THE COMPLETE,IHPORTANT NOTICE? The unnvthorined copying ofthe le or any part ot i Cc MAJOR 1 One Octave Seale 2 Arpeggio 3 Twelfth, 4 Arpeggio a § Two Octave Scale 6 Arpeggio 7 Compass of Instrument ” ‘Sevenths 8 Dominant One Octave 9 Dominant Two Octaves 10 Diminished One Octave LL Diminished Two Octaves Chromatics 12 One Octave aor Se ne ae 14 Two Octaves Arpeggios 15 Added Sixth (C Maj 6) 16 Major Seventh (C Maj 7) 2 © Copyright 1995 by Boosey & Hawkes Music Publishers LtdWy the scales and arpeggios in the following tonguings: Bo 2 TTT 1 kK Tt kT K 3 4 s T Whole Tone Scales ‘One Octave = 18 Two Octaves Scales in Thirds one octave See SS Se = 2S SSS == = =] Two Octaves fete 2 ee ere tei en Sere ===: SSS SSS SSS SSS ease For Further Practice Intervals Broken Arpeggio 3 2 13 Scale in Octaves 2 Scale in SixthsA MINOR 1 One Octave Scale (Harmonic) 2 Arpeagio 3 One Octave Seale (Melodic) 4 Twelfth (Harmonic) 6 Twelfth (Melodic) 7 Two Octave Seale (Harmonic) 8 Arpeggio 2 is 9 Two Octave Seale (Melodic) 10 Compass of Instrument (Harmonic) 11 Compass of Instrument (Melodic) Arpeg: Oy 13 Minor Seventh (A Min 7) 14 Broken Arpeggio 3 3 3 3[y the scales and arpeggios in the following rhythms and articulations: Rhythms Articatons A. Nowe on AD DT ; Pett Hy SS Scales in Thirds (Harmonic) One Octave Two Octaves ———— s SS ett rc ric cca SSS ——— == SS SSS SS Se S¥esieg g For Further Practice Intervals (Harmonic) Interrupted Scale (Melodic) quavedeedsen goer Soe Peete Scale in Thirds (Melodic) 20 Dorian on AG MAJOR 1 One Octave Scale 3 Twelfth 5 Two Octave Scale 7 Compass of Instrument ‘Sevenths 8 Dominant One Octave 9 Dominant Two Octaves 10 Diminished One Octave 11 Diminished Two Octaves, goer * ww F Chromatics 12 One Octave 2a ee === a= —= sae = 13 Twelfth, 14 Two Octaves feo Arpeggios 15 Added Sixth (G Maj 6) 16 Major Seventh (G Maj 7)the scales and arpeggios in the following rhythms and articulations: coe nd dy cay Aruatons PAAA gp TU AO sooo 48 Two Octaves Scales in Thirds One Octave Two Octaves For Further Practice Interrupted Scale : Bae, isn anas Stages 22 Broken Dominant Seventh. pms) 3 23 Mixolydian on GE MINOR 1 One Octave Scale (Harmonic) 2 Amesgio 3 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 Arpegsio 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) a 9 Two Octave Seale (Melodic) iF 10 Thre Octave Scale Harmoate =e 11 Thre Octave Scale (Melati SSS gagsee 12 Arpeggio tat a ==. Arpeggios 13 Added Sixth (E Min 6) 14 Minor Seventh (E Min 7) tous 3 33 15 Broken Arpeggiothe scales and arpeggios in the following tonguings: ol 1 cae wo ao TTT. T TK TT KT Tt KT 3 4 s Seales in Thirds eT One Octave Two Octaves : Ss SS Sa | eegaa Bi SS = For Further Practice Broken Fourths Scale in Octaves (Harmonic) 3 = 3 3 au 29 Interrupted Scale (Melodic) 21 Mixolydian on ED MAJOR 1 One Octave Seale 3 Twelfth 5 Two Octave Scale 7 Compass of Instrument Sevenths 8 Dominant One Octave 9 Dominant Two Octaves 10 Diminished One Octave 11 Diminished Two Octaves Chromatics 12 One Octave 13 Twelfth 14 Two Octaves Arpeggios 15 Added Sixth (D Maj 6) 16 Major Seventh (D Maj 7)‘Try the scales and arpeggios in the following rhythms and articulations: Biythrss a 5 5 Ge 4+ GOS yy 1 2 : : 3 Whole Tone Scales 17 One Octave PS Seales in Thirds 19 One Octave === SS SS ¥ SSS SS Sa 20 Two Octaves For