/ artist/ _/ george michael/ ). Retrieved 4 May 2011.
[11] Billboard albums (http:/ / www. allmusic. com/ artist/ george-michael-p4909/ charts-awards). Retrieved 4 May 2011.
[12] Gold & Platin (http:/ / www. ifpi. at/ ?section=goldplatin). Retrieved 4 May 2011.
[13] Les Certifications depuis 1973 (http:/ / infodisc. fr/ Certif_Album. php). Retrieved 4 May 2011.
[14] Gold-/Platin-Datenbank (http:/ / www. musikindustrie. de/ gold_platin_datenbank/ ). Retrieved 4 May 2011.
[15] Goud/Platina Muziek (http:/ / www. nvpi. nl/ nvpi/ pagina. asp?pagkey=60461). Retrieved 4 May 2011.
[16] Awards 1993 (http:/ / swisscharts. com/ awards. asp?year=1993). Retrieved 4 May 2011.
[17] Certified awards search (http:/ / www. bpi. co. uk/ certifiedawards/ search. aspx). Retrieved 3 May 2011.
Live in Ukraine 668
Live in Ukraine
Live in Ukraine
Live album by Queen + Paul Rodgers
Released June 15, 2009 (CD & DVD)
Recorded September 12, 2008 in Kharkiv
Genre Rock
Length 120:26

Producer Joshua J Macrae

Kris Fredriksson
Queen + Paul Rodgers chronology
The Cosmos Live in

Rocks Ukraine
(2008) (2009)
Queen + Paul Rodgers video chronology
Super Live in Live in

Japan Ukraine
(2006) (2009)
Live in Ukraine is a double live album and also last release by British rock band Queen + Paul Rodgers. It was
recorded in September 2008 during the Rock the Cosmos Tour at Freedom Square in Kharkiv, Ukraine and was
released on June 15, 2009. A companion DVD was also released.
Live in Ukraine 669
History
Just weeks ahead of the start of the Rock the Cosmos Tour the band were approached to help Ukraine’s Elena
Pinchuk AntiAids Foundation reach out to the youth of the country with this message: ‘Don’t Let AIDS Ruin Your
Life”.
The venue they played was Kharkiv’s historic Freedom Square, a place so big that during World War II it was used
to land planes. For the band and crew it meant “Everyone had to run very fast, very suddenly, but then most of the
great and worthwhile things in your life are a little dangerous.”
Over 350,000 Ukrainians came to see them play and more than 10,000,000 (by conservatives estimates) homes
watched the show live on television. In all, more than 20,000,000 took part in what the band recall as “an
unforgettable experience… one of those rare things in life you know you will never forget. A meeting in music, but
also a coming together to fight a common enemy…”
Track listing
Disc 1
1. "One Vision" (John Deacon, Brian May,
Freddie Mercury, Roger Taylor) - 4:03
2. "Tie Your Mother Down" (May) - 2:29
3. "The Show Must Go On" (Deacon, May,
Mercury, Taylor) - 4:37
4. "Fat Bottomed Girls" (May) - 5:00
5. "Another One Bites the Dust" (Deacon) -
3:35
6. "Hammer to Fall" (May) - 3:42
7. "I Want It All" (Deacon, May, Mercury,
Taylor) - 4:10
8. "I Want to Break Free" (Deacon) - 3:55
9. "Seagull" (Paul Rodgers, Mick Ralphs) - Kharkiv's Freedom Square
4:50
10. "Love of My Life" (Mercury) - 5:45
• Lead vocals by May.
11. "'39" (May) - 4:37
• Lead vocals by May.
12. "Drum Solo" (Taylor) - 5:00
13. "I'm in Love with My Car" (Taylor) - 3:42
• Lead vocals by Taylor.
14. "Say It's Not True" (Taylor) - 4:02
• Lead vocals by Taylor, May & Rodgers.
Live in Ukraine 670
Disc 2
1. "Shooting Star" (Rodgers) - 6:21
2. "Bad Company" (Simon Kirke, Rodgers) - 5:36
3. "Guitar Solo" (May) - 3:58
4. "Bijou" (Queen) - 2:07
• Lead vocals by Mercury (via tape)
5. "Last Horizon" (May) - 4:32
6. "Crazy Little Thing Called Love" (Mercury) - 4:04
7. "C-lebrity" (Taylor) - 3:52
8. "Feel Like Makin' Love" (Rodgers, Ralphs) - 6:45
9. "Bohemian Rhapsody" (Mercury) - 5:53
• Pre-recorded vocals by Mercury, with lead vocals by Rodgers.
10. "Cosmos Rockin'" (Taylor) - 4:28
11. "All Right Now" (Andy Fraser, Rodgers) - 5:31
12. "We Will Rock You" (May) - 2:19
13. "We Are the Champions" (Mercury) - 2:59
14. "God Save the Queen" (Traditional, arr. May) - 2:05
Digital Download bonus track

1. "A Kind of Magic" (Taylor) - 5:43
2. "Radio Ga Ga" (Taylor) - 6:15
Personnel
• Brian May: Guitars, arrangements, vocals.
• Roger Taylor: Drums, percussion, vocals.
• Paul Rodgers: Vocals, guitars, piano.
Additional personnel
• Spike Edney: Keyboards, percussion, vocals.
• Jamie Moses: Guitars, vocals.
• Danny Miranda: Bass guitar, acoustic guitar, vocals.
Formats
• DVD Amaray Box
• Limited Edition (2CD Album + DVD)
• Tin Box (2CD Album + DVD + T-shirt)
• Digital Download (Audio only)
Live in Ukraine 671
External links
• Elena Pinchuk ANTIAIDS Foundation (Russian Language) [1]
• Elena Pinchuk ANTIAIDS Foundation (English Language) [2]
• Concert Official Website - photo gallery etc (Russian Language) [3]
• The Mercury Phoenix Trust [1]
References
[1] http:/ / www. antiaids. org
[2] http:/ / www. antiaids. org/ en
[3] http:/ / www. lifemustgoon. net/ press/ gallery
"You Are the Champion"

You Are the Champion is a cover version of Queen's iconic We Are the Champions, which was originally written
by Freddie Mercury in 1977. Often used during sporting events, especially for victory celebrations, a special version
was recorded by Scorpions and Michael Kleitmann in honor of Michael Schumacher winning his seventh F1
Formula One Championship. The song was slightly re-written, most notably changing it from "We" to "You" which
is naturally a reference to Schumacher. The version of the song was released as a single You Are the Champion
(Homage to Michael Schumacher) on September 20, 2004 by SonyBMG. The song however did not become any
notable hit, barely charting on the German Singles Chart, peaking at number 92. It was subsequently included on the
album Stand Up For The Champion - Michael Schumacher which was released to his successful career when he
decided to leave the Formula One Racing.
Tracklisting on the CD-single

1. You Are the Champion (3:31)
2. You Are The Champion (Instrumental) (3:31)
3. E Sara Perche (Spread Your Wings) (3:12)
• Tracks 1-2 performed by Scorpions and Michael Kleitman
• Track 3 performed by Michael Klietman
Queen + Paul Rodgers Tour

Queen + Paul Rodgers Tour
World tour by Queen + Paul Rodgers
Start date March 19, 2005
End date May 25, 2006
Legs 5
Shows 66
Queen + Paul Rodgers tour chronology
Queen + Paul Rodgers Rock The Cosmos

Tour Tour
(2005-2006) (2008)
Queen + Paul Rodgers Tour was a world concert tour by Queen guitarist Brian May and drummer Roger Taylor,
joined by singer Paul Rodgers under the moniker of Queen + Paul Rodgers. The tour was Queen's first since the
Magic Tour in 1986, and the death of lead singer Freddie Mercury in November 1991.[1] The band's drummer Roger
Taylor commented; "We never thought we would tour again, Paul (Rodgers) came along by chance and we seemed
to have a chemistry. Paul is just such a great singer. He's not trying to be Freddie."[1] Bassist John Deacon also did
not take part due to his retirement in 1997, however he gave the enterprise his blessing.
History
The origins of the collaboration came when Brian May played at the Fender Strat Pack concert in 2004. Now for the
first time, he joined Paul Rodgers for a rendition of Free's classic, "All Right Now". After this Brian spoke of a
chemistry between the two of them. Following this, Brian invited Paul to play with Queen at their induction to the
UK Music Hall of Fame. Again citing a new excitement with Rodgers, the three announced they would tour in 2005.
The tour originally was meant only to include Europe and the 46664 concerts of that year. However at the end of the
European tour, some dates in the USA and Japan were added. In 2006, a full scale US tour was undertaken, with
very poor attendance.
The show
The stage design for the tour was minimal, lacking a large backing screen that would later be featured on the Rock
The Cosmos Tour, and elaborate stage theatrics. A large 'B Stage' was constructed out from the main stage, into the
audience which would frequently be used for acoustic performances by all the members of the band. The show began
with the Eminem song "Lose Yourself" being played over the PA system, and a dance-theme remix of the Queen
song It's A Beautiful Day. Toward the end of Lose Yourself, the guitar would join in from behind a large curtain
which covered the band from view, before Rogers would appear singing a shortened version of the song "Reachin'
Out". Thought by many fans to be a new song, it was a charity song that both Brian and Paul had played together on
in the 1990's. Brian would appear after, playing the introductory riff to "Tie Your Mother Down", before the curtain
fell and the band would perform the full song.
The first segment of the concert consisted largely of Queen hits and some of Rogers' songs. To introduce "Fat
Bottomed Girls", Brian would play the introductory riff from the earlier Queen song "White Man". Rogers often
played a muted steel string guitar on "Crazy Little Thing Called Love". An acoustic section would follow, Taylor
leaving the kit at times to sing "Say It's Not True" on the B-Stage, while Brian would play acoustic Queen songs
such as "Love of My Life" and "39". A unique version of "Hammer To Fall" would be played, which featured a
slower and mellower first verse sung by May and Rogers. The second half of the song would be played as a full
band, depending on the condition of his voice, Rogers would also sing this section, or leave it to Taylor. Taylor
would often play an intricate cover of Sandy Nelson drum instrumental "Let There Be Drums", followed by a
performance of "I'm In Love With My Car", with Taylor taking lead vocals and the drum parts.
A guitar solo by May would follow, with a band instrumental of "Last Horizon" playing, in which a large mirror ball
was used. During the second half of the concert, Taylor would leave the kit to sing "These Are The Days Of Our
Lives", with a screen playing nostalgic footage, including shots of the band on their early tours in Japan. "Radio
GaGa" would follow, with Taylor singing the first and second verses, with drum samples from the studio version
controlled by Edney. Rogers would take the rest of the song, with Taylor playing live drums for the rest of the song.
During "Bohemian Rhapsody", Freddie's vocal and piano part, along with video footage from Queen's 1986 show at
Wembley Stadium would be used, while the rest of the band would play live music. After the operatic section,
Rogers would sing the heavy part, while the closing lines of the song would be an interchanging duet between
Rogers and Mercury. The song would end with Mercury taking a bow to the crowd, and the band would leave the
stage. For the encore, a largely rigid line up of "The Show Must Go On", "All Right Now", "We Will Rock You" and
"We Are The Champions" would be played, before the band would leave the stage, Taylor throwing his drumsticks
into the audience.
Setlist
2005
1. Lose Yourself [tape]
2. Reachin' Out
6. Wishing Well
8. Say It's Not True
9. '39
10. Love of My Life
11. Long Away (1 Verse)
12. Imagine (Hyde Park only)
13. Hammer to Fall (slow/fast)
14. Feel Like Makin' Love
15. Let There Be Drums
16. I'm in Love With My Car
17. Brighton Rock Solo
18. Last Horizon
19. These Are the Days of Our Lives
20. Radio Ga Ga
21. Can't Get Enough
22. A Kind Of Magic
23. I Want It All
Encore:

