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from Robert Palmer - Riptide
Addicted to Love
Words and Music by Robert Palmer
A5 F5 G5 D5 C5 F 5 D5/A
5 fr 5 fr
134 134 134 134 134 134 13
Intro
Moderately = 112
bass enters
G5 A5 G5 A5 F5 G5 F5
* (drums & kybd.) Gtr. 1 (dist.)
5 7 7 7 7 7 5 7 7 7 7 7 3 5 5 5 5 5 3
3 5 5 5 5 5 3 5 5 5 5 5 1 3 3 3 3 3 1
* Key signature denotes A Mixolydian.
G5 C5 D5 C5 D5 A5
w/ bar
5 7 7 7 7 7 5 7 7 7 7 7
5 5 5 5 5 3 5 5 5 5 5 3 5 5 5 5 5 7 7 7 7 7 7 5 7 7 7 7 7 5 7 7 7 7 7 5
3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
F5 G5 F5 G5 C5 D5 C5 D5 A5
5 7 7 7 7 7 5 7 7 7 7 7
7 7 7 7 7 3 5 5 5 5 5 3 5 5 5 5 5 3 5 5 5 5 5 3 5 5 5 5 5 7 7 7 7 7 7 7
(5) 5 5 5 5 1 3 3 3 3 3 1 3 3 3 3 3 5 5 5 5 5 5 5
Verse
A5 F5 G5
* Gtr. 2 (dist.)
1.The lights are on but you’re not home. Your mind is not your
signs, but you can’t read. You’re run-nin’ at a dif f’rent
Gtr. 1
w/ bar simile on repeats P.M.
7 7 7 7 7 7 7 7 7 7 7 5 7 7 7 7 7 3 5 5 5 5 5 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1 3 3 3 3 3 1
* Play 2nd & 3rd times only.
© 1985 BUNGALOW MUSIC N.V.
All Rights Administered by WB MUSIC CORP.
16 All Rights Reserved Used by Permission
D5 G5
own. Your heart sweats, your bod y shakes. An oth er
speed. Your heart beats in dou ble time. An oth er
P.M.
5 7 7 7 7 7 5 7 7 7 7 7
5 5 5 5 5 3 5 5 5 5 5 3 5 5 5 5 5 5
3 3 3 3 3 5
Verse
A5 A5
kiss is what it takes. 2. You can’t sleep, you can’t
kiss and you’ll be mine. 4. A one track mind; you can’t be
5. See Additional Lyrics
(Whoa. )
7 7 7 7 7 5 7 7 7 7 7 5 7 7 7 7 7 5
(5) 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
F5 G5 C5
eat. There’s no doubt you’re in deep. Your throat is
saved. Ob liv i on is all you crave. If there’s
5
7 7 7 7 7 3 5 5 5 5 5 3 5 5 5 5 5 3
(5) 5 5 5 5 1 3 3 3 3 3 1 3 3 3 3 3
17
D5 A5
tight, you can’t breathe. An oth er kiss is all you
some left for you, you don’t mind if you
7 7 7 7 7 5 7 7 7 7 7
5 5 5 5 5 3 5 5 5 5 5 5 7 7 7 7 7 9 5
5 5 5 5 5 5 5
Pre-Chorus
Gtr. 2: w/ Fill 1, 3rd time
G5 F 5
need. Whoa, you like to think that you’re im mune to the stuff, oh, yeah.
do.
w/ bar
w/ bar
7 7
7 7
7 7 7 7 7 5 4 4 5 5 7
(5) 5 5 5 5 3 2 2 5
Fill 1
Gtr. 2
P.H.
w/ bar
+1 1/2
0 (0)
-2 1/2 -2 1/2
pitch: F D F
18
Gtr. 2: w/ Fill 2, 3rd time
A5 G5 A5
It’s clos er to the truth to say ya can’t get e nough. You know you’re
w/ bar
w/ bar P.H.
7
7
7 7 7 7 7 7 7 7 7 7 4 4 5 5
5 5 5 5 5 5 5 5 5 5 5 2 2
pitch: F
1 2
D5/A A5
gon na have to face it, you’re ad dict ed to love. 3. You saw the dict ed to love. Might
7 7
7 7
5 7 5 5
5 5
8va
Fill 2 loco
Gtr. 2
w/ bar
Harm. P.H.
5
0 (0) 0 (0) X 0 X 0
X 0 X 0
-1 1/2 -1 slack slack slack
19
Chorus
G5 A5 G5
as well face it, you’re ad dict ed to love. Might as well face it, you’re ad
(Oo, yeah. )
w/ bar
7 7 7 7 7 5 7 7 7 7 7 7 7 5 5 5 5 5 2 3
(5) 5 5 5 5 3 5 5 5 5 5 5 5 3 3 3 3 3 0 1
C5 D5 C5 D5 A5 G5
dict ed to love. Might as well face it, you’re ad dict ed to love. Might as well face it, you’re ad
5 7 7 7 7 7 5 7 7 7 7 7
5 5 5 5 5 3 5 5 5 5 5 3 5 5 5 5 5 5 7 7 7 7 7 5
3 3 3 3 3 5 5 5 5 5 5
To Coda
A5 C A G
6 6 6
8fr 5fr 3fr
(cont. in notation)
dict ed to love. Might as well face it, you’re ad dict ed to love.
(cont. in slash)
7 7 9 9 7 7 7
(5) 5 5 5 5 5 5
20
Gtr. 1: w/ Rhy. Fill 1
Guitar Solo
A5 F5 G5 F5 G5 C5
Gtr. 1
w/ bar
Hee, yeah.
Gtr. 2
grad. bend
1/2 full
full full
7 (7) (7) (7)
8
5 X
5
3 6 7
7 (7) 3 5 5
D.S. al Coda
(take 2nd ending)
D5 C5 D5 A5
Gtr. 1
(cont. in notation)
5.The lights are
8va
Gtr. 2
loco
P.H. P.H. P.H. P.H. (cont. in slash)
1/2 1/2
5 7 7 5 5 7 (7) 5 7 7 5 7 7
7 7 7 7 7 5 4
pitch: G
Rhy. Fill 1 8va
Gtr. 1
loco
Harm.
7 5 7
7 7 5
5 5 5 5
5 5 5 3
3 3 3
21
Coda
Chorus
Begin Fade
A5 G5 A5 G5
as well face it, you’re ad dict ed to love. Might as well face it, you’re ad
(Oo, yeah. )
w/ bar
7 7 7 7 7 5 7 7 7 7 7 7 7 5 5 5 5 5 2 3
(5) 5 5 5 5 3 5 5 5 5 5 5 5 3 3 3 3 3 0 1
Fade Out
Gtr. 2: w/ Fill 3
C5 D5 C5 D5 A5 G5
dict ed to love. Might as well face it, you’re ad dict ed to love. Might as well face it, you’re ad
5 7 7 7 7 7 5 7 7 7 7 7
5 5 5 5 5 3 5 5 5 5 5 3 5 5 5 5 5 5 7 7 7 7 7 5
3 3 3 3 3 5 5 5 5 5 5
Additional Lyrics
5. The lights are on, but you’re not home.
Your will is not your own.
Your heart sweats, your teeth grind.
Another kiss and you’ll be mine.
Fill 3
Gtr. 2
Harm.
7 7 7
7 7
7
22
from Eric Clapton - Eric Clapton
After Midnight
Words and Music by J.J. Cale
Intro
Moderately q = 120
F C F Eb
*Gtr. 1 (slight dist.)
mf
1 5 5 5 10 8 5
2 5 5 5 10 8 5
3 5 7 5 5 7 10 8 5 7
3
1
*Two gtrs. arr. for one.
C F Eb C F Eb C F Eb C
5 5 5 10 8 5 5 5 5 10 8 5 5 5 5 10 8 5 5
5 5 5 X 10 8 5 5 5 5 10 8 5 5 5 5 10 8 5 5
5 5 10 8 5 5 7 5 5 10 8 5 5 5 5 10 8 5 5
Verse
C F Eb C Eb F
1. Af - ter mid - night, we gon - na let it all hang
2., 3. Af - ter mid - night, we gon - na shake your tam - bou -
Rhy. Fig. 1
5 5 5 10 8 5 5 8 8 8 10 10 10
5 5 5 10 8 5 5 8 8 8 10 10 10
5 7 5 5 10 8 5 8 8 8 10 10 10 5 7
Copyright © 1970 Mijac Music and Warner-Tamerlane Publishing Corp.
Copyright Renewed
All Rights on behalf of Mijac Music Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
1
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
2nd time, Bkgd. Voc.: w/ Voc. Fill 2
C F Eb C F Eb C
down.
- rine.
5 5 5 10 8 5 5 5 5 10 8 5
5 X 5 5 10 8 5 5 5 5 10 8 5
5 5 5 10 8 5 5 5 7 5 5 10 8 5 5
F Eb C Eb F
Af - ter mid - night, we gon - na chug - a - lug and
Af - ter mid - night, it’s all gon - na be peach -
5 5 5 10 8 5 5 8 8 8 8 10 10 10 10
5 5 5 10 8 5 5 8 8 8 8 10 10 10 10
5 7 5 5 10 8 5 5 8 10 8 8 10 10 10 10
C F Eb C F Eb C
shout. Gon - na stim - u - late some ac - tion.
es and cream. Gon - na cause talk and sus - pi - cion.
5 5 5 10 8 5 5 5 5 10 8 5 5 5 5 5 5
5 5 5 X 10 8 5 5 5 5 10 8 5 5 5 5 5 5 5
5 5 5 10 8 5 5 7 5 5 10 8 5 5 7 5 5 5 7 5 5 10
Voc. Fill 2
(Gon - na shake your tam - bou - rine, gon - na shake your tam - bou - rine.)
2
F G
3
We’re gon - na get some sat - is - fac - tion. We’re gon - na find out what it is all a - bout.
We’re gon - na give an ex - hi - bi - tion.
(Oo. What it is all a - bout,
10 10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12
C F Eb C Eb F
Woo! Af - ter mid - night, we’re gon - na let it all hang
what it is all a - bout.
End Rhy.
Fig.
1
12 12 12 12 12 12 12 5 5 5 10 8 5 5 8 8 8 8 10 10 10 10
12 12 12 12 12 12 12 5 5 5 10 8 5 5 8 8 8 8 10 10 10 10
12 12 12 12 12 12 12 5 5 5 10 8 5 5 8 10 8 8 10 10 10 10
1. 2.
To Coda
2nd time, Bkgd. Voc.: w/ Voc. Fill 1
C F Eb C F Eb C F Eb C
down.
Voc. Fig. 1 End Voc. Fig. 1
Af - ter mid - night, af - ter mid - night.) Gon - na let it all hang down.)
5 5 5 10 8 5 5 5 5 10 8 5 5 5 5 10 8 5
5 5 5 X 10 8 5 5 5 5 10 8 5 5 5 5 10 8 5
5 7 5 5 10 8 5 5 7 5 5 10 8 5 5 7 5 5 10 8 5
Voc. Fill 1
(Gon - na let it all hang down.)
3
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 1
C F Eb C Eb F C F Eb C F Eb C
Gtr. 2 (dist.)
3
f 3
1/2
1 1 1 1/4 1/4
8 8 8 8 8 10 11 8
8 11 8 11 8 11 11 8
10 8
F Eb C Eb F C F Eb C F Eb C
3
3
1/2
1 1 1 1/4 1/4
8 8 8 8 8 11 8
8 11 8 11 8 11 11 8
10 8
F
1 1 1 1 hold bend *
8 8 8 11 8 11 11 8 11 11 8 11 8 11 8 11 11
11 11 8 8 8 8
10 10 10 10 10 10 8
10
*Strike note on 6th string while hammering on to note on 1st string.
G
1
1
8 11 8 11 11 8 10 8
8 8 11 8 8
10 10 10 8 10 8 8 8
10 10 8 8 8
8 10
Gtr. 2 tacet
C F Eb C Eb F
Af - ter mid - night, we gon - na let it all hang
Gtr. 1
5 5 5 5 5 10 8 5 5 5 8 8 8 8 10 10 10 10 10
5 5 5 5 5 10 8 5 5 5 8 8 8 8 10 10 10 10 10
5 5 5 5 5 10 8 5 5 5 8 8 8 8 10 10 10 10 10
4
D.S. al Coda
Bkgd. Voc.: w/ Voc. Fill 1
C F Eb C F Eb
down.
5 5 5 5 10 8 8 5 5 5 5 10 8 8 5
5 X 5 5 5 10 8 8 5 5 5 5 10 8 8 5
5 5 5 5 10 8 8 5 5 7 5 7 5 10 8 8 5
Coda
Outro
Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas., till fade)
C F Eb C C F Eb C
Af - ter mid - night,
Voc. Fig. 2
af - ter mid - night. Oo,
Gtr. 1
5 5 5 10 8 5
5 5 5 10 8 5 5 7
5 7 5 7 5 10 8 5 5 7
Eb F C F Eb C
we gon - na let it all hang down.
oo, oo. Gon - na let it all hang down.
Gtr. 2
1
11
5
Bkgd. Voc.: w/ Voc. Fig. 2 (till fade)
F Eb C F Eb C
Af - ter mid - night
End Voc. Fig. 2
Gon - na let it all hang down.)
1 hold bend 1/4
11 11 8
11 8 8 8
10 10 10 8 8 8
10 10
Eb F C F Eb C F Eb C
we gon’ let it all hang down.
1/4
11
11 13 13
12 10 8 8
10 8 10
Gtr. 2 tacet
F Eb C Eb F
3
Af - ter mid - night, we’re gon - na let it all hang
Begin fade
C F Eb C Eb F Eb C F Eb C
down. Af - ter mid - night,
Gtr. 2
1 1/2
13
16 16 13 15 13 13 13
13 14 14
Fade out
Gtr. 2 tacet
Eb F C F Eb C
we gon - na let it all hang down.
6
from Pink Floyd - The Wall
Another Brick in the Wall, Part 2
Words and Music by Roger Waters
Gtr. 3: Drop D tuning:
(low to high) D-A-D-G-B-E
Chorus
Moderately q = 104
2nd time, Gtrs. 1 & 2: w/ Rhy. Fill 1
Dm
***
We don’t need no ed - u - ca - tion.
Rhy. Fig. 1
*Gtrs. 1 & 2 (clean)
67
mf
7
5 5 5 5 5 5 5
6 6 6 6 6 6 6
7 7 7 7 7 7 7
7 7 7
*Composite arrangement
Riff A
**Gtr. 3 (dist.)
mp
†w/ octaver 1/2 1/2
5
7 7 7 5 7 7 7
**Two gtrs. arr. for one.
***2nd time, lead voc. doubled one octave higher by childrens’ chorus.
†Set for one octave higher.
End Rhy. Fig. 1
5 5 X X 5 5 X X 5 5 X X 5 5 X X
6 6 X X 6 6 X X 6 6 X X 6 6 X X 6 6 X X 6 6 X X
7 X X 7 7 X X 7 7 X X 7 X X 7 7 X X 7 7 X X
7 7
5 5
End Riff A
Rhy. Fill 1
Gtrs. 1 & 2
Copyright © 1979 Roger Waters Music Overseas Ltd.
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission 1
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
We don’t need no thought con - trol. No
Gtr. 3
1/2
5 7 7 7 5 7 8
Gtr. 3: w/ Riff A
dark sar - cas - m in the class - room.
Teach
Teach - er, leave them kids a - lone.
- ers,
Gtrs. 1 & 2
5 5 5 5 5 5
6 6 6 6 6 6 6 6 0
7 7 7 7 7 7 7 7 0
7 7 7 7 7 7 0
5 5
Gtr. 3
1/2
5 7 7 7 5 7 8 8
2
G
Gtr. 1
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Gtr. 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 4 4 4 4 4 X X 4 4 4
5 5 5 5 5 5 5 X X 5 5 5
Gtr. 3
octaver off
3 5
5 5
us
Hey, teach - er, leave them kids a - lone.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5
w/ bar
5 5
3
Gtr. 3 tacet
Dm
Gtr. 1
5 5 5 X X X 10 X 8 X X 10 10 8 8 7 7 7 0
6 6 6 X X X 10 X 8 X X 10 10 8 8 8 8 8 0
7 7 7 X X X 10 X 9 X X 10 10 9 9 7 7 7 0
Gtr. 2
5 5 5 X X X 10 X 8 X X 10 10 8 8 7 7 7 5
6 6 6 X X X 10 X 8 X X 10 10 8 8 8 8 8 6
7 7 7 X X X 10 X 9 X X 10 10 9 9 7 7 7 5
F C
3
All in all, it’s just an - oth - er brick in the
you’re
Gtr. 1
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8 8 8 8 8 8 8 8 8 8 8 8 8 8
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 8 8 8 8 8 8 8 8 8 8 8 8 8 8
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Gtr. 2
1 1 1 1 0 0 0
1 1 1 1 1 1 1
2 2 0 0 0 0
3 3 3 X
3 3
Gtr. 3
mf
*w/ phaser
5
3 3
3
*Set for slow rate w/ heavy depth.
4
Dm F
wall. All in all, you’re just an -
5 5 5 5 5 X 5 5 5 5 5 5 5 5 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6 6 6 6 6 X 6 6 6 6 6 6 6 6 0 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
7 7 7 X X 7 7 X 7 7 7 7 7 7 7 7 7 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
X X 7
1 1 1 1 1 1 1 X X 1 1 1 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 X X 3 3 3 3 3 3 3 3 1 1 1 1
0 2 2 2 2 2 2 2 X X 0 2 2 2 2 2 2 2
3 3 3
p mf
5 3
0 3
1.
C Dm µ
3
- oth - er brick in the wall.
8 8 8 8 8 8 8 8 8 8 8 8 8 8 X X 5 5
8 8 8 8 8 8 8 8 8 8 8 8 8 8 X X 6 6
9 9 9 9 9 9 9 9 9 9 9 9 9 9 X X 7 7
3 3 3 3 3 1 1
1 1 1 1 1 3 3
0 0 0 0 0 2 2
X 0
3 3 3
phaser off
5
3
7
5
5
2.
Gtrs. 1 & 2 tacet
Dm
wall.
Gtr. 4 (slight dist.)
mf
1
10
13 10 10
12 12
Gtr. 1
5 5
6 6
7 7
Gtr. 2
1 1
3 3
2 2
Gtr. 3
5
0
Guitar Solo
Gtr. 3 tacet
* Dm C5 Dm
Gtr. 4
2
1 1
13 13 10 10 13 13 13 13 10
10 10 10 12
10
*Chord symbols reflect overall harmony.
6
C5 Dm C5
rake
1
10 10 10 10 10 10 12 10
12 12 10 9 9 12 10 10 10 10 10 10 10 12 10
X 12 10 12 12 10 12 12 12
X
Dm Am7/D
3
rake
1
1/4
12 13 13 13 13
10 10 X
10 10 X
Dm7
2 2 1/2
1 1 1
13 13 13 13 X
X
Am7/D
1 1/2 1/4
10
10 13 10
12 12 12 12 10 12 10 10 12
12 10 12 10
12 12 10 8 10 8
10 8
Dm G/D
3
1/4 1
5 6 5 6 6
X 0 5 7 7 7 5 5 7 7 5
X 5 7 7
8 X
10 10 8 10
7
Dm7
2 rake
1 1 1
1/2
15 15
13 13 13 13 13 0
X
X
G/D Dm
8va
3
*
1 1 1 1
1/2 1/2 1/2 1
1/2
15 15 15 13 10 13 X 15 15 15 15 15 15 15
X 6 15 15 15
*Note on 2nd string sounds my bumping the string
when executing the vibrato on 1st string;
don’t pick.
C/D
8va
loco
1/2 1
19 19 20 20 20 17 20 17
10 10
Bb/D C/D
1/4
8 7 7 7 5
6 8 8 X 6 8 8 8 6 6 5 X 10
10 10 X X X 7 9 X 7 7 X X 10 X X
12 X 12 10
Begin fade Fade out
Gtr. 4 tacet
Dm µ (Drums, misc. spoken voices & dial tone)
1/4
X X X X
12 X X
10 8 10 8
10
8
from Jethro Tull - Aqualung
Aqualung
Words and Music by Ian Anderson and Jennie Anderson
(Bb) (C) (D) (Eb) (Db) (Ab) (B)
Gtr. 2 5fr 6fr 4fr 4fr
chords:
13331 13331 13331 13331 13331 133211 13331
(Em) (D open ) (A) (Am) (C open ) (Dsus4) (Dsus 24 )
12 132 123 231 32 1 134 3
Db5 Eb5 F5
Gtr. 1 4fr 6fr 8fr
chords:
Gtr. 2: Capo III
134 134 134
Intro
Moderately q = 120
* Gm µ Gm µ
Gtr. 1 (elec.)
f
w/ dist.
5
3 6
3 4 3 5
3 6
3 4 3
*Chord symbols reflect implied harmony.
Verse
Gm ** (Bb) (C)
Rhy. Fig. 1
Gtr. 2
(acous.)
mp
1., 2. Sit - ting on a park bench, eye - ing lit - tle girls with
Riff A
6 6 6 6 8 8 8
5 3 4 3 4 4 4 4 6 6 6
3 6
**Symbols in parentheses represent chord names respective to
capoed guitar and do not reflect actual sounding chords.
End Rhy. Fig. 1
(D) (C) (D) (C) (D) (Eb) (Bb) (C) (Bb) (Eb) (Db) (Ab) (B)
bad in - tent. Laughter.
End Riff A
10 10 10 4 4 4 7
8 8 8 6 8 6 8 4 6 6 6 6 4 7 5
7
Copyright © 1971 The Ian Anderson Group Of Companies Ltd.
Copyright Renewed
All Rights Administered by Chrysalis Music Group. Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
Gtr. 1: w/ Riff A (3 times) Gtr. 2: w/ Rhy. Fig. 1
* Db Eb F Eb F
(Em) (Bb) (C) (D) (C) (D)
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 2
Snot’s run - ning down his nose, greas - y fin - gers smear - ing shab - by clothes
*Symbols in parentheses represent chord names respective
to capoed guitar. Symbols above reflect actual sounding chords.
Gtr. 2: w/ Rhy. Fill 1
Eb F Gb Db Eb Db Gb E B D Gm
(C) (D) (Eb) (Bb) (C) (Bb) (Eb) (Db) (Ab) (B) (Em)
Hey, Aq - ua - lung. Dry - ing in the cold sun,
Gtr. 2: w/ Rhy. Fig. 1
Db Eb F Eb F
(Bb) (C) (D) (C) (D)
watch - ing as the fril - ly pant - ies run.
Riff A1
Gtr. 3 (elec.)
f
w/ dist.
3 3 3 5 5 5 7 7 7 5 7
Eb F Gb Db Eb Db Gb E B D
(C) (D) (Eb) (Bb) (C) (Bb) (Eb) (Db) (Ab) (B)
Hey, Aq - ua - lung.
End Riff A1
3 3 3
5 7 3 5 5 5 5 3 6 4
6
Gtr. 2: w/ Rhy. Fill 1 Gtr. 2: w/ Rhy. Fig. 1 (1st 5 meas.)
Gtr. 3 tacet Gtr. 3: w/ Riff A1
Gm Db Eb
(Em) (Bb) (C)
Feel - ing like a dead duck, spit - ting out pie - ces of his
2
F Eb F Eb F Gb Db Eb Db Gb
(D) (C) (D) (C) (D) (Eb) (Bb) (C) (Bb) (Eb)
Oh,
bro - ken luck. Aq - ua - lung.
Hey,
T o Coda
Bridge
E B D Gm FsusÊ F FsusÊ F FsusÊ
(Db) (Ab) (B) (Em) (DsusÊ) (D) (DsusÊ) (D) (DsusÊ)
**
Sun streak - ing cold, an
Rhy. Fig. 2
Gtr. 2
*
6 4 4 4 4 2 2 0 0 0 0 0 0 0 2 2 2 0 2 2 0
8 6 4 4 4 4 4 0 0 0 0 0 0 3 3 3 3 3 3 3 3
8 6 5 5 5 4 4 0 0 0 0 0 0 0 2 2 2 0 2 2 0
8 6 6 6 6 4 4 2 2 2 2 2 2 0 0 0 0 0 0 0 0
6 4 6 6 6 2 2 2 2 2 2 2 2
4 4 4 0 0 0 0 0 0
*Capoed fret is “0” in tab. **w/ tone filter, next 43 1/2 meas.
F Fsus4 F FsusÊ C C7susÊ C C7susÊ Cm Csus2 Cm C7susÊ
(D) (Dsus4) (D) (DsusÊ) (A) (A7susÊ) (A) (A7susÊ) (Am) (Asus2) (Am) (A7susÊ)
old man wand’ - ring lone - ly. Tak - ing time the
2 2 2 2 3 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 2 2 0 2 2 0 1 1 1 1 0 1 0
2 2 2 2 2 2 0 2 2 0 2 2 0 2 2 2 2 2 2 0
0 0 0 0 0 0 0 2 2 0 2 2 0 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0
Gm Gm7 Gm F FsusÊ F FsusÊ F Fsus4 F Gm7
(Em) (Em7) (Em) (D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (Em7)
on - ly way he knows.
End Rhy. Fig. 2
0 0 0 0 0 0 0 2 2 2 2 0 2 2 0 2 2 3 2 0
0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 2 2 2 2 0 2 2 0 2 2 2 2 0
2 2 2 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 0
0 0 0 0 0 0 0
3
Gtr. 2: w/ Rhy. Fig. 2
Gm FsusÊ F FsusÊ F FsusÊ F Fsus4 F FsusÊ C C7susÊ C C7susÊ
(Em) (DsusÊ) (D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (DsusÊ) (A) (A7susÊ) (A) (A7susÊ)
*
Leg hurt - ing bad, as he bends to pick a dog - end. He
*Sung behind the beat.
Cm Csus2 Cm C7susÊ Gm Gm7 Gm F FsusÊ F FsusÊ F Fsus4 F Gm7
(Am) (Asus2) (Am) (A7susÊ) (Em) (Em7) (Em) (D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (Em7)
goes down to the bog and warms his feet.
FsusÊ F FsusÊ F FsusÊ F Gm7
(DsusÊ) (D) (DsusÊ) (D) (DsusÊ) (D) (Em7)
Gtr. 2
0 2 2 2 2 0 2 2 0 2 2 2 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 2 2 2 2 0 2 2 0 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 2: w/ Rhy. Fig. 2 (2 times)
Gm FsusÊ F FsusÊ F FsusÊ F Fsus4 F FsusÊ
(Em) (DsusÊ) (D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (DsusÊ)
Feel - ing a - lone, the ar - my’s up the road.
C C7susÊ C C7susÊ Cm Csus2 Cm C7susÊ Gm Gm7 Gm
(A) (A7susÊ) (A) (A7susÊ) (Am) (Asus2) (Am) (A7susÊ) (Em) (Em7) (Em)
Sal - va - tion a la mode and a cup of
F FsusÊ F FsusÊ F Fsus4 F Gm7 Gm FsusÊ
(D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (Em7) (Em) (DsusÊ)
tea. Aq - ua - lung, my
F FsusÊ F FsusÊ F Fsus4 F FsusÊ C C7susÊ C C7susÊ
(D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (DsusÊ) (A) (A7susÊ) (A) (A7susÊ)
friend, don’t you start a - way un - eas - y. You
4
Cm Csus2 Cm C7susÊ Gm Gm7 Gm F FsusÊ F FsusÊ F Fsus4 F Gm7
(Am) (Asus2) (Am) (A7susÊ) (Em) (Em7) (Em) (D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (Em7)
poor old sod, you see it’s on - ly me.
FsusÊ F FsusÊ F Gm7
(DsusÊ) (D) (DsusÊ) (D) (Em7)
Gtr. 2
0 2 2 2 2 0 2 2 2 2 2 2 0
3 3 3 3 3 3 3 3 3 3 3 3 0
0 2 2 2 2 0 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0
Fast q = 176
Gm F FsusÊ F Gm Gm11
(Em) (D) (DsusÊ) (D) (Em)
(Em11)
Do you still re - mem - ber De - cem - ber’s fog - gy freeze, when the
Rhy. Fig. 3 End Rhy. Fig. 3
0 X X X X X X X X 2 2 2 0 2 X X X X X X X 0 0 0 0 0
0 X X X X X X X X 3 3 3 3 3 X X X X X X X 0 0 0 0 0
0 X X X X X X X X 2 2 2 0 2 X X X X X X X 0 0 0 0 0
2 X X X X X X X X 0 0 0 0 0 X X X X X X X 2 2 2 0 0
2 X X X X X X X X 2 2 2 0 0
0 X X X X X X X X 0 0 0 0 0
Gtr. 2: w/ Rhy. Fig. 3
Gm F FsusÊ F Gm Gm11
(Em) (D) (DsusÊ) (D) (Em) (Em11)
*
ice that clings on to your beard was scream - ing ag - o - ny? Hey! Then you
*w/ out tone
filter
Gm F FsusÊ F Gm
(Em) (D) (DsusÊ) (D) (Em)
snatch your rat - tl - ing last breaths with deep sea div - er sounds and the
Gtr. 2
0 0 0 0 2 2 2 0 2 2 2 2 0 0 0 0
0 0 0 0 3 3 3 3 3 3 3 3 0 0 0 0
0 0 0 0 2 2 2 0 2 2 2 2 0 0 0 0
2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
5
Cm F FsusÊ
(Am) (D) (DsusÊ)
flow - ers bloom like mad - ness in the spring.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
F Fsus4 F FsusÊ F FsusÊ F Gm7 Gm
(D) (Dsus4) (D) (DsusÊ) (D) (DsusÊ) (D) (Em7) (Em)
Sun streak - ing
Rhy. Fig. 4
2 2 2 3 2 0 0 2 2 2 0 2 2 2 2 0 0 X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0 X X X X X X
2 2 2 2 2 0 0 2 2 2 0 2 2 2 2 0 0 X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 X X X X X X
2 X X X X X X
0 X X X X X X
F FsusÊ F C C7susÊ Cm
(D) (DsusÊ) (D) (A) (A7susÊ) (Am)
cold, an old man wand’ - ring lone - ly, tak - ing time the
X 2 2 2 0 2 X X X X X X X 0 0 0 0 0 0 0 0 0 0
X 3 3 3 3 3 X X X X X X X 2 2 2 0 0 1 1 1 1 1
X 2 2 2 0 2 X X X X X X X 2 2 2 0 0 2 2 2 2 2
X 0 0 0 0 0 X X X X X X X 2 2 2 0 0 2 2 2 2 2
X 0 0 0 0 0 0 0 0 0 0
X
Gm F FsusÊ F Fsus4 F FsusÊ
(Em) (D) (DsusÊ) (D) (Dsus4) (D) (DsusÊ)
on - ly way he knows.
End Rhy. Fig. 4
0 0 0 0 0 2 2 2 2 2 0 2 2 2 3 2 0
0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 2 2 2 2 2 0 2 2 2 2 2 0
2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0
0 0 0 0 0
6
Gtr. 2: w/ Rhy. Fig. 4
Gm F FsusÊ F C C7susÊ
(Em) (D) (DsusÊ) (D) (A) (A7susÊ)
Leg hurt - ing bad, as he bends to pick a dog - end. He
Cm Gm F FsusÊ F Fsus4 F FsusÊ
(Am) (Em) (D) (DsusÊ) (D) (Dsus4) (D) (DsusÊ)
goes down to the bog and warms his feet.
F Fsus4 F FsusÊ Gm
(D) (Dsus4) (D) (DsusÊ) (Em)
Whoa, ho, ho, no. Feel - ing a - lone,
Rhy. Fig. 5
Gtr. 2
0 2 2 2 2 2 2 2 3 2 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0
0 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2
2 2 2 2 2 2
0 0 0 0 0 0
F FsusÊ F C C7sus2
(D) (DsusÊ) (D) (A) (A7sus2)
the ar - my’s up the road. Sal -
End Rhy. Fig. 5
2 2 2 0 2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3 2 2 2 0
2 2 2 0 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 2 2 2 2
0 0 0 0
Gtr. 2: w/ Rhy. Fig. 4 (last 4 meas.)
Cm Gm F FsusÊ
(Am) (Em) (D) (DsusÊ)
va - tion a la mode and a cup of tea.
Gtr. 2: w/ Rhy. Fig. 5
F Fsus4 F FsusÊ Gm F FsusÊ
(D) (Dsus4) (D) (DsusÊ) (Em) (D) (DsusÊ)
Aq - ua - lung, my friend, don’t you
Gtr. 2: w/ Rhy. Fig. 4 (last 4 meas.)
F C C7sus2 Cm
(D) (A) (A7sus2) (Am)
start a - way un - eas - y. You poor old sod, you
7
Gm F FsusÊ F Fsus4 F FsusÊ
(Em) (D) (DsusÊ) (D) (Dsus4) (D) (DsusÊ)
see it’s on - ly me, me.
(D open )
Gtr. 2
Oh, ho, ho, ho, oh,
Gtr. 1
Interlude
(Em) (Dopen )
no.
3
6 8 10 10
3 2 3 2
3
3
(A)
*Gtrs. 1 & 3
7
7
5 3
3 5 5 5
3 5 3 3 5
*Composite arrangement
(Am)
(Em)
fdbk. let ring fdbk.
3 3
4 3
5 5 3 3
8
Gtr. 3 tacet
(D open )
Gtr. 1
let ring 1
6 8 8 6
5 5 5 5 5 5 5 7 5 5 5 7 5 7
3 5 7 7 7 7 7
3 5
Guitar Solo
(Em) (C open ) (D open ) (Em)
Rhy. Fig. 6 End Rhy. Fig. 6
3 5 3 3 5 3 3 3 5
5 3 3 5 5 5
5
Gtr. 2: w/ Rhy. Fig. 6 (2 times)
Gm Eb F Gm
(Em) (C) (D) (Em)
fdbk.