Further Practice 21 Broken Arpeggio ae “agi 3 2 22 Scale in Fourths 23 Diminished Seale 4B MINOR 1 One Octave Scale (Harmonic) 2 Arpeggio 3 One Octave Scale (Melodic) 2g Stet 4 Twelfth (Harmonic) 5 Arpeggio ae 7 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpeggio 7 3 9 Two Octave Scale (Melodic) = 10 Compass of Instrument (Harmonic) 11 Compass of Instrument (Melodic) Arpeggios 12 Added Sixth (B Min 6) 13 Minor Seventh (B Min 7) 7 ¥ 14 Broken Arpeggio ei (orin4’s 2ry the scales and arpeggios in the following rhythms and articulations Rhys Arealtions (SABA ART SA SOY Beales in Thirds (Harmonie) 5 One Octave 16 Two Octaves SSS SS —eapste—a to Pe ft 5 z= ~ = Sa Seen 2S SS dl for Further Practice 7 Interrupted Scale (Harmonic) SS = Save gases see oyobie one ese senen peep re ee eS Stet sexs: ===. SSS See == = 18 Scale in Thirds (Melodic) = feet A tie, SSS SS SS C72 SS == SSS SSS + e¥oeg Z 19 Diminished ScaleA MAJOR 1 One Octave Scale 2 Ampeggio z 3 Twelfth 4 Arpeagio 5 Two Octave Scale ~ e 7 Compass of Instrument a a etite pee 3 gee* Ss agg Sevenths 8 Dominant One Octave 9 Dominant Two Octaves a fe 10 Diminished One Octave M11 Diminished Two Octaves Chromatics 12 One Octave 13 Twelth nae 14 Two Octaves linpcewageat dae RRM ip Arpeggios 15 Added Sixth (A Maj 6) SA16 Major Seventh (A Maj 7)‘Try the scales and arpeggios inthe following tonguings: Whole Tone Scales 17 One Octave 7] 18 Two Octaves Scales in Thirds 19 One Octave 20 Two Octaves ——_ SS SSE Se 2S a eee eee For Further Practice 21 Interrupted Scale 22 Scale in Sixths 23 Blues ScaleFi MINOR 1 One Octave Scale (Harmonic) 2 Ampeesio 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 arpesstio 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Ampeggio 9 Two Octave Scale (Melodic) = = gee err 10 Compass of Instrument (Harmonic) = su 11. Compass of instrument (Melodic) ; ere _ He - - ae Gas = Arpeggios 12 Added Sixth (F#Min 6) 13 Minor Seventh (F#Min 7) 14 Broken Arpeggio ei :‘Try the scales and arpeggios in the following rhythms and articulations Rhythms AD eis de eds pty Atticlations 0 mo 5 1 2 3 1 2 Scales in Thirds (Harmonic) 15 One Octave 16 Two Octaves SS SS SSS Figeise sr SS= ==. oS SSS =| at Wee ave Soe gesaa z For Further Practice 17 Intervals (Harmonic) 16 Scale in Octaves (Melodic) 19 Interrupted Scale (Harmonic)E MAJOR 2 Arpeggio 1 One Octave Seale E 4 Arpeggio 2 3 Twelfth 5 Two Octave Seale SArpestio 7 Three Octave Scale se aay Beers eee SAmpegsio ¥eeagsa 3 eo. ie uy Sevenths 9 Dominant One Octave 10 Dominant Two Octaves 11 Diminished One Octave 12 Diminished Two Octaves ane Chromatics 13 One Octave 14 Twelfth, 15 Two Octaves ¥ ——SreRe Arpegs 16 Added Sixth (E Maj 6) 17 Major Seventh (E Maj 7) wu} en et 4 48 *‘Try the scales and arpeggios in the following thythms and articulations: yas Articulations ees ADS yy pop, 1 2 3 1 2 3 Whole Tone Scales 18 One Octave 19 Two Octaves = Scales in Thirds 20 One Octave 21 Two Octaves For Further Practice 22 Intervals 23 Broken Arpeggio 25 Augmented Arpeggio F 5 19C? MINOR 1 One Octave Scale (Harmonic) 3 One Octave Scale (Melodic) 2. Arpeggio = 4 Twelfth (Harmonic) + a 5 Arpeggio = 7 Two Octave Scale (Harmonic) 9 Two Octave Seale (Melodic) 8 Arpeggio 3 —— he, = meieitt Sas 10 Compass of Instrument (Harmonic) 2 +e 11 Compass of Instrument (Melodic) 6S SS Arpeggios 