Jardin Secret TL ‘Notation: The use of registers and keyboards is only a suggestion and canbe modified depending onthe instrument, Inthis score the Tower keyboard is Land the upper i ae ‘The slurs overa group of notes always mean slegatissimo possible, that sll the keys are kept down as long as possible “The tape isa four track tae, and in performance four loudspeakers of high quality ar placed inthe four corer ofthe hall. radial opatersare sd tho ay epced a wanted acsrdngo eh pope pings Dre weg the front, but the quadrophony on the tape cam behead ays 30d ‘The deal postion for the harpsichord isin the mid of she hall on platform. 1 thisis not realist, the nstrumentcan beat thefront ef etal ona stage so tha the front loudspeakers ashy behind the instrament, The performer may need an Additonal monitor inorder to hear the ape wel, ‘The narpichord should be amplified with (atleast) two microphones, which are placed so thatthe total range of the inet nr, The ania fhe rae ent oe pears the creo te fal wth ‘rotspanting (eft microphone font let andes ht, ight microphone to front ight a fenitmorethaa, four loudspeakers are used, the instrumental part set only to hex four speakers. Depending on the acoustics ofthe hall it may be useful to pass the recorded harpsichord sound throughs gal reverb before amplification. Ifa reverb is wed, a programme should be selected which wil make the sound only slightly fue nd “The relation ofthe instrument and tae should be generally 50%-50%, When anything els is required itis marked in the score is necessary to have a person to do the changes and contol the levels. ‘The frst given value is aways for the hat Js the later fr the ape art, eg, 50/50 -» 370 = the elation between [harpsichord end tape wil Become 30% (parpsichord)70% (tape). “The general level for the tape and amplification can be rather loud, but not painfully so! During the last pe (19) the simpleton fie hapshord shoul be pully reduce oo that he at Ps waved wiiou any. or ey tl ampiieaton. ‘The nstrunetalis needs atop watch fo he perfonmanc. At the bepaning ofthe tape thre is abso, This where the counting begins incon cp soul bs fact uta he rein hed ota eordr tat tot hea) land the synchronisation should be done otherwise wh a hand signal, so that the tape recorder and stop watch are Started simultaneously, aja Sacriaho« 5 slate Jardin Secret 1h Kein Sar eee 4 iy %p Mu og ES (oping) Copyright © 1989 be Edition Wilhelm Hansen Helsinki AB HHT 00102{essuned chord) (ge ley e Oe, iow sain cord)the oninato sows down PE 4 N 9 % before unit 2232" (the sythm unit is now: 7] if you afe too easy: repeat the chord unl the voice chorus begins _—S——— ———— oo te yin eel. FETE =e Ty = 2d % SH Lx, ‘J epeated 1 tines) (solo voice) a (ras of 3 wices) ony the baie ple motated) jhe(ped. sound)(7H Tips. sods) (mang vam) Pee oe tt ~ os 1s oem eg ~ +3 a ae as — 2 — (oes) ‘ehange smoothly from mesured trills to free ones and backqua ralne) +C (tut) repeat ad bit stop latest at $°22" the ostinato slows down the ostinato slows downoles continue“hs— 4, ——_____. mp (oles coninaeh (ape: ——_——— make erescondop_rbato(d<50) eeeee sim, ralletando al fine won) a coined chord) ca ace re, ‘ral reduce gradully the amplification of the harpsichord so that the last phrase is played Wwithout'any — or very litle — amplification. Control the tape levels so that the harpsichord is audible. “ ——— — NO ee tf ae oe Sa, Ge 7 en) ‘pauses at last 20°)| tape