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The play Macbeth by William Shakespeare opens with a scene that sets the tone
and mood for the rest of the tragedy. In a desolate place blasted by thunderstorms,
three witches appear, speaking in rhyming, paradoxical couplets: "when the battle's
lost and won" (1.1.4); "fair is foul, and foul is fair" (1.1.10). They agree to meet again
on the heath (plain) when the battle now raging ends. There they'll meet Macbeth.
This scene introduces the main characters of the play: the witches and Macbeth. The
witches are mysterious and sinister, associated with dark forces and evil intentions.
They speak in a cryptic language that foreshadows the events and themes of the
play: war, fate, ambition, deception, and equivocation. They also hint at Macbeth's
role as their instrument of chaos and destruction, as they plan to confront him after
the battle.
Macbeth is not present in this scene, but his name is mentioned by the witches,
suggesting that he is somehow connected to them and their prophecies. The
audience is left curious and intrigued about who Macbeth is and what he will do
when he meets the witches.
The scene also establishes the setting and context of the play: Scotland in the
eleventh century, during a time of civil war and foreign invasion. The stormy weather
reflects the turmoil and violence that plague the country and its people. The heath,
an open and barren place, symbolizes the moral wasteland that Macbeth will create
with his actions.
The scene is brief but powerful, creating a sense of mystery, suspense, and
anticipation for what will follow. It also sets up the contrast between appearance and
reality, order and disorder, good and evil, that will dominate the play.
The lines foreshadow the events and themes of the play, such as war, fate, ambition,
deception, and equivocation. They also hint at Macbeth's role as the witches'
instrument of chaos and destruction, as they plan to confront him after the battle¹².
The lines also establish the contrast between appearance and reality, order and
disorder, good and evil, that will dominate the play. Macbeth will be prophesied king,
and then seize the crown for himself; he will go from Duncan's favourite to Duncan's
murderer; from Banquo's closest friend to his cold-blooded killer. Fair, then, will well
and truly become foul in the play, and Macbeth is filled with images of corruption,
putrefaction, strange omens, and foulness of all kinds. The pair of opposites, foul
and fair, will dissolve into one: fair has been rendered foul, and foul has become fair.
Good and evil appear to have swapped places²³.
The lines also create a sense of mystery, suspense, and anticipation for what will
follow. They show the witches' power to manipulate Macbeth into accepting their
prophecies. They also show the witches' connection to the natural world and their
ability to create fog and filthy air that obscures vision and morality.
Shakespeare uses the witches to explore the power of supernatural forces on the
human world. He shows how they can influence human actions and emotions, and
how they can create chaos, conflict, and darkness¹³. The witches also represent the
theme of appearance versus reality, as they speak in paradoxes and equivocations,
and disguise their true nature²⁴.
The witches are mysterious and sinister, associated with dark magic and evil
intentions. They speak in a cryptic language that foreshadows the events and
themes of the play. They also have a connection to the natural world and their ability
to create fog and filthy air that obscures vision and morality²⁵.
The witches are not independent agents, but agents of fate, whose prophecies are
only reports of the inevitable. However, some of their prophecies seem self-fulfilling,
as they trigger Macbeth's ambition and drive him to murder. In other cases, their
prophecies are remarkably accurate readings of the future, such as Birnam Wood
coming to Dunsinane²³.
The witches are well outside the limits of human comprehension. They embody an
unreasoning, instinctive evil that challenges the moral order of the play. They are
also a source of mystery, suspense, and anticipation for what will follow²³.
- Fate and free will: The scene also introduces the theme of fate and free will by
showing the witches' power to predict Macbeth's fate and to influence his actions.
They plan to meet him after the battle and tempt him with their prophecies. They also
speak in paradoxes and equivocations, such as "when the battle's lost and won" and
"fair is foul, and foul is fair", that suggest a confusion between what is predetermined
and what is chosen¹⁴.
- They show the connection between the witches and the natural world, and their
ability to manipulate it for their own purposes. The animals are also symbols of the
witches' power and influence over human affairs¹².
- They create a sense of mystery and suspense, as they signal the departure of the
witches and their intention to meet Macbeth after the battle. They also foreshadow
the events and themes of the play, such as war, fate, ambition, deception, and evil¹².
- They reflect the characteristics and personalities of the witches, as they are both
common and uncommon animals. The cat and the toad are familiar creatures that
were often kept as pets or seen as pests in Shakespeare's time. However, they are
also associated with witchcraft and superstition, as they were believed to be able to
transform into other shapes or communicate with the devil²³. The owl, if it is indeed
the third witch's familiar, is also a paradoxical animal: it is a symbol of wisdom and
knowledge, but also of darkness and death³.
