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Charges will be assessed for all unerased, damaged, missing and overdue material per the signed License Agreement relating to this rental material.i GH TEIGHTS LIN-MANUEL MIRANDA —QUIARA ALEGRIA HUDES Cowcerveo ev LIN-MANUEL MIRANDA Development of /n the Heights was supported by the Eugene O'Neill Theater Center during a residency at the Music Theater Conference of 2005 Initially developed by Back House Productions Originally Produced on Broadway by Kevin McCollum, Jeffrey Seller, Jill Furman Willis, Sander Jacobs, Goodman/Grossman, Peter Fine, Everett/Skipper Riu me AN IMAGEM COMPANY 601 West 26th Street + Suite 312 + New York, NY 10001 ‘Tel 800/400.8160 or 212/564.4000 » Fax 212/268.1245 www.rnh.com IN THE HEIGHTS © 3008 by Lin-Manucl Miranda and Quiara Alegria Hudes All songs, music and Iyries © 2008 by Lin-Manuel Miranda / (5000 Broadway Music (ASCAP) administered by Williamson Music: An Imagem Company) International Copyright Secured. 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(RHO.12/11/2011.RS)CAST OF CHARACTERS USNAVI DE LA VEGA, owner of De La Vega Bodega (USN*) NINA ROSARIO, a freshman at Stanford University (NIN) KEVIN ROSARIO, Nina’s father, owner of Rosario’s Car Service (KEV) CAMILA ROSARIO, Nina’s mother, co-owner of Rosario’s (CAM) BENNY, employee of Rosario’s (BEN) VANESSA, works at the salon (VAN) SONNY, Usnavi's cousin (SON) ABUELA CLAUDIA, raised Usnavi, though not his blood grandmother (ABC) DANIELA, owner of Daniela’s Salon (DAN) CARLA, works at the salon (CAR) GRAFFITI PETE, an artist (GRP) PIRAGUERO (PIRAGUA GUY), scrapes piraguas from his block of ice (PIR) ENSEMBLE, 5 Women, 6 Men (W1-S, M1-6) (The three capital letters listed after each character are used as a short hand in the libretto, Similar abbreviations are found in the score.)THE «x 4 ORCHESTRATION TOUR VERSION S-piece 1 Reed (Flute, Piccolo [preferably wooden], Clarinet, Soprano Sax, Alto Sax, Tenor Sax, Bari Sax) 1 Trumpet (Bb Trumpet, Flugel, Bb Piccolo Trumpet) 1 Trombone 1 Keyboard I / Conductor 1 Keyboard 2 I Guitar (Nylon Acoustic, Steel Acoustic, Blectric, Tres) 1 Bass (Electric, Fretiess) 1 Drums (1 Player): Kit, Timbales, Roto-Toms, Repinique, Piccolo Snare, Soprano Snare, China Cymbal, Shaker, ‘Small Shaker, Cloth Shaker, One Shot Shaker, Maracas, Metal Guiro, Wood Block, Small Wood Block, Jam Block, Granite Block, Cha Bell, Cow Bell (Campana/Bongo Bell), Triangle, Mark Tree | Percussion (1 Player): Bongos, Congas, Surdo, Floor Tom, Djembe, Concert Bass Drum, Cajén, Susp. Cymbal (2), China Cymbal, Crash Cymbal, Ride Cymbal, Shaker, Heavy Shaker, Big Shaker, Medium Shaker, Small Smaker, Teeny Shaker, Samba Shaker, Hip-Hop Shaker, One Shot Shaker, Cloth Shaker, Egg Shaker, Liso Shaker, Maracas, Caxixi, Small Caxixi (2), Cabasa, Claves, Hip-Hop Claves, Large Wood Block, Medium Wood Block, Small Wood Block, Tiny Wood Block, Granite Block, Triangle, Large Triangle, Small Triangle, Triangle (Miller Machine), Finger Cymbals, Castanets, Jingle Bells, Cowbell (Campana/ Bongo Bell), Wooden Bell, Tam-Tam, Tambourine, Samba Whistle, Wind Chimes, Mark Tree, Vibraslap, Timpani, Vibraphone, Chimes (only 2 notes: D and A)MUSICAL SYNOPSIS ACT Scene 1: Washington Heights - sunrise 1. In the Heights (Opening).. .Unsnavi & Company... 1 Scene 2: On the Street 1A. Back to Work 7 eos ea 7 34 1B. Nina’s Theme...... Eerste 2, Respira (Breathe) . Nina & Company......38 2A, To the Dispatch! Eerste aa Scene 3: Rosario’s Car Service 3. Benny’s Dispatch . 3A. jAy, Qué Calor! re Benny & Nina... 55 z “Ensemble (Dan, Car, Van, Son, Pir, WI-5 & MI-6).....63, Scene 4: The Street 3B. This Isn’t Social Hous! enn ee 4, Te Won"t Be Long Now ce ft ‘Vanessa, Usnavi & Sonny. Scene 5: The Dispatch Booth 4A. Return to the Dispatch..... 5. Iniitil (Useless) SA. Usnavi’s Dance Lesson Scene 6: The Salon 6. No Me Diga. 6A. What Up? Daniela, Carla, Vanessa & Nina Scene 7: Inside the Bodega; the Street 7, 96,000... Usnavi, Benny, Sonny, Vanessa, Daniela, Carla & Company...... 111 7A. 96,000 Playott/Abuela’s Transition sneer COPD 1... 136 Scene 8: The Street 8. Paciencia ¥ Fe (Patience and Faith) : veenAAbuela Claudia & Company... 139 8A, Time Lapse... AST Scene 9: Abuela Claudia’s Stoop - early ev 9. When You're Home Nina, Benny & Company... 158 Scene 10: The Street — dusk 10, PiragUa .-Piragua Guy.....179 Scene 11: The Rosario Household H. Sicmpre (Always)... nsssnnsnsnene Camila & Bolero Singer... 187 Scene 12: The Club 12. The Club (Club Nurnbe) eeoeentcs Company .... 189 13. Blackout... 7 .-Company ....225ACTII Scene 1: Benny’s Fire Escape ~ Sunday morni 14. Sunrise Hl : : Nina, Benny & Ensemble......249 14A. Aftermath... Beit cS Scene 2: Outside the Bodega; the Rosario Fire Escape 14B, Nina’s Gone iq 264 ‘Scene 3: Interior of Usanavi and Abuela’s Apartment 15. Hundreds Of St0F%eS ...nnnnsninsinninannnntnnnninnnnnnnne 265 15A. Nina Comes Home ea ele eet aa seven 282 Scene 4: Outside the Dispatch Booth 16. Enough .. sasasianntna piel biti teeth ene CAMTA oe 283 16A. Powerless Ensemble (Dan, Car, Van, Son, PIR, GRP, W1-5 & M1-6).....294 Scene 5: The Street 17. Camaval Del Barrio ... Bia svnnnnennerenses Daniela & Company.....295 17A, Alza La Bandera. ws se nessee eee Scene 6: The Dispatch Booth 18, Atencion..... a v» Kevin......342 Scene 7: The Street 19, Alabanza. .Usnavi, Nina & Company.....344 Scene 8: The Street ~ later that afternoon 20. Everything I Know : Nina.....352 Scene 9: Outside the Salon 21. No Me Diga (Reprise).. Daniela, Carla & Vanessa.....365 Scene 10: The Street 21A. Piragua (Reprise)... sv: Piragua Guy_....367 Scene LI: The Bodega 22. Champagne. ‘ eee masts sone Wanessa & Usnavi.....372 2A. Too Late 387 Scene 12: The Dispatch Booth 23, When The Sun Goes Down. dee Nina & Benny... 389 Scene 13: A Shady Alleyway late at night 23A, Somy’s Proposition. EE ee eee eee ere a Scene 14: The Street ~ Monday morning, sunrise 24. Finale. Usnavi & Company.....397 25, Bows/Exit Music.... AIT, Keyboard 1/Conductor In The Heights IN THE HEIGHT rene el Music and Lyrics by Lin-Manuel Miranda Orchestrations by Alex Lacamoire and Bill Sherman USNAVI: “Yo, that's my wall! i GRAFFITI PETE: "Pash. Hip-Hop; Half-time feel J =83 jo, Vamp 2 usnawe ‘ Lights up on Wash-ing-ton Heights, Up at the break of day, [ Clave (on click track) { \fe FACET luntit72 wake up_— and [ got this little punk T gotta chase away. Pop the grate at the crack of dawn, Sing while I Pasha, China Chery. Sanat ! Just for today. t gocmamey USNAVI: “Oye,pimighero, Como eias?™ PIRACUERO: “Coma sempre Ak Sefioe Usnavi:” 2 | the aw-aing, Hey, yall, Good Mor - ning, : mp Grishman Music Preparation (212-768-2950)Keyboard Conductor 2.IN THE HEIGHTS In The Heights - Tour El usnave : ni 1 [am Ussna-vi and you pro-bly ne-ver heatcl my name Repos of my fame ace great-ly © +Blec. Gur Rhodes Ble, Bs, ¥ wiGuiro, Clave TomiKick * (ere. plays) cont’. ¥, " 19 20 o fix-ac-er-beted by the fact that my syn-ax is high-ly comp-li-cat-ed cuz | imm-i-gra-ted from the sin-gle ‘Tpt, Alto at "Ss 2 23 3 a 2 ‘greacest licsle place in the Ca-ribbean: Domin-ican Re-public! I Jove ft! Je sus, Tm jeadous of it And be- +Tbn. K2(noHns) Gtr. bachata-esque se -+Conge (aumbao), =" Guiro cont'd. 2% 26 a 20 2 yond that, ever since my folks passed on— I haven't gone back God Damn!