Co mL rcoaame we) a BOM eR ORC M ue Peg The traditional and distinctive Pree fil ELSI Mma Coa citizens of the imperial city Rac Rah Cae Teeef fea FRRARWBA MA yours [IE] Tong-standing, age-old KI (ton ton) RPHERL PRK fy auews (a HF, WHKPERT RE TAM BIR A see el AA, KAI—PMAR RRM OIF the imperial ety RE We (song Joan) A 56 #, ARE 4 He oro UE L, UMAR HUM SM RBA AIDAA es WRETRR-BHLA, AMMA, A favor, characterises Ak Nipsete tear dees, 6 | #65 fitian (0 offer sacrifices to heaven RIN, xoxién [2h] to spend or ejay one's 8 | Shak yueal (%]) HA mingrén [%] celebrity, famous person, eminent person 10. | FTHHBE dé znaonu (0 say Hello, to greet a person syER | BRRRHSA RLY, BRAVMARE AK, AEM AM, OSE AE PBT FAK BWRATE, Ht, CRALAHMAK KB, CRAB, THRR-SAARGHR SHAMIL ER WR, HK, REAR YM, RIA IRLAARS ARR DRE, FR, WRAT MEDAN AB WERE ART HARPRA, METAR, BRERA ALAM AD, BA, KAM R-PARRAR Bh, Roop AR RAS, RAS TARR BA, RARKALERARERORA, ERR, BRK ARM T RRA FF, AIL CADET, MAMAS ER ILA, HARK A, HARK "B, RUMA ARAL KART EIR GB RR, KPA AL RBI, BARD BA, SRERTREMA, weho, HRA 49 F (1u6) AA, RPAH (xinjiapo Singapore) A, Me CBERRAMEMAT . AREA, FRRMMATUG, ER ERABE-AIL, HMA, BRA 03 Old Folks in Pursuit of ‘Happiness 11 | BIE yanedu [3h] to play (a musical instrument) 12 | GBR tube [3h] toretire 13 | if quang [3h] to stroll, to wander, to roam, toramble 4 | FRBA yusou [44] inant 15 | 87% ndozndo [3h] call on, to appeal 16 | 38% Jensen [HN] sradually, by degrees, litle by Tie 17 | Se] frond [4%] Beijing opera fiddle, a two- stringed bowed instrument with @ high register 18 | dxf bal Ci] absolutely, definitely 19 | HBR youd [IE] humorous: 20 | BABA duuan (4%) team member Kbs ‘Temple of Heaven,21 | NR Wotnanud (a) aging 22 | BAe Gonén [4] old age 23 | BBL imo [1] Tonely, lonesome 24 | ede cnonaer [HE] ‘ich, Substantial RREK, GHWAUAVRRS HMA, LER, PRERMRALBLEA, BEAK EY EERF 1, (2A MAR EA RE, AX, VNRKEATMANRA HH, RMHAG, HTAERMMHBEA NAM, RARLIRA. 25 | bere (a to-compare with 26 | LAR xtnce [3h] {© appear (to be), 10 seem 21 | AA dave [% [eR ea ea atte for an elderly man os | 3188, vino aA to give rise to, to arouse 29 | SHE quanehd [3h] forpay close attention to 30 | OR enueng [t] a classifier for buildings oi | BPEL. Bobanr [4%] old spouse 32 | TH xin (71 not busy. idle, leisurely 33. | fe znudn [ah] {o take a short walk, to go fora stroll KSRALBAA—BE AD, 5 RAV, ALAS BARB AB T DAP IE, 4E Bp il (Ron zhoncang) kK 4A RIL LAA, ERFH-LERGAMGHAKE, BR Wt LALBAB, LAMA MAR EKA IAL AW PS 0) RGB, WA SAIL, AEB. ASR P HRR-H, AALAAH WNT AAR, KAD, RLRA ALA IL, KLE, EKFMAG LARA, & RRABBA, REE, Tee B«BER | SRAKWEA LHR BT HARE, HMR RRB, AB EWERFE CEL, RHR -LLEG BD, PRK GRAM I, Me KO RAF RARE, » AKA aS BERPAMRRER, RE RBM FAMSERKAMER, HR, MEHEA Pw T ME MRAME EF, KAHBR FOBA, eR AS RMT Pb, EA BEFA T ASE, BR T SK. RFALZG, UBL 2 BAAR WHEAT -LZ, CAMARHLE HAH Fre), mH haw SI RA, FR, EKFRRM-RKE, WAT YR RA AL RRM EK, EMT, EADIE, MARRWIRAM. EAT HRAKZ—UM, WEA RAK KK, WR, EKFWKREULB WERT HH FR, NAMES, — th RAST, Old Folks in Pursuit of Happiness i i [3h] a {to walk (an animal) or raise birds Gay zhuanxin VE] altentive, with concentration BE méovl [4] writing brush {82 tinal [29] {0 learn or know from experience BI shots [4%] calligraphy BEAT wring (3h) tobe prevalent, popular or fashionable AR 2nd [21 {0 dip in (Liquid, ink, powder or paste) TEX xinoshi [4%] form Fug howet [44] butdoors BHRE xincen UE fresh JK zhao [Sr according to, In conformity with WR) xianehi [2] restriction, limit, confinement te onal [3] {0 tear down, fo tear apart, to pull down, to