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one of the countless languages she enjoyed the work and could do
we cannot read”. As the world it from home. This arrangement
becomes more intertwined and “seemed very attractive then,
interconnected then ever before, and still does”. After Grossman’s
“we have a critical need for translation of Fernández’s “The
that kind of understanding and Surgery of Psychic Removal”
insight”. was published in 1973, she left
In “Why Translation Matters”, her profession as a literary critic
Grossman presents herself and to become a full time translator.
explains the circumstances that After all these years, she still finds
led her to become a translator. the work “intriguing, mysterious,
Reading Neruda’s Residencia and endlessly challenging”.
en la tierra was a revelation At the end of her introduction,
for Grossman that altered Grossman personifies literature
“radically” her professional and translation as a couple. She
direction by bringing to light the describes them as being “joined
impact Latin American literature at the hip” and “absolutely
could have on a contemporary inseparable”. As long as literature
audience through translation. exists, so will translation. As she
Soon after, Grossman was asked describes it, “what happens to one
to translate a story by the early happens to the other”. Grossman
twentieth century Argentine concludes that “despite all the
writer, Macedonio Fernández, difficulties the two have faced,
by her friend Ronald Christ, who sometimes separately, usually
published and edited the center for together, they need and nurture
Inter-American Relations journal each other, and their long-term
Review. Grossman replied by relationship, often problematic
saying that she was a “critic, not but always illuminating, will
a translator”, but Christ insisted surely continue for as long as they
that she do it. Grossman agreed both shall live”. In Grossman’s
more out of “curiosity” than opinion, literature and translation
anything else and discovered that are equals, working together to
232 Resenhas/Reviews