AnS 1 Coursework Proposal

Name: Dorian Voinea

PREPARATION:

Piece #1 (title, composer): Allemande from Suite e-moll BWV 996 by J.S. Bach

Piece #2 (title, composer): Menuet from Symphony No. 96 in D Major by Joseph Haydn

Relevant academic source for piece #1, as correctly formatted bibliographic entry:
Tilman Hoppstock. Bach's lute works from the guitarist's perspective. Vol. I, Suites
BWV995 / 996. Darmstadt: Prim Musikverlag, c2010

Relevant academic source for piece #2, as correctly formatted bibliographic entry:
Steven Vande Moortele, Julie Pednault-Deslauriers, and Nathan John Martin. Formal
functions in perspective: essays on musical form from Haydn to Adorno. Rochester,
NY: University of Rochester Press, c2015

REMEMBER TO COMPLETE AN ANNOTATED SCORE OF BOTH PIECES BEFORE DOING THE

ANALYSIS EXERCISES AND SUBMIT THIS WITH THE PORTFOLIO. THIS MUST BE DETAILED SO
MAKE SURE THE PIECE ISN’T TOO LONG.

THE PORTFOLIO:

Written work: which option, title or questions, which piece (or pieces):

500-word essay (Allemande from Suite e-moll BWV 996 by J.S. Bach):
The differences and similarities between the lute and the guitar playing in Bach’s
music.

500-word essay (Menuet from Symphony No. 96 in D Major by Joseph Haydn):

 I want to understand better the diffelences of Viennes and Italian music school and
compare the Symphony with Opera.

Diagram(s): what approach, which piece (or pieces):

Allemande from Suite e-moll BWV 996 by J.S. Bach

How many items of work do the analyses above make up?

If the answer to the above is less than 4, the remaining items in my portfolio will be (choosing
from counterpoint, harmonization and figured bass – these MUST be different from the ones
submitted in March – and completion of a compositional template):