—.1 gotia get on that, Gir. ke \f : Leer’? eI Bs, Vibraslap, = Spiash Cym. au 2Keyboard 1/Conducior 3.INTHE HEIGHTS In The Heights - Tour a 2 Ey The milk has gone bad, Hold up just a second. Why is evrything in this fridge— warm and te-pid? 1 K2(n0Gix) Alto, Ton. wiBs. 9 #Shaker J's, = Timbale (rumbao) | fe { | es 38 » a better siep it up and fight the eat ‘Cuz fm not makin’ —a-ny proot if the coffee is-a't light and sweet! fs tp, Gee se >_—= —=ler ‘4 (break) ehip By ni (CLICK IN 4) ABUELA CLAUDIA: “Ooo-00!" USNAVI: “Abuela,do we have milk at home?” CLAUDIA: “No, que pas6?" K2: Pizz. Sigs. pab fF HH J's j Bongos (mario), % 0 “ “s vamp | EGSNavi Nic anon 1] © Gswiss my ftp Tap cate but no oon ce" fo ioe ea ABUELA CLAUDIA: “Try my mother's old recipe: one can of condensed milk.” “Paciencia y fe.” HA] Sn. i ‘ A a cpa i Gu, K2"= i Rhodes F” wiBs. ann Saat| He oH rae INTHE HEIGHTS lo The Heights - Tour Hip-Hop USNAVE: * % 5 = wf Bb Bs. solo was Abue-la. She's not reably my ‘Abwela,” but she practic‘ly raised__me. This cor - ner is her escweda, Now, tf # é +K2 eh a \ Shaker d)'s, Drs time Sn on 3) 2%, 2 “ ss y thinkin’: “Tm up shits creek! I nev-et been north of Nine-ty sixth Street!” # $K2,Gtry fF) 3 Y Swing Sths; “A Train” Straight 8ths; As before * must take the Ev-en farther than Har-lem to North-er — Man-hat-tan and main - tan (a (cue only) bis Alt o7 tee at) : DrPere. > > Fe Tee? “4Shaker #)'s, r yea) PT re +Congas, Drs. Drs: time (Sn.on'3') ee. te o ee jet of at Onecight-y firs, and take the es-ca-la-tor, I hope you're wri ting this down, ee ins. = : : y (Drs. stop, um -4- shaker plays through)Keyboard Conductor SIN THE HEIGHTS In The Heights - Tour im gon-na test ya ka ter po uli getting tes~ted; times are tough on this bo - de- ga K2 (no ins.) Sample % 4 Poe ob ‘months a-go some-bo-dy bought Or - te-ga's, Our neigh-bors star-ted pac-kin! up and pick-in’ Sa. 5 fo che eed. ev- er since the rents went up it's got-ten mad ex-pen-sive but we live with just e-nough. [nthe ALL:Keyboard 1/Conductor 6.IN THE HEIGHTS Salsa; Listesso tempo, - Heights! ENS: Heights. TS" flip the lights afd stan my ee Hs. Graf f (Gtr, K2 owt) Be Eden Pate 23) Bs BNS: ay PENS: a CalaDaricw rwoywarwarws”” [Benny KevigrPciMy asia fights and end - less debts__ and bill 10 pay. am “6s In The Heights - Tour ALL: ‘There are There are sw/Perc/Tirnales fill--~Keyboard 1/Conductor 7.IN THE HEIGHTS In The Heights - Tour i * e, a se USNAVE: fA Survie wou ca +f fom “Nylon Grr: comp (DesPere: time) right seems like a—mil-ion years a-wayt__ Bn Wash ~ ing-on. ‘witins. ot 7 A (ERCET] ——= ~f ‘TimbaleKeyboard UConductor BIN THE HEIGHTS BH ussavs sowing Sis — eo ” Next up to bat, the Ro - sar-i-os they run the cab K2 solo a company, they struggle in the ln The Heights - Tour 1 barri-o, See, their daugh-er a 9s KEVIN: Ni-na’s off at college, tui - tion is mad steep. So they can't sleep, Ev-'ry-thing they get is mad cheap! Good mor ning— Us = na = | mp ae Hns.~ FF em” on — (ara) Maracas r r 100, _, KEVIN: i oo 7 Put twenty dol-lars on to + days lot-te- ry, One tick - if (K2 out) v 8 _USNAVI: CAMILA wiGu._+FI, Brs.~ harmon am, —! 1 cmd FP WBS. ‘sMark Tree gliss ee b KEVIN: A et thats itt Hey, a ins. ounKeyboard 1/Conduetor 9.1N THE HEIGHTS 109 CI cana: man's got - ta dream, Don't mind him, ‘wis, Cym, HH | mavtilio T 125, 107 Three AM. lastnight! KEVIN: —3— Don't took | aaa In The Heights - Tour (Ger. out) aro ‘The one’s been VS. 2 beats) a iKeyboard 1/Conductor 10. INTHE HEIGHTS In The Heights -Tour 109, Wo Us - nav, come o- ver for din - ner, There's plen - ty to Ss cook-ing all week! ‘There’s plen - ty to ar) bo a er eer 7 if Conga” ce Fim. roll [2] Son-esque pantera: “Aba. 15 We i So then Ye - se- nia walks in the room.— She smels— sex and cheap per - v | tes Gu | Ff owes G Congas (tumbao), Cscara (Paita) Bs con ~10-Keyboard UCondvetor LLIN THE HEIGHTS In The Heights ~Tour a7 18 9 CARLA: DANIELA: | ¥ I Tt smells fike one of those trees that you hang from the ear view! Ah, not It's A Timbale A, Grabs a bat and kicks— inthe She_— screams “Who's in there with you Ju - lio? USNAVICARLA: 124 wes 1 wi i He's in bed with Jose from the tl-quoe storet No me di-gat (break) So ws, Congal 2 7Tnbicha Bet al aun -u-Keyboard 1/Conductor 12. INTHE HEIGHTS In The Heights - Tour USNAVI: “Daniela and Carla, 1%, from the salon.” 19 DANIELA: 190 Gem wiDrvConga ‘a 6 fr y SONNY: “Chillax. You know you love me." rs 139 16 USNAVE sy, , (CHICK IN) ‘Sonny, you're late." Ka © g sind Bongos ie Hip-Hop USNAVI: 13 a 13 and my cousin run-in’ just another dimedozen Mom and Pop Stopand-shop. And, Oh, my God, is gotten 1199 K2 Bs, Shaker D's? OF Drs: time (Sn. on 3) aun -2-Keyboard 1/Conductor 13, INTHE HEIGHTS In The Heights - Tour ® : too damn hot, like my man Cole Por-ter said Peo-ple come through for a few cold waters and a 7 Pay (Shikr, Drs. cont'd.) loc-te-ry tie-ket, ust a part of the routine. Ey-'ty - bo-dy’s got a job, ev'ry - bo-dy’s got a dream, ‘They ‘The first stop as peo-ple hop to work, Bust it I'm like: 05 - sip, as T sip my cof-fee and smirk Sample Ff Tati 4 -B- umKeyboard l/Conductor MIN THE HEIGHTS: In The Heights - Tour [i] Dance-Hall Reggae je ss ‘One dotlar, Two doHars, One fifty, One sixty nine. You got it! You want a bax of condoms? What kind? That's two Fins, K2: Organ, wiGte arp's PLAY] ‘mf {TOOTY ORGAN (sounding 234) co Bongos, Drs: time (HH a's) __ @ quarters. Twoquarter waters. TheNewYorkTimes.Younced.a bag fortha'The tx is added.” Once you getsome practice a it 182 You do ra-pid math-e-ma-ties au-to-ma-tic-al-Iy, Sell-n’ Max-i-pads, fuz-zy dice for taxicabs, Prati -cal-ly e inf +Gte arp's, K2: ro Src des a's aun) ~14-Keyboard Conductor 15. INTHE HEIGHTS JbTSSHays - Tour y') ( al’ J wo ee agg CLICK OUT) ecpbody’s stressed, Yes! But they press through the mess, bounce checks, and won - der what's next, Inthe ENS: In the } erate et? ) nN Le, = { FS. at = Qn S casa -15- |Keyboard 1/Conductor 16.IN THE HEIGHTS In The Heights - Tour [=] Salsa +ENS: Heights 1 buy my cof Heights Geri top eer eet my Hs. ff oo 4 ‘wiGtr. Congas (tunbao), comp Drs: Cascara, Ride Bs. sights Gn on- ly what | need to know. What 1 need © know — In ‘ai wiDrsiCongas amy -16-Keyboard UCondvetor U7. INTHE HEIGHTS In The Heights - Tour Heights = mon - ey is e Heights, mon ey is When the a (Time) 92 sing ths You ain't got no skilst ve (LH. tacet)Keyboard I/Conductor 18. INTHE HEIGHTS In The Heights Tour R&B/Funk; Swing 8ths aaa i lem-me al- so get a Lem-me get a. USNAVI: Ben-ny! | | wiDes time 2 mf ao (LHL TACET, 2 Five su-gars. I'm the anda... And mest im-por = tant, my Bo-ss' sec-ond cof-fee, one cream, five sugars. 1% num-ber one ear-ner, The fastest learner, My boss can't keep me on the damn back bur-ner! USNAVU/SONNY: USNAVE: 3K2 Tape Sigs. 8vb What? K ‘\ Yeah, he =18-Keyboard l/Conductor 198 186 Tm mak-in’ moves, I'm —ma-kin’ deals, a Va USNAVI: Har-dee ar. 4K sim +k am Gtr. dD chicken pickin’ | | ‘Drs funky time (Cabasa jams J Tell Va-nes-sa how you feel, nes-sa show up— yet? buy the gid a 19. INTHE HEIGHTS ln The Heights Tour SONNY 7 a but guess what? You stil ain't got no st +Gu. #2: Rhodes 708 (break) 201 202 Hey lit-tle ho-mie don't get so up - set Shut up! Man, +K2 +K2 20s 208 ‘meal,— on the real, or you aint got. no skills Gir, Hins, K2 (Rhodes/Piano) -19-Keyboand 1/Conductor 20.IN THE HEIGHTS la The Heights - Tour Pon de Replay Dance Beat (still swing 8ths) VANESSA: (om her cell phone), ce to poe No,— no, 10, (Gir out) = f__ K2:Monosymth 8a ar T Kick Shks/HH ¢)'s, Tamb.on 4 ro PRT no-no-noe, No. = n'O-N0-no-no-no-no-n0, No-no-no-no-no!