dismantle YHA hdimian [4] sponge te xing [8] nature, character, a specified quality Hi t50 [44] bucketOA tien © geese 50 | Asfie bating [HHI] constantly, nonstop : 51 | 417k 4 shut Teak A eA, MR, FRAT ach yet HAA KKL, WRG KEY Ah Pea eal aL K, EKFLELRT —PBMMARK, 53 | BRE s0I60 (4) HM WRT AMA, HARES FH plastic KANG, EK AI “A RK See heres el, BP MAR TAMRAMRA, KRM A 55) 4th oh Ea) REPKA WR TRRA, RUOBEKF Wei PRT MK Bal B. oe eel WHELAN KE, Moh BR A Fee eee ERA, ERP RAT LEAD BEAP ocontrol, to getunderone’shold BRA, MAME K BR, SPAHR Bt eee (hl BREAK, WEBMEAFHRATP A ta aie eu XM — A AG, EEE IP DALE BK fountain pen DAL. 60 | ¥)¥y fenten (Hill) one after another, in succession 61 | PRB chengedn [zy] Ippo commend, o compliment 62 | AWG xidngxiong [Bh] ioimagine 63 | pRB chengid [44] Suess, actievement, atanment 64 | a 98n [6] sense, feeling 65 | F¥BR tesho [7] special, unusual 66 | (43€ ahoo [IE] prow 67 | fas zhdnshi [3h] to reveal, to pon show 68 | JE3E snéneni (4) Va even HBR A AAA LS OF Gil cae ious tan) tek hehe on pan wen ban Eg 10 Visit, to watch ieBER | SRARWEA LR, EAPR GARR AEM (vsqu6 Germany) MASE, 5 oh 7 “Ae i ACE” BAAF, Keay MR, RK AOE KER RAME AB) 05 09- B BZ, RFK, MARMARA HAR, WAN FeiR SEA—HAMGET A, CAA LHOSH REAR MRA HE GER, ARIE SAE LMM RMR, CMMICRHELELA FRG LK. SRA E EAM ALS FL fo OE POR, WNBEADAA—A, BIL FeaM AH, ods, FB ho OS BR He AGH TLR A, AMERSHAM ARAL, i REO REAMM EMEA, Wien Am ROR IL ASRS T ALVA, 03. Old Folks in Pursuit of Happiness ROATAEPRA RM FH ‘An Englishman named Jiang Senhai (Dominique) strolled around hutong with his family. * 10 | eile vou [ah] toitravel, to tour AE lake [4] ‘guest, visitor TD | eA 20d 8 tobea guest 13 | Wilt) natong [4%] Itong, alley, bystreet WY ¢sBE shdyuan [4] siheyuan, quadrangle, square courtyard with houses at each side 15. | RES sonaho [44] architecture, building 1 "4 16 | 34 lGwero [3h] {o.contact, to have social intercourse 17 | teak ito [3H] to record 78) RN you {0 go sight-seeing, 0 tour, o visit os3e fe SP MR Guiltorell Novfgottiom i icles “Jem ARAVA A 3000 $ EAA RAR” ACTH EMT AB, REARING ATU LAMSCHCH Ly . MASTER 1405 FEARED a IL, AGRE A 3000 SERA. MEAL, Bit. WAT. A, ACNE ZETA ACL, FUR. HC HLA, FOR, DIS BE, HRBE, TPO PDE “AGORA SAE BIDE ERTS) SCA a Ht FEC aT 5 Beijing is China’s capital and the political and cultural center. Starting from 1405 BC when the Yan State built the Ji City, Beijing has a history of more than 3,000 years. In history, altogether five dynasties, namely Liao, Jin, Yuan, Ming and Qing, established their capital here, Therefore, Beijing has many historical sites and cultural landscapes. Among them, the Great Wall, the Forbidden City, the Summer Palace, the Temple of Heaven, the Ming Tombs, the Eastern Royal Tombs of the Qing Dynasty, the Western Royal Tombs of the Qing Dynasty, and Zhoukoudian Peking Man Site have been ranked as the UNESCO World Cultural Heritage. AMORA, Ae SPA, PGR SAT eb eed Ss PEE, “EAT PP aI Fa CA aE Ser AE TTB HEA ANGE RT Ay “P Hat" 5 Like Beijing, Xi'an, Luoyang and Nanjing have also been capital cities for a number of dynasties in history. Similarly, they also have rich historical and cultural relies, collectively embodying the essence of ancient Chinese civilization, These four cities are generally referred to as “the four major ancient capitals”, mm KR 3 “KAP MERLE RR GILT.” FieheF ACH, BENE 142046, USSR, FRAME ABB, HE PERE, (CEE IURIESUR, Ae) 273 TEIOK, eT. iiS8=0R | BRURAVEA 03. Old Folks in Pursuit of, Happiness. Located in the south of Beijing, the Temple of Heaven was built in 