2. All Right Now
3. We Will Rock You
Other songs
• Little Bit of Love (first six concerts)

• Seagull (first six concerts)
• Fire and Water (Belfast, Dublin and Tokyo)
Queen + Paul Rodgers performing at Cologne on July 6, 2005 during

their European Leg
2006
1. Lose Yourself [tape]
2. Reachin' Out
5. Can't Get Enough
6. Take Love
8. Love of My Life
9. Hammer to Fall fast
13. Guitar solo
14. Last Horizon
Brian May performing during the tour.
15. Bad Company

17. These Are the Days of Our Lives
18. Radio Ga Ga
19. Under Pressure
20. The Show Must Go On
Encore:
1. We Will Rock You
2. All Right Now
Tour dates
Africa
March 19, 2005 George South Africa Fancourt
Europe
March 28, 2005 London United Kingdom Brixton Academy
March 30, 2005 Paris France Le Zenith
April 1, 2005 Madrid Spain Palacio de Deportes
April 2, 2005 Barcelona Palau Sant Jordi
April 4, 2005 Rome Italy Palalottomatica
April 5, 2005 Milan Datch Forum di Assago
April 7, 2005 Florence Nelson Mandela Forum
April 8, 2005 Pesaro BPA Palas
April 10, 2005 Basel Switzerland St. Jakobshalle
April 13, 2005 Vienna Austria Stadthalle
April 14, 2005 Munich Germany Olympiahalle
April 16, 2005 Prague Czech Republic Sazka Arena
April 17, 2005 Leipzig Germany Leipzig Arena
April 19, 2005 Frankfurt Festhalle
April 20, 2005 Antwerpen Belgium Sportpaleis
April 23, 2005 Budapest Hungary Budapest Sports Arena
April 25, 2005 Dortmund Germany Westfalenhalle
April 26, 2005 Rotterdam The Netherlands Ahoy Hall
April 28, 2005 Hamburg Germany Color Line Arena
April 30, 2005 Stockholm Sweden Globen
May 3, 2005 Newcastle United Kingdom Metro Radio Arena
May 4, 2005 Manchester MEN Arena
May 6, 2005 Birmingham NEC Arena
May 7, 2005 Cardiff Cardiff International Arena
May 9, 2005 Sheffield Hallam FM Arena
May 11, 2005 London Wembley Arena
May 13, 2005 Belfast Northern Ireland Odyssey Arena
May 14, 2005 Dublin Ireland Point Theatre

July 2, 2005 Lisbon Portugal Estádio do Restelo
July 6, 2005 Cologne Germany Rhein-Energie Stadion
July 10, 2005 Arnhem The Netherlands Gelredome
July 15, 2005 London United Kingdom Hyde Park
Central America
October 8, 2005 Oranjestad Aruba Aruba Entertainment Center
North America
October 16, 2005 East Rutherford United States Continental Airlines Arena
October 22, 2005 Los Angeles Hollywood Bowl
Asia
October 26, 2005 Saitama Japan Saitama Super Arena
October 27, 2005
October 29, 2005 Yokohama Yokohama Arena
October 30, 2005
November 1, 2005 Nagoya Nagoya Dome
November 3, 2005 Fukuoka Fukuoka Dome
North America
March 3, 2006 Miami United States American Airlines Arena
March 4, 2006 Jacksonville Veterans Memorial Arena
March 7, 2006 Duluth Gwinnett Center
March 8, 2006 Washington, D.C. MCI Center
March 10, 2006 Worcester DCU Center
March 12, 2006 Uniondale Nassau Coliseum
March 14, 2006 Philadelphia Wachovia Spectrum
March 16, 2006 Toronto Canada Air Canada Centre
March 17, 2006 Buffalo United States HSBC Arena
March 20, 2006 Pittsburgh Mellon Arena
March 21, 2006 Cleveland Quicken Loans Arena
March 23, 2006 Rosemont Allstate Arena
March 24, 2006 Auburn Hills Palace of Auburn Hills
March 26, 2006 St. Paul Xcel Energy Center
March 27, 2006 Milwaukee Bradley Center
March 31, 2006 Glendale Glendale Arena
April 1, 2006 San Diego Cox Arena
April 3, 2006 Anaheim Arrowhead Pond
April 5, 2006 San Jose HP Pavilion Center
April 7, 2006 Las Vegas MGM Grand Arena
April 10, 2006 Seattle Key Arena
April 11, 2006 Portland Rose Garden Arena

April 13, 2006 Vancouver Canada Pacific Coliseum
May 25, 2006 Las Vegas United States Mandalay Bay Events Center
Personnel
• Brian May – Lead Guitar, Vocals
• Roger Taylor – drums, percussion, Vocals
• Paul Rodgers – Lead Vocals, Guitar, Piano
Additional Live Personnel

• Spike Edney – keyboards, Backing Vocals
• Danny Miranda – Bass Guitar, Acoustic Guitar, Backing Vocals
• Jamie Moses – Rhythm Guitar, Backing Vocals
References
External links
• Queen Concerts (http://www.queenconcerts.com/live/queen/paul.html)
• Queen + Paul Rodgers official site (http://www.queenonline.com)
Rock the Cosmos Tour

Rock The Cosmos Tour
World tour by Queen + Paul Rodgers
Associated album The Cosmos Rocks
Start date 12 September 2008
Legs 2
Shows 40
Queen + Paul Rodgers tour chronology
Queen + Paul Rodgers Rock The Cosmos

Tour Tour
(2005-2006) (2008)
The Rock The Cosmos Tour was the second and last concert tour by Queen + Paul Rodgers, promoting their first
and only studio album "The Cosmos Rocks". The opening date was recorded for a DVD release.[1] which was
released on 15 June 2009. The tour included one of the largest open air concerts in Kharkiv, Ukraine which garnered
350,000 people. Over the course of the tour, they played to just short of one million viewers.[2]
Setlist
Main set
1. "Cosmos Rockin'/Surf's Up...School's Out!" [intro tape]
2. One Vision
5. "Fat Bottomed Girls"
7. "Hammer to Fall"
8. "I Want It All"
10. "Seagull" (Paul Rodgers solo)
12. "'39"
13. "Bass Solo" (Danny Miranda + Roger Taylor)
14. "Drum Solo" (building the drum kit)
15. "I'm In Love With My Car"
16. "Say It's Not True"
17. "Bad Company"
18. "We Believe"
19. "Guitar Solo"
20. "Bijou" (with Freddie Mercury studio vocals)
21. "Last Horizon"

23. C-lebrity
25. Radio Ga Ga
26. "Bohemian Rhapsody" (Pre-recorded vocals and piano part by Freddie Mercury - taken from Queen's 1981
Queen Rock Montreal DVD, with lead vocals by Paul Rodgers for the hard rock section. Rodgers then duetted
with the Montreal recording of Mercury for the "outro" section, which then allowed the audience to sing the final
"Nothing really matters to me" line before Rodgers repeated it in a slightly varied way. The final (original studio
vocal line) "Any way the wind blows" line was then heard while Mercury took a bow for the crowd on the big
screen. Spike Edney played the "outro" piano part)
Encores:
1. "Cosmos Rockin'"
2. "All Right Now"
5. "God Save the Queen" [tape]
Other songs
• "Wishing Well" (Kharkiv, Moscow)
• "Shooting Star" (Kharkiv, Moscow)
• "Warboys" (Moscow, Riga, Berlin)
• "Time to Shine" (Antwerp)
• "The Stealer" (Zurich)
• "Las Palabras de Amor" (Madrid, Santiago, Buenos Aires)
• "Tavaszi Szel" (Budapest)
• "Blue Danube Waltz" (Vienna)
• "Voodoo" (Newcastle, Manchester, London, Dubai, Santiago)
• "Maybe It's Because I'm a Londoner" (London)
• "Under Pressure" (Buenos Aires, São Paulo, Rio)
• "Keep Yourself Alive Instrumental (London)
Tour dates
12 September 2008 Kharkiv Ukraine Freedom Square
15 September 2008 Moscow Russia Olympic Arena
16 September 2008
19 September 2008 Riga Latvia Arena Riga
21 September 2008 Berlin Germany Berlin Velodrom
23 September 2008 Antwerp Belgium Sportpaleis Merksem
24 September 2008 Paris France Palais Omnisports de Paris-Bercy
26 September 2008 Rome Italy Palalottomatica
28 September 2008 Milan Datchforum
29 September 2008 Zurich Switzerland Hallenstadion

1 October 2008 Munich Germany Olympiahalle
2 October 2008 Mannheim SAP Arena
4 October 2008 Hannover TUI Arena
5 October 2008 Hamburg Color Line Arena
7 October 2008 Rotterdam Netherlands Ahoy Rotterdam
8 October 2008 Esch-sur-Alzette Luxembourg Rockhal
10 October 2008 Nottingham United Kingdom Nottingham Arena
11 October 2008 Glasgow S.E.C.C. Arena
13 October 2008 London O2 Arena
14 October 2008 Cardiff Cardiff International Arena
16 October 2008 Birmingham National Indoor Arena
18 October 2008 Liverpool Echo Arena
19 October 2008 Sheffield Sheffield Arena
22 October 2008 Barcelona Spain Palau Sant Jordi
24 October 2008 Murcia Estadio La Condomina
25 October 2008 Madrid Palacio de los Deportes
28 October 2008 Budapest Hungary Budapest Sports Arena
29 October 2008 Belgrade Serbia Belgrade Arena
31 October 2008 Prague Czech Republic O2 Arena
1 November 2008 Vienna Austria Wiener Stadthalle
4 November 2008 Newcastle upon Tyne United Kingdom Metro Radio Arena
5 November 2008 Manchester MEN Arena
7 November 2008 London O2 Arena
8 November 2008 Wembley Arena
14 November 2008 Dubai United Arab Emirates Dubai Festival City
19 November 2008 Santiago Chile Estadio San Carlos de Apoquindo
21 November 2008 Buenos Aires Argentina Estadio José Amalfitani
26 November 2008 São Paulo Brazil Via Funchal
27 November 2008
29 November 2008 Rio de Janeiro HSBC Arena

