“this is especially perplexing in light of the fact that African Americans, in a
very real sense, are the descendants of alien abductees; they inhabit a sci-fi nightmare in which unseen but no less impassable force fields of intolerance frustrate their movements official histories undo what has been done; and technology is too often brought to bear on black bodies (branding, forced sterilization, the Tuskegee experiments etc) pg 180 Moreover, the sub legitimate status of science fiction as a pulp genre in Western literature mirrors the subaltern position in which blacks have been relegated to throughout history. Pg 180 Afro-futurism according to Adam, ‘speculative fiction that treats African American themes and addresses concerns in the context of 20th century technoculutre – and more generally, African America signification that appropriates images of technology and a prosthetically enhanced future. Pg 180 The notion of Afro-futurism gives rise to a troubling antinomy: can a community whose past has been deliberately rubbed out, and whose energies subsequently been consumed by the search for legible traces of its history, imagine possible futures? Pg 180 It’s struck me more and more over the years that one of the most forceful and distinguishing aspects of science fiction is that it’s marginal. It’s always at its most honest and most effective when it operates- and claims to be operating from the margins. Whenever- sometimes just through pure enthusiasm for its topic- it claims to take center stage, I find it usually betrays itself in some way. I don’t want to see it operating from anyone’s center: etc pg 189 The historical reason that we’ve been so impoverished in terms of future images is because, until fairly recently, as a people we were systematically forbidden any images of our past. Pg 190-191 I do feel that it speaks directly from “the political unconscious” of the cyberpunk sub-genre that, as soon as Bill specifically “darkened” the Lo- teks image and re-presented it in the form of the Rastas, they lost all their oppositional charge- hell, all their physical strength- all their cultural specificity, their massive group presence, and their social power to escape the forces of multinational capitalism. Pg 197 Afrofuturism- Ytasha L Womack Afrofuturism is an intersection of imagination, technology, the future and liberation. “I generally define Afrofuturism as a way of imagining possible futures through a black cultural lens,” pg 9 I see Afrofuturism as a way to encourage experimentation, reimagine identities, and activate liberation. Pg 9 Afrofuturism can weave mysticism with its social commentary too. Pg 10 Race is more of a creation that an actual biological thing that exists. We as a people have created race, the laws and injustices around race are real but race itself is more of a construct. Pg 28