7 7 5 3
5 3 3 3 5
3
5
5 3 1 1 3 5
1 3
Pitch: G
Eb F Gm
(C) (D) (Em)
let ring
3 3 3 3 3 5 7 7 5 3 5 3 3 3 5 3
5 5 5 3 5 5 3 3 5
5 5
(Em) (C open ) (D open ) (Dsus4) (Dopen ) (Dsus4) (Dopen ) (DsusÊ)
Gtr. 2
Gtr. 1
let ring let ring let ring
6 8
3 5 7 5 7 7 9 10 10 12 10 10
10 10 10 10 12 12 10
8 10 12
8 10
9
Gtr. 2: w/ Rhy. Fig. 6 (3 1/2 times)
Gm Eb
(Em)
open ) )
(D (Dsus4) (D open
(C)
3
let ring
1 1
10 12 10 5 5 3 5
12 10 10 12 10 10 10 10 10 12 5
12 12 12
F Gm Eb
(D) (Em) (C)
let ring
6
5 3 3 3 5 7
3 5 3 5 5
5 5
3
F Gm Eb
(D) (Em) (C)
10 8
6 8 8 6 8 6 8 6 8
7
F Gm Eb
(D) (Em) (C)
let ring
8 6 8 6 6
8 6 6 6 8 6
7 6 5 3 5 3 5 3 3 3 5 3
5 3 3 5
5 5 5
(D open ) (Dsus4) (D open ) (Dsus4) (D open )
Gtr. 2
Gtr. 1
let ring let ring
13 13 13
6 8 8 10 13 15 13 15 13 15 15
5 5 5 5 7 7
3 5 7
3 5
10
Bridge
A tempo
Gtr. 1 tacet
Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times)
Gm FsusÊ F FsusÊ F FsusÊ F Fsus4 F FsusÊ
(Em) (DsusÊ) (D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (DsusÊ)
Dee, dee, dee, dee, dee, dee, dee, dee, dee, dee.
C C7susÊ C C7susÊ Cm Csus2 Cm C7susÊ Gm Gm7 Gm
(A) (A7susÊ) (A) (A7susÊ) (Am) (Asus2) (Am) (A7susÊ) (Em) (Em7) (Em)
Dee, dee, dee, dee, dee, dee, dee, dee, dee, dee.
F FsusÊ F FsusÊ F Fsus4 F Gm7 Gm FsusÊ
(D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (Em7) (Em) (DsusÊ)
Aq - ua - lung, my
F FsusÊ F FsusÊ F Fsus4 F FsusÊ C C7susÊ C C7susÊ
(D) (DsusÊ) (D) (DsusÊ) (D) (Dsus4) (D) (DsusÊ) (A) (A7susÊ) (A) (A7susÊ)
friend, don’t you start a - way un - eas - y. You
Cm Gm F FsusÊ F
(Am) (Em) (D) (DsusÊ) (D)
poor old sod, you see it’s on - ly me, yeah.
Gtr. 2
0 0 0 0 0 0 0 0 0 0 2 2 2 2 0 2
1 1 1 1 1 0 0 0 0 0 3 3 3 3 3 3
2 2 2 2 2 0 0 0 0 0 2 2 2 2 0 2
2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0
0 0 0 0 3 0 0 2 2 2 2 2
0 0 0 0 3 0 0
FsusÊ F Fsus4 F FsusÊ F FsusÊ F FsusÊ F Gm7
(DsusÊ) (D) (Dsus4) (D) (DsusÊ) (D) (DsusÊ) (D) (DsusÊ) (D) (Em7)
Hmm.
2 0 2 2 3 2 0 0 2 2 2 2 0 2 2 0 2 2 2 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
2 0 2 2 2 2 0 0 2 2 2 2 0 2 2 0 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
11
D.S. al Coda
Interlude
Gtr. 2 tacet
Gm µ Gm µ
Gtr. 1
5 3 4 3 5 3 4 3
3 6 3 6
Coda
Outro
Gtr. 2 tacet
Gm µ
Gtr. 1
5 3 4 3
3 6
Gm µ Gm
(cont. in slashes)
5 3 4 3 5 3 4 3
3 6 3 6
Free time
Db5 Eb5 F5
Gtr. 1
Whoa, oh, oh, Aq - ua - lung.
Gtr. 3
8 10 12
12
from Michael Jackson - Thriller
Beat It
Words and Music by Michael Jackson
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Moderately fast q = 140
μ[Ab5] [F5] [Ab5] [Eb5]
(Synth) (Drums)
* Em D Em D
Gtr. 1
f
X X
X X
5 2 2 4 2 5 2 2 4 2
2 5 5 2 5
0 3 0 3
Gtr. 2 Riff A End Riff A
f
5 2 2 4 2 5 2 2 4 2
2 5 5 2 5
0 3 0 3 0
*Chord symbols reflect implied harmony.
Em D Em D
X X X X X X X X X X
X X X X 12 X X 12 11 X X 11 X X 12 X X 12 11 X X 11
X X X X 12 X X 12 14 X X 12 X X 12 12 12 X X 12 X X 12 14 X X 12 X X 12 12 12
14 X X 12 12 14 X X 12 12
5 2 2 4 2 5 2 2 4 2
2 5 5 2 5
0 3 0 3
Copyright © 1982 Mijac Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Verse
Gtr. 2 tacet
E5 D5 E5 D5
1. They told him, “Don’t you ev - er come a - round here. Don’t wan - na see your face, you bet - ter
2. They’re out to get you, bet - ter leave while you can, don’t wan - na be a boy, you wan - na
Gtr. 1 Rhy. Fig. 1
9
7
9
7
9
7
7
5
7
5
7
5
9
7
9
7
9
7
7
5
C5 D5
dis - ap - pear.” The fire’s in their eyes, and their words are real - ly clear, so
be a man. You wan - na stay a - live, bet - ter do what you can, so
7 7 5 5 5 7 7 7
5 5 3 3 3 5 5 5
Gtr. 1: w/ Rhy. Fig. 1 (1st 7 meas.)
E5 D5 E5
D5
beat it. Just beat it. You bet - ter run; you bet - ter
beat it. Just beat it, oh! You have to show them that you’re
End Rhy. Fig. 1 Riff B
Gtr. 3 (clean)
mf
P.M.
9 9 9 7 7 7 2 0 2 0 2 0 2
7 7 7 5 5 5
E5 D5
do what you can. Don’t wan - na see no blood; don’t be a ma - cho man. You
real - ly not scared, you’re play - ing with your life, this ain’t no truth or dare, oh! They’ll
End Riff B
P.M.
0 2 0 2 4 2 0 2 2 0 2 0 2 0 2 0 2 0 2 4 2 0 2
2
Gtr. 3: w/ Riff B
C5 D5 E5 D5
wan - na be tough, bet - ter do what you can, so beat it. But you
kick you then they beat you then they’ll tell you it’s fair, so beat it. But you
Chorus
Gtr. 3 tacet
3rd time, Gtr. 4: w/ Fill 1
Em D
wan - na be bad. beat it, beat it. No
Just
wan - na be bad. (Beat it, beat it.)
Gtr. 1
5 2 2 4 2
2 5 5
0 3 0
Gtr. 3
Gtr. 2
Gtr. 2
divisi
P.M.
0 2 0 2 4 5 2 2 4 2
2 5 5
0 3 0
Gtrs. 1 & 2: w/ Riff A (last 2 meas.) 1st time, Gtrs. 1 & 2: w/ Riff A (2 times)
2nd & 3rd times, Gtrs. 1 & 2: w/ Riff A (3 times)
Em D Em
one wants to be de - feat - ed, show - in’ how funk - y strong
D Em D
is your fight. It does - n’t mat - ter who’s wrong or right. Just
loco
Fill 1
8va
Gtr. 4
1
hold bend
P.S. steady gliss.
22
22 22 22
X
X
24 16 7
3
1.
Em D Em D
beat it. Just beat it. Just beat it. Just beat it. Oh!
(Beat it. Beat it. Beat it. Beat it. Oh!)
2.
2nd time, w/ ad lib voc. (till fade)
2nd time, Gtrs. 1 & 2: w/ Riff A
Em D
Em D
beat it, beat it. No one wants to be de - feat - ed, show -
(Beat it, beat it.)
To Coda
Em D Em D
- in’ how funk - y strong is your fight. It does - n’t mat - ter who’s wrong or right. Just
Bridge
E5 D5
*
beat it. Beat it.
Gtr. 2
Riff C End Riff C
0 0 0 0 0 0 0 0 0 0 0 0
*w/ echo set for quarter-note regeneration w/ 3 repeats, next 12 meas.
Gtr. 2: w/ Riff C (2 3/4 times)
E5 D5
Beat it. Beat it.
E5
Riff D End Riff D
Gtr. 1
X X 12 X X 12 X X 12 X X 12
X X 12 X X 12 14 X X 12 X X 12 14
14 14
4
Gtr. 1: w/ Riff D (3 times)
C5 D5 E5
Beat it.
Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
E5 D5
Gtr. 4 (dist.)
f
T.H. T.H.
grad. release
w/ bar
1
2 2 2 7 7 14 7 9 9 14
X
Pitch: A B E
-2 1/2
-11
Gtr. 2
0 0 0
E5 D5
3 3 5 6 5
T T T T T T T
15 10 14 15 14 12 10 14 15 14 12 10 14 15 14 12
15 14 15 14 12 10 14 15 14 12 10 12 13 12
9
C5 D5
5 5 6 6
let ring
1 3/4 1
12 19 15 12 14 12 14 12 14 12 14 12
12 12 15 19 15 12 15 15 12 15 15 12 12 15 15 12 15
14 14 14 12
5
E5 D5
_1
P.H.
3 rake w/ bar
*T w/ bar _1
1 1 1/2
17 15 12 15 12
14 14 12 0 0 9 9 7 9 9 7 7
X
X
*Slide up fretboard with tapping finger. -1/2
-2 1/2
E5 D5
3 3 grad. bend
3 3
P.H.
1 1 1 1 1
3 5 3 0 3 3 0 3 3 3 0 3 3 3 0
2 2 2 2
Pitch: E F# E F# E
E5 D5
3
1 T T
1 1
12 12 15 12 15
15 12 12 15 8 13
7 12 14 14 12 14 14
C5 D5
5
6 7
13
T T T T T T T T T T 1
8 12 15 8 12 15 8 12 15 8 12 17 10 17 10 17 10 10 8 0 12
15 8 12 15 8 12 15 8 12 15 11 12 0 15
9
9
D.S. al Coda
(take 2nd ending)
E5 D5
8va
1 hold bend
12 12 14 15 15 17 17 19 19 22 22
15
6
Coda
Outro-Chorus
Em D
beat it, beat it. No
(Beat it, beat it.)
Gtrs. 1 & 2
2
5 2 2 4 2
5 5
0 3 0
2nd time, Begin fade
Em D Em
one wants to be de - feat - ed, show - in’ how funk - y strong
5 2 2 4 2 5 2 2 4
2 5 2
0 3 0 3
D Em D
is your fight. It does - n’t mat - ter who’s wrong or right. Just
4 2
5 5 2
5 2 2 4 2
5
0 3 0
Fade out
Gtrs. 1 & 2: w/ Riff A (1st 3 meas.)
Em D
Em
beat it, beat it. No one wants to be de - feat -
(Beat it, beat it.)
7
from The Rolling Stones - Sticky Fingers
Brown Sugar
Words and Music by Mick Jagger and Keith Richards
Eb C Ab Bb C5 F5 Bb5 G
6fr 4fr 6fr
13331 13331 134211 134211 134 134 134 134211
Gtr. 1: Open G tuning:
(low to high) D-G-D-G-B-D
Intro
Moderately fast q = 128
µ C/G G C F/C C C/G G C F/C C
Gtr. 2 (elec.)
mf
w/ slight dist.
5
0 3 5 5 0 3 5
3 3 1 3
Gtr. 1 (elec.)
f
w/ slight dist. & slapback delay
13 12 5 5 6 6 5 13 12 5 5 6 6 5 5
12 12 5 5 5 5 5 12 12 5 5 5 5 5 5
14 12 5 5 7 7 5 14 12 5 5 7 7 5 5
12 12 5 5 5 5 5 12 12 5 5 5 5 5 5
C/G G C F/C C C/G G C F/C C Eb5
f
5 5 8 8
5 5 0 3 5 5 8 8
3 3 3 6 6
13 12 5 5 6 6 6 5 13 12 5 5 6 6 5
12 12 5 5 5 5 5 5 12 12 5 5 5 5 5 8
14 12 5 5 7 7 5 5 14 12 5 5 7 7 5 8
12 12 5 5 5 5 5 5 12 12 5 5 5 5 5 8
© 1971 (Renewed) ABKCO MUSIC, INC., 85 Fifth Avenue, New York, NY 10003
All Rights Reserved Used by Permission 1
* Eb C Ab Bb C Eb
Rhy. Fig. 1A End Rhy. Fig. 1A
Gtr. 3
(acous.)
mf
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 2
8 5 8
8 10 10 8 X 5 5 7 7 5 X 7 7 7 5 X 8
6 6 6 6 X 3 3 3 3 3 X 6 8 6 10 8 X 3 3 3 3 X 6
4 4 4 6 6 X
Gtr. 1
8 8 8 8 X 5 5 5 5 5 X 1 1 1 3 3 3 X 5 5 5 5 X 8
8 8 8 8 X 5 6 6 6 5 X 1 1 1 3 3 3 X 5 6 6 5 X 8
8 10 10 8 X 5 5 5 5 5 X 1 3 1 3 5 3 X 5 5 5 5 X 8
8 8 8 8 X 5 5 5 5 5 X 1 1 1 3 3 3 X 5 5 5 5 X 8
8 8 8 8 X 5 5 5 5 5 X 1 1 1 3 3 3 X 5 5 5 5 X 8
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
C Ab Bb C C5
Rhy. Fig. 2A End Rhy. Fig. 2A
1. Gold
Rhy. Fig. 2 End Rhy. Fig. 2
8 5
8 8 10 10 8 X 5 5 7 7 5 X 7 7 7 5 X 5
6 6 6 6 6 X 3 3 3 3 3 X 6 8 6 10 8 X 3 3 3 3 X 3
4 4 4 6 6 X
let ring
8 8 8 8 8 X 5 5 5 5 5 X 1 1 1 3 3 X 5 5 5 5
8 8 8 8 8 X 5 6 6 6 5 X 1 1 1 4 3 X 6 6 6 5 5
8 10 10 10 8 X 5 5 5 5 5 X 1 3 1 3 3 3 X 5 5 5 5 5
8 8 8 8 8 X 5 5 5 5 5 X 1 1 1 3 3 3 X 5 5 5 5
8 8 8 8 8 X 5 5 5 5 5 X 1 1 1 3 3 3 X 5 5 5 5
2
Verse
C5 F5 C5
Rhy. Fig. 3A
Coast slave ship bound for cot - ton fields, sold in the mar - ket down in New Or - leans. Scarred
Rhy. Fig. 3
5 5 5
5 5 7 5 5 5 7 5 5 5 7 5 5 5 X 10 12 13 13 12 13 12 10 12
3 3 3 3 3 3 3 3 3 3 3 X 8 8 8 8 8 8 8 8 8
5 5 5 5 10 11 10 10 11 10 5
5 5 5 5 10 10 10 10 10 10 5
5 5 5 5 10 10 10 10 10 10 5
5 5 5 5 10 10 10 10 10 10 5
Bb5 C5 G
End Rhy. Fig. 3A
old slav - er, know he’s do - in’ all right. Hear him whip the wom - en just a - round mid - night.
End Rhy. Fig. 3
5 5 5 5 5
5 7 5 5 5 7 8 7 5 5 7 3 5 3 3 5 5 3 5 3 5 3 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 3 1 3 1 3 1 3
5 5 5 5 5 3 3 3 X 5 5 5 5 5
5 5 5 5 5 5 3 3 3 X 5 5 5 5 5
5 5 5 5 5 5 3 3 3 X 5 5 5 5 5
5 5 5 5 5 5 3 3 3 X 5 5 5 5 5
3
Chorus
G C G
Rhy. Fig. 4A End Rhy. Fig. 4A
Brown sug - ar, how come you taste so good, now?
Rhy. Fig. 4 End Rhy. Fig. 4
1/4 1/4
0 3 5 3 5 5 5 5 5 5 5
3 5 5 5 5 7 5 5 7 5 5 7 5 5 7
5 5 3 3 3 3 3 3 3 3 3 3 3 5 5
3 5 7 3 3
0 3 0 5 3 0 5 5 6 5 6 5 5 6 5 6 5 0
0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 5 0
0 3 0 5 3 0 5 5 7 5 7 5 5 7 5 7 5 0
0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 5 0
C Eb
Rhy. Fig. 5A End Rhy. Fig. 5A
Brown sug - ar, just like a young girl should, uh - huh, now.
(Oo.)
Rhy. Fig. 5 End Rhy. Fig. 5
1/4 1/4
0 3 5 3 5 5 5 5 5 5 5 8
3 5 5 5 5 7 5 5 7 5 5 7 5 5 7 8
5 5 3 3 3 3 3 3 3 3 3 3 3 6
3 5 7
8
0 0 3 0 5 3 0 5 5 6 5 6 5 5 6 5 6 8
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 8
0 0 3 0 5 3 0 5 5 7 5 7 5 5 7 5 7 8
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 8
4
Interlude
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A
* Eb C Ab Bb C
2. Drums
Gtr. 1
8 8 8 8 8 X 5 5 5 5 5 1 1 1 3 3 5 5 5 5 5 5 5 5 5
8 8 8 8 8 X 5 6 6 6 5 1 1 1 4 3 6 6 6 6 6 5 5 5 5
8 8 10 10 8 X 5 5 5 5 5 0 1 3 1 3 3 3 5 5 5 5 5 5 5 5 5 5
8 8 8 8 8 X 5 5 5 5 5 0 1 1 1 3 3 3 5 5 5 5 5 5 5 5 5 5
8 8 8 8 8 X 5 5 5 5 5 0 1 1 1 3 3 3 5 5 5 5 5 5 5 5 5 5
*Chord symbols reflect basic harmony.
Verse
Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A
C F C
beat - ing, cold En - glish blood runs hot. La - dy of the house won - d’rin’ where it’s gon - na stop. House
5
5 5 5 5 5 5 10 11 10 11 10 10 11 10 11 5
5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 5
5 5 5 5 5 5 10 12 10 12 10 10 12 10 12 5
5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 5
Bb C G
boy knows that he’s do - in’ all right. You should - a heard him just a - round mid - night.
5 6 5 6 X 5 5 5 5 X 3 3 3 3 X 5 5 5 5 5 0
5 5 5 5 X 5 5 5 5 X 3 3 3 3 X 5 5 5 5 5 0
5 7 5 7 X 5 5 5 5 X 3 3 3 3 X 5 5 5 5 5 0
5 5 5 5 X 5 5 5 5 X 3 3 3 3 X 5 5 5 5 5 0
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A
G C G
Brown sug - ar, how come you taste so good, now?
Rhy. Fig. 6 End Rhy. Fig. 6
0 0 3 0 5 3 0 5 5 6 5 6 5 5 6 5 6 5 0
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 5 0
0 0 3 0 5 3 0 5 5 7 5 7 5 5 7 5 7 5 0
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 5 0
5
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A
C Eb
Brown sug - ar, just like a young girl should, now. Yeah!
0 0 3 0 5 3 0 5 5 6 5 6 5 5 6 5 6 8
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 8
0 0 3 0 5 3 0 5 5 7 5 7 5 5 7 5 7 8
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 8
Sax Solo
*Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (3 times)
Eb C Ab Bb C Eb
Play 3 times
8 8 9 9 8 5 6 6 6 5 1 2 1 3 4 3 5 6 6 5 5 8
8 8 10 10 8 5 7 7 7 5 0 1 3 1 3 5 3 3 5 7 7 5 5 8
8 8 8 8 8 5 5 5 5 5 0 1 1 1 3 3 3 3 5 5 5 5 5 8
8 8 8 8 8 5 5 5 5 5 0 1 1 1 3 3 3 3 5 5 5 5 5 8
*2nd & 3rd times the first chord of Rhy. Fig. 1 is not struck but tied over from previous measure.
Eb C Ab Bb C
Gtr. 3
Ah,
Gtr. 2
8 5
8 8 10 10 8 X 5 5 7 7 5 X 7 7 7 5 7
6 6 6 6 6 X 3 3 3 3 3 X 6 8 6 10 8 X 3 3 3 3 3
4 4 4 6 6 X
Gtr. 1
8 8 9 9 8 5 6 6 6 5 1 1 1 3 3 3 5 3 5 5 5 0
8 8 10 10 8 5 7 7 7 5 1 1 1 3 3 3 5 3 5 5 5 0
8 8 8 8 8 5 5 5 5 5 1 1 1 3 3 3 5 3 5 5 5 0
8 8 8 8 8 5 5 5 5 5 1 1 1 3 3 3 5 3 5 5 5 0
Chorus
Gtr. 1: w/ Rhy. Fig. 6
Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A
G C G
good old brown sug - ar, how come you taste so good, babe? Ah,
(Brown sug - ar.)
6
G C
Gtr. 3
got me feel - in’ now, you brown sug - ar, just like a black girl should, yeah. 3. Now,
Gtr. 2
1/4 1/4
0 3 5 3 5 5 5 5 5 5 5
3 5 5 5 5 7 5 7 5 5 7 5 5 7 5
5 5 3 3 3 3 3 3 3 3 3 3 3
3 5 7
Gtr. 1
0 0 3 0 5 3 0 5 5 6 5 6 5 5 6 5 6 5
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 5
0 0 3 0 5 3 0 5 5 7 5 7 5 5 7 5 7 5
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 5
Verse
Gtr. 3: w/ Rhy. Fig. 3A
C F C
I bet your ma - ma was a tent show queen, and all her boy - friends were sweet six - teen, I’m
Gtr. 2
10 11 10 10 10 10 11 10
7 5 10 10 10 10 10 10 10 10
5 7 5 5 7 5 5 7 5 10 12 10 10 10 10 12 10
3 3 3 3 3 3 3 3 3
Gtr. 1
5 5 5 5 5 5 5 X 10 10 10 11 10 11 10 11 10 X
5 5 5 5 5 5 5 X 10 10 10 10 10 10 10 10 10 X
5 5 5 5 5 5 5 X 10 10 10 12 10 12 10 12 10 X
5 5 5 5 5 5 5 X 10 10 10 10 10 10 10 10 10 X
7
Bb C G
no school - boy, but I know what I like. You should have heard me just a - round mid - night.
7 5 X 7 5
5 7 5 X 5 5 5 7 5 3 5 3 3 5 3 5 3 5 3 5
3 3 3 X 3 3 3 3 3 1 1 1 1 3 1 3 1 3 1 3
5 X 5 X 5 5 6 5 6 3 3 3 3 0 5 3 5 5 5 0
5 X 5 X 5 5 5 5 5 3 3 3 3 0 5 3 5 5 5 0
5 X 5 X 5 5 7 5 7 3 3 3 3 0 5 3 5 5 5 0
5 X 5 X 5 5 5 5 5 3 3 3 3 0 5 3 5 5 5 0
Chorus
Gtr. 1: w/ Rhy. Fig. 6
Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (2 times)
G C G
Brown sug - ar, how come you taste so good, babe? Ah,
C G
ba - by, brown sug - ar, just like a young girl should, yeah.
Gtr. 1
0 0 3 0 5 3 0 5 5 6 5 6 5 5 5 6 5 6 X 12
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 5 X 12
0 0 3 0 5 3 0 5 5 7 5 7 5 5 5 7 5 7 X 12
0 0 3 0 5 3 0 5 5 5 5 5 5 5 5 5 5 5 X 12
Outro
Gtr. 2: w/ Rhy. Fig. 4
Gtr. 3: w/ Rhy. Fig. 4A (6 times)
G C G
I say yeah,
let ring
12 12 12 13 12 12 13 12 12 12 5 5 6 5 6 5 5 6 5 6 12
12 12 12 12 12 12 12 12 12 5 5 5 5 5 5 5 5 5 5 12
12 12 12 14 12 12 14 12 12 12 5 5 7 5 7 5 5 7 5 7 12
12 12 12 12 12 12 12 12 12 5 5 5 5 5 5 5 5 5 5 12
8
C G
yeah, yeah, woo! How come you, how come you taste so good? Yeah,
Gtr. 2
1 1/2
0 5 5 5 5 5 3 0 5 5 5 5 5 5
3 5 5 5 7 5 7 5 5 7 5 5 7
5 5 1 3 3 3 3 3 3 3 3 3 3 3
3 5 7
Gtr. 1
12 13 12 13 12 12 12 13 12 13 5 5 6 5 6 5 5 6 5 6 5
12 12 12 12 12 12 12 12 12 12 5 5 5 5 5 5 5 5 5 5 5
12 14 12 14 12 12 12 14 12 14 5 5 7 5 7 5 5 7 5 7 5
12 12 12 12 12 12 12 12 12 12 5 5 5 5 5 5 5 5 5 5 5
C G
yeah, yeah, woo! Just like a, just like a black girl should. Yeah,
12 5 5 5 5 5
12 14 15 14 15 14 12 14 5 7 5 7 5 5 7 5 7
10 10 10 10 10 10 10 10 3 3 3 3 3 3 3 3 3 3 10
Rhy. Fig. 7 End Rhy. Fig. 7
0 1 0 1 0 1 0 1 5 6 5 6 5 6 5 6
0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5
0 2 0 2 0 2 0 2 5 7 5 7 5 7 5 7
0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5
9
Gtr. 1: w/ Rhy. Fig. 7 (3 times)
C G
yeah, yeah, woo!
Gtr. 2
12 5
12 14 15 14 15 14 12 14 5 7 5 7 5 7 5 7
10 10 10 10 10 10 10 10 10 3 3 3 3 3 3 3 3
C G
1/4 1/4 1/4 1/4
3 3 3 3 8 8 8 8
3 3 5 3 3 5 8 8 10 8 8 10
5 3 5 3 10 8 10 8
5 5 10 10
C G
1/4 1/4 1/4 1/4
3 3 3 3 8 8 8 8
3 3 5 3 3 5 8 8 10 8 8 10
5 3 5 3 10 8 10 8
5 5 10 10
G C
Gtr. 3
Gtr. 2
1/2 1/2 1/2
1/4 1/4 1 1 1
3 3 3 3 8
3 3 5 3 3 5 8 10 10 11 11 10 10 11 11 10 11
5 3 5 3 10 10 12 12 10 10 12 12 10 12
5 5
Gtr. 1
0 1 0 1 0 1 0 X 5 5 6 5 5 6 5 5 6 5
0 0 0 0 0 0 0 X 5 5 5 5 5 5 5 5 5 5
0 2 0 2 0 2 0 X 5 5 7 5 5 7 5 5 7 5
0 0 0 0 0 0 0 X 5 5 5 5 5 5 5 5 5 5
10
from The Doobie Brothers - The Captain and Me
China Grove
Words and Music by Tom Johnston
Intro
Moderately q = 142
*E D C#m A E
Gtr. 2 (slight dist.)
mf
X 0
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1 (dist.)
mf
**w/ delay
9 9 X X 9 9 X X 7 X X 5 X 2 9 9
9 9 X X 9 9 X X 7 X X 6 X 2 9 9
9 9 X X X X 9 9 X X X X 7 X X 6 X X 2 9 9
7 7 X X X X 7 7 X X X X 5 X X 4 X X 0 X X 0 7 7
0 0 0 0 0 0 0 0 0 0 0 7 9 0
*Chord symbols reflect overall harmony.
**Set for quarter-note regeneration w/ 2 repeats.
1., 2.
D C#m A E
Rhy. Fig. 2A End Rhy. Fig. 2A
P.M.
9 9 9 9 X 7 X 5 X 2 X 9 9 X X
9 9 9 9 X 7 X X 6 X X 2 X X 9 9 X X X
9 9 9 9 9 X 7 X X 6 X X 2 X X 9 9 X X X
7 7 X 7 7 7 X 5 X 4 X X 0 7 7 X
Rhy. Fig. 2 End Rhy. Fig. 2
2nd time, delay off
9 9 X X 9 9 X X 7 X X 5 X 2 9 9
9 9 X X 9 9 X X 7 X X 6 X 2 9 9
9 9 X X X X 9 9 X X X X 7 X X 6 X X 2 9 9
7 7 X X X X 7 7 X X X X 5 X X 4 X X 0 X 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 7 9 0
© 1973 (Renewed) WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved Used by Permission 1
3.
D C#m A
1. When the
7 X X 5 X X
7 X X 6 X X 2 X X
7 X X 6 X X 2 X X
5 X 4 X 0 X
P.M.
7 X 5 2
7 X 6 2
7 X 0 6 2 X X
5 X 0 4 0 X X
0 0 0 0
Verse
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (2 times) 2nd time, Gtr. 1: w/ Rhy. Fill 1
E D C#m A E
sun comes up on a sleep - y lit - tle town down a - round San An - tone, and the
preach - er and the teach - er, Lord, they’re a cau - tion, they are the talk of the town. When the
D C#m A E
folks are ris - ing for an - oth - er day ’round a - bout their homes. The
gos - sip gets to fly - in’ and they ain’t ly - in’, when the sun go fall - in’ down. They
Rhy. Fill 1
Gtr. 1
9 9
9 9
9 9 9 9 9
7 7 7 7 7 X
0 0 0 0
2
Pre-Chorus
2nd time, Gtr. 2: w/ Rhy. Fill 2
C#m B E/B B A7 A#7 B7 C7
peo - ple of the town are strange and they’re proud of where they came.
say that the fath - er’s in - sane and dear Mis - ses Per - kin’s a game.
Gtr. 2
mp
mf
9 9 6 6 6 7 9 9
11 11 9 9 9 9 9 5 5 5 6 7 8
11 11 11 9 9 9 9 7 7 7 8 9 10
9 9 9 0 7 7 7 X X 5 5 5 6 7 8
Gtr. 1
9
9 X 8 9 8 6 7 8 9
11 9 11 9 9 X 9 9 9 9 5 6 7 8
11 11 9 11 9 X 9 9 9 7 7 9 7 7 8 9 10
9 9 0 7 0 7 7 7 0 0 5 5 5 5 5 6 7 8
Chorus 2nd & 3rd times, Gtr. 3: w/ Fill 1
E D5 A/C# E
*
Well, you’re talk - ing ’bout Chi - na Grove, whoa, ho, ho.
We’re talk -
(Talk - ing ’bout the Chi - na Grove.
9 9 7 7 5
9 9 9 X 7 7 6 9
8 9 9 X 7 7 7 9 6
10 7 7 X 7 7 9
8
9 9 X X 9 0
9 9 9 X X 9 X
8 7 7 9 9 X X X X 7 7 7 X 9
10 9 7 7 7 7 X X X X 5 5 4 X 7 7
8 0 7 9 9 0 0 0 0 7 9 0
*Bkgd. gang vocs., next 5 meas.
Rhy. Fill 2 Fill 1
Gtr. 2 Gtr. 3 (slight dist.)
mf
9 9 8
9 9 9 11 9 9 6 7 9
11 11 9 11 9 9
9 9 7
3
To Coda
2nd time, Gtr. 3: w/ Fill 1
3rd time, Gtr. 1: w/ Fill 2
3rd time, Gtrs. 2 & 3: w/ Fill 2A
D5 A/C# E D5 A/C# E5
Chi - na Grove.
Whoa, ho. Chi - na Grove.)
7 7 5 7 7 5
7 7 6 9 7 7 6 9 9 9 9 9
7 7 7 9 6 7 7 7 9 9 9 9 9 9
7 7 9 X 7 7 7 7 7 7 7
P.M.
9
9 X 6 9 9 9 9
7 7 7 9 X 7 7 7 X 9 9 9 9 9 9
5 5 4 7 7 X 5 5 4 X 7 7 7 7 7 7 7
0 0 7 9 0 0 0 0 0 0 0 0 0 0 0
1. 2.
Bridge
µ µ G#m B C#m F#m7
2. Well, the But ev - ’ry day there’s a new thing com - in’, the
(Ooh,
dist. off
4 7 9 9
9 9 4 7 9 9
9 X 9 4 8 9 9 9 9 9 9 9
9 X 9 6 9 11 11 11 9 9 11 9 9 9 11 9
7 X 0 7 6 9 11 11 11 9 11 11 9
4 7 9 9
P.M.
9
9 9 X 4 8 9 9 9 9 9 9 11
9 9 X 6 9 11 11 9 11 9 9 11 9 9 11 9 11 X 11
7 7 7 X 6 9 11 11 11 11 11 11 9 11 X 9
0 7 9 0 0 0 4 7 9 9 X
Fill 2 Fill 2A
Gtr. 1 Gtr. 3
Gtr. 2
divisi
*
9 X
9 X 9 6
9 X 9 6 7 9 6 7 9 6
7 7 9 7 X 7 7 9
7 9
*Gtr. 3 notated to left of slash.
4
C#m
ways of an or - i - en - tal view. The sher - iff and his bud - dies with their
ooh, ooh. Ooh.)
let ring
9 9
10 10 10 10 9
9 9 9 9 9 9 9 X 9 9 9
11 11 11 11 11 11 X 11 11 9 9 11
9 9 11 11 11 X 11 11 11 11
9 9 9 9 X 0 9 9
9
10 10 9 9
11 11 11 11 9 9 11 9 X 9 9 9
11 11 11 11 9 9 11 11 11 11 X 11 11 11 9 9 11
9 9 9 11 11 11 11 X 11 11 11 11 11
9 9 9 X 0 9 9 9
F# F#sus4 F#
sam - ur - ai swords, you can e - ven hear the mu - sic at night.
P.M.
9 X 11 11 12 11 11
9 9 9 X 11 11 11 11 11
9 9 11 9 11 X 11 11 11 11 11
11 9 9 9 9 9 9
let ring P.M.
2
9 9 9 X 2
9 9 9 X 3 3 4 3 3
9 9 9 11 X 4 4 4 4 4
11 0 4 4 4 4
0 2 2 2 2 2 X 2 2 2 2
5
F#sus4 F# G#m B C#m
And though it’s a part of the Lone Star State,
(Ooh,
P.M.
4 7 9 9
12 12 12 11 11 4 7 9 9 9 X
11 11 11 11 11 X 4 8 9 9 9 9 9 9 9 X
11 11 11 11 11 X 6 9 11 11 9 9 9 9 9 11 9
9 9 9 9 9 X 6 9 11 11 11 11 11 9
9 4 7 9 9
9
4 2 9
4 4 4 3 4 8 9 9 9 9 9 11 X
4 4 4 4 4 6 9 11 11 9 9 9 9 9 11 X
X 6 9 11 11 11 11 11 9
0 0 4 7 9 9
F#m7 C#m A D/A A
peo - ple don’t seem to care, they just keep on look - ing to the East.
ooh, ooh.)
let ring
9 9
10 10 9 2 2 3 2 2
9 9 11 9 2 2 2 2 2
11 11 11 2 2 4 2 2
9 11 0 0 0 0 0 0
9 9 9
let ring
10 10 11 9 3 2 2 X
11 11 11 11 9 X 2 2 2 2 2 2 X
11 11 11 11 11 X 2 2 2 4 2 2 X
9 9 9 11 11 X 0 0 0 0 0 0 0 X 3
9 9 9 X
6
C D E C D E
5 7 5 7
5 7 9 5 7 9
5 7 9 5 7 9
3 5 7 3 5 7
0
P.M. P.M.
