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(Romeo and Juliet)
Submitted to:
Ma’am Shane
Submitted by:
Many would say that Romeo and Juliet is outdated and irrelevant,
but I believe that we can find relevancy in every one of
Shakespeare’s plays and sonnets- especially Romeo and Juliet. Love
is always
We can analyze the structure of the play in more detail using what is
called Freytag’s pyramid. This is a diagram which divides a plot into
five parts: exposition, rising action, climax, falling action, and
resolution. Freytag’s pyramid of plot structure
Deny thy father and refuse thy name, Or if thou wilt not, be but
sworn my love, And I’ll no longer be a Capulet. Juliet speaks these
lines, perhaps the most famous in the play, in the balcony scene (2.1.
After Escalus dismisses both sides, Montague and his wife discuss
Romeo’s recent melancholy behavior with Benvolio and ask him to
discover its cause. They exit as Romeo enters in his sad state — a
victim of an unrequited love for the cold and unresponsive Rosaline.
Benvolio advises him to forget Rosaline by looking for another, but
Romeo insists that this would be impossible.
A spirited exchange of vulgar jokes between servants opens the play
and immediately links sex with conflict. In their bawdy quarrel, the
servants’ references to “tool” and “naked weapon,” together with
repeated images of striking and thrusting, illustrate how images of
love and sex are intertwined with violence and death — and will
continue to be throughout the play.
The sudden switch from the comedic interplay between the servants
to a potentially life-threatening situation demonstrates the rapidly
changing pace that drives the action of the rest of the play. For
instance, Benvolio, whose name means “goodwill,” tries to act as a
peacemaker by dividing the servants, but the quick-tempered “fiery
Tybalt” forces him to draw his sword, and the atmosphere changes
from harmony to hatred within a few lines. This undercurrent of
uncertain fortune wrenches the characters into and out of pleasure
and pain as fate seemingly preempts each of their hopes with
another tragic turn of events.
When the elderly, hot-tempered Capulet calls for his long sword to
jump into a duel with the young swordsmen wielding light, modern
weapons, both the absurdity of the feud and the gulf between the
old and the young are evident. Both patriarchs are chastised by their
wives for such impetuous behavior: “A crutch. Why call you for a
sword?” chides Capulet’s wife. Though Romeo and Juliet try to
separate themselves from such archaic grudges and foolish fighting,
the couple can’t escape the repercussionsd of the feud, which
ultimately deals their love a fatal wound.
The second half of the scene switches its focus from the theme of
feuding and violence to the play’s other key theme, love. Romeo
woefully bemoans his plight as an unrequited, Petrarchan lover. The
term Petrarchan comes from the poet, Petrarch, who wrote sonnets
obsessively consumed with his unrequited love for Laura. Romeo’s
feelings of love have not been reciprocated by Rosaline, and this
predicament causes him to dwell on his emotional torment.
Scene 2
After the two exchange expressions of devotion, the Nurse calls Juliet
from the balcony. Juliet leaves, but returns momentarily. They agree
to marry. Juliet promises to send a messenger the next day so that
Romeo can tell her what wedding arrangements he has made. The
scene concludes as day breaks and Romeo leaves to seek the advice
of Friar Laurence.
Analysis