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36 Corales para Banda
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Score
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
SATB Breakdown
In general, this breakdown of parts will
work with a typical concert band
SOPRANO TENOR
Flute Bassoon
Oboe Soprano Clarinet (sometimes)
Soprano Clarinet Bass Clarinet
Trumpet Alto Sax (sometimes)
Mallets Tenor sax
Bari Sax
ALTO Horn
Flute Trombone
Oboe Euphonium
Soprano Clarinet
Alto Clarinet BASS
Alto Saxophone Bassoon
Tenor Saxophone Bass Clarinet
Trumpet Bari Sax
Horn in F Trombone*
Mallets Euphonium*
Tuba
* When the bass part is printed in the trombone range, there is
minimal voice overlap if trombones are playing both the tenor
and bass. If the bass part is printed in the tuba range, there will
be voice overlap between trombones playing the tenor and bass.
Let me know if you find any errors, have suggestions, or are just
using the book. I’d love to know! ( aaron.cole@byron.k12.mn.us )
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
1 2 3 4
S
3
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1 2 3
S
6
Suspensions A
(Preparation T
Suspension
Resolution)
B
1 2 3 4 5
S
7
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
6 7 8 9 10 11 12
S
A
T
B
4
1 2 3 4 5
S
8
A
Ode to Joy
by Ludwig
Van Beethoven T
B
(1824)
S
6 7 8 9 10 11
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
A
God Rest Ye
Merry Gentlemen
(Traditional) T
B
(First published
in 1833)
5 6 7 8 9 10 11
S
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
1 2 3 4 5 6
S
10
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
1 2 3 4
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
A
Be Thou
My Vision
(Traditional T
originally
B
titled "Slane")
S
8 9 10 11 12 13 14 15 16
A
T
B
8
1 2 3 4
S
13
In the Bleak A
Midwinter
T
Gustav Holst's
B
setting
(1906)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
9
1 2 3 4 5
S
14
Chester A
by
William Billings T
B
(1778)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
Horkstow A
Grange
T
collected by
Percy Grainger
B
(1906)
4 5 6 7 8 9
S
A
3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
1 2 3 4
S
18
A
Finlandia
by
Jean Sibelius T
Divisi
B
(1900)
13
5 6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
S
1 2 3 4
19
Prelude No. 20 A
Opus 28
by T
Frederic Chopin
(1839)
B
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
S
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
S
20 21 22 23 24 25 26 27 28 29 30 31
A
T
B
16
1 2 3 4
S
21
Fl., and ob. should play soprano only
A
Nimrod
from the
Enigma Variations T
by Edward Elgar
(1899)
B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
7 8 9 10 11 12 13
S
A
T
B
1 2 3 4 5
S
23
Chant Funeraire A
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
6 7 8 9 10 11 12
S
A
T
B
18
1 2 3
S
24
Fl., and ob. should play soprano only
A
Irish Tune from
County Derry
(Grainger's T
Setting
B
1911)
4 5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
19
13 14 15 16
S
A
T
B
1 2 3
S
25
Rhenish SymphonyA
Mvmt. 4 Opening
by T
Robert Schumann
B
(1850)
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Fl., and ob. should play soprano only
A
Salvation is
Created
by Pavel T
Tchesnokov
B
(1912)
13
6 7 8 9 10 11 12
S
Watch for trumpets trying to play soprano
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
S
1 2 3 4
27
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
1 2 3 4 5 6
S
28
3rd Tune from A
for Archbishop T
the 9 Psalm Tunes
Parker's Psalter
B
by Thomas Tallis
(1567)
S
7 8 9 10 11 12 13 14 15 16 17
A
T
B
S
18 19 20 21 22 23 24 25 26
A
T
B
23
S
1 2 3 4
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
S
5 6 7 8
A
T
B
9 10 11 12
S
A
T
B
24
S
1 2 3 4 5 6
30
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
B
(1736)
7 8 9 10 11 12 13 14
S
A
T
B
15 16 17 18 19 20 21 22
S
A
T
B
25
1 2 3 4 5 6
S
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
7 8 9 10 11 12 13 14 15
S
A
T
B
24
16 17 18 19 20 21 22 23
S
A
T
B
26
1 2 3 4
S
32
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
27
17 18 19 20
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
A
BWV 80.8
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
4 5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
29
3
1 2
S
34
BWV 4.8 A
Christ lag in
Todesbanden T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
9
8 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18 19 20
S
A
T
B
Flute
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For flute players
1. The SOPRANO part is your main part
2. The ALTO part works for you most of the time
a. You could split the section Flute 1 and Flute 2
b. If the alto is higher than the soprano, don’t use it
3. The TENOR and BASS parts are just there so you can see
what the others are doing
4. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
5. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
1 2 3 4
S
3
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1
2 3
4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis
T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1 2 3
S
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
5
1 2 3 4
S
7
Old Hundredth A
by
Loys Bourgeois T
(1551)
B
8
11
6 7 9 10 12
S
A
T
B
4
1 2 3 4 5
S
8
Ode to Joy A
by Ludwig
Van Beethoven T
B
(1824)
10 11
6 7 8 9
S
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
God Rest Ye A
Merry Gentlemen
(Traditional) T
B
(First published
in 1833)
9 10 11
5 6 7 8
S
A
T
B
18
12 13 14 15 16 17 19
S
A
T
B
6
2 3 6
4
1 5
S
10
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
4
1 2 3
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
Be Thou A
My Vision
(Traditional T
originally
B
titled "Slane")
10 11
8 9 12 13
14
15 16
S
A
T
B
8
1 2 3 4
S
13
In the Bleak A
Midwinter
T
Gustav Holst's
B
setting
(1906)
8
5 6 7 9 10
S
A
T
B
11 12
13
14
15
16
S
A
T
B
9
2 3 4
1 5
S
14
Chester A
by
William Billings T
B
(1778)
11
10
6 7 8 9
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
2
11
S
1
3
16
Horkstow A
Grange
collected by T
Percy Grainger
B
(1906)
5 6 7 8 9
4
S
A
3
T
3
3
B
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
Gustav Holst
B
(1909)
4 5 6 7 8
S
A
T
B
1
2 3
S
4
18
A
Finlandia
by
Divisi
Jean Sibelius T
B
(1900)
9 10 11
13
5 6 7 8 12
S
A
T
B
15
13 14 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
1 2 3 4
S
19
Prelude No. 20 A
Opus 28
by T
Frederic Chopin
B
(1839)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3
4
5 6 7 8
S
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
12 13 14 15
9 10 11 16 17 18 19
S
A
T
B
27
20 21 22 23 24 25 26 28 29 30 31
S
A
T
B
16
1 2 3 4
S
21
A
Nimrod
from the
Enigma Variations T
by Edward Elgar
B
(1899)
5 6 7 8 9
S
A
T
B
1 2
3
4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
11
7 8
9
10 12 13
S
A
T
B
4 5
1 2 3
S
23
Chant Funeraire A
from the Op. 117
Cello Sonata T
by Gabriel
Faure (1921)
B
8
6 7 9 10 11 12
S
A
T
B
18
S
1 2 3
24
Irish Tune from A
County Derry
(Grainger's T
Setting
B
1911)
4 5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
19
13 14 15 16
S
A
T
B
1 2 3
S
25
Rhenish SymphonyA
Mvmt. 4 Opening
by T
Robert Schumann
B
(1850)
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
A
Salvation is
Created
by Pavel T
Tchesnokov
B
(1912)
13
6 7 8 9 10 11 12
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
1 2 3
4
S
27
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
7
5 6 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
12 3 4 5 6
S
28
3rd Tune from A
the 9 Psalm Tunes
for Archbishop T
Parker's Psalter
by Thomas Tallis
B
(1567)
16 17
7 8 9 10 11 12 13 14 15
S
A
T
B
18 19 20 21 22 23 24 25 26
S
A
T
B
23
1 2 3 4
S
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
(1893)
B
5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
4
24
6
1
2
3 5
S
30
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
(1736)
B
7 8 9
10
11 12 13 14
S
A
T
B
19 20
15 16 17 18 21 22
S
A
T
B
1 2 3 4 5 6
25
S
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
8
13 14 15
7
9
10
11
12
S
A
T
B
18 19 20 22 24
16 17 21 23
S
A
T
B
26
1 2 3 4
S
32
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
6
5 7 8 9 10
S
A
T
B
14 15 16
11 12 13
S
A
T
B
27
20
17 18 19
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
BWV 80.8 A
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
8
4 5 6 7
S
A
T
B
12
9 10 11
S
A
T
B
29
2
3
1
S
34
BWV 4.8
A
Christ lag in
Todesbanden T
(Christ lay in
Death's Bonds)
B
J.S. Bach (1707)
4
5
6
7
S
A
T
B
9
8 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
Gustav Mahler
B
(1894)
6 7 8 9 10 11 12
S
A
T
B
15
18
13 14 16 17 19 20
S
A
T
B
Oboe
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For oboe players
1. The SOPRANO and ALTO parts are your main parts
a. Sometimes, the soprano parts are a bit high in the
oboe range. In that case, try the alto part, or play
the soprano part down an octave (cue notes are
provided).