1420. It was the venue where the emperors of the Ming and Qing dynasties offered sacrifices to Heaven and prayed for a good harvest. It is an architectural complex of the largest scale and the highest ethical level in ancient China, covering an area of about 2,730,000 square meters, four times that of the Forbidden City. THRE RG IEE A] (AS7C Rt 1046 4E ~ 27H 250 fF). TH ARH ELA SWAT, DER A, AE TA ERY TL, SUPATAEEDA “ARG” NAT ERSTE ATER UGK, Zeb DCRR AUB, SLL AMY A SAL I A MSHS The ceremony of offering sacrifices to Heaven in ancient China originated in the Zhou Dynasty (1046 BC ~ 250 BC). Ancient China had a great farming civilization, and all imperial dynasties attached great importance to the sacrificing ceremony. At a fixed time of every year, the emperor on behalf of “Son of Heaven” would lead his ministers to perform the sacrificing and praying ceremony, paying his awe and gratitude to Heaven while emphasizing the legitimacy of his authority and sanctity through the ceremony. ASSEN LIU ABATE RS ICES, TUR ee UAE RE ALD FNS ATER TUR CA CSETRE AS “CRUAHI TS” INL RE RS FSR, BAPAC, CERES bE BEHRLS The Temple of Heaven is the world’s largest existing ancient complex dedicated to sacrifice ceremonies, Its architectural design has a strong symbolic meaning. The altar wall, which is round in the north but square in the south, and the combination of circular buildings with square external walls fully embody the “round heaven, square earth” view on the universe. The Temple of Heaven has very significant historical, scientific and cultural values, and occupies an important position in the history of Chinese architecture, MEf&, 44K Adi ‘The Circular Mound, where the emperors worshiped heaven 2, ROR “Re AT EAS a LO AB oe,” HELGE, ALAR “BUR” Be “EUR, EEE -A IDR RAR. HME BE thOAR HAO Se ARUAMARAL, RAR, A, BH. SRORB, TERRA, FEB Ta BS MG HR RCAC I™ 5 Chinese folk music, generally shortened as [& Jf “folk music’ or [#14 ‘national music’, consists of a variety of music styles unique to China. Chinese traditional music is based on the pentatonic scale, pursuing the beauty in naturalness, harmony, subtlety and unpredictability. Thousands of years of development have left behind a very rich cultural heritage of folk music. RRMA, MIDS NW. Hi BH ATO. tHe 20 4ERDOR, THEE) (DPR Se Rs IAs A A 2 id, Ee YB FB ALTE — A a EL MAE TR PEMA CATT AE OE) A. MP USAR AE eZ, PEN DR sh (aati ABR 5 There are a great number of folk music instruments which can be divided into four major groups, the blowing, drawing, playing and striking, In 1920s, following the establishment of Western symphony orchestras, Chinese musicians established Chinese national orchestras to play some of the major folk music pieces, one of the well-known pieces was Moonlight on the Spring River. Since Chinese national orchestras are still under development, a uniform establishment is still lacking. eth TH, JLSPAE DDE MBAR IE A, ABRAM RRA RA mir ibe We RIAD Da DESEO, SHILA RADII. In China, almost every region has its ‘own folk music orchestra, with some being spontaneous organizations of folk music enthusiasts. Some well-known Chinese folk music orchestras are often invited to perform around the world, PHAB RLS 14 EEE GCI MnP nese “HER, PLETAL LED.” AERA, ANE NER 60 Db eAE A A i) 10%, He ME, HABE 1999 4EUE NEMA ZS. ABLE) 2008 AE), ETE 60 BVA LAMA OER 1.612, FPAMAHY 12: @.SB=E | BRAVA 03. Old Folks in Pursuit of Happiness The so-called aging society refers to a country or region where people over 60 years of age account for more than 10% of