12 Added Sixth (Ct Min 6) 13. Minor Seventh (Ct Min 7) = 14 Broken Arpeggio ee oeaisser*Try the scales and arpeggios n the folowing tonguings: I rT 2 Fi Sa oT a Tuo ys aa ee a tl roa 1 2 3 4 5 Scales in Thirds (Harmonic) 15 One Octave SS SS = 2e Ss SS SS 16 Two Octaves For Further Practice 17 Intervals (Melodic) vee 18 Interrupted Scale (Melodic) 19 ‘Scale in Octaves (Harmonic) 20 Blues ScaleB MAJOR 1 One Octave Scale 2 Arpeggio 3: Twelfth 4 Axpeggio « TT 5 Two Octave Scale 6 Arpeggio 7 Compass of Instrument ve ‘Sevenths 8 Dominant One Octave 9 Dominant Two Octaves 10 Diminished One Octave ished Two Octaves Chromatics 12 One Octave 13 Twelfth, eer wees 14 Two Octaves ie } Sigaae 7 Arpeggios 15 Added Sixth (B Maj 6) 16 Major Seventh (B Maj 7) al ad 22‘Try the scales and arpeggios in the following ehythms and articulations Rhythms a GF Tm 1 Bom POSS hy Dy yoo ys SHAY ; ; | : ; ; Whole Tone Scales 17 One Octave ett ee ty —— — 18 Two Octaves = Seales in Thirds 19 One Octave 20 Two Octaves 3 SSS SSS SS eet tet 3 Se SS SSS SS Se pe == a SS] wesesee For Further Practice 21 Scale in Octaves a 22 Interrupted Scale 23 Diminished Scale BAe ee van a 23G? MINOR 1 One Octave Scale (Harmonic) 2 Arpeggio 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) SS 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpessio 9 Two Octave Scale (Melodic) 10 Compass of Instrument (Harmonic) gave 11 Compass of Instrument (Melodic) ze Arpeggios 12 Added Sixth (G#Min 6) 13 Minor Seventh (Gt Min 7) 14 Broken Arpeggio z” 7‘Tey the scales and arpeggios in the following rhythms and articulations Rhythms Ariculations POO a OOO ee Gone 3 3 1 2 3 Seales in Thirds (Harmonic) 15 One Octave 16 Two Octaves ——s SS Se = gegeses aS oeoegvgaa . wu For Further Practice 17 Broken Fourths 18 Interrupted Scale (Harmonic) BESS Pa prpatatoeett SS SS SSS SS 19 Scale in Thirds (Melodic) = 2S ett ee ad SS —= 20 Blues Scale 25MAJOR 1 One Octave Scale Ai 3: Twelfth 5 Two Octave Scale 6 arpessio 7 Compass of Instrument ‘Sevenths 8 Dominant One Octave 9 Dominant Two Octaves 10 Diminished One Octave 11 Diminished Two Octaves Chromatics 12 One Octave 13 Twelfth 14 Two Octaves Arpeggios 15 Added Sixth (F# Maj 6) 16 Major Seventh (F4 Maj 7)‘Try the scales and arpeggios in the following tonguings: CI Mm oo Tritt rr 1 2 3 Whole Tone Scales 17 One Octave 18 Two Octaves 20 Two Octaves For Further Practice 21 Seale in Octaves 22 Broken Arpeggio 23 Interrupted ScaleMINOR 1 One Octave Scale (Harmonic) 2 Arpeggio 3 One Octave Seale (Melodic) 4 Twelfth (Harmonic) aes 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpesio aver 9 Two Octave Scale (Melodic) gave rh 10 Three Octave Scale (Harmonic) : pas =a SS Sa AL Three Octave Scale (Melodic) tata = aS Fae See 12 Arpeggio Arpeggios 13 Added Sixth (E> Min 6) 14 Minor Seventh (E} Min 7) 3 15 Broken Arpeggiothe scales and arpeggios in the following rhythms and articulations OLA Ap yO poo oy Ay 1 2 3 A 2 ; ales in Thirds (Harmonic) 17 Two Octaves For Further Practice 18 Intervals (Harmonic) 19 Interrupted Scale (Melodic) 20 Scale in Octaves (Harmonic) 21 Scale in Thirds (Melodic)D MAJOR 1 One Octave Scale 2 arpessio 3 Twelfth 4 Aresgion ze 2 5 Two Octave Scale 6 arpessio, 7 Compass of Instrument Sevenths 8 Dominant One Octave 9 Dominant Two Octaves ished Two Octaves 10 Diminished One