2. The TENOR and BASS parts are just there so you can see
what the others are doing
3. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
4. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
1 2 3 4
S
3
A
Circle of Fifths
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
S
1 2 3
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
S
4 5 6 7 8
A
T
B
3
1 2 3
S
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
5
2
1 3 4
S
7
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
8
11
6 7 9 10 12
S
A
T
B
4
S
1 2 3 4 5
8
Ode to Joy A
by Ludwig
Van Beethoven T
B
(1824)
10 11
6 7 8 9
S
A
T
B
S
12 13 14 15 16
A
T
B
5
1 2 3 4
S
9
God Rest Ye A
Merry Gentlemen
(Traditional) T
B
(First published
in 1833)
9 10 11
S
5 6 7 8
A
T
B
18
S
12 13 14 15 16 17 19
A
T
B
6
1 2 3 4 5 6
S
10
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
1 2 3 4
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
S
1 2 3 4 5 6 7
12
Be Thou A
My Vision
(Traditional T
originally
titled "Slane")
B
10 11
8 9 12 13
14
15 16
S
A
T
B
8
1 2 3 4
S
13
A
In the Bleak
Midwinter
T
Gustav Holst's
B
setting
(1906)
8
5 6 7 9 10
S
A
T
B
16
11 12 13 14 15
S
A
T
B
9
1 2 3 4 5
S
14
Chester A
by
William Billings T
B
(1778)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5
6
7
8
9
10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
Horkstow A
Grange
collected by T
Percy Grainger
B
(1906)
4 5 6 7 8 9
S
A
3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
Gustav Holst
(1909) B
4 5 6 7 8
S
A
T
B
1 2 3 4
S
18
A
Finlandia
by
Divisi
Jean Sibelius T
B
(1900)
13
5 6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
S
1 2 3 4
19
Prelude No. 20 A
Opus 28
by T
Frederic Chopin
B
(1839)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
4 5
S
1 2 3 6 7 8
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
12 13 14 15
S
9 10 11 16 17 18 19
A
T
B
27
S
20 21 22 23 24 25 26 28 29 30 31
A
T
B
16
1 2 3 4
S
21
A
Nimrod
from the
Enigma Variations T
by Edward Elgar
B
(1899)
5 6 7 8 9
S
A
T
B
1 2
3
4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
11
7 8
9
10 12 13
S
A
T
B
4 5
1 2 3
S
23
Chant Funeraire A
from the Op. 117
Cello Sonata T
by Gabriel
Faure (1921)
B
8
10
6 7 9 11 12
S
A
T
B
18
S
1 2 3
24
Irish Tune from A
County Derry
(Grainger's T
Setting
B
1911)
4 5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
19
13 14 15 16
S
A
T
B
1 2 3
S
25
Rhenish SymphonyA
Mvmt. 4 Opening
by T
Robert Schumann
B
(1850)
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
A
Salvation is
Created
by Pavel T
Tchesnokov
B
(1912)
13
6 7 8 9 10 11 12
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
1 2 3
4
S
27
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
7
5 6 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
12 3 4 5 6
S
28
3rd Tune from A
the 9 Psalm Tunes
for Archbishop T
Parker's Psalter
by Thomas Tallis
B
(1567)
17
14
7 8 9 10 11 12 13 15 16
S
A
T
B
18 19 20 21 22 23 24 25 26
S
A
T
B
23
S
1 2 3 4
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
(1893)
B
5 6 7 8
S
A
T
B
S
9 10 11 12
A
T
B
24
S
1 2 3 4 5 6
30
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
(1736)
B
7 8 9 10 11 12 13 14
S
A
T
B
22
15 16 17 18 19 20 21
S
A
T
B
25
1 2 3 4 5 6
S
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
7 8 9 10 11 12 13 14 15
S
A
T
B
24
16 17 18 19 20 21 22 23
S
A
T
B
26
1 2 3 4
S
32
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
27
20
17 18 19
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
BWV 80.8 A
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
8
4 5 6 7
S
A
T
B
12
9 10 11
S
A
T
B
29
2
3
S
1
34
BWV 4.8
A
Christ lag in
Todesbanden T
(Christ lay in
Death's Bonds)
B
J.S. Bach (1707)
4
5
6
7
S
A
T
B
9
S
8 10 11 12
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
Gustav Mahler
B
(1894)
6 7 8 9 10 11 12
S
A
T
B
15
18
13 14 16 17 19 20
S
A
T
B
Bassoon
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For bassoon players
1. The TENOR and BASS parts are your main parts
a. Sometimes, the bass part is provided in two different
octaves (high and low). It is your choice.
2. The SOPRANO and ALTO parts are just there so you can
see what the others are doing
3. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
4. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
2 S
A
Canon in D
by
Johann Pachelbel T
B
(ca. 1680)
4
1 2 3
3 S
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
4 S
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1 2 3
6 S
Suspensions A
(Preparation T
Suspension
Resolution)
B
5
2
1 3 4
7 S
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
8 11
6 7 9 10 12
S
A
T
B
4
1 2 3 4 5
8 S
Ode to Joy A
by Ludwig
Van Beethoven T
B
(1824)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
God Rest Ye A
Merry Gentlemen
T
(Traditional)
B
(First published
in 1833)
5 6 7 8 9 10 11
S
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
2 3
6
1 4 5
10 S
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
4
1 2 3
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
Be Thou A
My Vision
(Traditional T
originally
B
titled "Slane")
10 11
8 9 12 13 14 15 16
S
A
T
B
8
1 2 3 4
13 S
In the Bleak A
Midwinter
T
Gustav Holst's
B
setting
(1906)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
9
2 4
1 3 5
14 S
Chester A
by
William Billings T
B
(1778)
10 11
6 7 8 9
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
15 S
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
16 S
Horkstow A
Grange
T
collected by
Percy Grainger
B
(1906)
5 6 7 8 9
4
S
A
3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
2 3
1 4
18 S
A
Finlandia
by
Jean Sibelius T
Divisi
B
(1900)
9 10 11
13
5 6 7 8 12
S
A
T
B
15
13 14 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
1 2 3 4
19 S
Prelude No. 20 A
Opus 28
by T
Frederic Chopin
(1839)
B
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
20 S
To a Wild Rose A
by
Edward T
McDowell
(1896)
B
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
20 21 22 23 24 25 26 27 28 29 30 31
S
A
T
B
16
3
1 2 4
S
21
Nimrod A
from the
Enigma Variations T
by Edward Elgar
(1899)
B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
10 11
7 8 9 12 13
S
A
T
B
1 2 3 4 5
S
23
Chant Funeraire A
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
8
6 7 9 10 11 12
S
A
T
B
18
1 2 3
S
24
A
Irish Tune from
County Derry
(Grainger's T
Setting
B
1911)
8
4 5 6 7
S
A
T
B
12
10
9 11
S
A
T
B
19
14
13 15 16
S
A
T
B
1 2 3
S
25
Rhenish SymphonyA
Mvmt. 4 Opening
by T
Robert Schumann
B
(1850)
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Salvation is A
Created
by Pavel T
Tchesnokov
B
(1912)
6 7 8 9 10 11 12 13
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
1 2 3 4
27 S
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
1 2 3 4 5 6
28 S
3rd Tune from A
for Archbishop T
the 9 Psalm Tunes
Parker's Psalter
B
by Thomas Tallis
(1567)
7 8 9 10 11 12 13 14 15 16 17
S
A
T
B
18 19 20 21 22 23 24 25 26
S
A
T
B
23
1 2 3 4
29 S
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
4
24
6
1 2 3 5
30 S
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
B
(1736)
11 12 13 14
7 8 9 10
S
A
T
B
19 20
15 16 17 18 21 22
S
A
T
B
25
S
1 2 3 4 5 6
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
7 8 9 10 11 12 13 14 15
S
A
T
B
S
16 17 18 19 20 21 22 23 24
A
T
B
26
1 2 3 4
32 S
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
14 15 16
11 12 13
S
A
T
B
27
20
17 18 19
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
33 S
BWV 80.8 A
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
8
4 5 6 7
S
A
T
B
9 10 11 12
S
A
T
B
29
1 2 3
S
34
BWV 4.8 A
Christ lag in
Todesbanden T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
Gustav Mahler
B
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
6 7 8 9 10 11 12
S
A
T
B
15
13 14 16 17 18 19 20
S
A
T
B
B Flat Clarinet
Bass Clarinet
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For Bb clarinet players
1. The SOPRANO and ALTO parts are your main parts
2. Most of the time, the TENOR part also works for you if it
lower than the alto part