5 7 X 5 7 X 0 X
5 7 X 1 5 7 X 1 X
5 7 X 2 2 2 2 5 0 7 X 2 X
3 0 5 X 2 2 4 4 2 4 3 0 5 X 0 2 X
0 0 0 0 0
Interlude
*Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2 tacet
E D C#m A E
Gtr. 3
f
9
9 11
*w/ delay
**Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
D C#m A E
9 9 11 9
9 9 11 11 9 11
**Gtr. 2: w/ dist.
Guitar Solo
G/E E G/E E D C#m A E
Gtr. 3
1 1 1
1/2 1
1
9 12
11 11 11 11 9 9 11 11 9 9
11 11
***Gtrs. 1 & 2
Gtr. 1, delay off
12 9 9 X X 12 9 9 9 X 7 5 2 9 9 X
12 9 9 X X 12 9 9 9 X 7 6 2 9 9 X
12 9 9 X X X 12 9 9 9 X 7 6 2 9 9 X 0
10 7 7 X X X 10 7 7 7 X 5 X 4 X 0 0 7 7 X 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
***Composite arrangement
7
G/E E G/E E D E D C#m A
1
1/2 1 hold bend 1 hold bend
12 12
12 12 12 12
11 11 9 9 9 11 11 11 11 9 9
11 11
12 9 9 X X 12 9 9 7 9 X 7 X 5 2
12 9 9 X X 12 9 9 7 9 X 7 X 6 2
12 9 9 X X X 12 9 9 7 9 X 7 X 6 2
10 7 7 X X X 10 7 7 5 7 X 5 X 4 0
0 0 0 0 0 0 0 0 0
E G/E E G/E E
12 12
12 15 15 15 15 15 15 15 15 12 12 15
9 11 11 13
9 9 X 12 9 9 X X 12 9 9 9 9 X
9 9 X 12 9 9 X X 12 9 9 9 9 X
9 9 X 0 12 9 9 X X X 12 9 9 9 9 X
7 7 X 0 10 7 7 X X X 10 7 7 7 7 X 0
0 0 0 0 0 0 0 0 0 0 0 0
D C#m A E G/E E G/E
1
1/2
1
1/2
1
1/2
1 1 1
1
12 15 15 15 15 15 15 15 12 12
12 15 15 15 15 15 15
7 7 5 2 9 12 9 9 X X 12
7 7 6 2 9 12 9 9 X X 12
7 7 6 2 9 12 9 9 X X X 12
5 5 4 0 0 0 7 7 10 7 7 X X X 10
0 0 0 0 0 0 0 7 9 0 0 0 0
8
E D E D C#m A E
1
1/2 1 1/4
12 12
15 15 15 12 14 14 12 12 12 15 12
12 13 14 12
14
9 9 7 9 X 7 X 5 2 9 9
9 9 7 9 X 7 X 6 2 9 9
9 9 7 9 X 7 X 6 2 9 9
7 7 5 7 X 5 X 4 0 7 7
0 0 0 0 0 0 0 0 0 0 7 9 7
Interlude
Gtr. 3 tacet
C#m B E B A A#7 B7 C7
Gtr. 2
9 9 6 6 7 8 9
11 11 9 11 9 9 9 9 5 5 6 7 8
9 11 9 9 7 9 9 4 4 7 7 8 9 10
7 7 7 5 5 6 7 8
Gtr. 1
7
9 7
9 9 9 8 8 6 6 7 8 9
11 11 9 11 X 9 9 9 9 9 9 7 5 6 7 8
11 11 9 11 X 9 9 9 9 0 7 7 9 7 7 8 9 10
9 9 0 7 0 7 7 7 0 5 5 5 5 5 6 7 8
Coda
D.S. al Coda
µ E µ
9
9 9
8 9
10 7
8 0
9
9 9
8 9
10 10 7 7 7
8 8 0 7 9 9 0 0
9
from Van Morrison - His Band and the Street Choir
Domino
Words and Music by Van Morrison
Intro
Moderately fast q = 132
A D A D6 A D A D6
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1 (clean)
mf
10 9 7 7 9 10 10 X 9 7 7
10 10 X 10 7 7 X 10 10 10 X 10 X 7 7
11 9 X 11 9 11 9 X 7 X 9 11 9 X 11 11 9 7 7 9
11 11 11 11 11 11 11 11
Verse
A D A D6 A D6 A D
1. Don’t wan - na dis - cuss it, think it’s time for a change.
let ring
10 10 9 7 7 X 5 X X 7 7 X 5 2 X
10 10 10 X 10 X 7 7 X 5 7 7 X 5 X X 3 3 X
11 9 X 11 11 9 11 9 7 6 6 2 6
11 11 11
A D6 A D A D6 A D
3
3
3
You may get dis - gust - ed, start think - in’ that I’m strange.
let ring
5 X X 7 7 X 5 X 5 X X 7
5 7 7 X 5 X 5 X X 7 7 X X X
7 6 7 7 X 6 7 7 X 7 0 X X 6
7 X 7 7
7 9 7 9
© 1969 (Renewed) WB MUSIC CORP. and CALEDONIA SOUL MUSIC
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
A D6 A D A D6 A D
3
That case, I’ll go un - der - ground, get some heav- y rest.
Rhy. Fig. 2 End Rhy. Fig. 2
let ring
5 X X 7 7 X 5 X 5 X X 7 7 X X 9 10 10 X
5 7 7 X 5 X X 5 X X 7 7 X X 10 X 10 10 X
7 6 7 7 X 6 7 X 6
7 7 7 7
7 9
A D6 A D A D6 A D
Nev - er have to wor - ry a - bout what is worst and what is best. Jih!
let ring
5 X X 7 7 X 5 X 5 X X 7 7 X 5
5 7 7 X 5 X X 5 X X 7 7 X 5 7
6 6 7 7 X 6 6 X 7 7
7 7 X 7 0
7 9 0
Chorus
A D6 A D6 A D6 A D6
Oh, oh, dom - i - no. All right. Roll me o - ver, Ro - me - o. There you go.
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 2 (clean)
mf
5 7 5 7 5 7 5 7
5 7 5 7 5 7 5 7
Rhy. Fig. 4
Gtr. 1
2 3 3 3 3 2 3 3 2 3 3
2 2 2 4 2 2 2 2 2 2 2 4 2 2 2 2 2 2
2 4 4 2 2 4 2 4 4 2 4 2 4 4 2
0 0 0
2
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
A D6 A D6 A D6 A D6
Lord, have mer - cy. I said, oh, oh, dom - i - no.
Gtr. 1 End Rhy. Fig. 4
let ring
3 3 2 3 3 3 2
2 4 4 2 2 2 2 4 2 2 2 2 2
4 2 2 2 4 4 4 2 4 2 2 2 4
0 0 0 0
A D6 A D6 A D6 A D6
3
Roll me o - ver, Ro - me - o. There you go. Say it a - gain. I said,
1
2
2 3 2 2 2 2 3
2 2 2 2 4 4 4 2 2 2 2 2 2 2 4 2 2
2 2 4 4 4 4
0
Bm7 E A D6 A D6
oh, dom - i - no. I said,
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 2
7 7 7 7 7 7 7 7 5 7 5 7
7 7 7 7 9 9 9 9 5 7 5 7
Gtr. 1
let ring
12 14 16 5 5 7 7 7 5 X X X 7 7
3 X 5 5 7 7 7 5 X X X 7 7 7
2 2 11 13 14 X 13 6 7 7 6 X X X 7 7
4
2
3
Gtr. 2: w/ Rhy. Fig. 5
Bm7 E A D6 A D6
oh, dom - i - no. Dig it!
Gtr. 1
let ring
0 0 5 5 5 X X 7 7 X 5 5 5 X X X 5 7 7 X
0 5 5 5 X X 7 7 X 5 5 5 X X X 5 7 7 X
2 2 1 6 6 6 X X 7 7 X 6 6 6 X X X 6 7 X
2 4 4 2 4 2 4 2 4 4 2 2 11
2
Interlude
A D A D6 A D A D6 A
Riff A End Riff A
*Gtr. 3
mf
9
10 10 10 10 10 10
9 11 11 9 11 11
7 9 11 7 9 11
*Horns arr. for gtr.
Rhy. Fig. 6 End Rhy. Fig. 6
Gtr. 1
let ring
10 10 X 9 9 X 7 7 X 9 9 X 10 10 X 9 9 X 7 7 X 9 9
10 X X 10 10 X 10 10 X 7 7 X 10 10 10 X 10 10 X 10 10 X 7 7 X 10 10
9 X X 11 X 9 X 7 7 X 9 9 X 11 X 9 X 7 X 9 9
11
Gtr. 1: w/ Rhy. Fig. 6
D A D6 A D A D6
Gtr. 3
10
11 9
11 9 7
Gtr. 2
5 5 5 5 7 7
5 5 7 5 5 7 7
6 6 7 6 6 7 7
4
Verse
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
Gtr. 2: w/ Rhy. Fig. 3 (4 times)
Gtr. 3 tacet
A D6 A D A D6 A D
2. There’s no need for ar - gu - ment. There’s no ar - gu - ment at all.
A D A D6 A D A D6
3
And if you nev - er hear from him, that just means he did - n’t call.
Rhy. Fig. 7 End Rhy. Fig. 7
Gtr. 1
9 X X 10 10 X 9 X X 7 X 9 X X 10 10 X 9 X X 7 7 X
10 X X 10 10 X 10 X X 7 7 X 10 X X 10 10 X 10 X X 7 7 X
9 X X 7 X 9 11 X 7 X 9
11 11 11 11
Gtr. 1: w/ Rhy. Fig. 7 (2 times)
A D A D6 A D A D6
Or vi - ce ver - sa, that de - pends on wher - ev - er you’re at. Oh.
A D A D6 A D A D6
3
3
And if you nev - er hear from me, that just, uh, means I would rath - er not. Hit it!
Chorus
Gtr. 1: w/ Rhy. Fig. 4 (2 times)
A D6 A D6 A D6 A D6
Oh, oh, dom - i - no. All right. Roll me o - ver, Ro - me - o. There you go.
Rhy. Fig. 8 End Rhy. Fig. 8
Gtr. 2
sim.
5 7 7 5 5 7 7 5 5 7 7 5 5 7 7
5 7 7 5 5 7 7 5 5 7 7 5 5 7 7
6 6 7 7 6 6 7 7 6 6 7 7
5
Gtr. 2: w/ Rhy. Fig. 8 (4 times)
A D6 A D6 A D6 A D6
Lord, have mer - cy. I said oh, oh, dom - i - no.
A D6 A D6 A D6 A D6
3
Roll me o - ver, Ro - me - o. There you go. Yeah, all right, say it a - gain.
Bm7 E A D6 A D6
Oh, dom - i - no. Hey! Hey! I said
Rhy. Fig. 9 End Rhy. Fig. 9
Gtr. 2
sim.
7 7 7 7 7 7 7 7 5 5 7 7 5 5 7 7
7 7 7 7 9 9 9 9 5 5 7 7 5 5 7 7
6 6 7 7 6 6 7 7
Gtr. 1
5 7 7 5 5
5 7 7 5 5 7 7
6 7 6 6 7 7
4
2
0
Gtr. 2: w/ Rhy. Fig. 9
Bm7 E A D6
oh, dom - i - no.
Gtr. 1
5 X 7 X
7 9 5 X 7 7 X
7 9 6 7 X 6
9
6
Gtr. 2: w/ Rhy. Fig. 8 (5 times)
A D6 A D6 A D6
3 3
Hey, mis - ter d. j., I just wan - na hear some rhy - thm and blues mu -
5 X X 7 7 5 5 9 X 10 10 9 9 X X 7 7
5 X X 7 7 X 5 5 10 X 10 10 10 10 X X 7 7
6 X X X 6 6 9 X 11 11 7 7
11
Gtr. 1: w/ Rhy. Fig. 1 (4 times)
A D6 A D6 A D6 A D6
sic, yeah, on the ra - di - o, on the ra - di - o, on the ra - di - o. Uh, uh, all
A D6 A D6 A D6 A D6
right. Uh, uh, all right. Uh, uh, all right. Uh, ow. Hear the band!
Outro
Gtr. 1: w/ Rhy. Fig. 6
Gtr. 3: w/ Riff A
A D A D6 A D A D6
3
One more time!
A D A D6 A µ
Gtr. 3
10
9 11
7
Gtr. 1
9 X 9 9 9 X 10 9 9 X 9 9 9 X 7 9 9 9
10 X 10 10 10 X 10 10 10 X 10 10 10 X 7 10 10 10
9 X 9 9 9 X 11 9 9 11 9 9 9 X 9 9 9 X 7 9 9 9
11
7
from Aerosmith - Aerosmith
Dream On
Words and Music by Steven Tyler
Bb5 C5 Db5 Eb5 F5 F5/C G5/D
4fr 6fr 10fr 12fr
134 134 134 134 134 11 11
Intro
Moderately slow q = 78
* Fm Cm Dm7b5 Dbmaj7#11 Fm Fsus4
Rhy. Fig. 1
Gtr. 1 (clean)
let ring let ring
mf
let ring let ring let ring
4 4 3 3 4 4 3 3 4 4 6 6
6 6 4 4 3 3 2 2 6 6 6 6
5 5 5 5 5 5 5 5 5 5 5
*Chord symbols reflect implied harmony.
Fm Cm/Eb Dm7b5 Dbmaj7#11
End Rhy. Fig. 1 Rhy. Fig. 2 End Rhy. Fig. 2
let ring let ring let ring let ring let ring
8 8 8 4 4 3 3 4 4 3 3
6 6 6 6 6 4 4 3 3 2 2
5 5 5 5 5 5 5 5 5 5
Fm Fsus4 Fm Bb9 Eb Eº7
let ring
4 4 6 6 8 8 6 4 6 8 8 8 6 6
6 6 6 6 6 6 6 6 6 9 9 8 6 6
5 5 5 5 6 5 6 5 6 5 6 5
Fm
5 6 8 6 8 9 8 9 11 9 11 9 8 9 8 6 6 8 6 4 4 6 4 2 2 1 13
6 5 3 5 6
Verse
Gtr. 1: w/ Rhy. Fig. 2 (4 times)
Fm Cm Dm7b5 Dbmaj7#11 Fm Cm
1. Ev - ’ry time that I look in the mir - ror, all these lines in my
Dm7b5 Dbmaj7#11 Fm Cm Dm7b5 Dbmaj7#11
face get - tin’ clear - er. The past is gone.
Copyright © 1973; Renewed 2001 Music Of Stage Three (BMI)
Worldwide Rights for Music Of Stage Three Administered by BMG Rights Management (US) LLC
International Copyright Secured All Rights Reserved 1
Fm Cm Dm7b5 Dbmaj7#11
It went by like dusk to dawn.
Dm7b5 Csus4 C Dm7b5 Dbmaj7#11 C Fm/C
Is - n’t that the way? Ev - ’ry - bod - y’s got their dues in life to pay.
Gtr. 1
let ring
4 4 3 3 4 4 3 3
6 6 6 5 6 6 6 6
5 5 5 5 5 5 5 5 6 5 6 5 6 5 6 5
*Gtr. 2 (clean)
mf
w/ fingers
3 3 4 4
5 5 6 6
5 5 5 5
*Harpsichord arr. for gtr.
Pre-Chorus
Gtr. 2 tacet
Cº7 C7 F5 Ebsus2 Db Ebsus2
Well, I know no - bod - y knows where it comes and where it goes.
Rhy. Fig. 3
w/ slight dist.
6 5 6 5 6 5 6 5 10 10 8 8 6 6 8 8
10 10 8 8 6 6 8 8
(slight
Gtr. 3
Rhy. Fig. 3A
dist.)
mf
5 5 6 6 6 6
7 7 8 8 8 8 6
5 5 5 5 5 5 10 8 6 8
10 10 8 6 8
8 8 6 6 4 4 6 6
2
*Gtr. 1: w/ Rhy. Fig. 1
Gtr. 3 tacet
F5 Ebsus2 Db Ebsus2 Fm Cm
I know it’s ev - ’ry - bod - y’s sin. You’ve got to lose to know how to win.
End Rhy. Fig. 3
10 10 8 8 6 6 8 8
10 10 8 8 6 6 8 8 8
End Rhy. Fig. 3A
6 6
10 8 6 8
10 8 6 8
8 8 6 6 4 4 6 6
*w/ clean tone
Gtr. 4 tacet
Dm7b5 Dbmaj7#11 Fm Fsus4 Fm
Gtr. 4 (slight dist.)
mf
1
3
1 2 3
1 3 4
Verse
Gtr. 1: w/ Rhy. Fig. 2 (4 times)
Fm Cm Dm7b5 Dbmaj7#11 Fm Cm
2. Half my life’s in book’s writ - ten pa - ges, lived and learned from
Dm7b5/F Dbmaj7#11 Fm Cm Dm7b5 Dbmaj7#11
fools and from sag - es. You know it’s true.
Fm Cm Dm7b5 Dbmaj7#11
All these things come back to you.
3
Pre-Chorus
Gtr. 3: w/ Rhy. Fig. 3A (1st 2 meas.)
F5 Ebsus2 Db Ebsus2
Sing with me, sing for the years, sing for the laugh - ter ’n’ sing for the tears.
Gtr. 1
Rhy. Fig. 4
w/ slight dist.
10 10 8 8 6 6 8 8
10 10 8 8 6 6 8 8
F5 Ebsus2 Dm7b5 Db
Sing with me if it’s just for to - day, may - be to - mor - row the good Lord will take you a - way.
Riff A
Gtrs. 3 & 4
10 10 10 10 8 8 8 8
8 8 8 8 10 10 10 10
11 11 11 11 11
Gtr. 1
End Rhy. Fig. 4
10 10 8 8 10 10 6 6
10 10 8 8 10 10 6 6
End Riff A
Gtr. 4
8 10
Gtr. 1
6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5
Gtr. 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4
Interlude
Gtrs. 3 & 4 tacet
Fm Fm(maj7) Fm9 Bbadd9 Eb13 Eº7
Gtr. 1
let ring
let ring
4 4 6 6 6 8 8 8 13 13 8 8 8
6 6 6 6 6 6 6 6 6 6 6 6
5 5 5 5 5 5 5 X
Gtr. 2
let ring let ring
4 4 4 3 3
6 5 5 4 4 3
5 5 5 5 5 5 5 6 6 6 6
3 3 3 3 3 3 3 10 10 10 10
6 6 7 7
6
Fm Fsus2 Fm(maj7) Fm9 Bbadd9 Eb13 Eº7
Well,
let ring let ring let ring
1/2
8 4 4 4 6 6 8 8 8 13 13 8 8 8
6 6 6 8 8 8 6 6 6 6 6 6 6 6 6 6
5 5 5 5 5 5 5
let ring let ring let ring
4 6 8 3 3 4 4 3 3
6 6 8 9 6 6 5 5 4 4 3
5 5 5 5 5 5 5 5 5 6 6 6 6
3 3 3 3 3 3 3 3 3 10 10 10 10
8 8 6 6 7 7
6
Gtr. 1: w/ Rhy. Fig. 4
Gtr. 3: w/ Rhy. Fig. 3A (1st 2 meas.)
F5 Ebsus2 Db Ebsus2
Sing with me, sing for the years, sing for the laugh - ter ’n’ sing for the tears.
Gtr. 3: w/ Riff A
Gtr. 4: w/ Riff A (1st 2 meas.)
F5 Ebsus2 Dm7b5 Db
Sing with me if it’s just for to - day, may - be to - mor - row the good Lord will take you a - way.
5
C5
Hey, oh. Mm.
Gtr. 4
1/2 1 1
8
8 11 8 8 11
6 5 5 8 8 10 8 8 10 10 8 8 10 X
10 10 10 10
Chorus
Gtr. 4 tacet
* Bb5 C5 Db5 Eb5
Gtr. 1
Dream on, ’n’ dream on, ’n’ dream on, dream your - self a dream come
Gtr. 3
1 1 3 3 4 4 4 6 6
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
F5
true.
Gtr. 4
1 1 1
1 1 1/4
16 16 16 16 16 16 13
15 13
15 13
15 14 13
16 13
Gtr. 3
3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1
6
Gtr. 4 tacet
Bb5 C5 Db5 Eb5
’N’ dream on, ’n’ dream on, ’n’ dream on, dream un - til your dream come
Gtr. 3
1 1 3 3 4 4 4 6 6
F5 F5/C G5/D
(cont. in notation)
true.
Gtr. 4
1/4 1/4 1/2 1
4 4 9 9 9 9 9 9 11 11 11 11 11 11
1 1 3 1 1 3 5 5 10 8 8 8 10 10 10 10 8 10 10 10 10 10
3 1 1 3 3 3 10
3
Gtr. 3
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1
Gtr. 4 tacet
Bb5 C5 Db5 Eb5 F5
G5
’N’ dream on, ’n’ dream on, dream on, ’n’ dream on. Dream on, dream on,
Gtr. 3
1 1 3 3 4 4 4 6 6
1 1 3 3
Gtr. 1
3 3 5 5 6 6 8 8 10 10 12 12
1 1 3 3 4 4 6 6 8 8 10 10
1 1 3 3 4 4 6 6 8 8 10 10
7
Ab5 Bb5 C5
dream on, ah!
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
13 13 15 15 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
11 11 13 13 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
11 11 13 13
Pre-Chorus
Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A (1 1/2 times)
F5 Ebsus2 Db Ebsus2
Sing with me, sing for the years, sing for the laugh - ter ’n’ sing for the tears.
F5 Ebsus2 Db Ebsus2
Sing it with me if it’s just for to - day, may - be to - mor -
row the good Lord will take you a - way.
F5 Ebsus2 Db Ebsus2
Sing with me, sing for the years, sing for the laugh - ter ’n’ sing for the tears.
Gtr, 4: w/ Riff A (1st 2 meas.)
F5 Ebsus2 Dm7b5 Db5
Sing it with me if it’s just for to - day, may - be to - mor - row the good Lord will take you a- way.
Gtr. 1
10 10 8
10 10 8 8 6 6 6 6
6 6 5 5 4 4
Gtr. 3
6 6
10 8 5 6
10 8 6 6
8 8 6 6 5 5 4 4
8
C5
Gtr. 4
8 10
Gtr. 1
5
3
Gtr. 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Begin fade Fade out
Outro
Gtrs. 1 & 3 tacet
15ma
C5'b9
Gtr. 4
*fdbk.
X
10
*Microphonic fdbk., not caused by string vibration.
Gtr. 2
let ring
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
9
from Buffalo Springfield - Buffalo Springfield
For What It’s Worth
Words and Music by Stephen Stills
Intro
Moderately slow q = 99
E A E A
Riff A End Riff A
*Gtr. 1 (elec.) 8va
mf
w/ clean tone & amp tremolo
Harm.
12 7 12 7
*Neil Young
**Gtr. 2
(12-str. acous.)
mf
let ring throughout
0 0 0 0 0
0 2 0 2 0
1 2 1 2 1
2 2 2 2 2
2 0 2 0 2
0 0 0
**Richie Furay
Riff A1 End Riff A1
***Gtr. 3 (acous.)
mf
w/ fingers
2 2
3 4 4 0 3 4 4
0 0
***Stephen Stills
© 1966 (Renewed) COTILLION MUSIC INC., TEN EAST MUSIC, SPRINGALO TOONES and RICHIE FURAY MUSIC
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved Used by Permission 1
Verse
Gtr. 1: w/ Riff A (3 times)
Gtr. 3: w/ Riff A1 (4 times)
E A7 A E A
1. There’s some - thin’ hap - pen - in’ here, what it is ain’t ex - act - ly clear.
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 2 2 2 3 2 2 2 2 0 0 0 0 0 0 0 2 2
1 1 1 1 1 0 0 0 2 2 2 2 1 1 1 1 1 1 1 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0
0 0 0 0 0 0 0 0 0 0 0 0
E A E
There’s a man with a gun o - ver there, a, tell - in’
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0
2 2 2 2 2 1 1 1 1 1 1 1 2 2 2 2 2 2 2 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 2 2 2 2 2 2 2 0 0 0 0 0 0 0 2 2
0 0 0 0 0 0 0 0 0
me I got to be - ware. I think it’s time we
Fill 1 End Fill 1
Gtr. 1 8va
Harm.
12 7
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 X X
0 0 0 0 0 2 2 2 2 2 2 2 2 2 X X
1 1 1 1 1 2 2 2 2 2 2 2 2 2 X X
2 2 2 2 2 2 2 2 2 2 2 2 2 2 X X
2 2 2 2 2 0 0 0 0 0 0 0 0 0 X X
0 0 0 0 0
2
Chorus
E D A A#º7
stop. Chil - dren, what’s that sound? Ev - ’ry - bod - y look what’s go - in’ down.
Gtr. 1 8va
Harm.
12 7 12 12 7
Gtr. 2
0 2 X X 0 0 X X 0 0 0
0 3 3 X X 2 2 X X 2 2 2
1 2 2 X X 2 2 X X X X 0 0 0 0
2 0 0 X X 2 2 X X X X 2 2 2 2
2 0 0 0 X X X X 1 1 1 1
0
Gtr. 3
let ring
2 0 0
0 2 2 2
0 0 1 1 0
0
Interlude
Gtr. 1: w/ Riff A (2 times)
E A E A E5
Gtr. 2
0 0 0 0
0 2 0 2
1 2 1 2
2 2 2 2
2 0 2 0 X 2
0 0 X 0
Riff B End Riff B
Gtr. 3
2 2 2 2
3 4 4 0 3 4 4 3 4 4 0 3 4 4
0 0 0
3
Verse
Gtrs. 1 & 3: w/ Riffs A & A1 (3 times)
E A A7 E A
2. There’s bat - tle lines be - ing drawn, a, no - bod - y’s right if ev - ’ry - bod - y’s
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 2
1 1 1 1 1 2 2 0 0 0 0 1 1 1 1 1 1 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0
A7 E A A7 E
wrong. Young peo - ple speak - in’ their minds, a, get - tin’
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 0 0 0 0 2 2 2 2 2 0
2 0 0 0 0 1 1 1 1 1 2 0 0 0 0 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 2 2 2 2 2 0 0 0 0 0 2
0 0 0 0 0 0
Gtr. 1: w/ Fill 1
A A7
so much re - sis - tance from be - hind. It’s time we
Gtr. 2
0 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 X X
0 0 0 0 0 0 2 2 2 2 X 2 2 2 2 2 2 X X
1 1 1 1 1 1 2 2 2 2 X 0 0 0 0 0 0 X X
2 2 2 2 2 2 2 2 2 2 X 2 2 2 2 2 2 X X
2 2 2 2 2 2 0 0 0 0 X 0 0 0 0 0 0 X X
0 0 0 0 0 0
Gtr. 3
2 2 2
3 4 4 0 4 4
0
4
Chorus
E D A7 A#º7
stop. Hey, what’s that sound? Ev - ’ry - bod - y look what’s go - in’ down.
Riff C End Riff C
Gtr. 1
loco
let ring
4 2 0
3 2 0
4 6 2 3 3 3
Gtr. 2
0 2 2 X X 0 0 0 0 0 0 0 0 X X
0 3 3 3 X X 2 2 2 2 2 2 2 2 X X
1 2 2 2 X X 0 0 0 0 0 0 0 0 0 X X
2 0 0 X X 2 2 2 2 2 2 2 2 2 X X
2 0 0 0 0 1 1 1 1 1 X X
0
Gtr. 3
let ring
2 0
0 2 2
0 1
0
Interlude
Gtr. 3: w/ Riff B
E A E A D/A E5
Gtr. 1
let ring let ring let ring let ring let ring let ring
1/2 1/2
4 4 4 4
5 8 10 5 5 7 7 7
4 6 4 6 6 6 6 9 4 6 4 6 6 6 6
Gtr. 2
0 0 0 0
0 2 0 2
1 2 1 2
2 2 2 2 0
2 0 2 0 0 2
0 0 0
5
Verse
E A Asus4 E A
3. What a field day for the heat, a thou - sand peo - ple in the
(Oo.
Gtr. 1 8va
p mf
let ring
Harm.
4 7 12
4 6
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 2 2 2 3 3 3 3 0 0 0 0 0 0 2
1 1 1 1 1 2 2 2 2 2 2 2 1 1 1 1 1 1 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 0 0 0 0 0 0 0 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0
Riff D End Riff D
Gtr. 3
3
2 2 2 2
3 4 4 0 3 4 4 4 3 4 4 0
0 0
Gtr. 1: w/ Riff A (last meas.)
Gtr. 3: w/ Riff D (2 1/2 times) Gtr. 1: w/ Riff A
A7sus4 E A A7sus4 E
street sing - in’ songs and a, car - ry - in’ signs. Most - ly
Oo. Oo.
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 3 3 3 3 0 0 0 0 0 0 2 2 3 3 3 3 0
2 2 0 0 0 0 1 1 1 1 1 1 2 2 0 0 0 0 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 2
0 0 0 0 0 0 0
6
Gtr. 1: w/ Fill 1
A A7sus4 A9 A7 G/A
say, “Hoo - ray, for our side.” It’s time we
Oo.)
0 0 0 0 0 0 X X 0 0 X X 0 0 X X 0 0
0 0 0 0 0 0 X X 2 2 X X 3 3 X X 0 2 0
1 1 1 1 1 1 X X 2 2 X X 0 0 X X 0 0 0
2 2 2 2 2 2 X X 2 2 X X 2 2 X X 2 2 0
2 2 2 2 2 2 X X 0 0 X X 0 0 X X 0 0 0
0 0 0 0 0 0
Chorus
Gtr. 1: w/ Riff C
E D A A#º7
stop. Hey, what’s that sound? Ev - ’ry - bod - y look what’s go - in’ down.
Gtr. 2
0 2 2 2 X X 0 0 X X X X 0 0 0 X X
0 3 3 X X 2 2 X X X X 2 2 2 X X
1 2 2 X X 2 2 X X X X 0 0 0 X X
2 0 0 X X 2 2 X X X X 2 2 2 X X
2 0 0 X X X X 1 1 1 X X
0
Gtr. 3
let ring
5 3 2 0
2 6 4 2 0
0
0
0
7
Interlude
E A E A
Gtr. 1
1/2
8 10 10 10 10 10 8 10 8 8
6 9 9 9
Gtr. 2
0 0 0 0
0 2 0 2
1 2 1 2
2 2 2 2
2 0 2 0
0 0
Gtr. 3
p mf
2 2
3 4 0 4 4 3 4 4 0
0 0 0 0
Verse
E A7
4. Pa - ra - noi - a strikes
p
let ring
4
3 5 3
9 5 4
0 0 0 0 0 0 0
2 0 0 0 0 0 2
2 1 1 1 1 1 0
2 2 2 2 2 2 2
0 2 2 2 2 2 0
0 0 0 0 0
3
2 2 2
0 3 4 4 3 4 4 4
0 0
8
A7sus4('6) E A7
3 3
deep, in - to your life it will
5 3
mf
1
1/2
1/4
2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0
2 3 3 3 3 0 0 0 0 0 2
0 0 0 0 0 1 1 1 1 1 0
2 4 4 4 4 2 2 2 2 2 2
0 0 0 0 0 0 2 2 2 2 2 2 0
0 0 0 0 0 0
Riff E End Riff E
3 3
2 2 2 2
0 3 4 4 4 3 4 4 4
0
Gtr. 3: w/ Riff E (2 1/2 times)
A7sus4('6) E A7 A7sus4('6) E
creep. It starts when your al - ways a - fraid. Step out of
Gtr. 1
1
8 10 10
8 9
0 2 0 2 0 2 0 2
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 3 3 3 3 0 0 0 0 0 2 2 2 2 3 3 3 3 0
0 0 0 0 0 1 1 1 1 1 0 0 0 0 0 0 0 0 1
2 4 4 4 4 2 2 2 2 2 2 2 2 2 4 4 4 4 2
0 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 2 2
0 0 0 0 0 0 0 0
9
A7 A7sus4('6)
line, the man come and take you a - way. We bet - ter
8va
grad. release
Harm.
7
10 10
0 0 0 0 0 0 X 0 0 0 X X 0 0 0 0 X X
0 0 0 0 0 0 X 2 2 2 X X 3 3 3 3 X X
1 1 1 1 1 1 X 0 0 0 X X 0 0 0 0 X X
2 2 2 2 2 2 X 2 2 2 X X 4 4 4 4 X X
2 2 2 2 2 2 X 0 0 0 X X 0 0 0 0 X X
0 0 0 0 0 0
Chorus
E D A7 A#º7
Voc. Fig. 1 End Voc. Fig. 1
stop. Hey, what’s that sound? Ev - ’ry - bod - y look what‘s go - in’. We bet - ter
(Stop, What’s that sound? Ev - ’ry - bod - y look what‘s go - in’ down.)
8va
Gtr. 1
let ring
7 4 2 0
3 2 2 2
4 6 3 3 3
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 2
0 2 2 2 X X X 0 0 0 X X X 0 0 0 X X
0 3 3 3 X X X 2 2 2 X X X 2 2 2 X X
1 2 2 2 X X X 0 0 0 X X X 0 0 0 X X
2 0 0 0 X X X 2 2 2 X X X 2 2 2 X X
2 X 0 0 0 X X X 1 1 1 X X
0
Gtr. 3
let ring
5 3 2 0
2 6 6 4 2 0
0 2
0
0
10
Gtr. 2: w/ Rhy. Fig. 1 (till fade)
Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)
E D A7 A#º7
stop. Hey, what’s that sound? Ev - ’ry - bod - y look what‘s go - in’. We bet - ter
Gtr. 1
let ring 1
hold bend
1/2 1/2
4 7
8 10 10 10 8 10 10 10
0 4 6 6 9 9
Riff F End Riff F
Gtr. 3
let ring
5 3 2 0
2 6 4 2 0
0
0
0
Gtr. 3: w/ Riff F (till fade)
E D A7 A#º7
*
stop. Now, what’s that sound? Ev - ’ry - bod - y look what’s go - in’. We bet - ter
Gtr. 1
1/2 hold bend
1 1 1
10 10 10 7 7
10 10 10 8 10 10 10 10 10
9
*Lead & bkgd. vocal, begin fade.