Personnel
• Brian May – Lead Guitar, Vocals
• Roger Taylor – Drums, Percussion, Vocals
• Paul Rodgers – Lead Vocals, Guitar, Piano, Harmonica
• Freddie Mercury – Pre-recorded Lead Vocals
• Spike Edney – Synthesizer, Piano, Keytar, Accordion, Backing Vocals
• Danny Miranda – Bass Guitar, Electric Upright Bass, Backing Vocals
• Jamie Moses – Rhythm Guitar, Backing Vocals, Electric Upright Bass on "Bass Solo" (Cardiff & Birmingham
gigs only)
• Neil Murray (replacing Danny Miranda In Cardiff & Birmingham) - Bass Guitar, Electric Upright Bass on "'39"
• Al Murray was a guest at the first O2 gig and sang "Cosmos Rockin'" with Paul.
• Former Prime Minister of Latvia Ivars Godmanis was a guest in Riga playing the drums on "All Right Now", with
Taylor on tambourine.[3] [4]
References
[1] http:/ / queentour2005wegotitat. blogspot. com/ 2008/ 08/ 12-sep-08-kharkov-concert-will-be. html
[2] http:/ / www. queenconcerts. com/ live/ current-tour. html
[3] "Queen + Ivars Godmanis" (http:/ / www. queenonline. com/ qpr/ news/ 734/ ). Queen Productions. 22 September 2008. . Retrieved
2009-11-04.
[4] "Queen News September 2008" (http:/ / www. brianmay. com/ queen/ queennews/ queennewssep08c. html). Brianmay.com. . Retrieved
2009-11-04.
Concert for Kampuchea

The Concert for Kampuchea
DVD cover of The Concert for Kampuchea

Directed by Keith McMillan
Produced by Bob Mercer
Starring Wings
The Clash
Elvis Costello
The Pretenders
Ian Dury
Rockpile feat. Robert
Plant
Queen
The Specials
The Who
Cinematography Anthony Richmond
Distributed by Almi Cinema 5
Release date(s) August, 1980
Running time 90 min.
Language English
The Concert for Kampuchea (subtitled "Rock for Kampuchea") is a musical film from the best of the Concerts for
the People of Kampuchea. The film was directed by Keith McMillan and was 4 nights of concerts in Hammersmith
Odeon to raise money for the victims of Pol Pot's reign of terror in Cambodia. The event was organized by Paul
McCartney and Kurt Waldheim (who was then Secretary-General of the U.N.), and it involved well-established
artists such as McCartney, The Who and Queen as well as younger punk and new wave acts like The Clash and the
Pretenders. The film finishes with the presentation of Wings' Rockestra (more of 25 musicians playing together).
Filmed in 1979, Concert for Kampuchea did not receive American theatrical distribution until it was picked up by
Miramax in 1981.
Availability
The concert was recorded and released as a double LP. It has yet to be released in digital format.
Track listing
• Opening commentary by David A Lee, crabby
• Performed by Queen:
Now I'm Here
Cumquat Serenade by Dave Lee
'39
• Performed by Matumbi:
Guide Us Jah (In Your Own Way)
• Performed by The Clash:
Armagideon Time
• Performed by The Pretenders:
The Wait
• Performed by Wings:
Got To Get You Into My Life
Getting Closer
Every Night
Arrow Through Me
Coming Up
• Performed by The Specials:
Monkey Man
• Performed by Elvis Costello & The Attractions:
The Imposter
• Performed by Rockpile
Crawling From The Wreckage
Little Sister (with Robert Plant)
• Performed by Ian Dury & The Blockheads:
Sweet Gene Vincent
Hit Me With Your Rhythm Stick
• Performed by The Who:
• Performed by Billy Connolly:
Introduction to the Rockestra
• Performed by the Rockestra:
Lucille
Let It Be
Rockestra Theme
External links
• The Concert for Kampuchea [1] at the Internet Movie Database
• The Concert for Kampuchea [2] at Allmovie.
References
[1] http:/ / www. imdb. com/ title/ tt0162254/
[2] http:/ / www. allmovie. com/ cg/ avg. dll?p=avg& sql=1:124587~T0
Super Live in Japan

Super Live in Japan
Video by Queen + Paul Rodgers
Released April 28, 2006 (Japan only)
Genre Rock
Label EMI Music Japan
Producer Simon Lupton
Queen + Paul Rodgers video chronology
Return of the Super Live in Live in

Champions Japan Ukraine
(2005) (2006) (2009)
Super Live in Japan is a DVD by Queen + Paul Rodgers, capturing the performances in Saitama Super Arena in
Japan on 27 October 2005 from their world tour, featuring songs from both Queen and Rodgers' catalogues. 15 of
these songs will become available on DVD to the rest of the world as a Bonus DVD for the new Queen + Paul
Rodgers studio album The Cosmos Rocks. The songs are marked as such: *. Fire and Water will be released on the
digital single for C-lebrity, and Fire and Water and The Show Must Go On will be available to download on the
C-lebrity iTunes exclusive single.
Disc one
Lead vocals by Paul Rodgers, except where noted.
1. Reaching Out*
2. Tie Your Mother Down*
3. Fat Bottomed Girls*
4. Another One Bites the Dust*
5. Fire and Water*
6. Crazy Little Thing Called Love*
7. Say It's Not True
• Lead vocals: Roger Taylor
8. '39
• Lead vocals: Brian May
9. Love of My Life
• Lead vocals: Brian May
10. Teo Torriatte (Let Us Cling Together)*
• Lead vocals: Brian May and Paul Rodgers
11. Hammer to Fall
15. Guitar Solo
16. Last Horizon
17. These Are the Days of Our Lives*
18. Radio Ga Ga*
• Lead vocals: Roger Taylor and Paul Rodgers
19. Can't Get Enough*
20. A Kind Of Magic
21. Wishing Well
22. I Want It All
• Lead vocals: Freddie Mercury (pre-recorded) and Paul Rodgers
24. I Was Born to Love You*
• Lead vocals: Brian May and Roger Taylor
26. All Right Now*
27. We Will Rock You*
28. We Are the Champions*
29. God Save the Queen (tape)*
DVD produced by Simon Lupton.
Audio for DVD produced by Justin Shirley-Smith & Kris Fredriksson.
Disc two
The Second Disc contains a Queen + Paul Rodgers documentary shot in Budapest.
Article Sources and Contributors