the total population. Based on this standard, mainland China entered the aging society in 1999. As of the end of 2008, the population aged over 60 nationwide has ‘gr0Wn up to 160 million, or 12% of the total population, PERE BEEP ARE HEA Be Had A Pa 47, RMA Ee A, Ree SALA “RE BE BE” Me, TERA SANE MR. AMD, LAs BOD AM TRUE LPH SR, EMU A HEE BS a IN, BARS DEANNA, KDEK ODT HEEAE, MSVEN SIGRID) AT, BERENS bE AMAL ANAADEM Lf, BFE Kae. The improvement in living conditions and healthcare level, and the implementation of family planning policy are among the key factors resulting in an aging Chinese society. Traditional Chinese culture always values respect and care for the elderly and takes respecting the elderly as a virtue, For the time being, the Chinese society and governments at all levels are attaching great importance to the social problems brought about by an aging society. On one hand, the government provides good welfare for the elderly, and on the other hand, the community cares for the spiritual life of the elderly very much. Many communities have set up a variety of schools for senior citizens, organizing the elderly to participate in various activities. Furthermore, the elderly members in many families have also taken the initiative to raise and educate their grandchildren so as to help reduce their children’s burden mmm “BRP MG HRT A,” PHPREMEWBSLA, AMPS SM ADR AI A. BEAEHIE TER AEH ESS AIINE, PAULA FAIR ME, FAW AE TAC BERT BAEIN. Ih, BUENA ATIAS, bi PeedeNGlTE. Bot. ie BUICK, ISHN, SE), HR. PURSE SAT AE. NACA RTT HIS, eH AR, WINE, BR RE, BRAILES A ES ofChinese calligraphy is the art of writing Chinese characters, which aims at reflecting the beauty of lines and layout in the process of writing. Calligraphy used to have very important practical functions in ancient China, Ordinary intellectuals were all required to master the basics of calligraphy. As a result, a large number of excellent calligraphers and calligraphic works were produced, In addition, calligraphy as a mature art category has a complete theoretical system for creation, appreciation and collection, It also interacts with other art forms such as Chinese painting, carvi dancing, music, ete, Calligraphy as a traditional Chinese art not only prevails in China, but also has spread to Japan, North Korea, South Korea, Vietnam and some other countries, It is regarded as an important art in East Asia and the most elegant form of writing, ETE ASR TRE MAMB SING, RZ, CLIVARE RAMI, A, AAG OBS LIRA AT. 2G. AB. A. BBE “OCS”, BONER ANIL, WEEE RAE In addition to its beauty of configuration and skills of writing, Chinese calligraphy as a special art form is also indispensible from its unique tools of writing. Writing brush, ink, paper and ink stone, referred to as “the four treasures of the study”, ate unique tools for calligraphic creation. Meanwhile, they are also symbols of China’s elegant culture, DE BEAT AAA, AME MIC, SHAR. RA BB, HB. TS Dh “Ey yl, Gee FSA ‘There are five representative writing styles in Chinese calligraphy. In accordance with the sequence of history, they are the seal script, official script, cursive script, regular script, and running script. Take for example, See the following illustrations: sa ir ee ee PODER WZ: EMZ (303-361) CARED One of the most famous calligraphic creations in ancient China: The Orehid Pailin ‘written by Wang Xizhi (303~361) $BBER | SRARWSA ALANA ASB “RA AHL A TRA AME G3 1 04 09S BEE,” “SD” RBC: RTE S IVINS, EDA ERA ES. abe ese Bumesk, 7028, ON, Pa ALR, SET, MABE. MA, ITER