a. Split the section up to cover multiple parts
3. The BASS part is there so you can see the other part
For bass clarinet players
1. The BASS part is your main part
2. The upper version of the TENOR part (cue notes) is
generally in the correct range for your instrument
3. The SOPRANO and ALTO parts are there so you can see
what the others are playing
For both
1. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
2. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
T
(1 - 4 - 5 - 1)
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
1 2 3 4
S
3
Circle of Fifths A
T
Chorale
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1 2 3
S
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
1 2 3 4 5
S
7
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
6 7 8 9 10 11 12
S
A
T
B
4
S
1 2 3 4 5
8
Ode to Joy A
by Ludwig
T
Van Beethoven
B
(1824)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
A
God Rest Ye
Merry Gentlemen
(Traditional)
T
B
(First published
in 1833)
5 6 7 8 9 10 11
S
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
1 2 3 4 5 6
S
10
Amazing Grace A
T
by
John Newton
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
1 2 3 4
S
11
Music for A
T
Queen Mary
by
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
A
Be Thou
My Vision
T
(Traditional
originally
B
titled "Slane")
8 9 10 11 12 13 14 15 16
S
A
T
B
8
S
1 2 3 4
13
A
In the Bleak
Midwinter
T
Gustav Holst's
B
setting
(1906)
S
5 6 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
9
1 2 3 4 5
S
14
Chester A
T
by
William Billings
B
(1778)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
S
5 6 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
A
Horkstow
Grange
T
collected by
Percy Grainger
B
(1906)
4 5 6 7 8 9
S
A
3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
T
from the
First Suite in Eb
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
1 2 3 4
S
18
Finlandia A
by
T
Divisi
Jean Sibelius
B
(1900)
13
5 6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
1 2 3 4
S
19
A
Prelude No. 20
T
Opus 28
by
Frederic Chopin
B
(1839)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
S
20
To a Wild Rose A
by
T
Edward
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
20 21 22 23 24 25 26 27 28 29 30 31
S
A
T
B
16
1 2 3 4
S
21
Nimrod A
from the
Enigma Variations T
by Edward Elgar
(1899)
B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
7 8 9 10 11 12 13
S
A
T
B
1 2 3 4 5
S
23
A
Chant Funeraire
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
S
6 7 8 9 10 11 12
A
T
B
18
1 2 3
S
24
Irish Tune from A
County Derry
T
(Grainger's
Setting
B
1911)
4 5 6 7 8
S
A
T
B
S
9 10 11 12
A
T
B
19
13 14 15 16
S
A
T
B
1 2 3
S
25
Rhenish Symphony A
Mvmt. 4 Opening
by T
Robert Schumann
(1850)
B
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Salvation is A
Created
T
by Pavel
Tchesnokov
B
(1912)
13
6 7 8 9 10 11 12
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
S
1 2 3 4
27
A
Ave Maria
T
from Op. 37
Vespers
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
S
9 10 11 12 13
A
T
B
22
S
1 2 3 4 5 6
28
3rd Tune from A
T
the 9 Psalm Tunes
for Archbishop
Parker's Psalter
B
by Thomas Tallis
(1567)
S
7 8 9 10 11 12 13 14 15 16 17
A
T
B
S
18 19 20 21 22 23 24 25 26
A
T
B
23
S
1 2 3 4
29
Largo from A
Symphony No. 9
T
by
Antonin Dvorak
B
(1893)
5 6 7 8
S
A
T
B
S
9 10 11 12
A
T
B
24
1 2 3 4 5 6
S
30
Come, Sweet Death A
T
Come Blessed Rest
by
J. S. Bach
B
(1736)
S
7 8 9 10 11 12 13 14
A
T
B
15 16 17 18 19 20 21 22
S
A
T
B
25
1 2 3 4 5 6
S
31
Chorale from Jupiter A
T
by
Gustav Holst
B
(1916)
7 8 9 10 11 12 13 14 15
S
A
T
B
16 17 18
19 20 21 22 23
24
S
A
T
B
26
1 2 3 4
S
32
A
In the Village
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
S
11 12 13 14 15 16
A
T
B
27
17 18 19 20
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
BWV 80.8 A
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
8
4 5 6 7
S
A
T
B
9 10 11 12
S
A
T
B
29
3
1 2
S
34
A
BWV 4.8
T
Christ lag in
Todesbanden
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
T
from the Finale
by
B
Gustav Mahler
(1894)
6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18 19 20
S
A
T
B
E Flat Clarinets
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For clarinets in Eb
1. This book was written so that Eb Clarinet, Alto Clarinet,
and Eb Contra Alto Clarinet players could use it.
2. You should play the part that makes the most sense for
your instrument
a. SOPRANO and maybe ALTO for Eb Clarinet
b. ALTO and maybe TENOR for Alto Clarinet
c. BASS for Eb Contra Alto Clarinet
3. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
4. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
2 S
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
4
1 2 3
S
3
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1 2 3
S
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
5
2
S
1 3 4
7
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
8 11
S
6 7 9 10 12
A
T
B
4
S
1 2 3 4
8
A
Ode to Joy
by Ludwig
Van Beethoven T
B
(1824)
S
5 6 7 8 9 10
A
T
B
S
11 12 13 14 15 16
A
T
B
5
1 2 3 4
S
9
A
God Rest Ye
Merry Gentlemen
T
(Traditional)
(First published
B
in 1833)
5 6 7 8 9 10 11
S
A
T
B
S
12 13 14 15 16 17 18 19
A
T
B
6
2 3
6
1 4 5
S
10
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
4
1 2 3
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
S
1 2 3 4 5 6 7
12
Be Thou A
My Vision
T
(Traditional
originally
B
titled "Slane")
10 11
S
8 9 12 13 14 15 16
A
T
B
8
S
1 2 3 4
13
In the Bleak A
Midwinter
Gustav Holst's
T
setting
B
(1906)
S
5 6 7 8 9 10
A
T
B
S
11 12 13 14 15 16
A
T
B
9
2 4
S
1 3 5
14
Chester A
by
William Billings T
B
(1778)
S
6 7 8 9 10 11
A
T
B
S
12 13 14 15 16
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
Horkstow A
Grange
collected by T
Percy Grainger
B
(1906)
4 5 6 7 8 9
S
A
3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
S
1 2 3 4
18
A
Finlandia
by
T
Divisi
Jean Sibelius
B
(1900)
13
S
5 6 7 8 9 10 11 12
A
T
B
13 14 15 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
1 2 3 4
S
19
Prelude No. 20 A
Opus 28
T
by
Frederic Chopin
B
(1839)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
S
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
S
20 21 22 23 24 25 26 27 28 29 30 31
A
T
B
16
1 2 3 4
S
21
A
Nimrod
from the
Enigma Variations T
by Edward Elgar
(1899) B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
B
(1868)
17
10 11
7 8 9 12 13
S
A
T
B
1 2 3 4 5
S
23
A
Chant Funeraire
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
8
6 7 9 10 11 12
S
A
T
B
18
1 2 3
S
24
Irish Tune from A
County Derry
(Grainger's T
Setting
B
1911)
4 5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
19
13 14 15 16
S
A
T
B
1 2 3
S
25
Rhenish Symphony A
Mvmt. 4 Opening
by T
Robert Schumann
(1850) B
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Salvation is A
Created
T
by Pavel
Tchesnokov
B
(1912)
6 7 8 9 10 11 12 13
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
1 2 3 4
S
27
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
1 2 3 4 5 6
S
28
3rd Tune from A
the 9 Psalm Tunes
for Archbishop T
Parker's Psalter
by Thomas Tallis
B
(1567)
7 8 9 10 11 12 13 14 15 16 17
S
A
T
B
18 19 20 21 22 23 24 25 26
S
A
T
B
23
1 2 3 4
S
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
24
S
1 2 3 4 5 6
30
Come, Sweet Death A
Come Blessed Rest
T
by
J. S. Bach
B
(1736)
7 8 9 10 11 12 13 14
S
A
T
B
15 16 17 18 19 20 21 22
S
A
T
B
25
S
1 2 3 4 5 6
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
7 8 9 10 11 12 13 14 15
S
A
T
B
S
16 17 18 19 20 21 22 23 24
A
T
B
26
1 2 3 4
S
32
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
14 15 16
11 12 13
S
A
T
B
27
17 18 19 20
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
BWV 80.8 A
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
4
5
6
7
8
S
A
T
B
9 10 11 12
S
A
T
B
29
1 2 3
S
34
BWV 4.8 A
Christ lag in
Todesbanden T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
6 7 8 9 10 11 12
S
A
T
B
15
13 14 16 17 18 19 20
S
A
T
B
Alto Saxophone
Baritone Saxophone
