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As a writer, you’re probably familiar with the term “character arc,” but
what does a character arc entail? How do you structure this arc? And
what informs the way your character changes, from the start of your
story to the end?
While all characters in a novel can have arcs, it’s the protagonist
whose change should be the most significant. Depending on genre
and plot, your hero’s change might be subtle or life-altering. A
suspense thriller or cozy mystery may show little character growth by
the end, when the bad guy is caught or the mystery solved, whereas
a thoughtful women’s fiction novel or relational drama may
showcase monumental change.
But, in all stories, arcs are about change or transformation. And the
stories with strong arcs show a character starting in what Hollywood
movie consultant Michael Hauge calls identity or persona.
It’s human nature to deny and avoid painful feelings. But when we
suppress them, it creates problems. We are never truly happy in our
persona. It’s like having a tiny (or big) thorn in our toe that is
festering. We keep our foot in a sock and walk around trying to
ignore it, but it isn’t going to go away on its own. At some point we
have to pull off the sock, look hard at the infection, then extricate
that thorn and flush out the wound.
I like to use Hauge’s Six Stage Plot Structure, which not only shows
the key turning points in your plot and where they go, it also aligns
your protagonist’s transformational journey with those specific
events in your story
In other words, your character moves from his persona to his true
essence in stages, gradually and in a believable manner. People don’t
change overnight. Events erode a person’s grasp on his persona until
he can no longer hang on to it. By the end of your story, your
character finds no safe haven in that persona any longer.
Shrek is getting a glimpse at what it would be like to finally be accepted when all of the fairy tale
characters override his land. They accept him as one of their own, their hero. He does reject the call to
adventure at first, but he gets a glimpse of what it would be like to be the hero — to be wanted and
needed.
Shrek meets the princess and falls in love with her. He’s committed to her. But then she’s
taken away. He feels rejected. And this is where the hero attempts to go back to their
original identify for a brief moment.
Shrek is now fully committed to the princess, and he’s ready and willing to unite the fairy
tale characters and fight off the evil Farquad.
Shrek leaves the swamp behind to go off into the sunset with his love.
groups of 3/4
15 minutes intro
first pass at the
15 minutes chart
15 minutes serve up idea
15 minutes rework it
5-10 any thoughts?