_—Mis-ter ‘WBS, Shke/Drs. sim John-son, 1 got the se - cu-ti-ty de-pos - it Its locked in a box in the bottom of my clo - set (K2 out) um -20-* Keyboard [/Condvetor 21. INTHE HEIGHTS In The Heights - Tour | aye a na os ite | Wes not re-flec-ted in my bank statement. But Ive been sa-vin" to make a down pay-ment and pay rent. } ; bev, ink 212 212MBENNY: an | : No, no, 1 ‘Tenor, Ton. et you down. Yo, Here's your chance; Ask her out right now! Tp. VS. cum -u-4) Keyboard 1/Conductor 22. IN THE HEIGHTS In The eights - Tour 210 _ VANESSA: 212 (she hangs up) BENNY: are USNAVE: Til see you Ia-ter we can look at that lease Do some-thin’, Make your move, Don't freeze! Hey = Nich ee WIBs, Shkx/Drs. sim. Mark Tree gliss VANESSA: 2iey USNAVI: You owe me a _bot-tle of cold cham pagne! ‘Are you mov - ing? K2EP. " (ins, out) wIK2 5vb (é WBS. © oe ow os sus. +Xstick on 2 & aw | VANESSA: aux es USNAVIE aiez Just a litle cre-dit check and 'm on— that down - town — tra! Well, your cof-fee's on the Dieg (00 Bs) TEs. stnp OF ui -2-Keyboard /Conducter 23.IN THE HEIGHTS In The Heights - Tour 21gan VANESSA: race, BENNY: nice, SONNY: azo VANESSA: house. toy T= ona 7 ow ask her OW NO way \ K2: Mareato Stgs. +805 Tre j Time (Hi d's) =! Hi PT} Ll f (CHICK OUT) avr zest BENNY: 2s | = ; Oooh... Smooth op - € - ra tor, Any damn, there she go! | Brs. +K2; Rhodes nf oa wie. b Ebay? wiBs, k Drs, VS.24, IN THE HEIGHTS In The Heights - Tour Keyboard 1/Condctor [5] __ Back to Hip-Hop a + ted, — lost, Don't bro, tke five, Take a walkout sidel— You look x K2 > Gi Fs. OF) yp 8. | Drs: time (Sn. on’3) 218 28 om let fife slide! The whole hood is strug-gl- ing times are tight, stuck to the cor-ner like a streetlight! +ConcertB.D., Drs. fl”Keyboard l/Conductor 25. IN THE HEIGHTS In The Heights Tour 2) usyavt zs a zz Yeah, I'm a streetlight, cho-kin’ on the het. The world spins a-round while 'm —fro-zen to my seat. The A rh Tutti 7 Tom 35, Gt, Toms, Ke: Rehos 25 a a ose © people that I know all keep on rolling down the street, But ev'nyday is dient So I'm switehin’ up the beat. ‘Cuz my China eym. scrape Drs a EE a 28 238 parents came with nothing, they got a litale more. And sure, we're poor, but, Yo, at_ least we got the store. And its K2: Pizz. Stgs. +8vb Gm K2: Jay-Z Fast Stgs, wiDrs: ime. WiBs. BvbKeyboard I/Conductor 26. INTHE HEIGHTS In The Heights - Tour 2, 208 20 20 all about the legacy they left with me, its destiny. And one day [be on a beach with Son-ay writing checks to me legato, breathy © Gtr, trem. eb Maj? +Cym. roll, Mark Tree gliss Drs: lite fill 2a We came to work and to live and we got a lot in common, Heights I hang my _flag up on— dis-play. PLA | wie g's mf Drs: time, Congas (rumbao, like @ hip-hop loop) (Congas out) 26 sare not sto-ppin’ ALL minds me that 1 came frm miles Has, Gm, Cong (Congas 00d site he cu =26-| Keyboard liConductor am 27.IN THE HEIGHTS VS. >>> In The Heights - TourKeyboard I/Conductor 28.IN THE HEIGHTS In The Heights - Tour CLAUDIA: asp es) USNAVIE - 20, By = ty chy. Paccion - cia y for Unt. the day we go from po-er-ty 10 stock options p erese zs Heights Ooh, {fe my [PLAY “ b, | [FULL PAD somndings2a] | Feb ‘4 46 EG, BID sim. +Congas Time (Ride 2's) (Congas out) And today’ all we got,—so we cannot stop, This is our block! Inthe = ALL: Heighs, ['ve_ got to - day unKeyboard l/Conduetor 29, INTHE HEIGHTS In The Heights -Tour Salen eo ame PUY: a lok b elo ki kis le. Heights hang = my flag up on— dis AF AM wiGte.comp +K2: Maracas, Conga (timnbao), Drs: Cascara 258 car osegSNAVIMANW4: eet —~ My fam = ‘ly came. minds me thai 1 came from miles — 4 z z oSKeyboant Conductor 2 2061 Heights, ge moe ex - pen - sve or asp sen __USNAVI: But as for fight is sO fara + way x x we n oun 30. INTHE HEIGHTS ma 250K 26h cy chy, 2380 see In The Hejghts - Tour woms7) Ra-na, mi pa-na, You got - ta just keep watchin" Youll see ~30— PKeyboard l/Conduetor SLINTHE HEIGHTS In The Heights Tour &] 28 2 20 ibe laie nights you'll taste beans and rice The sy - nip and shaved ice, Iain gonna say it wice. Tum Late nights! Beans and tice! Shaved ice! Sait twice! 1) Heights: In die Heights! K2: Super-Mare. Sigs. +81 wiHlas..0's 2:Jay-Z"@ yn. Bs. sus 234, eae 3 3 up the stage lights, we're tak-in' a fligbi— to a couple of days in the life of tbat it's ALL: Record Seratch ey -31- |Keyboard /Conductor 29. IN THE HEIGHTS In The Heights Tour ves poco rit. tie, Heights! : Orch. Hit ‘Segue many =32-i Keyboard 1/Conductor BACK TO WORK VS. >>> In the Heights Tour 1AIn the Heights Keyboard 1/Conduetor Tour | 1A BACK TO WORK CUE: Applause Segue "2-3-4" Salsa J=82, His. le f yp ==Keyboard I/Conduetor 3.BACK TO WORK To the Heights - Tour SONNY: “Hells no, it was blowing fuses, sparking. shit!” ; ABUELA CLAUDIA: “Usnavi, send him fo D.R. fos the summer. Let him work on a farm so bis Nikes get real drt on them!” USNAVE: “ain't wasting no plane ticket on this kid. I'll be on Playa Rincén witha rura and coke. | Sonny can stay here and sell Twinkies.” a ® 0 Ger sw/Bongos time fa Drs. cont. sim. ‘ ) =e Preto ( | Firtecas) SONNY: “Sell? TI give ‘em away for free. Tm the Robin Hood of El Barto.” (GOON) Yamp 18, 8 " e 9 = (hold thru VAMP) Pore., Drs. sim, ;pnn =35-Keyboard Conductor 4. BACK TO WORK In the Heights - Tour NINA: “Hey!” ‘Nina Rosario, what is up?!” NINA: “Fetlag, I haven't slept all night.” CLAUDIA: “Its the watermelon of my heart” NINA: “Bendici6n, abuela.” 2 2 FI a w/Gt. sust. chords warmly ‘Inf! pedal Gaus? RieCymup a ws ong CLAUDIA: “Congratulations, your NINA! “Fe fet tke wen.” frst yearat Stanford Universiy” (cuTorr) (in the clear) e ie Sou jst missed x —_———. ase te 2 ot your parents > 2 |ooae 2 uf a Ride Cym.Keyboard 1/Conductor In the Heights Tour | 1B INA'S THEME CUE: USNAVE: “Back 10 work. Stop by later” TUSNAVI Exits (GO) NINA: “Those recipies you sent were my survival kit.” CLAUDIA: “I had to miake sure you remembered tho flavor of home. Moderate Waltz J. =58 1 Gt 2 3 4 © rire ph CLAUDIA: “Bueno, come inside, Thave your sandwichito ready!” NINA! “Tl be there in a second.” CLAUDIA: “Til go put the fan on.” @ 10 * 2 ip CATTACCA) P_thold thru vamp) ee | Bs. Ridecym. Wf 2 Pataca "Breathe" 4Bs,, Te ano -37-Keyboard 1/Conductor In The Heights Tour| 2 BREATHE Moderate Waltz J. =53 1 2 a ‘ s 6 ? a of Tay \é | gee Nyton Bongos me Sig-ue an = dan-do el ca-mi J Fira sme TACET| mp +Bs(8vb) Maracas (time) B.D. (db. every other bar) jigne andando el camino por toda su vida, Respira Keep walking that path all of your life, Breathe IY sipierdes mis huellas, que Dios te bendiga, Respira And if you lose my trail, may God bless you, Breathe| wa) -38-Keyboard l/Conductor 2. BREATHE In The Heights-Tour is 6 NINA: 8 e Ed Breathe. PGISONNY USNAVIATS IS: si pier-des mis hue -llas que Dios te ben - TAY] mp wiBs(15vb) ] ! \ j : § ab ( : : eae ‘Maracas (stop on 1) 22 = 0 a 2 my life. They ce - gard me with pride steer T swage ares ving) smile at the fa ces Te known all ah Cte solo 2 2 omminos) Bhi we Gans (ime) mm ORO) -39-Keyboard Conductor 3. BREATHE, In The Hoights-Toue And cv 'ry-one’s sweet, they say, a6 a Ey “You're go-ing pla - ces” So how can +Bs(8va) say that while had Flug. | Bet Bs(loco) ‘The big-gest dis - 4FL so much to hide! “Hey guys, its Gu (comp) gm IN| nf i axis (cont) Bs /8vb) BD. (db. of every other ba) ap ~ point-ment you nos coum -40-Keeyboned I/Conductor 4. BREATHE In The Heights-Tour 31 2 = Ey ss et @ A kid could-n't hack it, she's back and she's wal-kin’ real__ slow Welcome home. P eb i f Bs,(out), Caxixis (cont,) Caxixis (roll) Caxixis (out) a 8 ® 5 e a e breathe, CARLAMWS DANUWE: v . Posonny SB + ue an = dando ef cami Res - USNAVUBISIMS: Tpt(Harmon) af Fimyayimr bis inacer| +Bs (yb) fe Drs(time) Bs. loco ar -41-Keyboard L/Conductor S.BREATHE In The Heights-Tour = = 8 meee breathe nlf (Tpt. out) af Kos EP, j “ Gtr(shythm cont) | 5 | 8b o wiBs(15vb) 2: EP. wiBs (15vb) Bs.(8vb) -42-Keyboard L/Conducter 6. BREATHE In The Heights-Tour for - got-ten bo-le - rs, 1 think of the days when this ci-ty waS—_ mine. plays ot ‘Tpt.Solotone} Fi, Thn(out) af Gu. (comp) 2 ob Bhi £ TH CCE Pee ee rere e et eRMPe eee a fee Bongos(timne) Bongos * id } Dis.time) Tce member the praise, “Ay, te a= do-ro, te quie neigh-bor-hood She Bscont. sim.)Keyboard Conductor and 7. BREATHE, In The Uleights-Tour Bongos(groove 8th notes) Bs ad Ib), Drs.cime) um Drs. (fll) cl. Ton.f K2(out) Flug.Keyboard I/Conduetor 8. BREATHE Tn The Hleights-Toue } all seems like —We-times a - go.____ So what dot say to these ioe Tonsou) GecereceeceeeeLett geecetts ——— Gtr.