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For alto saxophone players
1. The ALTO part is your main part
2. Sometimes, the TENOR part works for you if you play the
lower version (the upper version is for bari sax)
3. The SOPRANO can work for you if it is in a high, yet
reasonable range
For baritone saxophone players
1. The BASS part is your main part
2. The upper version of the TENOR part (cue notes) is
generally in the correct range for your instrument
3. The SOPRANO and ALTO parts are there so you can see
what the others are playing
For both
1. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
2. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low (ex. Bari’s w/o low A). Usually, they are there just to
show you where the actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
4
1 2 3
S
3
Circle of Fifths A
Chorale
T
A common
sequence
B
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1
2
3
S
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
1
2 3
4 5
S
7
Old Hundredth A
T
by
Loys Bourgeois
B
(1551)
11
6
7
8
9
10
12
S
A
T
B
4
1 2 3 4 5
S
8
Ode to Joy A
by Ludwig
Van Beethoven T
B
(1824)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
God Rest Ye A
Merry Gentlemen
(Traditional)
T
(First published
B
in 1833)
5 6 7 8 9 10 11
S
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
2 3 6
S
1 4 5
10
Amazing Grace A
T
by
John Newton
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
4
1 2 3
S
11
Music for A
Queen Mary
by
T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
Be Thou A
T
My Vision
(Traditional
originally
B
titled "Slane")
10 11
8 9 12 13 14 15 16
S
A
T
B
8
1 2 3 4
S
13
In the Bleak A
Midwinter
Gustav Holst's
T
setting
(1906) B
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
9
2 4
1 3 5
S
14
Chester A
by
William Billings T
B
(1778)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
10
S
1 2 3 4
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
11
S
1 2 3
16
Horkstow A
Grange
collected by T
Percy Grainger
B
(1906)
5 6 7 8 9
4
S
A
3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
2 3
S
1 4
18
A
Finlandia
by
T
Divisi
Jean Sibelius
B
(1900)
6 7 9 10 11
13
5 8 12
S
A
T
B
15
S
13 14 16 17 18
A
T
B
S
19 20 21 22 23
A
T
B
14
1 2 3 4
S
19
Prelude No. 20 A
Opus 28
by T
Frederic Chopin
B
(1839)
5 6 7 8
S
A
T
B
9 10
11
12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
S
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
20 21 22 23 24 25 26 27 28 29 30 31
S
A
T
B
16
3
1 2 4
S
21
Nimrod A
from the
Enigma Variations T
by Edward Elgar
(1899)
B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
10 11
7 8 9 12 13
S
A
T
B
1 2 3 4 5
S
23
A
Chant Funeraire
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
8
6 7 9 10 11 12
S
A
T
B
18
1 2 3
S
24
Irish Tune from A
County Derry
T
(Grainger's
Setting
B
1911)
8
4 5 6 7
S
A
T
B
10
12
9 11
S
A
T
B
19
14
13 15 16
S
A
T
B
1 2 3
S
25
Rhenish Symphony A
Mvmt. 4 Opening
by T
Robert Schumann
B
(1850)
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Salvation is A
Created
by Pavel T
Tchesnokov
B
(1912)
6 7 8 9 10 11 12 13
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
1 2 3 4
S
27
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
1 2 3 4 5 6
S
28
3rd Tune from A
the 9 Psalm Tunes
for Archbishop T
Parker's Psalter
by Thomas Tallis
B
(1567)
7 8 9 10 11 12 13 14 15 16 17
S
A
T
B
18 19 20 21 22 23 24 25 26
S
A
T
B
23
1 2 3 4
S
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
4
24
6
1 2 3 5
S
30
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
B
(1736)
11 12 13 14
7 8 9 10
S
A
T
B
17 19 20
15 16 18 21 22
S
A
T
B
25
S
1 2 3 4 5 6
31
Chorale from Jupiter A
by
Gustav Holst T
(1916)
B
7 8 9 10 11 12 13 14 15
S
A
T
B
S
16 17 18 19 20 21 22 23 24
A
T
B
26
1 2 3 4
S
32
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
14 15 16
11 12 13
S
A
T
B
27
17 18 19 20
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
BWV 80.8 A
Ein Feste Burg ist
unser Gott
T
(A Mighty Fortress
is our God)
B
J.S. Bach (1731)
4
5
6
7
8
S
A
T
B
9 10 11 12
S
A
T
B
29
1 2 3
S
34
BWV 4.8 A
Christ lag in
Todesbanden
T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
6 7 8 9 10 11 12
S
A
T
B
15
13 14 16 17 18 19 20
S
A
T
B
Tenor Saxophone
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For tenor saxophone players
1. The TENOR part is your main part
a. Sometimes, the ALTO part can work for you if it is in
a high, but reasonable range
2. The SOPRANO and BASS parts are just there so you can
see what the others are doing
3. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
4. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
1 2 3 4
S
3
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
of cadence
B
1
2
3
S
5
Tallis Canon A
by
Thomas Tallis T
(ca. 1560)
B
4 5 6 7 8
S
A
T
B
3
1 2 3
S
6
A
Suspensions
(Preparation T
Suspension
B
Resolution)
1 2 3 4 5
S
7
Old Hundredth A
by
Loys Bourgeois T
(1551)
B
6 7 8 9 10 11 12
S
A
T
B
2
4
1 3 4 5
S
8
Ode to Joy A
by Ludwig
Van Beethoven T
B
(1824)
10 11
6 7 8 9
S
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
God Rest Ye A
Merry Gentlemen
(Traditional) T
B
(First published
in 1833)
5 6 7 8 9 10 11
S
A
T
B
18
12 13 14 15 16 17 19
S
A
T
B
6
1 2 3 4 5 6
S
10
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
1 2 3 4
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
Be Thou A
My Vision
(Traditional T
originally
B
titled "Slane")
8 9 10 11 12 13 14 15 16
S
A
T
B
8
S
1 2 3 4
13
In the Bleak A
Midwinter
T
Gustav Holst's
B
setting
(1906)
S
5 6 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
9
1 2 3 4 5
S
14
Chester
A
by
William Billings T
B
(1778)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
S
5 6 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
Horkstow A
Grange
collected by T
Percy Grainger
B
(1906)
4 5 6 7 8 9
S
3
A
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
1 2 3 4
S
18
Finlandia A
by
T
Divisi
Jean Sibelius
B
(1900)
13
5 6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
S
1 2 3 4
19
Prelude No. 20 A
Opus 28
by T
Frederic Chopin
B
(1839)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
S
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
20 21 22 23 24 25 26 27 28 29 30 31
S
A
T
B
16
1 2 3 4
S
21
Nimrod A
from the
Enigma Variations T
by Edward Elgar
(1899)
B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
7 8 9 10 11 12 13
S
A
T
B
1 2 3 4 5
S
23
Chant Funeraire A
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
7 8 10
9
6 11 12
S
A
T
B
18
1 2 3
S
24
Irish Tune from A
T
County Derry
(Grainger's
Setting
1911)
B
4 5 6 7 8
S
A
T
B
S
9 10 11 12
A
T
B
19
13 14 15 16
S
A
T
B
S
1 2 3
25
Rhenish Symphony A
Mvmt. 4 Opening
by T
Robert Schumann
(1850)
B
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Salvation is A
Created
by Pavel T
Tchesnokov
B
(1912)
13
6 7 8 9 10 11 12
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
1 2 3 4
S
27
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
7
5 6 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
S
1 2 3 4 5 6
28
3rd Tune from A
T
the 9 Psalm Tunes
for Archbishop
Parker's Psalter
B
by Thomas Tallis
(1567)
S
7 8 9 10 11 12 13 14 15 16 17
A
T
B
S
18 19 20 21 22 23 24 25 26
A
T
B
23
S
1 2 3 4
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
5 6 7 8
S
A
T
B
S
9 10 11 12
A
T
B
24
1 2 3 4 5 6
S
30
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
(1736)
B
S
7 8 9 10 11 12 13 14
A
T
B
15 16 17 18 19 20 21 22
S
A
T
B
25
1 2 3 4 5 6
S
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
7 8 9 10 11 12 13 14 15
S
A
T
B
16 17 18 19 20 21
22
23
24
S
A
T
B
26
1 2 3 4
S
32
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
6
S
5 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
27
17 18 19 20
S
A
T
B
S
21 22 23 24
A
T
B
28
1 2
3
S
33
BWV 80.8 A
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
is our God)
B
J.S. Bach (1731)
6
8
4 5
7
S
A
T
B
12
9 10 11
S
A
T
B
29
3
1 2
S
34
BWV 4.8 A
Christ lag in
Todesbanden T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
S
7 8 9 10 11 12 13 14
A
T
B