FEVAPIDU ATA eA: GERI TCR ROTA), IRL ANA eae TALS ETT RPO ATER LI SAE. A hutong is an alley linking the main streets of a town cao which leads to the heart of a residential atea. Siheyuan refers to a traditional Chinese civitian residential courtyard, Houses are built in all four directions so that a square courtyard is encircled, hence its name, In the past, Wa Beijing locals mainly lived in west sidewoom square courtyards, with a large huimber of hutongs crisscrossing in between, Hutongs and siheyuans together have constituted a major characteristic of the Beijing city and a symbol of ts citizens’ culture, STI, NURI TA GA Be AT OLA 5 fe Be LS RP Ry — AAR FUE + ACHE ROR RT HORII, Se Sem AIG. UR, TEBE ASAI AGB AT — RAR GEGR MATA, HAAN, Be BERET POR, TRACE RRB SC HOR, DET RNECINIT RE . BORMIOKE AAT — ie IME. However, the rapid development of China’s economy has resulted in a fierce clash between the modernization of the city and the protection of the traditional architectural style: with Beijing turning more and more internationalized, its traditional characteristics are rapidly dissolving. In recent years, China’s Ministry of Construction and Beijing Municipal Government have issued a series of measures to protect and manage those traditional blocks. Some valuable old huiongs and siheyuans have been ‘conserved in situ and transformed into tourism and cultural attractions for commercial development, This practice has achieved some results. of© it 8-—71A 3000 SHEA RANMA HAE Comparison: 4 A——4F A “MA” FER AGE, BADR AUS. SPEEA BRITA 48 A means age-old and is usually used to describe history. It funetions mainly as an attributive or @ predicate, ACHAEA HR TAC) A RURAL S 04 3 DEE AT AR AE PEW HRERD RBA. “HAS TERIAL, &PEAMABUGE . 48 A refers to a long time, and is usually used as a complement or an adverbial. AGA To AAA RA ICANN T 0 © £600 S4Fth, SEGA 26 HAHEI I FB fe PN, OMAR ONE” EAT, MUMOT PATRAS BULA YE" FA. BY SEI 4E + FOI 14 feb / Mk ME + SHB 2 $8 HEI + When there are two objects in a sentence where the verb is #9 , “it or fk, 4 -construction is required in most cases and the word order is: Subject + 42+ object 1+ (E29 / Hn / Mf + object 2 AB AAR S 0A Ae TH IK PE SE Tai AD HORT 2 aH AD 64 MWATRLBF, MANA, te RIK T » TRA ACR RFA ER RT AR, AER, © wer ax—HHer Ty. Hilal, Aaa, IPRA, ARATE. SHPO. eoMER | SRRNNZA 03 Old Folks in Pursuit of Happiness ‘FT + Tis an emphatic adverb. It occurs in a declarative sentence, sometimes indicating an unexpected result, It is mainly used in spoken Chinese, BAFTA CR, RE AMA ET? KAAMTR GH, RAKAILA, TAMIL? ABT AR AE TL IB 8 AB © aie, ROK Hee Mi: BA, ACAI, Rave BUTeb see ynaate> SM « It is an adverb which is often used before a verb to indicate the slow or gradual changes in degree or amount / quanti HET 100A, RMT, AMMFLT LR, ATR-AEMT, Rabe DT AT BOTA, 18 FRA LT % HEAR Comparison: iif: “ea” 5 “HT” AURAL, (EL “OR” BTS A” ARF Pa vite “HW”, AA. “SERNA” AANA “These two words are similar both in meaning and in usage, however, 3 is more typical of written Chinese. Also, iff if can sometimes occur before a subject when followed by Ht, while i 39 is never thus used. PBT POH Bah, BATRA LAE AR EEA Me, RT ART Heeb th. MME, RAR T se © xeRreelLenseRNi EL : HUNG, DRE, MDOT a, wey DABS. FBLA “PERARBEL”. “CE —TERLBEL". “7UMRBEL” Ho HE FBAEL ; Iisa habitual expression used to show the degree of some kind of situation, It can occur either in front of the sentence or behind the subject. (i: (it PEN (eH FREE L: , 4¢5¢FPFEEE_L- and so on are often used. PAH AG BH ARAL ER BARA (yioin to depend for existence ) 4)» SAAD AR 0 RAF AERA WARE EY OB PAE AR AYR IR TE ofae bytes © Bese RE AEA — RARER TEED GEILE RAR HOM RGE AL A RAR ERM SS SS AHAB, REMMI AS ARAREL, AHREOW SHS MOLALLA HD © #er-#, SRE TUE (1) SOR: Bilal, Aas. seat. ENN: FAAcabia, HEAT. 48% + Itis an adverb, meaning “affirmatively”, “completely” or “certainly”. It occurs before a verb or an adjective as an adverbial. YEE SD NY IRIE AAPL MSA RA EB ID, AR HY TK FN HET IE AREAL, AUF HE RTE IE (2) TIRE: (ABATE, ADR RAGA, Bh feir tt. ‘BTLAV + Itis a parenthesis, used to explain reasons or make comments, WEBS KH RA, TAREE A AAPA EER KDT AREA PRR IEA TA PE RA, ZO FHALMHANFRE A, TARR—-ARGB OME. @ Sxaiat, seamR ANTE 1) Se dBbe AAO, att R. Iai —BHT 55-----AHLL «It is a comparative structure, usually occurring initially in a sentence and followed by a pause KAFH WHA, DRARATHERAM RU. Hepa, FEAST 50%, HkBMM, FOWELRHAS. (2) SBA: ZaNL CRATERS ), FATTER. §B/ : It is a transitive verb, indicating the emergence of some situation or state of affairs. It must be followed by an object. Hast — FEN Ia AAR, 1h YK RAE S To DR BESIKARANAEL, BARBI IA WARE T HARM, LHR RATA. B-EIR | BwteRASA 03 Old Folks in Pursuit of Happiness © Re-use TAMA TBARHAE Ske: ARH, BUR. Hah A. MS HHL RZ It indicates that a thing, a phenomenon or an activity brings about the emergence of another thing, RAHAT ARM AG HAE. HFS] ALT HA EZ OH TEAM EH ha TAT ARMIES © s5e8s, HaenT SHRM TARE + HEAR Comparison: 4235 — “ui” HELE “A”, HANA AAD, GEAR Rh ELS Ae A, SOR LAIN WE focuses on di, emphasizing how one feels towards the outside world. At its core is judgment. AKAD IG LR ILA BILE To SENG, MR tT? WEBAM RIERA MH, HF 0 “Hee” Hite “2, AUNMENRANeS, BU. HES, TUR LILOTHTS tk & focuses on , emphasizing one’s understanding ot comprehension of something, It mainly concems about degrees and skills, with its core being understanding. ANTZRER, MLCBKEAERY LOK T APBZAT, Hi PERMA, SAT a Se HE IBAEE A16 1 BB @ BHSAshHS, iene AMT HEHE Comparison: 47 A, RMP RBE AT, WA ORE REM. EATINDCRE : “F7ak" MMAR BL, Fi: AUSORE, “FER” AMET ID ITEARAAY 5 “F7 FATA. Tee, APTI, “Ie TCP MAL, Wii, 42h, BONSAI Both are nouns and mean “manner”. Their differences are: 7 7% focuses on means and methods while J23% emphasizes the external form or structure; 77 3% is often used to talk about life, work, production, etc., whereas Jat can be used to discuss concrete or abstract matters, such as thought, substance, organization, art, ete. oe &WAG SLA TAR AT HE THK REKD. MEBFREEDA, Fike BARABAL MARY Le MALRDA, MRREMAS. @ ter nsw — A: drial, Ba, SURE AE. ATI i". AR: It is a preposition, meaning “according to”. It emphasizes the standard(s) taken and can be followed by % RAR APE AE, (241 IRE 214TH PASE RIL, TAAL AMMEAS AERA EM He LAY 7 — OP EI RUG ER, MARAE T, - ATH? © swe ewI. idk HES Comparison: £4}—F it “ie” MeBeSUai abt, “ANT” HEBENIR (MBIT. “ANRE” ARAN, ASPEN “OBI” ABRESEAS WT, (ELLA HM. AMR” BETTER, WRIA PERRIS “AS Oi” HATER, AHEAD ETERNAL AMit is used together with specific actions, while 4I§; describes abstract actions. 