Octave Chromatics 12 One Octave 13 Twelfth Ta eel 7 14 Two Octaves EP . —_— tae bee ‘ =e = Arpeggios 15 Added Sixth (Ds Maj 6) 16 Major Seventh (Ds Maj 7) 30‘Try the scales and arpeggios in the following ehythms and art a a PALI Oy poo oy 1 2 3 1 Siler Whole Tone Scales 17 One Octave 18 Two Octaves Scales in Thirds 19 One Octave 20 Two Octaves For Further Practice 21 Interrupted Scale 22 Scale in Sixths 23 Broken Dominant Seventh 3 atnT 2 Arpegsio 1 One Octave Seale (Harmonic) 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 Arpeggio 6 Twelfth (Melodic) 8 Arpeggio 7 Two Octave Scale (Harmonic) ¥ 9 Two Octave Seale (Melodic) 10 Compass of Instrument (Harmonic) ettets settee tie = eer 11 Compass of Instrument (Melodic) ° we sttenenie: _ E eg See Arpeggios 12 Added Sixth (By Min 6) 13 Minor Seventh (B> 14 Broken Arpeggio‘Try the scales and arpeggios in the following tonguings: moo I I 1 Re 3 4 TT "KK KK 7 1 2 : ‘Scales in Thirds (Harmonic) 15 One Octave Ee = =. SS SSS SS = 16 Two Octaves SSE SS Se —= SS Sa ==] For Further Practice 17 Intervals (Harmonic) 18 Interrupted Scale (Melodic) Rie 19 Scale in Sixths (Melodic) S = ir wee 20 Blues ScaleMAJOR. 1 One Octave Scale 3 Twelfth 6 Arpeggio 5 Two Octave Scale a a 3 $ I 7 Compass of Instrument su ‘Sevenths 8 Dominant One Octave 9 Dominant Two Octaves 2 10 Diminished One Octave 11 Diminished Two Octaves Chromatics 12 One Octave 13 Twelfth, 14 Two Octaves Arpeagios 15 Added Sixth (Ab Maj 6) 16 Major Seventh (A¢Maj 7) a 2 34‘Try the scales and arpeggios in the following rhythms and articulations: ys Arculations ny BE D Whole Tone Scales 17 One Octave — 18 Two Octaves Scales in Thirds 19 One Octave 333 SS ee SSS SSS SSS eS 20 Two Octaves For Further Practice 21 Seale in Octaves 7 22 Interrupted Scale 23 Broken Arpeggio 3 3F MINOR 1 One Octave Scale (Harmonic) 2 ampessio 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 8 rae 6 Twelfth (Melodic) 7 ‘Two Octave Scale (Harmonic) 8 Arpessio. » 9 Two Octave Scale (Melodie) Sy = — rid SSS dS « au a out 10 Three Octave Scale (Harmonic) ee eee tee =a = gee Sis eagay a 11 Three Octave Seale (Melodie) _ iste thei SSS ee Sa Arpeggios 13. Added Sixth (F Min 6) 14 Minor Seventh (Min 7) 3 24 gee" = 15 Broken Arpeggio 3 36‘Try the scales and arpeggios in the following rhythms and articulations: Rhythms Articulations OOOO Ty Do oy aan So poe HA 1 2 3 : 2 3 Scales in Thirds (Harmonic) 16 One Octave 17 Two Octaves For Further Practice 18 Broken Fourths 19 Interrupted Scale (Harmonic) 2S a SSS == St EE At 20 Scale in Fourths (Melodic) 21 Dorian on FE) MAJOR 1 One Octave Seale 2 Anpestio 3: Twelfth 4 Appegglo 7 a 5 Two Octave Scale 6 Arpegsio 3 ae au Sevenths 9 Dominant One Octave 10 Dominant Two Octaves 11 Diminished One Octave 12 Diminished Two Octaves Chromatics 13 One Octave 14 Twelfth, 15 Two Octaves Bag oe Soee5 3 Arpeggios 16 Added Sixth (E> Maj 6) 17 Major Seventh (E+ Maj 7) 3 38.d arpeggios in the following tonguings: ‘Try the scales Whole Tone Scales 18 One Octave so 19 Two Octaves ad Scales in Thirds 20 One Octave 21 Two Octaves For Further Practice 22 Scale in Octaves 23 Interrupted Scale 24 Diminished Scale 39C MINOR 1 One Octave Scale (Harmonic) 2 Arpeggio 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 Arpeggio 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) : 8 