S
21 22
15 16 17 18 19 20
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
Gustav Mahler
B
(1894)
S
6 7 8 9 10 11 12
A
T
B
13 14 15 16 17 18 19 20
S
A
T
B
Trumpet
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For trumpet players
1. The SOPRANO and ALTO parts are your main parts
a. Though, sometimes the ALTO part can get a bit low
b. Split the section up into two parts
2. The TENOR and BASS parts are just there so you can see
what the others are doing
3. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
4. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
S
1 2 3 4
3
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
S
1 2 3
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
1 2 3 4 5
S
7
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
6 7 8 9 10 11 12
S
A
T
B
4
S
1 2 3 4 5
8
A
Ode to Joy
by Ludwig
Van Beethoven T
B
(1824)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
A
God Rest Ye
Merry Gentlemen
(Traditional) T
B
(First published
in 1833)
S
5 6 7 8 9 10 11
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
1 2 3 4 5 6
S
10
Amazing Grace A
by
John Newton T
B
(1779)
12
S
7 8 9 10 11 13 14 15
A
T
B
1 2 3 4
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
A
Be Thou
My Vision
(Traditional T
originally
B
titled "Slane")
8 9 10 11 12 13 14 15 16
S
A
T
B
8
S
1 2 3 4
13
A
In the Bleak
Midwinter
T
Gustav Holst's
B
setting
(1906)
S
5 6 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
9
1 2 3 4 5
S
14
Chester A
by
William Billings T
B
(1778)
6 7 8 9 10 11
S
A
T
B
S
12 13 14 15 16
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
S
5 6 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
A
Horkstow
Grange
collected by T
Percy Grainger
B
(1906)
S
4 5 6 7 8 9
A 3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
1 2 3 4
S
18
A
Finlandia
T
by
Divisi
Jean Sibelius
B
(1900)
13
S
5 6 7 8 9 10 11 12
A
T
B
13 14 15 16 17 18
S
A
T
B
23
19 20 21 22
S
A
T
B
14
1 2 3 4
S
19
A
Prelude No. 20
Opus 28
T
by
Frederic Chopin
B
(1839)
S
5 6 7 8
A
T
B
S
9 10 11 12 13
A
T
B
15
S
1 2 3 4 5 6 7 8
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
S
20 21 22 23 24 25 26 27 28 29 30 31
A
T
B
16
1 2 3 4
S
21
Nimrod A
from the
Enigma Variations T
by Edward Elgar
(1899)
B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
7 8 9 10 11 12 13
S
A
T
B
1 2 3 4 5
S
23
A
Chant Funeraire
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
S
6 7 8 9 10 11 12
A
T
B
18
1 2 3
S
24
Irish Tune from A
T
County Derry
(Grainger's
Setting
B
1911)
S
4 5 6 7 8
A
T
B
S
9 10 11 12
A
T
B
19
S
13 14 15 16
A
T
B
1 2 3
S
25
Rhenish Symphony A
Mvmt. 4 Opening
by T
Robert Schumann
(1850) B
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Salvation is A
Created
by Pavel T
Tchesnokov
B
(1912)
13
S
6 7 8 9 10 11 12
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
S
1 2 3 4
27
A
Ave Maria
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
S
9 10 11 12 13
A
T
B
22
S
1 2 3 4 5 6
28
A
3rd Tune from
T
the 9 Psalm Tunes
for Archbishop
Parker's Psalter
B
by Thomas Tallis
(1567)
S
7 8 9 10 11 12 13
14 15 16 17
A
T
B
S
18 19 20 21 22 23 24 25 26
A
T
B
23
S
1 2 3 4
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
S
5 6 7 8
A
T
B
S
9 10 11 12
A
T
B
24
1 2 3 4 5 6
S
30
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
B
(1736)
S
7 8 9 10 11 12 13 14
A
T
B
15 16 17 18 19 20 21 22
S
A
T
B
25
S
1 2 3 4 5 6
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
S
7 8 9 10 11 12 13 14 15
A
T
B
24
16 17 18 19 20 21 22 23
S
A
T
B
26
1 2 3 4
S
32
A
In the Village
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
S
11 12 13 14 15 16
A
T
B
27
17 18 19 20
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
BWV 80.8 A
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
8
4 5 6 7
S
A
T
B
9 10 11 12
S
A
T
B
29
3
1 2
S
34
A
BWV 4.8
Christ lag in
Todesbanden T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18 19 20
S
A
T
B
Horn in F
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For horn players
1. The ALTO and TENOR parts are your main parts
a. Sometimes, the alto will get a bit high, and
sometimes the tenor will get a bit low, but overall,
these parts suit the horn well
2. The SOPRANO and BASS parts are just there so you can
see what the others are doing
3. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
4. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
A
I - IV - V - I
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
1 2 3 4
S
3
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
S
1 2 3 4
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1 2 3
S
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
1 2 3 4 5
S
7
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
6 7 8 9 10 11 12
S
A
T
B
4
S
1 2 3 4 5
8
Ode to Joy A
by Ludwig
T
Van Beethoven
B
(1824)
S
6 7 8 9 10 11
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
God Rest Ye A
Merry Gentlemen
T
(Traditional)
B
(First published
in 1833)
S
5 6 7 8 9 10 11
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
1 2 3 4 5 6
S
10
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
1 2 3 4
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
Be Thou
A
My Vision
(Traditional T
originally
B
titled "Slane")
10 11
S
8 9 12 13 14 15 16
A
T
B
8
S
1 2 3 4
13
In the Bleak A
Midwinter
T
Gustav Holst's
B
setting
(1906)
S
5 6 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
9
1 2 3 4 5
S
14
A
Chester
by
William Billings T
B
(1778)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
Horkstow A
Grange
collected by T
Percy Grainger
B
(1906)
4 5 6 7 8 9
S
A
3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
Gustav Holst
(1909) B
4 5 6 7 8
S
A
T
B
1 2 3 4
S
18
Finlandia A
by
T
Divisi
Jean Sibelius
B
(1900)
13
5 6 7 8 9 10 11 12
S
A
T
B
S
13 14 15 16 17 18
A
T
B
19 20 21 22 23
S
A
T
B
14
1 2 3 4
S
19
A
Prelude No. 20
Opus 28
by T
Frederic Chopin
B
(1839)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
S
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
20 21 22 23 24 25 26 27 28 29 30 31
S
A
T
B
16
1 2 3 4
S
21
Nimrod A
from the
Enigma Variations T
by Edward Elgar
B
(1899)
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
B
(1868)
17
7 8 9 10 11 12 13
S
A
T
B
1 2 3 4 5
S
23
A
Chant Funeraire
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
6 7 8 9 10 11 12
S
A
T
B
18
1 2 3
S
24
Irish Tune from A
County Derry
T
(Grainger's
Setting
B
1911)
4 5 6 7 8
S
A
T
B
S
9 10 11 12
A
T
B
19
13 14 15 16
S
A
T
B
S
1 2 3
25
Rhenish Symphony A
Mvmt. 4 Opening
by T
Robert Schumann
B
(1850)
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Salvation is A
Created
by Pavel T
Tchesnokov
B
(1912)
6 7 8 9 10 11 12 13
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
S
1 2 3 4
27
A
Ave Maria
from Op. 37
T
Vespers
by Sergei
B
Rachmaninoff
(1915)
S
5 6 7 8
A
T
B
S
9 10 11 12 13
A
T
B
22
S
1 2 3 4 5 6
28
3rd Tune from A
the 9 Psalm Tunes
for Archbishop T
Parker's Psalter
B
by Thomas Tallis
(1567)
S
7 8 9 10 11 12 13 14 15 16 17
A
T
B
S
18 19 20 21 22 23 24 25 26
A
T
B
23
1 2 3 4
S
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
24
1 2 3 4 5 6
S
30
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
B
(1736)
7 8 9 10 11 12 13 14
S
A
T
B
15 16 17 18 19 20 21 22
S
A
T
B
25
1 2 3 4 5 6
S
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
7 8 9 10 11 12 13 14 15
S
A
T
B
16 17 18 19 20 21 22 23 24
S
A
T
B
26
1 2 3 4
S
32
In the Village
A
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
14 15 16
S
11 12 13
A
T
B
27
17 18 19 20
S
A
T
B
21 22 23 24
S
A
T
B
28
S
1 2 3
33
A
BWV 80.8
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
S
4 5 6 7 8
A
T
B
9 10 11 12
S
A
T
B
29
3
1 2
S
34
BWV 4.8 A
Christ lag in
Todesbanden T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 7 6
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
Gustav Mahler
B
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
15 16 17 18 19 20 21 22
S
A
T
B
31
S
1 2 3 4 5
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
S
6 7 8 9 10 11 12
A
T
B