74) means doing something continuously, and with no stop; ASW refers to continual actions which can be punctuated. Afi can function as an adverbial as well as « complement; 48, by contrast, can only be used as an adverbial and can never be used as a complement. W-LLIG, FPWR, AR, H-ATATH ARBRE MEG» HLA LER, RRBTAREMF. © exsacites “eek” s1eT UTE AAR, RN NR TR SL ATAARA (1) Hes Comparis “BGI” ANCE RODRIG LAS RUES ; “DE” TT REID ae EL, HUGO AS 60 n: PL idt— PEHER | SRARRWEA 13 Old Folks in Pursuit of Happiness He. “BE” AUPE, “Hae” Bea. H4CHE emphasizes the progress made on the original basis; 3 2 means making things change and look different from before. Ci implies improvement, while SCE does not. PANE TAGES AB EEA Ho MED HG RAG o ABA RARER HY 0 RARZARRAGIHTA, RIB. (2) OB). BEAM, ATES WIT #}4} « It is a modifier placed before a verb, indicating the successive occurrence of a certain situation. KEP Bm BREAD, MEMNPPEF EEN, WELT MEAP, MAMMAL @ £2-o ike EE: (EAR, Fe. AS “th. MB, ik” MARS “HE” AE. PEE «tis used to give emphasis or prominence to something, and often collocates with th #8 ori. AR BEAR Ms AAR S AE, Ak BR AKA AH. RHEWA, LAR TH AMAIA I. RAMS, EATEN MAAK bo 28 HET 5 PERU PSIAANY, “DEAR” PARRA. BINA + ‘When connecting coordinating phrases, #4 precedes the most prominent one. For example: PRE RFE. RE, KALLMGS, AHA HE. MERE, 445 “AME” GE. ls ‘When used to connect clauses, itis often used together with “fH. For example: RMAL, BOKA, REACH ORT AMAA. © akaTHe. mommameneraeRHOeM HEB Comparison: 4444 — 4 3!) fEMIGa a, BSAA AR" (ORL, A TABOH. 81h i As adjectives, both mean “different from the mediocre", They can be used interchangeably in some cases. Hea ET AHL, ROA ASR / A a Rt LENA ZAP / AE BY AGIA tte BAR ARA KY RIE? RR” FARSI IR, (EAA Ns OR” Ee ORR” ROR ii, i ALN, HARBIN, ARR “AHR” WAR. BL, SR” Behe, AUTVEEA; ORI" BFA, (EBA. ‘They are also different. {7K means that although something is different from the ordinary, it may not be very individual; #5) has a deeper meaning than $k , referring to things very unusual or ‘even unique. Sometimes, #5] means #}-L£ ‘strange’. Therefore, #34 is more abstract and used ‘more extensively; #8] is more specific and less extensively used. RE TA RE ARB SO TA AH ARDEA RO WEE FRM, AARP RAR A. BAGH, REALL, MRAP. Ela I” UMMA ER in, RARE 'HPbIl is more often used as an adverb, indicating a very high degree. RAAMEMKR, Hla oe, EEE RAIL AE SION, LAD EARS @ wnensoKs—8, a —PuaNeS B+ — Bs east, TAHT MK. Verb + —"F + It indicates a behavior or an action lasts for an indefinite duration. AR, RAI UR — FARM RF 6 MA — PEI. MAM Fie, 45°47 BAAR, TRO AFB? Ai He AA — TF SEP 09 J 2? 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HEB, 13 HEE, AAA SMT + BP AHERN, RIDA 6 ‘The kite originated in China during the Spring and Autumn Period, and up to now, it has a history ‘of more than 2,000 years, Initially, the kite was invented mainly for military purposes, such as measuring the direction of wind, transmitting information, etc. It was until after the Song Dynasty that kite flying gradually became one of people's favorite outdoor sports and a popular form of entertainment, and this activity was passed down to present Chinese. Traditional Chinese kites have a great variety of forms. Most of them are painted with patterns symbolizing good fortune and happiness, expressing people’s wishes for happiness, longevity and joy. It is said that in the 13th century, an Italian named Marco Polo spread the kite to the West when he returned to Europe from China. RRB TH BA A “REZ AB". BA 1984 AE FTA, RE 4 AM MBER RUA A, WELT elt FUREY SUR 6 RLF 1989 “EH OE PTE LEKI RUR ot, CEMBEL, AATAT A FB KIB LR) BI Tel RFRA = Weifang City, Shandong Province, is known as the “Kite Capital of World”. Since 1984, the International Kite Festival has been held annually there, attracting kite enthusiasts and tourists from all over the world. Founded in 1989, the Weifang Kite Museum is the world’s largest kite museum, where people can lear information ‘about the history of kites and see collections of precious kites. 