(sus.) sou eb Give I] 4, |% TACET 7 Db wwiBs (8vb) Bongos(cont.) Drs (time + Crash on d.b's.) home” _ fase4 ? f=? ‘Tri, Cym, VS. Lay) 4Cym. eosil au -45-Keyboard L/Conductor 9. BREATHE In The Hoights-Tour Hey. Theyre not worried about me. CARLA/WAAWS WOMAN 4 banitas ban PGIMG) Mass: No me preocupo por @ Mi ra, ae PGUYIME: Ton. K2(sus) simile e =a) wi pedal OF mnt Bsiloco),5, mf BD. PF a =~ zy ac Congastime) ‘They ate all count-ing on met suc ~ ceed. | fas == _ DANAE: - FA ~ PGISONNY AMG Ui esta muesira es tre = Wai USNIMS/MUMBS: B - fla Tpt 7_tF ' -+Timbat 5 = 46 emKeyboant l/Conductor 10. BREATHE, In The Heights-Tour 4s wa 2 i one who made it = out! who al ways made the > tr tf o Bs(8vb) - > > 7 | Toms(8ths) v= a te but may-be [should have just stayed home... When 1 was a child 77 F Drier, #Cowbelgroove), VS. (fully Congas(cont.) (PLAY) jum -47-Keyboard Conductor LL, BREATHE In The Heights-Tour 8 wer wide awake, climbed to the highest place on ev-'ry fire escape, restless t0 climb. wIK2, Git Bs, Surdo ia a = lam bases ue OT eg no Ped. #1, aCe Cowbell (groove) sscho - lar «ship, saved ev dol - tar, the first 10 go. t0 college, how do 1 tell them why Eb smite 7 iey ——— = ie CD am =48-Keyboard [/Conduetor 12, BREATHE ln The Heights-Tour 3 192 1 Tm comming tack ——_home?. With my ewes onthe ho - E Sr oom a Ten(out) Gtr(out) f rit, Freely, colla voce me and the G as-king “Gee Ni-na, what'll you 41, Tpr(our) Gtr: Nylon. ‘Scrape V.S. (now) (PLAY) ava ~49- 1Keybourd L/Conductor Smile, wave goodbye 13, BREATHE, A tempo Straighten the a Ens (out) Solo P bs ‘The stand - ard and pray Bich 4 WiBs, +CongasiDrs.(time) ~50- In The Heights-Tour ws for the neigh-bors. —Ev-'ry- things Fe-ply:——— “Lots of tests, ots of pa - +208), Cu. Bhp Bstloco) ? ym. to the sky, Drs Pere (fll)Keyboard 1/Conductor |e 1 i Tet. ator what will my pa = ems say? e PGISONNY “1 know that tm 14, BREATHE USN/MSIMaNMs/M6: Ni In The Heights-Tour Can 1 go in there and say, CARLA/DANLAVA/WS: rit. 191 lecting you down. Congas(roll) ~ VS. [KI Tacet al fine] ~S1-Keyboard /Conductor 15, BREATHE In The Heights-Tour dad | Freely, col tea NINA: [=] Tempo 62 163 6a ug CLAUDL ae Maracas(time) | I 15 168 6 a Tall. 189 a +Tpt(Cup) Gte(out) ebm K2: Pro. ' Pe SEA eeu +Bs(6vb) Brenton) Applause | Segue wm pate:Keyboard 1/Conductor In the Heights Tour | 2A TO THE DISPATCH! CUE: Appliuse Segue na a D4 Salsa 2=8i "Tre & : f wiGer. rhythm, eae | rc fine oy 7 r Fr tt 7 Bs wiConga: umbao 2-3, Timbales: edscara 2-3 KEVIN: *Ciento noventa y dos..” (in the clear) FL (CUTOFF) *"enta esquina, al frente del MeDonald’s.” F a Conga roll Ride CyrKeyboard Conductor way VS. >>> ~54— {nthe HeightsKeyboard 1/Conductor In The Heights 3 BENNY'S DISPATCH on CUE: CAMILA: “How much English did you speak when you started here? Benny is honorary Latino.” (KEVIN hands BENNY the radio.) GO) j BENNY: “Ahem, there's a new voice riding the heat wave today-”. BENNY: “I got your back.” | KEVIN: “Just get them from point A to point B.” {CAMILA and KEVIN exit} Moderato J =92 - Z _, Safety (GOON) Nov9pect- K2: Sub Bass : ‘wiShaker a ny -ss—Keyboard liConductor 2. BENNY'S DISPATCH In The Heights -Tour BH _ Oncue BENNY: 6 7 ° Check 1-2 - 3 ql This is Ben-ay on the dispatch, Yo! PLAY RIL] +Gtr. vol. swells % § vCymn. roll Its Ben - ny, and Td—like to mention T'm on the mic-ro-phone this. mocn-in' ¥ [e[Reggaetén -+Bongos o's Honk ya horn if you want itt (© -kay,—we got traffic on the WestSide, Get off at SevemtyNinth, —and take the left side Ek Ge i \ i rr - BOTH ai | tans | ep EMG = ‘wiBS. sim Bongos: time the ya best friend if you catch West End's Fins, i unKeyboard l/Conductor 3. BENNY'S DISPATCH ln The Heights - Tour \é Tights And don't tke the Dee - gan; Man-ny Ra-mir-ez i in town this week - end. K2: Sine-y Organ i ‘wiBs. sim. (seeing NINA) Sor ty Do-min-i-cans, take Route Figh-ty-Sev-en, you ain't. gett-ing back in a-gain, Hold up a mvin-ue, FF (change patch) es Bs, Cym. roll Pop Ballad; L'istesso tempo BENNY: 2 Ni-myyou'e home today! _of your folks? They're on —thei way! It's good to see— your ace. Ben-y, hey. Aeay sigo, FfnPtaoatyKeyboard 1/Conductor 4. BENNY'S DISPATCH In The Heights - Tour Hold up a mi “aWerwutl You used to run this dis-patch, right? Once— oF twice. PLAY. wiK2, Gtr Sims Well check— the tech-niquet Yo! There's a traf-fic ac-ci-dent 1 have to men-tion at the in ter chm? WRhy. as before section of 10th Ave and the Jacob Javitz Conven-tion Center. And check it, don't get stuck in the rubber-nec kin’ on A am = 58Keyboard l/Conductor 5. BENNY'S DISPATC In The Heights - Tour Je 2 Hun-dred-Nine-ty-See-ond, There's a dou-ble-dec-ker-bus wreck! Now lis-ten up, we got a spe-cial guest! esa Brass K2: Organ Saar wi pedal live and di-rect from a year out West! Welcome her back, ‘cause she looks mad stressed! NINA: os Honk your | Brass 3, f | atacen | Bs. Bari > lis!Keyboard 1/Conductor 6. BENNY'S DISPATCH. In The Heights - Tour horns sstsiEss Shes smi - ling Say helo 7 4 wiK2; Wurly 0's, Ami. Bs Ste wiGtr, DrsiPere time a= (We hear the cacophony ofthe most beautiful HORN CHART EVER WRITTEN.) NINA: 41 © a LH. TACET] OF 7 cilr pe Rhy. & Pop Ballad; L'istesso tempo (click out) NINA: I bet-ter find my folks.— ™p (Hins. out) wi pedal im nf wiShaker 's eum = 60Keyboard l/Conductor 7. BENNY'S DISPATCH In The Heights - Tour 4, «7__BENN' « “ ‘Thanks for the Wel-come Wa-gon Anytime, Arny-time, Wait here with cm? | of Finger Cym. Its getting hot out - side, — Tun up— the A Bs. K2 wiB.D., Bongos, Shake er N's ‘Tutti Rhy. o Applause segue 4Cym. roll aun -61-Keyboard L/Conductor 8, BENNY'S DISPATCH In The Heights «Tour VS. >>> any, -62-Keyboard 1/Conductor In the Heights : Tour | 3A, jAY, QUE CALOR! cur: poles -Seave A ENsenLe: BDA toma ( (SV) Hip Hop J = 108 f 2 AS fot Ton, W/K2 (15a) +G. shythin Fim? a Spl ++Shaker 2s, H Clap on 284 ‘ ©) [=] Double-Time; Salsa a i UU“ joan ta dct op” spam cate oh! A ota a eo mis racer) |“ Fim? BODE ft pb Po Pea RE Clave block sw/Congas: tumbao 2-3 au -63-Keyboard 1/Conductor In The Heights Tour | 3B THIS ISN'T SOCIAL HOURS! cu CARLA: “What would Jesus do?” DANIELA: “Do I look like Jesus to you?” VANESSA: (Into the phone) "Ye, Ti ll here DANIELA PLS Me HI tool et A foam ““Comay, it's time to clear out (G0) VANESSA (cont). that negative energy!" (GO) Freely Hello? Hello?” (GO) 7 7 2 ~ ‘ a DANIELA: So take five and VANESSA: “Anything else? get me some packing tape.” Walle I'm a ic? (Go) DANIELA: “A Pepsi." (Go) 5 Vibes % Segue as oneKeyboard 1/Conductor IT WON'T BE LONG NOW DANIELA: (to CARLA) Tough love, chacha.” Allegro J = 128 Vibes Taf wwiShaker 2s -65- In The Heights Tour [4] VANESSA: VS.Keyboard 1/Conductor & 4 2.1 WONT BE LONG NOW In The Heights - Tour elevated train by my win - dow doesa’t faze_me anymore. —— +i simile rattling screams. don't is bs o 4Gt., Cym. (Bongos - merengue pattern) upt my—dream=— Wooo PLE PLE BLE 7 pLr tsa luhtaby, Vibes +Bongos, HH “BS (Shaker out) Oleg +#Ten Sx, Toa BDr. -66~Keyboard 1/Conduetor 3.IT WON'T BE LONG NOW In The Heights - Tour ls : : bring back boys— they can't tolerate_the noise, and that's o - kay, cause I nev-er let them > (Ten. $x, Ton. out) 13 Gyms ad ded) I'm hop-pin’ that el-e-vated tain and I'm sid - ing a-way! ++Tpt (K2 oun) Bongos rol wwiCongas, HHL Toms J ~ b aun) -¢-Keyboard Conductor 4. IT WONT BELONG NOW In The Heights - Tour Double-time; Merengue i z @ pa, Be 7 i sc: saness J BGS Rue pate Gerson 3 * 2 = * 7 oil ini = Totti (2: Maracas out) ——= IF Cr. Bs. slide = way hol + Tm al - king down the street—— + Bs, K2 contd. sim, Ger. comp. Drs, Pere. time ann = 68 ~Keyboard 1/Conductor 5.IT WON'T BE LONG NOW a The Heights Tour a as a 8 ‘hei ma - — mo— pride. pli-ment,— arm -69- Dr. Bill VS.Keyboard Conductor 6.1T WON'T BE LONG Now In The Heights - Tour : : 7 | boys astound the way. hol - ler at meev = ty dy, | K2; "Madonna” E.P. (v/Maracas contd.) K2 cont‘. sim, mf - | will not be with sume dude who is -10-Keyboard l/Conductor 1.1T WON'T BE LONG NOW In The Heights - Tour # % a @ ‘cause he has no thing to a or who's ‘Flos. wiTutti (K2; Maracas out) whist - ling honk - ing at me from his Chey - ro - et ‘A Sx, Toa. Wik? +Tpt ed +K2:Maracas Js Bs. slide Dr. ill vs. Conga roll map -n-‘Keyboard I/Conductor 8.IT WONT BELONG NOW In The Heights -Tour chy, a + sine. and Wm driv °F A Sig Ace P A Lo i ? FoF Suns Lin ‘Timbales | -+K2: Maracas sim. Pere, Drs. time aay -n-KeybossdL/Conductor 9. IT WONT BELONG Now Ie The Highs -Tour VANESSA: “Ay, Usnavi, help! SOS!” aes |» © 8 ® USNAVI K2:Rhodes -#Bongos (bachara) Ens. (owt) | = = 4Cyms. fl adi Gee Bongos fll I it is - n't the love - li-est gi — in the phe. 2 (Gur contd. sim) ° = ? [ACET] , Kafe Ne mt mF : - weC LOLS LF LS mtconta-sim r c Bongos ib vanessa: USNAVEE “Anoier ate nigheh?