E D A7 A#º7
stop. Chil - dren, what’s that sound? Ev - ry - bod - y look what‘s go - in’.
Gtr. 1
1 1
1 1/2 1 1/2
7 7 7 10 10
10 10 8 10 10 8 10 10
9
Begin fade Fade out
E D A7 A#º7 E D
8va
1 1 1 1 1
15 17 17 17 17 15 15 15 17 17 17 15 17 17 17 17 15
17 17 15 17 17 15
11
from Creedence Clearwater Revival - Willie and the Poor Boys
Fortunate Son
Words and Music by John Fogerty
A5 G5 D5 E5
5fr
11 133 113 11
Tune down 1 step:
(low to high) D-G-C-F-A-D
Intro
Moderately q = 128
*A G/A D/A
Gtrs. 1 & 2 (clean)
(Bass & drums)
f
let ring
5 3 2
4 6 2 4 0 2
*Chord symbols reflect overall harmony.
A G/A D/A
let ring
1/4
0 5 3 2
0 2 4 6 2 4 0 2
3 0
Verse
Gtr. 2 tacet
A A5 G5
Rhy. Fig. 1
Gtr. 3
(dist.)
p
3 3
1. Some folks are born made to wave the flag,
Gtr. 1 Rhy. Fig. 2
let ring
1/4
0
0 2 2 2 2 2 2
2 2 2 2 2 5 5 5 5 5 5
0 3 0 0 0 0 0 0 5 5 5 5 5 5
2 3 3 3 3 3 3
Gtr. 2
let ring
1/4
0
0 2 2
2
0 3 0 0
Copyright © 1969 Jondora Music
Copyright Renewed
International Copyright Secured All Rights Reserved 1
D5
A5
End Rhy. Fig. 1
3
ooh, their red, white and blue.
Gtr. 1
2 2 2 2 2 2
7 7 7 7 7 7 2 2 2 2 2 2
5 5 5 5 5 5 0 0 0 0 0 0
5 5 5 5 5 5
Gtr. 4 (dist.)
f
1/2
2
5 2 2
5 4
3
G5
D5
3
3
And when the band plays “Hail to the Chief,” ooh, they point the can - non at
2 2 2 2 2
2 2 2 2 2 5 5 5 7 7 7 7 7
0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5
2 3 3 3 3 4 5 5 5 5 5 5
2
2
2
0
2
Chorus
A5 A5 E5
Rhy. Fig. 3A
you, Lord. But it ain’t me, it ain’t me;
End Rhy. Fig. 2 Rhy. Fig. 3
2 2 2 2 2 2 2 2 2 2 7
2 2 2 2 2 2 2 2 2 2 9 9 9 9 9 7
0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7
0 0 0 0 0
1/4 1/4
2 0 2
2 2 2
4 0 3 0
0 0 3
D5
A5
End Rhy. Fig. 3A
I ain’t no sen - a - tor’s son, son.
End Rhy. Fig. 3
2 2 2
7 7 7 7 7 7 2 2 2 2 2 2
7 7 7 7 7 7 2 2 2 2 2 2
5 5 5 5 5 5 0 0 0 0 0 0
1 1/2 1/2
3
4 4 2
0 4
3 0 0 3
3
Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A
E5 D5
It ain’t me, it ain’t me; I ain’t no for - tu - nate one,
Gtr. 4
1/4 1
3
4 4
2 2 0 3 4
0
0 0 3
Verse
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
A5 A5 G5
no. 2. Some folks are born sil - ver spoon in hand.
3. Some folks in - her - it star - span - gled eyes.
1/2
2 2
4 4 2 2
3 0
D5 A5
Lord, don’t they help them - selves, y’all? But when the tax man come
Oo, they send you down to war, y’all. And when you ask ’em, “How
1/2 1/2
2 0 2
2
3 0 3 0
3
G5 D5 A5
to the door, Lord, the house look, a, like a rum - mage sale, yeah, now.
much should we give?” Oo, they on - ly an - swer, “More, more, more,” y’all.
1/2
5 2 2
5 2 4
3
4
Chorus
Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A (2 times)
A5 E5 D5 A5
Well, it ain’t me, mil - loin - aire’s son, no, no.
it ain’t me; I ain’t no
It ain’t me, mil - i - tar - y son, son, boy.
1/4 1 1
3
4 4 2 4 4 4 2 2
2 2 0 3 4 4
0
0 0 3
T o Coda
E5 D5 A5
it ain’t me, it ain’t me; I ain’t no for - tu - nate one, no.
1/4
1 1/2
3
4 4 2
2 2 0 3 4 2
0 3 0
0 0 3
Interlude
Gtr. 4 tacet
A7 Aº7 G/A A
Gtr. 1
8 7 7 3 3 5
9 8 8 4 4 6
Gtr. 2
8 7 7 3 3 5
9 8 8 4 4 6
X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
D.S. al Coda
A7 Aº7 G/A A
Yeah, yeah.
Gtr. 1
8 7 7 3 3 5
9 8 8 4 4 6
Gtr. 2
8 7 7 3 3 5
9 8 8 4 4 6
X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 3
f p
Coda
Gtr. 1: w/ Rhy. Fig. 3 (till fade)
Gtr. 3: w/ Rhy. Fig. 3A
A5
no. It ain’t me,
1
2 4 2 2
2 2 4 2
0
6
E5 D5 A5
it ain’t me; I ain’t no for - tu - nate one, no, no, no.
1/4
1
1/4
3
4 4 2 2 2 2
2 0 3 4 2 4 2 4 2 4
3
0 0 3
Begin fade
E5 D5
It ain’t me, it ain’t me; I ain’t no for - tu - nate son,
Gtr. 4
1/4
3
4 4
2 2 0 3 4
0
0 0 3
Gtr. 2
1
3
2 4 4
2 4 4 2 0 3 4
0 2 4 4
0
Fade out
A5 E5
son, son, y’all. But it ain’t me, it ain’t me;
1
2 4 2 2 2
2 4 4 2 2 4 4 2
0 2 2 4 4
0
1/2
2 2 2 2
4 4 2 2 4 4 2
2 2 0 2 2 4 4
0
7
from Fleetwood Mac - Rumours
Go Your Own Way Words and Music by Lindsey Buckingham
Gtr. 3: Capo V
(Am) (F) (G) (C/G) (Csus2)
231 3211 3 3 2 1 3 1
Intro Verse
Moderately fast q = 138
F5 F
*
[C]
1. Lov -ing you is - n’t the right
Rhy. Fig. 1B
Gtr. 3 (12-str. acous.)
mf
1 1 1 1 X 1 1 1 1 X 1
0 0 0 0 X 0 0 0 0 X 0
0 2 0 2 X 0 2 0 2 X 0
3 3 3 3 X 3 3 3 3 X 3
Gtr. 1
Rhy. Fig. 1
(elec.)
mf
w/ slight dist.
P.M. P.M.
10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
Gtr. 2 (elec.) Rhy. Fig. 1A
mf
w/ slight dist.
P.M. P.M.
1
3
1 1
3
1 1
3
1
3
1 1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
*Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above reflect actual sounding chords.
Capoed fret is “0” in tab. Chord symbols reflect basic harmony.
© 1976 (Renewed) NOW SOUNDS MUSIC
All Rights Reserved Used by Permission 1
C Bb
[G] [F]
thing to do. How can I ev - er change things
1 1 1 1 X 1 1 1 1 1 1
1 1 X 1 1 1 1 1 0 0 0 0 1 1 1 1 1 1 X 1 1 1 1 1 1
0 0 X 0 0 0 0 0 0 0 0 0 0 0 0 2 0 2 X 0 2 0 2 2 0
2 0 X 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 X 3 3 3 3 3 3
3 3 X 3 3 3 3 3 X X X X X X
3 3 3 3 3 3
P.M. P.M.
5 5 5 5 3 3 3 3 3 3
10 10 10 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3
10 10 10 10 10 10 10 5 5 5 5 7 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
8 8 8 8 8 8 8 8 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
P.M. P.M.
5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1
F
[C]
that I feel? If I could, ba - by, I’d give
1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 X 1 1 1 1 X 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 X 0 0 0 0 X 0 0 0 0 0 0
3 3 3 3 3 3 3 0 0 2 2 2 X 0 2 0 2 X 0 2 0 2 2 2
3 3 3 3 3 X 3 3 3 3 X 3 3 3 3 3 3
P.M. P.M. P.M. P.M.
10 11 10
3 3 3 3 X 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
3 3 3 3 3 3 X 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
1 1 1 1 1 1 X 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
P.M.
3 3 3 3 3 3 3
1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2
C Bb
[G] [F]
you my world. How can I
0 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 0 0 3 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 0 2 2 2 0
2 0 0 2 2 2 2 0 0 0 0 0 0 0 3 3 3 3 3 3 3
3 3 3 3 3 3 3 X X X X X X X
3 3 3 3 3 3 3
P.M. P.M. P.M.
6 6 6 5 5 3 3 3
10 10 10 10 X 5 5 5 5 5 5 5 3 3 3 3
10 10 10 10 10 10 X 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3
8 8 8 8 8 8 X 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1
P.M.
5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1
F
[C]
when you won’t take it from me?
End Rhy. Fig. 1B
(cont. in slashes)
1 1 1 1 1 1 1 1 1 1 1 1 1 X
1 1 1 1 1 1 1 1 1 1 1 1 1 X 1 1 1 1 1 1
0 2 0 2 2 2 0 0 0 0 0 0 0 X 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 X 0 2 0 2 2 2
3 3 3 3 3 3
End Rhy. Fig. 1
P.M. P.M. P.M. P.M.
3 3 3 3 3 3 3 3 10 10
3 3 3 3 3 3 3 3 3 10 10 10 10 10 10 X
3 3 3 3 3 3 3 3 3 3 3 3 10 10 10 10 10 10 X
1 1 1 1 1 1 1 1 1 1 1 1 8 8 8 8 8 8 X
End Rhy. Fig. 1A
P.M.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3
1 1 1 1 1 1 1
3
Chorus
**[Am] [F] [G] [C/G] [G] [C/G] [G]
Rhy. Fig. 2A End Rhy. Fig. 2A
Gtr. 3
Go your own way.
You can go your own way.
*Gtrs. Rhy. Fig. 2 End Rhy. Fig. 2
1&2
let ring
5 5 5 5 5
6 6 X 6 6 6 3 X 3 3 6 5 5 5 5 5 5 5
7 7 X 7 7 7 3 3 3 X 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 7
7 7 7 X 7 7 7 3 3 3 X 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
5 X 5 5 5 0 1 1 1 X 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5
*Composite arrangement
**See top of first page of song for chord diagrams pertaining to rhythm slashes.
[Am] [F] [G] [C/G] [G] [C/G] [G]
You can call it an - oth - er lone - ly day.
P.M.
6 6 6 3 6 5 5 5 5
7 7 7 7 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 7
7 7 7 7 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 7
5 5 5 5 0 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 5
To Coda
[Am] [F] [G] [Csus2]
Go your own way.
You can go your own way.
5 5 5 5
6 6 6 6 3 3 3 3 6 5 6 6
7 7 7 7 7 3 3 3 3 3 3 5 5 5 5 5 5 X
7 7 7 7 7 3 3 3 3 3 3 5 5 5 7 5 7 5 7 7 5 5 5 5 5 X
5 5 5 5 5 0 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X
4
Verse
Gtrs. 1, 2 & 3: / Rhy. Figs. 1, 1A & 1B
F C Bb
[C] [G] [F]
2. Tell me why ev - ’ry - thing turned a - round.
Gtr. 4 (elec.)
*p mf
w/ slight dist.
13 13
*Vol. swell
F
[C]
Pack - ing up, shack - ing up’s all you wan - na do.
10
C Bb
[G] [F]
If I could, ba - by, I’d give you my world.
mf fdbk.
10 10 10
D.S. al Coda
Gtr. 4 tacet
F
[C]
O - pen up, ev - ’ry - thing’s wait - ing for you.
**
10 10
**Vol. swell
5
Coda
Guitar Solo
Gtrs. 1, 2 & 3: w/ Rhy. Figs. 1, 1A & 1B
F C Bb
Gtr. 4
[C] [G] [F]
f
w/ dist.
3 5 7 5 3
3 5
Gtr. 5 (elec.)
f
w/ dist.
3 5 7 5 3
3 5
F
[C]
fdbk.
3 3 5 7 5 3
1 1
Pitch: D
C Bb
[G] [F]
mp
5 7 X X X X X X X X X 5 5 7 5 3 3 5
X X X X X X X X X
X X 1 X X X X X 0 1 0 1 X
5 5 7 5 3 3 5
6
F
[C]
*Gtrs. 4 & 5
fdbk.
3 3 5 3
1 1 3 5
*Composite arrangement Pitch: D
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (4 times) Gtr. 5 tacet
Gtr. 3: w/ Rhy. Fig. 2A (4 times)
Dm Bb C
[Am] [F] [G]
Go your own way.
You can go your own way.
3
Dm Bb C
[Am] [F] [G]
An - oth - er lone - ly
You can call it an - oth - er lone - ly day.
Gtr. 4
8va
mf
1
13 20 20
16
7
Dm Bb C
[Am] [F] [G]
day. Go your own way.
You can go your own way.
8va
loco
1
1 1
20
13 13 13 13
5 3
Dm Bb C
[Am] [F] [G]
You can call it an - oth - er lone - ly day.
Gtrs. 4 & 5
f
Outro-Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (till fade)
Gtr. 3: / Rhy. Fig. 2A (till fade)
Dm Bb C
[Am] [F] [G]
3 3 3 5 5 5 7 5
3 3 3 3 3 3 3 5 5 5 3 5 5 5 3 5 3 5
Dm Bb C
[Am] [F] [G]
5 5 7 5 3 3 3 5 7 5 3 5
5 5 3 5 5 3 5
8
Dm Bb C
[Am] [F] [G]
Gtr. 4
1 1
12 12 12 12 12 12 12 12 12 12 12 12 12 12
5 5
Gtr. 5
mp
5 5 3 3 3 3 3 3 3 5 5 3 5 7 5
3 5 5 5 5 5 5
Dm Bb
[Am] [F]
hold
1 hold bend 1 bend 1 hold bend 1
13 13 13 13 13 13 11 13 13
12 12 12 10 12 12 12 10 12 12 12 12 12 12 12 12 12 12 12 12
6
0
X
3 5 3 0 5 7 5 3 3 3 3
3 5 5 5 5 3 5 5 5 5 3 5 5
C Dm
[G] [Am]
let ring
1 1 1
1 1 1 1 1/2 1
10 10 10 10 10 10 10 10
13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
12 12 12 12 12 12 12 12
let ring
5
5 5 3 5 7 5 5 5 3 5 7 5 3 3 3
3 5 5 3 5 5
9
Bb C
[F] [G]
let ring
1
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
3 5 3 3 3
3 5 3 3 5 5 3 3 5 5 3
3 5 5 3 5
Gtr. 5 tacet Gtr. 4 tacet
Dm Bb C
[Am] [F] [G]
You can go your own way.
Gtr. 6 (elec.)
f
w/ dist. 1 1
1
13 13 13 13 13 13 13 10 13 13 10
10 13 13 13 13 10
12
Gtr. 4
1
13 13 10
12 12 10
12 12 12 12
Gtr. 5
6 6 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7
5
10
Dm Bb
[Am] [F]
You can call it an - oth -
Gtr. 6
3
string
noise
1 1
12 12 12 12 12 10
12 12 2 5 5 3 3
3 X 4
4
5
5
14 2 3
X
Begin fade
Gtr. 6 tacet
C Dm
[G] [Am]
- er lone - ly day. You can go
Gtr. 5
5 5 5 5 5 5 X 10
5 5 5 5 5 5 0 X 10 10 10 10 X 10
3 3 3 3 3 3 10 12 12 12 12 12 X
Fade out
Bb C
[F] [G]
your own way.
10 10 10 10 10
10 10 10 10 10 8 10 10 10 10 10 10 10 10 10 10 10 10 12
8 10 10 10 10 10 10 10 10 10 10 10 10 12
11
from Blind Faith - Blind Faith
Had to Cry Today
Words and Music by Steve Winwood
Intro
Moderately slow q = 78
* Gm7 Bb C Bb
Riff A End Riff A
Gtr. 1 (slight dist.)
mf
1/4
3 5 3
3 X 3 5 3 3 0
3 5 5 5 3 0 0 X 3 5 3 3
1 3 3 3 1 1 1 3 1
3 3
Riff A1 End Riff A1
Gtr. 2 (slight dist.)
mf
3
3 5 5 5 3 0 3 5 3
5 1 3 3 3 1 1 1 3 1
3 3
*Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A (2 times)
Gtr. 2: w/ Riff A1
Gm7 Bb C Bb
Gm7 Bb C Bb
Gtr. 2
3 X
3 5 5 5 3 0 X
5 1 3 3 3 1 1
3 3
Gm7 Bb C Bb
1. It’s
Gtr. 1
1/4
3 5 3
3 X 3 5 3 2
3 5 5 5 3 0 0 X 3 5 3
1 3 3 3 1 1 1 3 1
3 3
Gtr. 2
X 3 5 3
0 X 3 5 3
3 1 1 1 3 1
3 3
© 1969 (Renewed) F.S. MUSIC LTD.
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved Used by Permission 1
Verse
C7
al - read - y writ - ten that to - day will be one to re - mem -
w/ pick & finger
let ring let ring
8 8 8 8 8 12 12 10 8
8 8 8 8 8
9 9 10 12 12 12 10 10 9
10 10
Riff B
let ring let ring
3 3
5 3 3
3 5 5 3 0 3 3 3 3 5 5 3 0
3 3 3 3
Gm7 Bb C Bb
- ber. The
8va
loco
w/ pick Harm.
1/4
3 5 3
3 5 3 5 3 2
3 5 5 5 3 0 0 3 5 3
1 3 3 3 1 1 1 3 1
3 3
Pitch: G
1/4 1/4
3 6 3
5 3 3
3 5 5 5 3 3 3 5 3
5 3 5
2
C7
feel - ing’s the same as be - in’ out - side of the law.
w/ pick & fingers
let ring let ring let ring let ring
*T
8 8 8 6 6 8 8 8 6 6 5
8 8
9 9 9 7 7 7 7 7 9 9 7 5 5
10 10 8
8
*T=Thumb on 6th string
let ring let ring
1/4 1/4
3 3
5 3 5 3
3 5 3 3 3 3 3 5 3 0
5
3 3 3 3 3
Gm7 Bb5 B
w/ pick
1/4
4
3 3 4
3 5 5 5 3 0 0 3 4 4
1 3 3 3 1 1 1 2
3 3
End Riff B
3 5 3 3 6 3
5 3 3 X
3 5 5 5 3 3 X 3 4 4 2
5 4 5
3
Chorus
E7 F#7/E Am/E C#m
Had to cry to - day.
mp
w/ pick & finger w/ pick
1 1 1/4
12 12 12
12 12 9
11 11 9 11 9
12 12 12 11 10 10 11
Riff C
mp
let ring let ring
0 0 0 9
0 0 2 1 9 9 9
3 3 2 2 9
2 2 11 11 11 11 11
C A E7 F#7/E Am/E
Well, I saw your sign and I missed you there.
w/ pick & finger w/ pick w/ pick & finger
let ring let ring
8 9 7 5 12 12 12 12 12
8
8 9 7 6 12
6 12 11 11 10 10
End Riff C
let ring let ring let ring
8 0 0 0
8 5 0 0 2 1
3 3 2 2 2
10 10 6 7 2 2
4
C#m
w/ pick
hold bend
1 1 1
12
12 12 12 9 12 12
11 11 9 11 9 9 11 13 13 13 11 9
11 11 11 11
let ring
9 9 9
9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9
11 11 11 11 11 11 11
C Bb
let ring let ring let ring
8
8 10 8 8 3
8 9 10 10 10 12 12 12 12 12 10 10 9 9 7 5 7 5 3
10 3
1
let ring
10 10 8
8 10 8 8 8 10 10 8 3
9 10 10 X 9 9 9 3
10 10 10 10 3
1
Interlude
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
Gm7 Bb C Bb Gm7 Bb C Bb
2. I’m
5
Verse
Gtr. 2: w/ Riff B
C7
tak - ing the chance to see the wind in your eyes while I lis -
Gtr. 1
let ring w/ pick & finger w/ pick
T
12 10 10 8
8 8 8 8 8
9 9 9 9 9 10 12 12 12 12 10 10 9 9
10
8
Gm7 Bb C Bb
ten. You
1/4
3 5 3
3 X 3 5 3 3
3 5 5 5 3 0 0 X 3 5 3 3
1 3 3 3 1 1 1 3 1
3 3
C7
say you can’t reach me, but you want ev - ’ry - one to be free.
let ring w/ pick & finger w/ pick
12
8 8 8 8 8 8
9 9 9 9 10 10 10 9 9 9 10 10 12 12 10 8
8 8 10
8
Gm7 Bb B
1/4
3 4
3 3 4 4
3 5 5 5 3 0 0 3 4 4
1 3 3 3 1 1 1 2
3 3 3
6
Chorus
Gtr. 2: w/ Riff C
E7 F#7/E Am/E C#m
Had to cry to - day.
1/2
w/ pick
w/ pick & finger
let ring
1 1 1
12 12 12 12
12 12 12 12 12 12 9
11 11 9
12 11 11 10 10 10
C A E7 F#7/E Am/E
Well, I saw your sign and I missed you there.
w/ pick & finger
let ring let ring let ring let ring
8 9 7 5 12 12 12 12 12
8 9 9 7 7 6
7 12 12 11 11 10 10
C#m
Gtr. 1
w/ pick
1
9
9 9 9 9 9 9 11 11 11 9
9 11 9 11 9 11 9 9 11 11 11
11 9 7 7 9 11
9
Gtr. 2
let ring
9 9
9 11 11 9 9 9 9 9
9 9 9 9 9 9 9 9
11 11 11 11 11 11 11 11
7
C Bb
And I missed you there.
w/ pick w/ pick
& finger
let ring let ring
8 8
8 8 8 11 8 3
8 9 10 10 10 12 12 12 10 10 9 9 7 5 5 5 3
7 3
1
let ring
8 10 8 8
8 8 8 8 10 8 8 6 6 5 3
9 9 9 9 10 9 9 7 X X 5 3
10 7 7 3
1
Interlude
Gtr. 1: w/ Riff A
Gtr. 2: w/ Riff A1 (2 times)
Gm7 Bb C Bb
Gm7 Bb C Bb
Gtr. 1
1/4
3 5 3
3 X 3 5 3
3 5 5 5 3 0 0 X 3 5 3 3
1 3 3 3 1 1 1 3 1
3 3
Guitar Solo
Gtr. 2: w/ Riff A1 (14 times)
Gm7 Bb C Bb
10 12 12 10 12 12 12 12 10 10 12 10 12 10 10 10 10
0 0 10 12 10 12 12 10
Gm7 Bb C Bb
1/4 let ring let ring
10 10 10 10 10 10 12 10
8 8 10 12 10 12 10 12 10 12 10 12 12 10 8 10 8
10 8 10 10 10 8 10 10
8
Gm7 Bb C Bb
1/4 1/4
10 12 12 10 12 12 12 15 15 17 15 15 17
10 12 12 10 12 12 12 15 15 17 17 17 15 17 17
10 10
Gm7 Bb C Bb
1
1
1 1 1 1 1
15 15 15 15
18 18 15 15 15
17 17 17 15 17 17 15 17 17 17 17 17 15 17 15
17 17
Gm7 Bb C Bb
8va
1
1 1 1 1 1
15 15 15 15 15 15 18 18 15 15
X 15 18 18 18 18 18 18 18 18 18 18
X
17 17 17 3
Gm7 Bb C Bb
loco
3
3
1 1 hold bend 1 1/2 1 1/2 1 1/2 1 1/2 1 1/2
15
18 18 15 18 18 15 15 15
17 17 17 15 17 15 17 15 15 12 12 12 12 12
17 17 15 17 17
Gm7 Bb C Bb
let ring
1 1/2
11 11 11 13
12 12 10 12 10 10 10 9 10
12 12 10 8 10 8 10 8 8 9
10 10 10 8 10 10 10 10
Gm7 Bb C Bb
let ring
let ring
1/4 1/4
0 10 10 3 6
11 11 11 11 3 3 6 8 8
12 11 12 12 10 0
12 10 8 10 8 X
10 8 10 8
9
Gm7 Bb C Bb
1 1 1/2 1/4 hold bend
1/4 1/2 1 1
8 8 8 6 6 6
8 8 5 6 6 6
6 7 6 5 3 3 5 5 5 3 5
5 3 5
Gm7 Bb C Bb
hold hold hold let ring
1 hold bend 1 bend 1 bend 1 bend
1/2 1/4 1/4
6 6 6 6 6 3 3
5 5 5 5 5 5 5 5 5 3 5 3 3 3
5 3 5 5
5 3 1 3 1 1 13
3
Gm7 Bb C Bb
1/4 1/4 1/4 1/4 1/4 1 1 hold bend
X 15 15 15 15 15 15 15 18 18
X 15 15 15 15 15 15 15 15 17 17 17 17
17 15 17 17 15 17 17
Gm7 Bb C Bb
let ring
1 1 1 hold bend 1
15 15
15 15 15 18 18 15 18 15
15 17 17 17 17 15 17 15
17 17 17 17 15 17
Gm7 Bb C Bb
8va
1 1/2 1 1/2 1 1/2 1 1/2 1 1/2 1/2 1 1/2 1 1/2 1
15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15
17 17 15 17
17
Gm7 Bb C Bb
loco
1/4
1
15 15 17 17 17 17 17 17 17 17 15
17 15 17 17 17
10
Interlude
Gtr. 1: w/ Riff A (2 times)
Gtr. 2: w/ Riff A1
Gm7 Bb C Bb
Gm7 Bb C Bb
3. It’s
Riff D End Riff D
Gtr. 2
1
3 3 6 3
5 5 3 3
3 5 5 5 3 3 3 5 3
5 4 5
Verse
Gtr. 2: w/ Riff B
C7
al - read - y writ - ten that to - day will be one to re - mem -
Gtr. 1
let ring
3 3 5 3
5 5 6 6 5 5 5 5 5
3 5 5 5 5 5 5 5 5 3
Gm7 Bb C Bb
ber. The
1/4
T
3 5 3
3 3 5 3
3 5 5 5 3 0 3 5 3
5 1 3 3 3 1 1 1 3 1
3 3 3 3
11
C7
feel - ing’s the same as be - ing out - side of the law.
let ring
T
8 8 8 8 8
8 10 8 8 8 10 8
10 9 9 10 9 9
10 10 10 10 10
8 8
Gm7 Bb B
1/4
3 4
3 X 3 4
3 5 5 5 3 0 0 X 3 4 4
1 3 3 3 1 1 1 2
3 3
Chorus
Gtr. 2: w/ Riff C (1st 3 meas.)
E7 F#7/E Am/E C#m
3
Had to cry to - day.
let ring
mp
w/ pick & finger w/ pick
let ring let ring
1 1
12 12 12 12 12 12
12
9 11 11 9
12 12 11 11 10 10 11 11
12
C A E7 F#7/E Am/E
3
Well, I saw your sign and I missed you
Gtr. 1
w/ pick & finger
let ring let ring let ring let ring let ring
8 9 7 5 12 12 12 12 12 12
8 9 9 9 7 6
10 7 12 12 11 11 10 10
Gtr. 2
let ring let ring
0 0 0
8 5 0 2 1
9 6 7 6 4 4 3 3 2
10 10 7 7 7 2 2 2
C#m
there, woo.
w/ pick let ring
1 1
12 12
12 12 12 14 14 12 14
9 11 11 11 9 9 9 11 13 13
9 11 11 9 11 11 9 11
let ring
9 9
9 9 9 9 9 9 9 9
9 9 9 9 9 9 9
11 11 11 11 11 11
13
C Bb
5 55 33
let ring
let ring
8
8 8 8 8 8 3
8 9 10 10 12 12 10 10 9 9 7 5 3
7 5 3 3
1
let ring
8 10 8 10 6
8 10 8 6
9 9 9 7
10 10 10 10 10 10 8
Interlude
Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Riff D
Gtr. 2: w/ Riff A1
Gm7 Bb C Bb Gm7 Bb C Bb
4. I’m
Verse
Gtr. 2: w/ Riff B (1st 4 meas.)
C7
tak - ing the chance to see the wind in your eyes while I lis -
Gtr. 1
let ring 1/4
8 8 8 8 8 8
8 8 8 8 11
9 9 9 9 9 10 12 12 12 5 3
10 10 10 10 10
Gm7 Bb C Bb
ten. You say
1/4
3 5 3
3 X 3 5 3 3
3 5 5 5 3 0 0 X 3 5 3 3
1 3 3 3 1 1 1 3 1
3 3
14
C7
you can’t reach me, but you want ev - ’ry - one to be free.
Gtr. 1
let ring 1/2 1/4
8 8 8 8 8 8
8 8 11 8 11 8 13 11
9 9 9
8 10 10 10
Gtr. 2
let ring 1/4 let ring
3 3 3
1 1 3 1 5 5 3 6 4
3 3 3 3 3 0 3 3 3 5 5 7
3 3 3
Gm7 Bb B
1/4
3 4
3 3 X 3 4 4
3 5 5 5 3 0 0 X 3 4 4
1 3 3 3 1 1 1 2
3 3
let ring
3 1 3
0 3 5 5 5 5 3 3 3 4
5 5
Chorus
Gtr. 2: w/ Riff C (1st 3 meas.)
E7 F#7/E Am/E C#m
3
Had to cry to - day.
Gtr. 1
mp
w/ pick & finger w/ pick
let ring
12
14
9 11 11 13 13 11 9
12 12 11 11 10 10 9 11 11
15
C A E7 F#7/E Am/E
Well, I saw your sign and I missed you there.
Gtr. 1
w/ pick & finger
let ring let ring let ring let ring let ring
8 9 7 5 12 12 12 12 12 12
8 9 9 9 7 6
7 12 12 11 11 10 10
Gtr. 2 Riff E
let ring let ring let ring
8 5 5 0 0 0
8 5 5 5 5 0 2 2
9 6 4 6 7 4 3 2 2 2
10 10 7 6 2
C#m C A
Had to
w/ pick
1 w/ pick & finger
8 5 7 9
5 X
11 11 11 9 8 6 6 7 X
11 9 11 7
End Riff E
let ring
let ring
9 8 5 2
9 9 8 5 3 2
9 9 9 6 4 2
11 11 11 10 7
Gtr. 2: w/ Riff E (2 times)
E7 F#7/E Am/E C#m
cry to - day.
Gtr. 1
w/ pick
let ring let ring let ring 1
12 12 12 12 12 12
11 11 11 9 11 9 8
12 12 11 11 10 10 11 11 9 11 11
16
C A E7 F#7/E Am/E
3
Had to cry to - day.
let ring
w/ pick & finger
let ring let ring let ring let ring
8 10 12 12 12 12 12 12 12
8
9 9 9 11 12
10 12 12 11 11 10 10
16
C#m C A
Had to cry
w/ pick w/ pick & finger
8 5 5 7 7 9
9 8 5
9 11 9 9 9 6 6 7 7 7 9 9
9 11 9 11 11 9 10 7
11 9 7 9
9 9
E7 F#7/E Am/E C#m
3
to - day.
