Viola

minha viola
Análise - Mestrado

                      
Transcrição - Felipe Pessin Manzoli Américo Jacomino - Canhoto

  
 = Livremente

  

                     
    
    
 
4

                              
 = 100

                     
Groove 1

   
6 G D G D G D G D

                           

Simile

                   
Extemporização 1

    
14 G D G

                              
        
                     
17 D G D

                  
                  
20 G D

                        

           
Extemporização 2

            
22 G D

                                    
                                
C
D D

   
24

                      

                
27 G D

                          
               
       
Extemporização 3

 
29 G D G
                 
            
32 D Símile

                         
                
               
Extemporização 4

  
            
37 G D

     
                  
                     

           
42

     

                              

                   
Extemporização 5

    
47 G D Símile

          

             
  
  
              
                   
Extemporização 6

     
55 G D G D

                    
             
       
59 G D

                                   
  
62

                              
     
69

    

74 Seção Imitação de vozes humanas (sem métrica e altura definida)

                         Simile
                           
Aumenta o andamento em 10 Bpm

    
78 G D

                                    
                                
C
G D

   
88

2
                                     
                        
C

       
91 G G

                        
                
       
94 G D G

                                    

                                    
97 D D G

          
          
      
       
100 D

                               
    
  
104

  

110 Seção Imitação de vozes humanas (sem métrica e altura definida)

                 
    
 
112 Seção Imitação de vozes humanas (sem métrica e altura definida)

                          
                       
Aumenta o andamento em 10 Bpm


120 G D Simile

                        
                
       
124 G D G

                  
      
             
         

D

      
127


3