Arpeggio 9 Two Octave Scale (Melodic) 10 Compass of Instrument (Harmonic) i = sage SER AeA. Faiaigses Arpeggios 12 Added Sixth (C Min 6) 13 Minor Seventh (C Min 7) 14 Broken Arpeggio 2‘Tey the scales and arpeggios in the following rhythms and articulations: Riythms cP edn ty or, Articulations ith yy DOO Soe myn : 2 3 1 2 3 Scales in Thirds (Harmonic) 15 One Octave 16 Two Octaves For Further Practice 17 Scale in Octaves (Harmonic) 18 Interrupted Scale (Harmonic) 19 Scate in Thirds (Melodic) 20 Mixolydian on C See == tote ep Sasa aoe anaes =e atMAJOR 3 Twelfth 4 Arpeggio. 5 Two Octave Scale 6 Arpeggio 7 Compass of Instrument o atte ver Sevenths 8 Dominant One Octave 9 Dominant Two Octaves EE} se sul 10 Diminished One Octave 11 Diminished Two Octaves ¥ ¥ Chromatics 12 One Octave 13 Twelfth 14 Two Octaves be Arpeggios 15 Added Sixth (B} Maj 6) 16 Major Seventh (By Maj 7) = ¥ 42iculations: ‘ey te seats and arpeggios in the following ehythms and ar Riythns nds edn nt ot Arlatins AO yg Tyg Dib hy Oona y : 2 3 1 2 3 Whole Tone Scales 17 One Octave. ———— 2S eS ee = : = 18 Two Octaves eS =e Sere Ss SSS Scales in Thirds 19 One Octave = 20 Two Octaves For Further Practice 21 Broken Arpeggio 5 22 Interrupted Scale sept Seperate sae = = Seppe tte sted ties taegtergsvagieoe a 23 Scale in Sixths 43G MINOR 1 One Octave Scale (Harmonic) 2 Arpeagio 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 3 3 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpegsio au 9 Two Octave Scale (Melodic) Arpeggios 12 Added Sixth (A Min 6) 13 Minor Seventh (A Min 7) 14 Broken Arpeggio 3 P 44 —‘Try the scales and arpeggios inthe following tonguings: pO yo Se a HH cotta PRT eT TK TT KS fH 1 2 3 4 : Scales in TI is (Harmonic) 15 One Octave 16 Two Octaves 2 For Further Practice 17 Intervals (Harmonic) 18 Broken Fourths 2 be tt 3 SSS zoe 2 19 Interrupted Scale (Melodic) E SE are 20 Blues Scale 2F MAJOR 1 One Octave Seale 2 Ampession 3 Twelfth 4 Ampeasio 5 Two Octave Scale 6 Arpeggio geeee™ 7 Thee Ot Seale _wactttne geese A 2 8 Arpeggio ge Sevenths 9 Dominant One Octave 10 Dominant Two Octaves 11 Diminished One Octave 12 Diminished Two Octaves Chromatics 13 One Octave ——= == SS 14 Twelfth, 15 Two Octaves 3 Arpeggios 16 Added Sixth (F Maj 6) 17 Major Seventh (F Maj 7)Try the scales and arpeggios n the following rhythms and articulation, Rhythms — Oy Ga 458 no eleteislrssslssr Wy pop Mya, Whole Tone Scales 18 One Octave SS 19 Two Octaves 3 ‘Scales in Thirds 20 One Octave 21 Two Octaves . eS SS er = Se = nee eae eae 32 4 sul a ou For Further Practice 22 Scale in Octaves Zz 23 Interrupted Scale geeese 24 Augmented Arpeggio 3 25 Blues ScaleD MINOR 1 One Octave Scale (Harmonic) 2 Arpeggio 3 One Octave Scale (Melodic) 4 Twelfth (Harmonic) 5 Arpeggio Bea 6 Twelfth (Melodic) 7 Two Octave Scale (Harmonic) 8 Arpeggio 3 9 Two Octave Seale (Melodic) 10 Compass of Instrument (Harmonic) nite sul 11 Compass of Instrument (Melodic) Arpeggios 12 Added Sixth (D Min 6) 13 Minor Seventh (D Min 7) 14 Broken Arpeggio —g 3 48“ry the scales and arpeggios in the following rhythms and articulations: Articulations hs = pO NS yy pA AS 1 2 3 1 2 3 Scales in Thirds (Harmonic) 15 One Octave 16 Two Octaves For Further Practice 17 Scale in Octaves (Harmonic) 18 Interrupted Scale (Harmonic) 19 Scale in Sixths (Melodic) 20 Dorian Scale a9