Gtr. 1
let ring let ring let ring w/ pick
1 1 1 hold bend 1
12 12 12 12 12
12 12 12 12
9 11 11 11 11 11 9
9 12 12 11 11 10 10 9 11 11
Gtr. 2
let ring let ring
0 0
0 2 1 9 11 9 9
3 3 2 2 9 9 9 9
2 2 2 2 11 11 11 11 11
17
C A E7 F#7/E Am/E
Had to cry to - day.
w/ pick & finger w/ pick w/ pick & finger
let ring let ring let ring let ring
8 9 7 5 12 12 12 12 12 12
8
8 9 9 9 7 6
10 6 12 12 11 11 10 10
0 0 0 0 0
w/ pick & finger w/ pick
let ring let ring
8 5 7 9 0
8 8 0 0
9 9 9 9 7 9 4 4 3 3 2 2
10 10 10 7 7 2 2 2 2 2
C#m
hold
1 bend 1 1 1/2
9 9 12 9
12 12 12 12 12 9
9 11 11 11 11 11 9 11 9 11 11
9 11 11
let ring
9 11
9 9 9 9 9 11 9 9
9 9 9 9 9 9 9 9
9 11 11 11 11 11 11 11 11
18
C Bb
Had to cry to - day.
let ring let ring let ring
8 8
8 8 8 8 5 3
8 9 10 10 10 12 12 10 10 9 9 9 7 5 5 3
7 5 3
1
let ring
10 8
8 10 8 8 8 8 10 10 8 6
9 9 9 9 9 9 10 9 9 7
10 10 10 10 10 10 10 8
Guitar Solo
Bb Gm7
w/ panning effect
1/4
3
3 3
3 3 5 5 5 3 0 0
1 1 3 3 3 1
3
w/ panning effect
1/4 1 1/4
3 3 3 5 3 5 3 10 12
3 5 5 5 3 3 5 5 5
5 3 1 3 5
Bb C Bb
w/ panning effect
1 1 1
6 6 6 6 8 6
6 3 3 6 3 6 6 8 6 8 8 6
X 5 5 5 5 3 3 3 5 7 7
X 5 3 5
w/ panning effect
1 1 1 1/4 1/4 1
13 13 13
11 13 13 13 13 13 11 13 11 11 13 13 11
12 12 11 12 12 12
19
Gm7 Bb C Bb
8 8 8 11 11 11 13 13 13 11
12 11 12 10 10 10
12 10 8 8 8 10 10 10 12 12
10 10
1
1 1
1/2 1/4
13 13 13
13 13 11 13 11
12 12 12 12 10 10 10 10 9
12 10 12 12 12 12 10 8
Gm7 Bb C Bb
11 11 13 13 13 15 15 15 13 11 13 11 11 10
12 12 10 12 10 10 12 12 12 10 12 10
12 12 12 10 8
1 1/2 1 1
1
13 13
11 13 13 13 11 13 11
10 10 12 12 10 12 12 12
8 10 13 12 0
10 8 10
Gm7 Bb C Bb
let ring
13 13 13 13 13
11 11 11 11 11 11 11
10 10 12 12 12 12 12
8 10 12 12
10 10 8 10
loco
8va
1
1 1 1
17 15 18 18 15
17 15 15 18 15 18 18 15
19 17 17 15 15 15 14
17 17 15
0 17 15 13
20
Gm7 Bb C Bb
let ring
1/4
13 13 13 13 13 15 15 15 15 13 13 13 13
11 11 11 11 11 13 13 13 13 11 11 11 13 11
12 12 12 12 12 12 14 14 14 14 12 12 12 12 10
12 10 8
let ring
3 3 6 5 3
3 3 3 3 3 6 3
0 5 5 3 2 3 2 0 0 5 3
0 3
Gm7 Bb C Bb
3 3
1 1 1/2 1 1/2 1 1/2 1 1/2 1/4
11 13 13 11 13 13 13 13 13 13 11 13 11
10 10 12 12 12 12 10
8 10 12 12
10
1 1 1
3 6 3
3 5 5 5 3 3 5
5 5 3 3 5 7 5 3 5 3 5
5 3 5 1 3 1 3 5
3
Gm7 Bb C Bb
let ring hold let ring
1 1 1bend
13 13 13
11 13 13 13 13 13 13 11 11 13 13 13 11 11 9 11 11 11
12 12 12 12 14 14 14 12 12 12 10 10 10 12 12
1 1 1 1 1 1
6 5 3
3 6 3 3 6 3 6
5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5
5 5 5 5 5
21
Gm7 Bb C Bb
1 1 let ring
13 12 10 12 13 12 10 12 10 12 13 12 10
13 13 13 13 11 13 11 13 11 11
12 12 12
1/4
6 5 3
6 3 6 3 6 3 6 3 6 6 3 6 3 6 3 6 3 6 3
5 3
5
Gm7 Bb C Bb Gm7
1 1 1 1 1 1 1 1 1
1 1 1/4
10 10 13 13 13 13 13 13 13 13 13
13 13 13 13 11 13 11 13 13 13 11
12 12 11 12
1 1 hold bend
let ring
3 3 3 3 3 3 3 3 3
6 3 3 3 3 3 3 3 3
5 5 5 5 3 3 2 0 0 0 0 0 0 0 0 0 0
5 5 3
5 3 1
Bb C Bb Gm7
1 hold bend 1 1
13 X 13 10 10 13 15
13 13 13 13 11 16 15 18 18 18 18 18
12 17
let ring let ring let ring
3 7 6 6 6 6 8 8 10 10 10 10 10
3 7 6 6 6 6 8 8 8 8 8 8 8
0 0 0 0 0 0 0 0 0 0
22
Bb C Bb Gm7
1 1 1
1
1 hold bend
18 15 15 15 15
18 18 18 18 18 15 15 15 15 15 18 18 18 15 18
17 17 17
8va
loco
let ring 1
1
10 10 10 17 18 18 18 15
8 8 8 8 8 18 15
0 0 17 15 17 17 17 17 17 15 15 17 15
17 17 15
Bb C Bb Gm7
1 hold bend
18 18 17 15 14
17 17 17 15 17 15 14 15 14 15 14 15 14 15 14 15 14 15 14
17 17 15 17 17
let ring
1/4 1/4 1/4 1/4 1/4 1/4
15 15 15 15 15 15 15 15
15 15 15 15 15 15 15 15 15 15
15 15 15 15 17 17 17 17 17 17
17 15 13 15 17 17
15 15
Bb C Bb Gm7
let ring
14 15 15 15 15 15 15
15 14 14 15 14 15 14 15 15 17 17 17 15 14 15 14
15 17 15 17 15
17
8va
1/4 1/4 1/4
1/4 1/4 1/4 1 1/4
18 18 18 18 15
15 15 15 15 15 18 18 15 18 18 15
15 15 15 15 15 15 17 15 15 17
17 17 17
23
Bb C Bb Gm7 Bb C Bb
let ring 1 hold bend
18 3 5 3
15 15 15 17 17 17 15 3 3 5 3 0
15 15 17 17 17 3 5 5 5 3 1 3 5 3
15 13 15 17 15 17 3 3 3 1 X 1 3 1
15 13 15 3 X
8va loco
1
1
18 15 17 15
17 17 17 15 15 15 17 15 3 X
17 15 3 5 5 5 3 0 X 3 5 3
5 1 3 3 3 1 1 1 3 1
3 3
Outro
Gtr. 1: w/ Riff A (2 times)
Gtr. 2: w/ Riff D (2 times)
Gm7 Bb C Bb Gm7 Bb C Bb
Free time
Gm7 Bb B B9
Gtr. 1
3
3 3
1/4
let ring
3 4 2 2 2
3 3 4 X 2 2
3 5 5 5 3 0 0 3 4 4 4
1 3 3 3 1 1 1 2 2
3 3 3
Gtr. 2
1
* 1/4 let ring
3 3 6 3 4
5 5 3 3 4 4 4
3 5 5 5 3 3 X 3 4 4
5 5 2 2 2
*Neck bend
B
3
3 3
3 3 3
let ring
2 2 5 2 5 5 4 4
2 2 2 2 2 2 2
4 4 2 2 2
3
let ring let ring
3
2 7 7 7 7 7 7
2
2 2
2 2 2 2 2
2 2
24
from The Georgia Satellites - Georgia Satellites
Keep Your Hands to Yourself
Words and Music by Daniel Baird
Intro
Moderately q = 114
*A5 A6 A5 A6 A5 A6 A5 A6 A5 A6 A5 A6
Gtr. 1 (slight dist.)
mp
P.M.
2 4 2 4 2 4 2 4 2 2 4 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Chord cymbols reflect implied harmony.
Verse
A5 A6 A5 A6 A5 A5 A6 A5 A6 A5 A6
A5 A6 A5
1. I got a lit - tle change in my pock - et go - in’ jing - a - ling - a - ling. Wants to call
mf
let ring
P.M.
2 2 4 2 2 4 2 2 2 4 2 4 2 2 4 2 2 4 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
A6 A5 A6 A5 A6 A5 A6 D5 D6 D5 D6
you on the tel - e - phone, ba - by, uh, give you a ring. But each time we talk, I get the
let ring P.M.
0 2 2 4 2 2 4
2 4 2 2 4 2 2 4 2 2 4 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
© 1986 WARNER-TAMERLANE PUBLISHING CORP. and NO SURRENDER MUSIC
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved Used by Permission 1
D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A5 A6
same old thing. Al - ways, “No hug - gie, no kiss - ie un - til I get a wed - din’ ring.” My
2 2 4 2 2 2 4 0 2
0 0 0 0 0 0 0 0 2 2 4 2 2 4 2 2 4 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E5 E6 E5 E6 E5 E6 E5
hon - ey, my ba - by, don’t put my love up - on no shelf. She said, “Don’t
1
2 2 4 2 2 4 2 2 4 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 3
A5 μ
hand me no lines and keep your hands to your - self.”
Gtr. 3 (dist.)
f
5 5 5
5 5 5
Gtr. 1
2
0
Gtr. 2 (slight dist.)
mf
2
2 2
0 3 4
2
Interlude
A7
1/2 1/2
1/2
5 5 7 5 5 5 7 7 5 7 7 5 5
5 7 5 5 7 5 7 5 5 5 7 7 5 7 7 5 5
7 5 6 7 5 5 7
4 4 2 2 4 4 2 2
2 2 2 4 2 2 4 4 2 2 4 4 2 2
0 3 4 0 0 0 0 0 3 4 0 3 4
4 2 2 2
2 2 4 2 4 2 4 2 4 2 2
0 3 4 0 0 0 0 0 0 0 0 0 0 0 3 4
Verse
A5 A6 A5 A6 A5 A6 A5 A6
2. Oo, ba - by, ba - by, ba - by, why you wan’ treat me this a, way, you know I’m
1/2 1
5 5
7 7 5 5 5 5
7 7 5 7
Rhy. Fig. 1
1/2
4 4 2
4 4 2 2 4 2 2 4 2 2 4 2 2 4
3 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2
2 2 2 2 4 2 2 4 2 4 2 2 4 2
3 4 3 4 0 0 0 0 0 0 0 0 0 0 0 0 0
3
Gtr. 3 tacet
A5 A6 A5 A6 A5 A6 D5 D6 D5
still your lov - er boy. I still feel the same way. That’s when she told me a sto - ry ’bout free
*Gtrs. 1 & 2
2 2 4 2
2 4 2 2 4 2 2 4 0 3 4 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 2 3 4
*Composite arrangement
D6 D5 A5 A6 A5 A6 A5 A6 A5
milk and a cow and said, “No hug - gie, no kis - sie un - til I get a wed - din’ vow.” My
1/2 P.M. 1/4 1/4
2 2 4 2 2
0 0 0 0 0 0 4 2 4 2 2 4 2 2
3 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3
E5 E6 E5 E6 E5 E6 E5
hon - ey, my ba - by, don’t put my love up - on no shelf. She said, “Don’t
Gtr. 2 End Rhy. Fig. 1
1/4
9 9 11 9 11 9 9 11 9 9
7 7 7 7 7 7 7 7 7 7 7 7
3
Gtr. 1
1/2
2
2 4 2 2 2 2 2 2
0 0 3 4 0 0 0 0 0 0 0 0 0 3
4
A5 μ
hand me no lines and keep your hands to your - self.”
Gtr. 3
f
8 8 8
7 7 7
Gtrs. 1 & 2
2
2 2
0 3 4
Guitar Solo
*A7
1/4 1/4
1 1 1
8 8 8 8 5 5 5 5 5
7 7 7 7 5 5 5 7 5 5 5 8 8 8 8 5
7 5 5 7 7
Rhy. Fig. 2
P.M.
2 2
2 4 2 2 4 2 2 2 4 2 2 4 2 4
0 0 0 0 0 0 0 3 4 0 0 0 0 0 0 0 0
*Chord symbols reflect basic harmony.
D7
3
1 1
10 10 10 10 10 10 0
8 8 5 5 10 12 10 10 12 10 12 10 10 0
7 7 7 5 5 9 11 12 12 10 11 12 5
7 0
4 4 2 2 2 4 4 5 5 4 4 2 0
4 4 2 2 2 2 0 0 3 4 0 0 0 0 0 0 0 0 0 3 0
3 4 4 3 3
5
A5 E7
1 1 1 1 1/2
5 5 5 5 5 0 5 5 5
5 5 5 5 5 0 5 5 5 5 5
6 5 6 5 6 5 6 7 7 7 7 7 7 5
1/2
2 2 2 2 2
2 2 0
4 3 4 3 4 3 4 3 4 2 2 2 4 0
3 0 3 4
D7 A5 E5
Oh, go, man, go!
1 1 1
5 0 8 8 8 8 8
5 8 8 5 0 0 7 7 7 7 7 0 8
7 7 7 5 5 0 0 9
7 7 5 7 7 7 7 0
End Rhy. Fig. 2
1/4
2 2 9 9 9 9 9 9 0
0 0 2 2 2 4 2 9 9 9 9 9 9 0
4 0 3 0 2 0 0 3 4 0 0 0 0 0 7 7 7 7 7 7 0
Gtr. 2: w/ Rhy. Fig. 2
A7
Gtr. 3
1 1
0 5 5 5 10
8 10 10 8 8 10 10 8 8 10 10 8 8 10 10 8 8 10 10 12 10 0 5 5 5
9 11 11 9 9 11 11 9 9 11 11 9 9 11 11 9 9 11 11 12 9 0 7 7 7 12
Gtr. 1
1/4
2 3 5 3 2 3 2 3 2 3 5 3 2 2 3 2
0 X 6 X X X 0 X X X 6 X 0 0 X X
2 4 5 4 2 4 2 4 2 4 5 4 2 2 4 2
0 0 0 0 0 0 0 0 0 0 0 3
6
Gtr. 1: w/ Rhy. Fig. 2 (last 8 meas.)
D7 A5
Gtr. 3
let ring
1 1 1
10 10 5 5 5 5 5 8
10 13 13 13 13 13 5 5 5 5 5 5 5 0 7
12 12 12 5 6 5 6 5 6 5 6 0
E7 D7 A5 E5
O - ver here! 3. You see, I want - ed
1/2
1/2 1/2 1 1 1
8 8 8 8 8 5 7 7 5 5
7 7 7 7 7 5 7 7 5 7 7 8 8 8 8 8 8 5 5
7 7 5 7 7 7 5
7
Verse
Gtr. 2: w/ Rhy. Fig. 1
A5 A6 A5 A6 A5 A6 A5 A6 A5 A6 A5 A6 A5
3
her real bad, and I was a - bout to give in. Uh, that’s when she start - ed talk - in’ a - bout true love, start - ed
5 5 5 5 5 5 5
5 5 5 5 5 5 5
5 7
A6 D5 D6 D5 D6 D5 D6 D5 D6
3
talk - in’ a - bout sin. I said, “Hon - ey, I’ll live with you for the rest of my life.” She said, “No
Gtr. 3
5 5 10 10 10 10
5 5 10 10 10 10
12 10
Gtr. 1
1/2 P.M. P.M. P.M.
2 4 2 4 2 2 4 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2
7
A5 A6 A5 A6 A5 A6 A5 A6 E5 E6 E5 E6 E5
hug - gie, no kis - sie un - til you make me your wife, ah.” My hon - ey, my ba - by, don’t put my
5 5 5 5 12 12
5 5 5 5 12 12
P.M. P.M. P.M.
2 4 2 2 4 4 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 4 2 2 4 2
0 0 0 0 0 0
E6 E5 A5 μ
love up - on no shelf. She said, “Don’t hand me no lines and keep your hands to your - self.”
Gtr. 3
12 12 12 5 5 5 5
12 12 12 5 5 5 5
Gtr. 2
1/4
5 4 2
9 11 9 9 2 5 4 2
7 7 7 7 0
3
Gtr. 1
P.M. 1/2
0
0 5 4 2
0 2 5 4 2
2 2 4 2 0
0 0 0 0 0 3
8
Outro-Guitar Solo
Gtr. 2: w/ Rhy. Fig. 2 (till fade)
A7
Gtr. 3
1/2
1
5 5 7 5 7 7 5 5 5 5
7 7 5 7 5 7 7 5 5 5
7 7
Gtr. 1
1/2 1/2
4 4 2 2
2 2 4 4 4 2 2
0 3 4 0 0 0 0
0 3
D7
1/2
1 1/2 1/2 1
8 7 5 5 5 5 5 5 5 10 12 10 12 12 10
8 7 5 5 7 7 5 7 7 5 5 5 10 12 10 12 12 10
7 7 7 7 7 7 7 11
1/2 1/2 1/2
2 4 2 4 4 2 4 4 2 4 2 2 4 2
2 2 4 2 4 4 2 4 4 2 4 0 3 4 0 0 0
0 3 4
A5
/ 0
/0 /0 /0
1/2 hold bend 1/2
12 12 12 12 12 12 10 5 5 5 5 5
12 12 12 12 12 12 10
5 6 5 6 5 6 5 6 5 6 5 6
1/2 1/2 1/2 1/2 1/2 1/4
4 4 4 4 4 4 0 0 2 2 2 2 2
0 0 0 0 0 0 0 X
3 4 3 4 3 4 3 4 3 4
3
9
E7 D7 A5
8va
1 1
12 12 12 12 10 10 10 10 10 10 10 10 10 17 17
12 14 12 12 14 12 12 12 10 10 10 12 10 10 10 12 10 10 10 10 12 17 17 17 17 17 17
13 13 11 13 18 19 19
1/4
2 2
2 2 0 0 0 2 2 2 2 4 2 2
2 2 2 2 4 0 4 0 3 0 2 0 0 0 3 4 0 0 0 0 0
0 0 3 4
E5 A7
8va
let ring
1
17 20 20 20 20 20 17 17 17 17 17
19 19 19 19 19 17 17 19 17 17 17 17 19 17 17 17 17
19 17 18 19 19 17 18 19
19 19
5 7 5 7 5 7 5 7
9 9 9 9 9 9 0 6 6 7 6 7 6 7 6 7
9 9 9 9 9 9 0 5 5 7 5 7 5 7 5 7
0 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
8va
let ring let ring
1 1/2
1
17 17 17 17 20 20 17
17 17 17 19 17 17 19 19 17
19 19 18
5 7 5 7 5 7 5 5 7 5
6 7 6 7 5 5 6 7 6 6 7 6 0
5 7 5 7 5 5 5 7 5 5 7 5 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
10
Gtr. 1: w/ Rhy. Fig. 2 (last 8 meas.)
D7
loco
A5
Gtr. 3
/ 0 / 0 / 0
1/2 1/2
10 12 10 12 12 10 12 12 12 12 12 12 10 5 5 5 5 5
10 12 10 12 12 10 12 12 12 12 12 12 10 5
7 11 5 6 5 6 5 6 5 6 5 6 5 6
E7 D7 A5 E5
1/2 1/2 1/2 1/2
1 1/2 1/2 1/2
12 12 12 12 10 10 12 12 10 10 5 7 7 5 5 7 7 5 5 7 7 5
12 14 12 12 12 12 10 10 12 12 10 10 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7
13 13 12 7 7 7 7 7
Begin fade
A7
Gtr. 3
1/2 1/2
1/2 1/2 1
5 7 7 5 5 5 5 7 7 5 8 7 5 8 7 5 8
7 5 7 7 5 7 7 5 7 7 5 5 7 7 5 8 7 5 8 7 5 8
7 7 7 7 7
Gtr. 1
1 1/2 1/2 1/2
2 2 4 4 2 2 2 2 2
0 0 0 0 0 0 3 4 0 0 0 0
3 0 3 3 3
Fade out
D7
5
1/2
1
7 5 5 8 7 5 10 10 10 12 12
7 5 5 8 7 5 5 5 10 12 10 10 12 12
7 8 7 11 11
1/2
4 4 2 2 2 2 2 4 4
2 4 4 2 2 0 3 4 0 0 0 0
0 3 4 4
11
from Eagles - The Very Best of Eagles
Life in the Fast Lane
Words and Music by Don Henley, Glenn Frey and Joe Walsh
Intro
Moderately q = 100
* Em7
Riff A
Gtr. 1 (dist.)
mf
1/4 1/2 1/4 1/2
7 5 7 5
5 7 7 7 5 5 7 7 7 5
7 5 3 0 7 5 3
*Chord symbols reflect implied harmony.
End Riff A
1/4 1/2 1/4 1/2
7 5 7 5
5 7 7 7 5 5 7 7 7 5
7 5 3 0 7 5 3
Riff B
Gtr. 2 (dist.)
mf
1/4 1/2 1/4 1/2
14 12 14 12
12 14 14 14 12 12 14 14 14 12
14 12 10 14 12 10
12
Gtr. 1
1/4 1/2 1/4 1/2
7 5 7 5
5 7 7 7 5 5 7 7 7 5
7 5 3 0 7 5 3
© 1976, 1977 (Renewed) CASS COUNTY MUSIC, RED CLOUD MUSIC and WOW AND FLUTTER MUSIC
All Rights for CASS COUNTY MUSIC Administered by SONGS OF UNIVERSAL, INC.
All Rights for WOW AND FLUTTER MUSIC Administered by SONY/ATV MUSIC PUBLISHING LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
All Rights Reserved Used by Permission 1
G5 A5 A#5 B5
End Riff B
1/4 1/2 1/4
14 12 14 12
12 14 14 14 12 12 14 14 14 12
14 12 10 14 12 10 12 13 14
12
Fill 1 End Fill 1
1/4 1/2 1/4
7 5 7 5
5 7 7 7 5 5 7 7 7 5
7 5 3 0 7 5 3 5 6 7
Gtr. 1 tacet
Em7
Riff C
Gtr. 3 (dist.)
mf
grad. bend
1/2
5 2 X X 2 5 2 X X 2
5 7 7 7 5 2
0 3
Gtr. 2
1/2
1
14 14
14 14
7
Gtr. 1
2 2 2
2 2 2
0 0 0 0
2
1. He was a
Gtr. 3
End Riff C
grad. bend 1/2
5 2 X X 2 5 2 X X 2
5 7 7 7 5 2
X 3
Gtr. 2
grad. bend 1/2
12
12
Verse
Gtrs. 2 & 3 tacet
* E9 A/E E E9
hard - head - ed man, he was bru - tal - ly hand - some
Rhy. Fig. 1A
Gtr. 4 (slight dist.)
mf
12
11 12 12 12 X 10 9 11 12 12 12 X 12
10 11 11 11 X 9 9 10 11 11 11 X 11
11 12 12 12 X 11 9 11 12 12 12 X 12
Rhy. Fig. 1
Gtr. 1
4
2 X X 14 X X
2 X X 14 X X
0 X X 12 X X
*Chord symbols reflect overall harmony.
3
A/E E E9
and she was ter - mi - nal - ly pret - ty.
Gtr. 2
1/2
X 12
X 12
14
Gtr. 4 End Rhy. Fig. 1A
11 12 12 12 X 10 9 11 12 12 12 12
10 11 11 11 X 9 9 10 11 11 11 11
11 12 12 12 X 11 9 11 12 12 12 12
Gtr. 1 End Rhy. Fig. 1
14
14
12
Gtrs. 1 & 4: w/ Rhy. Figs. 1 & 1A
A/E E E9
She held him up and he held her for ran - som in the heart
Gtr. 2
14
Gtr. 2 tacet
A/E E E9
of the cold, cold cit - y. He had a
4
A Em7
nas - ty rep - u - ta - tion as a cru - el dude. They said he was ruth - less, they
Rhy. Fig. 2A
Gtr. 4
2 2
2 2
2 2 5 2 2
0 0 5 7 7 X
Rhy. Fig. 2
Gtr. 1
6 6 6 6
2 4 5 5 4 5 4 5 4 2 4 9 9 11 12 12 11
0 0 0 0 0 0 0 0 0 7 7 7 7 7 7
B
said he was crude. They had one thing in com - mon, they were good in bed. She’d say,
End Rhy. Fig. 2A
1/2
4 4
4 4
X 5 2 X X 2 4 4
5 2 0 1 2 2
3
End Rhy. Fig. 2
4 4 4 4 4
12 12 11 9 4 4 4 4 4 4 4 4 4 4
7 7 7 7 2 2 2 2 2 2 2 2 2 2 2 2 2 2
5
A7
“Fast - er, fast - er, the lights are turn - in’ red.”
0
2
0
2
0
P.M.
0
2
0
2 0
0
0
Chorus
Gtrs. 1 & 4: w/ Riff A (1st 3 meas.) Gtrs. 1 & 4: w/ Fill 1
Em7 G5 A5 A#5 B5
Sure - ly make you lose your mind. Yeah.
(Life in the fast lane. Life in the fast lane.)
Interlude
Gtr. 3: w/ Riff C
Em7
Spoken: Are youwith me so far?
Gtrs. 1 & 4
X
X
0
Gtr. 2
1 1/2
12
7 12 15 15 15 8
9 7
9 9 7 5
7 5
6
Verse
Gtrs. 1 & 4: w/ Rhy. Figs. 1 & 1A (2 times)
E9 A/E E E9 A/E E
2. Ea - ger for ac - tion and hot for the game. The com - ing at - trac - tion, the
Gtr. 2
1
5 5
E9 A/E E E9
drop of a name. They knew all the right peo - ple, they took all the right pills. They threw
1 1
9
12
11 11 11 11
Gtr. 2 tacet
A/E E E9
out - ra - geous par - ties, they paid heav - en - ly bills. There were
Gtrs. 1 & 4: w/ Rhy. Figs. 2 & 2A
A Em7
lines on the mir - ror, lines on her face. She pre - tend - ed not to no - tice, she was
Gtr. 5 (clean)
mp
w/ pick & finger
7 5 7 5 14 12
5 7 7 5 5 7 7 5 12 14 14 12
7
B5
caught up in the race. Out ev - ’ry eve - ning un - til it was light. He was
12
12 14 14 12 9 7 9 8 7 7
12 14 14 12 7 9 9 7 9 8 7 7
A7 A13sus4 A7 [no 3rd]
too tired to make it, she was too tired to fight a - bout it.
Gtr. 5
let ring
7 5 7 6 5
5 7 7 5 5 7 6 5
Rhy. Fill 1 End Rhy. Fill 1
Gtrs. 1 & 4
0 0 0
2 3 5
0 0 0 0
2 4 5 X 0
0 0 0 X
X
Chorus
1st time, Gtrs. 1 & 4: w/ Riff A (1 3/4 times) 1st time, Gtr. 5 tacet
2nd time, Gtrs. 1 & 4: w/ Riff A (2 times)
2nd time, Gtr. 2: w/ Riff B
2nd time, Gtrs. 5 & 8 tacet
Em7
Sure - ly make you lose your mind.
(Life in the fast lane. Life in the fast lane.
Gtr. 5
5
5
8
To Coda
2nd time, Gtr. 2: w/ Fill 2 Gtr. 2: w/ Riff B
Yeah. Ev -’ry - thing, all the time. Uh,
Life in the fast lane. Life in the fast lane.)
Guitar Solo
Gtrs. 1 & 4: w/ Fill 1 Gtr. 2 tacet
G5 A5 A#5 B5 B
huh.
*Gtr. 8 (dist.)
f
1 1 1
14 14 14 14 14 14 14 14 12 12 14 12 12
11
*Doubled throughout
Gtr. 6 (dist.)
f
w/ slide
steady gliss.
1 4 4
1 4 4
1 4 4
Gtr. 7 (dist.)
f
w/ slide
steady gliss.
1 4 4
1 4 4
1 4 4
Gtr. 2 **Gtrs. 1 & 4
let ring
1/4 let ring
14 12
14 14 12
14 12 10 12 13 14 9 9 11 12 12 11 12 12 11 9 11
7 7 7 7 7 7 7 7 7
**Composite arrangement
Fill 2
Gtr. 2
1/4 1/2
14 12
14 14 12
14 12 10
9
D
Gtr. 8
1/2
9 12 14 14
Gtr. 6
steady gliss.
mf steady gliss.
10 10 10 10
3 10 9 8 6 7 9 8 6 7
7 6 7
7
Gtr. 7
mf steady gliss.
7 7
7 7
7 7
Gtrs. 1 & 4
10 10 10 10 10 10 10
11 11 11 11 11 11 12 11
12 12 12 12 12 12 12 12 12 12
12 12 12
10 10 10
B
1 1/2 1 1 1/2
12 13 14
14 14 14 14 14 14 12 12
f
4 4 5 17
4 4
4 4
4 4 4
4 4 4
4 4 4
let ring
9 9 11 12 12 11 12 12 11 9 11
7 7 7 7 7 7 7 7 7 7
10
Gtr. 8 tacet Gtr. 4 tacet
A E5 G#5 A5 A#5 B5 C#5 D5 D#5
Gtr. 6
let ring steady gliss.
17 17
17 17 15 14 14 12 1
14 14 14 12 1
14 12 1
Gtr. 7
steady gliss.
2 9 14 13 1
2 9 14 13 1
2 1
Gtrs. 1 & 4
Gtr. 1
7 7 9 10 10 9 7 3 4 5 6
5 5 5 5 5 5 4 5 6 7
Interlude
Gtrs. 1, 6 & 7 tacet
A E A E A E A E A E A E A E A E
Rhy. Fig. 3
Gtrs. 4 & 8
f
let ring
10 9 9 10 9 9 10 9 9 9 10 10 10 9 9 9 10 9 9 10 9 9 10 9 9 9 10 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
11 9 9 11 9 9 11 9 9 9 11 11 11 9 9 9 11 9 9 11 9 9 11 9 9 9 11 9
Gtr. 6
9
9
9
Gtr. 7
9
9
9
Gtr. 1
11
A/E E A/E E A/E E A/E E A/E E A/E E A/E E A/E E
End Rhy. Fig. 3
Gtrs. 4 & 8
let ring
10 9 9 10 9 9 10 9 9 9 10 10 9 9 9 10 9 9 10 9 9 10 9 9 9 10 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
11 9 9 11 9 9 11 9 9 9 11 11 9 9 9 11 9 9 11 9 9 11 9 9 9 11 9
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 3
0
0
4
2
2
0
Gtr. 3: w/ Rhy. Fig. 4 (2 times)
Gtrs. 4 & 8: w/ Rhy. Fig. 3
Gtr. 2
14 17 14 17 17 14 12 12 14 12 17 14 17 17 14 12 12 14 12
13 13 13
Gtr. 1
0 0
0 0
1 1
2 2
2 2
0 0
Verse
Gtrs. 1 & 4: w/ Rhy. Figs. 1 & 1A (2 times)
Gtr. 2 tacet
E9 A/E E E9 A/E E
3. Blow - in’ and burn - in’, blind - ed by thirst. They did - n’t see the stop sign, took a turn
E9 A/E E
for the worse. She said, “Lis - ten, ba - by, you can
Gtr. 2
grad. bend 1/2
1/4 1
14 12 14 14
12 14 12 14 14
14
12
Gtr. 2 tacet
E9 A/E E E9
hear the en - gine ring. We’ve been up and down this high - way, have - n’t seen a god - damn thing.” He said,
Gtrs. 1 & 4: w/ Rhy. Figs. 2 & 2A
A
“Call the doc - tor, I think I’m gon - na crash.” “The
Gtr. 5
let ring
7 5
6 6 6 X X 4
4 5 5 5 5 X 5 7 7 5 X X 5
Em7
doc - tor say he’s com - in’, but you got - ta pay him in cash.” They went
let ring
14 12 14 14 12
12 14 14 12 12 14 14 12
B
rush - in’ down that free - way, messed a - round and got lost.
9 7 X 9 8 7 6
X
7 9 9 7 7 9 9 8 7 6
13
D.S. al Coda Coda
Gtrs. 1 & 4: w/ Rhy. Fill 1
Gtr. 5 tacet
A7 A13sus4 A7 [no 3rd] μ
They did - n’t care, they were just dy - in’ to get off and it was... huh.
Gtr. 8 Gtr. 2
1/2 1/2 1/2 1/4 1/2
14 12
14 12 10
14 12 10
3 3 3
Interlude
*Gtr. 1: w/ Riff A
E5
(Life in the fast lane.
Gtr. 5
w/ pick
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 X 12
X X X X X X X X X X X X X X X X X X X X X X X X X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 X 9
Gtr. 2
w/ flanger
9
9
7
*w/ flanger
D
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
X X X X X X X X X X X X X X X X X X X X X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7
7
7
5
14
C
Life in the fast lane.)
Gtr. 5
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
X X X X X X X X X X X X X X X X X X X X X X X X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Gtr. 2
5
5
5
3
Gtr. 1
1/4 1/2 1/4 1/2
7 5 7 5
5 7 7 7 5 5 7 7 7 5
7 5 3 0 7 5 3
A
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
X X X X X X X X X X X X X X X X X X X X X X X X X X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
2
2
2
0
flanger off
1/4 1/2 1/4 1/2
7 5 7 5
5 7 7 7 5 5 7 7 7 5 5
7 5 3 0 7 7 5 3
15
Outro-Guitar Solo
Gtr. 3: w/ Riff C (till fade) Gtr. 4 tacet
Gtr. 5 tacet
Em7
Gtr. 4
1/2 1/2
12 12
12 12
14
Gtr. 2
0
0
X X 19 X X 19
X X 19 X X 19
X X 19 X X 19
Gtr. 1
Gtr. 2
grad. release
1 3/4 1/2 1/4
2 2 2 2 2 2 2 2 0 7 9 9 7 9 7 7
9 9 7 5
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 1
let ring let ring let ring
9 11 12 12 11 12 12 11 9 11
7 7 7 7 7 7 7
Gtr. 1: w/ Rhy. Fig. 5 (till fade)
Gtr. 2
let ring
grad. bend 1/2 1
15
16 9 9 9 9 11 0 0
9 11 9 11 9 11 9 11
7 5 7
5 7 3
16
Gtr. 2
1/4 1/2 3/4 3/4 1 let ring 1/2
11 11 11 11 11 11 11 11 9 9 X 0 7
11 9 9 7 5
8va
loco
Gtr. 8
/ 0 / 0
2 2 2
1 1/2 1 1/2
20 20 17 20 20 20 17 12 14 15 15
20 20 20 20 9 13
Gtr. 2
*
P.S.
X
X
5 6 7 X X
X 4 5 X 6 7 0
*Vibrato top note only.
Begin fade
Gtr. 8 tacet
1 hold bend
12 12
15
14 14 14
let ring
X 0 X 0 X 0 0 X X X 0 X X 0
9 X 0 X 3 X 2 0 X X X 0 X X 2 3
9 X 1 X 4 X 2 0 1 X X X 2 X X 3 4
9
12 7 5
Gtr. 2
let ring w/ pick & finger
let ring let ring
X 0 X 0 X 0 0 4 3 2 0
9 X 0 X 3 X 2 0 0
9 X 1 X 4 X 2 0 1 1 4 3 2 0 1 0 1 0 1 0 1 0
9
Fade out
let ring
X 0 X 0
9 9 9 X 0 X 0 9
9 9 9 X 2 X 0 1 9
9 9 9 9
12 3 12 3 12 3 12 3
17
from Journey - Infinity
Lights
Words and Music by Steve Perry and Neal Schon
Intro
Moderately q. = 132
* D/F# Bm7 D/F# A
Gtr. 1
(semi-clean)
3
mf
w/ delay
let ring throughout
7 3 5 3 7 2 3 2
7 7 9 7 2 2 7 9 7 2 2
7 7 9 4 4 7 9 2 2
9 9 2 9 9 0
*Chord symbols reflect implied harmony.
Bm7 C D/F#
When the
Riff A End Riff A
3 5 3 5 6 5
2 2 5 5 7 7
4 4 5 5 7
2 3 9
Chorus
D/F# Bm C
lights go down in the cit - y and the
7 9 7
9 7 5 5 5 5 7 5
7 7 9 9 5 5 5 5 7 5
9 9 7 7 7 7 7
7 8 8
© 1978 LACEY BOULEVARD MUSIC and WEEDHIGH-NIGHTMARE MUSIC
All Rights for WEEDHIGH-NIGHTMARE MUSIC Administered by WIXEN MUSIC PUBLISHING INC.
All Rights Reserved Used by Permission 1
D/F# Bm C
sun shines on the bay, ooh, I
7
7 7 5 5 5 5 7 5
7 9 7 9 9 5 5 5 7
9 9 9 7 7 7 7
7 8 8 8
D/F# Bm C
wan - na be there in my cit - y, oh.