Queen Source: http://en.wikipedia.org/w/index.php?oldid=460476019 Contributors: 0, 04parrw, 128.104.truth, 12tonelizzie, 5 albert square, 5735ashley, 66richardson, 75pickup, 84user, 97198,
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ミスター・オロナイン, 6754 anonymous edits
Brian May Source: http://en.wikipedia.org/w/index.php?oldid=460694148 Contributors: 04parrw, 24fan24, 3velvet3, AFBorchert, AJMW, Acegikmo1, Adalger, Alansohn, Alberto Orlandini,
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Made in Heaven Source: http://en.wikipedia.org/w/index.php?oldid=460597134 Contributors: 1mickh1, 66richardson, A. di M., A8UDI, AaronRodgers27, Aaronite, AdagioG, Ajsmith141,
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Flash Gordon Source: http://en.wikipedia.org/w/index.php?oldid=453435298 Contributors: 1mickh1, Ajsmith141, Amberrock, Anger22, Appleseed, Aussie Ausborn, BD2412, BGC,
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Live Killers Source: http://en.wikipedia.org/w/index.php?oldid=459695620 Contributors: 1mickh1, Aaron Brenneman, Andrzejbanas, Anger22, Aussie Ausborn, BGC, Bart133, Bobblewik,
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Live Magic Source: http://en.wikipedia.org/w/index.php?oldid=459695639 Contributors: Anger22, Aspects, BGC, CaAl, Candyfloss, Chairman S., Cholmes75, Corbon, Dkg, Evil Monkey,
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At the Beeb Source: http://en.wikipedia.org/w/index.php?oldid=455932113 Contributors: Ant, Anticipation of a New Lover's Arrival, The, Archanamiya, BGC, Boffy b, Candyfloss, Cyrus XIII,
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Live at Wembly '86 Source: http://en.wikipedia.org/w/index.php?oldid=460493483 Contributors: A3oertENG, Aspects, BGC, Candyfloss, Chairman S., Clavman, CrazySexyCool,
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Queen on Fire – Live at the Bowl Source: http://en.wikipedia.org/w/index.php?oldid=459695690 Contributors: 20coconuts, Alex Mane, Amberrock, Anger22, Areaseven, Auntof6, BGC,
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Lindwall, Headbomb, Hoju1394, Jennica, Jmlk17, Jogers, John Maynard Friedman, JustAGal, Keraunoscopia, Khoikhoi, Koavf, Little Savage, Manige, Marek Koudelka, MarinStoikov, Mattg82,
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Queen Rock Montreal Source: http://en.wikipedia.org/w/index.php?oldid=459695733 Contributors: Alex Douglas, Alex Mane, AussieRulez, Boffy b, Candyfloss, Chryed, Clavman,
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Greatest Hits Source: http://en.wikipedia.org/w/index.php?oldid=457007816 Contributors: 05smithm, Adavidw, Ajuk, Alai, Alerante, Amberrock, Andymcgrath, Anger22, Antti29, Arvandor,
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Greatest Hits II Source: http://en.wikipedia.org/w/index.php?oldid=457747057 Contributors: A Thousand Doors, Amberrock, Andymcgrath, BGC, Blue520, Bretonbanquet, Candyfloss,
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Classic Queen Source: http://en.wikipedia.org/w/index.php?oldid=456490175 Contributors: Andymcgrath, Anger22, Bostonian Mike, Candyfloss, Chen lung, Chryed, Cloud4004, FotoPhest,
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Scchipli, Snkcube, Stevage, Taro James, Terencecope, TheStig118, ToddC4176, VovanA, WereSpielChequers, WillMak050389, Xihix, 31 anonymous edits
The 12" Collection Source: http://en.wikipedia.org/w/index.php?oldid=456833478 Contributors: Archanamiya, Cexycy, Clausthal, Floydgeo, FotoPhest, Headbomb, Koavf, Lewismaster,
Mattg82, MegaSloth, Pressure21, Serpent's Choice, Tassedethe, TheStig118, 5 anonymous edits
Queen Rocks Source: http://en.wikipedia.org/w/index.php?oldid=460362356 Contributors: Anger22, CaAl, Candyfloss, CanisRufus, CarolGray, Cholmes75, Cmi80, Destroyer of evil,
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Greatest Hits III Source: http://en.wikipedia.org/w/index.php?oldid=457750282 Contributors: Amberrock, BGC, Billyrobshaw, Bostart, CaAl, Candyfloss, Cbing01, Cexycy, Chris the speller,
Cobi, Cyrus XIII, DuncanHill, Floydgeo, Fratrep, Gustav Lindwall, Heaven's Wrath, Jacobgallagher, JasonDeLima, JiVE, Jimwantsaliens, Jogers, Jon Harald Søby, Keraunoscopia, Koavf,
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Secretlondon, Sockatume, Sposato, Stevage, Taestell, The JPS, TheStig118, Thomas279, Tu-49, Viajero, Wiki libs, 57 anonymous edits
Stone Cold Classics Source: http://en.wikipedia.org/w/index.php?oldid=418146729 Contributors: Anger22, BGC, Candyfloss, Floydgeo, Jmbaechle, Kinneyboy90, Koavf, Little Savage,
Magasjukur, Mattg82, Miketm, Pearle, Rich Farmbrough, Scapp70, SlickWik, TheRevolutionist, TheStig118, W guice, 12 anonymous edits
The A–Z of Queen, Volume 1 Source: http://en.wikipedia.org/w/index.php?oldid=439969822 Contributors: Dkg, Floydgeo, Headbomb, Koavf, Mattg82, Tassedethe, TheStig118, VovanA,
Wiher, 9 anonymous edits
Absolute Greatest Source: http://en.wikipedia.org/w/index.php?oldid=449124231 Contributors: Aphasia83, Ary29, Candyfloss, DanielAguilar, David Coverdale's White Snake, Electric Puppet,
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Red-Blue-White, Rock'N'More, Seth Whales, Susoseso, TheStig118, Ulric1313, Undermedveten, Woohookitty, YuckieDuck, 83 anonymous edits
Deep Cuts, Volume 1 (1973–1976) Source: http://en.wikipedia.org/w/index.php?oldid=457946898 Contributors: Candyfloss, Conquistador2k6, DanQueen2008, E-Yahpp, FRE1991DDIE,
Floydgeo, FotoPhest, GoingBatty, Greg Books, Headbomb, Jasper420, Josve05a, Katharineamy, Koavf, LeftHandedGuitarist, MaJic, Nethalcon, Qolsco, Quentin X, Ryreinc, SilverBullitt, The
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Deep Cuts, Volume 2 (1977–1982) Source: http://en.wikipedia.org/w/index.php?oldid=450685682 Contributors: Candyfloss, DanQueen2008, E-Yahpp, Easy4me, Escape Orbit,
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Deep Cuts, Volume 3 (1984–1995) Source: http://en.wikipedia.org/w/index.php?oldid=454730655 Contributors: E-Yahpp, FRE1991DDIE, Floydgeo, Greg Books, Jamsimmon, Nethalcon, 28
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The Complete Works Source: http://en.wikipedia.org/w/index.php?oldid=452123534 Contributors: Alcuin, AndrewHowse, Bhludzin, Candyfloss, Doctor01, Fisherjs, Floydgeo, Freekee, Gaius
Cornelius, Good Olfactory, GregorB, Hairspray Qeen en, Hooperbloob, Jogers, JohnI, Keraunoscopia, Koavf, MadTheDJ, MegX, Miketm, Omnieiunium, Pietaster, Rich Farmbrough, Sheled
Umlal, Tassedethe, VovanA, Wikijens, 21 anonymous edits
Box of Tricks Source: http://en.wikipedia.org/w/index.php?oldid=459566010 Contributors: Chowbok, E0steven, Floydgeo, Gene Nygaard, Good Olfactory, Headbomb, Jevansen, John of
Reading, Koavf, MaJic, Miketm, Nathan Johnson, NendoShisu, Piano non troppo, Pressure21, R00m c, RJFJR, Rjwilmsi, Tide rolls, Tzhourdeka, Ukexpat, VovanA, 7 anonymous edits
Ultimate Queen Source: http://en.wikipedia.org/w/index.php?oldid=451602794 Contributors: Floydgeo, Good Olfactory, GregorB, Jogers, Koavf, MaJic, Sahilm, Tassedethe, Teddi02,
Waacstats, Woohookitty, 5 anonymous edits
The Crown Jewels Source: http://en.wikipedia.org/w/index.php?oldid=443588339 Contributors: Amberrock, Bruce1ee, Can't sleep, clown will eat me, Candyfloss, Floydgeo, Fratrep, Friginator,
GrahamHardy, Jefe2000, Koavf, Kww, Mattg82, Miketm, Mtmtmt, Reaper X, Rich Farmbrough, Rjwilmsi, Rskeens, Ryulong, Tassedethe, TheStig118, VovanA, Wiki libs, 8 anonymous edits
The Platinum Collection Source: http://en.wikipedia.org/w/index.php?oldid=460160107 Contributors: 205ywmpq, Andre666, Ary29, FMAFan1990, Floydgeo, Foobarnix, Good Olfactory,
Hatto, Keraunoscopia, Koavf, MaJic, Mattg82, Muhandes, Paralympic, Rjwilmsi, Rock'N'More, Salavat, Tassedethe, Thomas279, Tiger Trek, Verwolff, VodkaJazz, Woohookitty, 28 anonymous
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The Singles Collection Volume 1 Source: http://en.wikipedia.org/w/index.php?oldid=443983183 Contributors: Arquest, Danrivera, Doomsdayer520, Floydgeo, Headbomb, Koavf,
LeftHandedGuitarist, MaJic, Mattg82, PYM1907, Qdeas, Seth Whales, String-bean, Tassedethe, TheStig118, Undermedveten, 5 anonymous edits
The Singles Collection Volume 2 Source: http://en.wikipedia.org/w/index.php?oldid=443983218 Contributors: Doomsdayer520, Floydgeo, Headbomb, Koavf, LeftHandedGuitarist, Mattg82,
PYM1907, Seth Whales, Tassedethe, TheStig118, Vejvančický, 9 anonymous edits
The Singles Collection Volume 3 Source: http://en.wikipedia.org/w/index.php?oldid=458311187 Contributors: A3Thinker, Arquest, Discographer, Doomsdayer520, Floydgeo, Koavf,
LeftHandedGuitarist, PYM1907, Shyguy1991, 5 anonymous edits
The Singles Collection Volume 4 Source: http://en.wikipedia.org/w/index.php?oldid=458311189 Contributors: Armbrust, Discographer, Floydgeo, Headbomb, Jimwantsaliens, JustAGal,
Koavf, Kudpung, LeftHandedGuitarist, MaJic, Martyb72, PYM1907, 11 anonymous edits
"Keep Yourself Alive" Source: http://en.wikipedia.org/w/index.php?oldid=459748332 Contributors: Acegikmo1, Amberrock, Andreworkney, Angmering, Areaseven, Bill102, Bz2,
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Vendettax, WesleyDodds, WikHead, Wiki libs, Woohookitty, Xnux, Zone46, 85 anonymous edits
"Liar" Source: http://en.wikipedia.org/w/index.php?oldid=459694147 Contributors: .jhc., Anger22, Ataslitz, BrightBlackHeaven, Candyfloss, Chilkoot, Chris gillett, ChrisGriswold, Corbon,
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Guto Valente, Hatto, Headbomb, Indopug, Jogers, Kingboyk, Kristbg, Lainagier, Lord revan, Lowzeewee, Marin Marin Marin, Mclay1, Miketm, Moochocoogle, Mr. Frank, Mtmtmt, Nicarmour,
Nixeagle, Ole Førsten, Peter Fleet, Richhoncho, Rjwilmsi, Rockfang, Rockgenre, Stevage, Tassedethe, Tbhotch, Theda, Think777, Trivialist, UltimateNagash, Ute in DC, Wether B, Wi-king,
WikHead, Wiki libs, Wvoutlaw2002, Xnux, Y2kcrazyjoker4, Zone46, 94 anonymous edits
"Seven Seas of Rye" Source: http://en.wikipedia.org/w/index.php?oldid=459695001 Contributors: 66richardson, All in, Amberrock, AnonMoos, Ant, Antti29, Ardric47, Basic drum, Bitbut,
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RJFJR, RadRafe, Radiopathy, RandySavageFTW, Rdsmith4, Retentivebod, Rich Farmbrough, Richhoncho, Roberta F., Shirimasen, Shot, SimonP, Slowking Man, Slykiller7, Stevewclark,
Taggard, Twsx, Ubcule, Up Yours Cunt, Ute in DC, Wether B, WikHead, Wiki libs, Wolfer68, Xenussister, Xnux, Y2kcrazyjoker4, Zone46, Τασουλα, 76 anonymous edits
"Killer Queen" Source: http://en.wikipedia.org/w/index.php?oldid=457013878 Contributors: .Absolution., Academic Challenger, Adolfsssr, Afireinside1991, After Midnight, Algae, Altes,
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"Body Language" Source: http://en.wikipedia.org/w/index.php?oldid=457297703 Contributors: Angeldeb82, Angmering, Armadillopteryx, Ary29, Ataslitz, Billvoltage, BrightBlackHeaven,
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"Las Palabras de Amor" Source: http://en.wikipedia.org/w/index.php?oldid=457297531 Contributors: 03wgreen, 66richardson, Aleksandrit, Armadillopteryx, Candyfloss, ChrisGriswold,
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Tassedethe, Vlad, Wantnot, Xnux, Y2kcrazyjoker4, 21 anonymous edits
"Calling All Girls" Source: http://en.wikipedia.org/w/index.php?oldid=449853971 Contributors: 66richardson, Burroughsks88, Candyfloss, Cureden, Discographer, Discospinster, Durova,
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"Staying Power" Source: http://en.wikipedia.org/w/index.php?oldid=450845503 Contributors: 03wgreen, Alcuin, Archanamiya, CWii, Candyfloss, Clarityfiend, Cureden, Discographer,
Friginator, Giusex27sc, Greg D. Barnes, Guto Valente, Hatto, Headbomb, Miketm, Radiopathy, Richhoncho, Wiki libs, Y2kcrazyjoker4, Zone46, 24 anonymous edits
"Back Chat" Source: http://en.wikipedia.org/w/index.php?oldid=457599776 Contributors: 03wgreen, Bahar101, Beef jerky66, Candyfloss, Cureden, DazB, Discospinster, Efe, Etolpygo,
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"Radio Ga Ga" Source: http://en.wikipedia.org/w/index.php?oldid=459782840 Contributors: 03wgreen, 1mickh1, 2tuntony, 778Showen778, 84user, A, Ahmedfarhat, AimClover, Al Lemos,
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"I Want to Break Free" Source: http://en.wikipedia.org/w/index.php?oldid=460345901 Contributors: 03wgreen, 205ywmpq, A man alone, ARUNKUMAR P.R, AimClover, Amberrock,
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"It's a Hard Life" Source: http://en.wikipedia.org/w/index.php?oldid=448407225 Contributors: 03wgreen, Boston, Cacycle, Candyfloss, ChrisGriswold, Cureden, DALEKSEC442, Dani mc
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"Hammer to Fall" Source: http://en.wikipedia.org/w/index.php?oldid=459695019 Contributors: Bentley Banana, Billvoltage, BulsaraAndDeacon, Candyfloss, Cecropia, ChrisGriswold,
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"Thank God It's Christmas" Source: http://en.wikipedia.org/w/index.php?oldid=437751389 Contributors: 03wgreen, Alan1971uk, Candyfloss, Chris83, Clavman, EHonkoop, Fred 77, Guto
Valente, Headbomb, Kristbg, Krobertj, Lainagier, Miketm, Richhoncho, Rockfang, Sir Stanley, The Anome, TubularWorld, Xnux, Y2kcrazyjoker4, Zone46, Zzyzx11, 21 anonymous edits
"One Vision" Source: http://en.wikipedia.org/w/index.php?oldid=459695139 Contributors: Acbistro, AdamSommerton, Afromme, Albrozdude, Amberrock, Archanamiya, Bbedn, Boffy b,
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"A Kind of Magic" Source: http://en.wikipedia.org/w/index.php?oldid=459608537 Contributors: Agustinaldo, Amberrock, Andymcgrath, Archanamiya, Areaseven, BD2412, Billvoltage,