™ le oe 7 : You got some schmuzz on your ay -B-Keyboard {Conductor 10.IT WONT BE LONG NOW lo The Heights ~Tour Whoever you were with, he's got nothing on these biceps. I bench press six gallons of milk and two cases of Goya Beans.” VANESSA: “It was my mom. They shut off our power. Again. 92 3 9 o (TACET] 7 Bs. s.ou +Cym. ‘ : i « USNAVIE “Thats wht all | ee, whole milk. Very sweet, Lilgbitofcianamon.” SWAY: “Thats wha Jas ike my abla used to do SOU SR sown ded), a PLAY RH] (K2 ont) Cr Double-time 1 aay set USNAVISONNY, —=— 2 mom Good morn AsuSeiog Guy +Congas Tom fill um -74-Keyboard l/Conductor LL IT WONT BELONG NOW In The Heights -Tour VS. >>> aun -15-Keyboard luConduetor 12,1 WONT BE LONG NOW Merengue I Se 2 +K2: Maracas ¢'s (Hos, Gtr, our) ‘ +Samba Whistle (Bs. out) w/Congas, Guiro ad lib 4Bs- Merengue side > ‘WIBS. ee Congés, LUSNAVUSONNY: Timbales +K2 "Madonna" EP (2 out) 452 a 5, wiCongas, Dr. ad lib. ony 4K2-Maracas sim. agKeyboard UCondvetor 13. IT WONT BE LONG NOW In The Heights Tour DANIELA: Peet jrom the ston) ASESSRAAAART Yann cot jig ve ‘a ded ‘Tutti TACET. a | VANESSA: “Can I get a Pepsi and some packing tape?” SONNY: “Ub, my cousin over there with his tongue VANESSA: “Perfect. fanging out ha been meaning 088k yOu..." After Nina's dinner, we ; VANESSA: "Yes? ean hit afew clubs and j SONNY: "What a lady such as yourself might be doing tonight?” check out the fireworks.” 1 VANESSA: “Does your cousin dance?” (SHE exits] SONNY "Like a dene Chita Rivers.” (GOON) iraq) Half-time | ax's Ea 3 22 myo Tutti TACET (preceded SAMPLE) a Pie. snp EET +Bs. slide VS. temKeyboard 1/Conductor 14, [PWONTBE LONG NOW lo Tre Heights Tour Southern Hip-Hop; Half time feel Ga, Halftime fe _ 2 7 ‘Oh snap! Who's that? Don’t touch me, Fm too hot! Yes! Qué pasé—Here 1 go! So dope, y tu lo sabes, wasys. Thi Bongos Wi Bongos +Gtr. y <1 a a —Keyboatd l/Conductor 16, IT WONT’BE LONG NOW In The Heights - Tour 1 ry VANESSA: tun-ning t© make it home, and home's. what Va-nes - si’ runsiing away from. } 1 aM. Calmly; poco rubato J=108 ay ws os } neigh-bor-hood sa-lon— is the place. 1 am working for the Bs. (out) orn -80-Keyboard 1/Condvctor 7. ITWON'T BE LONG NOW “7, 18 19 10 cut their—haic—ladies talk and_—_share-—__ ev'ry day, who's doing who_and why The 'm. roll neighborhood sa-lon— doesn’t pay me what [wan - na be mak - ing, but 1don't_mind as 1 Tom _Tom 4 IT 2” ps. sim Drs. | sinile Bm amas ee a Fo BE lyn ovasiny ova rit. 1 7 3, 190 [can hear thosetur - Bo engines blazing a trail__through the sky: — ne eT ot p * (er He ayy Shaker, WB. out) =B1=Keyboard L/Conductor 18, IT WONT BE LONG NOW In The Heights - Tour Rubato seontceel. veAtempo 12 up and think a-bout_the years gone by FL Tp. ~<——~. cay, fim walkin’ to JF. -K. and Pm gonna fly! ess f r pt i+ Bs. Cym rol 2 — W, Bicym, roll +Shaker 2s 1s rall, 8 oy ial SE, Tt won't be— long—— now! Any Gay. ia ad: vw TF = Drs Tom Tom ho PD ET issn Brora 2 PLAY RAL é : it aun =82-iq, Freely 1 a oS +Gur. Pp ont — K2 solo i Oe eee | = Bs. Applause Segue Keyboard 1/Conductor In the Heights Tour | 4A RETURN TO THE DISPATCH cur: ‘Applause Segue pata” BENNY: “Roger. ‘Como? Uh... donde estas?" (Cut-off) Moderato J=92 TACET ay K2 = y 7 = ” 3 1g " Bongos, wiBongos, shaker Ws" Bb rp Shaker rolKeyboard Conductor ou 20. IT WON'TBE LONG NOW VS. >>> ~84— In The Heights -TourKeyboard/Conductor In The Heights [ , Tour) 5 a -o al |. hou be home in an hour.” {CAMILA exits] (GO) Quasi-Rubato : ® a - ° on NINA: “What could you have done?” ININA exits] {GO ON) \ \ °——__4—_—- 2: VS. cnn = 85~Keyboard/Conductor 2.INUTIL In The Heights - Tour in] -mmJ-8 should mainsain a sense of pulse. Give the rests their ull values n't hap - pening — Insti = ti! — +Nylon Gu. Fe Just like my fat her was— be-fore—— me: = eS “+K2: Warm Pad A tempo And ev - ‘ry day_he cut__the cane, he came—home late—and prayed_—for rain. —_Prayed_— for rain K2: Pad -+Congas - Guaguancé wiK2 id iiel a) qa cane =36-Keyboard/Conductor 3.INUTIL In The Heights «Tour And onthe days__when noth - ing came my fa - thers face—was lined ith shame. sit me down be-side— me and—he'd say, “My father was— a farmer, fis fasther was__ a farm Grr, = a ‘wiShaker, Bass © Congas ete. and you will be— a farm er” But 1 told him, tim soray, I'm go-ing farth- oro -87-KeyboariConductor 4.NOTIL In The Heights - Tour 2 2 a er. Im getting ona plane. And [am gonna change the world some - day!” And he slapped—my face. iat a, f z elf acy Cym.F = roll be & He stood there, staring at__me, use ess. Mf (ot a tes) = a Fe = SZ s my daughter's home—and |__am. (Orch. out) © soo i= oo anneKoyboard/Condactor S.INOTIL In The Heights Tour And as aba. by she amiged—_ me with the things— she leamed_— each aoe K2 CaF WiGU et. Congas - Guaguanes She used to stay— on the fre es-cape—_ while all the oth-er kids would play. i “« @ a And [would stand besside— her and fd say: Yim proud to be your fa- Flug, 2p wiGr.eve.—+ Cig mf Ic +Cymrol——+Tbn= Bs. Drs (HHyPere: time fae -89-Keyboard/Conductor 6. INUTIL, In The Heights - Tour ro ° “ t ther, ‘cuz you work so much hard - er, and you are so— much smart ~ er than J was at your Flute t Eee 7 7 r CF age.” And [ al = ways knew that she would fly a-way— That she was gonna change the a4 mE Lt (Rhy. stop) to Fei) be (Li plays>> | canoe -90-KeyboardiConductor 7. INOTIL In The Heights - Tour [ I I | | . VS. 1 >>> yp tne -9-Keybonrd/Conductor @ Tp. mp WIK2 pads sus be the +Cym. roll thing they s.INOTIL Ey rea that my fam what it Am I.Gur, #Congas - Guaguaned wIBS, K2, Ton. o's s need. or Fue ) [J 4Cym. roll Tom 6 -92- takes. ty cant wiGt: & arp's lo The Heights -Tour sue - Theyl have ceed.Keyboard/Conductor 9.INOTIL In The Heights - Tour ev sty thing sa- cti-ficed_._ will tyro ra z +Timp. roll +Tom fil pos -93-Keyboard 1/Conductor In The Heights four USNAVI'S DANCE LESSON CUE: Applause Segue "1 ; Southern Hip-Hop J = 136 =] 8 4 Pice. Sn. # iT 4 Bongos Pere. sim, K2:Stgs. | (pre econded | SAMPLE) . \w/Bs., Drs. ull (HH 2s) wBs. slide +Gur Toms pero... ye esto!” re " BS Bongos roll Bs. “Tn, / Tri Bongos: merengue grooveKeyboard 1/Conductor In The Heights | Tour| 6 NO ME DIGA (CUE: DANIELAY “Sol se, Byeezn™ CARLA: “ay per hac happened these cas? | Selves sone har elmer VG) PE sata J=8 NINA: “Oh god, do not make my hairall crunchy! DANTELA: “You have to accept hair gel into your life!" Gtr: Tres. solo | Kec VS. | (PLAY) ; am =95-Keyboard 1/Conductor 2.NO ME DIGA In The Heights-Tour CARLAY CARLA: 0 DANIELA: 1 2 VANESSA: : pantera; Gor -geous_ Lin dat Tell me something I_— don't know? Hos, e wiGer. fies Bs" =, +Drs,Congas = Congas(Tumbao) ~ = __Drs.(Cascara) +K2(2-3 Clave cont Timb. Bs. — — CARLA: CARLA/VANESSA. i DANIELA: is DANIELA: 18 CARLA: some - thing 1 don't know! & Ab » simile um 96Keyboard 1/Condvetor 3.NOMEDIGA In The Heights-Tou DANIELA: 18 NINA: 9 » livtle off the top! A little on the— side! A litle bit of news you've heard a- round the bar. CARLA/VAN: DANGNINA: ey 2 a Tell me some thing [_— dont know=—— Tp. > 7 OT Alto, Tb. pe t mS = Tui stop f [a bts [TACET hy ; en -97-Keyboard 1/Condvetoe DANIBLA: Ge, me you 2 did-a't eb Abm Bs Drs, Congas(cont.) K2(2-3 Clave cont) 2 Us na-vi had sex— ith 4.NO ME DIGA oS hear this from -98- 2 In The Heighis-Tour But some lit-tle bir - die told Yo = lan - dat ‘CARLAININA: Tui stop eb Abia of prog pays Drs, Pere-(accents) No me di- gat VANESSA: 4, 3 Bs, CongaKeyboant 1/Conductor 5.NO ME DIGA In The Heights-Tour 2 aoa I Held nev - er go skank tke that up Eb Ds, Congas(cont) K2(23 Clave cont) 2 DANIELA: 57 tell me you're jo - king! : Just wanted to see what_you'd Z +Med, Tom VS. (PLAY) oun -99-Keyboaed (Conductor Testa at vaNessa.t CARE ; ee c « a Tell me something [— don't know Alto, Ton, Drs, Congas(cont) K2(2°3 Clave cont.) Bs: i VANESSA: "What? I don't care!" ‘“ 4y, ben = 100- ea “6 DANIELA: wiGir (wa-wa) ba cm? B19 abso — Tb. 2 |Keyboard L/Conducter 7.NO ME DIGA In The Heights-Tour i DANIBLA: oot 8 nN | hear you been talk-king to Ben-ny! And what do you hea? 1 hear Gtr(out) Drs, Congas(cont) 202-3 Clave cont.) sy he! >> aun -103-Keyboard L/Conductor [They all taugh Ssh ab | Timb. i ° 5 Bes, Consascont) (2:3 Clave cont) wm 1 6 10.NO ME DIGA VANESSA. ae DANTELAMNINA: something [don't kno ln The Heights-Tour Long as he keeps it ‘Alto, Ten.» Ab NINA. VANESSA/ DANIELAL 5g, 3 os Ay, Dios mi-of ‘Rhythm tut Drs: Timb/ChaBelt (a1)Keyboart Conductor 11, NO ME DIGA In The Heights-Toor Bachata; L'istesso tempo t DANIELA: 2 ts ! Nina, se- ously, we knew you'd be the one— to make it Gir, lee (sol) if | Repiza Ses. Shon ) Pa Bs.