13 14 15 16 17 18 19 20
S
A
T
B
Trombone
Euphonium
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For trombone and euphonium players
1. The TENOR and BASS parts are your main parts
a. However, it is better to have the tuba and low
woodwind instruments play the bass part
2. The SOPRANO and ALTO parts are just there so you can
see what the others are doing
3. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
4. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
2 S
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
4
1 2 3
3 S
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
4 S
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1 2 3
6 S
Suspensions A
(Preparation T
Suspension
Resolution)
B
5
2
1 3 4
7 S
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
8
11
6 7 9 10 12
A
T
B
4
1 2 3 4 5
8 S
Ode to Joy A
by Ludwig
Van Beethoven T
B
(1824)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
God Rest Ye A
Merry Gentlemen
T
(Traditional)
B
(First published
in 1833)
5 6 7 8 9 10 11
S
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
2 3 6
1 4 5
10 S
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
4
1 2 3
S
11
Music for A
Queen Mary
by
T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
Be Thou A
My Vision
(Traditional T
originally
B
titled "Slane")
10 11
8 9 12 13 14 15 16
S
A
T
B
8
1 2 3 4
13 S
In the Bleak A
Midwinter
T
Gustav Holst's
B
setting
(1906)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
9
2 4
1 3 5
14 S
Chester A
by
William Billings T
B
(1778)
11
10
6 7 8 9
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
15 S
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
16 S
Horkstow A
Grange
T
collected by
Percy Grainger
B
(1906)
5 6 7 8 9
4
S
A
3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
2 3
1 4
18 S
A
Finlandia
by
Jean Sibelius T
Divisi
B
(1900)
9 10 11
13
5 6 7 8 12
S
A
T
B
15
13 14 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
1 2 3 4
19 S
Prelude No. 20 A
Opus 28
by T
Frederic Chopin
(1839)
B
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
20 S
To a Wild Rose A
by
Edward T
McDowell
(1896)
B
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
20 21 22 23 24 25 26 27 28 29 30 31
S
A
T
B
16
3
1 2 4
S
21
Nimrod A
from the
Enigma Variations T
by Edward Elgar
(1899)
B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
10 11
7 8 9 12 13
S
A
T
B
1 2 3 4 5
S
23
Chant Funeraire A
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
8
6 7 9 10 11 12
S
A
T
B
18
1 2 3
S
24
A
Irish Tune from
County Derry
(Grainger's T
Setting
B
1911)
8
4 5 6 7
S
A
T
B
12
10
9 11
S
A
T
B
19
14
13 15 16
S
A
T
B
1 2 3
S
25
Rhenish SymphonyA
Mvmt. 4 Opening
by T
Robert Schumann
B
(1850)
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Salvation is A
Created
by Pavel T
Tchesnokov
B
(1912)
8 11 13
9
6 7 10 12
S
A
T
B
15 16
14 17 18 19 20 21
S
A
T
B
21
1 2 3 4
27 S
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
1 2 3 4 5 6
28 S
3rd Tune from A
for Archbishop T
the 9 Psalm Tunes
Parker's Psalter
B
by Thomas Tallis
(1567)
7 8 9 10 11 12 13 14 15 16 17
S
A
T
B
S
18 19 20 21 22 23 24 25 26
A
T
B
23
1 2 3 4
29 S
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
5 6 7 8
A
T
B
9 10 11 12
S
A
T
B
4
24
6
1 2 3 5
30 S
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
B
(1736)
15
12 13
10 11
7 8 9 14
S
A
T
B
19 20
16 17 18 21 22
S
A
T
B
25
6
2 3
S
1 4 5
31
Chorale from Jupiter A
by
Gustav Holst T
(1916)
B
8
13 14 15
7 9 10 11 12
S
A
T
B
22 24
18
16
17
19
20
21
23
S
A
T
B
26
1 2 3 4
32 S
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
14 15 16
11 12 13
S
A
T
B
27
20
17 18 19
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
33 S
BWV 80.8 A
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
8
4 5 6 7
S
A
T
B
9 10 11 12
S
A
T
B
29
1 2 3
S
34
BWV 4.8 A
Christ lag in
Todesbanden T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
Gustav Mahler
B
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
6 7 8 9 10 11 12
S
A
T
B
15
13 14 16 17 18 19 20
S
A
T
B
Euphonium T.C.
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For trombone and euphonium players
1. The TENOR and BASS parts are your main parts
a. However, it is better to have the tuba and low
woodwind instruments play the bass part
2. The SOPRANO and ALTO parts are just there so you can
see what the others are doing
3. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
4. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
S
1 2 3 4
3
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
S
1 2 3
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
1 2 3 4 5
S
7
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
6 7 8 9 10 11 12
S
A
T
B
4
S
1 2 3 4 5
8
A
Ode to Joy
by Ludwig
Van Beethoven T
B
(1824)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
A
God Rest Ye
Merry Gentlemen
(Traditional) T
B
(First published
in 1833)
S
5 6 7 8 9 10 11
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
1 2 3 4 5 6
S
10
Amazing Grace A
by
John Newton T
B
(1779)
12
S
7 8 9 10 11 13 14 15
A
T
B
1 2 3 4
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
A
Be Thou
My Vision
(Traditional T
originally
B
titled "Slane")
8 9 10 11 12 13 14 15 16
S
A
T
B
8
S
1 2 3 4
13
A
In the Bleak
Midwinter
T
Gustav Holst's
B
setting
(1906)
S
5 6 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
9
1 2 3 4 5
S
14
Chester A
by
William Billings T
B
(1778)
6 7 8 9 10 11
S
A
T
B
S
12 13 14 15 16
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
S
5 6 7 8 9 10
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
A
Horkstow
Grange
collected by T
Percy Grainger
B
(1906)
S
4 5 6 7 8 9
A 3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
1 2 3 4
S
18
A
Finlandia
T
by
Divisi
Jean Sibelius
B
(1900)
13
S
5 6 7 8 9 10 11 12
A
T
B
13 14 15 16 17 18
S
A
T
B
23
19 20 21 22
S
A
T
B
14
S
1 2 3 4
19
A
Prelude No. 20
Opus 28
T
by
Frederic Chopin
B
(1839)
S
5 6 7 8
A
T
B
S
9 10 11 12 13
A
T
B
15
S
1 2 3 4 5 6 7 8
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
S
20 21 22 23 24 25 26 27 28 29 30 31
A
T
B
16
1 2 3 4
S
21
Nimrod A
from the
Enigma Variations T
by Edward Elgar
(1899)
B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
7 8 9 10 11 12 13
S
A
T
B
1 2 3 4 5
S
23
A
Chant Funeraire
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
S
6 7 8 9 10 11 12
A
T
B
18
1 2 3
S
24
Irish Tune from A
T
County Derry
(Grainger's
Setting
B
1911)
S
4 5 6 7 8
A
T
B
S
9 10 11 12
A
T
B
19
S
13 14 15 16
A
T
B
1 2 3
S
25
Rhenish Symphony A
Mvmt. 4 Opening
by T
Robert Schumann
(1850) B
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
Salvation is A
Created
by Pavel T
Tchesnokov
B
(1912)
13
S
6 7 8 9 10 11 12
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
S
1 2 3 4
27
A
Ave Maria
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
S
9 10 11 12 13
A
T
B
22
S
1 2 3 4 5 6
28
A
3rd Tune from
T
the 9 Psalm Tunes
for Archbishop
Parker's Psalter
B
by Thomas Tallis
(1567)
S
7 8 9 10 11 12 13 14 15 16 17
A
T
B
S
18 19 20 21 22 23 24 25 26
A
T
B
23
S
1 2 3 4
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
S
5 6 7 8
A
T
B
S
9 10 11 12
A
T
B
24
1 2 3 4 5 6
S
30
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
B
(1736)
S
7 8 9 10 11 12 13 14 15
A
T
B
S
16 17 18 19 20 21 22
A
T
B
25
S
1 2 3 4 5 6
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
S
7 8 9 10 11 12 13 14 15
A
T
B
24
16 17 18 19 20 21 22 23
S
A
T
B
26
1 2 3 4
S
32
A
In the Village
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
S
11 12 13 14 15 16
A
T
B
27
17 18 19 20
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
BWV 80.8 A
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
8
4 5 6 7
S
A
T
B
9 10 11 12
S
A
T
B
29
3
1 2
S
34
A
BWV 4.8
Christ lag in
Todesbanden T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18 19 20
S
A
T
B
Tuba
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For tuba players
1. The BASS part is your main part
2. The rest of the parts are just there so you can see what
the others are doing.