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"Princes of the Universe" Source: http://en.wikipedia.org/w/index.php?oldid=457384248 Contributors: AgentSniff, Agustinaldo, Anger22, Areaseven, Aussie Ausborn, Candyfloss,
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TMC1982, Tassedethe, Twsx, Viniguimas, Walkiped, WesleyDodds, Wether B, WikHead, Wiki libs, Woohookitty, Xnux, 68 anonymous edits
"Friends Will Be Friends" Source: http://en.wikipedia.org/w/index.php?oldid=446570776 Contributors: Ajsmith141, Aononemoose, BGC, Bearingbreaker92, C777, CBM, CJBR, Candyfloss,
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"Pain Is So Close to Pleasure" Source: http://en.wikipedia.org/w/index.php?oldid=435543455 Contributors: Archanamiya, Candyfloss, ChrisGriswold, Dani mc gregor, Discographer, Escape
Orbit, GripTheHusk, Guto Valente, Hatto, Kristbg, Miketm, Ole Førsten, RekishiEJ, Richhoncho, Ugo1970, Wiki libs, 30 anonymous edits
"Who Wants to Live Forever" Source: http://en.wikipedia.org/w/index.php?oldid=460103342 Contributors: A. di M., Addionne, Ah64ab, Aspects, Batman2005, Bforte, Biker Biker,
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"One Year of Love" Source: http://en.wikipedia.org/w/index.php?oldid=452344053 Contributors: Aspects, Candyfloss, Cureden, Dar-Ape, Discographer, Franklyhot09, Guto Valente, Hatto,
Miketm, Nico74, Pveijden, Queenmomcat, Richhoncho, Ron Ritzman, Secretaria, Staxringold, TenPoundHammer, The Anome, Wiki libs, Zone46, 17 anonymous edits
"I Want It All" Source: http://en.wikipedia.org/w/index.php?oldid=459785587 Contributors: 03wgreen, A-d-a-m-x 2008, Afromme, Ajsmith141, Andre666, Barticus88, Billvoltage,
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Martarius, Materialscientist, Mathman72, MatteusH, MikeRS, Miketm, Mr. Frank, Nick Number, Nightrider 83, PTSE, PhantomOTO, Queen Zeppelin Metallica Floyd, Queenfan4ever,
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"Breakthru" Source: http://en.wikipedia.org/w/index.php?oldid=455029755 Contributors: 03wgreen, Ajsmith141, Amberrock, Ataslitz, BaldBoris, Billvoltage, CaAl, CanadianLinuxUser,
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"The Invisible Man" Source: http://en.wikipedia.org/w/index.php?oldid=451339111 Contributors: 03wgreen, 778Showen778, Afromme, Ajsmith141, AmitTheSomthing, Andymcgrath,
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"Scandal" Source: http://en.wikipedia.org/w/index.php?oldid=458190709 Contributors: 03wgreen, Ajsmith141, Alcuin, Archanamiya, Bobby Tables, Bryanpvz, Candyfloss, ChrisGriswold,
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"The Miracle" Source: http://en.wikipedia.org/w/index.php?oldid=456929757 Contributors: 03wgreen, Ajsmith141, Akerans, Alcuin, Areaseven, Armadillopteryx, Ary29, BDBJ,
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"Innuendo" Source: http://en.wikipedia.org/w/index.php?oldid=459990770 Contributors: 03wgreen, 1mickh1, 205ywmpq, ACSE, Acegikmo1, Aegis Maelstrom, Afromme, Ahoerstemeier,
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"I'm Going Slightly Mad" Source: http://en.wikipedia.org/w/index.php?oldid=460502693 Contributors: 03wgreen, Acegikmo1, Afromme, Ajsmith141, Alvah1, Amberrock,
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"Headlong" Source: http://en.wikipedia.org/w/index.php?oldid=460343747 Contributors: 03wgreen, Afromme, Ajsmith141, Alcuin, AndreBski, AnimaniacsBIGGESTFan, Archanamiya,
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Stanley, Sposato, Ss112, Starionwolf, Tu-49, Twsx, Vegan4Life, Viifog, VincentG, Wether B, WikHead, Wiki alf, Wiki libs, Woohookitty, Xnux, Y2kcrazyjoker4, Zone46, 61 anonymous edits
"I Can't Live With You" Source: http://en.wikipedia.org/w/index.php?oldid=459741376 Contributors: Ajsmith141, Candyfloss, DuncanHill, Franklyhot09, Koavf, 8 anonymous edits
"The Show Must Go On" Source: http://en.wikipedia.org/w/index.php?oldid=460592817 Contributors: 03wgreen, 80.134, Acegikmo1, Afromme, Ajsmith141, Amberrock, Andylindsay,
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"These Are the Days of Our Lives" Source: http://en.wikipedia.org/w/index.php?oldid=460036647 Contributors: 03wgreen, Afromme, Ajuk, Amberrock, Andonic, Andymcgrath, Andyr1976,
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Butcher, Queen Zeppelin Metallica Floyd, Radiopathy, Richhoncho, Robbie68, Rocket000, Schroeder74, Shadow the Hedgehog, Sir Stanley, Stevometal, TeslaMaster, The JPS, The Obento
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"Heaven for Everyone" Source: http://en.wikipedia.org/w/index.php?oldid=460596012 Contributors: 1mickh1, Ajsmith141, Bobo192, Candyfloss, ChrisGriswold, Craptacular, Crystallina,
DMG413, Discographer, Editornumber24, Elemed, Europe22, FlapjackStantz, Headbomb, Hiddenstranger, Jogers, Kingboyk, Kristbg, LrdChaos, MaJic, MegX, Melly42, Miketm, Pressure21,
Queen Zeppelin Metallica Floyd, Renne, Richhoncho, Scapp70, Stevometal, Thomas Larsen, Wiki libs, Xnux, Y2kcrazyjoker4, 36 anonymous edits
"A Winter's Tale" Source: http://en.wikipedia.org/w/index.php?oldid=447921079 Contributors: 03wgreen, Alzarian16, Archanamiya, Ary29, Bearcat, Betacommand, BulsaraAndDeacon,
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"I Was Born to Love You" Source: http://en.wikipedia.org/w/index.php?oldid=458581797 Contributors: Aliento, Archanamiya, Armadillopteryx, Bigar, Bobo192, C S, C777, Candyfloss,
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Kristbg, Kunzite, Kww, Lasoryb, Lazylaces, LuciferMorgan, Masamage, Mattcolville, Misterkillboy, Monni1995, Moochocoogle, Moory, Mr Rubino, Nihonjoe, Ole Førsten, Panairjdde,
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"Too Much Love Will Kill You" Source: http://en.wikipedia.org/w/index.php?oldid=460336766 Contributors: 03wgreen, Amberrock, Anger22, Aspects, Bigaufe, Bobo192, C777, CaAl,
Candyfloss, Chris 42, ChrisGriswold, Craptacular, DanielAguilar, Discographer, Friginator, GoingBatty, Gustav Lindwall, Guy0307, Hatto, Headbomb, Hiddenstranger, Jogers, Jonathan329,
Kingboyk, Koavf, Kristbg, Lainagier, MegX, Miketm, MusoForde, Occuli, Queen Zeppelin Metallica Floyd, Renne, Richhoncho, Rockfang, Scandal, Scapp70, Ss112, Vipers8993, WikHead,
Wiki libs, Woohookitty, Xnux, Y2kcrazyjoker4, Zone46, 67 anonymous edits
"Let Me Live" Source: http://en.wikipedia.org/w/index.php?oldid=447920482 Contributors: 03wgreen, Amberrock, Archanamiya, Bearingbreaker92, Bobo192, Bushido man, Candyfloss,
Carlosguitar, ChKa, ChrisGriswold, Dicka, Discographer, Donny, FlapjackStantz, Fugreena, Garyfan, Gustav Lindwall, Jimwantsaliens, JoeyJ, Jogers, Kristbg, Lainagier, Mathead, Miketm, Ole
Førsten, Renne, Richhoncho, Rockfang, Sir Didymus, Ss112, Tar7arus, Twsx, WikHead, Wiki libs, Xnux, Y2kcrazyjoker4, 52 anonymous edits
"You Don't Fool Me" Source: http://en.wikipedia.org/w/index.php?oldid=459740332 Contributors: 03wgreen, Bobo192, CBM, Candyfloss, Cewvero, Cexycy, ChrisGriswold, Discographer,
DuncanHill, Enoky, Europe22, Friginator, Giuseppe86, Gustav Lindwall, Headbomb, Jogers, Kristbg, Lainagier, Mattg82, Miketm, Renne, Richhoncho, Rockfang, Sanya, Synergy, Wesker007,
Wiki libs, Xnux, Y2kcrazyjoker4, 36 anonymous edits
"No-One but You (Only the Good Die Young)" Source: http://en.wikipedia.org/w/index.php?oldid=455241963 Contributors: 03wgreen, Amberrock, Andymcgrath, Archanamiya, Arollins,
Aspects, Bobo192, CFLeon, Candyfloss, ChevronCars!!!!!!!!!, ChrisGriswold, Corbon, DarkHero2005, DavidFarmbrough, Discographer, Donny, Earshear34, Enoky, Fair Deal, Flowerparty,
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Phelanpt, Pressure21, ProphetM, Radiopathy, Renne, Richhoncho, Ritchie333, Rockfang, Smmurphy, Stephenjamesx, Stevometal, Tableclothes, TeslaMaster, The 80s chick, The JPS, Thespian,
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List of songs by Queen Source: http://en.wikipedia.org/w/index.php?oldid=456448626 Contributors: 4meter4, AaronvdElzen, Archanamiya, Ben Ben, Bentley Banana, Bff7755a, Candyfloss,
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"C–lebrity" Source: http://en.wikipedia.org/w/index.php?oldid=458301608 Contributors: Andy.smith25, CCFC JP, CaAl, Candyfloss, Cm619, D6, DanQueen2008, Dobo1991, Dt128,
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"Say It's Not True" Source: http://en.wikipedia.org/w/index.php?oldid=429627854 Contributors: 03wgreen, Archanamiya, Ary29, Aspects, C777, CaAl, Candyfloss, D6, Dobo1991, Donny,
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44 anonymous edits
"See What A Fool I've Been" Source: http://en.wikipedia.org/w/index.php?oldid=436371572 Contributors: Chzz, Conquistador2k6, Etolpygo, Gobonobo, Headbomb, JayC, Mathead,
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"Stone Cold Crazy" Source: http://en.wikipedia.org/w/index.php?oldid=459957206 Contributors: 66richardson, A Powerful Weakness, Amberrock, Andymcgrath, Anger22, Aphasia83,
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Queen videography Source: http://en.wikipedia.org/w/index.php?oldid=445876308 Contributors: A Knight Who Says Ni, AngelOfSadness, Bad News Live 1982-87, Candyfloss, Dl2000,
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We Will Rock You Source: http://en.wikipedia.org/w/index.php?oldid=444636023 Contributors: Ahoerstemeier, Amberrock, Anger22, Asmaybe, Boffy b, Candyfloss, Diego Grez, DuncanHill,
Feduciary, Floydgeo, Gustav Lindwall, Hede2000, Houdini52, Jared Hunt, Jon Harald Søby, Kidlittle, Lots42, MadTheDJ, Miketm, Mlrs84, Nikkimaria, Predatorclan112, Rock'N'More, Scapp70,
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The Freddie Mercury Tribute Concert Source: http://en.wikipedia.org/w/index.php?oldid=451540798 Contributors: Aaron Bruce, Acegikmo1, Agonsw, Alkivar, Andymc, Andymcgrath,
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Greatest Video Hits 1 Source: http://en.wikipedia.org/w/index.php?oldid=453975548 Contributors: Amberrock, Arran64, Benriggers, Bustermerryfield, Candyfloss, Craptacular, DuncanHill,
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Queen at Wembley Source: http://en.wikipedia.org/w/index.php?oldid=460493524 Contributors: After Midnight, Ahoerstemeier, Batfacedcheek76, Bostonian Mike, Bruce1ee,
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Greatest Video Hits 2 Source: http://en.wikipedia.org/w/index.php?oldid=453975669 Contributors: 66richardson, Anger22, Bustermerryfield, Candyfloss, Craptacular, DuncanHill, Ericorbit,
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We Are the Champions: Final Live in Japan Source: http://en.wikipedia.org/w/index.php?oldid=435197442 Contributors: Anton1234, Boffy b, Bostonian Mike, Candyfloss, DuncanHill,
Floydgeo, Jogers, Kanabekobaton, Koavf, Mike Selinker, Miketm, Rapsar, ShelfSkewed, Stephenhammett, Sustructu, TenPoundHammer, Typhoon859, Wafulz, Woohookitty, 20 anonymous
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Queen live performances Source: http://en.wikipedia.org/w/index.php?oldid=451211637 Contributors: After Midnight, Alro, Antti29, Archanamiya, Bearingbreaker92, Bobo192, Boffy b,
Bradb5, Candyfloss, Chris the speller, Coxy1, Craptacular, Date delinker, Decibert, Deckiller, Discographer, Dobo1991, DuncanHill, Epolk, Evanreyes, Farid91 8, Feureau, FlapjackStantz,
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Phoneclear, Rich Farmbrough, Rjwilmsi, Shardsofmetal, ShelfSkewed, Sherool, Shyguy1991, Simon12, SirGrant, Sjones23, Skumarla, Stusutcliffe, Tassedethe, TenPoundHammer, Thingg,
Vazor20X6, WereSpielChequers, Wether B, Wiki libs, XL XR2, Y2kcrazyjoker4, YUL89YYZ, Ywmpq205, Zone46, ‫ ﺿﺎﺭﻱ‬205, 740 anonymous edits
Sheer Heart Attack Tour Source: http://en.wikipedia.org/w/index.php?oldid=454957986 Contributors: 03wgreen, 205ywmpq, BobDylanFan1994, Cureden, DHowell, DanQueen2008,
Flores,Alberto, Juliancolton, Radiopathy, Rwiggum, Shyguy1991, Truthfuldudee, WeirdLarry, 7 anonymous edits
A Night at the Opera Tour Source: http://en.wikipedia.org/w/index.php?oldid=460692576 Contributors: AndreyA, Aspects, CityOfSilver, DanQueen2008, Discospinster, Dl2000, Drbreznjev,
Drpickem, EncMstr, Felipe P, Headbomb, Juliancolton, Kam47625, Kayley10, Ken Gallager, Koavf, Lightmouse, MarinStoikov, Mark, Muppie, Nick Number, Paralympic, R'n'B, Rich
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Summer Gigs 1976 Source: http://en.wikipedia.org/w/index.php?oldid=429205690 Contributors: Aspects, EncMstr, Kbthompson, MarinStoikov, Panchoytoro, Shyguy1991, Tassedethe,
Truthfuldudee, Xcoaster1, YUL89YYZ, 16 anonymous edits
A Day at the Races Tour Source: http://en.wikipedia.org/w/index.php?oldid=454958700 Contributors: Angelisauce, Anthony Appleyard, Aspects, BobDylanFan1994, Chris the speller,
CityOfSilver, DHowell, Darthflyer, EncMstr, Flores,Alberto, Headbomb, Juliancolton, Kbthompson, Koavf, MarinStoikov, MrRhythm, Panchoytoro, Rwiggum, Shyguy1991, Tassedethe,
Truthfuldudee, Wikipelli, Xcoaster1, 爆笑連合, 46 anonymous edits
News of the World Tour Source: http://en.wikipedia.org/w/index.php?oldid=452931391 Contributors: ArnoldPettybone, Aspects, CityOfSilver, Conquistador2k6, Cyfal, DHowell,
Danwhite89, Flores,Alberto, Headbomb, IllaZilla, Juliancolton, Lankiveil, MarinStoikov, Mr. Frank, MrRhythm, Panchoytoro, Rogerd, Rwiggum, ShelfSkewed, Shyguy1991, Tassedethe,
TenPoundHammer, Truthfuldudee, Xcoaster1, せいきょういく, 63 anonymous edits
Jazz Tour Source: http://en.wikipedia.org/w/index.php?oldid=452931149 Contributors: 205ywmpq, Alaney2k, Aspects, Barticus88, Candyfloss, CityOfSilver, Conquistador2k6, DHowell,