(out) i Drs, Bongosttimo) iss VANESSA: as 7 Tt bet you im-pressed_—_them_all__out_West;_you were al - ways the best, no doubt!_— +Bs, corny —105-Keyboard 1/Conductor 12, NOME DIGA lo The Heights-Tour 9, CARLA: oo a We want front rov— seats to your grad = ton! DANIELA: Theyil cal your poco rit. CARLA ‘ YANESSA: (RE, (THEY cheer! 94 NINA: 8 sna And we'll scream and shout! You guys, I dropped out. suites Sie is Sivas Sdoallgo. BE Shee DANIBLA: “That's a shitty piece of news.” (GO) —And well scream— and shout! a 4 Gtr, K2: Salsa Pro. . ra 7 TAY) Bb AF |racer] roti | Bs. Bs(8vb) y “Toms & Bongos tuti 4Drs, Lo Conga oun -106-Keyboard Conductor 13.NO MEDIGA In The Heights-Tour Slower sa 2 100 101 CARLA: “That girl never quit anything.” DANIELLA: “Muchacha never got a BI" yrs So Ger Nk Lito fee eee eee ee ee eee ese c cere Dee Re eePeee Ter Bs Cron soe 103 104 105, 107) __DANIELA: : VANESSA: “She got a Cin gym once, vi 7 es ANESSA: “But why? Thad to tlk her off the fire escape. yo DANTELA: “Maybe the pressure cooker Pees ‘couldn't take it and pah, the lid few off?” a Ger(out) | rot pp ob pep bop 2 Ride Cyn. a L ; Disi(one-shot sr) E VS. Ciaverou) (Lay) ‘am -107~Keyboard I/Conductor 14.NO ME DIGA ln The Heights-Tour | ‘Tempo I? on CARES wo a DANIELA: i T don't — know, | | Bb el | ee ’ | Se tkoy2-3 clave cont) | 1 Bs. 10 ne 48 6 viecuneend [ ‘CARLAT VANESSA: Tell me something [_— don't know Tot Tpt.Alto = Qué 8 yo? Alto, Toa a x35 (K2 & Gtr out) Rhythm ati 4 HiTimb. J z Applause Segue ann = 108— :Keyboard 1/Conductor In The WHAT UP? CUE: Applause-Segue "1424" Raggaetén 4 = 100 [2] Hos. meee, py L E 4 Dm) Dbt \ Bs. (8b) Googe fp 4G. §s chords Steals ont 208 Ot) “amb Htandelap +Congas/Bongos: raggaetén Drs. full Gu. = 109- Heights Tour 6A Hns.(out) sk aN = [pre-recorded loop v [PLAYCH)F [ANGVEP] (Same patch) D “w/Bs, DisKeyboard [Conductor VS. >>> ~110- In The HeightsKeyboard 1/Conductor In The Heights | Te 7 four F 96,000 CUE: BENNY: “What's the payout? Don! tell me no five hundred dollar (CO) Hip-Hop; swing 16ths J=86 SONNY) BENNY: 3. USNAVE SONNY: Nine-ty-six thous-sand! Damn Nine ty six thou sand! Dol lars? Hol lee! ere cena Pre-Recorded Synth Bass +101 re USNAVE, GRAFFITI PETE: SUSNAVE: BENNY: Nine-ty-six thousand! That's a fot of spray cans! Nin-ety sic thousand! T won the fot-t0 to-morrow, well, T know [wouldn't both-er go-in’ on no spendin’ spree. 7 ee ou -1-Keyboard 1/Conductor 2.96000 In The Heights - Tour pick 2 business school and pay the enrance fee! Then maybe i you're hucky, you'l stay fiends with metI'l be a \e Kick’ bus ness-man, sicher than Ni-na’s Daddy! Do-nald Trump and Ton the links,— and he's my cad-dy! My 5 Drs: time (X-stick) Y 5 money's makin’ mo-ney, I'm gorit’ from po’ to mot dough! Keep the bling, T want the brass ring, like Frodo! eo 3 oun -112-Keyboard 1/Conductoe 3.96.00 In The Heights - Tour here gocs Mis - ter Brag-ga-doc-ci-o Neat thing you know, hes ly-ing like Pl-no-echi-o a 2 +4Blec. Gtr, Bs. 2)'s Drs: time, +Clave backbeat Well if you'e scared of the bull, — stay out the ro-de-o! GRAPRITI PETE: Yo, 1 got more hoes than a phone— book in ToAy-o! Gir, Bs, Drs.(out) yam -113-Keyboard Conductor 1, , _USNAVE: Ooh, you better stop rappin’ you're not ready Its | as | WiK2 G7(n03) sin. = 4.96000 In The Heights Toor gon-na get hot and he-avy, and you're al-rea-dy sweaty GRAFFITI PETE: z wIRhy. con? Md. % USNAVE: Yo! Yo! Yo! mute) Yo! Tm sorry was that an ans wer? Shut up, =1l4- Go home And pull_— ya damn pantsKeyboard Conductor 5.96:000 la The Heights - Tour AS for you, Mis-ter Fro-do of the Shi-te Ninety six G's__ ain't e-nough_ 10. re-ti- re {| DENNY: [ C'mon, Hl You'll have a knap-sack full of jack af ~ ter tax ~ es o — have e-nough 10 knock your ass off its ax-is—— Gtr, Bs, Drs.(out) (tacet) on ~u5-Keyboard Conductor CLAUDIA: 6.96.00 In The Heights - Tour El | sox: “hy Alabaraa!” y DANIELA/CARLA: 28 SONNY: Ninety six thou-sind! Ninety six thousand! No me di-ga! Ninety six thousand! VANESSA: T never win. shit! rion fa Tp. tb Gt, wht ome ES [=] Lift; R&B (Swing 16ths) 1-38 * poco accel. BENNY: For real, though, i-ma-gine how it would feel— go-in" Hns, K2: Organ Nin-ety six thou-sand!— 800+ of wiGtr. comping iid nf ame wiBs. rs, Congas: funk groove And no brea-kin’ your neck aun - =116 =Keyboard 1/Conductor 7.96.00 In The Heights - Tour — for re-spect or a pay-check For real though, Ml take 2 break from the wheel and we'll block par Straight 16ths fn when we can breathe, takeKeyboard 1/Conductor ) spoow In The Heights- Tour «| eater Double-time; dance-hall reggae, Straight 8ths J: its met Check my tick-ets? Check What would you do with nine « K2: Chav. | of t | © Log Ds Timbale om. = ? Gur. | ee a ee et (w/Sh sim.) Bs, K2 : time (Sn.on 4’) DANIELA:® CARLA: ch Who ome? mean fits just be - wween you and me? ws, DANIELA: —i— «6 CARLA: a7 DANIELA: | ee = Ba pro-gun - ta es With nine ov =118-| Keyboard [/Conduetor 9.96.00 In The Heights - Tour [ 8 e 2 o Vd stuart my life with a brand new lease! Atelan-tic City with a Drs, Shaker: time =, CARLA: se DANIELA: VANESSA: Mal-i- bu breeze And a brand new weave! Or may-be just bleach... Yall are freaks. i ET) Tutti stop +Crchoke d-d a ® USNAVI: un -119-Keyboard 1/Condtor 10.9500 In The Heights Tour 2 =< Half-time; hip-hop, Swing L6ths J - 86 silly when we get imto these crazy hypothetical. You really want some bread? Then go ahead create a set of goals. And [EACET) 4 {cue only) Gtr,y WHF ‘ Bs.” YANESSA: i + Shag Fis, USNAVE cross them off the lst as youpursue em’,And with thoseninesy six, I Knowprecisely what 'm do in’. What'chu do in’? What 'm I K2: Pad dovin? What'm [do-in? It takes half of that cash just to save my ass. from fi-nan-cial ru =i K2: Music my Box Ble ‘Gtr, Bs, J's rs: time, +Clave backbeat Gare ae ‘ =120-t Keyboard 1/Conduetor 1. 96.000, In The Heights -Tour &% => es fay can Keep the coffee brewn', And I'lspend a few on you, ‘Cause the omly room with a view’s a room with you in it! £ Gir, Bs, Drs.(out) And I could give A-buesla Clau-di-a the rest of it, Just fly me down to Puer-to Plata, Tl make the best SONNY: USNAVIE You really love this business? No. Tough, Mercy Christmas, You're now the youngest tycoon in Washington Hizalts! — ¢ t 4 wv -121-Keyboard /Conduetor 12. 95,000 In The Heights -Tour Yo, With nin-ety six thousand, Td fi-na-lly fix hou-sin,” give the Sn.» bar--o compucters and wi-teless web browsin’. Your kids are lin’ with-out a good edjusmi-ca ~ tion change Cowbell —the station, Teach ‘em about gen-trficca - tion. The rent is es-ca-la-tin’, The rich are pen-c-tratin’. We (GRAFFITI PETE: ‘Tutishy. ann -122-Keyboard Conductor 13,9600 In The Heights - Tour fa - tions when we should be dem - on - stra - tin! how ‘bout immigration? Politicians be hatin (A-rizo-na be basi Racism in this nation's gone from lagent to bla-tant. Ba cism in thar sate bas gone from laden to Bla { OhY/Wooh! eum -123-Keyboard 1/Conduetor o (cash my K2: Syn. Bells __——— know this, man! 14.96.000 In The Heights -Tour ticket and pic-ket, in-vest in pro - test, Never lose my focus tif the clay takes notice! And you ee 2 oA Tl ne-ver sleep, Be-cause the ghetto has a milion promises for me to keep! ieee Henao abs abs Ebsus? oft ‘Tutti shy. A -124- (in the clear) VANESSA: "You are s0 cute!” SONNY: “Twas. ost danny off the top of miy ead (GOON) aKeyboard l/Conductor 15. 