70SAOUR | SANR 04 Gao Wenli’s Kite Dream BAIR “AeA — ALA Rit BE, Aaa ARM FEAR, CER 5000 SAF NNUAL SCALE HBL 2 Be TZIPI eH. Bf. MOT. RES, fT ORE, ALAN AT SAO. SAW BRIERA, IRE BE TESTA, FTE AEG, WEIDER, JE Fit RSF ELA AE ‘The dragon is a symbol of China. Carved jade dragons have been unearthed from the tombs at the Red Hill, which dated back to more than su xeHRe, “ha — 2" 5000 years ago. The jade dragon unearthed at the Red The dragon has Hillis eputed as "China's First Dragon’ the snake as its main body, complemented with the crocodile’s head, the eagle’s claw, the deer’s antler, the fish’s scale together with some other animal’s characteristics, It is a totem combining a variety of animals, Unlike the evil image of dragons in the West, the dragon in Chinese legends is in charge of clouds and rains. It can fly in the sky as well as swim in the water. It is a divine and intelligential animal representing auspice. TEEN, Je MITE hy ALS TE, TEARS RAT HS SAI EAT, BIADABATDA SLI SY, nee ARATE NSS 6 TERUMIAT: 25, ARI EO LAR “Oe, HOPEA", FEAL, PDEA AR AA ee FL RAEN BS In ancient China, the dragon symbolized imperial power. In the Forbidden City in Beijing and some other important imperial places, figure of the dragon can be seen everywhere, However, ordinary people were not allowed to use the dragon patterns. After the demise of the imperial power, the dragon became a spiritual totem of all Chinese people, who call themselves “Descendants of the Dragon”. Dragon-boat races and dragon dances have become the representative folk activities of Chinese society. 8“ABI AM BOR PY EK BAH meal” HRS EOL Se we Ae CLE fh LE INA, WR, EE TAR SEAL HIE ITT AL ATCA FP IHS BE 22 AE Me Bea PP To “Facial make-up” refers to the colorful greasepaint patterns outlined on the face of some characters in traditional Chinese opera performances. Itis said that facial make-up originated from the dancer's masks used in ancient sacrificial activites. Since the Song and Yuan dynasties, it has been popular observed in opera performances. fe Bea AN AE FAI, FL TAREE fh AMAR, UA PRR” Th PRAISE, REBATE LAER ICHt . IA RAR EB a Jn ER, A) FUN IIA. ADB t, HT VARY Sy Uh Sok ith A, AREA LAD AG [OLIKD GPT BC SUE SE SR AIDE JE AS hf SPEAR, Le ST, CB Re AR RTT BOG, HARARE, ARATE, EH. ‘The purpose of using facial make-up in traditional Chinese operas is to deliberately distance the characters from the audience, so that the audience will not be hallucinated that they are the characters themselves and hence cannot fully appreciate the performance. Meanwhile, facial make-up can better reveal the character's identity and personality, because the character can be exaggeratedly shaped by means of different facial make-up patterns and colors. As a result, a person familiar with operas can tell good characters from evil ones according to their respective facial make-up. For instance, a red make-up suggests loyalty and bravery, a black one seriousness and mightiness, a yellow one cruelty and ferocity, and a white one treachery and suspicion. RIF aR An SG A, Sar eo BES IAS, TELA ER, . x S aR AE aT, AERIAL ah. ETL PRESS Tb A SE HNVER» Originated from the opera stage, facial make-up has become a symbol of traditional Chinese culture, and stil shows strong vitality in modern Cl society. It is often seen in the design of folk handicraft products, advertising posters, and fashionable dresses, etc. ROE ACR BL ay: Beijing opera facial make ie lecorated on the walls of Bejing civilian residential houses Be