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Panchoytoro, Rwiggum, SabFan, Shyguy1991, Tassedethe, TenPoundHammer, Tesscass, YUL89YYZ, 爆笑連合, 30 anonymous edits
Crazy Tour Source: http://en.wikipedia.org/w/index.php?oldid=443600610 Contributors: 568403a, Andy L, Aspects, Bretonbanquet, Candyfloss, DHowell, Farid91 8, Greg D. Barnes,
Kanabekobaton, Liftarn, MarinStoikov, Rwiggum, Seattlenow, ShelfSkewed, Shyguy1991, Swanrizla, Tassedethe, TenPoundHammer, The JPS, Ulric1313, Xcoaster1, Zone46, 31 anonymous
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The Game Tour Source: http://en.wikipedia.org/w/index.php?oldid=443600499 Contributors: 205ywmpq, Appraiser, ArnoldPettybone, Aspects, BD2412, Black Kite, Bostonian Mike,
Candyfloss, Cazort, Chris the speller, Conquistador2k6, D6, DHowell, DanQueen2008, DuncanHill, Eco84, Evilemperor 10, Ewlyahoocom, Farid91 8, Feinoha, Fratrep, Giusex27sc, Ilikeeggs1,
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SlackerMom, Sposato, TJ Spyke, Tesscass, Thekohser, Timmeh, Xcoaster1, YUL89YYZ, Zone46, 爆笑連合, 81 anonymous edits
Hot Space Tour Source: http://en.wikipedia.org/w/index.php?oldid=452025756 Contributors: Appraiser, ArnoldPettybone, Aspects, BD2412, BobDylanFan1994, Bobblehead, Candyfloss,
Chilkoot, Clavman, DHowell, DanQueen2008, Discospinster, Eco84, Euroleague, Farid91 8, Giraffedata, Greg D. Barnes, Ilikeeggs1, Jeff3000, JustAGal, Kanabekobaton, MarinStoikov, Mild
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The Works Tour Source: http://en.wikipedia.org/w/index.php?oldid=451553440 Contributors: 205ywmpq, AndJusticeForAll, Aspects, BD2412, BobDylanFan1994, C777, Candyfloss,
Clavman, DHowell, DanQueen2008, Dl2000, Dylanfromthenorth, Euroleague, Farid91 8, GiantSpider, Headbomb, Ilikeeggs1, JaGa, Jclemens, Kanabekobaton, KenFawlty, Laker Eight,
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YUL89YYZ, Ywmpq205, Zone46, ソックマペット, 爆笑連合, 60 anonymous edits
Magic Tour Source: http://en.wikipedia.org/w/index.php?oldid=459037089 Contributors: 1mickh1, 7920phil, After Midnight, Aspects, BD2412, Bostonian Mike, C777, Candyfloss,
Conquistador2k6, DanQueen2008, DavidFarmbrough, Farid91 8, Feydey, Flix11, Floydgeo, Franticflare14, GiantSpider, GoingBatty, Ilikeeggs1, Ilse@, Jimmy Fleischer, Jogers, KenFawlty,
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"Another One Rides the Bus" Source: http://en.wikipedia.org/w/index.php?oldid=458229465 Contributors: Alansohn, Allixpeeke, Auntof6, Avenue X at Cicero, Bouncehoper,
BulsaraAndDeacon, ChristinaDunigan, CronoDroid, DaL33T, Dabozzcdq, EarthPerson, Ebe123, Elvis9227, FCYTravis, Furrykef, Gen. Quon, Geoffrey, Guitarherochristopher, Holiday56, In
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Jim Beach Source: http://en.wikipedia.org/w/index.php?oldid=431727664 Contributors: Headbomb, Jimbo L, Martarius, Miketm, Sposato, Tilefish, Tim!, Ubcule, Xnux, 10 anonymous edits
Deacy Amp Source: http://en.wikipedia.org/w/index.php?oldid=451538880 Contributors: Alchemica, Archanamiya, Astrings, Boffy b, Candyfloss, Da Joe, Etolpygo, Headbomb, Hooperbloob,
Jai Raj, Jimmybob32, Liquidmetalrob, LodeRunner, Miketm, Mutt Lunker, Quartrmster007, Starman1984, Whpq, Xnux, Zone46, 12 anonymous edits
Spike Edney Source: http://en.wikipedia.org/w/index.php?oldid=460070200 Contributors: Alai, Archanamiya, Artfirenze, BD2412, Bobstar, Bondegezou, Brookie, Candyfloss, Chilkoot, Chris
the speller, Derek R Bullamore, DuncanHill, Duncwilson, E-Kartoffel, Edders2000, Engineer Bob, GiantSpider, Insouciance, Jimmy Fleischer, MartinPackerIBM, MegX, Miketm, Nekura,
No-Chance-ThreeSixteen, Quentin X, Remuel, Rjwilmsi, Roman Spinner, Rosenknospe, SamuelTheGhost, Schnauf, Tassedethe, Tilefish, Tuesdaily, Tuzapicabit, VovanA, Xnux, 34 anonymous
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"In My Defence" Source: http://en.wikipedia.org/w/index.php?oldid=459356815 Contributors: Berek, Frankyboy5, Giro720, Joestu123, MaJic, Spidey665, Tibullus, ToyotaPanasonic, 13
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Larry Lurex Source: http://en.wikipedia.org/w/index.php?oldid=444623403 Contributors: Asn, Beardo, BulsaraAndDeacon, Candyfloss, Craptacular, Feline1, Krobertj, Mibblepedia, Miketm,
Morphiousdeckard, RMc, Robinwitbaard, RoyFocker, Warpozio, 7 anonymous edits
Let the Cosmos Rock Source: http://en.wikipedia.org/w/index.php?oldid=411930029 Contributors: Headbomb, Lugnuts, The JPS, Trip Johnson, Will1i6am
The Mercury Phoenix Trust Source: http://en.wikipedia.org/w/index.php?oldid=444273845 Contributors: Archanamiya, Asn, Auntof6, Bob247, Camembert, Candyfloss, Craptacular,
DuncanHill, Gary King, Markaci, Mtiedemann, OGoncho, Pcpcpc, Themepark, Timerrill, Vaganyik, Xnux, 10 anonymous edits
Mountain Studios Source: http://en.wikipedia.org/w/index.php?oldid=459355347 Contributors: Archanamiya, Candyfloss, Cyfal, Da Joe, Drjayphd, Irishninja1980, Lindum, MegX, Miketm,
Mrceleb2007, OLEF641, Peter S., Shape84, Studerby, Tassedethe, 14 anonymous edits
A Night at the Hip Hopera Source: http://en.wikipedia.org/w/index.php?oldid=456917829 Contributors: Barefootguru, Bkonrad, Candyfloss, Cmdrjameson, Crazytonyi, Czj, Darwindecks,
Digitalpardoe, Elkman, Flowerparty, FuriousFreddy, Hektor, Jogers, Jonrock, KConWiki, Kane5187, Koavf, Koogunmo, MegX, Miketm, Neschek, Nickcin2000, Phydend, Rich Farmbrough,
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anonymous edits
The Official International Queen Fan Club Source: http://en.wikipedia.org/w/index.php?oldid=427483000 Contributors: Archanamiya, Candyfloss, Fabrictramp, Grzegorz Dąbrowski,
KConWiki, Mean as custard, Miketm, Sposato, Tenacious D Fan, Vodello, Zone46
The Cross Source: http://en.wikipedia.org/w/index.php?oldid=460945701 Contributors: Angmering, Archer3, Aspects, BDBJ, Candyfloss, Cmp01, Cocytus, Craptacular, DMG413,
DanQueen2008, Derek R Bullamore, Discographer, DragonsDream, Earshear34, Elemed, Exxolon, Favonian, Fenrir2000, FotoPhest, Gary King, GiantSpider, Headbomb, JBellis, Jimbo L,
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Paul A, Pearle, Radiopathy, Renne, Rjwilmsi, SamuelTheGhost, Sposato, Willrulesforever, Ywmpq205, Zone46, 42 anonymous edits
Queen + Paul Rodgers Source: http://en.wikipedia.org/w/index.php?oldid=459695866 Contributors: 04parrw, Aitias, Amberrock, Andymcgrath, Anger22, Aphasia83, Archanamiya,
Armadillopteryx, Arran64, Aussie Ausborn, Avenue X at Cicero, BD2412, Badco, Bencey, Blaine Coughlan, BobDylanFan1994, Bobstar, Boltonm, Bondegezou, Bostart, Brwnreservoirdog,
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TenPoundHammer, The JPS, TheAnomaly, TheGerm, TheRevolutionist, Theonlyone191, TiagoAndrade, Tregoweth, Trialsanderrors, Uranium grenade, Varlaam, Wasted Time R, Wether B,
WikHead, Wiki libs, Will1i6am, Willrulesforever, Xnux, Y2kcrazyjoker4, Yulia Romero, Zadarsport, ZhaoHong, Zone46, ^demon, せいきょういく, 380 anonymous edits
Queen Hyde Park 1976 Source: http://en.wikipedia.org/w/index.php?oldid=452273768 Contributors: Bad News Live 1982-87, DHowell, Fabrictramp, GregorB, Headbomb, Hugo999, Jiffy53,
Juliancolton, Kbthompson, Malcolma, PamD, Pitbullterrierne, Rwiggum, Tim!, 爆笑連合, 5 anonymous edits
Queen I Tour Source: http://en.wikipedia.org/w/index.php?oldid=434191888 Contributors: Apparition11, Bearcat, Calaka, DanQueen2008, Headbomb, Hidden Secret, Mickey83, Shyguy1991,
Starcheerspeaksnewslostwars, Tabletop, Vegaswikian, Woohookitty, 48 anonymous edits
Queen Live at Golders Green Hippodrome Source: http://en.wikipedia.org/w/index.php?oldid=413663477 Contributors: Alcuin, Ceyockey, D6, DHowell, Dobo1991, Grenavitar, Gurch,
Headbomb, Hebrides, Hugo999, Malconfort, MarinStoikov, Pomte, Ral315, Rjwilmsi, Rwiggum, Samquinn, Spitfire8520, Tim!, Wolfer68, YUL89YYZ, 10 anonymous edits
Queen at the Ballet Source: http://en.wikipedia.org/w/index.php?oldid=411930819 Contributors: Archanamiya, Candyfloss, Ceyockey, Declan Clam, Headbomb, Jogers, Kenguest, Marokwitz,
Rjwilmsi, Tassedethe, TenPoundHammer, Wasted Time R, Xnux, Zone46, 6 anonymous edits
John Reid Source: http://en.wikipedia.org/w/index.php?oldid=443774365 Contributors: Abu badali, AnemoneProjectors, Carolynparrishfan, CharlotteWebb, Curb Safe Charmer, Dekkanar,
J2thawiki, Kingboyk, LarryJeff, Leahtwosaints, Mais oui!, Miketm, PO86, Pierluca91, Richardcavell, Roman Spinner, Skybluebetty, Sposato, Tagishsimon, Ulysses54, Werldwayd, Xnux,
ZFGokuSSJ1, 5 anonymous edits
David Richards Source: http://en.wikipedia.org/w/index.php?oldid=451999139 Contributors: A.R., Candyfloss, Craptacular, Cyfal, Dissolve, Kbdank71, MegX, Miketm, S.Camus, Severo,
Sposato, Srob1022, Stemonitis, Tassedethe, 10 anonymous edits
SingStar Queen Source: http://en.wikipedia.org/w/index.php?oldid=456169846 Contributors: A Nobody, Coruscant, Drakgamer, GroundZ3R0 002, January2007, Megata Sanshiro, N.
Harmonik, PigFlu Oink, ShelfSkewed, Smnc, Tassedethe, Thibbs, Wildboy7, Y2kcrazyjoker4, 20 anonymous edits
Smile Source: http://en.wikipedia.org/w/index.php?oldid=457930066 Contributors: Andymcgrath, Ant, Bretonbanquet, BulsaraAndDeacon, Candyfloss, Ceoil, Cjc13, Colinclarksmith, Cureden,
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The Story of Bohemian Rhapsody Source: http://en.wikipedia.org/w/index.php?oldid=411938172 Contributors: Big Bird, DragonflySixtyseven, DuncanHill, Froid, Headbomb, Maxschmelling,
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We Will Rock You Source: http://en.wikipedia.org/w/index.php?oldid=459828075 Contributors: .K, 22alpha, A is to B as B is to C, A. Carty, AbsoluteQueen, Aecis, AmitTheSomthing,
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587 anonymous edits
The Cosmos Rocks Source: http://en.wikipedia.org/w/index.php?oldid=457024087 Contributors: 03wgreen, 04parrw, 66richardson, AaronRodgers27, AceKingQueenJack, Andrzejbanas,
Angusmclellan, Ant, Archanamiya, Arollins, AulaTPN, Aulis2003, BGC, Backslash Forwardslash, Bencey, Bender235, Bewildebeast, Blaine Coughlan, BulsaraAndDeacon, Burbridge92, CaAl,
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Stevometal, SveinMarvin, TGLucario, Tassedethe, Tchaidze, Tjbarrett96, Tony2Times, Trip Johnson, TubularWorld, Undermedveten, Villabear, WhatGuy, Wiher, Wiki libs, Will1i6am,
Xezbeth, Xnux, Y2kcrazyjoker4, Yulia Romero, Zazaban, Zone46, 468 anonymous edits
Five Live Source: http://en.wikipedia.org/w/index.php?oldid=460402770 Contributors: Aspects, Bluemask, BobbyBoulders22, Bobo192, Bondegezou, CaAl, Candyfloss, Chilkoot, Clavman,
Conquistador2k6, Dl2000, DrGi, Fantailfan, Floydgeo, Georgemichaelusa, GoingBatty, Headbomb, Hiphats, Hoju1394, Jogers, Kai81, Koavf, MaJic, Max24, Miketm, Mtmtmt, NawlinWiki,
RoMo37, Seadog365, ShelfSkewed, Shyguy1991, Slumgum, Sposato, Ss112, Starcheerspeaksnewslostwars, Stevie O 1974, TTZnju, Trivialist, Uglifruity, Unint, Uzerakount, Warpozio,
WillMak050389, Woohookitty, Yorkshiresky, 16 anonymous edits
Live in Ukraine Source: http://en.wikipedia.org/w/index.php?oldid=459695803 Contributors: 03wgreen, Alexis Mane, Andy.smith25, Clavman, Colourdance, DanQueen2008, Deliriousandlost,
Friginator, Koavf, PYM1907, Phantomsteve, Ppiminov, RockDrummerQ, Sustructu, TenPoundHammer, TheStig118, Theonlyone191, WikHead, Wiki libs, Yulia Romero, Чръный человек, 48
anonymous edits
"You Are the Champion" Source: http://en.wikipedia.org/w/index.php?oldid=411938444 Contributors: Archanamiya, Gary King, Headbomb, Iridescent, Kai81, Nightrider 83, Richhoncho
Queen + Paul Rodgers Tour Source: http://en.wikipedia.org/w/index.php?oldid=458525158 Contributors: Archanamiya, ArnoldPettybone, Aspects, Benjamin Dominic, BobDylanFan1994,
Bobblehead, Candyfloss, Darthflyer, DuncanHill, E-Kartoffel, Everyking, Farid91 8, GiantSpider, Hatto, Ilikeeggs1, Ironiridis, JD554, Jean-Frédéric, Kanabekobaton, MOGmartinSW,
Madchester, Mariodude2, NeilN, O Fenian, PYM77176, Queen Zeppelin Metallica Floyd, Rich Farmbrough, Rondeaux4, Shyguy1991, Simon12, Slysplace, TalonDB, Tassedethe,
TenPoundHammer, The JPS, Xnux, Zone46, たい平, 爆笑連合, 59 anonymous edits
Rock the Cosmos Tour Source: http://en.wikipedia.org/w/index.php?oldid=458399334 Contributors: 03wgreen, Amire80, Andy.smith25, Aspects, Auntof6, Bastin, CaAl, Candyfloss,
Clavman, Constantijn09, Cutmynoseofftospitemyface, DanQueen2008, Dl2000, Donny, EncMstr, Ertezoute, Euroleague, GiantSpider, Gitosz, Headbomb, Hoklik2, Ilikeeggs1, Jimbo L,
JohnFromPinckney, JustAGal, Kanabekobaton, KelleyCook, MartinPackerIBM, Matthew Brandon Yeager, Matthews97, Morefun, PMDrive1061, PYM77176, Philaweb, Raymond Cruise,
RockDrummerQ, Rondeaux4, Rwiggum, Shyguy1991, Slysplace, Starbois, Tassedethe, Trip Johnson, Tyrenius, Xnux, Yulia Romero, たい平, 148 anonymous edits
Concert for Kampuchea Source: http://en.wikipedia.org/w/index.php?oldid=459532713 Contributors: Candyfloss, E-Kartoffel, Headbomb, Jogers, Kingboyk, Kisholi, Koavf, Lainagier,
MarnetteD, Michig, Mike Selinker, Miketm, Montalban, Mr. Manu, Pjoef, Pkeets, Quentin X, Rlendog, ShelfSkewed, Siege72, Sreejithk2000, Tassedethe, Wasted Time R, Wool Mintons,
YorkshireNed, 20 anonymous edits
Super Live in Japan Source: http://en.wikipedia.org/w/index.php?oldid=459695768 Contributors: Alcuin, Amberrock, AmiDaniel, Angllues, Archanamiya, Arran64, CaAl, Candyfloss,
Clavman, Colourdance, Craptacular, Deliriousandlost, DuncanHill, E-Kartoffel, Evh5150, Fantailfan, Friginator, GiantSpider, Gustav Lindwall, Honza Záruba, IAMTHEEGGMAN, Kollision,
Lucifers hammer, MegX, Miketm, Occuli, Proudfoot81, Shyguy1991, Sposato, Tassedethe, TenPoundHammer, WikHead, Wolfer68, Xnux, Zone46, 24 anonymous edits
Image Sources, Licenses and Contributors