3. If the bass line is split high and low, choose the most
comfortable or split the section up to cover both parts
4. When a part gets too high or too low, little CUE NOTES
are provided so you can always play with a GOOD
SOUND
5. Sometimes, you’ll see a note in parenthesis ( ). You
generally cannot play these notes because they are too
low. Usually, they are there just to show you where the
actual part should go.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
1 2 3 4
S
3
A
Circle of Fifths
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
A
Tallis Canon
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1 2 3
S
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
1 2 3 4 5
S
7
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
6 7 8 9 10 11 12
S
A
T
B
4
1 2 3 4
S
8
A
Ode to Joy
by Ludwig
Van Beethoven T
B
(1824)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
A
God Rest Ye
Merry Gentlemen
T
(Traditional)
B
(First published
in 1833)
5 6 7 8 9 10 11
S
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
1 2 3 4 5 6
S
10
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
1 2 3 4
S
11
Music for A
Queen Mary
T
by
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
A
Be Thou
My Vision
(Traditional T
originally
B
titled "Slane")
S
8 9 10 11 12 13 14 15 16
A
T
B
8
1 2 3 4
S
13
In the Bleak A
Midwinter
Gustav Holst's
T
B
setting
(1906)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
9
1 2 3 4 5
S
14
A
Chester
by
William Billings T
B
(1778)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
Horkstow A
Grange
collected by T
Percy Grainger
B
(1906)
4 5 6 7 8 9
S
A 3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
A
Chaconne
from the
First Suite in Eb T
by
B
Gustav Holst
(1909)
4 5 6 7 8
S
A
T
B
1 2 3 4
S
18
A
Finlandia
by
Jean Sibelius T
B
(1900)
13
S
5 6 7 8 9 10 11 12
A
T
B
13 14 15 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
S
1 2 3 4
19
Prelude No. 20 A
Opus 28
T
by
Frederic Chopin
B
(1839)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
S
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
S
20 21 22 23 24 25 26 27 28 29 30 31
A
T
B
16
1 2 3 4
S
21
A
Nimrod
from the
Enigma Variations T
by Edward Elgar
(1899)
B
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
B
(1868)
17
7 8 9 10 11 12 13
S
A
T
B
1 2 3 4 5
S
23
Chant Funeraire A
from the Op. 117
Cello Sonata T
by Gabriel
Faure (1921) B
6 7 8 9 10 11 12
S
A
T
B
18
1 2 3
S
24
A
Irish Tune from
County Derry
(Grainger's T
Setting
B
1911)
4 5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
19
13 14 15 16
S
A
T
B
1 2 3
S
25
Rhenish SymphonyA
Mvmt. 4 Opening
by T
Robert Schumann
(1850)
B
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
A
Salvation is
Created
T
by Pavel
Tchesnokov
B
(1912)
6 7 8 9 10 11 12 13
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
S
1 2 3 4
27
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
1 2 3 4 5 6
S
28
3rd Tune from A
the 9 Psalm Tunes
for Archbishop T
Parker's Psalter
B
by Thomas Tallis
(1567)
S
7 8 9 10 11 12 13 14 15 16 17
A
T
B
18 19 20 21 22 23 24 25 26
S
A
T
B
23
1 2 3 4
S
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
B
(1893)
S
5 6 7 8
A
T
B
9 10 11 12
S
A
T
B
24
S
1 2 3 4 5 6
30
Come, Sweet Death A
Come Blessed Rest
T
by
J. S. Bach
B
(1736)
7 8 9 10 11 12 13 14 15
S
A
T
B
16 17 18 19 20 21 22
S
A
T
B
25
1 2 3 4 5 6
S
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
7 8 9 10 11 12 13 14 15
S
A
T
B
16 17 18 19 20 21 22 23 24
S
A
T
B
26
1 2 4 3
S
32
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
27
17 18 19 20
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
A
BWV 80.8
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
4 5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
29
3
1 2
S
34
BWV 4.8 A
Christ lag in
Todesbanden
(Christ lay in
T
Death's Bonds)
B
J.S. Bach (1707)
4 5 76
S
A
T
B
8 9 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
15 16 17 18 19 20 21 22
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
B
Gustav Mahler
(1894)
6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18 19 20
S
A
T
B
Percussion
36 Chorales
For Band
By
Aaron Cole
Version 1.0
Decoygrape Productions
Table of Contents
1. I – IV – V – I p. 1
2. Canon in D by Johann Pachelbel p. 1
3. Circle of Fifths Chorale p. 1
4. Augmented 6th Cadence p. 2
5. Tallis Canon by Thomas Tallis p. 2
6. Suspensions p. 3
7. Old Hundredth by Loys Bourgeois p. 3
8. Ode to Joy by Ludwig Van Beethoven p. 4
9. God Rest Ye Merry Gentlemen p. 5
10. Amazing Grace by John Newton p. 6
11. Music for Queen Mary by Henry Purcell p. 6
12. Be Thou My Vision p. 7
13. In the Bleak Midwinter by Gustav Holst p. 8
14. Chester by William Billings p. 9
15. Ave Verum Corpus by Wolfgang Amadeus Mozart p. 10
16. Horkstow Grange in the style of Percy Grainger p. 11
17. Chaconne from the First Suite in Eb by Gustav Holst p. 12
18. Finlandia by Jean Sibelius p. 12
19. Prelude No. 20, Opus 28 by Frederic Chopin p. 14
20. To a Wild Rose by Edward McDowell p. 15
21. Nimrod from the Enigma Variations by Edward Elgar p. 16
22. Blessed are They That Mourn by Johannes Brahms p. 16
23. Chant Funaire by Gabriel Faure p. 17
24. Irish Tune from County Derry p. 18
25. Rhenish Symphony Mvmt. 4 Opening by Robert Schumann p. 19
26. Salvation is Created by Pavel Tchesnokov p. 20
27. Ave Maria by Sergei Rachmaninoff p. 21
28. 3rd Tune by Thomas Tallis p. 22
29. Largo from Symphony No. 9 by Antonin Dvorak p. 23
30. Come, Sweet Death by J. S. Bach p. 24
31. Chorale from Jupiter by Gustav Holst p. 25
32. In the Village by Modeste Mussorgsky p. 26
33. A Mighty Fortress is our God arr. J. S. Bach p. 28
34. Christ Lay in Death’s Bonds by J. S. Bach p. 29
35. Symphony No. 2 Vocal Chorale by Gustav Mahler p. 30
36. Symphony No. 2 Brass Chorale by Gustav Mahler p. 31
How to use this book
For percussionists
1. The SOPRANO and ALTO parts are your main parts on
most mallet instruments.