7 9 7 5 5 5 7 5
7 9 9 5 5 7 7 5
9 7 9 9 9 7 5 7
7 8 8
Bm7 C D/F#
Oh, oh.
3 5 3 5 6 5 8 7
2 2 5 5 7
4 4 5 5 7
2 3 9
2
Verse
D/F# Bm C
1. So you think you’re lone - ly,
Gtr. 2 (dist.)
mf
5 7 7 5
7 5
7
Gtr. 1
7 9 7
9 7 5 5 5 5 7 5 7
7 7 9 9 5 5 5
9 9 7 5 7 5 7 7
7 8 8 8
Gtr. 2 tacet
D/F# Bm C
well, my friend, I’m lone - ly too.
7 9 7 5 5 5 7 5 7 5
7 9 9 5 7
9 7 9 9 9 7 5 7
7 8 8
D/F# Bm C
I wan - na get back to my cit - y by the bay.
Gtr. 1 Riff B End Riff B
7 9 7 5 5 7 7 5
7 9 9 5 7 5
9 7 9 9 9 5 7 5 7
7 8 8
3
Gtr. 1: w/ Riff A
Bm7 C D/F#
Oh, oh. It’s
Bridge
Bm A G D
sad, oh, there’s been morn - ings out on the road with -
Rhy. Fig. 1
Gtr. 1
f
7 7 7 5 3 3 3
7 7 7 5 3 3 3 7 7 7 7 7 7 7
7 7 7 6 4 4 4 7 7 7 7 7 7 7
9 9 9 7 5 5 5 7 7 7 7 7 7 7
9 9 9 7 5 5 5 5 5 5 5 5 5 5
7 7 7 5 3 3 3
Bm A G D A A#
out you, with - out your charms.
7 7 7 5 3 3 3 5 5 6
7 7 7 5 3 3 3 7 7 7 5 5 6
7 7 7 6 4 4 4 7 7 7 6 6 7
9 9 9 7 5 5 5 7 7 7 7 7 8
9 9 9 7 5 5 5 5 5 5 7 7 8
7 7 7 5 3 3 3 5 5 6
Bm A G D
Oh, my, my, my, my, my, my.
End Rhy. Fig. 1
7 7 7 5 3 3 3
7 7 7 5 3 3 3 7 7 7 7 7 7 7
7 7 7 6 4 4 4 7 7 7 7 7 7 7
9 9 9 7 5 5 5 7 7 7 7 7 7 7
9 9 9 7 5 5 5 5 5 5 5 5 5 5
7 7 7 5 3 3 3
4
Gtr. 1: w/ Riff A
Bm7 C D/F#
Oh, oh. When the
Gtr. 2
8 7
9 7
9 7
9 9 7
10
Chorus
Gtr. 1: w/ Riff B (3 times)
D/F# Bm C
lights go down in the cit - y and the
7 9
D/F# Bm C
sun shimes on the bay, ooh, I
7 5 7 5
D/F# Bm C
wan - na be there in my cit - y, oh.
5
Bm C D/F#
Oh, oh.
_1
Gtr. 2
f w/ bar
_1
10 12
7 9 11
X 12 7 9
X 12 5 7 9
Gtr. 1
3 5 3 5 6 5
2 2 5 5 7 7 7 7 7 7 7 7 7 7
4 4 5 5 7 7 7 7 7 7 7 7 7 7
2 3 9 9 9 9 9 9 9 9 9 9
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 1
Bm A G D
Gtr. 2
1 1
1 1 1
12 12 12 12 10 12 10 10 12 12 12 10 12 10
12 10 10
Bm A G D A A#
3 3
1
1 1
10 7
10 7 10 12
9 9 7 7 7 9 9 9 9 7 9 9 11
9 7 9
Bm A G D
3
let ring
10 10 10 10 10 10 10 10
10 12 12 12 10 12 12 12 12 10 10 12 10 12 10
12 11 9 11 7 9 7
9 7 9 7
9 7 9 7 9 7
10 10 10
6
Bm7 C D/F#
When the
8v a
Gtr. 2
3
1
1
1/2 1/2
15 15 13 15 15 13 15 13 13 17 17 17 17
15 15 15 17 19 19 19 19 20 19 17
16 19
Gtr. 1
3 3 3 3 5 5 5 5 7
2 2 2 2 5 5 5 5 7 7 9 7
4 4 4 4 5 5 5 5 7 9 7
2 2 2 2 3 3 3 3 9 9 7
Chorus
Gtr. 1: w/ Riff B Gtr. 2 tacet
D/F# Bm C
lights go down in the cit - y and the
8v a
Gtr. 2
17
19
19
D/F# Bm C
sun shimes on the bay, ooh, I
Gtr. 1
7
7
7 9 7 5 5 7 7 5
7 9 9 5 7 5
9 7 9 9 7
7 8
7
D/F# Bm C
wan - na be there in my cit - y, oh.
7
7
7 9 7 5 5 7 5 7 5 5
7 9 9 5
9 7 9 9 7 7
7 8 8
Bm C D/F#
Oh, oh.
Mm.
Gtr. 2
mf
9 11 11 9 7
9 7
9 7 5
Gtr. 1
3 5 3 5 6 5
2 2 5 5 7 9 11
4 4 5 5 7
2 3 9
Bm C D/F#
Oh, oh.
5 7
5 7 9 7
5 9 7
2 3
3 5 3 5 6 5
2 2 5 5 7 7
4 4 5 5 7
2 3 9
8
from The Police - Reggatta De Blanc
Message in a Bottle
Music and Lyrics by Sting
Intro
Fast q = 150
C#sus2 Asus2 Bsus2 F#sus2
Riff A1 End Riff A1
Gtr. 2 (slight dist.)
f
w/ chorus
7
11 8 9 8 9
9 6 7 6
4 6 4
Riff A End Riff A
Gtr. 1 (slight dist.)
mf
w/ chorus
4
8
6 9 11 6 7
7 9 4
5 7 2
Verse
Gtrs. 1 & 2: w/ Riffs A & A1 (8 times)
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
1. Just a cast - a - way, an is - land lost at sea, oh.
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
An - oth - er lone - ly day, no one here but me, oh.
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
More lone - li - ness than an - y man could bear.
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
Res - cue me be - fore I fall in - to des - pair, oh.
© 1979 G.M. SUMNER
Administered by EMI MUSIC PUBLISHING LIMITED
All Rights Reserved International Copyright Secured Used by Permission 1
Pre-Chorus
A5 D5 E5 E6 E5 A5 A6 A5 A6 A5
I’ll send an S. O. S. to the world. I’ll send an S.
Rhy. Fig. 1
*Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
P.M.
7 7 7 9 11 9 7
7 7 7 7 7 7 7 7 5 5 5 7 7 7 7 7 7 9 7 7 7 9 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
*Composite arrangement
D5 E5 E6 E5 F#5 D5
O. S. to the world. I hope that some - one gets my,
P.M. P.M. P.M. P.M.
7 7 7 9 11 9 0 7 7 7 7 7 7 7
5 5 5 7 7 7 0 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 0
2 2 2 2 2 2 2 2
F#5 D5 F#5 D5
I hope that some - one gets my, I hope that some - one gets my
End Rhy. Fig. 1
P.M. P.M. P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7
4 4 4 4 4 4 4 0 5 5 5 5 5 5 5 0 4 4 4 4 4 4 4 0 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2
2
Chorus
C#m A C#m
mes - sage in a bot - tle, yeah.
Rhy. Fig. 2 End Rhy. Fig. 2
mf
4 5 4
5 5 5
6 6 6
6 7 6
4 7 4
5
A C#m A F#m7
Mes - sage in a bot - tle, yeah.
Gtr. 3
mp
slight P.H.
1 1 1
11 11 11 11 9 11 11 9
11
Gtrs. 1 & 2
Rhy. Fill 1
End Rhy. Fill 1
5 4 5 2
5 5 5 2
6 6 6 2
7 6 7 2
7 4 7 4
5 5 2
Verse
Gtr. 1: w/ Riff A (8 times)
Gtrs. 2 & 3 tacet
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
3
2. A year has passed since I wrote my note.
3. Walked out this morn - ing, don’t be - lieve what I saw.
Gtr. 2: w/ Riff A1 (6 times)
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
3
3
I should have known this right from the start.
Hun - dred bil - lion bot - tles washed up - on the shore.
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
3
On - ly hope can keep me to - geth - er.
Seems I nev - er no - ticed be - ing a - lone.
3
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
Love can mend your life, but love can break your heart.
Hun - dred bil - lion cast - a - ways look - ing for a home.
Pre-Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1 2nd time, Gtr. 3: w/ Fill 1
A5 D5 E5 E6 E5 A5 A6 A5 A6 A5 D5 E5 E6 E5
I’ll send an S. O. S. to the world. I’ll send an S. O. S. to the world.
F#5 D5 F#5 D5
I hope that some - one gets my, I hope that some - one gets my,
Gtr. 3
p
P.H.
1 1
9 9 7 7 9
Pitch: B
To Coda
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (7 times)
F#5 D5
C#m A
I hope that some - one gets my mes - sage in a bot - tle, yeah.
mp
1 1
11 11 11 9
11 11 9
Fill 1
Gtr. 3
p
1 1/2 1/2 1/2
7 7 4 4 6 5 4 5 4
4 4
4
C#m A C#m
Mes - sage in a bot -
grad. release
1 1 1
9
11 11 11
9 11 11
A C#m A
- tle, yeah. Oh,
1
11 11 9
11 9 9 11 11 11
C#m A C#m
mes - sage in a bot - tle, yeah.
3
1 1 1/4
9 11 11 9
11 11 11 9
11 10 9 7
9
A C#m A
Mes - sage in a bot - tle, yeah.
grad. release
let ring
P.H. 1
9
9 11 11 9
9 11 11 11
7 9 11
9 7 9
5
D.S. al Coda
F#m7
loco
8va
Gtr. 4 (clean)
mf
w/ chorus & flanger
let ring
H.H. H.H. H.H.
9(21)
10 12
9 9(21) 11
9(21)
9(21)
Gtr. 3
let ring
H.H. H.H. H.H. H.H.
2
2 2(14)
2 4(16) 4(16)
11 11 2(14) 2(14)
2(14)
2(14)
Gtrs. 1 & 2
let ring
2 2
2 2
2 2
2 2
4 4
2 2
Coda
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (7 times)
C#m A C#m A
mes-sage in a bot - tle, yeah.
Gtr. 3
mp 1
1 1 1 1/2 1/4
9
12 12 10 9
11 11 11 9 11 11 11 9 11 9 9
11 9 9 11
11
C#m A C#m A
Mes - sage in a bot - tle, yeah.
3
3
1
9 12 10 10 10 9 9
8 9 11 11 11 9 11
11 11 11
6
C#m A C#m A
Mes sage in a bot - tle, oh.
1/4
1/2
9 9 11 13 9
11 9 11 9 X 9 11 11
9 9 9 7
9 7 9
Gtrs. 1 & 2: w/ Rhy. Fill 1
C#m A F#m7
Mes - sage in a bot - tle, yeah.
1 grad. release
grad. bend
1 1
9
X 9
11 11 11 9 11 11 11 9
11
Outro
Gtr. 1: w/ Riff A (till fade) Gtr. 2: w/ Riff A1 (till fade)
Gtr. 3 tacet
C#sus2 Asus2 Bsus2 F#sus2
Send ing out an S. O. S.
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
Send - ing out an S. O. S. I’m send - ing out an S. O. S. I’m
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
send - ing out an S. O. S. I’m send - ing out an S. O. S.
End Voc. Fig. 1
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
Voc. Fig. 1
Send - ing out an S. O. S. Send - ing out an S. O. S.
w/ Voc. Fig. 1 (till fade)
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2
Gtr. 3
8va
loco
mf
rake
1 1
19 19 19 19 17 16 12 12 12 12 12
X 18 18 18 11 13 11 13 11 13
X
7
F#sus2 C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
1 1 1 1
12 12 12 12 14 14 7 10 10 10 10 10 10 10 10 9
13 13 9
11
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2
8va
1
1
19 17 16 17
22 X 22 17
18 18
11
F#sus2 C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
8va loco
1 1
17 19 19 19 19 17 16 12
18 18 18 11 13
Begin fade
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2
8va
1 1 1
12 12 12 12 12 12 12 12 12 12 12 12 12 14 14 19 19 19 19 19 19
13 11 13 13 13 13
F#sus2 C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2
loco
8va
1
19 19 17 16 12 14 14 12 14 14 12 14 12 12 12 12 12 14
18 18 18 13 13 13
Fade out
C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2 F#sus2 C#sus2 Asus2 Bsus2
8va
1 1 1
19 19
14 22 22 22 22 22 21 17
18 18
8
from Boston - Boston
Peace of Mind
Words and Music by Tom Scholz
Intro
Moderately q = 128
C#m/G# A E/B B Bsus4 B5 C#m/G# A
Gtr. 1 (acous.)
mf
5 X 9 9 7 5 5 X 5 5 X X X X
6 X 6 6 X X X X 9 9 8 X 6 6 X 6 6 X X X X
6 X 7 7 X X X X 9 9 9 9 9 9 X 6 6 X 7 7 X X X X
4 X 7 7 X X X X 7 7 9 7 7 9 X 4 4 X 7 7 X X X X
4 X 5 5 X X X X 7 7 7 7 7 7 X 4 4 X 5 5 X X X X
E/B B5 Bsus4 B5 C#m/G# A E/B B Bsus4 B5
Gtrs. 2 & 3 (elec.)
f
w/ dist.
9 11 9 7 4 4 4 6 7 9 6 7 6
7
Rhy. Fig. 1
Gtr. 1
9 5 X 9
9 6 X 6 6 6 X X X 9 8 X
9 9 9 9 9 X 6 X 7 7 7 X X X 9 9 9 9 9 X
7 7 9 7 9 X 4 X 7 7 7 X X X 7 7 9 7 9 X
7 7 7 7 7 X 4 X 5 5 5 X X X 7 7 7 7 7 X
C#m/G# A E/B B Bsus4 B5 C#m/G# A
3
4 6 7 4 6 4 6 4
4 4 7 7 4 4 4 6
End Rhy. Fig. 1
5 X 9 9 5 X
6 X 6 6 X 9 9 8 8 X 6 X 6 6 6 X X
6 X 7 7 X 9 9 9 9 9 9 X 6 X 7 7 7 X X
4 X 7 7 X 7 7 9 9 7 9 X 4 X 7 7 7 X X
4 X 5 5 X 7 7 7 7 7 7 X 4 X 5 5 5 X X
Copyright © 1976 Pure Songs
Copyright Renewed
All Rights Administered by Next Decade Entertainment, Inc.
All Rights Reserved Used by Permission 1
E/B B Bsus4 B C#m/G# A E/B B Bsus4 B5
3
4 6 7 4 6 4 6 4
7 9 6 7 6 4 4 7 7
7
9 5 X
9 9 8 8 X 6 X 6 6 X X X X 9 11 8 X
9 9 9 9 9 X 6 X 7 7 X X X X 9 9 9 9 9 X
7 7 9 7 9 X 4 X 7 7 X X X X 7 7 9 7 9 X
7 7 7 7 7 X 4 X 5 5 X X X X 7 7 7 7 7 X
E A/E E A/E E A/E E A/E E A/E E A/E E
1. Now if you’re
Gtrs. 2 & 3
Rhy. Fig. 2 End Rhy. Fig. 2
*Gtrs. 1, 4 & 5
let ring
9 10 9 9 9 10 9 10 9 10 9 9 10 9 9 10 12 12 10 9 10 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 11 13 13 11 9 9 9
9 11 9 9 9 11 9 11 9 11 9 9 11 9 9 9 11 9 9
9 11
0 0 0
*Gtrs. 4 & 5 (elec.) w/ dist. played f.
Gtr. 6 (elec.)
mf
w/ dist.
9
9
7
0
2
Verse
Gtrs. 2, 3 & 6 tacet
E A/E E A/E E A/E D5 A5 E
feel - in’ kind - a low ’bout the dues you’ve been pay - ing, fu - ture’s com - in’ much too slow.
Rhy. Fig. 3
Gtrs. 1, 4 & 5
let ring
9 10 9 9 9 10 9 10
9 9 9 9 9 9 9 9 7 7 9
9 11 9 9 9 11 9 9 11 7 7 7 7 9
9 11 0 5 5 7 7 7
0 0 5 5 0
A/E E A/E E A/E
And you wan - na run but some - how you just keep on stay - in’,
End Rhy. Fig. 3
let ring let ring
9 10 9 9 9 10 9 10
9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 11 9 9 9 11 9 9 9 11 9 9 11
7 7 9 11 9 11 9 11 0
0 0
D5 D5/A A5 B E/B B E/B B E/B B5 B B6
can’t de - cide on which way to go, whoa. Yeah, yeah, yeah.
Rhy. Fig. 4A End Rhy. Fig. 4A
Gtr. 4
7 9 8 8 9 9 9 8
7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
5 5 7 7 7 9 9 7 9 9 9 7 9 9 9 7 9 9 9
5 5 5 0 7 7 7 7 7 7 7 7 7 7 7 7 7 0
Rhy. Fig. 4 End Rhy. Fig. 4
Gtrs. 1 & 5
7
7 7 7 7
5 5 7 7 9 9 11 9 9 9 11 9 9 9 11 9 9 9 11
0 5 5 0 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0
3
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtrs. 4 & 5: w/ Rhy. Fig. 5 (2 times)
C#m/G# A E/B B Bsus4 B5 C#m/G# A
I un - der - stand a - bout in - de - ci - sion, but I don’t care if I
(I un - der - stand a - bout... oo,
Rhy. Fig. 5 End Rhy. Fig. 5
Gtrs. 4 & 5
9
6 X 9
6 X 7 7 9 9 9 9
4 X 7 7 7 7 9 7 9
4 X 5 5 0 7 7 7 7 7 0
E/B
B
Bsus4 B5
C#m/G#
A
E/B
B
Bsus4
B5
get be - hind. Peo - ple liv - in’ in com - pe - ti - tion,
oo. Peo - ple liv - in’ in com - pe - ti - tion.)
C#m/G#
A E/B B Bsus4 B5 A5
all I want is to have my peace of mind.
Rhy. Fill 1 End Rhy. Fill 1
Gtrs. 4 & 5
Gtrs. 1, 4 & 5
9
6 X 9
6 X 7 7 9 9 9 9 7
4 X 7 7 7 7 9 7 9 7
4 X 5 5 0 7 7 7 7 7 0 5
Interlude
Gtrs. 1, 4 & 5: w/ Rhy. Fig. 2
E A/E E A/E E A/E E A/E E A/E E A/E E
Yeah! Whoa. 2. Now you’re
Verse
Gtrs. 1, 4 & 5: w/ Rhy. Fig. 3 (1 1/2 times)
E A/E E A/E E A/E D5 A5 E
climb - in’ to the top of the com - pa - ny lad - der, hope it does - n’t take too long.
bod - y’s got ad - vice they just keep on giv - in’ does - n’t mean too much to me.
4
A/E E A/E E A/E
Can’t - cha see there’ll come a day when it won’t mat - ter, come
Lots of peo - ple out to make - be - lieve they’re liv - in’,
Gtrs. 1 & 5: w/ Rhy. Fig. 4
Gtr. 4: w/ Rhy. Fig. 4A
D5 D5/A A5
B E/B B E/B B E/B B5 B B6
a day when you’ll be gone? Whoa, oh.
can’t de - cide who they should be.
Fill 1A
End
Fill 1A
Gtr. 8 (elec.)
f
w/ dist. & Echoplex
P.S.
steady gliss.
X
X
Fill 1 End Fill 1
Gtr. 7 (elec.)
f
w/ dist. & Echoplex
P.S.
steady gliss.
X X X X
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gtrs. 4 & 5: w/ Rhy. Fig. 5 (4 times)
Gtrs. 7 & 8 tacet
C#m/G# A E/B B Bsus4 B5 C#m/G# A
I un - der - stand a - bout in - de - ci - sion, but I don’t care if I
(I un - der - stand a - bout in - de - ci - sion, but, oo,
E/B B Bsus4 B5 C#m/G# A E/B B Bsus4 B5
get be - hind. Peo - ple liv - in’ in com - pe - ti - tion,
oo. Peo - ple liv - in’ in com - pe - ti - tion,
Gtrs. 1, 4 & 5: w/ Rhy. Fill 1
C#m/G# A E/B B Bsus4 B5 A5
all I want is to have my peace of mind.
(oo.)
5
Bridge
Gtrs. 7 & 8: w/ Fills 1 & 1A
B5 µ A5 C#5 E5 B5 E5/B B5 µ A5 C#5 E5
Gtrs. 4, 5 & 6
2 6 9 2 6 9
9 9 9 9 9 2 6 9 9 9 9 9 9 2 6 9
9 9 9 9 9 0 0 4 0 7 9 9 9 7 9 0 0 4 0 7
7 7 7 7 7 2 4 0 7 7 7 7 7 2 4 0
T o Coda
B5 E5/B B5 µ A5 C#5 B5
B5 E5/B B5 µ A5 C#5 E5
Take a look a - head. Take a look a - head. Yeah, yeah, yeah, yeah.
2 6 9 2 6 4
9 9 9 9 9 2 6 9 9 9 9 9 9 2 6 4
9 9 9 7 9 0 0 4 0 7 9 9 9 7 9 0 0 4 0 2
7 7 7 7 7 2 4 0 7 7 7 7 7 2 4 0
Interlude
E Esus4 E Esus4 E Esus4 E Esus4 E Esus4 E Esus4 E Esus4 E
Whoa!
Gtr. 2
p
fdbk.
9 9 9 9 4 6 4 4
2 4 6 6
2 4
4
Gtrs. 4 & 5
let ring let ring
0
0
1 2 1 1 1 1 2 1 2 1 2 1 1 2 1 1 1 1 2 1 2 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Rhy. Fig. 6 End Rhy. Fig. 6
Gtr. 6
2
2
0
6
Guitar Solo
Gtr. 6 tacet
D5 A5 E A/E D5 A5 E
Gtr. 2
3
3
1
7 7 6 4 6 4 2 1
2 0
2 0
4 4
Gtr. 3
3
3
1
9 10 9
9 11 9 12 12 11 9 11 9
11
Gtrs. 1, 4 & 5
10
7 7 9 9 9 9 9 9 7 7 9
7 7 7 7 9 9 9 9 9 11 7 7 7 7 9
5 5 7 7 7 7 9 11 5 5 7 7 7
5 5 0 5 5 0
D5 A5 E A/E
8v a
loco
3
1 1 hold bend 1
19
17 17 20 20 19 17 19 17 17 19 19
16 18 18 18
16
9 12 9 9 9
11
12 11
16
10
9 9 9 9 9 7 7 9 9 9 9 9 9
9 9 9 9 11 9 7 7 7 7 9 9 9 9 9 11
7 7 9 11 11 0 5 5 7 7 7 7 9 11 11
5 5 0
7
Gtrs. 1 & 5: w/ Rhy. Fig. 4
Gtr. 4: w/ Rhy. Fig. 4A
D5 D5/A B E/B B E/B B E/B B5 B B6
8v a
Gtr. 2
1 1
14 16 17 17
12 14
11 13
8v a
Gtr. 3
3
1 hold bend
1 1
7 14 16 17 17
12 14
4 6 4 4 6 6 6 4 11 13
2 4 5 6 7 6
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gtrs. 4 & 5: w/ Rhy. Fig. 5 (4 times)
C#m/G# A E/B B Bsus4 B5 C#m/G# A
loco
Gtrs. 2 & 3
3
1
7 9 10 7 9 7 9 7
12
8 9 9 9 8 9 9
Gtr. 9 (elec.)
f 3
1/2
w/ dist.
4 5 7 4 5 4 5 4
9
4 6 6 6 4 6 6
1. 2.
Gtrs. 1, 4 & 5: w/ Rhy. Fill 1
E/B B Bsus4 B5 E/B B Bsus4 B5 A5
8v a
3 3 3
P.S.
1
19
12 10 12 10 12 10 12 10 16 17
13 11 11
13 11 13 11 13 11 18
9 14 11
X
8v a
3 3
3 P.S.
1/2
16
9 7 9 7 9 7 9 7 12 14
9 8 8
9 8 9 8 9 8 14
4 9 7
X
8
Interlude D.S. al Coda
Gtrs. 1, 4 & 5: w/ Rhy. Fig. 2
Gtrs. 2, 3 & 9 tacet
Gtr. 6: w/ Rhy. Fig. 6
E A/E E A/E E A/E E A/E E A/E E A/E E
3. Now ev - ’ry -
Coda
A5 C#5 B5 A5 C#5 B5 A5 C#5 B5
rit. poco a poco
Look a - head!
(Oo, oo, oo,
Gtr. 3 Gtr. 2
rit. poco a poco
Gtr. 3
divisi
4 5 4
4 6 4
2 4 6 4 2
Gtrs. 4, 5 & 6
rit. poco a poco
2 6 4 2 6 6 6 4 4 2 6 6 6 4 4
2 6 4 2 6 6 6 4 4 2 6 6 6 4 4
0 0 4 0 2 0 4 4 4 2 2 0 4 4 4 2 2
A5 C#5 B5 A5
C#5 B5 A5 B5
3
oo, oo.)
3
Gtr. 9
f
3
Gtr. 10 (elec.)
divisi
w/ dist.
7 9 7 5 7 9 7 5 7
4 6 4 2 4 6 4 2 4
Gtr. 2 Gtrs. 2 & 3
Gtr. 3 3
2 4 5 4 2 4 5 4 2 4 4
2
Gtrs. 4, 5 & 6
3
2 6 6 6 4 4 2 6 4 2 4
2 6 6 6 4 4 2 6 4 2 4
0 4 4 4 2 2 0 4 2 0 2
9
Breakdown
A tempo
Gtrs. 6, 9 & 10 tacet
C#5 A5 E B5 E5/B B5 C#5 A5 E B5 E5/B B5
Gtrs. 2 & 3
9 11 9 7
Gtrs. 4 & 5
9 9
6 9 6 9
6 7 7 X X X X 9 9 9 9 6 7 7 X X X X 9 9 9 9 7
4 7 7 X X X X 7 7 9 7 9 4 7 7 X X X X 7 7 9 7 9 7
5 5 X X X X 7 7 7 7 5 5 X X X X 7 7 7 7
1. 2.
Outro
Gtr. 1: w/ Rhy. Fig. 1 (till fade)
Gtrs. 4 & 5: w/ Rhy. Fig. 5 (till fade)
C#m/G# A E/B B Bsus4 B5 C#m/G# A E/B B Bsus4 B5 E/B B Bsus4 B5
Riff A End Riff A
Gtrs. 2 & 3
3
3
4 4 4 6 7 9 6 7 6 7 6 4 4 7
4 6 7 4 6 4 6 4
7
6 7 4 6 7 9
7
Gtr. 9: w/ Riff A (till fade)
C#m/G# A E/B B Bsus4 B5 C#m/G# A E/B B Bsus4 B5
Riff B End Riff B
3 3
1
11 8 9 11 8 9 8 9 8 9 11 11 9 8 9 8 9 8
11
11 11 9 11 11 9
Begin fade 3rd time, Fade out
Gtrs. 2 & 3: w/ Riff B (till fade)
C#m/G# A E/B B Bsus4 B5 C#m/G# A E/B B Bsus4 B5
Gtr. 10
3 3
7 9 10 7 9 7 9 7 9 10 10 9 7 9 7 9 7
10
9 9 9 8 9 9 8
10
from Steely Dan - Can’t Buy a Thrill
Reeling in the Years
Words and Music by Walter Becker and Donald Fagen
G A C/G A5 F#5
5fr 5fr
__ =
13421 13421 111 144 13
Intro
3
Moderately q = 138
µ *G
Gtr. 1 (dist.)
3 3 3 3
f
5 5 5 7 5 X X 5 5 5
7 6 5 5 6 7 7 X X 5 5 7
Gtr. 2 (clean)
mf
0 0
0 2 0 0 2 X
1 2 1 2 X
3 3 3 3
*Chord sumbols reflect implied harmony.
A
G
3 3
3
3
1/2
5 7 5 5 5 7
5
7 7 9 9 9 10 9 7 9 9 10 9 7
7 7 9
2 2 0
2 2 4 2 2 2 4 2 0 2 0
0 0 2 4 0 0 2 4 1 2
3 3
A G
3
3
let ring
3
3
3 7
3
2 4 4 7 7 11
9 9 10 9 7 9 7 7 7 2
7 9 9 7 5 4 0 2 4
5 0 2
w/ pick & finger
2 3 5 3
0 2 0
0 2 0 2 2 4 2 2 4 5 4 0 0 2 0
1 2 0 0 2 4 1 2
3 3 3 3
Copyright © 1972, 1973 UNIVERSAL MUSIC CORP. and RED GIANT, INC.
Copyrights Renewed
All Rights Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights Reserved Used by Permission 1
A
3 3
3
10 10 14 15 15 15 15 14 14 14 12 12 12 10 10 10 10 9 9 9 9 7 7 7 7 5 5 5 5 3 3 3 3 0 0 0
X 16
X
0 2 2
0 2 2 2 4 2 2 2 4 2
1 2 0 0 0 2 4 0 0 2 4
3 3
G A
Fill 1 End Fill 1
mf
3 *Gtr. 3
3
Gtr. 1 (Gtr. 3, cont. on lower staff)
1/2 divisi
3 3
3 3 3 3 3 5 7
4 4 5 2 6 7
5 5 5 5 5 7 2
5 5 2 3 4 5 0 7 7 5 4 0
*Piano arr. for gtr.
let ring
(cont. on upper staff)
5 5
5 5
0 0 2 2 2 2 2
0 2 0 0 2 2 2 4 2 2 2
1 2 1 2 0 0 0 2 4 0 0 4 0
3 3 3 3
Verse
Gtr. 1 tacet
D A/C# Bm7 A D A/C# Bm7
3 3 3
3
3 3 3 3
1. Your ev - er last - in’ sum - mer, you can see it fad - in’ fast. So you grab a piece of some - thin’ that you think is
Riff A
Gtr. 2
let ring let ring
5 5 5 5 5 5 5
5 5 5 5 5 3 5 5 5
2 2 2
Gtr. 3 Riff A1
7 7 5 5 5 5 7 7 5 5
7 6 7 7 6 7 7 6 7
2
A Em D#º7 Dm A/C# D
3 3 3 3
3 3
gon - na last. Well, you would - n’t e - ven know a dia - mond if you held it in your hand. The
let ring
5 5 5 5 5 5 5 5 5
5 5 5 7 8 7 7 6 6 5 5 3 5
2
5 5 7 8 5 8 7 7 6 6 5 5 7
7 7 6 8 7 7
A/C# Bm7 A
3 3 3 3
things you think are pre - cious I can’t un - der - stand. Are you reel - in’ in the
End Riff A
let ring
5 5 5 5
5 5
2
End Riff A1
7 7 5 5 5
7 6 7 7 6
Chorus
Gtr. 3 tacet
G A D/A A D/A A D/A A
3 3
years, stow - in’ a - way the time? Are you gath - er - in’ up the
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 2
let ring
2 2 3 2 3 2 3 2
0 0 2 2 2 2 2 2 2
2 0 0 0 2 2 4 2 4 2 4 2
2 2 2 0 0 0 2 4 4 0 0 0 0
3 3 3 3 3 3
3
G A D/A A
tears? Have you had e - nough of mine? Are you reel - in’ in the
Rhy. Fig. 2 End Rhy. Fig. 2
2
0 0 2 2 2 2 2
2 0 0 2 0 2 2 4 2
2 2 0 0 2 4 4 0 0
3 3 3 3 3 3
Gtr. 2: w/ Rhy. Fig. 1
G A D/A A D/A A D/A A
3 3
years, stow - in’ a - way the time? Are you gath - er - in’ up the
loco
Gtr. 1 8va
3
19 19 15 15 12 14 14 12 12
12 14 14 14 12
16 16
Gtr. 3: w/ Fill 1
G F#m A
tears? Have you had e - nough of mine?
Gtr. 1
3 3
3 3
3 3
let ring
10 12 10 10
10 12 10 12 10 10 17 19 14 17 12 14 10 12 10
11 11 9
9 11
12
Gtr. 2
3 3
2 2 2 2 5
2 2 2 2 2 2 2 2 5
0 0 2 2 2 2 2 2 2 2 2
2 0 2 0 2
2 2 4 4 4 4 4 4 0
3 3 3 3 3 3 2 2 2 2 2 2
4
Verse
Gtrs. 2 & 3: w/ Riffs A & A1 Gtr. 1 tacet
D A/C# Bm7 A D A/C# Bm7
3 3 3 3
3
3
3 3 3 3
2. You’ve been tell - in’ me you’re a gen - ius since you were sev - en - teen. In all the time I’ve known you I still don’t know
12 12
A Em Dº#7 Dm A/C# D
3
3 3 3 3 3 3
3 3 3
what you mean. The week - end at the col - lege did - n’t turn out like you planned. The things
A/C# Bm7 A
3 3 3
3
that pass for know - ledge I can’t un - der - stand. Are you reel - in’ in the
Chorus
G A
3 3
years, stow - in’ a - way the time? Are you gath - er - in’ up the
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 2
0 0 0 0 4 2 4 2 4 2 4
0 2 0 4 2 4 2 4 2 4
1 2 1 2 0 0 0 0 0 0 0 0
3 3 3 3 3 3
G A
tears? Have you had e - nough of mine? Are you reel - in’ in the
2
0 0 0 0 0 4 2 2 4 2 2
0 2 0 0 4 2 2 4 2 2
1 2 1 2 2 0 0 0
3 3 3 3
5
Gtr. 2: w/ Rhy. Fig. 3
G A
3 3
years, stow - in’ a - way the time? Are you gath - er - in’ up the
Gtr. 1
let ring let ring
3 3 7 7 5 5 9 9
2 4 5 7 7 2 6 7 9 9
G F#m
tears? Have you had e - nough of mine?
Gtr. 1
3
3 3
3 3 3
2 4 3 4 3 4
2 4
Gtr. 2
let ring
2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 0 0 0 2 0 4 4 4 4 4 4 4 4 4 4 4 4 4 4
1 2 2 1 2 2 4 4 4 4 4 4 4 4 4 4 4 4
3 3 3 3 2 2 2 2 2 2 2 2 2
Interlude
G5 A5
3 3 3 3 3 3 3 3
3 3 3 3
3 2 5 0 3 2 5 0
0 0 0 0 0 2 4 2 0 0 2 0 2 2 2 2 2 2 2 2 2
2 4 2 4 4 2 4 4 2 4 4
3 3 3 3 3 3 3 3 3 3 3 3 3
P.M.