File:Queen 1984 011.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Queen_1984_011.jpg License: Creative Commons Attribution-Sharealike 2.5 Contributors: Thomas Steffan
File:Queen II.png Source: http://en.wikipedia.org/w/index.php?title=File:Queen_II.png License: unknown Contributors: BD2412, Indopug, Sgt. R.K. Blue, 1 anonymous edits
File:QueenPerforming1978.jpg Source: http://en.wikipedia.org/w/index.php?title=File:QueenPerforming1978.jpg License: Creative Commons Attribution-ShareAlike 3.0 Unported
Contributors: Carl Lender at http://flickr.com/photos/clender/
File:Queen 12041982 01 800b.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Queen_12041982_01_800b.jpg License: Creative Commons Attribution-ShareAlike 3.0 Unported
Contributors: Helge Øverås
File:Freddie Bronzestatue rueckansicht.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Freddie_Bronzestatue_rueckansicht.jpg License: Creative Commons Attribution-ShareAlike
3.0 Unported Contributors: S_Werner
File:Queen star walk of fame.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Queen_star_walk_of_fame.jpg License: Creative Commons Attribution-Sharealike 2.0 Contributors:
Willem van Bergen
File:2005 Queen + Paul Rodgers.jpg Source: http://en.wikipedia.org/w/index.php?title=File:2005_Queen_+_Paul_Rodgers.jpg License: Creative Commons Attribution-Sharealike 2.0
Contributors: Miquelsi
File:KharkovQueenNightConcert01.JPG Source: http://en.wikipedia.org/w/index.php?title=File:KharkovQueenNightConcert01.JPG License: Creative Commons Attribution 3.0
Contributors: Ace^eVg
File:Brianrs.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Brianrs.jpg License: Creative Commons Attribution-Share Alike Contributors: Jaidn
File:WeWillRockYouDominion.jpg Source: http://en.wikipedia.org/w/index.php?title=File:WeWillRockYouDominion.jpg License: GNU Free Documentation License Contributors: User:The
80s chick
File:Freddie Mercury performing in New Haven, CT, November 1978.jpg Source:
http://en.wikipedia.org/w/index.php?title=File:Freddie_Mercury_performing_in_New_Haven,_CT,_November_1978.jpg License: Creative Commons Attribution-Sharealike 3.0 Contributors:
FreddieMercurySinging21978.jpg: Carl Lender derivative work: Lošmi
File:Freddie Mercury's birthplace.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Freddie_Mercury's_birthplace.jpg License: GNU Free Documentation License Contributors:
Moongateclimber
File:FreddieMercurySinging1978.jpg Source: http://en.wikipedia.org/w/index.php?title=File:FreddieMercurySinging1978.jpg License: Creative Commons Attribution-ShareAlike 3.0
Unported Contributors: Carl Lender at http://flickr.com/photos/clender/
File:FreddieMercuryRange.jpg Source: http://en.wikipedia.org/w/index.php?title=File:FreddieMercuryRange.jpg License: unknown Contributors: Bottomline
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G.dallorto, Infrogmation, Ixitixel, Jamin, ThomasPusch
File:Freddie Mercury signature 2.svg Source: http://en.wikipedia.org/w/index.php?title=File:Freddie_Mercury_signature_2.svg License: Creative Commons Attribution-Sharealike 3.0
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File:Freddy Mercury Statue Montreux.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Freddy_Mercury_Statue_Montreux.jpg License: GNU Free Documentation License
Contributors: Braegel, Calendula, Erdrokan, Flominator, G.dallorto, Gerardus, Jamin, Kilom691, Miaow Miaow, Mutter Erde, NeverDoING, Nicolas Ray, Voyager, Wst, Zaphod, 6 anonymous
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Image:WeWillRockYouDominion.jpg Source: http://en.wikipedia.org/w/index.php?title=File:WeWillRockYouDominion.jpg License: GNU Free Documentation License Contributors:
User:The 80s chick
File:Brian May filming for the BBC's 'The One Show'.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Brian_May_filming_for_the_BBC's_'The_One_Show'.jpg License: Creative
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File:Hannover7907.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Hannover7907.jpg License: Creative Commons Attribution-ShareAlike 3.0 Unported Contributors: Uwe
Matezki
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Contributors: Eddie Mallin
File:Brianmay75.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Brianmay75.jpg License: Creative Commons Attribution-Sharealike 3.0 Contributors: Paul McAlpine
File:Koeln1998 Brian May.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Koeln1998_Brian_May.jpg License: Creative Commons Attribution-Sharealike 2.5 Contributors:
Andreas Streng
File:Brianmaywarsaw.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Brianmaywarsaw.jpg License: GNU Free Documentation License Contributors: Original uploader was
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File:Bass player queen.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Bass_player_queen.jpg License: Creative Commons Attribution-Sharealike 2.0 Contributors: Eddie
File:John Deacon (1978).jpg Source: http://en.wikipedia.org/w/index.php?title=File:John_Deacon_(1978).jpg License: Creative Commons Attribution-ShareAlike 3.0 Unported Contributors:
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File:JohnDeacon1979.JPG Source: http://en.wikipedia.org/w/index.php?title=File:JohnDeacon1979.JPG License: Creative Commons Attribution-ShareAlike 3.0 Unported Contributors: Uwe
Matezki
File:Roger_Taylor_Vienna_1.11.2008.jpg Source: http://en.wikipedia.org/w/index.php?title=File:Roger_Taylor_Vienna_1.11.2008.jpg License: Creative Commons Attribution 3.0
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Matezki
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2.5 Contributors: Thomas Steffan
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Miketm
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Peloneous, Skier Dude, XXSaifXx
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Miketm, XXSaifXx
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RandomStringOfCharacters
File:Star full.svg Source: http://en.wikipedia.org/w/index.php?title=File:Star_full.svg License: Public Domain Contributors: User:Conti from the original images by User:RedHotHeat
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images by User:RedHotHeat
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Skier Dude
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Dude
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TheStig118
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Skier Dude
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Skier Dude
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Giusex27sc
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TubularWorld
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Colección de Queen