- It shows the connection between the witch and the supernatural world, and her
ability to communicate with her familiar through a secret language. The witch
responds to Gray Malkin's call by saying "I come, Graymalkin" (1.1.10), indicating
that she obeys her familiar's commands²³.
- It creates a sense of mystery and suspense, as it signals the departure of the witch
and her intention to meet Macbeth after the battle. It also foreshadows the events
and themes of the play, such as war, fate, ambition, deception, and evil²³.
- It reflects the characteristics and personality of the witch, as it is a common and yet
uncommon animal. The cat is a familiar creature that was often kept as a pet or seen
as a pest in Shakespeare's time. However, it is also associated with witchcraft and
superstition, as it was believed to be able to transform into other shapes or
communicate with the devil²⁴. The name Gray Malkin also suggests a grey or dirty
cat, implying that the witch is old and unclean⁵.
The number three is significant in Act 1 Scene 1 of Macbeth because it relates to the
number of witches who appear in the scene. The witches are the agents of fate who
predict Macbeth's destiny and influence his actions. They are also associated with
dark magic and evil intentions. The number of witches reflects the theme of the
supernatural and the power of supernatural forces on the human world²³.
The number three also foreshadows the events and themes of the play, such as war,
fate, ambition, deception, and evil. The witches speak in paradoxes and
equivocations, such as "when the battle's lost and won" and "fair is foul, and foul is
fair", that suggest a confusion between what is predetermined and what is chosen,
as well as a moral ambiguity that pervades the play. The number three also hints at
Macbeth's role as their instrument of chaos and destruction, as they plan to confront
him after the battle²⁴.
The number three also creates a sense of mystery and suspense, as it signals the
departure of the witches and their intention to meet Macbeth after the battle. It also
suggests that things happen in threes and something takes a turn for the worse. For
example, in the play, there are three murders committed by Macbeth: Duncan,
Banquo, and Macduff's family. There are also three apparitions that appear to
Macbeth in Act 4 Scene 1: an armed head, a bloody child, and a crowned child
holding a tree².
The number three is significant in Act 1 Scene 1 of Macbeth because it relates to the
number of witches who appear in the scene. The witches are the agents of fate who
predict Macbeth's destiny and influence his actions. They are also associated with
dark magic and evil intentions. The number of witches reflects the theme of the
supernatural and the power of supernatural forces on the human world.
The number three also foreshadows the events and themes of the play, such as war,
fate, ambition, deception, and evil. The witches speak in paradoxes and
equivocations, such as "when the battle's lost and won" and "fair is foul, and foul is
fair", that suggest a confusion between what is predetermined and what is chosen,
as well as a moral ambiguity that pervades the play. The number three also hints at
Macbeth's role as their instrument of chaos and destruction, as they plan to confront
him after the battle²⁴.
The number three also creates a sense of mystery and suspense, as it signals the
departure of the witches and their intention to meet Macbeth after the battle. It also
suggests that things happen in threes and something takes a turn for the worse. For
example, in the play, there are three murders committed by Macbeth: Duncan,
Banquo, and Macduff's family. There are also three apparitions that appear to
Macbeth in Act 4 Scene 1: an armed head, a bloody child, and a crowned child
holding a tree.
- They are mysterious and sinister characters who are associated with dark magic
and evil intentions. They are also known as the Weird Sisters or the Wayward
Sisters, and they resemble the three Fates of classical mythology, who control
human destiny.
- Their roles and functions in the play are to predict Macbeth's fate and to influence
his actions. They are also agents and witnesses of the events and themes of the
play, such as war, fate, ambition, deception, and evil. They also shape the actions of
other characters, such as Banquo, Macduff, and Lady Macbeth.
- They relate to Macbeth by tempting him with their prophecies and manipulating his
ambition. They hail him as the future king of Scotland and tell him that he will be
thane of Cawdor and Glamis. They also tell him that Banquo's descendants will be
kings. They make him curious and eager to fulfil their predictions, and they drive him
to murder Duncan and seize the throne. They also confuse and deceive him with
their ambiguous and paradoxical words, such as "none of woman born shall harm
Macbeth" (4.1.80) and "Macbeth shall never vanquished be until / Great Birnam
Wood to high Dunsinane Hill / Shall come against him" (4.1.92–94). They lead him to
his downfall and destruction by playing upon his weaknesses and fears.