3 3 3 3 3 3 2 3 3 3 3 3 2 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 3 5 5 5 5 3 5 5 5 5 3 5 5 5 5 5
6
G5 A5
Gtr. 4 (elec.)
3
f
w/ slight dist.
0 2
Gtr. 1
3
3 3 3 3 3 3 3
3 3 3 3
2 3 2 0 5 2 0 3 2 0 5 2 0
0 0 0 0 0 2 4 2 0 0 2 0 2 2 2 2 2 2 2 2
2 4 2 4 4 2 4 4 2 4 4
Gtr. 2
Riff B End Riff B
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
P.M.
2 3 3 3 3 3 2 3 3 3 3 3 2 3 3 3 3 3 2 3 3 3 3 3 3 5 5 5 5 5 3 5 5 5 5 5 3 5 5 5 5 5 3 5 5 5 5 5
G5 A5
3 3 3
3 3 3 3 3
3 3 3 3
2 0 5 0 2 0 5 0
0 0 0 0 0 2 3 2 0 0 2 0 2 2 0 2 2 0 2 2 2 2
0 2 0 2 2 0 2 2 2 2
3 3 3 3 3 3 3 3
3 3 3 3
3 2 5 0 3 2 5 0
0 0 0 0 0 2 4 2 0 0 2 0 2 2 2 2 2 2 2 2
2 4 2 4 4 2 4 4 2 4 4 2
3 3
3 3
(cont. in slashes)
5 5 5 5 5 X X 5 5 5 X X X 7 7 7 7 7 7 X X 7 7 7 X X X
3 3 3 3 3 X X 3 3 3 X X X 5 5 5 5 5 5 X X 5 5 5 X X X
7
Guitar Solo (Elliot Randall)
Gtr. 4 tacet
*G A G
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 2
Gtr. 1
3
3
3
3
1/2
1/2
14 14 14 9 10 7 9 5
5 6 7 5 5 7
5
7 7 7
7 7 9 0
*See top of first page of song for chord symbols pertaining to rhythm slashes.
Gtr. 2: w/ Rhy. Fig. 4
G A G
3
5 5
3
let ring
12 14 12
9 7 9 9 7 9 9 8 7 8 9 8 7 8 9 8 7 8 9 8 7 8 9 9 10 11 11 11 10 11 11 12 13 13 14
0 0 0 0
0
G A C/G A
Gtr. 2
3
Gtr. 1
3 3
12 14 12 12 14 14 12 12 14 12 12 14 12 12 14 12 0 12 14 12 12 12 14 12 12 12 14 12 12 12 14 12 0 11 12 11 11
Gtr. 3: w/ Fill 1
C/G A G A C/G A A5
3
3
3 3 3 3
3
1/2 1/2
5 5 5
7 5 5 5 8
9 11 9 9 7 9 7 7 5 5 7 8 7
7 7 7 7 7 7 7 7
Verse
Gtr. 1 tacet
Gtrs. 2 & 3: w/ Riffs A & A1
D A/C# Bm7 A D A/C# Bm7
3 3 3 3
3
3
3 3
3. I spent a lot of mon - ey and I’ve spent a lot of time. The trip we made to Hol - ly - wood is etched up -
8
A Em D#º7 Dm A/C# D
3
3 3 3 3
on my mind. Af - ter all the things we’ve done and seen you find an - oth - er man. The
A/C# Bm7 A
3
3 3 3
things you think are use - less I can’t un - der - stand. Are you reel - in’ in the
Chorus
Gtr. 2: w/ Rhy. Fig. 3 (1 1/2 times)
G A
3 3
years, stow - in’ a - way the time? Are you gath - er - in’ up the
Gtr. 1
3
0 0
5 5 5 7 5
X 7 7 9 7
X 7 9
Gtr. 2: w/ Rhy. Fig. 2
G A
tears? Have you had e - nough of mine? Are you reel - in’ in the
8va
loco
3 3 3 3
3
w/ pick & finger
15 15 15 17 12 10 9
12 10
12 12 12 14 12 0 9 7 6
9 7
Gtr. 2: w/ Rhy. Fig. 3 (1 1/2 times)
G A
3
years, stow - in’ a - way the time?
w/ pick
5 5 5
12 10 8 5 7 5 7 5
7 9 7 6 0
9 7 5 9 7 7 7
5 7 5 4
7 5 5
9
G
3
Are you gath - er - in’ up the tears? Have you had e - nough of
3
1/2
5 5 5 5 5 5 5 5 5 5 5 7 7 5
5 7 7 5 5 7 5 7 5 5 7 7 5 5 5 7 7
F#5
3 3 3
Gtr. 2
mine?
Gtr. 4
3
0 2
Gtr. 1
3
3
3
1/2
5 5
5 5
4 4 2 2
4 2 2 4 2 4
Gtr. 2: w/ Riff B (2 times)
G5 A5
Gtr. 4
3 3 3
3 3 3 3 3
0 0 0 0 0 2 3 2 0 0 2 0 2 2 0 2 2 0
0 2 0 2 2 0 2 2 2 2
Gtr. 1
3 3 3 3
3 3 3 3
0 0
2 4
0 0
2 4
0 2 4 2 0
4 2 4
0 2 0
4
2 2
2 4
2 2
4 2
10
1. 2.
Outro
Gtr. 4 tacet
G
Gtr. 1
3 3 3 3 3 3 3 3
5 5
3 2 0 5 2 0 3 2 0 5 2 0 3 2 5 0 3 2 5 0 X 5 7 7
2 2 2 2 2 2 2 2 X
Gtr. 2
Rhy. Fig. 5
3
3
3
3 3 3 3 3
(cont. on upper staff)
2 0 5 2 0 2 0 9 7 0 2 0 5 0 2 0 5 0
0 2 2 0 2 7 2 2 2 2
0 2 0
0 0 2 0
1 2
3 3
A
let ring
5 5 5 5 5 5 5 17 5 5
0 5 7 7 X 5 7 7 5 7 7 5 7 7
7 X 0
0
End Rhy. Fig. 5
3
1/2
0 0 2 2 4 X 2 2 4 2 2 2 4 4 2
0 0 2 0 2 2 4 X 2 2 4 2 2 2 4 4 2
1 2 0 0 2 4 0 0
3
Gtr. 2: w/ Rhy. Fig. 5 (till fade)
G
Gtr. 1
3 3 3 3 3 3 3
7 5 7 8 7 5 7 8 7 5 7 8 7 5 7 8 7 5 7 8 7 5 7 8 7 5 7 8 7 5
A
6 6 6 6 3
6
7 8 7 5 7 8 7 5
7 8 7 5 7 8 7 5 7 8 7 5
7 8 7 5 7 7 5 7 8 7 5
X 7 5 7 7 5
11
Begin fade
G A
let ring
3 3 3 3 3 3
1 1 1 1 1 1
5 5 5 5 5
5 5 5 5 5 5 5 5 5
7 6 7 6 7 7 6 7 7 6 7 7 6 7 7 7 7 7 7
7
A
G
3 3 3 3 3 3 3
let ring let ring let ring let ring
1 1 1 1 1
5 5 5 5 5 5 5 5 5 5 5 8 5 5
5 5 5 5 5 5 5 5 5 5 5 5 8 5 8 5
7 7 7 7 7 7 8 7 5 7 5 5
7 7 5 7 5
7
G
3 3
3
3 3 6 3 6 3
3
5 7 5 7 7 5 7 8 7 5 7 7 5 7 8 7 5 7 7 5 5 8 5
0 3 7 7 5
7 5 5
7 5 7 5 3 5 3
5 3 5
A G
8va
3 loco 3
3
3
3
3 3 3 3
1 w/ pick & finger
1 1/2 1 1 1 1
X 17 17 0
X 20 20 17 20 20 17 17 0 12 12 12 12 12 12 12 12
20 19 19 17 16 16 X 14 14
X X X 17 X X X 9 9 9 9 9 9 9 9 9
X X
Fade out
A
3 3 3 3 3
3 3 3 3
12 X 12 12 X 12 12 12 12 14 14 15 15 17 17 X 20 20 20 X 20
9 X 9 9 X 9 9 9 9 11 11 11 11 12 12 12 12 14 14 14 17 17 16 17 17 16 17 16 17 17 17 17
12
from Tom Petty & The Heartbreakers - Damn the Torpedoes
Refugee
Words and Music by Tom Petty and Mike Campbell
F#m A5 E D
Intro
Moderate Rock q = 116
134111 11 231 132
* F#m A5 E F#m A5 E
Rhy. Fig. 1A End Rhy. Fig. 1A
**Gtr. 2
f
Rhy. Fig. 1 End Rhy. Fig. 1
(Drums) Gtr. 1 (elec.)
f
w/ dist.
2 5 2 5
2 4 2 2 4
4 4 2 2 2 4 4 2 2 2
4 4 0 0 2 4 4 0 0 2
2 2 2 4 0 0 2 2 2 4 0 0
*See top of page for chord diagrams pertaining to rhythm slashes.
**Two gtrs. arr. for one, elec. & acous.
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Gtr. 3
F#m A5 E F#m A5 E
(elec.)
f w/ dist.
1 1
2
7
4
2 5
1 2 4 4 1 2 4 2 4
4 2 4 4
Verse
3rd time, Gtr. 3: w/ Fill 1
Gtrs. 1 & 2:
F#m w/ Rhy. Figs. 2 & 2A (3 times)
Gtr. 2 Rhy. Fig. 2A End Rhy. Fig. 2A
mf
1. We got some - thin’, we both know it, we don’t talk too much a - bout it.
2. Some - where, some - how, some - bod - y must have kicked you a - round some.
3. Some - where, some - how, some - bod - y must have kicked you a - round some.
Gtr. 3
7
Gtr. 1
Rhy. Fig. 2 End Rhy. Fig. 2
mf dist. off
2 X 5 X X 4 4
2 X 5 X X 5 5
2 X 6 X X 4 4
4 X 7 X X 6 6
Fill 1
Gtr. 3
4
Copyright © 1979 ALMO MUSIC CORP.
All Rights Reserved Used by Permission 1
3rd time, Gtr. 3: w/ Fill 2 Gtr. 3 tacet
E F#m A E
Ain’t no real big se - cret, all the same, some - how, we get a -
Tell me why you wan - na lay there, rev - el in your a - ban -
Who knows? May - be you were kid - napped, tied up tak-en a - way and held for ran -
Gtr. 3
mf
5 7 5 7
4 6 4 6
3rd time, Gtr. 3: w/ Fill 3 Pre-Chorus
F#m A E D
round it. Lis - ten, it don’t real - ly
don. Hon - ey, it don’t make no
- som. Hon - ey, it don’t real - ly
* Gtrs. 1 & 2
f
7
7
7
5
* Composite arrangement
B/F#
mat - ter to me. Ba - by, you be - lieve what you wan - na be - lieve.
dif - f’rence to me. Ba - by, ev - ’ry - bod - y’s had to fight to be free. You see you
mat - ter to me. Ba - by, ev - ’ry - bod - y’s had to fight to be free.
7 7 4 4 4 4 4 4 4
7 7 4 4 4 4 4 4 4
7 7 4 4 4 4 4 4 4
5 5 2 2 2 2 2 2 2
2 2 2 2 2 2 2
Chorus
1.
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A T o Coda
F#m A5 E F#m A5 E
don’t have to live like a ref - u - gee.
(Don’t have to live like a ref - u - gee.)
Gtr. 3
f
7
1
2
4
2 5
1 2 4 2 4
4
Fill 2 Fill 3
Gtr. 3 Gtr. 3
mf 1
5 7 10 7
4 6 9 6 2 4 4 2 4
2 4
2
2. Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
F#m A5 E F#m A5 E
Now, ba - by, you don’t have to live like a ref - u - gee.
(Don’t have to live like a ref - u - gee.)
f
1
4
2
2 2
1 2 4 2 4
4
Bridge
F#m A5 E E
Gtrs. 1 & 2
Oh! Ba - by, we ain’t the first.
(Don’t have to live like a ref - u - gee.)
1 1
4
12 12 10 9
1 2 4 4 9
4
A5 D
I’m sure a lot of oth - er lov - ers been burned. Right now this seems real
1
2 9 9 7 6
7
E
to you, but it’s one of those things you got to feel to be true.
1 1 1 1 1
10 10 8 7
7 4 4 4 4
3
Organ/Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (2 times)
F#m A5 E F#m A5 E F#m A5
1
2 2 0 0
5 5 5 5 9 9 10
4 4
D.S. al Coda
E F#m A5 E
0 0 0
1
1
4
10 12 12 14 14 17 17 14 17 17
4 4 2
4 2 2
0 X 4 2 0
0 X 2
Coda Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A, till fade
F#m A5 E F#m A5
No, you don’t have to
(Don’t have to live like a ref - u - gee.
let ring let ring
7 0
5 5 7 5 7
4 6 4 6
E F#m A5 E
live like a ref - u - gee. Ba - by, you
Don’t have to live like a ref - u - gee.
7
let ring let ring let ring
7 7 7 0 0
5 7 5 7 7 5 5 5 5 0
4 6 4
4
F#m A5 E F#m A5
don’t have to live like a ref - u - gee.
Don’t have to live like a
let ring
1 1 1
5
2 2 2 0 0 0 0 0 0
2 2 2 5 2 2 2 5 5 7 7 9 9 10 10 12
4 4 4
E F#m A5 E
Oh, oh, oh.
ref - u - gee.)
let ring let ring
0 0 0 0 17 14 12 17 12 12 12 12
12 14 14 17 17 14 17 14 17 14 14 14 17 14 14 14 14
F#m A5 E F#m A5 E
let ring let ring
1 1 1 1
12 0 12 0 12 0 12 0 12 0 12 0 14 12 0 14 14 14 14 14 14 14 14
14 14 14 14 14 14 14 14 0 17 17 17 17 17 17 17 17 17
Begin fade
F#m A5 E F#m A5
hold bend
1 1 1
14 14 14 14 14 14 14 14 14 14 14 14 14 14
17 17 17 17 17 17 17 17 17 17 17 17 17 17
E A
Fade out
F#m
1
14 14 14 14 14 14 14 14 14 14 14 14 14
17 17 17 17 17 17 17 17 17 17 17 17 17 17
5
from Bob Seeger & The Silver Bullet Band - Night Moves
Rock and Roll Never Forgets Words and Music by Bob Seger
A E B F# E5 A5
5fr 12fr 7fr
3211 3211 3211 3211 114 11
Intro
Moderately fast Rock q = 148
* E5 A5
Gtr. 1 (slight dist.)
Riff A
f let ring
4 4
5 5 5 5 5 5 5 2 2 2 2
2 4 4 2 4 4 2 2 2
Gtr. 2 (dist.)
Rhy. Fig. 1
f
4 2
2 2
2 0
0
*Chord symbols reflect basic harmony.
1. 2.
Verse
E5 E5 F# F#m
1. So you’re a lit - tle bit old - er and a
get your - self a part - ner, go
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 3 (clean)
Rhy. Fig. 2A
mp
2 2 2 2
2 2 2 2
3 3 3 2
2 2 2 2 2 2 4 4 4 4
2 2 2 2 2 2
0 0 0 0 0 0
Gtr. 1
Rhy. Fig. 2
End Riff A
4
2
4
2
4
2 4
2
4
2
4
2 3
4
4
3
4
4
2
4
4
Gtr. 2
End Rhy. Fig. 1
2
2
2
2
2
2
2
2
2
2
2
2
2
4
4
2
4
4
2
4
4
2
4
4
0 0 0 0 0 0 2 2 2 2
*Gtr. 2 plays Fm
Copyright © 1976 Gear Publishing Co.
Copyright Renewed
All Rights Reserved Used by Permission 1
E F#
lot less bold - er than you used to be. So you
down to the con - cert or the lo - cal bar. Check the
2 2 2 12 12 12 12 12 2
2 2 2 12 12 12 12 12 12 12 2
2 2 2 12 13 13 12 13 13 3
4 4 4 4
P.M.
2 3
4 4
4 2 2 4 2 4 2 4 2 4 4
0 0 0 0 0 0 0 0 0
2 2 2 3
4 4 4 2 2 4
4 4 4 2 2 4 4 2 2 4 4 4
2 2 2 0 0 0 0 0 0 2
F#m E
used to shake ’em down, but now you stop and think a - bout your
lo - cal news - pa - pers, chanc - es are you won’t have to go
2 2 2 2 2 2
2 2 2 2 2 2 12
3 3 3 2 2 2 12
4 4 4 4 4 4
P.M.
3 3 3 X 2 2 2 X
4 4 4 X 4 4 4 X
4 4 4 X 4 4 4 X 2
0
3 3 3 2 2 2
4 4 4 4 4 4
4 4 4 4 4 4 2
2 2 2 2 2 2 0
2
dig - ni - ty. So, now
too far. Yeah, the
End Rhy. Fig. 2A
(cont. in slashes)
12 12 12 12
12 12 12 12 12
13 13 12 13 13
End Rhy. Fig. 2
P.M.
2
2
2 2 4 2 4 2 4 2 4 0
0 0 0 0 0 0 0 0 0
P.M.
2 2 4 2 4 2 2 4 2 5 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0
Pre-Chorus
A E A
Rhy. Fig. 3
Gtr. 3
sweet six - teen’s turned thir - ty - one, you
raf - ters will be ring - ing ’cause the beat’s so strong, the
sweet six - teen’s turned thir - ty - one,
Gtr. 1
P.M.
2 2 2
2 4 2 4 2
0 0 0 0 2 4 2 4 0
0 0 0 0
Gtr. 2
2
2 2 4 2 2 4 2
0 0 0 0 0 0 0 0 2 2 4 2 2 4 0
0 0 0 0 0 0 0 0
3
E A
get to feel - in’ wear - y when the work day’s done. Well, all
crowd will be sway - ing and sing - ing a - long. And all
feel a lit - tle ti - red, feel - ing un - der the gun. Well, all
P.M.
2 2 2
2 2 4 2 4 2
0 0 0 0 2 4 2 4 0
0 0 0 0
2 2
2 2 4 2 2 4 2
0 0 0 0 0 0 0 0 2 2 4 2 2 4 0
0 0 0 0 0 0 0 0
End Rhy. Fig. 3
you got to do is get up and in - to your kicks
you got to do is get in, in - to the mix
of Chuck’s chil - dren are out there, play - ing his licks.
P.M.
2 2
2 2 4 2 4
0 0 0 0 2 4 2 4 2
0 0 0
2
2 2 4 2 2 4
0 0 0 0 0 0 0 0 2 2 4 2 2 2 4 2
0 0 0 0 0 0 0 0 0
4
B
Rhy. Fig. 4 End Rhy. Fig. 4
if you’re in a fix.
if you need a fix.
Get in - to your kicks,
4 4 4 4 4 4 4 4 4 3
4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 4
2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
F#
(cont. in notation)
Come
You can come
then come
3 3 3 3 3 3 3 3 3 X 2
4 4 4 4 4 4 4 4 4 X 4
4 4 4 4 4 4 4 4 4 X 4
2 2 2 2 2 2 2 2 2 X 2
3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2
5
Chorus
F#m B
back, ba - by, rock and roll nev - er for - gets.
Gtr. 3
Rhy. Fig. 5B
2 2 2 7 7 7
2 2 2 7 7 7 12
3 3 3 8 8 8 12
4 4 4 9 9 9
Gtr. 1
Rhy. Fig. 5
P.M.
1/4
4 4 4
2 4 4 4
4 4 4 4 2
4 2 2 2
2 3
Gtr. 2
Rhy. Fig. 5A
4 4 4
4 4 4
4 4 4 4 X 4 4 4 4 4 6
4 4 4 4 X 2 2 2 2 2 2 0
2 2 2 2 X 0
1. 2.
T o Coda
μ
E E μ
2. You bet - ter Oo, the
End Rhy. Fig. 5B
12 X 12 12 12 12 12
12 X 12 12 12 12 12
13 X 13 13 12 13 13
End Rhy. Fig. 5
P.M.
2
2 4 2
2
2 4 2
2
2
22
0 0 0 0 0 0 0
End Rhy. Fig. 5A
2 2 4 2 2 4
2
2
22
0 0 0 0 0 0 0 0 0 0
6
Bridge
Gtr. 3: w/ Rhy. Fig. 3
A E A E
band’s still play - ing it loud and lean. Lis - ten to the gui - tar play - er
Gtr. 1
2 2
2 4 2 4 2 2 4 2 4
0 0 0 0 2 4 2 4 0 0 0 0
0 0 0 0
Gtr. 2
2 4 2 4 2 4 5 4
0 0 0 0 0 2 2 4 2 4 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
A
E
mak - ing it scream. All you got to do is just make that scene to - night.
2 2 4 2 4
2 4 2 4 0 0 0 0 2 4 2 4 2
0 0 0 0 0 0 0 0
2 2 2 2 4 5 4
2 0 0 0 0 0 0 0 0 2 2 4 2 4 2
0 3 4 5 4 0 0 0 0 0 0 0
Gtr. 3: w/ Rhy. Fig. 4 (2 times)
B
Hey, to - night! Woo!
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 X X
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 X X
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 X X
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 X
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 X
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 X
7
Guitar Solo
Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A
F#
F#m E
F#
Gtr. 2
hold bend let ring let ring
1
14 16 16 16
14
13 13 13 11 11 11 14 16 16 14 16 16
11 13 13
D.S. al Coda
F#m E A
3
Well, now
3
1 1/2 1 hold bend
14 12 12 12 12 12
13 13 11 13 11 11 13 13 11 9 11 11 11 9 9
13 11 11 13 9 11 11
Coda
Gtrs. 1, 2 & 3: w/ Rhy. Figs. 5, 5A & 5B (1st 3 meas.)
F#m B
Said you can come back, ba - by, rock
Rhy. Fill 2B End Rhy. Fill 2B
Gtr. 3
12 12 X X X 2
12 12 X X X 2
13 13 X X X 2
4
Gtr. 1 Rhy. Fill 2 End Rhy. Fill 2
2
2 4
2 2 4 2 4
0 0 0 0
Gtr. 2 Rhy. Fill 2A End Rhy. Fill 2A
2 2 4 2 2 4
0 0 0 0 0 0 0 0
8
Gtrs. 1, 2 & 3: w/ Rhy. Fills 2, 2A & 2B Gtrs. 1, 2 & 3: w/ Rhy. Figs. 5, 5A & 5B
E F#m B
’n roll nev - er for - gets. Oh, come back, ba - by, rock
E μ
’n roll nev - er for - gets. Oo.
Interlude
Gtr. 1: w/ Riff A (2 times)
Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Rhy. Fill 1
E5 A5 E5
Oh, yeah. Oh, yeah.
Gtr. 3: w/ Rhy. Fill 1
A5 E5
Ha. Uh, huh. Uh, huh, nev - er for - gets.
E5 A5 E5
Rhy. Fig. 6B End Rhy. Fig. 6B
Gtr. 3
Oh, no. Oh, no. Oh, nev - er for - gets.
Rhy. Fig. 6 End Rhy. Fig. 6
Gtr. 1
0 0 0 X 0 0 0 0 X
0 0 0 X 0 0 0 0 X 2 2 2 2 2 0 0 0
4 4 4 X 4 4 4 4 X 2 2 2 2 2 1 1 1
2 2 2 X 2 2 2 2 X 2 2 2 2 2 2 2 2
Gtr. 2
Rhy. Fig. 6A End Rhy. Fig. 6A
2 2
2 2 2 4 2 2 2 4
2 4 2 4 2 4 2 4 0 0 0 0 0 0 0 2 2 4 5 4 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9
Gtrs. 1, 2 & 3: w/ Rhy. Figs. 6, 6A & 6B
A5 E5
Ah, yeah. Oo. Oh, Lord.
(Nev - er for - gets.
Outro-Guitar Solo
Gtrs. 1 & 3: w/ Rhy. Figs. 6 & 6B (till fade)
E5 A5 E5
Hey! Yeah!
Gtr. 2
1
11
12 12
9 9 6 11 11 9 11 9
11 9 11 11
A5
Nev - er for - gets, yeah. Whoa,
Nev - er for - gets.
9 9 9 9 9
9 11 9 9 11 11 9 11 11
E5
whoa. Oh, oh, oh, oh, oh, oh. Ah,
Nev - er for - gets.
1
1 hold bend 1 1 hold bend
12
12 12 12 12 12 12
11 11 9 11 9 9 11 11 11
11 11
10
A5 E5
yeah. Oo, oo. Ow!
Nev - er for - gets.)
let ring
1
11
9 8 7
12
11 11 9 7 9 8 7 9 11 9 9
11 11 11
A5 E5
1 hold bend 1 hold bend 1 hold bend let ring
9 6
9 8 7 5
12 12 12 12 12 12 12 12 12
11 11 11 11 11 9 8 7
11 11
A5
Nev - er, nev - er for - gets. Oh, no. Oh,
let ring
hold bend
1 1 1 1 1 1
13
5 0 12 12 12 12 12
0 12 15 12 15 12 15 12 12 15 12 12 15 12
2 14 14 14
E5
no.
3
1 1 1
12 12
12 12 15 12 12 15 12 15 12 15 12 12 15
14 14 14 14 14 14
11
Begin fade
A5 E5
1
11
15 14 12 14 14 12 14 12 X
14 14 12 14 12 14 14 12 14 12 X 9 11 9 9 9
14 14 14 11
A5
1/2
12 12 12 12
12 12 12 12 12 12 12 12 12 12 12 15
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 15
9 9 11 9 13
E5
1 1
14 12 15 12
14 12 14 12 14 14 14 14
14 14
Fade out
A5 E5
3
hold bend 1
1/2 1
11
15
14 14 14 12 14 12 9 11 9 9 11 11 11 11 11 11 11 9
11
12
from Yes - Fragile
Roundabout
Words and Music by Jon Anderson and Steve Howe
Intro
Free time
Gtr. 1 tacet
Em
*Gtr. 1
pp f
w/ fingers
0
0
0
*Backwards gtr. arr. for gtr.
Gtr. 2 (acous.)
3
mf
Harm.
w/ fingers
let ring throughout
12 7 5 7 5 3 5
12 7
12
12
Gtr. 2
Harm. 3
5 12 7 5 7 5 3
12 7
12 4 5 7
4 5 7
12
Gtr. 1 tacet
C Em
Gtr. 1
pp f
5
5
5
3
Gtr. 2
Harm. 3
12 7 5 7 5 3
12
12
3
12
© 1972 (Renewed) TOPOGRAPHIC MUSIC LIMITED
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
Moderately fast q = 136
*D C G/B Am G D/F# Em
Gtr. 3 (acous.)
mf
Harm.
12
12
12
Gtr. 4 (acous.)
mf
0
0
0
Gtr. 2
3
5 2 3 3 2 0 0
7 7 3 3 1 0 3 0 1 0
2 0 2 0
0
3 2 0
3 2 0
*Chord symbols reflect implied harmony.
Gtr. 2 tacet
F#m G F#m G F#m Em F#m G F#m Em
Gtr. 3
Harm.
12 12 12 12 12 12
12 7 7 7 12 12 12 7 7 12 12
12 7 5 7 5 7 12 12 12 7 5 7 12 12
5 5 5
Pitch: G G G
D D D
Gtr. 4
0 2 2 2 0 0 0 2 2 0 0
0 2 3 2 3 2 0 0 0 2 3 2 0 0
0 2 4 2 4 2 0 0 0 2 4 2 0 0
Gtr. 2
0
Gtr. 5 (elec.)
Riff A End Riff A
* pp mf
w/ slight dist.
0
2 0
2 2 0
3
*Vol. swell
2
Gtr. 5 tacet Gtr. 5: w/ Riff A
F#m G F#m G F#m Em F#m G F#m Em
Gtr. 3
Harm.
12 12 12 12 12 12
12 12 7 7 7 12 12 12 7 7 12
12 12 7 5 7 5 7 12 12 12 7 5 7 12
5 5 5
Pitch: G G G
D D D
Gtr. 4
0 0 2 2 2 0 0 0 2 2 0
0 0 2 3 2 3 2 0 0 0 2 3 2 0
0 0 2 4 2 4 2 0 0 0 2 4 2 0
Verse
Em F#m G F#m G F#m Em F#m G F#m G F#m Em
1. I’ll be the round - a - bout. The words will make you out and out.
Harm.
12 12 12 12 12 12
12 7 7 7 12 12 12 7 7 7 12 12
12 7 5 7 5 7 12 12 12 7 5 7 5 7 12 12
5 5 5 5
Pitch: G G G G
D D D D
0 2 2 2 0 0 0 2 2 2 0 0
0 2 3 2 3 2 0 0 0 2 3 2 3 2 0 0
0 2 4 2 4 2 0 0 0 2 4 2 4 2 0 0
F#m G F#m G F#m Am Bm C Bm C Bm Am
I’ll spend the day your way. Call it
Harm.
12 12 12 12
12 12 7 7 7 7 7 7
12 12 7 5 7 5 7 5 5
5 5 5 5
Pitch: G G G G
D D D D
0 0 2 2 2 3 3
0 0 2 3 2 3 2 1 3 5 3 5 3 1
0 0 2 4 2 4 2 2 4 5 4 5 4 2
3
Bm Bm/A G,7 F/G Em7
morn - ing driv - ing through the sound and in and out the val - ley.
Gtr. 5
mp
0
0
0
Gtrs. 3 & 4
*T
7 7 0
7 7 7 1 X
7 7 7 2 7
9 7 5 3 5
X 7
3
*T = Thumb on 6th string
Gtr. 6 (elec.)
mf
w/ clean tone
Interlude
Em7 F#m7 G,7 F#m7 G,7 F#m7 Em7 F#m7 G,7 Am7 Bm
0 0
0 0 5 7 5 7 5 3 3 3 5 5 7 7 8
0 0 2 4 2 4 2 0 0 2 4 5 4
Rhy. Fig. 1
0 0 0 0 0 0
X X X X X
7 7 9 11 9 11 9 7 7 7 7 9 11 12 14 14
5 5 7 9 7 9 7 5 5 5 7 9 10 12 12
7 7 9 10 9 10 9 7 7 7 9 10 12 14 14
Riff B
0 2 0 2
X 0 2 2 0 2 2 0 2
0 X X 2 X X 3 0 X X 2 X X 3 0 X X 2 X X 3 3
4
Verse
Gtr. 5 tacet
Em7 Em7 F#m7 G,7 F#m7 G,7 F#m7 Em7
2. The mu - sic dance and sing.
0 0
0 0
4 0
End Rhy. Fig. 1
0 0 0
X X X
14 14 14 14 14 14 14 14 14 14 14 14 7 7 9 11 9 11 9 7 7
12 12 12 12 12 12 12 12 12 12 12 12 5 5 7 9 7 9 7 5 5
14 14 14 14 14 14 14 14 14 14 14 14 7 7 9 10 9 10 9 7 7
End Riff B Riff C
0 2 0 2
2 X 0 2 2 0 2 2
0 X X 2 X X 3 0 X X 2 X X 3 X
F#m7 G,7 F#m7 G,7 F#m7 Em7 F#m7 G,7 F#m7
They make the chil - dren real - ly ring. I’ll spend the day
Rhy. Fig. 2
Gtrs. 3 & 4
0 0 0 0 0 0
X X X X X
7 7 9 11 9 11 9 7 7 7 7 9 11 9
5 5 7 9 7 9 7 5 5 5 7 9 7
7 7 9 10 9 10 9 7 7 7 9 10 9
Gtr. 6
0 2 0 2 0 2
0 2 2 0 2 2 0 2 2
0 X X 2 X X 3 X 0 X X 2 X X 3 X 0 X X 2 X X 3 X
5
G,7 Am7 Bm7 Am/C Bm7 Am/C Bm7 Am7 Bm Bm/A
your way. Call it morn - ing driv - ing through the sound and
0 8 8 10 10 10 10 10 8 7 7
11 0 5 5 7 9 7 9 7 5 7 7
9 7 7 9 10 9 10 9 7 9 7
10
End Riff C
2 4 7
0 0 2 3 5 2
0 X X 2 3
Gtr. 6 tacet
G,7 F,7
in and out the val - ley. In and a - round
Gtrs. 3 & 4
End Rhy. Fig. 2
0
7 1
7 2
5 3
Chorus
Gtrs. 3 & 4 tacet
G C F5 C/E F5 C/E G C F5 C/E Bb G
the lake, moun - tains come out of the sky and they stand there.
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 7
(elec.)
f
w/ slight dist.
3 3 3 3 3 6 6 3 3
3 3 5 6 6 0 3 3 3 X 3 3 5 6 0 6 6 X 3 3
4 4 5 5 5 5 5 4 4 4 X 4 4 5 5 5 7 7 X 4 4
5 5 X X X X 5 5 X 5 5 5 X X 8 8 X 5 5
5 8 7 8 7 5 5 X 5 8 7 8 8 5 5
Gtr. 7: w/ Rhy. Fig. 3 (2 3/4 times)
C F5 C/E F5 C/E G C F5 C/E Bb G
One mile o - ver we’ll be there and we’ll see you.
6
C F5 C/E F5 C/E G C F5 C/E Bb G
Ten true sum - mers we’ll be there and laugh - ing, too.
C F5 C/E F5 C/E G C F5 C/E Bb
Twen - ty - four be - fore, my love, you’ll
Em Em7
see, I’ll be there with you.
Gtr. 7
mf
w/ pick & fingers w/ pick
6 6 X 0
6 6 X 1 3 5 7 8 X 0
7 7 X X 0
8 X 2
8 X 0 2 3 5 7 2
0
Gtrs. 3 & 4
0 0 0 0 0 0
0 0 0 0 0 3
0 0 0 0 0 0
2 2 2 2 2 2
2 2 2 2 2
0 0 0 0 0
Gtr. 6
Interlude
Gtrs. 3 & 4: w/ Rhy. Fig. 1
Gtr. 6: w/ Riff B (1 1/2 times)
Em7 F#m7 G,7 F#m7 G,7 F#m7 Em7 F#m7 G,7 Am7 Bm Em7
Gtr. 7
0 0
0 0 5 7 5 7 5 3 3 3 5 5 7 7 8 7 0
0 0 2 4 2 4 2 0 0 0 2 4 4 5 4 0
2 2
2
0
7
F#m7 G,7 F#m7 G,7 F#m7 Em7
Gtr. 7
dist. off
0 0
0 0 5 7 5 7 5
0 0 2 4 2 4 2 0
2
Gtrs. 3 & 4
0 0 0 0 0
X X X X
7 7 9 11 9 11 9 7 7 7
5 5 7 9 7 9 7 5 5
7 7 9 10 9 10 9 7 7
Gtrs. 3 & 4 tacet
C Bm Am G D/F#
Gtr. 7 6 6 6 3
3
3 3
4 5 7 4 5 7 4 5 7 4 5 7 4 5 7
4 5 7 4 5 7 4 5 7 4 5 7 4 5 7
3 3 2 0
3 2
Verse
Gtr. 7 tacet
Em7 F#m7 G,7 F#m7 G,7 F#m7 Em7
3. I will re - mem - ber you.
Gtrs.