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Colección de Queen

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Queen

The Complete Guide

Soundtrack album 218

Live albums 223

Compilation albums 246

Box sets 284

Related articles 601

Queen in concert, 1984.

Origin London, England

Years active [1] [2]

Labels Capitol, Parlophone, EMI, Hollywood, Island, Elektra

Website [queenonline.com queenonline.com]

Early days (1968–1974)

In 1973, after a series of delays, Queen released their eponymous debut

Sheer Heart Attack to A Night at the Opera (1974–1976)

A Day at the Races to Live Killers (1976–1979)

The Game to The Works (1980–1984)

Live Aid and later years (1985–1990)

Mercury: illness, death, and tribute (1988–1992)

Made in Heaven to 46664 Concert (1995–2003)

Queen + Paul Rodgers (2004–2009)

Departure from EMI, 40th Anniversary (2009–present)

The original London production was scheduled to close on Saturday, 7 October

Film and television

Awards and nominations

• Ivor Novello Award to Mercury for "Bohemian Rhapsody"[9]

• The BRIT Awards: Outstanding Contribution to Music[9]

Mercury performing in New Haven, Connecticut, in 1978 with Queen

Birth name Farrokh Bulsara

Born 5 September 1946

Died 24 November 1991 (aged 45)

Genres Rock, hard rock, glam rock

Occupations Musician, singer-songwriter, record producer

Instruments Vocals, piano, keyboards, guitar

Years active 1969–1991

Labels Columbia, Polydor, EMI, Parlophone, Hollywood Records

Associated acts Queen, Wreckage/Ibex, Montserrat Caballé

Over the course of his career, Mercury performed an estimated 700

Mercury performing live in 1984

Mercury played the piano in many of Queen's most popular songs,

Criticism and controversy

Illness and death

However, Mercury and his inner circle of colleagues and friends,

Statue of Freddie Mercury overlooking

In 2009, a plaque was unveiled in Feltham where Mercury and his

A statue of Mercury stands over the entrance to the Dominion Theatre

Appearances in lists of influential individuals

[80] Bret 1996, p. 179.

• Prato, Greg (<not dated>), Freddie Mercury (http://www.allmusic.com/artist/p4899), Ann Arbor:

• Wenner, Jann et al. (2001), "Queen" (http://www.rockhall.com/inductee/queen), Hall of Fame Inductees,

Birth name Brian Harold May

Born 19 July 1947

Instruments Guitar, vocals, piano

Years active 1965–present

Labels Hollywood, Parlophone

Website [brianmay.com brianmay.com]

guitar lines in "Bijou".

Solo work and The Brian May Band

Later solo work

Queen + Paul Rodgers

Between 2005 and 2006 Queen and Paul Rodgers embarked

May explored a wide variety of styles in guitar, including sweep

Brian May has been referred to as a virtuoso guitarist by many

• July 1973 – May 1974: Fender Stratocaster Pre-CBS