96,000 In The Heights Tour VS. >>> wn =125-/P Keyboard Conductor 16.96,000 In The Heights -Tour Liistesso tempo i re VANESSA: i — you'll ney = er see Ninesysix Ki Go win the It - te - K2: Music 7 wr Dd fe gain pn Am? seer pedal Tr Bongos cmarine9) sw/Bongos sim. +Shaker 2)’ USNAVE: ea VANESSA: ° LE damn, we on-ly jo - kin’, stay broke— then. oo Ie 4 Bs! wis. Geta nice stu - di-0, cMarino3) ay ~a—Keyboant Conductor 17.96.00 In The Heights - Tour 9 i-ma-gine how it would feel go-in' real—— slow, Down the high-way of ‘if with no Tpt. TpuK2 legato; cantabite ‘rese. poco a poco mf Em | WBS Gir fn licen pio 1 Drs, Congas: funk groove (Cascara) And no brea-kin? your neck ot a pay-check, or real USNAVIs (in straight 16eks) Yo Its aun -127-Keyboan! 1/Conductor 18. 95,000 ln The Heights Tour . Tih ake a break from the whee! and we'lthrow the biggest block par - ty, every —though, rea-lly want some bread? Then go ahead create a set of goals, sil = ly when we get into these erazy hy - po = thet-icals. You ENS: CARLA: ENS: CARLA: No me di.ga! thou - sand Nin-ey six thou - sand! No me diga! Ninety six Sax 7 we K2: Dr. Dre Harp-y Pro Tn i bo - dy Riveek - end when we can breathe, —take it ex ~ sy. For real CCross ‘em off the list as you puesue em’, and with those nine-ty six, [know pre-cisely what Tm doin’, Yor W's WOMEN: DANUCARLA: WOMEN: Quan ON MEN: Nin-@ty Sx thousand! SONNY: No me di - gal en: EFRTREN Cheek Hors A came; ft wiDrsiPere. = 128-rent vot 18.9600 In The Heights tour J =4 Double-time; dance-hall reggae, Straight Sths Js6 VANESSA: we . = we I iemargine how it wowd feel go-in’ real slow, Down he high-ay of lie —wih 90 ly when we get ina these crazy hy po-thet-i-cals. You sexily want some bread? Thea go a = head cre-ate a set of goals. Wah aine ay six I ‘And withthe dotish dol lah K2:Chv. JP yen Bs, = 3S K2 Drs: time (Sn.on'#) oe ae ‘And no breakin your neck for respect or a paycheck, For real ross fem off the fstas you pur-sue em, and with those nine=ty sx, T know precisely what Im oo = teen you and me. + chi With ine We rock the hot Imm no =19- ~Keyboard Conductor 20.96.000 ln The Heights Tour —though, Take a beeak from the wheel and well_throw the biggest block party every silly when we get into these crazy hy-po-thet-cal. You rea-ly want some bread? Then go 2 - headere-ate a set_of goals | ‘We rock beyond ma-rianar, dy bere, can breathe, Cross ‘em off the list as you with Those ine ty Wy what We drop the Ma- ma (noGt) Tons? = TBs cau = 130Keyboard Conductor 21, 96200 In The Heights Tour d=d Oh, whoa — And ith those ninety sis, snow pre se ly what Tm Go lavdast —Pop-pin, lock nr” up the blocs MERAH Drop i the ifs hot 4 ie ue = 1Y) Keyboard Conductor 22. 96000 tn Toe Heights Tour o=4 Half-time; reggaetén ee SCARE ‘Oh — yeah — Soeny MAGP MUMS 457) ST] sim Koy pf £: Tas <8 oo F (OoORGAN aa] p smite B=] = Drs Congas: Paila YANICARLA/DANIE We could tel ev-'y-one we LUSN/ENISONNY! ‘We could pay—olf the debts we owe! (caren Bs. fill am -132-Keyboard 1/Conductor 23.96.00 In The Heights - Tour NY wwe USNAVUBENNY: 2 a We be swim-min’ in dough yo USNAVE = [could get—on a plane and go___ cana ng Saat whos—— oh! Uf fig Binns (oraniana wee K2 = = = (K2 oun) say, ‘Timbales ail SSNAVUDENNYIGPML/ND: Ir 1 e SB, tin - se ~ In vell— ge the dough = We get gO Im, RYE NEF eer gon mn we gel go - in | =, wy 1B Big Dr. fll “ 1Keyboard LiCgnducior 24. 96,000 Ta The Heights - Tour a ik out) sie f i sayy 4 USNDENNT i | ee, Poop tip-toe - iat well get the dough an’ once we get go - in, were nev - er gon - ma I PGSONNY/MS wf | TABANEC ra: ea eS —~ oe =~ wh P Stop up - oe Tia were ne 7 er gon = tam Nine- ‘wages : t we P Sop tip te well get the dough— an” once—— Fa +e gon ma : eguuupatines | EE (apwatdspira) — Mogosynth Siz = = ° wi8ves L t Si Bs, Timbales, Drs r = { =4(Click in) = eee Double-time; dance-hall reggae J =s8 ee TANBANUCARLA the dough, F- { Fm I Bs,= =i eT 1 Drs: time (Sn0n4)Keybeutd /Condvctor 25, 95000 ln Tae Heights Tour Wha? the dough, an once | —~ | ay. Thon - sind Well" get tbe doug — { = I . the dough, an’ once Fey EL ty, od Cr, B.D, sag (Click out) tl fw, stop! +K2: Big-Ass Explosion Le i c Applause un ~135- Tamim SeeKeyboard 1/Conductor In The Heights Te 96,000 PLAYOFF/ a ABUELA'S TRANSITION cus este "34de" Ala 96,000 J=86 Gt eng teu ey Ut ; ; o Nin-ety six thou-sand Nin-ety sor thou-sand Nin-ety six thou-sand K2: Sieve! 77 oe ins y wit ge | Emtedd4) £ A Bs. (68) i (ee wiDrs, Drs. full Pere: Hip-Hop clave ‘Call your father. He was supposed to help me, and he's not picking up.” ve fine, we have all afternoon.” ‘We're nat fine Double-time (J = d) {CLAUDIA enters} Salsa ‘CLAUDIA: “Ay, que calor.” iz senza rit. = Vamp - (GO ON) (Pete, Des. out) Pees? ff r 7p? ff io = 136-Keyboard 1/Conduetor 2.96000 PLAYOFF/ {in The Heights Tour ; ABUELA'S TRANSITION i CLAUDIA: “Usnavi, 000-00!" USNAVI: “Something's wrong, you were of pitch.” : CLAUDIA: “Ts the neat. Toma, your ham and cheese.” a USNAVE: “Thanks. You know, you already brought me one.” Maj? Gur. a Ffpteats) fl Pere sim | +Shoker Js pe, 8 4 8 Fitosasy [ USNAVI: CLAUDIA: “De verdad?._My memory goes two miles an hour, ~Bresderumbs for your birds. Vamp (out any phrase) Tim taking a walk, need some at” (GOON) Stay inthe shade, okay’ 7 7 7 8 px CUTORR 4 : ww/Shaker roll wus -137-Keyboard L/Coadvetor avin 3. 96,000 PLAYOFF) ABUELA'S TRANSITION VS. >>> = 138- In The Heights - Tour; Keyboard 1/Conductor In The Heights Tour| 8 PACIENCIA Y FE Freely, colla voce fa CLAUDIA: off a 4 8 a bor, K2: Salsa Piano = i! it d TACET 4] luntitm. 3 tadaa) cana -139~Keyboard Conductor Quasi tempo J=34 Ay, — Mama! Pa-cien - cia y cara - jo, its hott Mia-md— would - PACIENCIA Y FE, In The Heights - Tour summer's hot = Pa-cien - cia y fe = Pacien - cia y fe? ——— Ac Fy eyeKeybeant l/Condvetor 3, PACIENCIA Y FE In The Heights -Tour ]_ Atempo a a ! i a hotter at home in La Vebora ‘The Wash -ing - ton Heights of Ha - va Tees Gur crowd -ed ci - ty of fa - ces the same as ‘Tpt.-Solotone I Cy! Wa. BIk. Back as achid_ in La Vi-bo-ra, I chased the birds in the Bs, Rie i | wSbaker 2's WaBik. om cour -141-Keyboard I/Conductor 4. PACTENCIA Y FE In The Heights -Tour for some sort "of Combing the stars in the sky Pray-ing, Ma-md, you would find lite errr ea etal | Oirg FHA TBS TBS shaker emt fade eon [B)295 feed Ay Ma-mé,—— Soma ny stars in Gu. af (Brs. cut) or Bongos fill w/Maracas, ++Bongos Congas: Martillo, 3-2 En—— Nue - va York we can't Cu-ba. Dring out oe yond our -142- noeKeyboast (Conductor ‘S.PACTENCIA Y FE In The Highs - Tour %, st 2 streetlights To each the roof you got-ta bribe the T r rT Ain’ no Cas + Si-O-pi - a in Wash - ing-ton Pice. a Heights. But aint no food in a. Vi-bo-ra..— Brass 4Pice. T re-member We > Sf eee i I} J | it canoe ~ 143 - T Tutiiy. aeKeyboard I/Condvctor 6, PACIENCIA Y FE In The Heights - Tour 32 S00 nights, an-ger in the streets, hhun-ger at the — windows Fo-men fold-ing ‘Tpt.- Solotone yo ‘Trés: montuno Pe Maj’ ‘Congas: single drum Tambao (5-2) Drs: Cascara (Paila 3-2) clothes, play ing with my — friends inthe sum-mer Ma-md needs a Ma-md says we're — poor, one day you say anor ~144—Keyboard Conductor 7. PACIENCIA ¥ FE. ln Tho Heights - Tour 2, n 5 —— * ‘Va-mos a Nive-va York." And Nue-va York was far, but Nue-va York had work, and so we { wiGt. e7 wBrass 4Pice. Ea ovap Aly ™ mp. = 3 ls, Drs, Pre Perctem. nd fade p q Di. Drs, Pere: Ciseara (Bs-outy vs. ith. = ano ~145-Keyboard LiConductor 8. PACIENCIA Y FE In The Heights - Tour %, et 2 lion years alk — you, — +Nylon Gtr, Bs. sing what you'd do, Re - mem - bering what we went through. MAT gl DealPoe il (bonico) 3.2Runte eat — EN, Picc. solo Tpe solo ‘Dis: time, Congas: 2-dram ‘Tumbao (3-2), K2: Maracas cane -146-Keyboard {Conductor 9. PACIENCIA Y FE In The Heights - Tour ap Ea 8 : ‘Nueva York!