3&4
0 0 0 0 0
X X X X X
7 7 9 11 9 11 9 7 7 7
5 5 7 9 7 9 7 5 5 5
7 7 9 10 9 10 9 7 7
Gtr. 6
0 2 0 2
X 0 2 2 X 0 2 2
0 X X 2 X X 3 0 X X 2 X X 3
Gtr. 7
8
F#m7 G,7 F#m7 Em7
Your sil - hou - ette will change the view
Gtrs. 3 & 4
0 0 0 X 0 0 0
X X X X X X
7 7 9 11 9 7 X 7 7 7
5 5 7 9 7 5 X 5 5 5
7 9 10 9 7 X 7 7 7
Gtr. 6
0 2 0 2
X 0 2 2 X 0 2 2
0 X X 2 X X 3 0 X X 2 X X 3
Gtrs. 3 & 4: w/ Rhy. Fig. 2
Gtr. 6: w/ Riff C (last 4 meas.)
F#m7 G,7 F#m7 G,7 Am7 Bm7 Am/C Bm7 Am/C Bm7 Am7
of dis - tant at - mos - phere. Call it
Bm Bm/A G,7 F,7
morn - ing driv - ing through the sound and e - ven in the val - ley. In and a - round
Chorus
Gtr. 7: w/ Rhy. Fig. 3 (3 3/4 times)
G C F5 C/E F5 C/E G C F5 C/E Bb G
the lake, moun - tains come out of the sky and they stand there.
C F5 C/E F5 C/E G C F5 C/E Bb G
One mile o - ver we’ll be there and we’ll see you.
C F5 C/E F5 C/E G C F5 C/E Bb G
Ten true sum - mers will be there and laugh - ing, too.
9
C F5 C/E F5 C/E G C F5 C/E Bb
Woo, woo, woo, yeah. Twen - ty - four be - fore, my love, you’ll
Em
see, I’ll be there with you.
Gtr. 7
w/ pick & fingers
6 6
6 6 X 1 3 5 7 8
7 7 X
8 X
8 X 0 2 3 5 7
Interlude
Gtr. 7 tacet
Em C Bm Am G D/F#
Gtr. 8 (elec.) 6 6 6 3
3
3 3
f
w/ slight dist.
4 5 7 4 5 7 4 5 7 4 5 7 4 5 7
4 5 7 4 5 7 4 5 7 4 5 7 4 5 7
3 3 2 0
3 2
Gtr. 8 tacet
Em
Riff D End Riff D
Gtr. 9 (elec.)
f
w/ dist.
0 2 0 0 2 0 0
0 2 3 3 3 3 2 3 2 0
Bridge
Gtr. 9: w/ Riff D (3 times)
Em
A - long the drift - ing cloud, the ea - gle search - ing down on the land.
Catch - ing the swirl - ing wind, the sail - or sees the rim of the land.
10
The ea - gle’s danc - ing wings cre - ate as weath - er spins out of hand.
Gtr. 8: w/ Riff D (2 times)
Riff E End Riff E
Gtr. 7
mf
12 12 7 10 7 9 3 5 7 10 9 14
14 14 9 12 9 11 5 7 9 12 11 16
Gtr. 9: w/ Riff D (4 1/2 times)
Go clos - er, hold the land, feel part - ly no more than grains of sand.
p
12 3 5 7 10 9 14
14 5 7 9 12 11 16
We stand to lose all time, a thou - sand an - swers by in our hand.
mf p
12 12 7 10 7 9 3 5 7 10 9 14
14 14 9 12 9 11 5 7 9 12 11 16
Next to your deep - er fears, we stand sur - round - ed by mil - lion years.
mf p mf
12 12 7 10 7 9 3 5 7 10 9 14
14 14 9 12 9 11 5 7 9 12 11 16
11
Gtr. 7: w/ Riff E (1 1/2 times)
I’ll be the round - a - bout. The words will make
you out and out. I’ll be the round - a - bout.
The words will make you out and out.
Gtr. 7
3 5 7 10 9 14
5 7 9 12 11 16
Gtr. 9
2 0 0
3 3 2 3 2 0
Interlude
Free time
Gtrs. 7 & 9 tacet
Em
Gtr. 2
3
Harm. Harm.
12 7 5 7 5 3 5 12
12 7 12
12 12
12 12
C
3
12 7 5 7 5 3
12 7
12 4 5 7
4 5 7
3
12
Em
3 3
Harm.
12 7 5 7 5 3 5 7 5 7 5 3
12 7 7
12 0
12
C
In and a - round
3
3
4 5 7
4 5 7
3
Chorus
A tempo
Gtr. 2 tacet
G G,7 G6 Bb,7
the lake, moun - tains come out of the sky, they stand there.
*Gtr. 10
mp
7 7 7 5
8 7 8 6
7 7 9 7
8
*Mellotron arr. for gtr.
G F Bb Eb,7
Twen - ty - four be - fore, my love, and I’ll be there.
5 7 5 6 10
6 8 6 6 11
7 7 5 7 12
8 13
13
1., 2., 3.
Organ solo
Gtr. 7: w/ Rhy. Fig. 3 (3 3/4 times)
Gtr. 10 tacet
G C F5 C/E F5 C/E G C F5 C/E Bb
4.
Interlude
G Bb
Gtr. 8
5 3
4 5 7 7 5 4 2 3 5 5 3 2
5 7 7 5 3 5 5 3
Gtr. 7
6
6 X
7 7 7 X
8 8 X 2 0
8 2 3 5 5 3 2 0 1 3 3 1 0
0 3 5 5 3 1 3 3 1
G Bb
5 3
4 5 7 7 5 4 2 3 5 5 3 2
5 7 7 5 3 5 5 3 0
1 1
2 0
2 3 5 5 3 2 0 1 3 3 1 0 1 0
3 5 5 3 1 3 3 1 1
G Bb
*Gtrs. 7 & 8
1/4 1/4 1/4 1/4 1/4
4 0 0 5 0 0 7 0 0 5 0 0 4 0 0 3 0 0 0
5 3 0 3 0
3 3 1
*Composite arrangement
14
G Bb
15 15 15 15 15 15 13 15 13
X 13 13 13 14 13 13 11 15 13
X 12 12 12 12 10 10
12 10 8 8
10
Organ solo
Gtr. 7: w/ Rhy. Fig. 3 (2 times)
Gtr. 8 tacet
G C F5 C/E F5 C/E G C F5 C/E Bb
Interlude
G Bb
Gtr. 7
5 7 5 5
X 5 6 8 8 6 5 5 6 8 8 6 5
X 7 7 5 7 7 5
Gtr. 8
2 4 2 2
2 3 5 5 3 2 2 3 5 5 3 2
5 5 3 5 5 3
G Bb
5 7 5 5
5 6 8 8 6 5 5 6 8 8 6 5
7 7 5 7 7 5
2 4 2 2
2 3 5 5 3 2 2 3 5 5 3 2
5 5 3 5 5 3
15
Guitar Solo
Gtrs. 7 & 8 tacet
G Bb G
Gtr. 9
3
*p f
1
15 15 13 12 13 12 13 15 13 15 10
12 10 10 12 10 12 7
*Vol. swell
Bb Am Bm
3 3
3 5 7
9 10 9 10 12 10 12 14 12 14 15 2 4 5
2 4 5
Em
Gtr. 9
14
15
14 15 14 15 14
7 8 10 12 12 13 12 13
Gtr. 6
Verse
Gtr. 6: w/ Riff C
Gtr. 9 tacet
Em
4. I’ll be the round - a - bout. The words will make you out and out.
Am
You spend the day your way. Call it
Gtr. 7
X
X 5
16
Bm Bm/A G,7 F,7
morn - ing driv - ing through the sound and in and out the val - ley. In and a - round
Gtr. 7
4 7
Gtr. 6
3 2 0
2 0 3 2 3 5
3
Chorus
Gtr. 7: w/ Rhy. Fig. 3 (3 times) Gtr. 6 tacet
G C F5 C/E F5 C/E G C F5 C/E Bb
the lake, moun - tains come out of the sky and they stand there.
Gtr. 6
G C F5 C/E F5 C/E G C F5 C/E Bb
One mile o - ver we’ll be there and we’ll see you.
G C F5 C/E F5 C/E G C F5 C/E Bb
Ten true sum - mers will be there and laugh - ing, too.
17
G C F5 C/E F5 C/E G C F5 C/E Bb
Oo. Twen - ty - four be - fore my love, you’ll
(Woo!)
Gtr. 7
10
11
5 5 5 5 5 X 4 5 5 5 10
5 5 5 X X X 5 5 5 X X
5 5 8 7 7 8 7 7 8 7
3 3
Em
see I’ll be there with you.
Da, da, da, da, da,
Gtr. 7
w/ pick & fingers
10 10 X
11 11 X 1 1 3 5 7 8
10 10 X
0 0 2 3 5 7
0 0
Gtrs. 3 & 4
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
18
Outro
Em
da, da. Da, da, da, da, da, da, da. Da, da, da, da, da,
(Doo, doo,
Rhy. Fig. 4 End Rhy. Fig. 4
Gtrs. 3 & 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 3 & 4: w/ Rhy. Fig. 4 (2 times)
da, da. Da, da, da, da, da, da, da. Da, da, da, da, da,
doo, doo, doo, doo. Doo, doo, doo, doo, doo, doo.
da, da. Da, da, da, da, da, da, da. Da, da, da, da, da,
Doo, doo, doo, doo, doo, doo. Doo, doo, doo, doo, doo,
19
D
da, da. Da, da, da, da, da, da, da.
doo. Doo, doo, doo, doo, doo, doo.)
Gtr. 11 (nylon-str. acous.)
mf
14
Gtr. 2
Gtrs. 3 & 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 3 & 4 tacet
C G/B Am G D/F# E
Gtr. 11
14 15 15 14 12 12
15 15 13 12 15 12 13 12 9
14 12 14 9
9
Gtr. 2
3
2 3 3 2 0 0 0
3 3 1 0 3 0 1 0 0
2 0 2 1
0 2
3 2 0 2
3 2 0
20
Tom Sawyer
Words and Music by Alex Lifeson, Geddy Lee, Neil Peart and Pye Dubois
Intro
Moderately q = 88
* µ(E5)
(Synth & drums)
A
*Chord symbols reflect overall harmony.
mod - ern day war - ri - or, mean, mean stride, to - day’s Tom Saw - yer, mean, mean pride.
E µ(E5) Dsus2 µ(E5) A7sus4 µ(E5) Csus2
**Gtr. 1 (dist.)
mf let ring
4 3
5 5 3 3
4 7 0 5
7 2 5
7 0 0 5
0 0 0 0 0 0 0 0 0 0 0 0
**Doubled throughout
Verse
µ(E5) E µ(E5) Dsus2
1. Though his mind is not for rent, don’t put him down as ar - ro - gant.
Rhy. Fig. 1
let ring
4
5 5
4 7
7
7
0 0 0 0 0 0
µ(E5) A7sus4 µ(E5) Csus2
His re - serve a qui - et de - fense, rid - ing out the day’s e - vents.
End Rhy. Fig. 1
3
3 3
0 5
2 5 0 0
0 0 5 0 0
0 0 0 0 0 0 0 0
Copyright © 1981 Anthem Core Music Publishing
All Rights Administered by Anthem Entertainment LP
All Rights Reserved Used by Permission 1
Interlude
Cadd9 G/B A7sus4 Cadd9 G/B A7sus4 E
The riv - er.
let ring let ring
4 4 5 4 5 4 5 4
3 3 3 3 3 3 5 5 5 5 5
0 0 0 0 0 0 4 4 4 4
2 0 2 2 0 0 2
3 2 0 3 2 0
0 0 0
Dsus2 D9 A7sus4 A7 add6
sus4 A7sus4 Cadd9 G/B A7sus4 Cadd9/G G/F# E5
let ring
3 3 3 2 0
5 7 7 3 3 3 3 3 3 3 3 3 3
7 5 5 0 0 0 0 0 0 0 0 0 0
7 7 7 2 2 2 2 2 2 0 2 2 0 0 2
7 7 7 0 0 0 3 2 0 3 2 0 2
0 0 0 0 0 0 0
E5/F# G Asus2 Em7 Cmaj7 Bm Asus2 G
let ring
4 4 4 4
2 0 2 0 2 0 2
2 2 2 2 0 2 3 2 0
0 2 3 0 3
Pre-Chorus
E5 E5/F# G Asus2 Em7 Cmaj7 Bm Asus2 G
What you say a - bout his com - pa - ny is what you say a - bout so - ci - e - ty.
let ring
4 4 4 4 4 4
2 2 0 2 0 2 0
2 2 2 0 2 3 2 0
0 2 3 0 3
E5 E5/F# G Asus2 E5 Cmaj7 Bm Asus2 G
Catch the mist, catch the myth, catch the mys - t’ry, catch the drift.
let ring
4 4 4 4 4 4
2 0 2 2 0 2 0
2 2 2 0 2 3 2 0
0 2 3 0 3
2
E5 E5/F# G Asus2 Em7 Cmaj7 G/B Asus2
let ring
4 4 4 4 4 4 4 4 4
2 2 0 2 0 2 2 0 0
2 2 2 0 2 3 2 0 0 0 0
0 2 3 0 0 0 0
Chorus
Bsus2 A5 G6sus2 B
The world is, the world is. Love and life are deep,
Rhy. Fig. 2
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 4
4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 4
4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 4
2 2 2 2 2 2 2 2 0 0 0 0 X X X 2
2 2 2 2 2 2 2 2 3 3 3
A5 G6sus2 A5 E5
may - be as his skies are wide.
let ring
0
4 4 4 4 0
4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 4
4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0 X X X X 0 0 0 0 2 2 2
3 3 3 3 0 0 0
To - day’s Tom Saw - yer, he gets high on you, and the
End Rhy. Fig. 2
let ring
0
0
4
2
Interlude
Gtr. 1 tacet
E5
Play 4 times
space he in - vades, he gets by on you.
*Gtr. 2 Play 4 times
Riff A End Riff A
f
let ring
0
0 10 7 9 7 10 10 7 9 7
4 9 7 9
2 9
*Synth arr. for gtr.
3
1. 2.
Gtr. 2: w/ Riff A (4 times)
Gtr. 1 E5 F#5 E5 F#5 E5 F#5
let ring let ring let ring let ring let ring let ring
2
2
4
4
2
2
4
4 2
2
4
4
4
0 0 2 0 0 2 0 0 2
µ(E7)
Gtr. 2
w/ bar
10 7 9 7 10 10 7 9 10 7 9 7
9 7 9 7 9 7 7
9
Gtr. 1
7 6 4 7 6 4 7 6 4 7 6
9 7 5 9 7 5 9 7 5 9 7 5
7 7
Guitar Solo
Gtr. 1 tacet
µ
7 7
Gtr. 3 (dist.)
f
w/ stereo chorus/doubler
1 1 4 4 7
7 7 0
Gtr. 2 tacet
Gtr. 3
3
10 9 10 12
7 13 11 13 14 13 11 13 11 7 9
5
5 7
4
3 grad. bend P.H.
P.H. P.H. P.H. P.H.
1/4 (15ma) 1 (15ma) (15ma) (15ma) (15ma)
X 5 5 3 0 2 2 3 3 3 5 7 5 5 5
6 7 6 4 6 7
3
3
1 1/2 1/2
0 12 12
5 14 0 15 14 12 14 14 14 14 12 15 12 12 14 14 14 12 12 15
0 14
8va
5 10
grad. release grad. bend
1 1/2
12 16 16 16 17 19 17 16 17 17 19 19 17 16 17 17 16 19 17 17 16 16 16 19 19
15 15
8va
1 1
1 1 1 1
1
19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19
A5 B5 D5 E5
Gtr. 4 (dist.)
loco
mp
Gtr. 3
divisi
7 6 4 7 6 7 6 4 7 9
9 7 5 5 9 7 5 9 7 5 5 7 9 5 5 7 7
7 5 5 7 7
Interlude
Gtrs. 3 & 4 tacet
µ(E5) E µ(E5) Dsus2 µ(E5) A7sus4 µ(E5) Csus2 Csus2/B Csus2/A
Gtr. 1
let ring
0 4 3
0 5 5 3 3
4 7 0 5
7 2 5
7 0 0 5
0 0 0 0 0 0 0 0 0 0 0
5
Verse
Gtr. 1: w/ Rhy. Fig. 1
µ(E5) E µ(E5) Dsus2
2. No, his mind is not for rent to an - y god or gov - ern - ment.
µ(E5) A7sus4 µ(E5) Csus2
Al - ways hope - ful yet dis - con - tent, he knows chang - es aren’t per - ma - nent,
Interlude
Cadd9 G/B A7sus4 Cadd9 G/B A7sus4 E
but change is.
Gtr. 1
let ring
4 4 4 4 5 4
3 3 3 3 3 3 3 5 5 5 5
0 0 0 0 0 0 0 4 4 4 4
2 0 2 2 0 0 0
3 2 0 3 2 0 0
0 0 0
add6
Dsus2 D9 A7sus4 A7 A7sus4 Cadd9 G/B A7sus4 Cadd9/G G E5
sus4
let ring
3 3 3 2 0
5 7 7 7 7 3 3 3 3 3 3 3 3 3 3
7 5 5 5 5 0 0 0 0 0 0 0 0 0 0
7 7 7 7 7 2 2 2 2 2 2 0 2 2 0 0 2
7 7 7 7 7 0 0 0 3 2 0 3 2 0 2
0 0 0 0 0 0 0
E5/F# G Asus2 E5 Cmaj7 Bm Asus2 G
And
let ring
4 4 4 4 4 4 4 4
2 2 2 2 0 2
2 2 2 0 2 3 2 0
0 2 3 0 3
Pre-Chorus
E5 E5/F# G Asus2
E5
Cmaj7 Bm
Asus2 G
what you say a - bout his com - pa - ny is what you say a - bout so - ci - e - ty.
Rhy. Fig. 3 End Rhy. Fig. 3
let ring
4 4 4 4 4 4 4 4
2 2 2 0 2
2 2 2 0 2 3 2 0
0 2 3 0 3
6
Gtr. 1: w/ Rhy. Fig. 3
E5 Cmaj7 Bm Asus2 G
E5 E5/F# G Asus2
Catch the wit - ness, catch the wit, catch the spir - it, catch the spit.
E5 E5/F# G Asus2 E5 Cmaj7 Bm Asus2
Gtr. 1
let ring
4 4 4 4 4 4 4
2 2 2 0 2 2 2 0
2 2 2 0 2 3 2 0 0 0 0
0 2 3 0 0 0 0
Chorus
Gtr. 1: w/ Rhy. Fig. 2
Bsus2 A5 G6sus2 B A5 G6sus2 A5
The world is, the world is. Love and life are deep, may - be as his eyes are
E5
wide. Ex - it the war - ri - or, to - day’s Tom Saw - yer. He gets
3 3
high on you and the en - er - gy you trade. He gets right on to the fric - tion of the
Gtr. 1
let ring
0
0
4
2
Outro
E5 F#5/E E5 F#5/E E5 F#5
day.
Gtr. 2
w/ bar
10 7 9 7
9 9 9
Gtr. 1
let ring let ring
let ring let ring let ring let ring
2 4 2 4 2 4
2 4 2 4 2 4
0 0 2 0 0 2 0 0 2
7
E5 F#5 E5 F#5 E5 F#5
w/ bar w/ bar
7 10 7 9 7 7 9 7
9 6 9 9
4
Riff B End Riff B
let ring let ring let ring let ring
let ring let ring
2 4 2 4 2 4
2 4 2 4 2 4
0 0 2 0 0 2 0 0 2
E5 F#5 E5 F#5 E5 F#5
w/ bar
17 14 16 14
17 15 17
9
let ring let ring let ring let ring
let ring let ring
2 4 2 4 2 4
2 4 2 4 2 4
0 0 2 0 0 2 0 0 2
Begin fade
Gtr. 1: w/ Riff B Gtr. 2 tacet
E5 F#5 E5 F#5 E5 F#5
Gtr. 2
Gtr. 1
let ring let ring
17
2 4
2 4
0 0 2
Fade out
Gtr. 1 E5 F#5 E5 F#5 E5 F#5
let ring let ring let ring let ring
let ring let ring
2 4 2 4 2 4
2 4 2 4 2 4
0 0 2 0 0 2 0 0 2
8
from The Band - The Band
Up on Cripple Creek
Words and Music by Robbie Robertson
Intro
Slowly q = 72
µ *A5
(Drums)
1. When
Gtr. 1 (clean)
mf
5 5 7 5 5 7
5 7 5 7 5 7 5 7
Gtr. 2 (clean)
mf
P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0
*Chord symbols reflect overall harmony.
Verse
Gtr. 1 tacet
A5 D5
I get o - ver this moun - tain, you know where I wan - na go.
Rhy. Fig. 1
Gtr. 2
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
A5 D5 E5
Straight down the Mis - sis - sip - pi Riv - er to the Gulf of Mex - i - co. To
End Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M.
let ring
P.M.
2 3 5 5
2 2 2 2 4 4 4 4
2 2 0 0 0 2 2 2 2
0 0 0 0 0 2
0 0 0
© 1969 (Renewed) WB MUSIC CORP. and CANAAN MUSIC, INC.
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
Gtr. 2: w/ Rhy. Fig. 1
A5 D5
Lake Charles, Lou - is - i - an - a, Lit - tle Bes - sie, girl I once knew.
A5 D5 E5
Uh, she told me just to come on by if there’s an - y - thing that she could do.
Chorus
A D
Up on Crip - ple Creek she sends me. If I spring a leak, she mends me.
Rhy. Fig. 2
Gtr. 2
0 2 2
0 2 2 0 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
E F#m G
I don’t have to speak, uh, she de - fends me. A drunk - ard’s dream if I ev - er did see one.
End Rhy. Fig. 2
let ring
P.M.
3
1 1 1 2 3 4 3 4
2 2 0 2 2 0 4 5 5
2 2 0 2 2 0 4 4 5
2
Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
A5 D5
2. Good luck had just stung me, to the race track I did go.
took up all of my win - nings and I gave my lit - tle Bes - sie half.
4., 5. See additional lyrics
A5 D5 E5
She bet on one horse to win, and I bet on an - oth - er to show. The
Uh, she tore it up and threw it in my face, uh, just for a laugh. Now,
2
A5 D5
odds were in my fav - or, I had ’em five to one.
there’s one thing in the whole wide world I sure would like to see.
A5 D5 E5
And that nag to win came a - round the track. Sure e - nough, we had won.
That’s when that lit - tle love of mine dips her dough - nut in my tea. Hee, hee!
Chorus
Gtr. 2: w/ Rhy. Fig. 2
A D
Up on Crip - ple Creek, uh, she sends me. If I spring a leak, she mends me.
To Coda
E F#m G
I don’t have to speak, she de - fends me. A drunk - ards’s dream if I ev - er did see one.
1., 2. 3.
3. I
4. Now,
Interlude
A5 D5 A5 D5
No, no, hoo. Lo, de, lo, de, lo, hoo, hoo.
(Oo.)
(Oo, hoo. Lo, de, lo, do, do, hoo.
Gtr. 2
P.M.
5 5
6 6 7 4 6 6 4 2
7 7 7 7 7 7 5 4
7 7 5 5 5 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3
D.S. al Coda
A5 D5 A5 D5
No, no, hoo. Lo, de, lo, de, lo, hoo, hoo. 5. There’s a
Lo, de, lo, hoo, hoo. Oo, hoo. Oo, hoo. Oo, hoo, hoo, hoo.)
P.M. P.M. P.M. P.M.
5
5 6 7 6 6 7
7 7 0 7 7 7
0 0 0 5 5 5 5 5 5 7 9 7 7 7 7 7
5 5 5 5 5 5 5 5 5
Coda
Outro
Bkgd. Voc.: ad lib. (next 8 meas.)
A5 D5
No, no, hoo.
Gtr. 2
let ring
P.M. P.M. P.M.
5 7
6 6 7
5 7 7 7 7 7 5
7 7 5 5 5 5
5 5 5 5 5 5 5 5
A5 D5 A5 D5
Lo, de, lo, de, lo, hoo, hoo. No, no, hoo.
let ring P.M. P.M. P.M. P.M.
P.M. P.M.
5 7
6 6 7
7 7 7 7 7 7 7 7 7 7 7 5
7 7 5 5 7 9 9 7 7 7 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5
4
A5 D5 A5 D5
Lo, de, lo, de, lo, hoo, hoo. No, no, hoo.
P.M. P.H.
P.M. P.M. 1
10 10 10 5 8 8
6 6 X X
7 9 11 11 9 X 7 7 X X
7 7 7 9 7 7 7 7 5 5 5
5 5 5 5 5 5 5 5 5 5
Pitch: E
A5 D5 A5 D5
Lo, de, lo, de, lo, hoo, hoo. Oo, hoo.
P.M. P.M. P.M.
5 5
5 6 7 5 6 7 9 9 9
7 7 7 7 7 7 7 9 11
7 9 7 7 7 7 7 5 5
5 5 5 5 5 5 5 5 5
Begin fade Fade out
A5 D5 A5 D5
1/2
let ring
P.M. P.M.
0 0 0
12 12 12 12 12 5 7
6 6 0 6 6 7 9
7 7 7 7 7 7 9 11
7 7 7 7 7 7 9 9
5 5 5 5 5
Additional Lyrics
4. Now me and my mate were back at the shack,
We had Spike Jones on the box.
She said, “I can’t take the way he sings
But I love to hear him talk.”
Now that just gave my heart a throb
To the bottom of my feet.
And I swore as I took another pull,
My Bessie can’t be beat.
5. There’s a flood out in California,
And up north it’s freezing cold.
And this livin’ off the road
Is gettin’ pretty old.
So I guess I’ll call up my big mama,
Tell her I’ll be rolling in.
But you know, deep down I’m kinda tempted
To go and see my Bessie again.
5
from John Mellencamp - Dance Naked
Wild Night
Words and Music by Van Morrison
open open open
G5 Em C D Em C/G D/A C D
7fr 8fr 10fr
2 34 13421 134211 134211 12 342 1 132 32 1 132
Gtr. 4: Open G tuning:
(low to high) D-G-D-G-B-D
Intro
Moderately fast q = 140
** Em
*Gtr. 1
(Drums)
mf
5 5
7 5 5 7 5
12 0 7 0 7 5
*Bass arr. for gtr. **Chord symbols reflect implied harmony.
Verse
2nd time, Gtrs. 2 & 3 tacet
G Em
1. Male: As you brush your shoes you
girls walk by
Riff A
5 5 5
7 5 7 5 5 7 5 5
3 7 5 3 7 0 7
G
stand be - fore your mir - ror. And you comb your
dressed up for each oth - er. And the
End Riff A
12 12
5 11 12 11 12 11
7 5
0 7 0 3 0 3
Gtr. 1: w/ Riff A (2 times)
Em G
3
hair, grab your coat and hat. Female: And you walk
boys do the boog - ie woog - ie on the cor - ner of the street. Female: And the
© 1971 (Renewed) WB MUSIC CORP. and CALEDONIA SOUL MUSIC
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
Em G
the streets try - ing to re - mem - ber, oh yeah, all
peo - ple pass - ing by just stare with wild won - der, yeah. And in -
C D5 G5
those wild nights breeze through your mind.
side, the juke - box roars just like thun - der.
*Gtrs. 2 & 3
mf (cont. in slashes)
3 5 3 3 3 3 3 3
1 3 3 3 3 3 3 3
0 2 0 0 0 0 0 0
2 0 0 0 0 0 0 0
3 X X X X X X
3 3 3 3 3 3
*Gtr. 2 (slight dist.), Gtr. 3 (clean), played mf.
Composite arrangement
To Coda
Pre-Chorus
*** G5 Em C
Rhy. Fig. 1
Gtrs.
2&3
†Male: And ev - ’ry - thing looks so com - plete when you’re
**Gtr. 4 Rhy. Fig. 1A
(dist.) Rhy. Fill 1 End Rhy. Fill 1
mf
w/ slide
4 9 9 17 17 4
4 9 9 17 17 4
4 9 9 17 17 4
**Two gtrs. arr. for one.
***See top of first page of song for chord diagrams pertaining to rhythm slashes.
†2nd time, Female
Em C Em
walk - ing down on the streets. And the wind catch - es your feet,
9 X 5 9
9 X 5 5 9 5
9 X 5 5 9 5
2
C D
End Rhy. Fig. 1
(Gtr.3 cont.in notation)
sends you fly - ing, cry - ing.
End Rhy. Fig. 1A
5 7 7
5 7 7
5 5 7 7
5 5 7 7
Chorus
Gtr. 4 tacet
Em open C/G D/A
Rhy. Fig. 2
Gtr. 2
Oo, wee.
Rhy. Fig. 2A
Gtr. 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 0
0 0 0 0 0 0 0 1 1 1 1 1 1 0 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 0
2 2 2 2 2 2 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 3 3 3 3 3 3 0
0 0 0 0 0 0
Gtr. 5 tacet
Em open D/A
Gtr. 2
Wild night is call -
Gtr. 5 (slight dist.)
mp
10
12 10 10 8
Gtr. 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0
3
D.S. al Coda
G5
End Rhy. Fig. 2
Gtr. 2
- ing. 2. Male: All the
End Rhy. Fig. 2A
Gtr. 3
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
X X X X X X X X
3 3 3 3 3 3 3 3
Coda
Pre-Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 1
Gtr. 4: w/ Rhy. Fig. 1A
Em C Em C
thing looks so com - plete, uh, when you’re walk - ing down on the street. And the
Gtr. 5
mf
0 0 0 0 0 0 0 0 0 0
8 7 5 5 5 8 7 5 5 5
Em C D
wind, it catch - es your feet and sends you fly - ing, Male: cry - ing.
w/ bar w/ bar
0 0 0 0 0 0 5 5
5 5 7 8 7 5 7 8
4
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A
Em C D Em
Oo, oo, wee.
w/ bar
0 0 0 0 0 0 0 0 7 7
8 7 5 5 8 7 5 5
Gtr. 5 tacet
D G5 µ
The wild night is call - ing.
0 0 0 0 0
8 8 7 5 5
Interlude
Em G G6sus4 G G6sus4 G G6sus4 G G6sus4 G
Gtrs.
Rhy. Fig. 3 End Rhy. Fig. 3
2&3
7 7 7 7 7 7 7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 5 5 5 5
9 9 9 9 9 9 9 9 9 9 9 9 9 9 0 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4
9 9 9 9 9 9 9 9 9 9 9 9 9 9 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Em
Gtr. 5
f
1 1
12 12 12 12 12 12 12 12 12 12
15 15 15 15 15 15 15 15 15 15 3
5
Bridge
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (3 times)
G G6sus4 G G6sus4 G G6sus4 G G6sus4 G Em
Male: Wild
let ring w/ bar
3 5 7 5 3 8 7 10 0
3 3 3 3 8 8 X 8 0
0 X 0
2
2
0
Gtr. 5 tacet
G G6sus4 G G6sus4 G G6sus4 G G6sus4 G Em
night is call - ing.
Female: The wi - i - ild
G G6sus4 G G6sus4 G G6sus4 G G6sus4 G Em
Come on out and dance.
night, it is call - ing. Come on out and
G G6sus4 G G6sus4 G G6sus4 G G6sus4 G
Come on out and make ro - mance. Come on out and
dance. Make ro - mance.
6
Gtr. 4: w/ Rhy. Fill 1
Em D G5
dance. Come out and make ro - mance, yeah. And ev - ’ry -
Come on out and dance.
Gtrs.
2&3
7 7 7 7 7 7 X 5 5 5 5 5 5 5 X 3 3
8 8 8 8 8 8 X 7 7 7 7 7 7 7 X 3 3
9 9 9 9 9 9 X 7 7 7 7 7 7 7 X 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 9 9 9 9 9 X 7 7 7 7 7 7 7 X 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7 7 7 7 7 7 X 5 5 5 5 5 5 5 X X X X X X X X X X X X X X 0
3 3 3 3 3 3 3 3 3 3 3 3 3 0
Pre-Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 1
Gtr. 4: w/ Rhy. Fig. 1A
Em C Em C
thing looks so com - plete, uh, when you’re walk - ing out on the streets. And the
Gtr. 5
0 0 0 0 0 0 0 0 0 0 0 0
8 7 5 5 5 5 7 8 7 5 5 5 5
Em C D
wind, it catch - es your feet, sends you fly - ing, cry - ing.
w/ bar
w/ bar
0 0 0 0 0 0 10 10
5 5 7 8 7 5 7 8 10 10
7
Chorus
Gtr. 5 tacet
Em G Em
Oo, oo, wee.
µ
Wild night is call - ing.
Gtr. 5
1 1
12 12 12 12 12 12 12 12 12 12
15 15 15 15 15 15 15 15 15 15
open open
Em C
Gtrs.
2&3
Oo,
Gtr. 5
1
1
12 12 12 12 12 12 12 12 12 12
15 15 15 15 15 15 15 15 15 15
Gtr. 4
4 9 9 5 5 5 5 7
4 9 9 5 5 5 5 7
4 9 9 5 5 5 5 7
8
D open Em open
oo, wee. The wild
w/ bar
1
0 0 0 0 0 12 12 12 12
7 8 7 5 5 5 15 15 15 15
7 7 7 7 9 9 9
7 7 7 7 9 9 9
7 7 7 7 9 9 9
D open G5
night is call - ing.
1
12 12 12 12 12 12
15 15 15 15 15 15
7 7 7 7 12 12 12 12 12 12 12 12 12
7 7 7 7 12 12 12 12 12 12 12 12 12
7 7 7 7 12 12 12 12 12 12 12 12 12
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