2. The TENOR and BASS parts might work on some larger
marimbas. Ask your director.
3. Ask your director about whether or not to roll in order to
sustain notes.
2 3 4 5
S
1
I - IV - V - I A
(1 - 4 - 5 - 1)
T
A simple chord
B
progression
1 2 3
S
2
Canon in D A
by
Johann Pachelbel T
B
(ca. 1680)
1 2 3 4
S
3
Circle of Fifths A
Chorale
T
A common
B
sequence
Written by Aaron Cole - Released for free through Decoygrape Productions
under the Creative Commons License - CC BY-NC-ND (2011)
2
1 2 3 4
S
4
Augmented 6th A
Cadence
T
A special type
B
of cadence
1 2 3
S
5
Tallis Canon A
by
Thomas Tallis T
B
(ca. 1560)
4 5 6 7 8
S
A
T
B
3
1 2 3
S
6
Suspensions A
(Preparation T
Suspension
B
Resolution)
1 2 3 4 5
S
7
Old Hundredth A
by
Loys Bourgeois T
B
(1551)
6 7 8 9 10 11 12
S
A
T
B
4
1 2 3 4 5
S
8
A
Ode to Joy
by Ludwig
Van Beethoven T
B
(1824)
S
6 7 8 9 10 11
A
T
B
12 13 14 15 16
S
A
T
B
5
1 2 3 4
S
9
A
God Rest Ye
Merry Gentlemen
(Traditional)
T
B
(First published
in 1833)
5 6 7 8 9 10 11
S
A
T
B
12 13 14 15 16 17 18 19
S
A
T
B
6
1 2 3 4 5 6
S
10
Amazing Grace A
by
John Newton T
B
(1779)
7 8 9 10 11 12 13 14 15
S
A
T
B
1 2 3 4
S
11
Music for A
Queen Mary
by T
Henry Purcell
B
(1694)
7
5 6 7 8 9 10
S
A
T
B
1 2 3 4 5 6 7
S
12
A
Be Thou
My Vision
(Traditional T
originally
B
titled "Slane")
S
8 9 10 11 12 13 14 15 16
A
T
B
8
1 2 3 4
S
13
In the Bleak A
Midwinter
T
Gustav Holst's
B
setting
(1906)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
9
1 2 3 4 5
S
14
Chester A
by
William Billings T
B
(1778)
6 7 8 9 10 11
S
A
T
B
12 13 14 15 16
S
A
T
B
10
1 2 3 4
S
15
Ave Verum A
Corpus
by T
W. A. Mozart
B
(1791)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
11
1 2 3
S
16
Horkstow A
Grange
collected by T
Percy Grainger
B
(1906)
4 5 6 7 8 9
S
A
3
T
3
B
3
Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the
tale of how a waggoner, John "Steeleye" Span,and his foreman, John Bowlin', fell out and came to blows.
Gouldthorpe informed Grainger that Steeleye Span resented John Bowlin's harsh treatment and, burning with
resentment, Span wrote this song. The words are set to the tune of a ballad about naval mistreatment
"Andrew Rose, the British Sailor". No other variants of this song have been found.
Horkstow Grange is a house and range of farm buildings situated about half a mile north of Saxby All Saints. Those
who have researched the songs have produced no written evidence of these men or indeed
any local memory of them other than in this song.
Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong
North Lincolnshire accent and takes the song at a brisk pace.
Grainger's arrangement of the song for his "Lincolnshire Posy Suite" (1937) is very different. Grainger slows the song
down considerably giving it a stately feel. This is arguably the greatest transformation of any Grainger arrangement
and he deserves credit for creating such a fine piece from such as a fragmentary song.
( http://www.lincolnshireassembly.com/section.asp?docId=79588 )
12
1 2 3
S
17
Chaconne A
from the
First Suite in Eb T
by
Gustav Holst
B
(1909)
4 5 6 7 8
S
A
T
B
1 2 3 4
S
18
Finlandia A
by
Divisi
Jean Sibelius T
B
(1900)
13
5 6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18
S
A
T
B
19 20 21 22 23
S
A
T
B
14
S
1 2 3 4
19
Prelude No. 20 A
Opus 28
by T
Frederic Chopin
B
(1839)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
15
1 2 3 4 5 6 7 8
S
20
To a Wild Rose A
by
Edward T
McDowell
B
(1896)
9 10 11 12 13 14 15 16 17 18 19
S
A
T
B
S
20 21 22 23 24 25 26 27 28 29 30 31
A
T
B
16
1 2 3 4
S
21
A
Nimrod
from the
Enigma Variations T
by Edward Elgar
B
(1899)
5 6 7 8 9
S
A
T
B
1 2 3 4 5 6
S
22
Blessed are They A
That Mourn
by T
Johannes Brahms
(1868) B
17
7 8 9 10 11 12 13
S
A
T
B
S
1 2 3 4 5
23
Chant Funeraire A
from the Op. 117
Cello Sonata T
by Gabriel
B
Faure (1921)
6 7 8 9 10 11 12
S
A
T
B
18
1 2 3
S
24
A
Irish Tune from
County Derry
(Grainger's T
Setting
B
1911)
4 5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
19
13 14 15 16
S
A
T
B
1 2 3
S
25
Rhenish SymphonyA
Mvmt. 4 Opening
by T
Robert Schumann
B
(1850)
4 5 6
S
A
T
B
20
1 2 3 4 5
S
26
A
Salvation is
Created
by Pavel T
Tchesnokov
B
(1912)
13
6 7 8 9 10 11 12
S
A
T
B
14 15 16 17 18 19 20 21
S
A
T
B
21
S
1 2 3 4
27
Ave Maria A
from Op. 37
Vespers T
by Sergei
B
Rachmaninoff
(1915)
5 6 7 8
S
A
T
B
9 10 11 12 13
S
A
T
B
22
1 2 3 4 5 6
S
28
3rd Tune from A
the 9 Psalm Tunes
for Archbishop T
Parker's Psalter
by Thomas Tallis
B
(1567)
S
7 8 9 10 11 12 13 14 15 16 17
A
T
B
S
18 19 20 21 22 23 24 25 26
A
T
B
23
S
1 2 3 4
29
Largo from A
Symphony No. 9
by T
Antonin Dvorak
(1893)
B
S
5 6 7 8
A
T
B
9 10 11 12
S
A
T
B
24
S
1 2 3 4 5 6
30
Come, Sweet Death A
Come Blessed Rest
by T
J. S. Bach
(1736)
B
7 8 9 10 11 12 13 14
S
A
T
B
15 16 17 18 19 20 21 22
S
A
T
B
25
1 2 3 4 5 6
S
31
Chorale from Jupiter A
by
Gustav Holst T
B
(1916)
7 8 9 10 11 12 13 14 15
S
A
T
B
24
16 17 18 19 20 21 22 23
S
A
T
B
26
1 2 3 4
S
32
In the Village A
by
Modeste T
Mussorgsky
B
(1880)
5 6 7 8 9 10
S
A
T
B
11 12 13 14 15 16
S
A
T
B
27
17 18 19 20
S
A
T
B
21 22 23 24
S
A
T
B
28
1 2 3
S
33
A
BWV 80.8
Ein Feste Burg ist
unser Gott T
(A Mighty Fortress
B
is our God)
J.S. Bach (1731)
4 5 6 7 8
S
A
T
B
9 10 11 12
S
A
T
B
29
3
1 2
S
34
BWV 4.8 A
Christ lag in
Todesbanden
T
(Christ lay in
B
Death's Bonds)
J.S. Bach (1707)
4 5 6 7
S
A
T
B
9
8 10 11 12
S
A
T
B
30
1 2 3 4 5 6
S
35
Symphony No. 2 A
Vocal Chorale
from the Finale T
by
Gustav Mahler
B
(1894)
7 8 9 10 11 12 13 14
S
A
T
B
21 22
15 16 17 18 19 20
S
A
T
B
31
1 2 3 4 5
S
36
Symphony No. 2 A
Brass Chorale
from the Finale T
by
Gustav Mahler
(1894) B
6 7 8 9 10 11 12
S
A
T
B
13 14 15 16 17 18 19 20
S
A
T
B
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