— dy, Mand wasn't like to + day, Ton. I = a, ia IL Pacien - cia y fa— Pacien - cia y jel” mf pxss = Pacien - cla y fe ‘Timbale all , taro ~147-Keyboard 1/Condvctor 10, PACIENCIA Y FE In The Heights Tour « 0 — off the boat Grout) b ag | mf om A+ me-d-ca Freez-ing in eat ly De-cem - Drs, Céscara, Congas: Tumbao 3-2 yin Nine Learning the ropes— in +Gtr(sus.) anne = 148-Keyboant 1/Conductor LL. PACIENCIA Y FE In The Heights - Tour 7 1 10 — In es-paciol—_ 1 re - mem Dane = ing with Ma-yor La + Guat + di-a— ‘Ton. +Tpt. com-ing Ma - mi and 8 ti Hs, K2: Salsa Piano (ime) ~149~Keyboard Conductor 12. PACIENCIA Y FE In The Heights - Tour 3.2 Rhumba ica n7__ CLAUDIA: 18, 119 f Pacien - cia y fe! Pacien - cia y fel You better clean this mess! £ DrsiPere: time aoe ————— You bet-ter not be late! FN You bet-ter pull— yout— weight — (Gir. ont) Sharing. dov-ble you bette Of tan you were—— with the birds of Vi- bo- rat : r cs Resale une ~150-Keyboard UConductor 13, PACIENCIA Y FE, In The Heights -Tonr = 32 Son 129 320 trying to catch a break, steug-gl - ing with En + glish wiTrés etc z Bring out abwait P Bs. a, | Drs: Céscara (Paila 3.2) —_— Congas: single drum Tambo (3-2) Bs-ten-ing to friends, fin -‘lly got a job wor-king as So we cleaned some homes, _porlish-ing with pride, serub-bing the whole +Tpt eb — of the Up-per Bast Side The days into weeks, the weeks into years, and here fe ebmaj? aH P +Cym. d's Pere.(trem. and fade) orn -151-Keyboard Conductor 14, PACIENCIA Y FE. In The Heights -Tour nf _Semoiransoas = UF owtennvorne Fi-cien = cay fe Pacien — cay fe 1 feed. these birds, My hands be-gin— to shake Brass Eins (out) wiGe, (everything else out) anoKeyboard I/Conductor 15, PACIENCIA Y FE as [say these words. My heart’ NinwDankttCads (OFF sme wn Kaen oresmcang ego Oo wiGte.arp's anf G78 Gr AbMejt® Ay, Ma-md,, what do you do when your dreams come— Drs: time, Congas: 2-drum ‘Tumbao (3-2), K2: Maracas canoe ~153~ In The Heights -Tour ay Ma tue? mf WOMEN: J Ay — ia» mat matKeyboard {Conductor spent Freely; colla voce ae What do a) Fmt! fe orig I do racer my 16, PACIENCIA Y FE. lite. vvith this in-he ci-ting win-ning —ti- chet? Vibes, K2: Piano ~ 154 — 184 What can Flute do but In The Heights -Tour poco rit, 165 pray?Keyboard LiConductor (7. PACIENCIA Y FE In The Heights - Tour A tempo I 32500 buy my loa of ti = mve with mp day. P chi, Bs.4 ‘Congas, Drs: Ciscara (Palla) == == op it Ore I Finbate 17, m see you in my head ma-gin-ing what you'd say The of Frvab eee Yar eld aaa Ts Tesi Pere CLAUDIA; (Timbale fil) (in the clear) i “Alright, Mama, poco rit, (ln 4, we 3 TI wr mia birds, they ly a - way; Do they fy t0 la Wiebo-rm@rclenciay 7 = > ) Turi f Abe ( os : tai = 155-Keyboard 1/Conductor 18, PACIENCIA Y FE, In The Heights -Tour Big and quick, dictated, fel F ca (Fins. out) Applause Segue crow = 156-Keyboard 1/Conduct In The Hei ‘eyboard 1/Conductor in The Hefghts TIME LAPSE Tour 4 z z 1 ett ? Mark Tree / ym, Ride Cym. Cys. ad lib Das A 2 Bs. simile Dr. w/Cym. roll Cyan. sim, Drs. ee SONNY: “Well, well, well. Nina Rosario...” | think we both know what time itis." (CUT OFF) a0 ~ 157Keyboard 1/Conductor In The a 9 WHEN YOU'RE HOME ae “I hope you taught them a few words from home.” ‘Of coursé. “Would you like some fries with that?” (GO) Gently : a rit, 4Gtr StLStg. Ac sus.) oe seat SP wt Kast ct Bs: suker DELS LOY Gy Freely; Colla Voce g NINA: 5 6 7 === cer LOLs LLL Lik F T used to think we lived___at the top_of the world, When the world was just a sub-way map.— And the wiGer ore dA 2, KDE. ij Chey EM Bs. (8vb)>— +Fing.Cym. Onestash - Nine— climbed a dot-ted in 10 my pce, There's no nine train now.— Right a P PLAY LH] 02449 Jo%ho4 = 158 —Keyboant 1/Conductor 2. WHEN YOURE HOME, I wsed to think the Bronx was a place— in the sky, When the world was just 2 Vibes { t \fe 2 Gir: Elec, E2469 (aca) & | le 7 FhmPtecat) Bry + sub-way map ‘And my thoughts took shape On that fire. eS cape Ko CAVE) Vb — $ you re-mind_ me of what it was like at the top of the worid?—— (Lay)Keyboard l/Conductor 3, WHEN YOURE HOME In The Heighs-Tour Funk-Pop «. 2 BENNY: (click in) a a K2: Rds. shaker(16ths), Tamb.(2de4) Drs(time) & = NINAD Dr. (fill) We begin Ju-ly—with a stop at my—corner fi-re hy - drant. You would o-pen it ev - ty K2(out) Gtr(sim.) AB ad th wiBs (8vb) Shaker( I6ths), Tamb.(on 4) Drsitime) 2 BENNY: @ 7 1 would bust it with a wrench—‘ul my face got drench His. Sax, Ton ‘ul Theadthe si-rens, then v Bs (ad id) 160- auKeyboard 1/Conductor 4. WHEN YOURE HOME In The Heighas-Tour Poa eet \ peas eS = FSS) ; a a) — a _ } ran like —hell!__ Yeah, 1 tan—like hell! — To your—— father's dispatch win - dow, “Hey, let me in, NINA: t You ran ike — hell 1 reme-mber—well tae F +12: Rhds.(sus.) | SElag | as yo! They're coming to get me!” You were always in con - stant (rou Then your for 2 NINA: BENNY: _ t —-Dad would act all snide, but he let_-me hide. You'd be there inside Life was eas-ler—then— Nina, ev- VS. (2 beats) wr = 161-Keyboard l/Conductor 5. WHEN YOURE HOME In The Heiehts-Tour a a ‘rything__ is ea - ster when you're home, The street's a little kind - er when you're Sax, Ton. af Grrgoun | ep? eae ice ———— Dates) Can't you see that the day seems dear. - +Tpt Gi. Hns (out) Now that you are here— or— is it 2 May-be it’s. just me. ofreus oy De. Git) =F “Congas, Drs.(rl cm ~162- a capKeyboard 1/Conductor oun 6. WHEN YOURE HOME, VS. >>> ~163- In The Heights-TourKeyboard L/Conductor ‘7. WHEN YOURE HOME ln The Heights-Tour Pa We got-ta go I wan-na show you all I— know, ‘The sun is setting and the light i getting — low. na + Gu. K2¢ou0 J Dee eh ee Grr(sim.) | e : ‘Shaker(16ths), Tamb (2&4) 2 Des(time) May ~ be, maybe not, but way to take a shot, when the day i hot, | going to Cas - le Gar Sax, Toa te le Bs(ad lib) ann = 164Keyboard L/Condvetor 8. WHEN YOURE HOME, In The Heights-Tour got a perfect shad-y spot a little ways a-way that ought-a cool us down. — Trem. Rds, Cool us— down. —— s ee back to_town... Now, back in high school, when i dark - ened, you'd hang out in Bennett Park —and—~ iG. K2ou) EE lag] As ‘wiCongas Dr. (fill) Desi(time cont) Bs (Gill) VS. wan — 165 -Keyboatd 1/Condvctor would bring K2(comp) Ge, | - Bs.(ad lib) ‘Shaker( 16th), Tarmb (284) Drs(time) [walked home from sen-ior am 9. WHEN YOURE HOME ln The Heights-Tour = eee Gtr(sien.) With the su - dies, ['¢ see you map - ping with— your bud - dies. - 166Keyboant l/Conductor 10, WHEN YOURE HOME, In The Heights-Tour vol - ume— high walked on by. (walked on L 5 VS. ‘Congas(out) Cr. Cym, Drill um ~167-Keyboard [/Conduetor LL, WHEN YOURE HOME, In The Heights-Tour fm HipHop J 10s | UsNIGe MAND: @ « e No pare! sigue, segue! — Nopa-rel sigue, sigue! No pare! sigue, sigue! No pare! sigue, si-guel [ IDANUCARLAWIAW2Wv3/WS: ISONNYIMG/UUNS [ t Gasol I Fin? ; | | Ye Congas( sticks), | Des (time)K2:HiandClaps(284) | 0 a 2 = BENNY: i i Vi rel sigue, sigue! Nopare! ue 1 ‘Whe Nopa re! sigue sg fopare! sigue, igual. YO anvamiaws| \ Nopa-re sigue! ' t No pare! sigue, sigue! When you'te Hs, 7 i +K2: Organ, GE (Gui) py au FF Lhe +Congs g au = 168Keyboard 1/Conductor 12. WHEN YOURE HOME In The Heights-Tour I Funk-Pop BENNY: NINA: home!_—Oh, the summer nights—are cool - er—when you're home. Now that you're here fee hom When you're—— home! His.(Ton 8b) f K2 ‘Gtr{comp) SFE? e Maz cer oft . » Congas il ougastfank groove) Brstime) with me | Aid Tat song you_ate hear - ing i the neighborhood just cheer - ing you along, Och, ooh, 0x, Ton. fp om = 169-Keyboard l/Conductor 13, WHEN YOURE HOME, In The Heights-Tour BENNY: 6 toed Whats wrong... Don't say—— that. Don't say. The K2¢out) Bs.(ad lib) Double-time; Salsa NINA: = o ea When 1 was young - er, Td— i- ma - gine what— would hap - pen A 7 ai = e cimtai, | sinie BP Ty ¥ v Bongos(creando 2-3), Drs.{time)v oun -170-Keyboard l/Conductor 14, WHEN YOURE HOME ln The Heighis-Tour % ar 2 2 por - ents had stayed. in Pue- to Ri "EEF te Dr. (Gill Waccent’) << << 1 50 s we a Who would— [be if L__ had er seen Man-hat - tan, fT ved Ton, Bari, ap A eb? o a np OR Fr ay Bs(sim) ‘wiBari Bongosiplay accents), Drs.(time) wiSD. om -In1-