The document provides an overview of folk music from the lowlands of Luzon in the Philippines. It discusses that folk songs from this region are traditionally passed down orally and accompany daily activities like farming and fishing. The folk songs vary depending on the native language of different provinces, such as Ilocano, Kapampangan, Tagalog, and Bicolano. Examples of folk songs in their original languages are also provided, along with descriptions of their typical musical characteristics like simple melodies, repetition, and origins tied to nature and work.
The document provides an overview of folk music from the lowlands of Luzon in the Philippines. It discusses that folk songs from this region are traditionally passed down orally and accompany daily activities like farming and fishing. The folk songs vary depending on the native language of different provinces, such as Ilocano, Kapampangan, Tagalog, and Bicolano. Examples of folk songs in their original languages are also provided, along with descriptions of their typical musical characteristics like simple melodies, repetition, and origins tied to nature and work.
The document provides an overview of folk music from the lowlands of Luzon in the Philippines. It discusses that folk songs from this region are traditionally passed down orally and accompany daily activities like farming and fishing. The folk songs vary depending on the native language of different provinces, such as Ilocano, Kapampangan, Tagalog, and Bicolano. Examples of folk songs in their original languages are also provided, along with descriptions of their typical musical characteristics like simple melodies, repetition, and origins tied to nature and work.
Vocal and Instrumental music, which varies in every province of Luzon. The lowland folks are composed mostly of farmers, fishermen, artisans, vendors, traders and common people. They have a deep faith in God, whom they serve with faith and devotion. His/her key celebrations are fiestas or festivals for thanksgiving of good harvest, and to honor Jesus Christ, Santo Nino, Virgin Mary and patron saints in the Roman Catholic Church. Through the various music used for liturgy and secular purposes one will discover hoe the people of the lowlands express his/her feelings, history and religious beliefs. FOLKSONGS Folk songs are songs that has been passed down orally from one singer or generation to the next and usually sung by the common people without knowing who the composer was. Folk songs are songs written by the folk and are sung to accompany daily activities such as farming, fishing, and putting the baby to sleep. These are traditionally passed on orally. Most Philippine folk songs have Spanish and other Western influences. The people created melodic chants and indigenous instruments based on the materials available where they lived. The folk songs of Luzon lowlands are performed in his/her native language such as Ilocano, Pangasinense, Kapampangan, Tagalog, Bicolano and others. CHARACTERISTICS OF FOLKSONGS 1. Originally passed down orally to the family, and to the other members of the community. 2. Composers and lyricist are usually unknown. 3. Sung in his/her own dialect. Example: Bicolano, Tagalog, Ilocano, etc. 4. Learned through rote. Rote singing is learned by frequent repetition of the songs. 5. Begins in one key and ends in the same key. Example: Leron, Leron Sinta begins in key of D and ends in the key of D. 6. Mood can be sentimental, playful and humorous. 7. Concepts are based on nature or people’s work, tradition, culture. 8. Short and simple. Melody is being repeated for every stanza or usually the same throughout the song. Harmony is simple, melody is singable and sung in relaxed manner. 9. Either in duple meter, triple meter , or quadruple . These are usually found after the G Clef ILOCANO KAPAMPANGAN TAGALOG BICOLANO Pamulinawen Atin Cu Pung Bahay Sarong Singsing Kubo Bangi Naraniag A Doredo Ang Pipit Bulan Manang Biday Caca, O Caca Sitsiritsit Dungdungwen Ing Bulong Lara Y Paru- Kanto Rizal parong Bukid Bannatiran Patag a Bundoc Magtanim ay di biro PAMULINAWEN (Ilokano Folksong) Pamulinawen, Pusoc in dengam man Toy u mas a sug, Agrayo ta sa diam Panunutemman, Inka Pagintutulngan Toy Agayat Agukoy dita sadiam Essem a diak malipatan, Ta nasudi unay a nagan Uray sagun ta Ayan, Lugar sadinnoman Aw-awagan di agsarday, Ta nagan mo a kasam-itan No malagip ka, Pusok ti Mabang aran
O NARANIAG A BULAN (Ilokano Folksong)
O naraniag a Bulan, un u noy ko in de ngam Day ta nas lag a silaw mo, Di mo kad i pa idam O naraniag a Bulan, San sa ngit ko in de ngam Toy nasipnget a lubong ko, In ka kad silawan Tap non diak maiyaw a wan No in ka nang li pa ten, Karim ka niak na gui busen Sam sam itek ni patay, O bulan ket aklunem Nang lay layen ni a yat, In ku kad palas ban gen Un u noy ko da ra sem nga I ked deng
ATIN CU PUNG SINGSING (Kapampangan)
Atin cu pung singsing, Me tung yang tim pu can Ama na que i ti, Queng in dung I ba tan Sang can queng si ni nup, Queng metung a ca ban Me wala ya i ti, E cu ca ma layan ANG PIPIT (Tagalog Folksong) May pumukol sa pipit sa sanga ng isang kahoy At nahagip ng bato ang pakpak ng munting ibon Dahil sa sakit di na nakaya pang lumipad At ang nangyari ay nahulog Ngunit parang taong bumigkas ‘Mamang kay lupit, ang puso mo’y dina nahabag Pag pumanaw ang buhay ko, may isang pipit na iiyak’
PARU PARONG BUKID (Tagalog Folksong)
Paru parong bukid, na lilipad lilipad Sa gitna ng daan, Papaga – pagaspas Sang bara ang tapis, Isang dangkal ang manggas Ang sayang de kola, Isang pyesa ang sayad May payneta pa sya Uy! May suklay paman din, Uy! Naguas de Ojetes, Ang palalabasin Haharap sa altar, At mananalamin At saka lalakad ng pa kendang kendang SARONG BANGGI (Bicolano folksong) Sarong banggi sa igdaan, naka dangog ako nin huni nin sarong gamgam, Sa lubha ko, katurogan Bako kundi simong boses iyo paloan Dagos ako bangon si sakuyang mata iminuklat Kadtong kadikloman ako, nangalag kalag Si sakong paghiling pasiring sa itaas Si mong lawong nahiling ko maliwanag